(<i> CHEERS AND APPLAUSE </i>)
THANK YOU SO MUCH FOR HELPING ME GET TO WORK. THE TRAFFIC IS SO BAD TODAY. I REALLY APPRECIATE IT. >> OH NO WORRIES. >> James: I DON'T KNOW WHAT
I'VE DONE IF YOU WEREN'T HERE. I DON'T KNOW WHAT I WOULD HAVE
DONE. >> THAT'S WHAT I'M HERE FOR,
MAN. >> James: DO YOU MIND IF WE
LISTEN TO MUSIC? WOULD THAT BE OK? >> I LOVE MUSIC. >> James: LET'S SEE WHAT IS ON
THE RADIO. βͺ OH, YEAH
DON'T NEED PERMISSION βͺ MADE MY DECISION
TO TEST MY LIMITS βͺ 'CAUSE IT'S MY BUSINESS
GOD AS MY WITNESS βͺ START WHAT I FINISHED
DON'T NEED NO HOLD UP βͺ βͺ βͺ
SOMETHIN' 'BOUT YOU MAKES ME βͺ FEEL LIKE A DANGEROUS WOMAN
SOMETHIN' 'BOUT βͺ SOMETHIN' 'BOUT
SOMETHIN' 'BOUT YOU βͺ MAKES ME WANNA DO
THINGS THAT I SHOULDN'T βͺ SOMETHIN' 'BOUT
SOMETHIN' 'BOUT βͺ SOMETHIN' 'BOUT
NOTHING TO PROVE βͺ ALL GIRLS WANNA
BE LIKE THAT βͺ BAD GIRLS
UNDERNEATH, LIKE THAT βͺ SOMETHIN' 'BOUT
βͺ SOMETHIN' 'BOUT YOU MAKES ME FEEL LIKE
βͺ A DANGEROUS WOMAN SOMETHIN' 'BOUT
βͺ SOMETHIN' 'BOUT SOMETHIN' 'BOUT YOU
βͺ MAKES ME WANNA DO βͺ βͺ βͺ
SOMETHIN' 'BOUT βͺ SOMETHIN' 'BOUT
βͺ SOMETHIN' 'BOUT YOU ALL GIRLS WANNA BE LIKE THAT
βͺ BAD GIRLS UNDERNEATH LIKE THAT
βͺ YOU KNOW HOW I'M FEELING INSIDE
βͺ SOMETHIN' 'BOUT SOMETHIN' 'BOUT
(<i> CHEERS AND APPLAUSE </i>) >> James: YOU KNOW, YOU JUST
HAD YOUR 25TH BIRTHDAY. >> YES. >> James: I HEARD YOU HAD BIG
PARTIES WHEN YOU WERE YOUNGER. >> THEY WERE SO EMBARRASSING. >> James: WHY? >> THE THEME OF MY BIRTHDAY
PARTY WHEN I WAS 2 YEARS OLD WAS "JAWS". >> James: WHAT? WHEN YOU WERE TWO? >> YEAH, THAT WAS MY FAVORITE
MOVIE. NO KIDS CAME. THEY CAME AND LEFT. >> James: I'M SCARED TO WATCH
"JAWS" NOW LET ALONE IF I WAS 2 YEARS OLD. >> IT'S WEIRD IN THERE. IT'S WEIRD IN THERE. >> James: KIDS WOULD COME TO
YOUR BIRTHDAY PARTY. WHAT'S THE THEME? OH, YOU KNOW, THE SHARKS THAT
EATS PEOPLE. MY ONLY BIRTHDAY PARTY, I HAD AN
'N SYNC BIRTHDAY PARTY. >> SICK. >> James: IT WAS A BIG PARTY. WHAT CAN I SAY? YOU'RE ONLY 35 ONCE. >> [ LAUGHTER ]
THAT WAS GOOD. βͺ I'VE BEEN HERE ALL NIGHT
ARIANA βͺ I'VE BEEN HERE ALL DAY
βͺ AND BOY, GOT ME WALKIN' SIDE TO SIDE
'CAUSE I'VE BEEN βͺ HERE ALL NIGHT
I'VE BEEN HERE ALL DAY βͺ AND BOY, GOT ME WALKIN'
SIDE TO SIDE βͺ 'CAUSE TONIGHT I'M MAKING
DEALS WITH THE DEVIL βͺ AND I KNOW IT'S GONNA
GET ME IN TROUBLE βͺ JUST AS LONG AS YOU
KNOW YOU GOT ME βͺ THESE FRIENDS KEEP TALKIN'
