Hatch Creator Embroidery Software Tutorial: Beginner's Guide 2

hi I'm John Deere owner of digitizing Made Easy I found that many people who purchase software for embroidery find themselves hitting a learning curve they didn't expect and what was meant to be fun quickly turns into frustration any software is only as good as the education provided and at digitizing Made Easy education is what we do best as official resellers for will comms hatch software I'm proud to offer this three-part interactive video series that will guide you through all three modules offered within hatch getting you past the learning curve quickly and easily this free instructional series is structured to build onto each of Hatch's three modules showing you all the tools and features available in hatch even if you purchased the top level of digitizer I strongly suggest that you start with the customizer videos and then move on to creator and finally onto the digitizer video but remember learning the software is only half the puzzle the other half and in my opinion the most important part is the theory behind creating beautiful soft embroidery designs at digitizing made easy we also offer the digitizers dream course which is broken down into three levels level one is on the running stitch level two on the satin and level three the fill we give you everything you need to learn how to digitize at your own pace and on your own time if you purchase any of the hatch modules through digitizing made easy we include exclusive education and ESA flexi font bonuses not available anywhere else at digitizing made easy we are also the largest independent esa font developer in the world and we have over 550 optional esa flexi fonts and elements to choose from if you've never had the opportunity to play with hatch or new to embroidery I invite you to download our 30 day free trial through digitizing made easy when you do we'll also send you three additional interactive videos that will get you creating actual embroider designs right away we are true to our name digitizing [Music] now that we've covered quite a few of the features that are available within the customizer module we're going to take a look at creator and you'll notice as soon as you load in creator you'll have more tools available within your toolbox we've added artwork Auto digitizing edit objects layout and multi hooping now let's look at the artwork tab first when I click on artwork it will actually open up to insert artwork and when I insert the artwork keep in mind that it will show me the artwork files that you are able to bring into the software to bring a file in all I have to do is double click on it or click once and then click open and it will bring it on to the working area of the screen at this point well it is actually highlighted around the the corners I can adjust it by just grabbing on to the corner and adjusting it you know just by eye or I can actually set a fixed width where I can adjust it by percentage or height or width and if I am off of the artwork tab so that nothing is selected then I can change it from inches to metric and/or metric to inches click back onto the tab and it will change the the way I'm able to view the height and the width of the design I come from a time where I like to see my my objects measurements in millimetres within the software but I still translate inches with regards to left chest size or jacket back so this is a pretty easy way to modify your artwork and get it the exact size you want it once the artwork is the exact size I do suggest locking it down and the hotkey for locking down is K and that will lock down my artwork if I ever want to check to see if my artwork is locked down I can go to my resequenced view and there will show me all of the objects that I have created or digitized including the original artwork and I can see that there's a little black lock beside it that tells me that the artwork is locked down and I don't have to worry about moving the artwork as I'm working within the design now while the design is also highly I can unlock it there for a second and while the design is also highlighted have some other things I can do I can adjust the bitmap which allows me to go in and just to adjust the lightness the contrast different things so that I can you know fine-tune it a little bit if I want a little little lighter a little more contrast in it click OK and it will change that design ever so slightly I can also go in and edit artwork which will bring up paint and this allows me to go in and fine-tune it even more that's kind of a different program altogether so we're not going to go too detailed into that but I also have the ability to prep my artwork which will allow me to just very quickly go in and reduce the amount of colors that it sees and as I go through you'll see that the process bitmap will change ever so slightly as the I actually reduced the colors I go one more it's changed all the flowers to one color and then if I click OK it will render those changes and you know keep them in place I also have the ability to save my artwork after I've actually made changes and I do suggest that if you do save your artwork you actually maybe call it a different file name slightly with a letter A afterwards so that when you go to find the original it's always in place I also have the ability to dim my artwork so I can dim the artwork this actually comes in handy sometimes while you're editing a design especially if you're editing a design that is black because the wireframe it frames that you're working with our black and it makes it harder to see now the next tool that became available is the auto digitizing and if you've ever watched any of my education I'm not a gigantic fan of Auto digitizing I think that doing it correctly and manually in the first place is faster but Auto digitizing does have its place with simple artwork keep in mind that 99% of the artwork you ever used was not created with embroidery in mine and that's part of the problem when you Auto digitize something the what you put in is exactly what you're