Bone Tomahawk - re:View

hello and welcome to men with beards I'm man with beards today I'm joined by man with beard I'm Jays dad and we're gonna talk what's our favorite man with beard Kurt Russell yes he's amazing in one of his funniest roles to date bone tomahawk yes I love this movie I went in cold I mean these days is so hard to do that with any kind of II well you're from Toronto I'm assuming it's cold most of the year yeah it's a more recent movie yeah 2015 yeah and it's s Craig Zoller written and directed by him who apparently has written books yeah he's written five books I read congregation of jackals he's actually like a really good writer I mean his scripts waver between movies but he has really great lines in this book there's a line the moon was a clipped fingernail amidst a sea of cotton so he's like really metaphor yeah but then he also writes about you know husband's biting off the pinkies of their wives and men eating their tongues well that's the I haven't heard as I'm assuming he wrote books before uh green blaze well he's got maybe 20 unpublished or unpaid for screenplays that no one's willing to take but he's got five books out I think he's working on a new one he's also in a band called realm builder [Music] which is like a heavy metal band I think it'd be a band about D&D maybe well this stuff kind of sounds like it's got that kind of fantasy element it sounds kind of like 60s almost psychedelic Britpop mix with like spinal tap music that Stonehenge by spinal tap that's what it kinda reminds me out [Music] it's not my taste but some people like it and Jeff Harriet is s Craig sellers partner in the band and he does the soundtrack for bomb tomahawk okay both of them do it together so Jeff Harriet and s Craig's all do the soundtrack music is really good but yeah I mean the movie is basically takes place in it's down to Bright Hope where two people turns out to be a very ironic title ironic name for its own true especially after they after they leave it things aren't so bright but I mean any movie that starts off where the first audio you hear is buzzing flies is usually not a romping family film yeah well that's that's the the surprising because I went into this movie don't really know anything about it either yeah and to find out that it was his first movie mm-hmm is like I mean it's like right out of the gate like a fully formed kind of vision and style and shot in 21 days really yeah I mean I think the tanks were like the two or three of two or three takes per set up shot so well that's the thing too is like yeah first movie it looks I mean it feels like if you take away we'll get into spoilers so we'll say watch the movie before watching this but if you before you get to like the really grisly stuff yeah it feels just like a really kind of classic movie even though it's brand-new it's like the dynamic between all the characters and the I guess this goes along with him being an author is the very theatrical kind of dialogue yeah like he's got a descriptive mind he knows what he wants yeah both dialogue and and visually but with with actors like Kurt Russell who's so seasoned yes and I sort of in a movie like that he's just suddenly come into his own of what he should be as far as I'm concerned I'm yeah well this the same year is hateful eight I think it was it was two beardie Kurt Russell western movies yeah and bone tomahawk ruined hateful eight for me I really liked it very much see I like hate Philippe and people have compared dollar to Tarantino we away he kind of writes not naturalistic dialogue yeah more so the Sailor movies but uh very kind of theatrical and he was that he was at this the one of the opening screenings of bone tomahawk mm-hmm Tarantino was so oh sure yeah but I didn't Lee really really liked it yeah well that's the thing is like I he's different from Tarantino in that is one his dialogue isn't as flashy and it's also they both clearly have kind of a love and take inspiration from like exploitation movies sure grindhouse movies but where Tarantino kind of just takes literal things from those movies and recontextualizes them and I think Tarantino likes to kind of like riff on his own style a lot oh yeah he's very self-aware of yeah his place as a filming which I think can distract from the story a lot specifically hateful eight because in a lot of the scenes in the cabin all I could see was the script oh you know what I mean yeah it's very flowery dialogue yeah whereas maybe not so much dollars other movies movies but bone tomahawk is so efficient and economical yeah well in its it feels like it takes an inspiration from exploitation type movies but it's just making his movie you know a little maybe a little bit classier than those movies but it's not like he's trying to rise above that type of material he's just making his weird [ __ ] yeah it is weird and I mean I mean even just dialogue alone it's weird because it's he's using what you would think are old classic western terms right so he's a big fan of westerns even squirt and lemon juice in Maya since you came in here but I don't know if the words he's using or or the the dialogue he uses is sort of strictly you know late 1800s Early 1900s yeah if you use that stuff you'll spill from the saddle I'm trying to prevent that accident because you'll have have lines like going forward mr. Dwyer will ride Vanguard you know it's like okay I better look that up I don't know what that means it means it means you're gonna ride your horse is gonna be ahead of everyone else so we can keep an eye on you and one of my favorite lines is Kurt Russell when he wakes up in the morning he's about to have you know his meal in the morning and Clarence the bartender comes in because of the incident that's happened and said and and and says sheriff we've got an issue and in Kurt Russell says why are you in my breakfast why are you in my breakfast yeah he pulls that off perfectly and then there's other lines of dialogue or not necessarily lines but exchanges between