How-To: Making Better Flying Videos

alright it is 9 o'clock let's get started good morning glad you're all here I'm Martin Pawley this is my first time it sounded fun I've been a pilot for over 30 years started in Germany where I grew up flying gliders as a glider instructor there for a few years before coming to the u.s. I have a private pilot certificate single-engine land instrument rating and there are some some links to youtube Instagram and Twitter but the you're here so you probably have these already I'm gonna talk about a bunch of different topics just some tips and tricks that I picked up over the year that I think could be helpful for other people that want to record their flights and and turn them into videos so you'll you see the topics listed here we'll talk about each of them but the one to start with and maybe an interesting question that I get from time to time is why do I make these videos you know what what got me started with that and and what keeps me going and you you might think you know some reasons YouTube has an analytics page with a lot of interesting data on who use your videos and and what time of day from what countries and so on so if you think it's a good way to make money unfortunately no this is this is one of the typical ones and this is the revenue over one year what what they would they pay me so it it doesn't even come close to paying for all the gear that I use is it a good way to meet women No absolutely not so why why make them and there there are a number of reasons that I can think of that that applied to me and the first two are kind of connected learning and teaching rate learning and teaching that the two people want on each side of the game I found that I I learned a lot from reviewing my flights as I edit the videos and I haven't had a flight yet where I didn't find out later in reviewing the flight that you know that was something where I did something or said something on the radio that that wasn't quite right that it should have done better and it would have never occurred to me if I didn't have the chance to to see it again later also related to these two the way I I started making flying videos was about five years ago my first flight into Chicago O'Hare that had been a dream of mine to fly into that busy Airport not too far from my home in Iowa and I did a Google search trying to find any information I could get my hands on to tell me what to anticipate when a small single-engine piston airplane goes into such a big Airport and I didn't find very much so the friend of mine that came along for the ride had a GoPro camera and he said well how about we bring the GoPro and record the flight and then maybe it'll be useful for others that won't do the same thing so that's the learning and teaching part connecting with other pilots it's it's a great way to meet other pilots like all of you here today right it's 70 oh tango Bravo well the tail sounds pretty well known so when people see me on on the ramp he often somebody will stop by start a conversation and I just love meeting other pilots and talking about airplanes like we probably all do the next item is a way to share what we love with with other people especially with younger people you know the the 10 year old kids these days like it or not they are less likely to write their bye sicles to the airport and and get into flying they're probably on their portable devices or computers watching YouTube right so if we want to plant a seed for the next generation of pilots and get them interested in flying this is probably one way of doing that and then for the geek in me it's a really nice way to to play with some nice camera gear and electronics gear what we need want your camera we need to think about sound and audio a computer and some editing software and we'll talk about each of these but most of all we need time you can make videos on flying or probably pretty much anything on the cheap with all of these here but it does take a lot of time to review footage to edit it down to a reasonable size and to deal with the learning curve that the editing software and and and the devices themselves have so times gonna be pretty important so let's talk about each each of these the cameras it's amazing how cheap they've gotten how good they've gotten in this small tiny format in fact I would say they're they're so good that if you want to get started try it and without breaking the bank don't even buy a new model find something older maybe on ebay a used one that will do really well I have experimented with 4k resolution personally I don't believe the sensors and the tiny little cameras are quite good enough to do a 4k justice and we're dealing with vibration in our piston airplanes right that that pretty much negates all the advantages of a 4k anyways so get a get a cheaper camera it'll work just fine you need to get a memory card and they're becoming cheaper and cheaper all the time they come a different capacity these in different speeds you know capacity is pretty simple more capacity they have the longer you can record and speed if you go to your lectrons or they'll probably try to talk you into the the highest speed cart and you don't need that for recording where the memory speed becomes important is for later copying the files onto your computer my typical setup from a long flight if I have four or five cameras going copying all that can be a pretty lengthy operation so that's where for me the real value of the of the faster cards is but again you can get something cheaper and slower if you are a little more patient with the downloading then single or multiple cameras how many do you need you can make a video with one but of course having multiple cameras pointing at different directions is a really nice way to make the final video more interesting and to cut seamlessly you know if I only have one angle and I skip a few minutes of the flight that's gonna be pretty harsh card that looks unnatural but if I do that you're going from the say the front view to the right view nobody will know if there's a minute or or 5 minutes missing in between so that's where multiple angles help and provide a lot of flexibility we also need to attach these cameras somehow one heart rule that I have for my recordings