going to get out and sometimes some little you know flaws happen along the way so I'm just going to bring in this design and we're going to use our Auto digitize instant embroidery and this is that the quickest fastest way to do it is so to look at it at it and it's going to automatic make whatever adjustments it wants to and when I look at it because the artwork was very simple and very clean it actually did a pretty good job except for one area and I'm just gonna zoom in I hit the B key which is my hotkey for my zoom box I'm going to left click and drag and I zoom in and I can see that I have the wrong stitch type chosen so what I'm going to do is I'm going to escape so I have nothing selected and I'm going to actually click on this object I'm going to turn the TrueView off so I hit the T button I can see that it's highlighted I can see that it's a tatami stitch now if you do not see your object properties highlighted all you have to do to get it back is hover over top of the highlighted object and right click and you'll see object properties down here I'm just going to click on that with a left-click and it will show up and at that point I can change it instantly and change it into a satin stitch but when I look at this I'm still not necessarily happy with the way it turns now this is a beautiful thing about the Creator version is you do get editing tools and now I can go into my edit object so we're kind of getting ahead of ourselves a little bit but there's one here called knife now I'm going to click on the knife tool and I'm going to kind of go across here and I'm just going to make sure that I put a splice right there between those three sections and then I'm going to hit enter and now it's blocked into three sections but I can see now that I still have an issue if I hit the TrueView I now have three sections that are not actually working properly so I'm going to escape from that and if I go into my resequenced view I can see that I have all of my objects here and here I can actually see my three objects that are all kind of duns and separate pieces now that used to be one piece but I can now grab each one of these independently let's go back to I guess out of true views so I can see my highlighted areas and now if I go to my reshape which is the H key or I can hit the reshape button within edit objects I can see all of the original angles so what I'm going to do is I'm going to change these angles so that they actually have a friendlier angle for the design sewing out how I would imagine it and all I'm going to do is grab these angles and change them then I can go to the next object and I can see that this angle needs to probably go this way then I can go to the next object to just click right on it and I can see that there's some angles that need to be changed here so as I change all these angles and make them friendlier for the design and when I end up hitting Enter and escaping out of that let's hit the TrueView again we can see that we've changed this and now with a few minor edits you know the the software pretty much did a you know pretty good job all the way through except for a few minor things that I had to change so usually with Auto digitizing the Edit objects actually goes hand in hand with that as well so you can actually go in and change many many attributes of a design after it's been Auto digitized now I've brought in the same piece of artwork but this time instead of using the digitized instant embroidery I'm going to digitize Auto digitized embroidery and this will give me a couple of extra steps it actually allows me to very quickly go in and reduce the amount of colors that I might see in a design and that way I can sort of you know look at it and make some minor adjustments then click OK and essentially it will give me the same results I can also then at this point choose to admit colors because I really wouldn't want a big white fill there or I could tell it to actually make it a fill if I wanted to and it would then keep that intact so this really does give you more you know sort of options as far as what you're going to use and which stitch types you're going to actually use from it so once I press ok it'll actually give me a rendering very much as it did before although because I reduce the amount of colors it's out now turned all of the flowers into one color and I would still need to go in and fix that one little flaw that I saw in the lettering now the next thing we're going to show you is a different piece of artwork I'm going to use Auto digitizing but we're going to give it a little bit of a twist and be able to control the objects that are being done and then this is really how if I'm going to auto auto digitize something this is where I acts you like to do it because I have a little bit of control in the layering of the design and exactly the way it's going to sew it so if I look at these objects and I I you know kind of look at it dimensionally there's certain things that would be on top and certain things would make sense to be underneath so I'm gonna go to let's say a click to fill with that holes because the first thing I'm gonna do is the bells the darker area of the bells and let's just blow this artwork up to full size so I'm going to go click to fill with out holes and as soon as I click on the object it does give me the preparing the artwork for this process I'm going to keep it exactly as it is because it's pretty clean but then when I hover over top of these objects I can literally click on them and it will give me a you know object that is actually done and I don't know if you notice that but here it actually did this without a hole if I didn't do it with that stitch let's just back up a couple here I'm just gonna back up to three if I chose the click to fill and I clicked it it would actually do it with the hole there and to be honest I really don't want that hole carved out because it actually ends up adding more stitches and also can give me some problems with overlap so and there are ways in the software to control the overlap automatically as well