Right, everyone, it's time to assemble around
the dining table with your character sheets and dice trays, because we're entering into
the magical, shadowy, goblin-infested world of Dungeons & Dragons, and making a valiant
attempt at appraising each and every video game based on Gary Gygax's venerable creation.
Robes, cowls, and wizard hats are optional, but Gods help me, you'd better have brought
snacks. We're going to be here for a while. TheDungeons & Dragons tabletop role-playing
game has come a long way since its emergence back in 1974. Where once it was
seen as a venture purely for lonely, basement-dwelling males that sparked panic
about devil worship in the hearts and minds of concerned, misinformed parents across
America, the pastime has since grown into something of a wholesome phenomenon. Untold
millions are playing all over the world, and multiple respected celebrities have confessed
to throwing the odd d20 every now and then too. Ever since video games were a
thing, intrepid programmers were inspired by Dungeons & Dragons to create
expansive adventures in digital form, and pretty much every game
with any kind of RPG mechanic, from Final Fantasy VIIto Cyberpunk 2077, owes
its existence to this dice-rolling institution. Of course, many of these digital adventures
have carried the official D&D license, and for this list, we've amassed a small army of
them. Multiple campaign settings are represented, too; from Eberron to Spelljammer, and
Al-Qadim to Planescape, we've got the lot, and if you know what all of those words mean,
then you've definitely come to the right place. We won't be including mobile-only games on
our list, and we're also omitting collections, re-releases and enhanced editions, instead judging
each game on its original version. When deciding the rankings, we'll be looking at factors
like critical score, player enjoyment, impact, and legacy, paying particular attention to how
well-received the game was at the time of release. Right, with all that official stuff out
of the way, it's time to don a suit of studded leather armour and pray for those
natural 20s, because we're venturing forth into the vast and hazardous catacomb
that is Dungeons & Dragons video games, and we're not sure what we're going to run
into down there. Does anyone have darkvision? Let's rank 'em! I'm Dungeon Master, Ben, and I'm
murder hobo, Peter, from TripleJump, and here is Every Dungeons & Dragons
Video Game Ranked from Worst to Best. 69. (Nice) Iron & Blood: Warriors
of Ravenloft – PC/PS1 – 1997 We’re getting the dice rolling with this unlikely
fusion of Dungeons & Dragons and one-on-one, 3D fighting games. Iron & Blood: Warriors of
Ravenloft was developed by Take-Two Interactive, and draws from the spooky, Gothic
horror-themed Ravenloft campaign setting. Although Saturn and 3DO versions were
reportedly planned, Iron & Blood: Warriors of Ravenloft was released only for
the PC and PS1, with the PS1 version going up against other weapon-based fighters like Battle
Arena Toshinden and Soul Edge. Spoiler alert; it absolutely does not stand up to any of them. Some reviewers did note that the graphics
were nice and detailed for the time, it had a chunky roster of eight
heroes and eight villains to play as, and there existed an innovative mechanic
where characters could learn magical abilities as they fought, but every other
aspect of the game was critically panned. Jerky controls, dodgy animations, and unhelpful
camera angles all conspired to spoil the sword-slinging experience. The sound and voice
effects were grating, and the fast-paced techno soundtrack often juxtaposed hilariously with
the medieval fantasy action. Some reviewers even claimed that they were able to beat the game by
using only one button, handily illustrating that Iron & Blood: Warriors of Ravenloft wasn’t exactly
rich in the technical and strategic departments. The idea of throwing down
as various goblins, wizards, and other such D&D mainstays is an
interesting one, but Iron & Blood: Warriors of Ravenloft squanders this idea like
a misaimed fireball spell. A critical miss. 68. Descent to Undermountain – PC – 1998 There are a few things about Descent to
Undermountain that are remarkable. One is that a fellow called Chris Avellone was on the
development team, which is a name I want you to try and remember as it will come up again. Another
is that it was created using the game engine from 1995 FPS game, Descent, which is apparently where
its name partially comes from. The third thing to note is that it is undoubtedly one of the worst
Dungeons & Dragons video games of all time. The adventure kicks-off in Waterdeep,
where the high wizard, Blackstaff, tasks the player with assembling a party and
exploring the infamous dungeon of Undermountain, which seems to be the cause of disappearances
and other such suspicious activities. This all leads to a first-person dungeon delve
filled with combat, loot, puzzles, and a gradually unravelling
mystery to pick through. Alas, Descent to Undermountain was
afflicted with multiple problems. Descent’s engine proved to be entirely
unsuitable for a dungeon-crawling RPG, and technical issues caused the developers no
end of woes when getting it ready for retail. Shoddy graphics, poor AI, numerous bugs,
and uninteresting gameplay all conspired to make this particular descent a trip
that very few people wanted to make. Developers, Interplay, even referenced
how bad Descent to Undermountain was in their very own Fallout 2, which released
a couple of years later. A magic 8-ball item could randomly state; “Yes, we KNOW
Descent to Undermountain was crap.” Ouch. 67. Hillsfar – Amiga/Atari ST/C64/NES/PC – 1989 Right, we’re delving into the SSI Dungeons &
Dragons games now, and there are a lot of them. SSI, or Strategic Simulations, Incorporated,
ran from 1979 until 1994, and in that time, they released enough Dungeons & Dragons video
games to fill a bag of holding. These games are difficult to rank, as they all use the
same engine, work off of the then-current edition of the D&D rules, and are very similar
visually. Hillsfar came out at the bottom though, and that’s because most observers
agreed that it was just plain boring. Players can choose between fighter,
cleric, mage, and thief classes, and then visit the various guilds in the
town of Hillsfar, accepting fetch-type quests, completing them, earning gold and
experience, and then eventually retiring. It was as riveting as it sounds, with
reviewers of the NES version especially bemoaning the fact that it felt more like
a series of chores than an adventure, and that the game consisted of accumulating gold
whilst providing very little to spend it on. Hillsfar also features a certain equine interlude
that drops it down our list another few places. Players are repeatedly forced to partake in an
aggravating and unresponsive horse-riding section, where dangerous obstacles like
errant haystacks, narrow streams, or passing birds must be avoided lest ol’ Chestnut
goes bolting off into the wilderness. Suffer through this infuriating mini-game enough
times, and you’ll be ready to do the same. 66. Pool of Radiance: Ruins
of Myth Drannor – PC – 2001 By the time 2001 rolled around, Dungeons
& Dragons-based video games had really taken a step up in quality and scope,
and the pressure was on for dungeon delving adventures released during
this time to keep up with the new wave of Infinity Engine titles that
brought D&D to a whole new audience. For Pool of Radiance: Ruins of Myth Drannor,
developers, Stormfront Studios, tapped into the historical significance of the Pool of Radiance
name to create something both old and new, making their game the last in a series of
formerly SSI-developed titles that began in 1988. The story concerns a scary and powerful dracolich,
which is an undead dragon with necromantic powers, moving into the ruined Elven city of Myth
Drannor, and using it as a base to expand an empire. The player’s party have been
tasked by famous D&D wizard, Elminster, to head into the ruins and deal with the
insidious threat, one skeleton at a time. Unfortunately, said activity was deemed
dull by most who took up the sword, with confusing and seemingly endless dungeons
packed with barely distinguishable rooms, and an over-reliance on mindless
hack-and-slash gameplay turning off those used to more variety
and spice in their adventures. The game also had a bug problem, and we don’t
mean giant spiders and ankhegs. The graphical glitches and save game issues were one thing, but
when players are uninstalling your game and it’s also wiping their PC’s system files, things have
gone a little too far. Yes, it really did do that. 65. Spelljammer:Pirates of Realmspace – PC – 1992 What happens when you take D&D staples like
heroes and wizards, gnomes and beholders, and other such fantasy fare, and blast them
off into space? No, not the terrifying and visceral effects of decompression, this is a
fantasy realm, remember? You get Spelljammer, the setting for the next title on our
list; Spelljammer: Pirates of Realmspace. In this intergalactic adventure, the
player takes on the role of the captain of an interstellar ship, and spends much of the
early game running errands, delivering goods, defending space lanes and taking out pirates,
all while earning currency and reputation, before eventually being sent on an important
mission that kicks off the game's simple plot. Players can use spells and
abilities in ship-to-ship combat, where rival vessels will bombard each other
with space catapults and space ballistae, and can also oversee boarding actions,
which result in more traditional D&D combat as the opposing crews come
face-to-face in the ship's halls. It's an interesting premise, but
it was handled somewhat clumsily, with clunky mechanics and lots of bugs and
technical issues causing most publications to state that this particular
space odyssey was one to miss. Developed by Cybertech but published by SSI,
Spelljammer: Pirates of Realmspace was one of the first so-called “Gold Box” titles (so named after
their signature golden boxes) that threatened the veteran studio's long-standing reputation for
quality output. It's not quite a black hole level catastrophe, but it was a planet-sized
misstep for the once-venerated series. 64. The Dark Queen of Krynn – Amiga/PC – 1992 Set primarily on the world of Krynn, the
Dragonlance setting is a D&D offshoot with an even more dragon-centric flavour and an emphasis on
moon-powered magic. Popular in the '80s and early '90s, it spawned a number of digital adaptations,
and The Dark Queen of Krynn is probably the least compelling, not necessarily because it's the
absolute worst, but because by the time this conclusion to the Gold Box Dragonlance series
was released, gamers were expecting much more. In an attempt to portray the epic conclusion
to the Krynn saga, developers, MicroMagic, Inc, focused strongly on combat,
with the player's party eventually facing off against the dark goddess
behind the planet's troubles. This, however, meant that less time and effort
was put into exploration and role-playing, which disappointed many, and made
the game feel like a bit of a grind. With numerous bugs and glitches, a lack
of balance in the combat leading to an unfair difficulty level, and its insistence on
stripping back exploration and NPC interaction, The Dark Queen of Krynn proved to be a