is when when I start taxiing everything needs to be on and in place and then I become a pilot and not a camera operator right that deserves our full attention so the mounds are pretty important they need to be stable and not fall off during the take-off role or at other times and I found that the suction cup mounts work pretty well I usually have one on the windshield up up high pointing forward and then one right and left another one also on the windshield pointing at me all with these suction cups for outside mounting there is another mount I have it and I like it a lot it's very rugged doesn't require any tools to install it so my interpretation is from the regulatory perspective it's it's legal to to operate it and that's the my pilot pro mount which you can see it here that's a picture of that camera on the tie-down hook on the tail of my Bonanza and that works really well for angles either forward showing the landing gear I go up and down but my favorite angle actually is pointing backwards so that when you depart from an airport you have a nice shot of the runway disappearing behind you and that looks pretty nice all right next week you think about audio the Golden Rule for filmmaking and video making is you viewers are pretty forgiving when it comes to picture quality the picture can be shaky grainy low resolution and it's okay our our our eyes and our brain can compensate for that pretty well and tolerate quite a bit of badness if you will but audio is different if it's noisy if it's scratchy if there's clipping in the audio that will drive people away so I I try to pay a lot of attention also to the audio of the recording that I make and then how it sounds in the final product during editing and to do that I think it's helpful to think even before I go up for a flight what the audio what the audio in the final product should be like and I can think of four different components for that background music engine noise like the the ambient noise that we have in the cockpit a recording of what's being said on the radio and intercom or a voiceover where after the flight I need to to help people understand what's going on so let's look at what it takes for each of those background music is probably the easiest during recording right we don't need anything for audio recording so that's that's a no-brainer engine noise don't think about a high end microphone or anything like this I've tried that once it makes no difference the little GoPro cameras are actually pretty good at recording noise and for engine noises it works just fine it gets more difficult with the radio and intercom there are some accessories that you can get from companies like like Sporty's cables that plug into the headset jack in your plane and then connect to a gopro camera or similar and they feed that audio much more much much cleaner than it could otherwise be recorded into the camera and it is synchronized with the video and a very easy solution to do I do something a little different for even better results I have a very inexpensive digital video recorder and there are multiple brands that do the same job that I connect to the headset jack with with the cable like this with one large plug and one small plug and the only other thing I do to help is I have an inline attenuator somewhere in that line because the headphone output is is pretty high-powered and makes it easier for the recorder to get a good recording if I limit if I attenuate that that signal a little bit so that that gives me an uncompressed recording a very very high quality that gives me all sorts of options for cleaning it up and editing it later for audio processing as I edit the video for voiceovers there are different options there are very cheap microphones with the USB connector that you could connect you a computer and you just write a script and and read the script and it's really that easy the only thing I do in addition to that is I have one of these little gadgets here it's not quite a sound booth you know ideally that that really dry radio voice with no reverb no echo at all would come from a room that has this kind of cone shape padding on all the sides to absorb all of the sound and and not have any echo come back to the microphones this is kind of the poor man's version of this so I have the this this wall behind the microphone the microphone and and a pop filter to eliminate some of the harsh noises and all of this can be had for very little money cheaper than one of these GoPro cameras so pretty pretty easy to do when we use music background music one thing we got to consider is the copyright of the music because pretty much all of the popular music has copyright and while these files now in our digital world are pretty easy to get into the video editor I just take it from my music library and literally drag it across the screen to my video editor and there it is there could be some legal issues from from doing that if you make a video just for yourself that you want to share with family and friends but not in a public way there there should be no issue with with doing that however if you want to make your video available publicly to the world then copyright is something that needs to be considered and how that works differs from depending on on what sharing service you use YouTube actually does a pretty neat job there they have they have upload filters that look at any new videos uploaded and they have gotten really really good at recognizing songs that that are used even even short segments of a song when they find that they don't block your video what they do is they create advertising when somebody plays your video at the beginning and use that to pay the artists or artists of the music that you're using and that works behind the scenes you don't have to do anything for it there are very few exceptions of artists that do not allow their music to be used for that and YouTube will tell you that and then you can try again without that song with a different song there are a few countries in the world where the the video will not be able to play but but for the most part this is a pretty neat way to handle it so no need to be afraid to to use music like that if you want to other sharing sites don't have that mechanism so if you go to to