(crickets chirping) (bright music) ♪ I dreamt I was walking
across the desert sand ♪ ♪ I felt a little bit
like Alice in Wonderland ♪ ♪ When I awoke I found
the rabbit hole ♪ ♪ I searched my pockets,
I knew not what they stole ♪ (tractor humming) (bright music) - [Boy] Woo. - Jerks, what is your problem? (bright music) - [Colton] I'm in the lead. - [Riley] No, you're not. - [Colton] Get away from me. - Idiots, you're
gonna kill yourselves. (bright music) Move. Move. (bright music) (soft music) (bike whirring) - [Riley] Hey loser,
get your butt in gear. - Yeah come on, loser. - Hi, Mom. Are you home yet? Could you run by the north
pasture and pick me up? I've run into a
bit of a problem. (bright music) - [Mary] The pin sheared off? What did you hit? - I have no clue. We'll have to dig it out
before we can plow again. - Did it throw you? You look like you've
been swimming in dirt. - No, that was a separate thing. We've got a couple of boneheads on four wheelers
tearing up the topsoil. - You know any of them? - Yeah, two of them. They're on the high
school basketball team. Riley Michaels and
his brother Colton. Riley's the jerk who
kept throwing dirt on me. - Anyone get hurt? - Well almost. They. No. There was another guy with him,
but I don't know who he was. - Don't worry, I'll find out. The world's not their
personal quad track. (bright music) - How are you, Mrs. Cather? - Just fine, thank
you, Mr. Sanders. - I have a new
offer on your farm. Thought you'd want me to
bring it over post haste? - Sorry, but we just
bought toilet paper. - Rachel. Excuse us. - Of course, if this
isn't a good time. - As good a time as any. Rachel, go call your granddad. He's probably out by the creek. - No. Absolutely not. - Brent, take it easy. - Oh, I'm not gonna
take it at all. I had no use for your offer then and I have even
less use for it now. - I'm only trying to
give you some options. - No, you're trying
to limit them. Harvests are down. Land taxes are up thanks to
all these McMansions going in. What do you think that's
gonna do to our options? - Yes, taxes are up, but
so are property values. With all your real estate,
this could be a windfall. - Only if you intend to get out. I'm a farmer. It's what I've been
doing my whole life and it's what I
intend to keep doing. The rate you're
going, that's gonna be impossible in a few years. - Times change, Mr. Cather. Mining was once king here
'til the mines played out. Change is coming. You'd be wise to
stay ahead of it. - Are you finished? - Well I don't know
what else I can say. - Don't call us. We'll call you. - You're a class act,
Brent, you know that? A real class act. - You want a class
act, just watch him. That's a smile you couldn't
unclench with a crowbar. - It's a fair offer. He's not trying to con anyone. - Oh, he's good at
making it look that way. - What about Rachel? - [Brent] What about her? - [Mary] She's got
other plans, you know. - [Brent] Well, that's fine. - It's gonna be college
in a couple of years. - Well, that's why
we've been saving. - Tuitions are up. - She's a smart girl. She can get scholarships. - That's counting on a lot. - What, you don't
think she can get 'em? - I know she can but
still look at his offer. Just look at it. It would take care
of everything. - We don't need his money. I don't want his money. I've been getting a little color out of the north
fork of the creek. - [Mary] Oh, here we go. - [Brent] Well, it's the same
strike I made when I was 15. - Panning for gold
is fine as a hobby, but I'm not gonna balance
the checkbook with it. I'm not gonna be able to
pay any tuition with it. I can't do a lot of
things with dreams. - [Brent] It's like I don't
do a damn thing around here. - [Mary] Oh, that isn't fair. I know you. You think I don't do
anything around here either? What are you talking about? - [Brent] Do you think
that I don't care about whether she goes to
go to college or not? - [Mary] Yes, yes, yes. The way you're acting, I
do think you don't care. I don't think you care about me. I don't think you
care about this place. - [Brent] How dare. How can you say that I don't
care when I'm out there. - [Mary] It's easy. - Nothing you need
to worry about. Come on. We gotta go fix that plow. (gentle music) So, it was down to me and a
shovel knee deep in the mud. Got two feet from the
bank, I hit a rock. Wouldn't budge. I went and got the pry bar. Still wouldn't budge. So I took a piece of pipe. I put it over the
end of that pry bar and I just heaved
for all I was worth. Bang. Up pops this beautiful
gleaming gold nugget. 23 pounds on the bathroom scale. - Pure gold? - Well no. Not exactly. A lump of aggregate. Mostly gravel but it
was all veined through with the good stuff. I got 11 ounces out of it. Your great grandpa. He sat on that
porch with a shotgun for over two weeks
trying to keep people from stealing it
out of his creek. Oh, you got it. (soft music) - What is it? Train tracks? - Mining trains. This valley used to be
crisscrossed with them. - But I thought all the
mines were in the mountains. - Oh, they were, but these
tracks ran all the way up there. Brought the gold down here. (metal thudding) Boy, that's in there good. We'll have to get a torch down