less-than-stellar climax to one of the less-celebrated Gold Box series, and observers
almost unanimously agreed that this was one to miss, with only the most dedicated D&D fans
managing to battle their way through to the end. I guess that by this point,
this particular Dragonlance video game series was beginning
to get a bit long in the fang. 63. Dungeons & Dragons: Eye
of the Beholder – GBA– 2002 I've never really understood why people say
“beauty is in the eye of the beholder,” because looking into the eyes of these things,
there's really not much beauty there. Unfortunately, there's not much beauty in
this GBA dungeon-crawling experience either, with Pronto Games' Dungeons & Dragons: Eye of the Beholder failing to live up to
past titles that it borrowed so heavily from. Following a very similar plot to the far-older
home computer Eye of the Beholder games, Dungeons & Dragons: Eye of the Beholder's story
concerns the city of Waterdeep being threatened by the denizens of Undermountain. What this means
for the player-controlled party is a trip into the sewers and tunnels beneath Waterdeep
to root out the threat that builds there, and much sword-swinging and spell-slinging ensues. Played from a first-person perspective during
exploration, the game switches to an isometric display for combat, similar to the SSI Gold Box
titles. Here, players can use spells and abilities from the four playable classes to fend off bad
guys and continue the quest to save the city. While the idea of whipping your GBA
out of your pocket and embarking on a bit of dungeon-diving on the move might
be an intriguing one, Dungeons & Dragons: Eye of the Beholder does not live up
to such promise, with the already-dated nature of its gameplay compounded by
an annoying and frustrating interface. Unfortunately, you'll be eyeing
up one of your better GBA games within minutes of getting started with this one. 62. Eye of the Beholder III:
Assault on Myth Drannor – PC – 1993 Eye of the Beholder III: Assault on
Myth Drannor, like the previous two games in the trilogy, offered something a
little different to SSI's previous fare, presenting its entire adventure
from a first-person viewpoint, be that exploration, combat, or
receiving exposition from beardy NPCs. It picked up the storyline directly after the
series' second instalment, with the victorious party relaxing in a local tavern, extolling
the patrons with stories of their heroism, and attracting the attention of a mysterious
strangerwith an even more dangerous quest in store. Said quest is to investigate
the ruins of the city of Myth Drannor, and swipe an ancient artefact from
a powerful and dangerous lich. This third Eye of the Beholder title used an
updated version of the previous games' engine, and added some quality-of-life enhancements like
an “all attack” button and the ability to use certain weapons in the second rank. What's
it doing all the way down here, then? Well, unfortunately, the game just failed to live up to
the promising framework built by its predecessors. Reviewers reported a downgrade in
graphics and awful sound design, and declared that this was no
way to end an epic trilogy. One factor that may have impacted this is the
fact that SSI chose to develop the game in-house, while the previous two titles were created by
beloved developer, Westwood, who would go on to define an entire genre with Dune II and Command
& Conquer. SSI should've beheld onto them... 61. Birthright: The Gorgon's Alliance – PC – 1996 We're embarking on a journey to yet
another D&D setting now, with Birthright, an adaptation of the Dungeons & Dragons rule-set
where player characters are rulers of the land and gameplay is focused on political manoeuvring
and acts of governance. As such, Birthright: The Gorgon's Alliance takes on the guise
of a strategy game with RPG elements, where players oversee the rise and fall
of nations from a position of sovereignty, rather than skulking around in dingy dungeons
with all the kobolds and gelatinous cubes. Sounds like an interesting diversion compared to
all the usual dungeon delving, but Birthright: The Gorgon's Alliance was poorly received
by all but the most dedicated strategists. Taking on the role of a divinely-appointed
regent, the player's goal is to unite a continent, beating various third-parties with their
own machinations toward the throne to the punch. This can be achieved through war,
diplomacy, trade, and even by magical means. That's not to say adventuring is
completely done away with, because occasionally the regent will be forced to get
their royal hands dirty with a bit of questing, presented in first-person 3D, and there are
even some basic battlefields to conquer. All these ingredients didn't add up to much, though, with poorly explained mechanics,
ropey visuals, and overwhelmingly fiddly micro-management souring most observers on
what was undoubtedly an ambitious title. Birthright: The Gorgon's Alliance made
its play for the throne but came up short, and it now lies on the pile of forgotten,
licensed D&D games with the rest of the peasantry. 60. Dungeons & Dragons: Daggerdale
– PC/PS3/Xbox 360 – 2011 If I had to sum up Dungeons & Dragons:
Daggerdale, I'd say that it is the epitome of that PS3/360-era boring-grey-and-brown-ness
that often reared its ugly head back then, but you could probably tell that yourself from
taking one look at it, so allow me to elaborate. Dungeons & Dragons: Daggerdale
was developed by Bedlam Games, and features single player and
multiplayer cooperative modes with a focus on action-based RPG gameplay. Players
had four character classes to choose from, and these characters could be customised during
setup and by acquiring and equipping loot. The plot sticks the player in the various
environs around Daggerdale, and puts them at loggerheads with the unscrupulous mercenary
organisation known as the Zhentarim. These rascals are trying to lay claim to the Daggerdale area
using a structure known as the Tower of Void, and it’s the player’s job to stop them.
Unfortunately, the Zhentarim are probably going to succeed in their nefarious plans, because very few
players are likely to want to take up the call. Dungeons & Dragons: Daggerdale
was deemed a waste of the license, and was called out for its boring quests,
uninteresting combat, and dreary environments. Some reviewers did state that the game could
be okay if you were able to play with friends, but I honestly wouldn't want to subject my
friends to it. All that repetitive combat, boring dialogue and dismal visual design;
it's like being hit by a sleep spell. 59. Dungeons & Dragons Tactics – PSP – 2007 With a name like Dungeons & Dragons Tactics,
and with its home being Sony's PSP, you might expect this Kuju Entertainment-developed title
to be something akin to Final Fantasy Tactics: War of the Lions or Tactics Ogre:
Let Us Cling Together. However, while it does share aspects like turn-based
combat and grid-based maps with those titles, Dungeons & Dragons Tactics
kind of does its own thing. In the game, players assemble a party of
adventurers and become embroiled in a clash between two mighty dragons who are vying for
godhood, and gameplay switches between a simple overworld map, where players can accept
quests and choose their next destination, and dungeon exploration, where the game makes
use of a somewhat zoomed-in, overhead view. When monsters are encountered, the gameplay
switches once more into a traditional, turn-based take on the D&D rules, where
characters and enemies act in initiative order, casting spells and using abilities
to affect the course of battle. It was a nice idea, and the story hook of
a pair of opposed, divinity-craving dragons was sure to turn a few heads, but Dungeons
& Dragons Tactics was executed so poorly that most adventurers who entered its dungeon
turned around and walked right back out again. Just like the world that the game depicts,
Dungeons & Dragons Tactics was beset by two terrifying god-dragons, the dragon of frustrating
interface design, and the dragon of unhelpful camera angles. Between them, they laid waste to
any enjoyment that might have been found within. 58. Shadow Sorcerer – Amiga/Atari ST/PC – 1991 Another game in the Dragonlance series, Shadow Sorcerer was developed by U.S. Gold
and presented most of its action in neat, isometric squares, which gives the title
an odd, pixelated appeal even to this day. Simplified somewhat compared to the usual
SSI-published fare, Shadow Sorcerer still offered a complex party mechanic and tough battles,
with enemy encounters throughout the game's expansive world being generated randomly. The
role-playing and plot elements were stripped back, with the focus firmly on guiding your party
of four through squares of brightly-coloured dungeon or wilderness, with little to no
NPC interaction to break things up a bit. It sounds alright if you just want
to wade through hordes of hobgoblins, but even with the combat focus these
encounters still suffered from quirks that often made them annoying. Party AI would
consistently mess up your best laid plans, and walking through doors in a dungeon into a pack
of monsters would be fine, if not for the fact that your squishy magic users had decided to take
up the vanguard between this room and the last. Shadow Sorcerer also had a refugee mechanic,
where the party were forced to guide a host of refugees to the fortress of Skullcap,
and many players found this addition to be problematic. The refugees moved
infuriatingly slowly across the map, and leaving them behind would see
them wander off and get killed. An aggravating escort quest that lasts an entire
game? I'll use my action to disengage, thanks. 57. DragonStrike – NES – 1992 We're staying with Dragonlance for our next
entry, and this time, instead of wizards, warriors, rogues, and clerics, we get to play
as the big, winged scaly boys themselves. The chance to play as a dragon in a Dungeons &
Dragons setting is undoubtedly a cool idea, but the NES version of DragonStrike,
which is a completely different game to the home computer titles of the
same name, is a little bit dull. Players can choose between bronze, silver and
gold dragons, with each one having its own strengths and weaknesses. Those familiar with
D&D will know that the metallic dragons are the friendly ones, and in DragonStrike,
the bronze dragon has the best armour, the silver dragon excels at speed, and
the gold dragon possesses the strongest attacks. As the game progresses, the player
engages in missions throughout the realm, facing off against rampaging chromatic
dragons and eventually swooping down into a dangerous chasm where the Queen of Darkness
waits in her multi-headed, draconic form. It all sounds very epic, and looks decent for
a NES shooter, but the actual gameplay rides a disagreeable line between frustrating
difficulty and snooze-inducing boredom. The ability to change altitude adds a
somewhat interesting gameplay wrinkle, and some boss battles can bring the
excitement up a couple of notches, but in all, DragonStrike for the NES manages
to make flapping around as a massive dragon and blasting anything that moves with devastating
breath attacks kind of forgettable. What a drag. 56. Tales from Candlekeep: Tomb
of Annihilation – PC – 2017 Candlekeep? I've been there before...
