(dramatic music) (suspenseful music) (horse neighing) (fire crackling) (upbeat music) - [Jesse] Woo hoo! (brakes squealing) (tires squealing)
(horn honking) (Jesse laughing) - Hey. (tires squealing) Jerk! (boxes crashing) - Woo! Yoo! (tires squealing) (glass shattering) (Jesse laughing) - The boy's been in one
foster home after another. No wonder he's angry. I tried hard with this one. - [Woman] Nobody's
blaming you, Mrs. Newell. - And nobody is
listening to him. He says he likes it here. - I really need your
support on this. - He's been moved
around too much. He's mixed up. Jesse doesn't care about this
Native repatriation thing. You don't even know
who he's gonna. - They've decided he should
stay with his grandfather. (horn blaring) (bicycle crashing) - [Mrs. Newell] Well, Jesse, looks like today's the big day. - I thought you said
it wasn't for sure. - They got everything ironed
out, all the paperwork's done. - I packed your bags, honey. Better go check I got it all. (somber music) - [Jesse] Hi, squirt. Hidin' out in my room again, eh? - I'm going with you. - You can't, Lucy. - You should have told me. - I didn't know myself. - I thought you said
we were gonna run away. (Lucy crying) - Hey, I got you present. It's a compass. (trunk slamming) - Hey, Jesse. God'll look after you. - Jesse. Jesse, don't go. - Just go.
- Jesse. Please. Jesse. - I know how hard
this is for you. (door slamming) This is horse country. Your grandfather was
a rodeo champion. - [Jesse] Spare
me the fairy tale. - I'm talking about your family. - Right. My so-called grandfather
spends 10 years in the slammer, gets out, does he
come looking for me? No, it's some goofs
in some office. - Feet off the dashboard. (motor revving) - [Woman] Let's go. - [Man] He'll come. - Hi. - I've got a present for ya. (motor revving)
- I know. Hyah. (water splashing) Hyah, hyah. (woman laughing) Woo hoo. Yah. - Come on, you stupid. (hooves clopping) (engine revving) Hey Cam, what's happening? - Ladies are doing
a big cook song. - What's the occasion? - Joe Moon's grandson's
coming back today. Joe Moon's not exactly
the greatest cook. - Man, he's a waste of skin. - I gotta go. - Wait, I've got
something for you. - I can't. I gotta go. (dog barking) - I hear he's cute.
- Oh yeah? Oh look who's here. Hiya, Paul. - Hey Paul, how you doing? - What's this kid's name? - Jesse Threebears. - I don't understand
you helping that guy. Jim Moon and his kind
nearly destroyed this place. - Don't have a hard heart. Doesn't look good on you. - He doesn't listen to
anybody, except maybe you. - Don't look at me. Nobody's native enough for Paul. - [Jesse] Who'd want
to live out here? - You're gonna get in
touch with your traditions - Yubba dubba doo. - Jesse. - I don't buy it, okay? - I gotta get directions. (bright music)
(singing in foreign language) - [Vern] (coughing)
Good morning. Good afternoon. This is Va Va Vern LeBlanc
coming at you live, the voice of Anishinabe
Manidoo-Waaboo. This is hardly more than
a horse whisper today. Guess I called one
too many square dances at the Santa Ana last night. Hey, you know what? I like that theme song so much, I'm gonna play it again. What's up, buddy? - Nothin'. - It doesn't look like nothin'. Thought you were gonna
give that to your girl. - She's hardly my girl. - What's bugging you? - Nothing. Got to go for a ride. (door slamming)
- Hey! (soft music) - What about over here? - Oh, I was sort of saving that au natural kind of look,
you know what I mean? - Well, the dirt's gonna be
over there in 10 minutes. - Yeah, but everybody's
got their own way of doing things, eh sweetie? - You're a good starter, Albert, but I gotta send you
to finishing school. I'm looking for those
bank confirmations. - In the truck. - In the truck. What's Joe Moon doing
wandering around out there? His grandson's on the way,
he's supposed to be home. - You know Joe. - Joe. (speaking in foreign language) Joe, I gotta talk to you. - [Albert] Save your
breath there, sweetie. - He's gotta be home.
