HELLO? IT'S ME. I WAS WONDERING IF AFTER ALL
THESE YEARS YOU'D LIKE TO MEET. JUST HAVE A DRIVE AROUND. HELLO? HELLO FROM THE OUTSIDE. ALL RIGHT, SEE YOU IN A MINUTE. GREAT. >> HELLO. (CHEERS AND APPLAUSE). >> James: OH, THANK YOU. I APPRECIATE IT IT'S GOING TO BE
FUN. >> GREAT. >> James: YOU ARE LOOKING FINE
RIGHT NOW. >> THANK YOU VERY MUCH, JAMES. >> James: LOVING THIS BOB. >> OH, THANKS, THANKS, VERY
MUCH. >> James: A TRIUMPH. >> DON'T I LOOK LIKE A MUM. >> James: I DON'T THINK SO. IT IS MORE MANAGEABLE. >> IT DRIES QUICKLY. >> James: THAN THE LIFE, YOU
KNOW. >> I AM GOING TO USE MY
HAIRLINE. I CAN'T WORK OUT IF I SHOULD
WEAR A WIG WIG OR HAVE A WEAVE. >> James: I MEAN, WHAT I LIKE
IS THAT YOU ARE COMING TO ME FOR THIS ADVICE. (LAUGHTER). >> James: DO YOU MIND IF WE
LISTEN TO MUSIC. >> YES, IT'S SUCH A SHAME IT'S
RAININGMENT I FEEL LIKE AMERICAS ARE GOING TO ASSUME THAT ENGLAND
IS RUBBISH. >> James: βͺ HELLO βͺ βͺ DHEERS
PLAWS TOAT I'M IN CALIFORNIA DREAMING βͺ βͺ OF ABOUT WHO WE
USED TO BE βͺ βͺ IT'S NO SECRET βͺ βͺ THAT THE BOTH OF US βͺ βͺ ARE
RUNNING OUT OF TIME βͺ βͺ. >> THAT WAS AMAZING. SO HELLO FROM THE OUTSIDE βͺ βͺ AT
LEAST I CAN SEE THAT I'M TRYING βͺ βͺ TO TELL YOU I'M SORRY βͺ βͺ
FOR BREAKING YOUR HEART βͺ βͺ BUT IT'S CLEARLY DOESN'T TEAR YOU
APART βͺ βͺ ANY MORE βͺ βͺ βͺ βͺ ANY MORE βͺ βͺ βͺ βͺ ANY MORE βͺ βͺ NO βͺ βͺ
COME ON βͺ βͺ >> James: YOU PLAYING THE
DRUMS. >> I PLAY THE DRUMS IN THIS. >> James: NO WAY! >> YES, YES. >> James: YOU'RE SHREDDING ON
THE DRUMS. YOU ARE. YOU-- THAT IS WHAT I HAVE ALWAYS
SAID IS THAT YOU ARE THE FEMALE PHIL COLINS. >> OH MY GOSH. >> James: NO, NO, OH NO. >> I'VE GOT A NEW-- . >> YOU ARE DRIEFG, WHAT DO YOU
SAY. >> James: I CAN HOLD IT WHILE
YOU WIPE DOWN. >> I'M ALL RIGHT, I'M ALL RIGHT. >> James: NO ONE IS GOING TO
SEE IT. (LAUGHTER)
>> . >> James: YOU USED TO BE. >> I HAVE BEEN DRUNK TWO NIGHTS
IN A ROW RECENTLY. >> James: NO. >> IT'S CHRISTMAS. THE OTHER DAY I WENT WITH MY
BEST FRIEND, I'M NOT GOING TO SEE HIM BEFORE CHRISTMAS. I GOT THERE 7:45 AND I'M SITTING
THERE, IT'S LIKE-- WHERE IS HE. NORMALLY PUNK ACTUAL, I CALL
HIM, WHERE ARE YOU, HE SAID 8:45. SO I'M SITTING HERE FOR AN HOUR
ON MY OWN LOOKING LIKE SUCH A LOSER. SO I ORDERED A WINE AND THEN I
HAVE NEVER GLASS OF WINE AND I SPOT A FAMILY, I WHEN OVER, A
BIT DRUNK. DID YOU CALL MY NAME, EARLIER? I HAD MY SECURITY WITH ME,
SORRY, BEING PROTECHIVE, WHATEVER. I DID HEAR-- LET ME GET A-- GET
YOUR MEAL FOR YOU. AN I HAD ANOTHER GLASS OF WINE,
AND MY FRIEND ARRIVED, HI TWO MORE GLASSES OF WINE, BEAR IN