That'll come up much later in this list, though. For now, we're talking about BKOM
Studio's board game-inspired turn-based RPG, Tales from Candlekeep: Tomb of Annihilation. It's a decent-looking board game adaptation,
with its detailed land and dungeon tiles suspended in a bizarre void providing an
interesting visual effect, and if you've played the Tomb of Annihilation
board game upon which it's based, you'll be instantly familiar with it. However,
Tales from Candlekeep: Tomb of Annihilation, doesn't really offer much beyond this
vaguely interesting initial impression. The game completely does away with
certain role-playing aspects that you'd expect from a D&D game, like
character creation and, you know, any semblance of role-playing. If you're playing
Tomb of Annihilation around a table with a group of friends you have the social aspect and
the ability for stories to emerge naturally, but if you're playing it alone at your
PC, the whole thing just feels empty. Observers also pointed out needlessly
difficult mechanics, like starting combat with the party at a disadvantage
for no reason based on the roll of a die, as well as ineffectual levelling and
a poorly-realised crafting mechanic. Some enjoyed the game for what
it is, but Tales from Candlekeep: Tomb of Annihilation has too many problems
to be considered over countless similar, more capable offerings, and the fact that
the game was abandoned in an incomplete state left a foul taste in the mouth,
too. This tomb isn't really worth raiding. 55. Dungeon! – Apple II – 1982 I love a name that gets straight to the point,
but with this entry, we're doing anything but. The Apple II game, Dungeon!, is based on a 1975
board game of the same name. Said board game was created by a fellow called David R. Megarry,
but subsequent editions were worked on by Dungeons & Dragons alumni like Steve Winter and
Mr. Gygax himself. The game also borrowed heavily from the mechanics of Dungeons & Dragons,
so we'll call it a Dungeons & Dragons game, meaning that, by extension, the Apple
II game, Dungeons!, is a D&D game too. That's our excuse for including
a 40+ year old game on this list, anyway, and we're sticking to it. Dungeon!, while looking to our modern eyes like
a series of misplaced, garishly-coloured squares and rectangles, was a digital adaptation of
the aforementioned D&D-adjacent board game. Players used the keyboard to move the square that
represents their intrepid adventurer around the rectangles that represent dungeon rooms. The
aim of the game was to win battles and unearth treasure, and when enemies are encountered,
the game switched from top-down geometry to impressive-for-the-time static imagesof epic
confrontations as menu-driven conflict ensues. Dungeon! is undoubtedly archaic, but it received
a very warm critical reception at the time, and it's nice to look back on the history
of digital dungeon-diving and see how much things have progressed since those days
of basic shapes arranged on a grid. Yep, things have certainly moved on. 54. Heroes of the Lance – Amiga/Amstrad CPC/Atari
ST/C64/Master System/NES/PC/ZX Spectrum – 1988 Hold tight, because we’ve got more
dragons for you now, with an extra helping of lances. That’s right, we’re back in
the Dragonlance setting with Heroes of the Lance, which puts players in control of eight heroes
as they delve into a ruined city in search of an ancient relic guarded by a villainous
dragon, and shakes the usual SSI recipe up a bit by offering a side-scrolling action game
with D&D rules running things behind the scenes. The eight heroes mostly act as lives for the
player, with only three of them having any specific, unique abilities like healing, offensive
magic, or traversal spells. Some publications at the time were positive about this change of pace,
and Heroes of the Lance sold pretty well too, but taken as a title on its own merits,
the game isn’t exactly a D&D highlight. Heroes of the Lance was notoriously difficult, and
if a player were to approach it in the same way as an average side-scrolling action game, they would
be immediately and severely punished. A lack of careful forward planning could result in a lot of
heroes slain in a very short period of time, and a strategic approach was required. To add to this
notorious difficulty level, players were unable to save their progress, which was something they
had become used to in previous SSI D&D titles. Basically, if you managed to get through this one, you either had a lot of time on your hands,
or you truly were a hero of the lance. 53. Dragons of Flame – Amiga/Amstrad
CPC/Atari ST/C64/NES/PC/ZX Spectrum – 1989 Another game that explores the Dragonlance
setting is Dragons of Flame. This title was also developed by U.S. Gold, and also eschewed
traditional D&D RPG mechanics for a more arcadey, side-scrolling style. Its storyline follows
on directly from Heroes of the Lance, and the previously-mentioned Shadow
Sorcerer completes the trilogy. The story of Dragons of Flame picks up with the
party racing to beat a horde of evil dragon men to the fortress of Pax Tharkas, and was a mild
improvement over the original, with slightly updated visuals and certain quality of life
improvements, like characters being restored to full strength before a transition into the
side-scrolling dungeon-crawling. The developers also worked to provide more intuitive menus, but
this did little to solve the problem of crushing difficulty, and neither did the addition of two
extra lives … I mean, two additional heroes. The world of Dragons of Flame was
also very difficult to navigate, demanding expert orientation skills from the
player. The top-down exploration sections offered very little in the way of recognisable
landmarks, and many wayward adventures never reached the aforementioned Pax Tharkas
thanks to the confusing map mechanics. Basically, if you were already a fan of the
way Heroes of the Lance approached digital D&D adventuring, then Dragons of Flame offered
more of the same with some minor improvements. If you like a bit more role-playing and a
somewhat less sadistic difficulty level, however, then you should probably make
your investigation check elsewhere. 52. Idle Champions of the Forgotten
Realms – PC/PS4/Xbox One – 2018 Wait, I thought we weren't
doing mobile games? What, it came out on PC and consoles,
too? Fine, let's get it over with. To be fair, Idle Champions of the Forgotten Realms
is apparently a very decent example of the idle RPG genre. First releasing on Android and iOS, and
appearing on consoles and PC soon after, it allows players to set up their party of adventurers and
take on wave after wave of enemies. Players can slay gnolls, dire wolves, banditsand the like by
clicking on them, and can acquire loot through the act of click-slaying, which can then be spent
on new champions or upgrading the existing party. Everything in the game references the D&D
tabletop universe in one way or another, with adventures like Curse of Strahd
and Tomb of Annihilation referenced, and a faithful map of the Sword Coast
to explore. The game also seems to have a thing about cursed cows.
Whatever mooves you, I suppose... At the end of the day, Idle Champions
of the Forgotten Realms is an idle game, and as such, it can barely be
described as a game at all. It's more of a … thing that you click on.