here to get that plow out. I'll take the tractor back. You go ahead and take
the Rover back up. - Grandpa. Grandpa, wait. Wait just a second. About college. I've been thinking
it'll be all right if we put it off
for a year or two. - No. - I mean, it'll still be there and there's not many jobs out
there for a history degree. - Don't talk like that. Don't even consider it. - But if we can't afford it. - That's not your worry. We'll get you through somehow. - How? Another strike? - There's still
treasure in those hills. Stuff like the
Cascadia treasure. Just waiting to be found. It just takes someone with
a vision to see where it is and nerve to go after it. - Cascadia treasure? - Yeah, treasure lost in an
abandoned mine somewhere. You ever read about it? - It sounds familiar. - You won't get the full
story from your history books. It's not history. It's just stories
still whispered about. No one ever told you? I'll tell you tonight. Now you go on home and forget
about putting college off. Oh and leave me that jack. I'm gonna need it to
lift that plow out. (tractor humming) (soft music) - Hey, where are you taking me? Where do these tracks go? (soft music) - [Fairly] Ow. Crap. (soft music) Ah, why won't it fit? - Because you're trying
to thread a metric bolt into a standard nut. - Really? But I thought. Oh. - Need a ride? - Yeah. - All right, which
McMansion is it you live in? - Right up here. Look, I'm sorry
about my friends. They can be real jerks
sometimes, you know. I'm sorry if they bugged you. It's just they were
only having fun. I didn't really wanna join them. It's just. - You're smarter
than those guys. - Thanks. - I can tell. Why do you put up with them? - Well, I just moved here. I don't know anyone else. - Rachel Cather. - Fairly. - Seriously? - Yes and I didn't pick it, so
you can just leave it alone. - Well, who did pick it? - My mom always says my dad. My dad always says my mom. (bright music) - Hey, hey. - Hey, guys. - Heads up. Three points! - [Fairly] Here, here. I live here. - You okay? - Yeah, nothing serious. Just help me get
this out of the car. - Loser gets noogied. Loser gets noogied. - Off. Watch it, dude. Get off. - Where were you, Farley? Really need to work
on your catching, bro. Gotta be careful there. Don't wanna get hurt. - [Fairly] Yeah,
yeah, just let up. - Gotta be careful there. - [Sanders] Having fun kids? - Hey Coach, it's cool. No worries here. - Give me five laps
around the block. Do it. - But we were only-- - You too. Go.
- But. Ow. - Everything okay, Fairly? - Yeah Dad, everything's fine. - Thanks for your help. I was wondering
what he got into. - Dad, could you get
the garage door, please? Rachel. Whoa, hey, hey, hey. What the heck is the matter? - Californicators. - What? - You and your dad. You come here from
the city or wherever so you can get away
from the rat race and go back to the land and
then you build all over it, so that it looks like
what you just came from. - Wait, wait, wait. I'm from Sacramento. - Why don't you just go back
there and leave us out of it? - I'm from Sacramento
and I hated it. Look, you're right. I grew up in a suburb like
this, but I didn't like it because there wasn't
anything to explore. I came up here after
my parents split up because I wanted
to see open space. Mountains and stuff. I don't wanna mess with it. I just wanna see it, but I
don't know where to start. Here. My cellphone number just in
case you wanna do something. Hike a trail or
something like that. I like that stuff, really. See you later? (truck humming) - You better get changed. We got company
coming for dinner. (bright music) - You should've seen
what she found out there. A complete set of train tracks
buried just under the dirt. I'd bet they go on for
miles in each direction. - So, what about the plow? - Oh, I got that out. No damage except for the pin. The only problem
is we won't be able to plow the field until
we get that track out. - Digging it up, cutting
it up, trucking it out. That's gonna cost something. - Oh, but you haven't heard. Scrap metal's gone up. - Could be a windfall. (soft music) - Why not? There's still treasure
in those hills. - That's right. I said I'd tell you, didn't I? - Tell her what? - The Cascadia treasure. She's never heard of it. - Oh, not this one. - Oh well, I'm sorry,
but I promised. - Then give me those dishes. I'm going inside
before you turn morbid. - No taste for the dramatic. You've never been
to the mountains to the east of here, have you? No, probably not. All the hiking trails
are to the south. There's no campgrounds. There's no nothing. But if you go, you
will have a guide. - All right, who? - A young boy about
seven, eight years old. (gentle music) Yeah, that got ya. A young boy. A young miner. About 100 years ago, his
father got the gold fever, so he went to work for the
Cascadia mining company. Biggest strike on the crest. He sifted through the
piles of gold everyday. It finally went to his head. He had to have some
of it for himself. He hoarded it in an
old abandoned tunnel. A handful everyday. He just figured he'd