characters that feel almost like more modern snappy kind of like buddy movie cop movie type dialogue sure yeah just with the way the characters play off each other's there's a anachronistic element to it but it flows completely with the the kind of theatrical style of the movie - yeah talking about Kurt Russell again I really like I'm I liked him when I was a kid cuz I was a big fan of Big Trouble in Little China and I didn't really know who he was I just said he was just sort of kind of Han Solo kind of cool guy whatever and and I love that movie because he's you know he's not taking things too seriously it's a fun action movie he has no idea what's happening throughout the entire film yeah do it you could do a supercut of him just asking what the hell is going on that's the whole movie great yeah but you know I'd see you as being more of a thing fan for like your big yeah well escape from New York is I mean that's the two extremes as far as John Carpenter characters that Kurt Russell played you think is kind of right in the middle he's just like an everyman and that's like sort of so far a sci-fi horror serious kind of Kurt Russell acting yeah and you know Big Trouble in Little China is the whole thing he's like a joke yeah it's like pretty goofy but in boom tomahawk I would say he's perfect we make sure all this has value please do yes everybody's perfect I would agree it's a great cast yeah Richard Jenkins who I've always loved and he's kind of always been like character actor man yeah it's only I don't know what was this big breakout movie or were people kind of certain well I mean people knew him from Six Feet Under because he played the father who was a ghost okay she's in Captain woods yeah yeah character actor he's yeah everything I remember him from like the early Farrelly Brothers movies yeah he would always have like a like one seen in all their movies rest areas are homosexual hangouts hmm highway rest areas they're the bathhouses of the nineties for many many many many gay men like Step Brothers look he's atomic timing is amazing yeah well that's so wrong it's stepbrothers that's like he's the dad it's him and Mary Steenburgen and he steals the movie from the two comedic leads yeah which I don't know if that says more about him or it says more about Will Ferrell lines like yeah I don't give a [ __ ] well that's the thing is like yeah a lot of it up until I don't know 3/4 of the way through the movie when it starts to really introduce the more kind of horror aspects of the movie it feels like a very traditional Western except for that opening scene that's sort of like just your first glimpse that this is gonna go in horror element horror and [ __ ] weird direction yeah and it's shot from it also doesn't prepare you for the violence cuz that opening scene it's David Arquette and Sid Haig who's in a lot of Rob Zombie's movies right he just he's way in the distance who seemed basically getting disemboweled yeah but it's so far away that it doesn't really register from the throat yeah and then then you just sort of sort of see and silhouette yeah and and so you realize that these are savages but you're not prepared for where the movie goes with them no but uh but yeah it David Arquette along with another person this town's wife who's the doctor mm-hmm get taken by these savages so then we have Kurt Russell and chicory and this other group of characters that kind of go off on a mission to find these savages and rescue these characters yeah and it's Arthur Arthur Arthur O'Dwyer it's his wife the doctor that's been taken Arthur was Patrick Wilson Nite Owl least I'm not the one still hiding behind him to ask oh that's right I know I always think of him from the conjuring movies all right I was think of them as like sort of a non comedic Paul Rudd kind of character because he's a very sort of straight man but he's you know he's a very good actor yeah bit of a kevin costner element going on with him but he's got a hard world to play because he's wounded because he fell off a roof because he was like a he's a construction worker yeah tried to fix the roof of the Wild West and his wife's a doctor luckily so she has him up in bed resting and he's he has a difficult role to play because he's kind of playing this sort of impotent character that can't get around much but he's also got you know he's suffering the whole time so yeah I think it was a real challenge for Patrick Wilson to do the role because how do you suffer through a movie without just sounding like you're complaining all the time yeah well that's his sort of like determination and dedication like in spite of his leg like he's he wants to go on and and the the mission that they go on it just keeps things just keep getting worse and worse and he never lets up yeah and in the horror of his leg elements like they keep happening continually yeah all very believable and very visceral yeah we see it on screen so it's Arthur O'Dwyer chicory the backup deputy sheriff hunt played by played by Santa Claus Kurt Russell but my favorite character I think my favorite character might be mr. brooder the Matthew Fox can Matthew Fox and again not until the very end did I realize it was Matthew Fox mm-hmm and his character has a lot going on because his wife and child were killed by Indians yeah and so he has a vendetta and he's very arrogant you here at jingle once your gun and shoot that I probably beat you to the job he's very you know an intelligent as he says in a lesser movie could be a very one-dimensional case yeah absolutely and you think you think he's he might be that but he's kind of got a lot of soul going on yeah well that's that's going on with the the writing of the movie like it'd be easy to do sort of like easy drama by having that character be the one that maybe portrays everybody at some point you're kind of a selfish reason you're sort of expecting that because there are moments of that where it's like is this guy gonna mess things up for us on our on her search but he but he's ultimately