- Yeah, well he's got a
bad case of nerves. He figured everybody's watching. - Well, they are. - Go get him, hon. Come on. - Howdy, Joe. (speaking in foreign language) You know, Joe, you should
probably be at home. I mean that young
boys coming today. - I'll get there. I saw that black horse again. - Where? - The hills, back of Swan Lake. - Did he remember you? - Hard to say, he's a
different horse now. - 10 years is a long time, Joe. For crying out loud,
would you get in? - [Woman] What's he like? - [Ms. Falker] I think
he's pretty excited. - [Woman] I need to see him. - Jesse, these ladies
have been cooking for you. They're gonna show us how to
get to your grandfather's. He's shy. (speaking in foreign language) - They don't even speak English. - Don't bet on it, handsome. (both laughing) (soft music) - You know, maybe I'm
not ready for this. - I'll be darned. I do believe that's
them comin' up our tail. - [Ms. Falker] Here we are. You've got to try, Jesse. - [Jesse] I'm sick of trying. - Lovely afternoon
there, Ms. Falker. - Jesse. You can't hide from this. He's your grandfather. - Come on, Joe. He's just a kid. - Bonjour, Jesse. - Hi. - Hooey. Will you look at this rig, Joe? - I ride that bike 10
miles a day, rain or shine. - Wind out here puts
them things in a ditch. (light music) - Hey, kid. Welcome home. - Joe, you gotta cheer him up. He looks so sad. And find out what
he likes to eat. We'll fix it for him. - Don't worry, he doesn't bite. - I have some papers for
you to sign, Mr. Moon. - Have a seat. Like some tea? - No thanks, I have
to be going actually. Well, that's that, I guess,
unless you have any questions. - No questions. - [Ms. Falker] My card. You can phone.
- I don't have a phone. - Bye, Jesse. Good luck. - Hey, wait a sec. - It's gonna be
all right, Jesse. - Give me the card. - This is a big chance, Jesse. I know you can make it work. Bye, Jesse. - Here, help yourself. (speaking in foreign language) Best meat there is. - I'm not hungry. - Then get us some
water, make some tea. - I don't drink tea. - Pump's in there. (pump rattling) Got some pictures here. That's me there when
I was about your age. I was riding rodeo then. - This isn't gonna work. - There's nothing
to be afraid of. - I'm not scared. I gotta ride my bike 10
miles a day, every day. I'm in training. - What for? - For the big race in France. - France is a long
ways from here. If you wanna do some ridin',
plenty of horses here. - I hate horses. Where's the plug? - Maybe you'll find something
here you don't hate. - I'm going back to
the city tomorrow. - I have a horse to water. That's your bed. (dramatic music) (fire crackling) (baby crying) (birds chirping) - Stupid way to live. - This is Bearpaw. Coffee's on the stove. Two mile walk to the school bus. - I don't do school. - They teach you your
traditions at school. - Is it some kind
of Indian school? - Indians come from India. Anishinabe run this school. You turn right. You keep on walking until
you get to Albert's store. Bus leaves at 8:30. Take my jacket. (upbeat music) (engine revving) - Jesse Threebears? You don't belong here. - Says who?
- Says me. No one from that shack
belongs with my people. So leave. (engine revving) - Get stuffed, Geronimo. (upbeat music) Is Grace Falker in? I have to talk to her. - You gotta do something, Vern. I mean he's gonna
call that Grace woman and he wants to go
back to the city. - Just keep your
pants on, Albert. - I don't need this today, Vern. I got a delivery truck with
$4,000 worth of dry goods coming into town and I don't
have my shelves filled yet. - Albert, you're gonna give yourself
a heart attack in the brain. (soft music) - No thanks.
(phone slamming) - Jesse Threebears? Me and your dad were
hunting buddies. - I didn't have a dad. - Did you talk to her? - No. - Look, everything will be okay. Things'll work out. - Listen, the bus is gonna
leave in a couple of minutes. You better get on it. - What about my bike? - I'll take care of it. - Whoa.
- What did you do last night? - [Boy] Did you watch
the game last night? How was it? (engine revving) - Look, there's Paul. (horn honking) Showin' off for you, Cam. - The guy never gives up, eh? (both laughing) (soft music) (bell ringing) - Morning. Where's Jesse Threebears? - He's still on the bus. He wouldn't even
look at us, Mom. - Hey, Cam. - Your number one fan. - What'd I do to deserve this? (both laughing) - Jesse, I'm Marilyn St. Claire, in charge of the
native studies program. - So? It's all some stupid
social worker's idea. - No, it isn't, it's our idea. The band council has
been working on your case for over a year. - I'm not a case, okay? I'm not staying. - Remember that time that
we were over at Tina's and the Christmas
money at Palmer. - Camilla, show Jesse around. See you later, Jesse. - I'll see you later. - Hi, I'm Camilla. - I know that. - And you're Jesse
Threebears, right? - I know that too. - You want to come
with me over here? - Thought I told you
you didn't belong here. - Get out of my face. Paul, why don't you--
- He comes from scum. - Hey, Hey. - Hey, hey, stop it. Both of you. Paul. - Paul, you stop that. I'll talk to you later. (dramatic music)
- what's the matter with you? (engine revving) - Jesse. Jesse! - Well, well, well, now would
you look at this people? It's a genuine miracle. Like the ghost in Hamlet, the long lost window
has finally appeared. This is a great day for
native broadcasting. We're finally weatherproof. (upbeat music) Hee hee, the window's here. Albert. It's your wife on the phone. Says it's an emergency. - Harvey, can't you
see I'm busy here? - Jesse Threebears stole Paul's
bike, he's headed this way. - (laughing) That window's
a sight for sore eyes. - Stupid thing. Jesse just stole your bike. - No way.