WAY TOO MUCH βͺ SAY I SHOULD GIVE YOU UP
CAN'T HEAR THEM NO βͺ 'CAUSE I'VE BEEN
HERE ALL NIGHT (<i> CHEERS AND APPLAUSE </i>)
βͺ I'VE BEEN HERE ALL DAY AND BOY, GOT ME WALKIN'
βͺ SIDE TO SIDE, SIDE TO SIDE βͺ WITH THE FRESH TYPE OF FLOW
WRIST ICICLE, RIDE BICYCLE βͺ COME TRUE, YO
GET YOU THIS TYPE βͺ βͺ βͺ
(<i> CHEERS AND APPLAUSE </i>) >> James: YOU'VE GOT I THINK
ONE OF THE BEST VOICES. HOW DO I DO IT? >>
[ SINGING ] >> James:
[ REPEATING ] YOU CAN'T EVEN LIE! YOU COULDN'T EVEN LIE. ALL YOU WENT IS LIKE, UH-HUH. THAT'S EXACTLY IT. DIDN'T YOU -- DIDN'T YOU -- YOU
PRACTICED BEING ABLE TO DO THAT BY LISTENING TO, LIKE, BEYONCE
AND DESTINY'S CHILD, RIGHT? >> UH-HUH. YEAH. >> James: IS THAT WHAT YOU
DID? OVER AND OVER AND OVER. >> WHITNEY AND DESTINY'S CHILD
AND MARIAH. TOOK ME A MINUTE TO FIND MY OWN
SOUND. I WAS SINGING THEIR SONGS SO
MUCH GROWING UP. >> James: WHAT'S A CELINE DION
RUN? WHAT'S THAT? >>
[ IN AN ACCENT ] THANK YOU. I WANTED TO TAKE A MOMENT
TONIGHT TO THANK YOU ALL FOR BEING HERE. THANK YOU FORGIVING --
FOR GIVING US A CHANCE TO PERFORM FOR YOU. THANK YOU. [ SINGING LIKE CELINE DION ]
βͺ βͺ βͺ βͺ IT'S SO HARD TO BELIEVE BUT
IT'S ALL COMING BACK TO ME >> James: OH MY GOD! IT'S LIKE SHE'S IN THE CAR! βͺ YOU, YOU LOVE IT
HOW I MOVE YOU βͺ YOU LOVE IT
HOW I TOUCH YOU βͺ MY ONE, WHEN ALL
IS SAID AND DONE βͺ YOU'LL BELIEVE GOD IS A WOMAN
AND I, I FEEL IT βͺ I'LL TELL YOU ALL THE
THINGS YOU SHOULD KNOW βͺ SO, BABY, TAKE MY HAND
SAVE YOUR SOUL βͺ WE CAN MAKE IT LAST
TAKE IT SLOW, HMM βͺ AND I CAN TELL THAT YOU KNOW
I KNOW HOW I WANT IT βͺ BUT YOU DIFFERENT
FROM THE REST βͺ βͺ βͺ
(<i> CHEERS AND APPLAUSE </i>) YOU'LL BELIEVE GOD IS A WOMAN
βͺ WHEN ALL IS SAID AND DONE YOU'LL BELIEVE GOD IS A WOMAN
GOD IS A WOMAN βͺ βͺ βͺ
YOU'LL BELIEVE GOD IS A WOMAN βͺ YEAH, YEAH
βͺ GOD IS A WOMAN, YEAH βͺ WHEN ALL IS SAID AND DONE
YOU'LL BELIEVE GOD IS A WOMAN βͺ YOU'LL BELIEVE GOD
GOD IS A WOMAN (<i> CHEERS AND APPLAUSE </i>)
βͺ OH, YEAH GOD IS A WOMAN, YEAH
βͺ IT LINGERS WHEN WE'RE DONE YOU'LL BELIEVE GOD IS A WOMAN βͺ
>> James: SO YOU'VE BEEN IN THE PUBLIC EYE FOR SO LONG,
WHAT'S THE STRANGEST OR WEIRDEST THING YOU'VE EVER READ ABOUT
YOURSELF THAT YOU'RE LIKE, THAT JUST ISN'T TRUE? >> TONS OF PREGNANCY STUFF. PEOPLE REALLY WANT ME TO BE
PREGNANT. >> James: THEY'RE REALLY
EXCITED ABOUT YOU BEING PREGNANT? >> THEY WANT IT. THEY WANT IT SO BAD. EVERY OTHER WEEK, THERE'S A