Vimeo or other sites you're on your own when it comes to copyright and managing that and it's I'm I'm not I'm not I'm not a lawyer I've tried to research what it would take to license a a popular song and all I all I understand it's a very complicated topic there are law firms that specialize in it and this is not going to be something that can be done easily or or cheaply so I would recommend just letting YouTube do that work or go to something called royalty-free music because many of us make make videos or there are filmmakers that make low-budget productions that cannot afford you to to license something really popular there's a growing market for music that can be used for all sorts of purposes for the video was for for computer games for yes really no limitation as to what you could do with it and they offer a completely different set of songs a kind of a parallel musical world to the copyrighted music they have some songs that sound some what's similar to popular songs they called sound-alikes they're just different enough that new legally they they don't violate the copyright but if you want to create the same environment the same trigger the same thoughts or emotions as a popular song you might be able to find something it sounds similar if you if you do a Google search for royalty-free music you'll find a large number of websites and services that offer that some of them cost a little money others are free and some of the free ones require attribution that just means that in your description of the video you give credit to whoever created the music but then you can use it free of charge without any payments to them a an example of that that I think is fairly new I I saw it for the first time about a year ago is the YouTube audio library where again if you got a YouTube and search YouTube audio library you will find a screen like this where there are songs offered for free download you can play them from here you can filter by genre by mood by what instrument is used and and a bunch of other things YouTube recognizes that in order for them to be successful you know we need to be able to create nice videos with good music so they offer this completely free so that we have a nice variety of music to pick from for our videos alright going from audio back to video the next thing I'd like to talk about is these nasty propeller artifacts right and it's not just video even with a still camera if you point your your iPhone or smartphone or pretty much any camera out the window and and press the shutter this is what you get and it doesn't look very nice doesn't look natural at all it doesn't even look like a propeller and to see what we can do about it I think it's important that we understand what creates this effect so we'll spend a couple of minutes on that and then we'll see how we can minimize or eliminate it what you see here is a model of the image sensor inside most cameras smartphones GoPros Garmin or ever they they all use very similar technology and this line that's moving up here some cameras it's moving up and down as it could be right or left that's called a scan line the image for each frame that the camera takes 30 or 60 times a second right this happens much much faster on the camera of course it's not all captured at the same time but to make it more manageable for processing to handle all the data for the image there's this scan line moving that that triggers when each line of pixels is being queried and the data for that line of pixels is stored so when I say this line you know the shutter would open and then whatever exposure time I have right determines how long that line of pixels is being exposed to light but this triggers the opening of the shadow if you will for a line of pixels and it means that one side of the image captures a different moment in time than the other even though it's the same frame right that that's the important part and when we put an object in front of the camera like a propeller and you can see that the change in color suggests or shows what is actually recorded on your memory card for this frame is still object at propeller that's not moving looks perfectly fine now let's start moving this propeller and I slowed it down by about the same ratio as the scan line you can see what's being captured and that looks a lot like the picture we saw earlier on the video alright so that's that's called rolling shutter the the shutter that that's rolling through the whole image over time and it creates this effect before we talk about the solution to this problem there is a related effect that's also happening from rolling shutter and that's jello or way a wave effects some some videos you may have seen that once you know what to look for you can't unsee and then you see it in many many different videos when our camera is mounted and it's not absolutely stable say it's it's vibrating ever so slightly because you know piston airplanes typically are not perfectly smooth moving the scanline overtime through this image while the camera shakes a little bit has an effect that creates this kind of distortion right and and it changes over time and it looks like some some kind of wave as if you you know threw a little rock into a pond and used it as a mirror to to take a picture of something and it looks very unnatural a little bit of it as tolerable for most people but depending on on where your camera is mounted how much vibration it is exposed to it could be a lot and it's related to the propeller artifact as we'll see in a moment so what do we do well we could buy a twin right and that would get rid of the propeller artifacts but there's actually a much cheaper solution available and it's it's this little thing here it's like the lens of a sunglass it's called a neutral density filter if you're into photography you know they're all sorts of filter polarizing filters you can change the color of the image with the filter this is is neutral it does not affect the color at all but it does reduce the amount of light that goes through it so we put this onto the GoPro list this is what it looks like install it barely makes it larger what happens is the camera on our census that it's gotten darker and if you've done recordings with your camera even still cameras at different