but that is pretty much an entire lesson in itself so I'm going to go back to fill click without holes I'll just do this one this one in this one and there I kind of have my first color done now I could also look at these objects because these are kind of underneath of the others and let's just set let's do this I'm going to do those last because I'm going to show you something interesting afterwards these these lines these tiny little lines I can do those as either statins or as running stitches and that's the beauty of the software is anything can be changed now if I look at to my next color I'm going to go to just a regular click to fill and this time I'm going to click to fill these objects here I'll do this one here this one here and just continue to run through all of these tiny little objects and click them and fill them in and that would essentially be my next color in the design now I could probably do this object here but this one I actually have clicked too line and click the center line outline will go around the very outside of the artwork so I'd actually have a couple of passes a thread if I choose the center line I can just click right on this and it's going to automatically fill everything in with a running stitch and then I can go in and I could change it to whatever type of run I want I wanted a stem stitch if I wanted a single run if I wanted a bean stitch whatever I would choose it would automatically change so I've done all of those colors now you can see in my resequenced on the side here this color which is the same as the first color if I want to I can just very easily go down to my color palette and choose a different color and now I have something completely different underneath I could also if I wanted to change the order of that color so I could have it so first and I just have to drag it up to the first object first color and the objects and I can go between objects and colors and take a look now the last thing I'm going to do is all of the detail in this design and what I'm going to do is I'm going to actually use the click to turning fill in this it will automatically look at these as I highlight them and it will turn them into satin stitches so this is a really really cool tool because it automatically looks at things turns it into settings and that way I can very quickly just you know go through grab all of these objects I only need one more and one more over here and essentially the design is done it's digitized and for most you know most purposes it'll actually sew out quite well and it'll look alright for a very simple piece of artwork I of course could go in and clean up all sorts of elements of this but it really depends on how much time you want to put into it now the one thing that I will do is I'm going to go hit the D key which will get rid of my artwork for a second that way I don't see the artwork in the background and I could actually turn off my true of you and I could select just this one color so I've selected just that one color and then I do have something here called branching and the branching if I click on it it will always ask me you know what I want to do I'm gonna start right here so I left click right here and I'm going to end over here and so that's where I end and what it'll do is it'll automatically look at the easy paths for this to travel and it will reduce the amount of trims and jump stitches in the design so it's a really really handy tool to go in very quickly after you've Auto digitized you can go in and branch certain colors together I wouldn't try to branch the entire design at the same time because it won't know what to do with all of the different colors and branching together I'd branch each color independently and I can always tell if something's been branched because if I go to my objects I can see here that this has been branched okay and this here down at the bottom I can see the little branches so everything's been branched if I want to continue to branch each of the colors I'll grab them independently I'll go to branching I'll just say I'm going to start right here and let's have this one as my last branch right here and it will automatically resequenced those and if I go to this one here same thing I can tell it to you know grab that object and you know to be honest that one probably doesn't need to be regret branch because it's just a large group of fills but now in my resequenced i can see all of the branched objects I can see the objects that haven't been branch and this actually is now a pretty clean design if I look at how it sews through even though it's Auto digitized it'll actually sew through with very very positive results now we're going to look at the next tool in our toolbox and this is the edit objects and there is so many things to do I know we're not going to cover all of the tools but we'll hit a great majority of them now first thing I want you to know is if I go to my one button on my keyboard this will bring the design actually up to a one-to-one scale and the reason why I'm going to do that is I'm going to grab this entire design a control a and right now it's about two inches high I'm gonna do the unthinkable I'm going to make this a 10 inch high design so we've gone up to three hundred and fifty-five percent and now it is gigantic and if I look at some of these stitches I know that they are not going to transition well into embroidery because of all of the changes this is going to this stitch lines going to be way too long so I'm going to go to my edit objects and when I look at my object properties that will always if it's not showing if I I'm over here on the side and I do not see my edit objects come up so I'm just closing it right there it is over in the side here now but all I have to do is click Edit objects and it will come back up now when I select any of the objects like right now if I turn my true view off let's get out of there I can see how everything has almost started jumping these are really really large jump stitches and I know they're not going to so well so if I select that object and