he's a good man all these characters are like good men yeah which is also interesting to see in a movie like this no one's getting backstabbed right it's very like it's very honorable ya know and they bicker in in in at each other now and again and that's some of the best stuff in the movie I'm the most intelligent man here and I intend to keep us alive well you're the most intelligent man here is that fact it is sheriff hunt has a wife so does mr. O'Dwyer and you're a widower yeah what does that got to do with anything smart men don't get married yeah and I've never really liked I know Matthew Fox he was on lost he was nobody's favorite character on laws the heavy breathing he just he's this like guy like he's never impressed me as an actor but he's so good at MOSI yeah it feels so genuine yeah absolutely and also I like the little detail of again with him being kind of arrogant and think he's better than these people like whenever there's have camped at night he's always just a little bit farther away from everybody yeah first of these white shots have already laying down and he's always off a bit there's the scene in the learned goat where they're doing the search party they're figuring out what they're gonna do it's a small town so I think there is a conscience around everyone to help out as much as they can yeah which is kind of why brooder goes along in the mission but he's you know he also has his arrogance where it's where it's like well you guys aren't gonna go very far without me kind of thing right but he makes the boast that you know he's killed 118 Indians and the character the professor who is a native guy he's the one that discovered these aren't Indians these aren't yeah yeah these are troglodyte yeah white men like you wouldn't be able to tell the difference yeah you're afraid of your own kind they're not my kind of spoiled bloodline of inbred animals raping eat their own mothers but these are troglodytes cave dwellers probably cannibals you know how do you spell troglodyte but it's a great lion brooder goes out the door and the professor says well that's an ugly post about killing 118 Indians and he's he's like not a boast but a fact yeah it goes up the door like Matthew Fox handles that stuff so well and I've killed more Indians and everyone here put together well it's an ugly boast isn't it boast but a fact but the way it handles like for the early part when it's more of a kind of traditional Western and going off on a mission it's still very violent but it feels in it it's like letting you know like this is a world that is brutal and violent but it still doesn't prepare you know where the movies going no but it keeps you engaged yeah like it's not like westerns are boring I don't know what's happening mm-hmm I don't really care like there there's always there's always something but that idea that these are men living in a very violent time is just showing even in that world where they're used to this kind of violence they're still not prepared there no ever what happens and what goes and it does a great job of building that sort of atmosphere too of being out in the middle of nowhere yeah middle of night the part when they get raided and Matthew Fox has to go put his horse down there's that great shot from behind him with the three of them in the foreground just in silhouette and him walking away and it's all really like misty and it's just it really has a sense of atmosphere that you don't see in a lot of yeah it's definitely older westerns but even the more contemporary westerns thank you ESCO exile used to be a cinematographer on I think like lower budget movies I don't know what any of them were but for different friends and things like that but when this movie was being shot he wanted the landscape to progress so it starts from Green sort of sloping Hills to flatter green land to like red land - it's just like dusty rocks - dusty white almost primordial land yeah and so you know it's like primordial like going back to like cave dwellers rights arrest the you know bright hope - there's is such a visual telling of the story which is really just great storytelling filmmaking well it also becomes more like in the early scenes in Bright Hope especially like in the the saloon it's all shot almost like a stage play all the master shots they're they're very like kind of eye level very flat they stay back a couple other like I think like Patrick Wilson's bedroom there's some stuff and they are shot like that - yeah say that that's a great scene - compared to hateful eight now thankfully it is all theatrical yeah that it really is a stage play but if you notice in that shot the camera is always like no one's ever blocking anyone they might pass by each other but everyone's always in frame and the shot keeps changing depending on who's talking like I just told you I ain't got no weapon because you put them in that hole you do one way that dollars directing the film is is it's almost like dialogue directed who's ever speaking there's a reaction so it's always the camera is always moving following their dialogue from person to person to person which is great which just keeps me engaged yeah well that carries over to the action to which I was gonna say towards the end you get a little more you know handheld stuff but they're still like when things calm down like when they're captured by the the savages yeah they're in those little cages just that that master shot it kind of gives you the geography the whole room they're in yeah fire pit in the center of it the the bright hope was in a lot in the majority of it was shot on the Paramount ranch so we're like Gunsmoke you know we shot with you know fifty five years ago Kurt Russell was in that oh wow yeah I don't know if tombstone was shot on the range but there was like twenty two years ago I think okay before the last time you did a Western but the the cave is the cave from Iron Man so it's the Iron Man set oh really from the first movie oh my god I'll kick it around well that paramount