Like a fidget toy, in digital form. As we've already mentioned, though, Idle
Champions of the Forgotten Realms is regarded quite highly in the realm
of idle games, so if you like D&D, and you like clicking on things, then
this is probably a good thing to click on. 51. Menzoberranzan – PC – 1994 “Menzoberranzan” is a really
fun word to say. Go on, give it a try. Why not roll
the 'r' a bit? Live a little. It's the name of a city located in the Underdark,
inhabited by a cruel race of subterranean elves known as the drow, and is also known as the City
of Spiders. More fun to say than to visit, then. The 1994 video game, Menzoberranzan,
is another SSI-published adventure, this one developed by DreamForge Entertainment,
who would go on to develop successful point and click horror game, Sanitarium, and sci-fi
strategy title, Warhammer 40,000: Rites of War. The story kicks off when an assortment of peaceful
villagers are snatched by a drow raiding party, and a pair of intrepid heroes set off to
track them down and bring them back. Playing similarly to the Eye of the Beholder titles,
Menzoberranzan offers an interesting visual style and some satisfactory dungeoneering gameplay, but
ultimately falls short of its promise. Reviewers pointed out that the narrative took a long time to
get going, that many of the game's dungeons felt empty and lifeless, and that gameplay ultimately
boiled down to repetitive hack-and-slash. As well as the two player-created characters,
additional allies could be encountered throughout the game, including the world-famous and
unusually-heroic drow fighter/ranger, Drizzt Do'Urden, whose name
his creator, R.A. Salvatore, purposefully pronounces differently
depending on the day of the week. “Drizzt” is kind of fun to say, but
not as much as “Menzoberranzan”. 50. Sword Coast Legends – PC/PS4/Xbox One – 2015 One of the more recent games on our
list, this action role-playing title puts players in the adventuring boots of
a member of the Order of the Burning Dawn, a once-powerful guild with a shady
past. The story of Sword Coast Legends casts players as a new recruit in
this somewhat disreputable group, and kicks off when its members all start to
experience strange and portentous nightmares. The actual gameplay is very straightforward, with
the player controlling their group of adventurers from an overhead viewpoint, exploring
buildings, dungeons and wilderness areas, slaying monsters, and interacting with NPCs.
It all looks fine, but a little unremarkable, and observers were pretty much unanimous
in declaring Sword Coast Legends to be a somewhat generic RPG that stands apart
only for its Dungeon Master mode. Said mode allows players to digitally mimic
the tabletop dynamic, with one player taking the role of the omnipotent and omniscient
overlord and the others living and dying according to their whims. Depending on the
trustworthiness of the person in charge, Sword Coast Legends does have the potential to
offer a great time for all involved, but even then, would-be Dungeon Masters expressed a desire
for more depth to the tools available to them. If you're willing to work at it a bit, and
have some buddies to go adventuring with, there's fun to be had with Sword Coast Legends, but when it comes the single player campaign,
this one just feels like it's coasting. 49. Stronghold – PC – 1993 Another D&D game developed by
the prolific Stormfront Studios, this one offered something a bit different
to the usual adventuring fare by tasking players with building and managing a
thriving town in a fantastical kingdom. Unrelated to the 2001 Firefly Studios title of
the same name, Stronghold has an old-school, wireframe, 3D visual style, beneath which hides
layers and layers of complex strategy and resource management. In keeping with the D&D theme,
players can recruit mages, clerics, fighters, and the like to act as leaders of various
districts within the town, and these can be used to construct certain buildings, or train
the local militia to fend off monster attacks. Depending on your chosen alignment, the game will
set different victory requirements, with lawful rulers required to reach the seat of Emperor to
finish the game, while chaotic rulers need to rid the land of competitors by force. This can be done
by amassing trained troops and sending them off on missions to remove hostile forces. The management
side is just as involved however, with food supply needing to be overseen, and available buildings
including markets, castles, and magic schools. While many players who became proficient in
this complex fantasy kingdom simulator were quick to heap praise upon it, the fact
of the matter is that Stronghold closed its gates to most players by demanding
speedy mastery of its overwhelmingly complex set of mechanics and strategies
in the face of mercilessly effective and efficient enemy forces. Ever heard of
“accessibility”, Stormfront Studios? 48. Dungeons & Dragons: Order of
the Griffon – TurboGrafx-16 – 1992 The TurboGrafx-16, known as the PC Engine outside
of North America, was originally released in 1987, and had one Dungeons & Dragons game to its name.
Dungeons & Dragons: Order of the Griffon uses the Mystara setting, and sits fairly highly in the
estimations of TurboGrafx-16 owners who wanted a good D&D adventure, although this may have been
mainly because it was their only choice. Taking inspiration from earlier SSI games like Pool
of Radiance, Dungeons & Dragons: Order of the Griffon provided a decent step up in graphics and
spectacle, but, honestly, not all that much else. The plot, which concerns the return of an
ancient vampire, undead popping up everywhere, and assassination attempts on local leaders,
was considered to be somewhat overblown, and the same old, Gold Box-inspired gameplay was becoming
very dated by the early '90s. Dungeons & Dragons: Order of the Griffon did have some stand
out moments, but for the most part it was a generic fantasy RPG that is remarkable only
for being the single D&D game on the console. Like a couple of other games on this list,
it was developed by Westwood Studios, and the music was composed by legendary Command
& Conquer composer, Frank Klepacki. He has, however, stated in interviews that
this was a low-point in his career, due to the limited capabilities of the
hardware's sound engine, so you probably shouldn't expect classics like Hell March
and Act on Instinct from this one, okay? 47. War of the Lance – Apple II/C64/PC – 1989 SSI’s War of the Lance is another trip into the
Dragonlance saga, but this time things are a lot more strategic, with the action playing out on
a continental scale, and the fate of kingdoms at stake. Players face off against the evil
Highlord and his armies of rogues and monsters, and the campaign can either start at the very
beginning of the conflict, with the players’ task being to form the Whitestone Alliance and
capture the enemy capital, or in medias res, with certain territories already occupied, and
various sieges and events already playing out. The action unfolds from a top-down viewpoint,
with esteemed commanders presiding over an archaic-but-charming map and commanding their
forces to march across land, voyage across oceans, and engage the enemy. It’s not exactly a
visual feast, but when you’re agonising over political and military decisions that
could swing the tide of a continent-spanning conflict, who wants to be distracted by
dazzling effects and sparkly animations? War of the Lance, while unsuccessful
commercially, reviewed well at the time, and those who adopted the game sang its strategic
praises, with many still claiming to boot it up once in a while today. A few things hold it back,
however, including a lack of replayability and longevity compared to the SSI RPGs, and the
simple fact that more recent grand strategy games completely eclipse it in both scale and
spectacle. It’s not exactly Total War, after all. Hmm, Total War: D&D; now there’s an idea. 46. Forgotten Realms: Unlimited
Adventures – PC – 1993 If you’ve ever been a tabletop Dungeon Master,
you’ll know that sometimes the most enjoyable aspect of Dungeons & Dragons is creating
interesting adventures for your friends, and seeing how they interact with them. It
can be a fascinating and rewarding experience, but just be careful when you’re
talking about it in public. The term “Dungeon Master” can mean different
things to different people, after all. Forgotten Realms: Unlimited Adventures offers
digital DMs the chance to shake their creative dice, being an SSI-published toolkit for
players to create their own adventures in the vein of the “Gold Box” SSI RPGs. We say
“in the vein of”, because Unlimited Adventures doesn’t use the Gold Box engine, thanks to
some contractual complications with TSR, meaning users could almost make their
own Gold Box games, but not quite. Unlimited Adventures enabled the creation of
dungeon modules, and the importing of custom sprites and artwork. There were limitations,
such as the inability to change walls, backdrops and title screens, but these were
more or less addressed by a healthy modding community, making Unlimited Adventures an
expansive system for budding Matt Mercers. However, it wasn’t all creative sunshine and
dungeon mastery rainbows. Some observers claimed that the game’s tools were overly-complicated,
and not everyone was impressed with the visuals, but Forgotten Realms: Unlimited Adventures
was about the best dungeon creation tool available at the time, and at least
provided an interesting alternative to sketching out treasure rooms and
trap-filled corridors on grid paper. 45. Eye of the Beholder –
Amiga/Mega-CD/PC/SNES – 1991 Back to those floating,
ocularly-endowed fellows now, as we explore the first game in the Eye of the
Beholder trilogy. Developed by Westwood Studios, Eye of the Beholder riffed heavily on 1987's
Dungeon Master, which is, confusingly, not D&D-related, but also represented
a new direction for Dungeons & Dragons titles and impressed reviewers at the
time with its visuals and atmosphere. The adventure kicks off in the city of Waterdeep,
where the player's party are hired to investigate an evil that seems to be lurking underground. When
the party first enter the sewer tunnels beneath the cobblestones, their exit is blocked by a
cave-in caused by the beholder known as Xanathar, who still maintains a significant presence
in D&D to this day, and the adventurers are forced to journey deeper, past untold dangers,
to a confrontation with 'ol Eyeballs himself. Despite offering gameplay as deep as its dungeons
and some welcome variety in locations to explore, Eye of the Beholder had its detractors.