(engine revving) (upbeat music) - Jesse, Jesse! No. No! No! - Whoa, whoa, whoa, whoa. - Jesse!
(boxes crashing) Will you look at this mess? Jeez, I haven't even
paid for this stuff yet. Are you nuts? - Wait a minute, Albert. The boy's hurt.
- He's hurt? What about me? What about my
spring merchandise? - Well what about my
bike and my window? How many fingers do you see? - Two. - What are we gonna do with him? - Well, that's Joe
Moon's business. Come on.
- Well, it's my business too. (boxes crashing) - We go through all this trouble to try and give you
something, you know, a home and a family. And then this happens. - Come on. - Come on? That's all you've gotta
say to me is come on. - This is not my home
and you're not my family. - Now now now, this is the res. We're all family here. (ax chopping) - You're in big trouble. - I know what you're
going through. - Doubt it. - My nephew Paul was
repatriated two years ago, and I've only been back
a couple of years myself. There's a lot of us
trying to get home. - Threebears, get over here. - Come on, let's go. Takes more than a
day to get here. Give it a chance. (bike crashing) - Hey, hey. Whoa. Now son, you listen to me. I'm gonna give you the
opportunity of a lifetime. I'm gonna give you a chance
to pay back every cent of those damages, the dirt
bike, my inventory, all of it. I want you to meet me
at the stables tomorrow. I got a job for you. - Come, follow me. (soft music) Made a few mistakes in my time. I ended up in prison,
maybe you heard. Got drunk, got in fights. The elders and medicine people used to come and see me in jail. That's where my healing started. (speaking in foreign language) (wood crashing) Jesse Threebears. (speaking in foreign language) She says you remind her
of your great grandfather. (speaking in foreign language) Minni's one of the healers
that came to me in prison. You go with her. You give her this. It's a sign of respect. Go on. - But I don't understand
a word she says. - It's not about words. Go on. (speaking in foreign language) (tea pouring) - I don't drink tea. (dramatic music) (speaking in foreign language) (horse neighing) What is it? - Medicine bag. It's got a couple
little pebbles in it. You carry this
ground with you now, ground that's always been here, ground that's always
gonna be here. It's part of your tradition. - No, thanks. - Follow me. - Where are we going? - Home. Tomorrow you got a
job to do for Albert. (bright music) - She throws quite
a stench, don't she? - What is it? - Well, this here is
a methane digester. She turns the sludge,
the night soil, the feculents, the muck, the
dung, the guano into gas. Pure, environmentally friendly, cheap gas. - What planet are you from? (Joe laughing)
- This here's the future. And I'm a pioneer. Start shoveling. - Cow flop tycoon. - Exactly. And until further
notice, you work for me. - How much? - 3.50.
- 3.50? That's nowhere
near minimum wage. - All right, 3.75 tops. According to my calculations,
you owe me 40 hours. You can keep track of your time on that worksheet over there. (manure squishing) I got some business
over at the store, but I'll be watching. Come, Joe. - I hope you learn
something from this. - What can I possibly learn
from shoveling manure? - Respect horses for one thing. - Very funny. - [Albert] Come on, Joe. - While you're serving they,
they might respect you more. - [Albert] Vern's waitin'. (light music) (Jesse grunting) - Ah. - Hey there. (giggling) My father's idea
of career development, eh? - Your old man's
the methane king? - Well, he's full of big ideas. Can I ask you something? Why'd you try to run away? - It's a hobby of mine,
like sittin' in muck. - Well, it's not so bad here once you get used
to it, you know? - Yeah right. - Want to watch me
wash and wax my horse? (light music) - Now, I'm not saying nothing
outrageous here, Vern, I'm just sayin'
that we got buffalo that are overbreedin' and
we've got a specialty market for buffalo meat in Japan. - Now, is that a
rumor about Japan? - Well, listen, you know how
much they pay for buffalo meat in Japan, Vern, they
pay 40 bucks a pound. (door slamming)
40 bucks a pound. - Now, we got this for a fact. Well, well no. You know I haven't
been to Japan, but I did get this
from a government guy. - Oh, a government
guy, (chuckling). - 40 bucks, Vern. 40 bucks a pound. - I always knew I was
eatin' like a king. What for? - New fender for my stupid bike. - Can't help you out til Friday. - Listen, we gotta
start getting jobs for ourselves sooner or later, and the buffalo are a resource. It's that simple.