ranch burned down last summer's bring that up well as bleak and violent and horrific as the movie is it does have this not exactly hopeful ending but it is hey all these men sacrificed themselves for something yeah this wasn't completely worthless and the music reflects a kiss kind of positive sounding is a retelling in a positive context so that's Matthew Fox has a line about that doesn't he say something like I don't want this to be for nothing or hmm he's lying like that before he dies yeah before he gets his hand blown away well no that's after he gets his hand cut off but before because he's like I'm done for leaving here right and that that's pretty shocking all the violence is so like quick it feels so like it never again comparing it to Tarantino who kind of yeah makes cinematic violins fun in a way right and this movie is just like no this is harsh and real things happen quickly like you almost don't even realize that's what happens to Matthew Fox at first like it looks like his hand maybe got injured in some way but then you're like oh it's over there now yeah because he's like chicory tie this off yeah it's like the fourth or fifth viewing to notice that his hand has been it's it's a lonesome it's over there with a bit of a shirt sleeve yeah and to me that's the testament to like a good movie is rewatch ability when you know after the fifth time watching something that's when you notice the severed hand yeah well also and just to rewatch it in this movie it's the middle chunk of it when they leave Bright Hope up until when they get to the savages yeah it's kind of just like it's almost like a hangout movie you just like being with these characters yeah it's great sound design wise in this film things are really dry salmon in BO tomahawk things you know well it did create said yeah but dusty old West's kind of atmosphere yeah and although he does use the squeaky door opening sound effects we've used it tons of times on half in the bag it's used every time anyone opens the door to Paddy's Pub on It's Always Sunny in Philadelphia right that's one of those subjects that needs to be retired so it was the stock it was the stock sounded crowing The Simpsons the nuclear power there's a couple sound effects that need to be retired from those interesting okay I would gas beam sound play that here that's another one that they need to stop using but that's the only one everything else in the movie sounds great yeah in in and so one thing I read in an interview he he doesn't he referred to like Dario Argento and just like that gory wet sort of yeah gore stuff any stayed away from that and it's super effective yeah in especially in the end scene which I guess will skirt around I'm not gonna try showing that clip for this video from YouTube skirts are kind of steak but it's dry it's all dry yeah and it's terrifying and I've never feel so like I don't know what it would sound like to know I split a person in half and here there got stolen by inside of a cave but I would imagine it doesn't sound like like a Lucci of Ulchi movie like Bert and his wife's casserole like yeah exactly someone's squeezing an orange but it's that stuck out for me because it's so dry it's like the the sound if you hear someone fall off a bike in real life yeah you're not you know or someone being punched or whatever you're not hearing that you know slapping watermelon sound or whatever it is yeah when someone falls off a bike is just like yeah because just any but you see it and it's horrible yes well especially in this context of at that point in the movie for these savages like it's like us you know the carving a turkey like it's something that we just naturally do which is not a big deal and so in this movie they're just it's just done so like matter-of-fact yeah they're so run-of-the-mill about it even when they're there they're eating the guy's leg or whatever it's like I don't know if he's enjoying that she's just kind of like but that's that's I guess we're talking about this yeah the movies Cowboys versus cannibals yeah which sounds like a cheapo exploitation concept but by that point in the movie we've built up to it so much with these characters yeah that it just you know it never feels again like Tarantino kind of doing like over the top it's a celebration of cinematic violence this just feels so stark and so real so you have better knowledge of this than I do is there any kind of genre of cowboys versus cannibals not that I'm familiar with there's Cowboys vs dinosaurs right it's the famous valley of the gwangae the Cowboys you know lassoing dinosaurs I've never seen anything like those is that what's like stop-motion yeah yeah it's an old motion stuff yeah cannibal movies aren't my thing but in 2050 in a movie came out that I really wanted to see also same year his bone tomahawk it was pushed back I think it had come out four years earlier two years earlier or something but it was green inferno and I was really excited about it the trailer made me excited I didn't really know why is a cannibal movie why you would want to see it it wasn't the trailer the trailer wait I didn't I didn't know anything about Eli Roth beyond inglorious basterds and his cameo in that yeah and I watched the movie and I really hated it and it was stupid and the gore was dumb and I thought it was the funniest movie of 2015 sure it's not good but III think the perfect way of talking talking about my feelings on this movie was I got into an argument with someone about the ending of the movie and I said I hated how it all ended up that it was a dream and she was back at college at the end and everything was fine and the person said no that's not how it ended and it was like yeah that's like cuz she was unfazed by the whole thing it turns out it turns out she she's just not a very good actress but it wasn't yeah I wasn't supposed to be a dream yes wasn't very good yeah no Sun phase yeah like people who go and help you know third world countries and then go back to their lattes but outside of