Interface problems, brutal difficulty, occasionally awkward combat, and an abrupt ending
were all identified as issues that held the game back, and some reviewers even claimed that it was
too similar to the aforementioned Dungeon Master. Of special interest is the 1994 Mega-CD version,
that used an anime art-style for the character portraits, and had a unique soundtrack
co-composed by Yuzo Koshiro, of Streets of Rage fame. Not many dungeon adventures are
backed by hardcore, '90s techno, let me tell you. 44. Secret of the Silver
Blades – Amiga/C64/PC – 1990 Some proper, classic, Gold Box gaming
now, with Secret of the Silver Blades, which was a follow-up to SSI originals, Pool
of Radiance and Curse of the Azure Bonds. Observant viewers will notice that neither of
those games have been mentioned yet, and after congratulating you on your successful perception
check, I shall explain why this is the case. Firstly, by the time 1990 rolled around, fans and
critics were expecting a little more evolution from the franchise, which Secret of the Silver
Blades simply did not provide. Secondly, for this game SSI decided to cut down on the role-playing
and exploration aspects, instead focusing more on combat, which resulted in a lack of variety and
made the whole thing feel like a bit of a grind. That said, a few upgrades were squeezed in; Secret
of the Silver Blades provided players with the largest world to explore in a Gold Box game to
date, and some minor graphical improvements were welcomed. The title also gave players the
option to alter the encounter difficulty, and in the brutal world of low-level
D&D, this was definitely a good idea. Secret of the Silver Blades was
enjoyed by most who played it, and it doesn't exactly embarrass the
franchise or drag it screaming into Avernus, but it does mark a time when the Gold Box
games were starting to become a little stale, and certain reviewers began
throwing the word “boring” around. Oh well, I suppose I never will find out
what was so secret about those blades. 43. Dungeons & Dragons: Dark
Alliance – PC/PS4/Xbox – 2021 Dungeons & Dragons: Dark Alliance is a recent
title that clearly wanted to ignite the interest of fans of the classic D&D adaptations with
its Dark Alliance subtitle and its Icewind Dale setting, but also wanted to entice modern gamers
with its accessible, action-focused approach. Allowing single player or cooperative gameplay,
Dungeons & Dragons: Dark Alliance offers four playable characters to choose from, and sets
adventurers off on a quest in the frigid tundra of Icewind Dale. Selectable characters
include the previously-mentioned drow hero, Drizzt, and other R.A. Salvatore-created
characters like the archer, Cattie-brie, and the barbarian, Wulfgar. However. while the
involvement of Mr. Salvatore might indicate a focus on epic storytelling, Dungeons & Dragons:
Dark Alliance's premise fails to conjure much interest, and this isn't the only way in
which it doesn't live up to the D&D name. Reviews were generally mixed, leaning towards the
low 50s, and issues like mindlessly repetitious gameplay, an abundance of bugs and glitches, and
bad AI compounded the title's averageness. Being a recent game, it's obviously a lot easier to
pick up and play than a lot of the difficult and esoteric titles from D&D's past, but when the
gameplay loop is so mind-numbing and repetitive, it's tough to recommend it with so
many great alternatives out there. It's fun for a few hours of absent-minded
goblin-slaying and loot-grabbing, but Dungeons & Dragons: Dark
Alliance ultimately falls short of its more hallowed and venerated
predecessors in almost every way. 42. Slayer – 3DO – 1994 We've called out a few of the games on this list
so far for taking the focus away from role-playing and concentrating entirely on combat, but this
doesn't always have to be a bad thing. Lion Entertainment-developed, 3DO-exclusive D&D title,
Slayer, makes no claims of providing opportunities for fancy role-playing; no romancing of
winged elves or hobnobbing with the lords and ladies of Waterdeep here, just running
around a dungeon really fast, slaying stuff. Throwing concepts like storyline and party
mechanics out of a fifth floor castle window, Slayer encourages its players to explore
generated dungeons from a first-person viewpoint, with a feel that has more in
common with Wolfenstein 3D than Dungeon Master. Much faster-paced than the majority
of dungeon crawlers, Slayer still uses the D&D ruleset behind the scenes, but feels a
lot more action-packed, and the generated dungeons and variety of classes to play as
offered some decent scope for repeated play. While sorely lacking in the audio
department, and not offering anything too unique or spectacular to fans
of either the FPS or RPG genres, Slayer was seen as a reasonable attempt
at a more action-focused D&D adventure, and stands as a surprisingly decent addition to
the 3DO's comparatively limited game library. You know, with its frenetic pace, unapologetic
tone, and dark imagery, Slayer kind of reminds me of that one heavy metal band. You know the
one. What are they called? Starts with an “S”. Oh yeah … Sum 41. 41. DeathKeep – 3DO/PC – 1995 We're sticking with the 3DO for the moment,
as the next title on our list is DeathKeep, a 3D dungeon-'em-up in a similar vein to
Slayer. Also developed by Lion Entertainment, DeathKeep kept that Wolfenstein-like
gameplay while expanding on the overall experience with a graphical upgrade and
a larger world than its predecessor. Reviews of the 3DO version
were generally very positive, with commentators enjoying the step
up in scope offered by DeathKeep, as well as the graphical leap and the
atmospheric sound design. The plot, which concerns a dangerous necromancer taking
up residency in an unreasonably large castle, was considered fit for purpose and entertaining
enough, and the three playable characters, a dwarven fighter, a half-elven fighter/mage, and
an elven mage, all provided a distinct experience. Positivity aside, DeathKeep did have a
few structural weaknesses. While some players enjoyed the challenge it offered,
others found it objectionably difficult, and many found the controls to be
imprecise and fiddly, though the game's size and interesting dungeon design did
go some way to making up for these missteps. The game's overall placing is also brought down
somewhat by the 1996 PC port. Sorely lacking compared to the 3DO original, the PC version
of DeathKeep suffered from blocky graphics, poorly-implemented controls, and inferior
sound quality, putting the game well behind the likes of first-person dark fantasy title,
Hexen, which was released a year earlier. When it came to DeathKeep, most PC owners would have been happier
if the 3DO crowd had death-kept it. 40. Al-Qadim: The Genie's Curse – PC – 1994 It's time for the video to take on a tone of
exotic mystery now, as we examine the one and only game on our list based on the Arabian
Nights-inspired, Al-Qadim campaign setting. Whisking players off to Zakhara, also
known as the Land of Fate, Al-Qadim: The Genie's Curse puts players in the role of a
young corsair in a land of sand and scimitars, and represents a welcome oasis of variety for
those used to SSI's standard fantasy fare. The driving force behind the storyline is
a mysterious plot to free genies from their masters across Zakhara, and events kick
off when a hurricane causes the player character’s bride-to-be to be washed
overboard in a shipwreck. The young corsair is blamed for the disaster, and
must clear his name while also working out who’s been liberating the genies
from their itty-bitty living spaces. In an attempt to make the game more
accessible, SSI, and developer, Cyberlore Studios, decided to simplify many of
the mechanics, heavily streamlining character creation and making use of context-sensitive icon
commands. This approach achieved mixed results, with many reviewers claiming that Al-Qadim: The
Genie’s Curse cleverly and effectively blended RPG and adventure game mechanics, while others
claimed that the game ended up lacking in both departments, and that it was unlikely to appeal
to either hardcore RPG fans or causal gamers. So, is Al-Qadim: The Genie’s
Curse an Arabian fright, or a stroke of genie-us? Only
the wisest vizier can decide. 39. Dungeons & Dragons: Warriors of
the Eternal Sun – Mega Drive – 1992 The only D&D game to be released on the
Mega Drive, Westwood’s Dungeons & Dragons: Warriors of the Eternal Sun attempted to
combine exploration, turn-based battles, real-time combat, and first-person dungeon
crawling into one big, sun-baked package. The adventure has a tantalising set-up
that’s worthy of any tabletop D&D session; a fortress town and all of its inhabitants are
mysteriously transported to a bizarre otherworld surrounded by impossibly high cliffs and
bathed in the odd glow of a throbbing, red sun. This new land is home to beastman and
lizardman tribes, and other, stranger things (pun very much intended), and it’s the player’s job to
amass a party and explore this uncanny new world. The story remains interesting throughout,
and when the people of the kingdom start being slowly driven mad by the titular
sun and begin to turn against the party, things really get juicy, but the game's
difficulty and inaccessibility to new players means that very few people
will ever see it through to the end. With an unintuitive interface, esoteric mechanics,
and punishing early encounters, Dungeons & Dragons: Warriors of the Eternal Sun proved to be
a tough nut to crack, but those willing to put the time and effort in did report some satisfactory
and enjoyable adventuring once things got moving. Alas, with more accessible RPG favourites like
Phantasy Star IV and Shining Force II available on the Mega Drive, this particularly sunny adventure
ended up spending most of its time in the shade. 38. Blood & Magic – PC – 1996 Released during a boom period
for the real-time strategy genre, Blood & Magic was an attempt
by developers, Tachyon Studios, to get in on the strategy craze with
some Dungeons & Dragons-licensed action. The gameplay revolves around
Bloodforges, which are magical, wavy squares capable of creating vast
armies. These Bloodforges are used to generate something called a basal golem, and
these basal golems can then be used to fight or explore the map and gather resources, or can
be changed into buildings or more powerful units. The game’s single player content
consists of five campaigns and a final, mega-campaign in which the player must
conquer all fifteen of the game’s maps. The main campaigns all allow the player