PREGNANCY THING. >> James: I READ A THING YOU
INSIST TO BE CARRIED BY YOUR SECURITY GUARD. >> THERE'S A PICTURE OF ME BEING
CARRIED BY MY TOUR MANAGER. I HAD TO START A VIDEO IN POINTE
SHOES. MY TOES WERE BLEEDING. I WAS IN PAIN. I WAS LIKE, OH, LIKE, CUTE,
THANK YOU FOR, LIKE, WHATEVER. >> James: THAT ISN'T TRUE? YOU DON'T GET CARRIED ANYWHERE? >> NO! NO! THAT'S SO STUPID! >> James: I DON'T KNOW! IF I WAS YOU , IF I COULD FIND
SOMEONE WHO COULD LEGITIMATELY CARRY ME, I WOULD BE CARRIED ON
A THRONE BY FOUR GUYS IN TOGAS, JUST LIKE -- AND I COULD JUST
LIKE -- I WOULD JUST WAVE TO PEOPLE LIKE THIS AS I DRIVE DOWN
THE ROAD. >> I'M EMPTY. MY STOMACH IS EMPTY. >> James: WANT TO GET SOME
FOOD? >> IS THERE A LITTLE BAR THAT WE
CAN GET SOMETHING? >> James: THERE WILL BE FOR
SURE. WE CAN GRAB YOU SOMETHING RIGHT
HERE. OK. HERE WE GO. >> HELLO, I'M ARIANA GRANDE. I MUST BE CARRIED. >> James: WHAT DO YOU WANT TO
EAT? >> CAN I PLEASE HAVE A SOY
LATTE. >> James: WHAT SIZE WOULD YOU
LIKE? >> I'M GOING TO GET A GRANDE. THANK YOU. DID YOU KNOW I DEMAND TO BE
CARRIED EVERYWHERE? JAMES, THESE ARE ALL TRUE
STORIES. >> IF YOU SEE ME ANYWHERE, IT'S
BECAUSE I DIDN'T WALK THERE MYSELF. I PROMISE. BYE! >> James: ANYTHING ELSE YOU
NEED BEFORE WE GET BACK IN THE CAR? >> NO, THANK YOU. I'M GOOD. >> James: OK. >> THANK YOU. >> James: IT'S A PLEASURE. >> PERFECT, JUST WHAT I'M USED
TO. βͺ RIGHT NOW, I'M IN
A STATE OF MIND βͺ I WANNA BE IN
LIKE ALL THE TIME βͺ AIN'T GOT NO
TEARS LEFT TO CRY βͺ SO I'M PICKIN' IT UP
PICKIN' IT UP βͺ I'M LOVIN', I'M LIVIN'
I'M PICKIN' IT UP βͺ I'M PICKIN' IT UP
PICKIN' IT UP βͺ I'M LOVIN', I'M LIVIN'
I'M PICKIN' IT UP βͺ OH, YEAH
I'M PICKIN' IT UP, YEAH βͺ PICKIN' IT UP, YEAH
LOVIN', I'M LIVIN' βͺ SO WE TURNIN' UP
YEAH, WE TURNIN' IT UP βͺ AIN'T GOT NO TEARS IN MY BODY
I RAN OUT, BUT BOY βͺ I LIKE IT, I LIKE IT
I LIKE IT βͺ DON'T MATTER HOW
βͺ TO PARTAKE IN ALL THIS HATE WE OUT HERE VIBIN'
βͺ WE VIBIN', WE VIBIN' COMIN' OUT
βͺ EVEN WHEN IT'S RAININ' DOWN CAN'T STOP NOW
βͺ CAN'T STOP, SO SHUT YOUR MOUTH SHUT YOUR MOUTH
βͺ AND IF YOU DON'T KNOW THEN NOW YOU KNOW IT, BABE
βͺ KNOW IT, BABE, YEAH RIGHT NOW, I'M IN
βͺ A STATE OF MIND I WANNA BE IN
βͺ LIKE, ALL THE TIME AIN'T GOT NO TEARS LEFT TO CRY
βͺ SO I'M PICKIN' IT UP PICKIN' IT UP, OH, YEAH
βͺ I'M LOVIN', I'M LIVIN' I'M PICKIN' IT UP