MIND I HAVEN'T HAD A DRINK IN EIGHT MONTHS. AND THE NEXT DAY, IN THE PARK
WITH MY KID. AND I FIND THIS E-MAIL ADDRESS
IN MY POCKET OF ANOTHER FAMILY FROM NASHVILLE WHO OBVIOUSLY
TOLD ME IT WAS SOLD OUT SO MANAGED TO GET THEM TICKETS TO
NASHVILLE. >> WHAT HAPPENS WHEN I'M DRUNK. ONE MORE GLASS OF WINE. >> James: JUST LIKE--
LIKE-- GUYS,-- TAKE ME BACK TO THE START. NEVER MIND βͺ βͺ I'LL FIND SOMEONE
LIKE YOU βͺ βͺ I WISH NOTHING BUT THE BEST FOR YOU βͺ βͺ DON'T
FORGET ME βͺ βͺ I BEG YOU βͺ βͺ I REMEMBER YOU SAID βͺ βͺ SOMETIMES
IT LASTS IN LOVE βͺ βͺ AND SOMETIMES IT HURTS INSTEAD βͺ βͺ
NOTHING COMPARES βͺ βͺ NO WORRIES OR CARES βͺ βͺ REGRETS AND
MISTAKES βͺ βͺ THEY'RE MEMORIES MADE βͺ βͺ WHO WOULD HAVE KNOWN βͺ
βͺ HOW BITTERSWEET THIS WAS βͺ βͺ (CHEERS AND APPLAUSE)
βͺ NEVER MIND βͺ βͺ I'LL FIND SOMEONE LIKE YOU βͺ βͺ I WISH
NOTHING BUT THE BEST βͺ βͺ FOR YOU βͺ βͺ DON'T FORGET ME βͺ βͺ I BEG βͺ
βͺ I REMEMBER YOU SAID βͺ βͺ SOMETIMES IT LASTS IN LOVE βͺ βͺ
AND SOMETIMES IT HURTS INSTEAD βͺ (CHEERS AND APPLAUSE). >> James: WHAT DO YOU LISTEN
TO IN THE CAR. >> I JUST PUT THE RADIO ON. I MEAN-- . >> James: BUT YOU USED TO BE A
HUGE-- FAN. >> BUT THE OTHER DAY, IT WAS A
TAPE. >> James: NO, YOU WERE
GENUINE. >> A HUGE MOMENT IN MY LIFE WHEN
THEY CAME OUT. GIRL POWER, FIVE ORDINARY GIRLS
WHO JUST, LIKE, DID SO WELL AND JUST GOT OUT O, I WANT TO GET
OUT. I JUST WANT TO GET OUT, AND IT
WAS A REALLY IMPORTANT PERIOD OF MY LIFE. >> James: DIDN'T YOU USED TO
HAVE-- PARTY. >> ON MY OWN. WITH FIVE GIRLS BUT I USED TO
DO-- . >> James: WHO WERE YOU. >> I WAS ALWAYS GERI. >> James: REALLY? >> I LOVE THAT AND THEN SHE
LEFT. >> James: SHE LEFT THE BAND. >> IT WAS THE FIRST TIME I WAS
TRULY HEART BROCKEN. >> James: WHEN SHE LEFT. >> YEAH. >> James: IS THAT WHAT SOMEONE
LIKE YOU IS ABOUT? (LAUGHTER)
βͺ REALLY, REALLY WANT βͺ βͺ TELL ME WHAT YOU WANT βͺ βͺ WHAT YOU
REALLY, REALLY, REALLY WANT WANT SO TELL ME WHAT YOU WANT βͺ βͺ
WHAT YOU REALLY, REALLY WANT βͺ I WANT A WANT A WANT βͺ βͺ A IF YOU
WANT PIE FUTURE βͺ βͺ FORGET MY PAST βͺ βͺ IF YOU WANT TO GET WITH
ME βͺ βͺ BETTER MAKE IT FAST βͺ βͺ NOW DON'T GO WASTING βͺ βͺ MY
PRECIOUS TIME βͺ βͺ GET YOUR ACT TOGETHER βͺ βͺ WE CAN BE JUST FINE
βͺ βͺ HERE IS A STORY FROM A TO Z βͺ βͺ HOW TO GET TO ME LISTEN
CAREFULLY βͺ βͺ I'M IN A PLACE, YOU GOT TO-- βͺ βͺ COME FOR FREE βͺ
βͺ TELL ME WHAT YOU WANT βͺ βͺ [BLEEP]
(LAUGHTER) IF YOU WANT TO BE MY LOVER βͺ βͺ
>> James: YOU ARE FROM A DIFFERENT PLACE NOW, A HAPPIER
PLACE. >> YEAH. >> James: DOES IT WORRY YOU
YOU WON'T BE ABLE TO WRITE THE HITS. >> I WAS WORRIED ABOUT THAT, FOR