times of day or under under cloudy sky versus a bright sky you probably noticed that this propeller artifact is the worst on a really bright day and if you fly at night or you know just after sunset you can barely see it the the reason for that is that if you think of that scanline again which triggers the opening of the shutter the shutter now stays open for a longer time for each line of pixels a longer exposure time to get enough light onto the image sensor to get a get a nice-looking image and during that longer exposure time the propeller turns a lot more than it does on a bright day so instead of getting a sharp snapshot of where the propeller is at that you're one thousandth of a second we capture with the camera more the blur of the moving propeller and it looks a lot more natural it looks more like how we see it with with our own eyes when when we look at it the the blur of the propeller disc there's still some movement visible but but not the propeller as if it were just standing still or knew with this strange geometry so it it looks a bit like like that here and that's a lot a lot more pleasant to look at yeah so here here you see a video that the projector unfortunately doesn't have very high resolution but I hope it's visible this is the same fly at the same time two cameras mounted on the windshield one with an ND filter on the right and one without a filter on the left and you can see how the propeller is pretty much invisible on the right now if you look closely you can see something else and that is the objects on the left here on this beautiful bitterly cold Iowa day with lots of snow is it's a lot sharper than on the right right the the picture on the right looks kind of dull and the blurry and that comes again from the vibration of the camera if if I take that same image from before and and add a little vibration and capture that over time it looks like that so it's it's different from jello but they're all related to the rolling shutter and the vibration of the camera and the solution the solution to that to avoiding the jello and the blur is to stabilize the camera to find the the best possible mounting position where the camera is not exposed to vibration and it's it can be surprisingly easy in in airplanes if you operate with a suction cup mount on your next flight as an experiment just use your hand and touch different points on the window and feel how much vibration you get at each point and you may be surprised that just moving by a couple of inches can get you from something that shakes a lot to something that is perfectly perfectly stable no no shaking no vibration and that's the point where you want to put the suction cup for a most stable position and that helps with blur and it helps with vibration yet another thing it can do is you know there are all these accessories to build a longer or shorter arm for for the cameras intuitively you would think that shorter arm is better for vibration because it limits how far the camera can move in many cases that's true but I've just by luck found that sometimes adding a couple of joints to this to this arm for mounting seems to just dampen out the vibration just enough to put the camera into a more stable position so it can also help a different solution to the same problem is a mount for the camera that has some some dampener in it an example is vibe X I don't I don't have one yet but it's something that Annie astrophotographer recommended to me though I may give that a try sometime in the future I actually found their their booth here at the show they're in hangar D next to the aviation youtubers if you want to give them a look they they mount their mounts on on heart points so you have to find a screw like an interior screw take it out put the mount point in and the screw back in and then you can mount all their accessories on there so that is something that might I might give a try in the future all right it feels like we have the air conditioning going in the room now so that's nice but my airplane doesn't have air conditioning and yours may or may not one thing that these cameras cannot tolerate very well is heat they get warm which is from running the electronics on the inside and when they get they get warm also because they're often exposed to sunlight right the one I have under the windshield if the sun is shining it gets pretty warm there and it can get so warm that they shut off you know there's a temperature sensor in the camera they can only handle so much heat at some point they will they will turn off a couple of couple of things that I've found that that help with that is I have cooling vents over over my head and if I open them and then use the Sun Visor to direct that cool air to the windshield it puts the camera into a nice flow of cool during the flight that helps tremendously another really cheap way to do that it's use a piece of scrap paper built like a sunshade for it you put it over the mound in in somewhere so that the sensor doesn't doesn't get blocked of course but this if you don't have a vent that you can use this will keep the camera or cool enough to run for hours that works really well one thing that these cameras are not so good at is battery life you know they have with with the large capacity memory cards recording a pasady for for many hours you know five hours or more but that the battery you're on a good day probably lasts two sometimes less so for longer flights battery life is a concern you remember I said that I wanted to have all my cameras set up and not even think about them anymore before I leave the hangar so I need to make sure that they have power for the duration of the flight fortunately the GoPros and I'd I suspect other models too I only have GoPro so I can't tell you with certainty what other models do fortunately they can record and charge at the same time so you can plug a USB cable in and put it into a power port like on a cigarette lighter adapter or one of these battery packs that that are becoming so popular and that solves all the power issues it creates a little more clutter in the cockpit with the cables I wish there was a way around that but there isn't so that's that's how that works and if if you only have one outlet for USB you can cycle it between different