to choose from two opposing forces, like the armies of a barbarian lord who has just
usurped a kingdom, or the necromancer who is coming to avenge the death of said kingdom's
fallen king. This approach added longevity, and players who were enjoying this top-down
take on D&D had lots to keep them occupied. Blood & Magic was fine in the gameplay
department, with reviewers failing to find much to nit-pick about when it came
to controls and mechanics. However, while the likes of Warcraft II and Command
& Conquerwere dominating the RTS landscape, it was doing very little to stand out, and proved
to be an adequate RTS when the gaming world was full of great ones. There was plenty of bloodshed,
but it just lacked that little bit of magic. 37. Champions of Krynn –
Amiga/Apple II/C64/PC – 1990 Champions of Krynn is the first in a three-part
series of Gold Box RPGs based on the Dragonlance campaign setting, and we already talked
about series finale, The Dark Queen of Krynn, earlier in this video. Honestly, Champions
of Krynn isn’t massively superior on paper, but it was the first in the Dragonlance
trilogy, so offered something new, and it also had more adventuring and role-playing
opportunities, which The Dark Queen of Krynn stripped back in favour of combat. As such, it’s
a pretty well-regarded title for the most part, and represents the SSI Gold
Box games in a decent light. The story kicks off in an
outpost near a hobgoblin city, and concerns a sinister Draconian
called Martini … wait, sorry, Myrtani, who steals an ancient and powerful tome. At
the behest of an important fellow named Sir Karl (who is presumably always accompanied by
his companion, Sir Lenny), the player-created party go off to investigate this dragon man
and bring him and his forces to justice. Reviewers praised the game’s
story and adventuring aspects, and the Advanced Dungeons & Dragons-guided
combat and character creation were still nicely doing the job at this point,
but the visuals were seen as dated, even with the newly-tapped Dragonlance setting
allowing SSI to put a different spin on things. Champions of Krynn is an example of a good SSI
D&D RPG, but not an example of a great one. There are plenty of better Gold Box experiences
out there, making this one hard to champion. 36. Death Knights of Krynn – Amiga/C64/PC – 1991 Time to complete the SSI Dragonlance trilogy
now, with Death Knights of Krynn. Often, the second entry into a trilogy
can be the most run-of-the-mill, without a bombastic opening or a
climactic finale to keep things exciting, but Death Knights of Krynn appears to be an
exception to this rule. It’s not a massive step-up over the other games in its series,
but it does just about pip them to the post. Combat and character creation are almost exactly
the same, with a couple of minor quality of life improvements and the introduction of the
paladin character class, but according to reviewers and fans of the Dragonlance setting,
Death Knights of Krynn feels much more a part of that world than its predecessor, thanks in part
to the inclusion of some familiar characters. The story picks up after the defeat of Myrtani,
and this time focuses on some worryingly frequent attacks by hordes of undead led by reanimated
heroes. The undead ranks are even bolstered by a reanimated Sir Karl of Champions of Krynn
fame. Sir Lenny is going to be devastated… Eventually, the party will face the villain
behind all of these grave problems, the evil Lord Soth, whose goal is to possess the body of
legendary Dragonlance hero, Sturm Brightblade. It’s decent, fantastical stuff, and Death
Knights of Krynn does just about enough to stand out as the best of its trilogy,
but in the wider world of D&D adaptions, it remains entombed in the crypt of mediocrity. 35. Pools of Darkness – Amiga/PC – 1991 As the fourth and final game in the first Gold Box
RPG series, Pools of Darkness made some important steps in advancing the state of SSI's output. The
graphics took a jump in quality from predecessor, Secret of the Silver Blades, from a
measly 16 colours to a whopping 256, but it was also far larger in scope,
with high-level skills and equipment opening up expanded possibilities, and a
journey that took players beyond Faerun. The story is suitably epic, with Bane,
the evil god of terror, hate, and tyranny, sending his lieutenants to cause trouble, destroy
things, and plunge the land into darkness, and the heroes of the piece tasked with
seeking out and defeating these lieutenants before going after Bane's most powerful
servants in the plane of Acheron itself. It is truly a quest suitable only for
experienced and celebrated heroes, so it's a good thing that players can bring
their party across from the previous games, complete with all of their gear and weapons.
Although, the game does force the party to abandon said weapons whenever they go plane-hopping,
which was seen as a bit of a kick in the teeth. Still, despite its issues, Pools of Darkness
is another example of a perfectly adequate Gold Box RPG that impressed at the time while not being
all that memorable today, but classic D&D fanatics may well find that those murky pools are still
worthy of a dip. Just remember to bring a towel. 34. Gateway to the Savage
Frontier – Amiga/C64/PC – 1991 Look, the mid-part of this list is going
to consist of a lot of similar-looking, SSI-published, Gold Box-style RPGs, and you're
just going to have to deal with it. We said we were going to rank every single Dungeons & Dragons
video game, and by crikey that means all of them. Next on the list is the Beyond Software-developed, Gateway to the Savage Frontier, which brings in
that villainous mercenary organisation known as the Zhentarim again, and this time they're trying
to conquer the titular Savage Frontier, and take it for themselves by opening a route for their
armies through an otherwise impassable desert. The game starts, as with many
great adventures, in a tavern, where a nefarious evildoer slips something
into the party's food and drink and then steals all of their stuff while they're
incapacitated. Left with nothing but the emergency gold they kept under their pillows,
the party must purchase basic equipment, and then head off on an adventure filled with
wizards, clerics, and magical statues that hold the key to travelling safely across
the aforementioned impassable desert. It was another decent Gold Box RPG. The
formula was getting stale, even back then, but it did add some welcome polish to
the mechanics, and the new setting, the barely-civilised but resource-rich frontier, offered somewhere new to explore. Gateway to
the Savage Frontier didn't exactly push out into new frontiers of gameplay, but was another
safe bet for fans who wanted more of the same. 33. Treasures of the Savage
Frontier – Amiga/PC – 1992 Nope, we're not letting you head back to
civilised lands, yet, as it turns out that the Savage Frontier has more adventure to
offer. Again developed by Beyond Software, and releasing only a year after its
predecessor, Treasures of the Savage Frontier's story picks up just after the
conclusion to Gateway to the Savage Frontier, and initially concerns the heroes mopping up
the last of the Zhentarim troops in the region. Of course, things don't go smoothly,
as the Zhentarim and their allies have maintained a stronger foothold in
the frontier than was initially evident. Capturing some high-ranking local
ambassadors and blaming it on the party, the bad guys set into motion their plans to sow
discord among the alliance of local governments, and weaken the region so that they
can try to conquer it once more. The player spends most of the game trying to clear
the party's name by doing quests for local lords, and then there's a seemingly-unrelated quest at
the end where the party fight a dragon for its treasure, presumably because someone remembered
that the word “treasure” was in the title. Like its predecessor, Treasures of the Savage
Frontier was seen as one of the more-polished Gold Box games, and continued series traditions
while changing very little. The formula was good, but getting stale, and people were moving on,
but Treasures of the Savage Frontier was a decent way to end the Gold Box RPG series,
even if said ending was quite overdue. 32. Dark Sun: Wake of the Ravager – PC – 1994 It's time to introduce you to a new
Dungeons & Dragons campaign setting now, with Dark Sun. Set in the post-apocalyptic
world of Athas, the Dark Sun setting tasks players with surviving in magic-ravaged
deserts with limited resources and dreary living conditions. Try to imagine The Lord of
the Ringsif it was directed by George Miller and its story was heavily influenced
by the effects of the 1973 oil crisis. The introduction of the Dark Sun setting to
SSI's D&D output was welcome, and Dark Sun: Wake of the Ravager continued the
story of its 1993 predecessor, with a mysterious dragon and its powerful second
in command planning to overthrow the city of Tyr. Looking visually distinct from
SSI's previous offerings, Dark Sun: Wake of the Ravager successfully communicates its
post-apocalyptic setting, with desert shanties and nomad settlements replacing mystical forests
and mighty fortresses. Gameplay was evolved too, with a top-down view replacing first-person
dungeon-crawling and isometric combat, and battles in this fantastical
wasteland unfolding at a quicker pace. You'll find this game's predecessor a little ways
up the list, so why did this follow-up end up trailing behind? Unfortunately, Dark Sun: Wake of
the Ravager was itself ravaged by an abundance of bugs, from the irritating to the game-breaking,
which somewhat soured the game's reception, and locked many players out from ever discovering what
that dragon from the intro sequence was up to. I'll bet it had something to do with ravaging. 31. Dungeons & Dragons: Heroes – Xbox – 2003 Developed by Hunt Valley
Studio, Dungeons & Dragons: Heroes is a co-op multiplayer, Xbox-exclusive
hack-and-slash with RPG elements. The story follows four heroes who were killed 150 years
before the events of the game, by the wizard, Kaedin, who managed to cast one last
deadly spell before being vanquished. The wizard returns in the present day,
and quickly resumes his evil ways, and so the four heroes are revived to stop him
once again. Maybe try not to die this time, guys? The heroes, who can be named by the player,
make up the classic RPG party combination of fighter/cleric/wizard/rogue, and each hero has an
ancestral weapon that can be improved throughout the game. They also have unique abilities