SURE. AND I-- PART OF, YOU KNOW, I
WANT-- I WANT MY FANS TO COME ON LIKE A JOURNEY WITH ME. AND IT IS ONE OF THE REASONS I
NAMED MY ALBUM AFTER MY AGE AS WELL. IT'S SORT OF POLAROIDS, ALMOST,
OF MY LIFE AT THAT TIME. >> James: I MEAN WHERE DO YOU
THINK WILL YOU STOP. >> THIS IS THE LAST ALBUM AFTER
MY AGE. >> James: NO. >> I BELIEVE IN TRIPPITY. >> James: NO. >> YEAH. >> James: I WANT IT TO BE
LIKE 77 [BLEEP] (LAUGHTER). >> James: LEAVE ME ALONE. >> OH MY GOD. I WILL STILL DO THAT. >> James: JUST ME AND MY CAT. >> BAG LADY, AREN'T I. βͺ BE LIKE YOU DO βͺ βͺ βͺ βͺ TELL ME
WHO DO I DO βͺ βͺ GIVE ME WITHIN I KNOW βͺ βͺ THERE IS-- ALL I ASK βͺ
βͺ THIS IS MY LIFE βͺ βͺ NOW βͺ βͺ WITH YOU βͺ βͺ HOLD ME LIKE-- GIVE
ME A MEMORY βͺ βͺ. >> REALLY GOOD βͺ βͺ TAKE ME BY
THE HAND βͺ βͺ OH WE DO βͺ βͺ IT MATTERS YEAH βͺ βͺ BUT IF I
NEVER-- βͺ βͺ (CHEERS AND APPLAUSE). >> James: YOU PROPERLY HANG
OUT WITH LIKE-- YOU KNOW, YOU HANG WITH BEYONCE. >> I WOULDN'T SAY HANG OUT. >> James: BUT YOU ARE FRIENDS. >> WE ARE VERY FRIENDLY WHEN WE
SEE EACH OTHER. >> James: BUT HAVE YOU EVER
THOUGHT ABOUT GETTING YOUR OWN SQUAD LIKE TAYLOR SWIFT HAS A
SQUAD. >> I HAVE A SQUAD, LAURA DANIEL. >> James: MY HUNCH IS IF YOU
PUT TOGETHER A SQUAD WHICH WAS LIKE YOU, BEYONCE, JENNIFER
LAWRENCE, SHE WOULD BRING AMY SCHUMER, AND THEN LIKE EMMA
STONE, TAYLOR SWIFT'S SQUAD WOULD [BLEEP] THEMSELVES. >> BUT THEY'RE AMAZONIAN, I'M
ALSO TALL. >> James: YOU GOT-- I HEARD A
RUMOR, THAT YOU, THIS MAY BE SURPRISING SOME FANS, ARE QUITE
THE RAPPER. YOU CAN SPIT SOME RHYME. >> I'M NOT THAT TALENTED ON ME
OWN. >> James: BUT YOU CAN SPIT
SOME LYRICS. YOU'VE GOT SOME RHYMES IN YOUR
LOCKER. βͺ βͺ YEAH βͺ βͺ WILY WONKA SNROAT βͺ
YOU CAN BE THE KING βͺ βͺ BUT THE QUEN CONQUERS βͺ βͺ FIRST THINGS
FIRST, I EAT βͺ βͺ AND THAT'S WHAT I [BLEEP] TO DO βͺ βͺ FROM THE
LAND THE MONSTER DO βͺ βͺ THE MONSTER IS YOU βͺ βͺ YOUR MONEY
AND THE MONSTER CREW βͺ βͺ I'M ALLA ALL AU UP IN THE BANG WITH
THE FUNNY FACE βͺ βͺ REALLY, I DON'T GIVE [BLEEP] βͺ βͺ FORGET
BARBIE βͺ βͺ I WILL SAY βͺ βͺ TO BE CHILD PLAY βͺ βͺ KILL ANOTHER
CAREER βͺ βͺ IT'S A MILD DAY βͺ βͺ GIVING WHIPLASH βͺ βͺ THIS IS WHAT
YOU LIVE FOR βͺ βͺ [BLEEP] >> James: SO NOW YOUR GRAMMY,
YOUR OSCAR, ALL YOU NEED IS AN EMMY AND A TONY. >> THE TONY IS PRETTY UNLIKELY. WHAT AM I GOING TO BE DOING. >> James: WRITING A HUGE
MUSICAL. >> I HAVEN'T GOT TIME FOR THAT. >> James: NOT RIGHT NOW BUT AT
SOME POINT. >> WHAT IF I WANT KIDS-- . >> James: SHUT THE FRONT DOOR. THE SOONER YOU REALIZE THAT YOU