come back for it later. (gentle music) (suspenseful music) His son was trapped. But what could he do
without losing everything? (suspenseful music) He came back after
the shift was gone and he worked all night
driving the block alone. (suspenseful music) He sealed the
tunnel up as a grave and fled into the mountains. For days people
could hear his wails echoing between the peaks
like something was after him. Whatever it was,
it finally got him. The gold he stole remains
lost to the mountains from whence it came and his
son still wanders those ridges. Hundreds went after
that treasure. Most of them died. Only a few ever laid eyes on it. They were heard running
mad through the mountains before they vanished forever. (thunder rumbling)
(gentle music) - Now that you've had your fun, you can go inside and
finish the dishes. - Goodnight, ladies. - Goodnight. Look at those hills. Some nights I can almost believe
the malarkey he tells you. - You think he's making it up? - Oh not that one. Sure, he embellishes, but
some version of that story has been going around
the valley for years. - Think maybe it's for real? - If it were for real,
your grandpa would've found that treasure by now,
ghost or no ghost. And we could tell
Sanders where to put it. - I thought you wanted to leave. - I love this place. Thought it had a future once. Still does, but not the
one I'm interested in. You go your own way. Don't worry about us. ♪ Stuck right here in tea time ♪ ♪ Stuck right here
in the painted trees ♪ - [Businessman]
We can't do this. - Of course we can. - [Businessman] It's
too much too soon. - It's the final piece. - [Businessman] The whole region is glutted with
new subdivisions. It'll take years for schools
and utilities to catch up. The county will be down on
us like a ton of bricks. - [Sanders] The
county won't matter once we've incorporated
as a new city. - [Businessman] That's great, G, but there's no money
to do this with. You've outstripped the demand. No investor will go for it. - [Sanders] It's the
culmination of the entire plan. - [Businessman]
It's a money pit. This is the worst investment I've seen 20 years
in the business. ♪ I dreamt I was walking along ♪ ♪ Briny beach ♪ ♪ I looked into the water as
the oysters began to preach ♪ ♪ Don't listen to the walrus ♪ ♪ For with his time he lies ♪ (phone ringing) ♪ He tries ♪ (phone ringing) - Hello. - [Rachel] Hey, I
can see your light. Can you see mine? - What? Who is this? Oh, yeah. There. I see it. - [Rachel] Wanna come
on a treasure hunt? - Treasure hunt? - [Rachel] Millions
of dollars in gold lost in the mountains
100 years ago through cliffs, gorges, rivers. Everything you can think of. - You're so kidding me. - And if we make it
through all that, there's a vengeful
ghost standing guard. What do you say? - Tell me when. - In the morning. Six o'clock. I'll pick you up. You wanna know something? - What? - Californians aren't
so bad after all. ♪ Stuck right here in
the painted trees ♪ ♪ Staring up at the night sky ♪ ♪ Stuck right here on
the checkered grass ♪ ♪ Wishing I could peer ♪ - All right, let's get to it. Let's carpe diem. Let's - [grunts]. - [Rachel] What did
you put in there? - Be prepared, you know. We got a raincoat, rubber
boots, freeze dried foods, rock climbing
stuff, Presto logs. - What do you think we're doing? We're going on a hike,
not scaling Mount Everest. What's with the earbud? - It's just a way to catch
some tunes and look at this. If we get lost, way better
than a map and compass. All we gotta do,
find a clearing. Get a fix on at least
three satellites. - You won't need that. We'll have a guide. - We will? Who? - Do you hear something? (bright music)
(bikes whirring) Looking for someone? - [Riley] Geez. - Fairly, talk to your posse. - Guys, it's not like
I invited you along. - You told them? - Ah Farley, now you're
never gonna close the deal. - Okay, Miss Rachel. Maybe we better lay out
the game plan for you. The treasure's ours. Ours. No breaks. No contest. No rules. Ours. Wanna know why? Because we've got these. Electric start,
liquid-cooled 450 CC engines with double-wishbone suspension,
22 by 10-9 knobby radials. Dual-caliper hydraulics. To all wheels. We rock. - Yeah. - You, on the other hand,
have the crapheap express. Guaranteed to leave
a trail of parts for the next five miles
before it goes crankcase up. What does this mean? It means we can go
to places you can't. It means we can
get to them faster. It means you're toast. - You're beat. - You're done. - You're bastinadoed, darling. - Do you have any idea
where we're going? - Oh, I know exactly
where you're going. I could draw it on a map. I could point to it right now. The only question is, do
you want a cut or not? What do you say? Ditch the dork
and join the team. It's your only chance. (bright music) - Go back to the field
and spread your manure where it'll do some good. - Follow our tracks. Come on. (bright music)
(bikes whirring) - You're cool. You're totally cool. - Why'd you have to open
your big mouth to them? - I thought we were
tight, you know. Besides, he's gotta be bluffing. You didn't tell me where we
were going so he can't know. - They've been here a few years. They've probably got