that that's another those yeah can't bone tomahawk and green inferno or obviously two movies that are kind of inspired by cannibal films there's long history to like the Italian cannibal movies the 70s and into the 80s Cannibal Holocaust and stuff like that but the the extreme ways that you can be influenced by something but creates something that takes on a life of its own yeah green inferno is like I like Cannibal Holocaust so I'm gonna make a slaw key right terrible cannibal movie and then you have someone like a scholar is like I'm gonna take cannibal films and make something interesting and and grounded and real yeah out of it and that's the thing that's like like I said the whole kind of sub-genre of cannibal films like I find them interesting and it's like a weird subsection of genre movies but I could like remember a female I was talking to you about Cannibal Holocaust it's like I find it interesting I would never ever recommend you watch it right a lot of very grotesque and not in the way that like bone Tama gets kind of grotesque towards the end yeah it kind of but you well I guess it's the first movie in a very long time where I literally my jaw dropped yeah at the violence there's one particular moment that again we won't show but uh but it feels like it makes you invested more with the characters because you're you're seeing it kind of from their point of view and like holy [ __ ] this is real outside of outside of the ritual cattle scene in Apocalypse Now oh yeah that's outside of that that's the most horrific thing I think I've ever seen yeah well maybe that maybe I haven't seen enough film well that's a real animal being slow in Apocalypse Now which is another staple the Italian cannibal movies right is actual animal murders if you don't want to see that don't ever watch those movies well when I watched it again it was like I don't think I can watch this again I I love this movie the movie or just that no no no that that moment I'll watch the movie again but yeah it's just every time I watched it it affected me and I think the reason is is because the Kurt Russell's acting I mean also the victims acting I was gonna say the way it's like it's it's like hammering you over the head with the fact that this is a real human being yeah he's talking the entire time is there we're gonna get restauranteur it's hanging him up and then Kurt Russell something there kind of as a theme of the movie he's like oh the Calvary is on the way your death will not be in vain and then so it's like one minute he's the living breathing human yeah the next you know and when that moment happens you look the you know the camera goes back to Carell he just does this yeah you know it was just deflated in that moment how do you react to something like that Eli Roth has a not you it's very mean over the top yeah or [ __ ] your pants which also have [Music] and then everyone's grossed out yeah and it's like oh that's the comedy supposed to be funny I don't know yeah I think a lesser director would just kind of have it in there and then I'll be slaughtered or something but in this film we still got our third wire turns out to be the hero you know and that that's another thing too is like the movie is kind of bleak so you see him like he hurts his leg even worse and he's like go on without me maybe I'll catch up to you you assume that's the end of his stories it's gonna die out there and yeah in the middle of nowhere no he finds the little like peace in their neck yeah so I'm thinking that's like an animal boners that's what yeah it looks like it's some sort of and that over time they they figured out a use for it is a call to each other and you know embedded in their neck yeah it's yeah and and I love hearing that sound effect that you know it's cause it sounds like coyotes or something yeah off in the distance when they do it up close I don't love it so much it kind of sounds like a vacuum cleaner or bad plumbing do you know what I mean it's scary and it's kind of cool and everything it's just it's not as realistic as this a lot of the rest of the film it's so much more satisfying to see him kind of win in the end because like I said the movie was so bleak you just assume he's gonna die so it feels more earns to have it feels more it's more like legitimately exciting yeah the ending of the movie is opposed to it just ending very vulnerable yeah and Kurt Russell has this girl moment yeah let's say well they have that great moment - or he's like oh you know say hi let's say goodbye to my wife for me and I'll say hi yeah it's a wonderful little yeah very surprisingly touching moment for the end of a movie about yeah that's another thing was dollar is which I don't find in Tarantino I like to make the comparison is you know you could call some of the moments sappy or over overly sentimental and I just think he handles it so well and balances him really nicely yeah no never - over the time they feel earned yeah I think is his domestic dialogue between you know partners husband and wife in the living room kind of stuff not a strong suit and you see that in brown Tsao blog 99 beginning you see it with Mel Gibson and his wife in dragged across concrete and it's just I just hear the dialogue yeah you know and it takes me out a bit yeah I think it works better in like the Western setting because I think this is I like when you have a library I like all of his movies but you have the more contemporary setting with that same kind of dialogue it is same sort of like weird interactions between the characters it feels it feels more stilted I think in his other movies because of the contemporary setting yeah everyone knows contemporary and domestic so yeah you know it's not meant to be realistic but it's still it doesn't kind of feel as it doesn't feel as kind of natural as it does yes yeah he's better at the stuff that we don't know somehow yeah yeah I think he's great yeah thank you thank you for verifying it it's good movie bone tomahawk Christmas Chronicles tonight [Music]