(phone ringing) - We have a caller on the line. This is Speak Your Mind. You're on the air. - It's Annie Coldchild, Albert. (speaking in foreign language) The buffalo have
had a hard time. I don't think we should
be trying to make
money off of them. The herd is there
for our kids, eh? - But what are
your kids gonna do for a living when
they grow up, Annie? - [Annie] I know what you're
saying, but I stick to my guns. You don't exploit
endangered species. - Annie, Annie, we got
buffalo that are overbreedin'. They're breedin' like rats. And we gotta buy, we gotta buy, pay for the hay to
feed the buffalo. And we don't have enough money for the kids for the lunch
budget at the school. - Whoa, he's gone completely
ballistic now, Annie, there's steam coming
out of his ears. - [Annie] Good, maybe that means he's thinking for a change. (Vern laughing) - [Vern] We'll be right back with Speak Your Mind after this. - Your old man's
funny when he's mad. - So's Elmer Fudd. Wanna turn off that music? Wanna give me a hand? - No, I hate horses. - Why? - They're dumb. - A horse is like a
bike with a brain. (Jesse gasping) Oh, I'm sorry. - The shirt. - Yeah. My mom says you got arrested. - Who told her that? - She's on the
repatriation committee. I'm an eavesdropper. And you race bikes. - Yeah, what's my
favorite color? - Black. Do you race? - Used to. My bike got blown away. - Lou and I are gonna enter
a big race, aren't we Lou? - Who would want to
race a stupid horse? All they do is just sit there. - This one's got a big prize. 5,000 bucks. - 5,000 bucks. - Yep. You're so afraid of this
horse, you won't even pat him. - Oh yeah?
- Yeah. Here, you take him to his stall. - You think you've got
a shot at this race? - Oh, yeah maybe. Your buddy Paul's got a
pretty good run at it too. - Paul. - Yeah, y'know, the guy
you wanted to fight. - Yeah, what's with him? The outfit, the attitude. - You should talk
about attitude. (tense music) I don't know, Paul's on
this traditional thing, thinks we should all
get back to our roots. Just kind of strange
coming from him, considering he spent
most of his childhood growing up in foster
homes in Florida. - They shipped kids
off to Florida? - Yeah, kids got
sent everywhere. He was pretty messed
up when he got here. - If you ask me, he still is. - Maybe you two have
something in common. So I guess I'll see
you at school tomorrow. - School's a waste of time. - Well don't let my
mother hear you say that. - Your mother? - Marilyn St.
Claire, your teacher. Hey, Lou. Come out to eat? (ominous music) (Joe sniffing) - Suppose I wanted a horse, a real fast one. - What for? - There's this race. - The Yellowquill. I know a fast
horse, a wild horse, win any race you want. Suppose we catch
him and break him. - I don't want to learn how
to ride on a wild bronc. - It's a good way. You and the horse
figure it out together. - Sure, sure. Forget what I said. - Tomorrow. It's more fun with a wild horse. And I know this one real well. - No way. - I'll get it arranged. - I said no. - Better try these on. Your sneakers are really
startin' to stink. (bright music) (birds chirping) - She's all gassed up. But the window on the
driver's side doesn't roll up. - You're a good guy, Albert. - Jesse's gonna skip
school today, honey. - Oh?