let's say I'm going to grab that fill stitch and if I wanted to do fill stitches inside of each of these colors I could go to let's say my design overview of my resequenced and I'm going to grab all of the colors and that orange which will highlight them and then I could go to my fill and I could change it to a fill pattern and it would show up now as a fill the problem is is that it changed it to the default fill what if I wanted to change it to the exact fill that I have used within the face of that Sun already well here's how you do it I'm going to undo that for a second I'm going to grab on to that object of the face turn off the true view so I can see that it's highlighted and then I'm going to copy the object properties now that I've copied the object properties what I'm going to do is I'm going to grab that entire color and I'm going to apply object properties now if I look I can see that it's a it's applied the object properties to what I had highlighted but it is the exact same fill and I can do that now with all of the other objects that are there I can very very very quickly apply all of those properties just by clicking apply the object properties and I don't have to worry about matching it up and it being perfect now I can also turn off my true view come in to eat these objects and if I want to keep them a satin stitch I would then want to turn on my auto splice because it's going to grab each of these turn on an auto splice and if I turn it on now I can see that it has gone in and spliced these stitches together so that it is not going to give you a really long stitch of undid that you can see before that stitch would probably be too long for embroidery and it wouldn't really be friendly now I could also come in here just to be sure let's redo that I'm going to go back to my zero and if I come into my black color I'm gonna highlight the entire black color I can see everything's highlighted and I'm gonna do an Auto split and now if I turn off the TrueView I can see all the areas that it would have Auto split just up here on the corners up here and I'm going to leave that on because some of these to be honest it would get way too long and those stitches would start to snag so it's very very easy to go into a design grab it by colors I could grab it by individual segments if I go from objects you know back from colors to objects now I can see all of the independent objects and I can grab any one of them independently as I go and modify those independently as well right down to the space in the underlay the effects nothing can you know nothing is completely fixed anything can be changed at any time now we're gonna continue looking at our edit objects tools but before we do I'm going to show you a couple tricks that I've learned along the way sounds when I bring a design in especially if I haven't digitized it myself I have all of the preset color so I'm going to go to my backgrounds and I'm actually going to click on that it's going to show me that the background is solid white I'm gonna change that to a gray and also the viewed objects are white as well I actually like to see things kind of in a light pink color as I'm working within designs it just makes it easier than seeing that stark white on white so now I've changed the colors now I turn the TrueView off I can also see that if I go to my show it isn't showing the shapes and if I click on the shapes it actually gives me the original shapes of the objects as well and if I turn off the stitches all I see is the shape so I can go in and edit designs based on visually what I like to see now I also really don't like to see black on black while I'm actually digitizing so if I click on that black color and I'm going to actually make it let's say a different color temporarily I can always turn it back now if I look at that it's actually a different color it's going to make it easier for me to edit the design now let's go to our edit objects and if I go to my edit objects I can see that I have the reshape tool but let's just go to our objects over here in our resequenced I can also see that if I try to choose let's say I want to change this object right here and I'm going to hit the reshape tool and I'm going to hit that one object if I look at it now without the true view it highlighted everything and the reason why is over here on Myra sequence I can see that these two objects have been branched so what I'm going to do first is I'm going to click on that object that's been branched and I'm going to go to my editing and right underneath branching there's one called break apart and when I break that apart look at the resequenced it actually took that branched object and it broke it apart so now when I select the object that I want to change it just selects the one object and when I go to the H key or when I tell it to reshape the object it just gives me those objects to be reshaped now I hit the B key which is gonna zoom in and I just want to show you how much you can change I can add stitch angles I can remove stitch angels if I want to add a stitch angle to something I just click on one side go to the other side and it's added if I want to remove a stitch angle I just come here let's just go here and I'm gonna click on add stitch angle put it here here hit enter and now if I go and I want to remove a stitch angle I'm gonna come here and it will automatically remove all the stitching gel's within that property so let's undo because I don't want to do that but it will add and remove very very quickly now the other things that I can do is I can grab the individual nodes now keep in mind that that little square which is yellow if I actually have it highlighted so its turn blue and I hit the spacebar it'll change from a curve and if I turn the TrueView on it changes from a curve to a straight so I can very easily change my notes I can also by holding the little orange handle change the angle of stitches very easily as well I can actually add no to a design so if I want to add a point here and move it forward I can actually change this to however I want it