βͺ OH, I JUST WANT YOU βͺ I'M LOVIN', I'M LIVIN'
βͺ YEAH, WE TURNIN' IT UP βͺ (<i> CHEERS AND APPLAUSE </i>)
>> James: I LOVE A GOOD HARMONY. >> ME, TOO. WE SHOULD START A BAND. >> James: OH, DON'T EVEN JOKE
WITH ME. PEOPLE GET IN THIS CAR. THEY SAY TO ME, LET'S START A
BAND, AND I GO TO THE REHEARSAL ROOM. I DO IT, AND I NEVER SEE THEM
AGAIN. >> I'LL TELL YOU WHAT, TAKE MY
NUMBER. I'LL TELL YOU WHAT, I SWEAR TO
GOD. >> James: WE SHOULD ONLY DO
BROADWAY SONGS. >> THAT'S FIRE. THAT'S FIRE! >> James: BECAUSE YOU LOVE
BROADWAY, RIGHT? YOU LOVE BROADWAY AS MUCH AS I
LOVE BROADWAY! >> THAT'S GREAT. WHAT SHOULD WE DO? JAMES LITTLE SHOP OF HORRORS IS
MY DREAM. >> MINE, TOO. >> James: SHUT UP! DON'T EVEN LIE TO ME. I WOULD WANT TO PLAY SEYMOUR IN
"LITTLE SHOP OF HORRORS." >> I'LL PLAY DREAM NIGHT'S DREAM
ROLL. βͺ SUDDENLY, SEYMOUR
IS HERE TO PROVIDE ME βͺ SWEET UNDERSTANDING
SEYMOUR'S MY FRIEND βͺ NOBODY EVER TREATED ME KINDLY
DADDY LEFT EARLY, MAMA WAS POOR βͺ I'D MEET A MAN AND I'D
FOLLOW HIM BLINDLY βͺ HE'D SNAP HIS FINGERS
ME, I'D SAY, "SURE" βͺ SUDDENLY, SEYMOUR
(<i> CHEERS AND APPLAUSE </i>) βͺ SUDDENLY, SEYMOUR
IS STANDING BESIDE ME IS HERE TO PROVIDE ME
βͺ SUDDENLY, SEYMOUR βͺ βͺ βͺ
βͺ SEYMOUR IS STANDING BESIDE ME
WITH SWEET UNDERSTANDING βͺ WITH SWEET UNDERSTANDING
WITH SWEET UNDERSTANDING βͺ WITH SWEET UNDERSTANDING
WITH SWEET UNDERSTANDING βͺ SEYMOUR'S YOUR MAN βͺ
(<i> CHEERS AND APPLAUSE </i>)
"Hello, I'm Ariana Grande. I must be carried"
Help, I'm dying
Her voice is just beautiful, like a blessing from the musical heavens
This one of the few carpools where the skit in the middle is actually amazing. A nice little nod to the people who insist sheβs stuck up.
She sounds great and I was HOWLING with the carrying thing. She's so charismatic, I can't.
I love living in Australia
This is great yo...
Also,this is the first time in carpool karaoke series i've seen corden get drown up vocally...in someparts i couldn't hear him at all
I live for the high pitched "YAH" for the gopher parts she did for God is a Woman
Okay, Ari, that's not the correct way to wear a seatbelt.
Hears ten seconds of Ariana singing Broadway music
"Alexa play Yours Truly"
That was adorable and I loved it. I love ariana. But does it bother anyone else how obsseivly Ariana moves her hair over her shoulders? And is constantly conscious of her face angle to the camera?