- Yeah, he and Joe are gonna go up and get
that black from high bank. - You're what? - The boy wants to
learn how to ride. - And I've got just
the horse for him. - And there is more than
one way to go to school. - Well, you guys are
gonna have him out there herding buffalo and
we don't even know if he fits in this desk yet. - Well anyway, that's
what's happenin'. - Yeah. - Well have fun. - Be careful, John, and
bring that horse home, eh? - Maybe I'll go and
fix Vern's window. Now there you go, honey. I mean, you asked
me to get involved and then I get involved, and then you tell me to
mind my own business. - Did I say that? Anyway, your business
could use some minding. I better go catch the bus. (bright music) - We call this Spirit Hills. People come here
to pick berries. Your mom used to like it here. Maybe you remember
picking berries with her. - I was two when I left here. I don't remember anything. - That's you with the beads. She calls you (speaking
in foreign language), that means partner. (speaking in foreign language) You need a hat if you're
gonna wrangle horses. - I hate hats. (bright music) - I want you to know the truth about what happened
to her mother. I was off getting drunk
on the rodeo circuit when she was growing up. Never got to know
my own daughter. It's a hard story
for me to tell. - So don't tell it. Look. (horses whinnying) - That's him, the black one. - He's beautiful. - [Joe] A horse and a half. - I saw that horse before. I saw it in a dream. - [Joe] That's a good sign. - [Jesse] Why? - When you go to get your horse, it comes to you
first in a dream. Two of those horses
we saw in the herd were once saddle-broke. Bring the others down. Grab the feed. Oh, wait a minute. Your hat. Little bend up here, good place to rope a horse. This'll do her. Sweet feed. That'll bring them. Gotta get upwind. (pails banging) (dramatic music) - How long do we have to wait? - Lots of light left. He'll come. Want my coat? Guess it's not today. - This stinks. - What's that? - I said this stinks. (thunder crashing) - Good. Good. Good. Good. Good. Good. Good. We're nearly out of gas. - [Jesse] What? - I think the storm's
gonna get worse. - So unbelievable. - Where are you going? - I'm gettin' outta here. - You won't even find
your way to the main road. - You got a better idea? - Albert's got some gear. - [Jesse] What for? - We got shelter in the trailer. (thunder booming) - Should have known. - I got a stove here. Get back there
and make some tea. - I don't drink tea. Remember? - Here comes the hail. (hail crashing) - We got a beautiful
storm tonight. We're coming down to
the bottom of the hour. The lines are open. Call 7271 if you
have anything to say. We have a call. Good evening, who
are we talking to? - [Billy] Billy Snowshoe. - Ah Billy, what's
on your mind tonight? - [Albert] I'm worried
about Joe and Jesse. - The horse race, Vern.
- They aren't back yet. - The race is on those trails.
- You got a match? - Down on Yellowquill
summer land, right? - [Billy] Yeah. Well, I know no one's
going down that trail or they're dancing back, eh? - Your dinner's on the stove. - What's that smell? - I'm burning some methane. - Make your point, Billy. - You're not gonna light
that thing, are you? - Look, Albert knows
what he's doin'. - [Billy] I don't want
to go out on the land. (methane whooshing)
(thunder booming) - What the? (glass shattering) Aw man, look at
that, my new window. - [Billy] Still there? There's a whole lot
of land on that lot. Got no idea where they are.
- Correction, Billy, even as we speak,
Jesse Threebears is out catching a wild horse
to run the Yellowquill. Him and Joe Moon are
out catching a horse
in this weather. Do you believe that? Now if that ain't tough, I don't know.
(switch snapping) - Hey!
- Sorry. I plugged in the toaster
and blew the fuse. (hail crashing)
(thunder booming) - Come on. (glass cracking) - I'm a joke. Filling these tanks with
methane gas and nobody wants it. - Albert, you only had
four of those today. - Tryin' to run the buffalo
herd like a business and everybody hates me. - Stop that.
- Spent a year trying to put this
stupid store together. Our bank account
is down to fumes. I'm sitting here eating
stupid inventory. I'm worried about Jesse and Joe. - There's gear in
the truck, right? Joe can look after himself. - Well, it's just that I think maybe Joe was on
pretty shaky ground right now. - They're gonna be okay, okay? (rain pouring) - Joe? - I'm in the back. Real Ojibwe boy drink tea. I know why we didn't
catch the black. We didn't offer no tobacco. (dramatic music) - [Jesse] Who you talkin' to? - The creator through
the horse spirit. He'll talk to the horses for us. - While you're at it,
ask him for a new bike. - Dream about the horse and see. (soft music) (horse neighing) - Hi, Paul. - Cam here? I've got a book for her. - Well, she's supposed
to be doing her homework. I think she's watching TV. - Vern says there's
a tornado watch. - Tornados, perfect. Now I let Joe and Jesse go into
a tornado to catch a horse. - Joe hasn't told Jesse the
whole story yet, has he? - He doesn't know
where to start. He figures the kid
will never forgive him. - Cam? That book on Wounded Knee
you wanted to borrow. - Yeah? Thanks. It's so wet. - Will Joe tell Jesse the truth? Tune in next week.
- Stop it. - Look, if Joe doesn't
tell him the truth, I will. - Paul.
- It's warrior's way. You gotta look evil
square in the eye. - Look, if you go
sticking your nose into John Moon's business. - It's my business too. My father wouldn't have died-- - Look, I know the story, okay? But it's not your job--
- That man did it. It can never be forgiven. - Stay out of it. - And if I don't? - I don't want to talk
about this anymore. I got homework to do. (somber music) - Jesse. Jesse, wake up. - What?