to be just with clicks of the button so within the editing module of this you actually can add notes take them away take them from straight to curved you can add inclinations or angle points there's nothing that can't be done now well it's also highlighted I could come in here and I could change the fill effects from statins I can add an auto split if it makes it larger I can go from auto spacing density to manual I can actually take this and feather one side of it if I want if I look at the results there that's with it being feathered if I remove the effects that goes back to how it normally was and then of course I have full control of the underlay for every object that I do the pull compensations tie ends tie adds how it trims throughout the design there's nothing that you can't control within the software at the click of a button and you can do them all independently for every single object that you've done now I'm going to show you another incredible tool within the Creator version of the software and it automatically removes overlapping stitches when you're bringing in multiple designs so just as an example what I'm going to do is I'm going to ctrl a to grab all of the objects in this design I can see that they they're all wire framed at this point and if I go down to my layout mode there is actually a duplicate and a duplicate with offsets now duplicate with offsets is what I'm going to use so that I can basically tell if it is actually been duplicated because otherwise I'll be right on top of each other and I'm gonna left click and drag this just so that I have some of these stitches going off of the original so let's just do something like this and I'm going to turn off the true view and I can just fine-tune it and put it exactly where I want it within the design so let's let's do it right over here so I have an overlap now these areas right here where I have all of these overlapping stitches I know this would create very very hard bulletproof embroidery so what I'm going to do is well it is actually highlight I'm gonna go back to my edit objects and I'm going to click on the remove overlaps and watch what happens when I do this it actually removed all of the overlapping stitches they were in that and this will actually sew out and it will not be stiff and you know bullet proof in those areas where it crossed over it took out a significant amount of stitches and it actually changed the pathing so now I have two designs that are overlapping but they're going to still sew out well another fun feature is the ability to create a color blend within any pre digitized objects so if I want to create a color blend just within the Sun the face of the Sun I'm going to turn the TrueView off I'm going to select that object and then I'm going to click on create color blend and then what I can do is I can have it go from point four let's say I'm going to do it from 0.35 going one direction and I'll do it up to 1.5 on the on the higher end I'm going to do the same thing for the second one go 0.35 and then I'll do one point five going the other direction my first one I can have a slightly lighter color so let's just choose that one right there this one I might choose an orange color so I'm just going to choose a little bit of a darker orange one in the other direction and then I can have a go blending the top layer this way and the bottom layer this way and or the you know I could do it the other way around and then I'm just going to click OK and it's gonna automatically blend those two stitches so now I have a blend from lighter to darker going through and it really creates a wonderful variegated effect now I'll quickly go over a few of the remaining tools within the Edit objects and the first one is smooth shapes now smooth shapes will take a highlighted or selected area and it will automatically smooth the shapes or the nodes within that it comes in handy when you're dealing with outside file formats that have been brought into the software they aren't native to the software and what happens is the software does its best to try to convert it to objects but sometimes it gets a little too carried away so that will help the situation now optimizing color this is one of those tools where it can work for you or against you depending on how it was digitized a good digitizer will know just the right amount of colors to promote good registration sometimes if somebody doesn't know what they're doing this tool will help to reduce the amount of color changes in a design but again it could have the possibility of messing it up now the applied closest join that's a great tool after you're done editing well the actual object is highlighted here I have my object highlighted and if I've made changes to the design or if it's a design that I don't know if it was really digitized that well I can't actually click the apply closest joint and it will change the order of the starts and stop points within the design automatically and it will sort of change it so it will hopefully run a little bit better on the machine now you can resequenced manually I can come into a design and re sequence it it'll bring up the ricean Singh in colors and I can grab them and move the sewing order or I could resequenced by select now the branching we've already shown you it's great for for automatically branching objects together and if you want to break them apart you use the break apart feature also the knife tool allows you to clean up the mess sometimes Auto digitizing makes and then there is a stitch edit tool the stitch Edit tool is awesome if I want to move just a single stitch I can come in here and I can just grab that stitch and I can move it in the actual design and make it a little bit longer and it'll actually put it exactly where I want it I found sometimes when I'm using contour fills or jagged edge sometimes the jagged edge will run into the eye a little bit here and I don't want that so I can zoom in I can use the stitch edit mode move my stitches exactly where I want them in that way and no other be absolutely perfect now the last