cameras if you have multiple cameras right you give give each camera a 10 minute boost of power that will get it going for another half hour and then cycle around until everything is charged question I get a fairly frequently is how do I record the screen on my iPad if you've seen some of my videos especially the ones we're going to larger airports I have the e FB application that I run on my iPad screen in my videos and it's not a camera pointed at my iPad but it's a it's a recording a digital recording of the screen the iPad at least in the newer versions of iOS has a screen recording function built-in that sort of works for maybe a couple of minutes or you know shorter times but from my experience and from the experience of many other people it's not reliable for recording an entire flight it creates enormous amounts of data it slows down the applications it might just stop at some point because it's it's not all that reliable so what I do instead is I use an external video recorder a digital video recorder that has an HDMI input and then this little adapter here that Apple makes it has a Lightning port on one side that plugs into your your iPad and an HDMI on the other end and without any processing or storage burden on the iPad itself it provides a very reliable and super clean recording of whatever I see on the iPad synchronized with all the other cameras so I I just used that in my editing software as another track of what I recorded it's it's not cheap this recorder was about five hundred dollars but if it is something you want to do I cannot think of a better solution to capture what's going on on the efb the one I have is from a company called black magic one one really new thing is this this virtual reality your 360 degree camera they're becoming popular they've reached a price point where many people can afford them they're not that much more expensive these days than the regular GoPro cameras in fact I have one here and show you what it looks like so this is it from from one site but when I turn it around there's a lens on the other side as well so these are both fisheye lenses they they cover a little over 180 degrees all around and the camera stitches these two the images from these two lenses together to record everything going around me at any given time it's a it's it's a fairly new concept that people are experimenting with and it feels kind of strange walking around with the camera without pointing it by a normal camera view point but here there's no point in because we record everything at any time and you can use that to turn it into a video at the end that looks normal we're in editing you point right so I was using that here at the air show you with things going on all around you're looking at the military transport went on the other side behind me there was aerobatics going on so I can turn into two videos later for just one recording or different yet I can leave it in this virtual reality format and then you the viewer on your portable device or in your computer with a mouse or with the with the VR with the VR goggles you can turn around and decide what you want to look at at any moment in time so that's still very new I did one video yes I was coming out of Kansas City that was the first time I played with it and I'm I'm still in the very early stages of experimenting with it I'm not entirely sure yet what the best application for it is but I I will do some more and I did capture a lot of footage here with it at it sound fun and we'll we'll just see what what happens it's yes yes that's that's right there the the two down sights I would say is one is the data volumes that are created are humongous and hard to deal with in terms of storage and processing and the resolution of what you look at right you have a lot of pixels in this camera but you only look at a few of those a small fraction in any given time so the picture clarity your peer aid is not not there yet and I would expect that over time we'll see the resolution go way up for these VR cameras to get to something equivalent of HD at least mounting options for the 360 camera so this one has a standard thread for a tripod or a selfie stick and I've used that before so I could put it on something like this and just sit on the table I've had it you know on a small tripod that I put in the right seat on my airplane so the the resulting view was that the copilot view right you could turn your head left and see me you could turn your head right and look out the wing I've also heard people that have a mount point like this on the on the ceiling and the by the headliner of the plane and they just attach it there so a lot lots of options I'm not sure this is something I would want to mount externally it might be nice but given given that the mount point is is here I'm worried that with the long arm here all the way down it might just break and come up with it's a very nice camera but not sure how rugged the the mount is a couple of other things once we have the video recorded we need to edit it right and we could spend a whole week in a classroom teaching editing and editing software that's something that has a pretty steep learning curve for the the more advanced software but not necessarily a steep price point there is free software available that is a pretty nice job with the editing if you run Windows there used to be a program called windows moviemaker now they call it Microsoft photos so that's worth a shot if you have Apple there is iMovie that comes with every Apple computer to start putting your footage together and cutting it to the final product and if you're looking for something more capable than than these fairly simple editors there's a there are multiple free software packages that do that one that I think sticks out is called DaVinci Resolve that the screenshot see on the right it does multiple audio tracks multiple video tracks effects color grading all of that completely free of charge the only thing you need to invest is time to learn how to use it but even for that there are lots of tutorial videos on on YouTube and and other services available and once your video is done you want to share it with friends and family or maybe the entire world well how do you do that even if you don't want your video