- Shh. (tense music) It's him. (bright music) - Ooh boy. Stay back, Jesse. Stay back. Ooh. Ooh, that a boy. Ooh, easy boy. Nobody's gonna hurt you, boy. (horse neighing) Uh oh. Easy, boy. Easy, boy, easy. Whoa. Whoa. Whoa. Whoa. Whoa, boy. Whoa. That a boy. Nobody's gonna hurt you, boy. Bigger and stronger than we are. You have to let them
know we're in control. Here, you can pet him. You came to this boy
in his dream, remember? (light music) Well, how do you like him? - [Jesse] Is he really ours? - He's yours. Piece of cake, right? - Right. - Uh huh. (speaking in foreign language) Quite the storm. We were just coming out
to look for you guys. The girl has been
bugging me all morning. - We managed all right. - See, what'd I say? No luck, eh? - He's in the back.
(horse whinnying) - Yeah?
- You're kidding. - You caught the black? - Got a little rope
burn right there. - What are you gonna call him? - Najif, it's
Ojibwe for partner. - I know that, stupid. (dramatic music) Oh man, he's great. - You had this all
worked out, didn't you? - Got lucky. Hey, sorry about your truck. (Albert laughing) - [Cam] He's gorgeous, Jesse. (horse whinnying)
- What's the matter with him? He won't let me near him. - He can tell you're afraid. - He's just not into it. - No matter, go on. - I'll hold him. You put the blanket on him. - You're spookin' him. Stay back, okay? He's a wild horse. - Hardly, he used
to belong to Joe. - That what was a long time ago. He's his own horse now. Just put the blanket on him. - Just give me the roll. - Stay back, okay? I know what I'm doing. - Really? You could have fooled me. - Stop! - You can't do it with words. You gotta, you gotta go to him. - [Jesse] Stupid horse. Cam?
- Nevermind her, you got a job to do here. - Cam around? - She's supposed to be working. Here, give me a hand. Hey, I hear you got
trouble with the black. - Nothing I can't handle. - I doubt it. - I got that new fender
for Paul's bike today. It cost me $62. That'll be another 15
hours of shovelin'. - Is Camilla at home? - She's busy. You know, it seems to
me that you two guys got an awful lot in
common these days. Y'know, with the trainin'
the horses and all. - Doubt it. (door squeaking) So, get that blanket on him? - Fat chance. - Well, you know, I could
help you if you trust me. But oh yeah, I forgot, you
don't trust anybody, do you? - What do you
think you're doing? - I'm trying to get rid
of that thing you wear. - Pardon me? - Trust me. - Why should I? - Because if you don't, if you don't trust people,
then they don't trust you and you just wander around
feeling all lonely and paranoid. My father's like that. He doesn't trust me, so
he's tiptoeing around and checking up on me, you know? - Suppose I do trust you. Then what? - You could let me help you
with Najif for starters. - Suppose you know everything
about busting horses. - Yeah, Joe's taught
me a few things. What? What are you looking
at me like that for? - There's another
carton of soup here. I've got work to do. So do you. You save that
shovelin' for the barn. - So, you break
that horse together? - Yeah. - Put your foot in the stirrup. Put your right hand in there. Pull it, that's it, that's it. You got it.
- That's it. Now lead him around the circle. - Okay. Come on, come on, that's it. - Talk to him, Jesse. Let him know your voice. - Joe likes to play
the wise old Indian. - He doesn't have to play it. He is it. - You think so? - He's half horse. - I was thinkin' half mule. So how am I doin'? - He knows when you're relaxed. Let him go it abroad, Cam. Let him do it alone. (hooves clopping) - Go, Gypsy.
- Paul, no! (horse neighing)
- Whoa! - [Cam] Jesse! - Hey, what do you
think you're doin'? - Oh man, are you okay? - Ho, ho. - What's your problem? - You. You don't ride a horse
any better than a bike. - Paul. - Heeyah.
- You're crazy. - Joe. You okay? (hooves clopping) - I'm gonna kill him. - That's not our way. - Let me go!
- Jesse. - We're a family here,
you gotta listen to me. - Family, give me a break. - Jesse. - Let him go. He'll come back. (tense music) - What if he doesn't? Jesse. Jesse. Hey, Jesse. Jesse, I--
- I'm gettin' out of this dump. - Anybody ever tell you you
get an attitude problem? - I'm famous for it. - What good's it do you? - Keeps me movin'. (soft music) - Don't leave, okay? I'm gonna be late, I gotta go. - Here, pull it over my head. Pull. Pull (grunting). You gotta put some of
this liniment on my back. That's Minni's special mix. - What's with that
Paul Guy anyways? Why does he hate us? - He hates me. - Why - I did some bad things, Jesse. (somber music) I spent a winter
outside in Calgary once. We had a couple other drunks
sleeping on cardboard. I was out on parole
for stealing. I got dumped back on a reserve,
hardly knew my own child. And here, she already
had one of her own. Things were really bad then. So much booze. So many people lost. Your father had run off. I wanted to help your
mother, but I couldn't. She died in the
middle of all of that. Wasn't her fault. - Did she care about me? - tomorrow you get
back on that horse. You might win that race. - Get real. - Get real. I like that. Get real. Get real, Jesse. - Can you get me ready
for the Yellowquill? - Yup. If you really want it that bad. Proud of you, boy. - You're my good buddy. Okay? - Go ahead. Try the seat on. He's waiting on ya. - What's he doing?