feature are going to show you within the Edit objects it's probably one of my favorite toys that's actually one called create outlines and offsets and you'll notice that it isn't highlighted right now and the reason being is I don't have my artworks or my design selected when I select the entire design as you can see it's selected now and then I have it highlighted so that it is actually active when I click on it it actually gives me a couple of options I can choose just to do object outlines which will give me an outline around the actual design itself and I can use a common outline which will just be around the outside or I can choose different options like individual objects or the trimmed outlines which will overlap portions of outlines and be trimmed with the overlapped object so there is different ways to do it now I also have this one and this is the offset outlines offset outlines allows me to actually control how far away they're going to be from each other and how many passes of offsets I want and what stitch type I want so if I want to use a motif or a satin or a run stitch or a triple I can just click the actual stitch type and then I can choose whether it's a common or whether it's a individual offset and when I click the ok button it's going to give me perfectly place offsets for the design that's there it's a really effective way to create some you know a little bit of extra beauty to it if you're doing quilting if you're doing any type of of it so it's almost like a stippling effect but it actually is true to the object that you have digitized so really cool fun feature to play with now the next set of tools in your toolbox within creator is probably one of the fun tools for doing design layout and it's actually called layout when you click on the tab you can insert designs you can duplicate you can duplicate with offsets you can also do various mirroring horizontally vertically if I select the object that I want to actually play with I have the entire object selected and if I want to copy this horizontally I just place it where I click the button and it will automatically put it horizontally the same thing will happen if I haven't selected and want to do it vertically so I can have the designs laid up vertically like that and then if I select both of those I can now come in and copy both of them and have them put in order and have them placed exactly how I want so they're almost touching and it just gives a really fun effective way to do design layout now you can also a mirror and copy to your working area and you can define exactly what you want your working area to be you can also include buttonholes and if I choose the buttonhole feature I just choose the buttonhole I want I can make it whatever spacing I want and then when I go to place my buttonholes I can start and give a placement for where they originally start and then just have them go all the way down and then I left click again and it'll automatically give me buttonhole placement so there's just so many cool fun features that you can actually utilize and play with all of these settings now another one that I have is I have circle layouts I can come here and do circle layouts have as many different ones as I want I can increase it to up to you know 14 circles if I want to and I can have these come right here just like this and I have a beautiful circle layout and I can put a monogram in between so pretty much anything you want to do it's very very easy to do layouts and customize your designs now that my design is set up I'm gonna see what size it is and we're at 231 by 237 and I know this is too large for my hoop so what I'm gonna do is I'm going to actually go to my multi hooping and I have a setup for my 300 by 200 hoop for my 10 needle machine and I can see that some of the areas that aren't highlighted are not going to fit within the hooping so what I'm going to do is I'm going to take that original hoop and I'm going to move it over and I'm going to move it until I see the entire area covered that I want it to then I'm going to add a hoop to the right and I'm going to move it and make sure that I offset this hoop so that they will cross over and that I know that I have everything covered everything is highlighted if you want to you can do a calculate hooping and this will verify that everything is crossed over in your hoop properly once everything's crossed over then I'm going to go to output design and I'm actually going to make sure that I save the design actually I want to save it as I'm going to actually go in and export the design because I want to export it to a PS file and I'll tell it to save it and when it goes to save the file it's going to show me the original hooping the second hooping and then it's going to actually bring it up and it's going to allow me to save the selected or save all so if I tell it to save all now it's going to save the files and that way they're automatically split and I'm able to load them onto my machine and in two hooping zile have perfectly place items for both of them and I know things will line up hi everyone john deere here and thanks for watching this video if you've enjoyed it please be sure to give it a thumbs up and share it with all of your friends also to become part of the legacy be sure to hit the subscribe button and don't forget to hit the bell to be notified every time we release a new weekly video so join the legacy now it's no mystery award-winning embroidery is our history [Music]

Channel: John Deer's Embroidery Legacy

Views: 9,125

Keywords: hatch, learn wilcom, embroidery digitizing, hatch embroidery software, john deer, digitizing made easy, wilcom tutorials, how to, wilcom help, hatch embroidery tutorials, embroidery tutorials, hatch tutorial, embroidery software, hatch facts, learn hatch, hatch beginner, hatch software review, hatch software tutorial, hatch software by wilcom, wilcom hatch, hatch embroidery software cost, beginner hatch, new to hatch, hatch embroidery new, hatch lessons

Id: T4YUmDSl8NQ

Length: 36min 5sec (2165 seconds)

Published: Mon Jul 16 2018