something to go on and we can't catch up
with them on a road that goes around the hill. - So what do we do? - Get in, sit down, and hang on. (bright music) - Follow the trail. Follow it. Follow. - On it. On it. (horn beeping) - Woohoo, yeah. Suckers. Suckers. Woo. (bright music) They're catching up. They're catching up. - They can take curves
better than we can. - Tires. They're going for the tires. (bright music) Duct tape. Got any duct tape? - Hey. That's in my eyes. Ah. - Foul. Foul. You're going down. (bright music) You hear me? You're done. You're done. You're going down. Ah. (bright music) - (laughs) We rock. We rock. We rock. We rock. (bright music) - They beat us. - I don't think so. (bright music) - [Rachel] Woo. - Yeah. Victory dance, yeah. - Yeah. (bright music)
(truck knocking) - [Fairly] Where's
the lug wrench? - [Rachel] Under the seat. - Where's the jack? The jack? (gentle music) - So we go to change it
and we realize no jack. Somebody took it
to get the plow out and didn't put it back. Uh huh, yeah. Sure. Well, it doesn't really matter since we were close to
the drop off point anyway. If you could just drop off
the jack before we get back, we can take care of it. What's that? How's Fairly doing? Well, he's not as pathetic
as I thought he was. - Hey. - No, he's doing fine. He's very prepared. Yeah, we'll be there. Love you, too. Bye. - So your dad just lets you
go off on hikes like this? - My dad doesn't have a say in it. He's dead. - Oh. I'm sorry. - Don't be. It's been. 14. 15. A lot of years. But my grandpa now, he lets
me get away with anything. Hey, we're here. - Where's our guide? - There. - Where? I don't see. (soft music) - [Rachel] Look familiar? - It can't be. (soft music) - Cliffs. Gorges. Vengeful ghosts. What part of that did you
think I was making up? Come on, he's telling
us to follow him. (soft music) What's the matter? - This is not possible. You were talking on your
cellphone just a second ago. It's not possible. - Are you coming or not? - My GPS. I'm gonna map this
whole thing on my GPS. Hey, wait, wait, wait, no. I'm coming, I'm coming. Hold on. (soft music) (bikes whirring) - Hold it. Stop, stop. Coach, it was your kid. It was your kid
that did this to us. - What on earth
have you been doing? - Just going after our
share of the treasure. Only they fought dirty. - Treasure? Oh, you must've been
talking to Fairly. - Darn right. He is so not a team player. - Your parents know you're here? - Probably not. - Like they ever care. - How would you like to
earn your share after all? - Forget it. There's probably
nothing up there. And anyways, we gotta
go home and fix these. - $100,000. A piece. If you help me
find that treasure. - Where is it? - Only the girl knows. - Then how are we supposed to. - Fairly, turn on your GPS. - It is on. (bright music) - [Riley] That's them? - That's wicked. - Come on, put those
machines in the back. We can fix them on the way. Game time. Move it, move it, move it. (bright music) - Need some help back there? - I got it, I got it. What's so funny? - You should've left
that junk in the car. You're just slowing us down. (bright music) - Dad. Hey Dad, are you there? - [Sanders] What is it? - We seem to be just
zigzagging up the hill. Is that how this trail goes? - [Sanders] Yeah, it's
called a switchback. It's how they gained elevation
without steep graves. - So you mean we could just
be going straight up the hill? - [Sanders] Don't
even think about it. Too steep and there's
a rock face further up. Fairly, I said don't
even think about it. - Yeah, Dad. Hey, Rachel. Do you wanna save some time? Like a lot of time? This is the only
way to go hiking. Still think I should've
left this junk behind? - How 'bout a hint here? - You're just slowing
us down, you know. What's the matter? You never been rock
climbing before? - [Rachel] I stick
to the trails. - Okay, it's safe to come up. No, don't climb like that. You'll get tired. Use the hand holds. There's one on your left. (dramatic music) Rachel, grab the rock. (dramatic music) Carabiner. Undo your carabiner. - What? - This, this. (dramatic music) Rachel. (dramatic music) (suspenseful music) Thanks. - [Sanders] Fairly, have
you cleared the hill yet? Are you all right? Answer me. - That thing still works? - Unfortunately. - Fairly, I'm talking to you. Fairly. Idiot. I knew he'd do this. He was always doing
this when he was a kid. Trying to wander
off into the woods and get his neck broken. Kid's got the survival
instincts of a lemming. - [Riley] Coach, I told
you he's not a team player. Ah. - [Fairly] GPS is shot. My dad's going to kill me. - So, tell him he's
lucky to have the chance. - Yeah. - Cellphone's shot, too. Hang on a sec. - Okay. Well? Well at least we can get lost
in any direction we want. (gun firing) What was that? - Rifle shot. - Seriously. - Could be hunters
thinking we're game. (gun firing) - Hunters? It's summer. - Well, maybe we're
on someone's land and he's telling us to leave. - No way. - Works better than a no