that can be upgraded as the game progresses, adding that aforementioned element of
role-playing to all the hacking and slashing. Similar in style to Dungeons & Dragons: Dark
Alliance and Dungeons & Dragons: Daggerdale, Dungeons & Dragons: Heroes received comparable
comments from reviewers – lacking in depth and role-playing opportunities, but good for a bit
of mindless hit-things-until-they-die gameplay. However, this Atari-published effort sits higher
than the other games in that list, because while those games offered adequately distracting
hack-and-slash gameplay at best, this game, by most accounts, offers actually
quite good hack-and-slash gameplay. One of the best D&D console hack-and-slash
games that doesn't have the name of a certain bustling port city in its title,
then. That's worth celebrating, right? 30. The Temple of Elemental Evil – PC – 2003 In tabletop terms, The Temple of Elemental Evil
is an adventure designed by Gary Gygax for the Greyhawk Dungeons & Dragons setting. Feared and
revered in equal measure, the adventure starts off in the delightfully-named village of Hommlet,
and concludes with an epic dungeon crawl through the titular temple, where players will eventually
face-off against fungus-faced demoness, Zuggtmoy. The Temple of Elemental Evil video
game, developed by Troika Games, who are more well-known for Arcanum: Of
Steamworks and Magick Obscura and Vampire: The Masquerade – Bloodlines, is a digital version
of that self-same infamous tabletop adventure, starting players off in the village of Hommlet,
the name of which is really making me crave a fried, folded, eggy treat, and ultimately
sending them off into Zuggtmoy's domain. Played from a top-down viewpoint, the
game shares many similarities with the Infinity Engine D&D games that
were enjoying success at the time, but incorporates a radial menu system
for spell and ability selection. It was generally seen as a pleasingly
old-school RPG with a neat graphical style, but a lack of multiplayer, a bug-ridden initial
release, and very few true, stand-out moments meant that it failed to live up to either its
inspiration or the studio's previous work. The Temple of Elemental Evil should have been
an epic retelling of one of the most infamous D&D adventures of all time, but ended up
being somewhat forgotten compared to many of its contemporaries, its temple doors remaining
closed to all but the most fervent of adventurers. 29. Dungeon Hack – PC – 1993 Dungeon Hack is a first-person dungeon crawler
from Dreamforge that gives players only a single adventurer to create and focuses almost entirely
on exploration and combat, with little attention given to lore and role-playing. Inspired by the
Eye of the Beholder games, Dungeon Hack initially appears to be a stripped-down version of those
titles, but in place of party mechanics and a story hook, it offers Roguelike gameplay that’s
fairly unique among D&D video game adaptations. When a new game is started, Dungeon Hack will
generate a random dungeon, with publishers, SSI, claiming around four billion possible
layouts, which is a heck of a lot of dungeon crawling. Players could affect the difficulty
by influencing the number of traps, puzzles, and powerful enemies generated, and proud dungeon
creators were also able to share seeds so that specific dungeon layouts could be swapped among
friends and acquaintances … or maybe enemies, if you managed to generate an
especially devious hell-hole. Dungeon Hack also allowed players to
go full Roguelike, with the addition of an optional perma-death setting that
mercilessly erases all saves associated with that character once they fall foul of
some sneaky trap or unexpected monster attack. The game was well-received at the
time, owing to the fact that it delivered exactly what it promised,
a near-endless Utopia of content for digital dungeon delvers more interested
in combat mechanics than role-playing, but to anyone else, it just felt like
Eye of the Beholder with bits hacked off. 28. Fantasy Empires – PC – 1993 Another strategic take on the Dungeons
& Dragons theme, Fantasy Empires tasks players with expanding their territory,
overseeing battles, and making truces, in a bid to conquer the world of Mystara.
The game was created by Silicon Knights, who are best known for beloved, Lovecraftian,
GameCube horror title, Eternal Darkness: Sanity’s Requiem, and controversial
Xbox 360 action RPG, Too Human. Fantasy Empires was only
the studio’s second title, but was well-received for its solid
gameplay and addictive strategy, even if things did get a little drawn out
as campaigns reached their later stages. Players choose a traditional D&D
character at the start of the game, but instead of heading off into dangerous
forests and trap-filled temples in search of monsters to bash, the character
will instead lead the player’s armies, affecting proceedings by using the skills
and spells provided by their class. In their efforts to claim the entire map, players can invade neighbouring provinces, build
and upgrade infrastructure on their own lands, or train various troop types if the
appropriate buildings are present, including human, orc, dwarf, and shadow elf
units. Multiplayer campaigning is included, but the AI is more than capable of stepping
in if no like-minded pals are available. Another aspect of Fantasy Empires that
received praise was the “Dungeon Master”, the ever-present wizard who leans over
the screen and observes proceedings, occasionally chiming in with wizardly
advice. I wish he wasn’t watching all the time, though. That stern
expression gets me all flustered. 27. Eye of the Beholder II: The
Legend of Darkmoon – Amiga/PC – 1991 If old-school, 3D dungeon crawlers are your
thing, then Eye of the Beholder II: The Legend of Darkmoon, is probably the highlight when it
comes to officially licensed Dungeons & Dragons fare. While not quite the pinnacle of the genre,
the game still provides a hearty and varied adventure backed up by charming presentation
and a decent story with a memorable conclusion. The premise of Eye of the Beholder II:
The Legend of Darkmoon has that musty, undead scent about it, with the party tasked
by the Archmage of Waterdeep to investigate the Temple of Darkmoon, where a shady high priest
with a very scaly secret is raising a legion of skeletons to do his bidding and lay waste
to the land. In order to overcome this evil, the party will need to defeat nefarious
clerics and their various monstrous underlings, as well as overcoming trials to
access the temple’s inner sanctums. Eye of the Beholder II was praised for its
graphical style, its atmospheric music, and its spooky sound effects, with
gameplay and interface design that was easy to get to grips with and built
on the foundations set by the original. Don’t expect to have it all your way
in the depths of Darkmoon Temple, though. The egregious difficulty level
meant that countless adventures ended unceremoniously and prematurely in some
dark, monster-filled hallway, andgetting attacked in real-time while frantically clicking
through spell books isn’t exactly the epitome of carefree adventuring. Overcome these obstacles,
however, and an enjoyable adventure awaits. 26. Advanced Dungeons & Dragons:
Cloudy Mountain – Intellivision – 1982 Listen, we’re well aware that Advanced Dungeons
& Dragons: Cloudy Mountain doesn’t look like much by today’s standards, what with the Intellivision
more-or-less incapable of rendering things like clouds and mountains, but we’re all about
respecting our ancestors here at TripleJump, and this right here is the first officially
licensed Dungeons & Dragons video game and, for the time, it was regarded very highly indeed. Developed by Mattel, and released only
in North America, this pioneering title gave Intellivision-owning adventurers the chance to play as a bow and arrow-wielding hero
on a quest to restore a shattered crown, exploring randomly-generated dungeons and filling
slinking enemies full of spiky arrowheads. Gameplay switches from a large, overhead
wilderness map, with the player’s starting point on one side of a vast mountain
range and the titular cloudy mountain standing majestically on the other, and
the aforementioned mazes that are created whenever the player enters a mountain tile.
The speed of the creatures found in these mazes increases depending on the selected
difficulty level, and arrows are finite, so conserving and locating additional
ammunition is essential for progression. For the most part, Advanced Dungeons
& Dragons: Cloudy Mountain was heavily praised by contemporary reviewers, with
many publications giving it top marks, and only the game’s lack of a real ending
and tenuous links to its source material garnering any negative comments. It’s
probably still pretty fun to play today, as long as you’re prepared to let
your imagination do the rendering. 25. Advanced Dungeons & Dragons: Treasure
of Tarmin – Intellivision/Aquarius – 1983 Mattel’s second dip into the Advanced Dungeons &
Dragons well resulted in an upgrade from top-down maze-based stick-man adventures to first-person
dungeon-based, slightly-more-detailed stick-man adventures. Mattel’s Advanced Dungeons
& Dragons: Treasure of Tarmin was a very different game to its predecessor, offering
faux-3D visuals and turn-based combat. This time, the player’s goal is to explore
the underground lair of a powerful Minotaur, acquiring powers and defences throughout
the lair’s labyrinthine halls, before finally facing the big, purple, horned
fellow himself and making off with his treasure. Matters are complicated somewhat with the
player having to manage two types of health, “War” and “Spiritual”, with different enemies
affecting different health counts, and different food-types having varying chances of regenerating
one or the other during rests. There are also different weapons, armours and items to collect,
as well as points-boosting treasures to acquire. Like Cloudy Mountain before it, Advanced Dungeons
& Dragons: Treasure of Tarmin impressed reviewers with gameplay and visuals the likes of which
had never been seen before on the Intellivision, and observers appreciated the added
complexity and variety of creatures to encounter in the Minotaur’s halls. It
may not look like much today, but in 1983, this was enough to whisk young adventurers
into a world of thrilling exploration and challenging encounters in a deep and
intimidating dungeon environment. Deep, intimidating, and very, very
green. Maybe the Minotaur likes to live in slime-covered corridors.