ARE ADELE-- HOW DO YOU DO THAT. >> I SAY MY LIFE, IT'S ME,
ADELE. >> James: BOOKING RESTAURANTS,
DO YOU HAVE TO GO AND THEY GO AND UNDER WHAT NAME AND YOU GO
ADELE. THE ADELE. >> NO,-- . >> James: AND ARE THEY LIKE
SORRY, NO TABLES. AND YOU GO -- BUT WHEN I SAY I'M
ADELE. >> THEN I HAVE TO GET SOMEONE
ELSE TO CALLK I CAN'T DROP ME OWN NAME. >> James: THAT'S MY POINT. I CALL OUT THE PHRASE, DROPPING
THE A BOMB, THAT IS WHAT I CALL IT. THAT IS WHAT I QUITE LIKE. >> YOU HAVE TO DO THE J BOMB
SOMETIMES, DON'T YOU. >> James: NOT SUCH A BIG DEAL,
ODDLY. JAMES. THE JAMES. NO, NOT THAT ONE. NO-- YEAH, NO. >> NOT THAT ONE EITHER. >> James: IT DOESN'T WORK
QUITE AS WELL FOR ME AS IT DOES FOR YOU. WE COULD HAVE HAD IT ALL βͺ βͺ
ROLLING IN THE DEEP βͺ βͺ YOU HAD MY HEART AND SOUL βͺ βͺ IN YOUR
HANDS βͺ βͺ NEVER HAD MET ME βͺ βͺ AND YOU PLAYED IT βͺ βͺ TO THE
BEAT βͺ βͺ >> James: I'VE BEEN THINKING
ABOUT IT, AND I THINK, AND LISTEN, YOU CAN SAY NO TO THIS
OR JUST HAVE A THINK ABOUT IT. >> RIGHT. >> James: I THINK YOU NEED
LIKE A-- YOU WILL BE OUTNMED, BECAUSE IT IS AN EMOTIONAL
NIGHT. A LOT OF PEOPLE. I'M JUST SAYING, DURING THE UP
NUMBERS, WHAT ABOUT-- A FRONT MAN. THEN I COME UP. >> OH βͺ YOU PLAY IT TO THE BEAT
βͺ βͺ AND EVERYBODY GO βͺ βͺ WHAT, WHAT, WHAT βͺ βͺ
(CHEERS AND APPLAUSE). >> James: GET YOUR HANDS UP βͺ
βͺ OH, OH, OH βͺ βͺ βͺ I WAS SHOOTING FOR βͺ βͺ TO THE EO, E βͺ
βͺ GET YOUR HANDS UP, EVERYBODY βͺ βͺ WHAT, WHAT, WHAT βͺ βͺ EVERYBODY
PUT YOUR FIST IN THE AIR NOW βͺ βͺ YOU COULD HAVE HAD IT ALL βͺ βͺ
YOU COULD HAVE HAD IT ALL βͺ βͺ βͺ COME ON, FRONT TO THE LEFT βͺ βͺ
KEEP YOUR HANDS INSIDE THE CAR βͺ βͺ WE COULD HAVE HAD IT ALL βͺ βͺ
WE'RE ROLLING IN THE DEEP βͺ βͺ (CHEERS AND APPLAUSE). >> James: THANK YOU SO MUCH
FOR DRIVING AROUND WITH ME. >> OH, THANK YOU. >> James: IT GENUINELY IS A
PLEASURE. >> OH, GOOD. I ABSOLUTELY LOVED IT.
Inb4 Adele has a feature on SWISH and has one of the best verses on the album.
wtf how many of these late night dudes are there in america. It's like I wake up and a new guy pops up everyday whats with that.
That was far more entertaining than i was expecting
nicky minaj ft adele
mainstreamiest song ever
Almost as good as /mu/'s cover of the verse.
I love how surprised she is that Corden can sing. The man is a goddamned
two-timeTony winner! I'm actually convinced TLLS is his long con attempt to walk ass-backwards into an EGOTSolid car performance. It's awesome seeing artists act just like a regular fan across a different genre!
This the best car performance since Mos Def on Chappelle's show
She actually killed it