Channel: RedLetterMedia

Views: 862,025

Keywords: redlettermedia, red letter media, red, letter, media, plinkett, half in the bag, mike stoklasa, jay bauman, rich evans, bone tomahawk, kurt russell, s. craig zahler, richard jenkins

Id: WNYF6XmsRJM

Length: 32min 34sec (1954 seconds)

Published: Sat Aug 17 2019

Reddit Comments

[u/Kenya151]

Matthew Fox really was great in this movie, it's a shame he hasn't done anything since

[u/elixalvarez]

i stuck around to see who edited this upload after the zoom-in on jay

[u/Mepsi]

Hey I recognise that guy from heavily upvoted twitter comments posted on the RedLetterMedia subreddit.

[u/DNT_Fridge]

I just watched this movie on Prime for the first time last week based on a Sonny Bunch recommendation, I'm glad the two men with beards decided to talk about it.

[u/[deleted]]

[removed]

[u/paperd]

Ok so I'm not too much of a horror person. I get squeamish about gore, or at least I used to.

I was seeing this guy who was a horror person. Asked me if he could introduce me to a few horror movies. I said sure. There's a lot of movies he could have started me with. Great classics: the Shining, something Hitchcock, an 80s slasher classic... where does he start me?

Bone Fucking Tomahawk.

That scene comes on and I nearly puke.

"Oh lol I forgot that part" he tries to tell me

Fuck you nobody forgets that part. You've lost your movie picking privileges. Now sit here and watch The Last Unicorn with me, you jackass. Enjoy the musical stylings of America and the most annoying butterfly ever. This is your punishment.

Something that I laugh about now but jeez that guy was a jerk

[u/Doc_TimWhatley]

Jay + Jim is my favorite RLM duo. They're both very movie-literate, witty, and concise.

They don't spend entire sections of the discussion in open speculation or need a sheet of typed-up trivia on hand to make a factual point. cough I still love Rich + Mike, don't get upset.

[u/veloster-raptor]

Man With Beard and Man With Beard is my favorite RLM duo. So much more chemistry than Man With Beard and Man With Beard.

Also, I guess I'm watching this movie now.

[u/huhwhat90]

It's our old pal Jim!