- Just testing ya. (Jesse clucking) - Whoa, whoa, whoa. (horse neighing) Whoa, whoa. - Kid's some rider. - Yee ha! (Jesse laughing) Yeah! How'd I do? - Best natural rider
I've ever seen. - What are you doin' here? - Havin' breakfast
with my horse. Where'd you learn
how to do that? - Cowboy movies. - Oh yeah? - Go ahead, Paul. - My topic is the enemy within. - Heavy. - According to
traditional teachings, the best way for us to
understand about our future is to learn about our past. When I came here two years ago, I didn't know anything
about my past. I've made it my
business to learn. One of the things I've
learned is that some people can't deal with the truth about what happened
on this reservation. A lot of us came
from broken homes. We got scattered to the wind and ended up far away from here. Why did things get
so bad on this res? What can we do to make sure
it never happens again? (dramatic music) There's some people
here did terrible things and I think they should
be held responsible. Our circle is only as
strong as its weakest link. - Where are you going
with this, Paul? - I'm saying there's evil
blood in our community. And I'm looking at one of
them bad apples right now. - This. - I'm not finished.
- I'm afraid you are. - Just forget about him. - I'm tellin' the truth. - You can't use the circle
to spread your poison. - Joe Moon killed my father. - You know that that's
not what happened. It was an accident. - It's Joe Moon
that should be dead. - Is that what the
elders tell you? - If that's what you think,
you've got a lot to understand. - I don't wanna understand. I wanna get even. - [Marilyn] Have you told
them everything, Joe? - Told him what I could. - It's not just Jesse, It's
Paul I'm worried about. You're gonna have to
work it out with him. - Jesse. You're bouncing all
over the place there. You gotta be one with him. - What do you mean? - You gotta stay with him? Let the horse carry you. - [Jesse] I don't get it. - Keep riding, you'll get it. (upbeat music) (hooves clopping) - It's funny how
we learn things. Two years ago May, I
came back to the res. I'd spent 10 years away
doing nickel and dime jobs at radio stations in Vancouver. I completely lost touch
with the land and my people. I got my paycheck, lived in a stinky little
basement apartment. I had it all figured out. And then one Christmas, I
got a parcel from my uncle. It was a bundle of sweet grass. Hadn't seen sweet grass
since I used to collect it with my mom. But when I smelled the
burnin', it was like, like I was being
lifted up by somethin'. Maybe it was just my own
memories of better times. Then I realized that
I had completely lost touch with myself, forgotten my own story. I couldn't hear it
much less tell it. I came back to the res
and everything changed and all you neighbors out there, you gave me a new way
of looking at myself. (crowd applauding) Well now, it's a big
night for all of us. That same energy that changed me is bein' passed onto
the kids on the res. And we got three of those
kids in the big race tomorrow. (crowd cheering) Hold your applause
until I'm all done. First off, we got
Camilla St. Claire, who already won all
the barrel races in the district last summer. (crowd applauding) Paul Leblanc, who already
rides better than the guy who taught him, which is me. (crowd applauding) and úlast but not
least, Jesse Threebears, most recent arrival
back to the res. One of the best riders around.
(crowd applauding) Now let's hear it
for these kids, these are our warriors. They're gonna win that
Yellowquill race tomorrow. Now let's show 'em a good time. Okay, take it boys,
sound one off. (bright music) - [Cam] Where'd you
learn to do that? I think I know. - Don't you step on my foot. (Camilla laughing) - Hey! (all laughing) - Hey Jesse, can I cut in? Gotta go. - Wanna dance, Threebears? - What's your problem? I never bothered you. - Your grandfather did. He's a murderer. - What do you mean? - You don't even know, do you? - What?
- So pathetic. Joe Moon got drunk and set
fire to your mother's house. He burned her up and he
killed my father too. - That's a lie. - Oh yeah? - [Jesse] Hey, I
gotta talk to you. Did you start a fire
in my mother's house? - Jesse! - [Jesse] You left
her there to die? - Jesse, wait a minute. - [Camilla] Jesse, come back. - Why didn't you save her? - I was too drunk and
I knocked over a lamp. Woke up outside in the ditch. (dramatic music)
Look, Paul's father was there. He was the one that
carried you outside. He went back in to save your
mother and the roof caved in and they were both
trapped in there. - You were passed out
dead drunk in some ditch. (fire crackling)
(baby crying) (horse neighing) I don't know where we're going, but we're going. (soft music) - Been lookin' all over for you. - This is my mother. I'm goin' out west. Out east, I dunno. I want you to come with me. - Stay for the race. At least do that for yourself. - Come on.