to be public even if you only want to show it with a few people YouTube is probably a good choice for that it's of all the sharing sites it's that I've seen it's the easiest to use it does a really good job recognizing different file formats working with different resolutions and and converting it to something that it can use and there are different questions when you put something up on YouTube do they protect your rights pretty much you decide who can view your videos on on YouTube that so three levels public unlisted and private public then anyone can see it it's still your video right you don't lose the the copyright of what you created but but it's it's available for everyone to see and to search for the title and so on unlisted is one where YouTube will not make the video just available to two random people you cannot search for it but if you have the URL that the web address of that video that you can send to to friends and family in an email anyone with that web address can see the video and then finally there's private which means that you determine that your the following people can see my video and nobody else that's the the most protected way unfortunately that requires that each of the viewers that you specify have a youtube account you know that's how you tell YouTube who you can see them so from a practical perspective I think public is an easy option and unlisted is an easy option it still keeps the distribution pretty pretty small because people are not likely to have that link to have that URL unless they know you and unless they got that URL from you but the the rights to the video remain yours YouTube doesn't doesn't take that from you and I mentioned YouTube accounts I probably understandable that to upload videos you need to create an account just register with an email address and a password and then that gives you access to the upload section alright that is the material I had prepared for the day we have five minutes left for questions if you have any but I'm glad you came out this morning and hope learn something from it yes sir reflection of the windshield on the aircraft I find that what helps is to wear dark clothes so if I wear a bright white shirt I will see my reflection if I we have something dark I will not see that my my glare shield is already painted black another thing to avoid is to place a piece of paper or a checklist on the glare shield so the I don't think it's possible to to to stop the reflection but if you are careful about what you put there that could be reflected you should not have a problem that that's my experience yes how do you think of your cameras do you start all that all at once or do you connect them to your phone and fire all at once how do you see the yeah thinking of the cameras takes a little work they all operate at the same frame rate you know 30 frames per second or 29.97 frames per second along with the audio recorder but they drift a little bit in time so when I import the footage from the different cameras into the editing software I I need to find while starting to start with with the with the point where they all align like when I when I start the engine when the prop starts moving or the allow it gets noise that's an easy way to align the footage but I need to do that not just once I need to do it multiple times because they they drift away from each other ever so slowly and on some angles that's less noticeable you're like right or left but for example the camera that shows me and the audio recorder when they drift and the the lip-syncing is gone that requires a few adjustments so just do that in the editing software or is there anything else that you can do for example my audio and my cameras don't sync up I can Rasika at the beginning that by the end it's completely out of sync is there other than editing or any other way to kind of fix that or convert it in some way what what camera and what audio gear do you use so I have GoPro cameras and it's only reporter okay they shouldn't drift that much I mean maybe a fraction of a second for per hour but if it's more than I suspect there's something not quite right with the setup maybe the the what could that be so if you answer your question I do that in the editing software but I'm surprised to hear how much drift you have it shouldn't be that much the no that's the only way I know the the worst in terms of drifting that I've seen was when using an iPhone because the iPhones have what's called variable frame rate depending on how much processing is going on they may slow down the recording or speed it up again to the desired frame rate and the editing software gets confused by that later because they expect 30 frames per second or 60 frames per second so I've had a lot of synchronization issues recording with my pro the GoPros and my audio recorder and this Blackmagic recorder are synced really really well and it requires a little bit of adjustment over a long video but but not too much from what I've seen yes yes yeah I've not found a way that I can attach power to it so it's good for takeoff if I want to do the landing I gotta make it a very short flight either way I have found that the using the Wi-Fi in standby mode draws a lot of power also and it's not a yes it is in the interest of time what I would suggest is go to youtube and look for my video in-flight audio recording it has the whole setup described in detail yes sir cello and vibration no not not from my experience the the the effect is still there if anything if you go to 60 frames per second rather than 30 you you limit the amount of exposure time that the camera has a low right because it needs to do everything twice as fast so I think you'd make it harder rather than better all right I think we have to give up the room for the next presentation yeah yeah we're okay thank you everyone

Channel: Martin Pauly

Views: 7,052

Keywords: flying videos, video making, videography, aviation video, aviation videos, gopro, N70TB, martin pauly, flying videos on youtube, recording flights, flight recording, audio, video, tips, tricks, tips and tricks, flying videos tips and tricks, flying videos cockpit, flying videos with music, music copyright

Id: 0JFMv5aDfrM

Length: 49min 17sec (2957 seconds)

Published: Fri May 17 2019