trespassing sign, doesn't it? (gun firing) - [Fairly] No kidding. - Wait. We're lost. He'll know where we are. - Do you wanna just go out there and ask him for directions? - Hey, you up there. Stop shooting. Stop it. Can you hear me? We're lost. Can you hear? (gentle music) Did you hear me? We got here by accident. We need help. If you just tell us where
we are, we'll leave. That's all we want. (gentle music) - Your names. What are your names? - Rachel Cather. - Fairly. - Fairly what? - Sanders. Fairly Sanders. (gentle music) - 'Bout dinner time. Come on. - Thanks for lunch. We really appreciate it. - What is it
brought you up here? - We're treasure hunting. - Is that so? - Sort of. We heard about an old ghost
town called Cascadia Crest. We thought it would
be fun if we found it. - You have. This is all that's left. The rest of it was out there. - There isn't anything
at a higher elevation? - Nope. Now is that all
you came here for? - We're looking for
the Cascadia treasure. Can you help us? - Yes. Turn around, go home. Forget you ever heard of it. - Why? - Because of everyone
who came before you. The three gold-seekers
who drowned in a
flooded shaft in '68. Four more in the cave in in '72. And the ones in '79. All anyone ever heard from
them again were screams. - So what got them? - Haven't you heard the legend? - Yeah, I've heard it
and I'm sick of it. I want facts. No more ghosts. No more legends. Facts. - Gold fever is stubborn. I've been up here all my life. Long time ago when there was
still a town, I had a son. I had a husband. He was a good man,
All told. Solid and practical. He understood there were a
lot of things he couldn't see. But our son could. (dramatic music) The mines were dying. The town was dying. It was making him desperate. Desperate enough
to follow a ghost down an abandoned mine
if that's what it took. (dramatic music) They both should've
known better. (dramatic music) - Did they get out? - Something came out but
it wasn't my boy anymore. - I'm sorry. - Heard enough yet? - Shows us where this happened. - Gold fever never learns. I'll show you. - [Rachel] What's this? - That's the entrance. The old Cascadia mine. They dynamited it
shut years ago. - [Rachel] Dynamited it? - How many deaths do
you think they'd allow? - [Fairly] And the treasure? - The mountain gave it. The mountain took it back. Nothing more to be said. You finished chasing ghosts now? Good. Follow the tracks. They'll take you out
the way you came. - Thanks for your help. - [Fairly] Yeah, thanks. - Before you go, you
ought to have this. - Thanks, but we
brought flashlights. - Worthless things. Always going dead at the
worst possible moment. Take it. - [Rachel] I don't know
when we can bring it back. - Then don't bother. At least you won't leave
these mountains empty handed. Goodbye. - But wait a second. What's your name? Wait. What's your name? (soft music) - [Fairly] Guess that's it. May as well go. - She's lying. - What? - She's lying. The tracks don't end here. It doesn't make sense. - Why? - They didn't mine
gold at this elevation. They only panned it. The mines are higher. Way higher. - But the tracks go
right into the ground. - Yeah, they do, and I
bet they come out again. This building wasn't
from the mining era. It's from much later. There, see? Come on. (gentle music) - William. What are you trying to tell me? - So it's a full court press. Score's 11 to 12. Their favor. 15 seconds left on the clock. I'm on the sideline. I see an opening. I can make it. I can do it. All I need's the ball. And which putz do they
give it to instead? - Tristan? - Yeah, Tristan. Daddy's little pissant. Five feet tall, dribbles
like a two-year-old. So there's 10 seconds left and he's moving at
the speed of crap and I'm thinking, this
is just not right. That ball belongs to someone
who knows how to handle it. - Like you. - No duh. So I did what I freaking had to. I took the ball. - You fouled your own guy? - I did not foul him. - But didn't he go down on-- - He fell over his
own stupid butt. So I took the ball. Ran right down the court. Right between the two guards. I jump. I toss and Swoosh. Three points and three
seconds left on the clock. Tell me I didn't rock. - So that's why coach benched
you the next two games. - No, that's why we
lost the next two games. - Didn't you lose
that game, too? A little rules violation. Ow. - Would've lost anyway. You know, if you want a
shot of winning anything, you gotta grab the ball. - Yeah, but-- - [Riley] Sh. - [Fairly] I just don't get it. Why would she lie? - [Rachel] Maybe she's
protecting the treasure. Maybe she's really
concerned about us. I have no idea. - Well, maybe she's a ghost. I got the strangest feeling
when we were talking to her. Like I knew her. - From where? - I don't know. Didn't you get
that feeling, too? - Mm mm. - Maybe I'm just going nuts. - You should listen
to things like that. Memories, old stories 'cause if they stick with
you, you're not nuts. They're trying to
tell you something. - There's some seriously
weird stuff going down here. (bike whirring)
(gentle music) - Dad, Dad, come in please. Dad. Dad, we're in trouble, Dad. Dad, where are you? Help us, help us. - I'm right here, Fairly. What do you need? - Riley and Colton. They're trying to run us down. - Be serious. - I am being serious. (gentle music)