- No, you come on. Y'know, if you really
want to be with me, you'll stay for the race. (people chanting)
(drum beating) (bells ringing)
(horses neighing) - All contestants.
- Yes! - [Announcer] The fourth
annual Yellowquill Race is about to begin. (horse neighing) - Paul LeBlanc. - Don't loosen up on the rein until we get past
the lower knees up. And if you feel his gait change, then stop and check his shoes. Okay? Good luck. But I'm gonna win (laughing). (speaking in foreign language) - I want you to come to
the finish line with me. - He won't even
talk to me anymore. I don't blame him. - You know these
things take time. You're not alone, Joe. The truth can be hard. Come to the finish line. I'll wait for you in the truck. (crowd cheering) - All contestants, line
up shoulder to shoulder. Keep your horses as
close as possible. And keep to the marked trail. Low air in the sod can
be extremely fragile. (horse neighing) Remember, all the
route junctions are marked with this pink tape. If you're on a trail
marked with yellow tape, stop immediately, you're
in a dangerous area. The Kincaid shortcut
is dangerous and definitely out of bounds. Good luck to all of you. Horses ready. Set. (gun firing)
(hooves clopping) (riders whooping) - [Rider] Let's go. Ride, ride. - Hey. (upbeat music)
(hooves thundering) - Double zeroes is part two. Riders, one, 14,
seven, 13, two, 11. - Hyah. - Hyah, hyah. Whoo! (water splashing) Yeah! (Camilla laughing) Whoo, yeah! - Get back, Threebears. Hyah!
- Hey! - [Camilla] Come on. Hyah! - Hyah!
- Cut it out! - [Paul] I'm gonna kill you. Get outta here. Hyah, hyah! (crow cawing) Back off. - [Jesse] Don't, you're
gonna kill us both. - [Paul] Dead meat. - Stay out.
- I said back off, Threebears. - [Jesse] I'm ready, LeBlanc. - [Paul] Hey, look out! Watch it, look out! (Paul grunting) (Paul yelling) Nice work, Threebears! - Come on, let's go. Hyah. Whoa, easy boy. Well, who can't
stay on his horse? - You're gonna get it. Go on, I don't need
your stinkin' help. (Paul grunting) I don't need your rotten help. - Come on, just grab it. - I'm stuck. My legs are stuck. (both grunting)
(ominous music) I'm sinking, hurry up. - Come on. Reach up. - [Paul] It's no use. I can't.
- Come on, try. - Come on, hurry up. - Pull. Pull, come on, come on. Come on.
- No! (branch snapping)
(Jesse yelling) - We're gonna die, Threebears. - Help! - [Camilla] Hyah! - She's in the lead,
she's in the lead! (crowd cheering)
Come on, Camilla! - Oh man, he was so good
through the whole thing. We had such a good time. I can't believe it.
(horse neighing) (dramatic music) Where are the guys? - [Albert] They're not back yet. - [Camilla] Hey,
that's Paul's horse. - Kid's on foot. I'll take the
horse, double back, can you take the truck
and go around the other? - All right. (tense music) (horse neighing) - Help! (crow cawing) Somebody please! - Hello. Have you seen Jesse
Threebears and Paul LeBlanc? - [Man] Yeah, just a while ago. - You're sure?
- Yeah, they was racin'. - Help! Somebody help! Help! - [Joe] Oh no. - [Jesse] Hurry. - Hang on, kid. (speaking in foreign language) Hold on tight. (mud squelching) Hold on tight. (boys grunting) Come on. Paul, you okay? (Paul panting) What happened here anyway? - We took a wrong turn. That's all. Right? - [Camilla] Jesse. - Joe? - Down here. (all laughing) - You guys okay? You're quite the sight. - Let's go.
- Come here often? - Can you make it okay? - Come on. Oh man. Charming (giggling). - Thanks. - Thanks. - I guess we should go home
and get this muck off, eh? - Oh no, you don't. You two have a race to finish. - I'm not gonna race like this. (horse neighing) Threebears, you look ridiculous
on a horse (laughing). (upbeat music) - [Both] Hyah! (all cheering) - [Camilla] Hey
Jesse, buckle up! - [Paul] Yee ha! - [Both] Hyah, hyah! - [Paul] Yee, hyah, hyah. (people chanting)
(drum beating) (bells ringing) (upbeat music)