(bike whirring) - Head for the bridge. - The bridge? - On the grade ahead of you. You get across it,
they can't touch you. (gentle music)
(bike whirring) - [Riley] Come on, bring it on. Dual wishbone suspension. 450 CC engine. Dual caliber all wheels. Bring it on. (gentle music)
(bike whirring) Bring it on, man. (gentle music)
(bike whirring) - (chuckles) Wow. - [Riley] No, don't. Please, please, don't. - I'm not gonna hit ya. - [Riley] Please
don't take my bike. - That was so cool. - I must be insane. Totally insane. I'm even worse than he is. - You sure know how to
make it work for you. (bike whirring) - Owned. You just got owned (laughs). - We gotta go, quick. - Where? - To the bridge. Come on. - [Riley] Tell you what. You can borrow mine. You're going down. (gentle music)
(bike whirring) - Your pack's weighing you down. Just ditch it. (gentle music)
(bike whirring) Come on, come on. (gentle music)
(bike whirring) (suspenseful music) - Help. Help me. - Hang on. I'm coming. - [Riley] Stay. - But he needs help. - Stay, boy. Stay. - What's the matter with you? Help him, you idiot. - Why don't you
hang back for once? This is what we want. We want to come with you. We want our share
of the treasure. Hurry up and say yes. This guy can't hold on for long. - You serious? No, wait. You got it. - Say it like you mean it. - Yes, just help him. - Come on, dude. Pull yourself up. Dude, come on. You're making me nervous. - Rachel. (gentle music) Thanks. - How many times am I gonna
have to save your butt today? - I'll make it up to you. I promise. - Fairly, don't you ever turn
off your radio on me again. - Miss Rachel, don't forget now. Part of that treasure's ours. You said yes, remember? - Go find your
own lost treasure. - This is not over. The game's still
on and we're ahead. We're ahead in ways you can't
even understand, Miss Rachel. - Let's get outta here. - Right behind you. (dramatic music) (gentle music) How much farther? - Can't be much farther. They didn't mine gold
much higher than this. - You sure they didn't
find any on the moon? - Fairly, keep going. You're on the home stretch. (bike whirring) - Hey, what's the rush? (gentle music) (gentle music)
(bike whirring) - [Riley] Do I get
the keys back yet? - Are you gonna stick
to doing exactly what I say and no
embellishments? - [Riley] Maybe. - Forget it. (gentle music) - [Fairly] What's
all this stuff for? - I recognize a few things. That's a winch. That's their powder magazine. That's a truck engine. I'm not sure what
they use that for. This is a steam engine, I think. They used it to take
the ore out of the mine and down the mountain. - It's a compressed
air locomotive. - It runs on compressed air. - They'd charge it and
pulled ore trains out with no exhaust gasses. - Yeah, they'd fill it with. They'd fill the tank and use it to run into the mine
without any emissions. - Where'd you learn that? - I'm not a total
idiot, you know. (pipe hissing) Cool. - That pipe pumped water
out of the deepest shafts. The conduit ran to
an electric bell. That was how they
signaled a come up. The truck engine-- - Was used to pull carts
up out of the line. (gentle music) Ready? - Hang on. Let's use the lantern. - What for? - Bad air. Anywhere a flame can't
survive, neither can we. (gentle music) Let's go. (gentle music) - Now remember, whatever you
say, keep it to a whisper or don't talk at all. Just the slightest vibration. - From our voices could
cause a rockfall. - And also watch the ceiling. If it goes up, chances are-- - We're walking
on a false floor. - False floor? - Sometimes they'd sink a
shaft from these tunnels. - Hundreds of feet deep. Then they covered
that with boards and then it'd get covered
up with gravel and dirt. Now it's all rotted. Total deathtrap. (gentle music) Also, watch out for
snakes, bears, wildcats. Animals like to
live in old mines. - Whatever you do,
don't get scared. Don't panic. It'll make you see
things that aren't there. Remember it's just a mine. It's just an old
hole in the ground. (gentle music) - What's that? What's the matter? - Him. (gentle music) - We're fine. We'll be fine. - Just a little further. - Just a little farther. - You're almost there. - Almost there. (gentle music) - Oh no. - Shoot. Guess that's it then. Where are you going? - Just wanna see something. - This place is creeping me out. Come on. - It's just an old mine. An old hole in the ground. - [Sanders] Fairly,
have you found it yet? - No. I'm getting out of here. - Wait. Point your light at the ceiling. (gentle music) - Get out of there. Rachel. - What's going on? - Rachel. Rachel. - Don't shout, you idiot. Don't shout. - [Fairly] Rachel, Rachel,
Rachel, Rachel, Rachel, Rachel. - What's happened? Tell me. - It's Rachel. She fell down a shaft. I can't see her. - Get out. Get out. He's got her. He'll get you too if
you don't get out. Get out. Go to the entrance. I'll meet you. (dramatic music) (gentle music) - I'm gonna get her out. - What was that? - I'm getting her out. - You can't. - I heard a crash. That shaft can't be bottomless. I can reach it with a rope. - Fairly, no. You'll get yourself killed. - I can get down to the
bottom in one minute and I can get back out in five. - This is idiotic. Get out. Out. (gentle music) Fairly, we'll come back. We'll bring rescuers. It's the smart thing to do. You don't know
what's down there. Flooded shafts, old
machinery, acid pits. Get out. - Going off the radio now. I'll be back in six minutes. - Fairly? Fairly. (dramatic music)
(bike whirring) - [Colton] Yo. Wait. Wait for me. (gentle music) - Dad, Dad. Fire. (gentle music)
(boy coughing) Ah. (fire crackling) Rachel. Rachel. Don't, don't move. - Fairly. Fairly. Fairly. Get in there. Find him. - [Riley] I don't
think that's such a-- - Go. (fire crackling) - Find anything? - Just the huge trash heap. I don't know how we're
gonna get out of here. I must've left that
rope 20 feet up. - Well, look. The smoke's going up that shaft and there's a draft
coming from over there. So it must come out somewhere. We better go see. (gentle music) Fairly? Let's go see. Fairly. Fairly, look. (dramatic music) - What happened? Where is he? - Can't see anything. This whole place is
filled up with smoke. (gentle music) - [Fairly] Ah. (gentle music) (gun firing) (bomb exploding) - Whoa. - Air burst. Air burst. Look out. (cave exploding) (static hissing) Fairly. (gentle music) (bike whirring) (tires screeching) - Hello, Gee. - Ma, what are you doing here? - It's nice to see my
grandson again, Gee. They came across my
cabin on the way up. I gave them dinner. - What did you tell them? - Nothing. No point in burdening
him with the past. I tried to keep
them from going on, but something got
a hold of them. He was a nice boy, Gee. Nice girl with him, too. Too bad. - It's not too late. I'll find him. - You'll find his corpse. - He's still alive. I know it. - Go find my
grandson's body alone. (gentle music) - [Fairly] Dad,
are you picking up? Dad. - Fairly, is that you? - [Fairly] Yeah, it's me. I'm fine. - You mean. - [Fairly] What? I'm fine. - Did you hear that, Ma? Ma, he's alive. He's all right. You hear me? - [Fairly] What's going on? - Nothing. Everything's fine. - Rachel's fine, too. We both got out. We were insanely lucky. - Tell me where you are. I'll come get you. - Dad, there's more. We found it. - Found what? - The treasure. We've got it. - You do? - Yeah, it's just
like everyone said. It's a freaking
huge heap of gold. - Tell me where. We'll loaded it up and
get it out of here. - Not yet. - [Sanders] Why not? - I'll explain later. Just tell me where
you're gonna be tonight. - Okay well, we can
set up a camp here. We're on the Kootenai Pass Road at the bottom of the valley. Probably straight south of you. We'll build a fire. Just follow the light. - Okay. - Fairly. What's this all about? - We have a lot to
talk about, Dad. (gentle music) - Think Mom and Dad will
wonder what happened to us? - They probably think
we're staying at Ray's. - Dang. We could get away with anything. - Yeah. (gentle music) - What's the matter? - I think this is yours. G double E. I don't know anyone
else with that nickname. You didn't tell me
I had a grandmother. Would've been nice if
I could've known her for more than the
last few hours. You told me my
grandparents were dead. - It was mostly true. Your mom's folks died
before you were born. - So why didn't you-- - I took you up there
once, all right. You were just a baby. She held you and told me
never to bring you back. - Why? - Because that's what she's
been doing for 40 years. Turning everybody away. Telling them how my father died. - You never told me. - Why would you care? - Because I want to know. I would've listened. - I didn't just
keep it from you. I never told another living
soul what happened in that mine. (dramatic music) I was scared. More scared than I've
ever been before or since. (dramatic music) I took the wrong
tunnel on purpose. I didn't know what
was down there, but if we didn't find anything, I thought we could
give up and go home. (dramatic music) Shaft went down 800 feet. They found him under
10 feet of debris knocked loose on his way down. - It wasn't your fault. (dramatic music) - I'm in trouble, Fairly. That last subdivision. There's no investment for it. No one to pay for it. But I know something that I can. - The treasure. Why do you want it? - Why do I want it? Why did my father want it? Why did those people that
died in that mine want it? But I have a purpose for it. We could have a beautiful city
down there like Sacramento. Built on mine tailings
and failed farms, but only if I could get
that one final piece. - Dad, let's just go. I mean it. I'll get Rachel and we'll go. I don't want it. I don't need it. Let's just leave it. - Hold it, dork boy. You're not trading
away my share. - Forget it. Let's just go. - We're taking it. - I want to go. - Then go. (gentle music) - You're not stopping us. (gentle music) Hey. That's mine. - So far Rachel has been
dropped off a cliff, thrown down a mine
shaft, and blown to hell all so you could
have your share. The least you can do is
give her a warm place to sleep for one night. (gentle music) - We'll be back for
it in the morning. (gentle music) - Fairly. - Riley, Colton, and my dad
are camped down the mountain. They are coming for the
treasure in the morning. - How'd they find us? - They've been following us. This is a two way radio. Dad's been using it
to keep tabs on us. - And you were in on it? - Yeah. - Why? - I didn't want to. - That's what you
said the last time. - Seems to be the only way
I never get what I want. I never got to go on
a hike in California. Not even with the Boy Scouts. I never thought Dad would
let me go on this trip, but he said I could go if
I took the stupid radio and kept him posted. - And you thought you could
be a nice little double agent. - I never thought
we'd find anything. All I cared about was I finally
got to do what I wanted. With you. - You're just a stooge for them. You always were. - No. - Liar. We found it. It's ours. And you're just gonna
let them have it. You're not letting them
steal from just me. They're stealing
from you as well. Can't you see what
they're doing? (gentle music) I was hoping. I thought I could do
something for my folks. One last little thing. Right when it counted. You don't care. You'll just take it away. (gentle music) - I know how we can get
the treasure past them. - How? We can't carry it. We can't hide it. (gentle music) (bright music) - Dad, you might wanna
stay off the tracks. Riley, Colton. You too. - [Riley] Maybe we should just leave tire tracks
across your butt. (bright music) That got him. That got him. (bright music)
(bikes whirring) (dramatic music) - [Boys] Ah. - Woo. - Where the heck
did they get that? - [Riley] They are dead. They are so dead. - Riley, wait. Riley, I know how
we can stop them. (dramatic music) - [Riley] Colton. We're grabbing the ball. Colton. (dramatic music)
(bikes whirring) - [Fairly] How's
it going up there? - This is crazy, you know that? I haven't had to work
on anything like this since I had to fix
the shop compressor. - Well if anybody could do it. (dramatic music)
(bikes whirring) - [Riley] Whoa. Holy. - Yeah. (gentle music) (dramatic music)
(bike whirring) - Colton, wait. I need that quad. I said wait. What do you think
you're gonna do? - I'm gonna cut them off. - With that? They'll knock you out of
the way like a pinball. - [Riley] Yeah, don't move. We got 'em. - Don't slow down. - If we hit him, we'll explode. - Listen, they're on tracks. We can stop them
further down the road. I know where. - But Riley says-- - Forget Riley. He's a jerk and an egomaniac. He doesn't know what he's doing, but if you stop him, you can
lord it over him forever. - What do we do? - Straight down the slope
just like you were doing. Come on. (dramatic music) - [Riley] No, you traitors. - [Fairly] So long, sucker. - [Riley] So long, my butt. (bike whirring)
(gentle music) Ah. Foul. (gentle music)
(bike whirring) (bike exploding) No. You're going down. (dramatic music) Hold on tight. - Stop it, you'll kill him. - [Riley] Oh no, ladies first. - You've done enough. - [Riley] Let go, stupid. Let go. (dramatic music) There, I told you. I told you. Now. Don't play with me, Miss Rachel. Don't play with me. I'm telling you stop. Told you. Told you. I told you. Now we're gonna see why the
tough chick kept running away. - I was being kind. - [Riley] No, wait. Please, don't. Don't. Please, please. The bridge. The bridge. (dramatic music) (suspenseful music) (tires squealing) - Look out. Coming through. I'm sorry, I'm sorry. I'm sorry. Whoa. (bright music) - Keep back. Just keep back. - Rachel. (dramatic music) (train exploding) (dramatic music) Rachel. Last rope. Make it count. - I can't. I can't believe I just did that after all we went
through to get it. - You just gave it
back to the mountain. No one else would have the guts. - Fairly. Wait for us, will you? - See you at home, Dad. Here, let me help you up. - [Mary] Have you
heard anything? I need someone to be out
there looking for my daughter. She's been gone. You are the fifth person
I have spoken with. I'm not get. What do you mean a
forest service problem? They said I needed
to talk to you. (gentle music) - Grandpa. - Rachel. Rachel, get down here now. - Grandpa, I'm so sorry. We got stuck in the dark and
my cellphone wasn't working. - No, no, no, no, look at this. Look, look, look. I found it. The biggest strike of my life. Yahoo (laughs). I knew it was there. It took years but I knew it. Millions. Now what are you waiting for? Go get the Land Rover. We're gonna need it to
get all this out of here. (gentle music) Look, look. (gentle music) Another strike. I made it. I made it. Millions. Just look at it. - [Sanders] That's my gold. - Your gold? You don't own my place yet. Take it. Take it and do your
worst (laughs). - What happened? - Long story. - We'll hear all
about that later. This calls for a celebration. You wanna come? You're welcome too. (gentle music) - Where are the other two? - Fed 'em to the wolves. - Really? - No, but I should have. - Are you coming in? - I don't think I'd
be the guest of honor. - Still you ought
to. Just because. - You go ahead. I'll be along in a minute. (gentle music) (upbeat music) ♪ Thank you ♪ ♪ For being my friend ♪ ♪ Thank you ♪ ♪ Thank you 'til the end ♪ ♪ I thank you ♪ ♪ For turning up in me ♪ ♪ Are we all just nobody
waiting for somebody to be ♪