A Slime-otaur, if you will. 24. DragonStrike – Amiga/C64/PC – 1990 We've already spoken about the NES version of
DragonStrike, the top-down shoot-'em-up that was released in 1992, but now it's time to turn
our reptilian gaze to the home computer version, that is seen as something of a hidden
gem among dragon aficionados of the era, and takes the form of a 3D,
first-person, dragon-piloting sim. Another Westwood-developed D&D experience,
DragonStrike used fractals to create a faux 3D landscape for players to pilot their
draconic mount around the skies of Krynn, taking on airborne enemies like
manticores and other dragons, and avoiding pesky archers on the ground.
Players could straddle a bronze, silver, or gold dragon, affecting not only the powers
available to them, but also certain mission parameters and even the ending. All of
the endings are good, though. After all, metallic dragons are the good guy dragons,
any D&D player worth their salt knows that. DragonStrike won many fans in the gaming press
upon release, with commenters praising the game's innovation and highlighting thoughtful
gameplay that rewarded strategic play, rather than swooping into every situation and solving
every problem with overpowered breath attacks. Retrospective looks at DragonStrike have lamented
its lack of impact compared to its quality and, while it's not going to hold up
against the flight sims of today, the word “remake” has been thrown
around by some wishful thinkers. We wouldn't be against it; or at
least someone should make a dragon mod for Microsoft Flight Simulator.
How is that not already a thing? 23. Neverwinter Nights – PC – 1991 Go on, admit it; some of you started
to seethe then, didn't you. Well, don't worry, fans of early-2000's Bioware RPGs, there are two games called Neverwinter
Nights, so you can relax … for now. This time we're discussing the Neverwinter
Nights that was released in 1991, and while it may look very similar to the many, many
SSI RPGs you've already seen on this list, this particular title has a very legitimate claim
to fame. It was the first MMO to have graphics. That's right; up until this point, massively
multiplayer online RPGs had been text-based MUDs, or multi-user dungeons, and the developers
at Beyond Software were the first to bring visual representations of environments
and characters into the fledgling medium. The gameplay was very much in the mould
of the existing SSI Gold Box games, but the online element added that
human factor that made it unique, and player-run guilds and events kept
things new and exciting for subscribers. Initially, Neverwinter Nights'
severs could support 50 players each, but this number increased over the
game's six-year run, and by 1997, it routinely hosted up to 2,000 players
during prime-time hours. Laughable figures by today's standards, but Neverwinter Nights was
a trailblazer, and its legacy cannot be denied. Unfortunately, those interested in MMO
history can no longer play it online, but if you know the necessary cantrips,
you can still get it running in offline mode. It feels a bit lonely, though, so
maybe stick to one of the newer games, yeah? 22. Baldur's Gate: Dark Alliance – GBA – 2003 Well, here we are, 48 entries down and we've
finally arrived at the video gaming capital of Faerun; Baldur's Gate. The prosperous and
influential merchant city's first appearance on this list is somewhat compacted,
though, as it's the Game Boy Advance version of Baldur's Gate: Dark Alliance
that we’re looking at for the moment. This handheld adventure kicks off when
the protagonist is forced to evacuate his family's farm due to repeated bandit
attacks, and heads to the titular city to find protection within its walls. The city
offers just as many dangers as the wilderness, however, and the hapless refugee is
soon ambushed by mysterious attackers. Rescued by the city watch, he ends up in the
Elfsong Tavern, where he is quickly employed in that most traditional of low-level
adventuring activities; killing rats. While offering more limited character
creation than its console brethren (players can only choose from a human male
wizard, fighter, or archer), and stripping back some gameplay and features so that the
adventure could fit onto Nintendo's handheld, Baldur's Gate: Dark Alliance for
the GBA was still well-received. Players enjoyed the isometric
hack-and-slash combat and the opportunity to explore a variety of
locations, and the GBA rendition of the city itself was densely packed and
filled with characters to interact with. Simplistic but fun, Baldur's Gate:
Dark Alliance for the GBA offered an entertaining handheld adventure that players
could easily fit into their explorer's packs, in between the 50 feet of
hempen rope and the tinderbox. 21. Neverwinter – PC/PS4/Xbox One – 2013 It's time to head back to the city of Neverwinter,
so named because even though it resides in the chilly north of Faerun, the river that
flows through it is kept in a constant state of summery warmth thanks to a bunch of
fire elementals living under a nearby mountain. Cryptic Studios' 2013 game, Neverwinter, is an
MMORPG that was originally released on PC before making the leap to consoles. In it, players create
their character, choose from one of eight playable classes, and then jump into an online world where
they can party up with others or go it alone. Neverwinter has more of a story focus than
most MMOs, and the developers aimed for the game to feel more like a multiplayer Dragon Age or
Oblivion, rather than a Guild Wars or a World of Warcraft, and there's even a “Foundry” mode, where
users can create their own quests and stories. Neverwinter is not without its flaws, and uses
a free-to-play model with purchasable perks, which won't appeal to everyone, but the overall
attitude held by reviewers is that it's free, and it's good, so players have nothing to
lose by giving it a go. It should also be noted that the title made a successful
transition to console platforms, with Xbox and PlayStation-centric pundits
sharing similar levels of enthusiasm. You know, if I lived in Neverwinter, I think
I'd spend most of my time paddling in that toasty river heated by fire elementals. I'll
leave the adventuring to someone else, thanks. 20. Dungeons & Dragons: Dragonshard – PC – 2005 It's time for another strategy game with a
D&D twist, now, but this one tries extra hard to mix in those role-playing elements, with the
focus switching between a squad-based RTS while above ground, and more of a party-based
RPG when the player ventures underground. Dungeons & Dragons: Dragonshard was
developed by Liquid Entertainment, and is set in the world of Eberron, where multiple
factions clash for the titular Dragonshards; powerful artefacts linked to three
legendary dragons. Two of these factions, The Order of the Flame and the Lizardfolk,
have campaigns, with a third faction, the underworld elves known as the
Umbragen, playable on skirmish maps. Players can choose from various champion
characters who offer unique abilities and army bonuses, and will then be tasked
with exploring the map and overwhelming enemies. Buildings are available, but can
only be built in predetermined locations, and troops can be upgraded
using resources and experience. When transitioning underground,
gameplay swaps to a separate map, the player is limited to only a few units, and
things switch up from battlefield control to dungeon crawling. It's a pretty nifty
mechanic, and gave Dungeons & Dragons: Dragonshard something unique to
single it out amongst the RTS masses. The game was enjoyed by players and reviewers,
who appreciated the artful blend of RTS and RPG, although the disappointing lack of an
Umbragen campaign seemed more like the result of time constraints than developer choice, and the existing campaigns were seen as a little
too short. Still, at least it won't drag on... 19. Dungeons & Dragons Online – PC – 2006 Originally known as Dungeons & Dragons
Online: Stormreach, before later being rebranded to Dungeons & Dragons Online: Eberron
Unlimited, and then finally changing its name to just Dungeons & Dragons Online, this popular
MMORPG was originally developed by Turbine, before responsibility was passed to Standing
Stone Games amidst some awkward legal action. The game has also gone through a few publishers,
with Atari, Codemasters, and Warner Bros. all getting involved, before current publisher,
Daybreak Games Company, took up the helm. Dungeons & Dragons Online has been enjoyed by
innumerable internet adventurers consistently throughout this tumultuous past, with its eight
expansions adding hours and hours of content, and the game moving over to
a free-to-play model in 2009. The gaming press has generally had good
things to say about the long-running MMO, with the character customisation and the
quality of the game’s quests receiving praise, as well as the massive variety in locations
to explore. Fans of Dungeons & Dragons lore will be especially enamoured
with the wealth of content, with settings like the dark and Gothic Ravenloft
and the technology-infused Eberron to explore, and the game’s MMO status meaning that it can
all be enjoyed with friends, just like real D&D. Admittedly, it’s starting to creak a little in
the visuals department, and the occasional glitch can still do more of a number on your party’s
progression than a sudden tarrasque attack, but what’s an adventure without a little real-life
peril to keep on you on your toes … right? 18. Dark Sun: Shattered Lands – PC – 1993 As unlikely as it sounds, given the Dark
Sun setting's reputation for cloying heat and choking sand, Dark Sun: Shattered Lands
represented a breath of fresh air for D&D gamers who had been overexposed to the same old
SSI fantasy RPGs for most of the '80s and '90s. Playing very similarly to its aforementioned
follow-up title, Dark Sun: Wake of the Ravager, Dark Sun: Shattered Lands gets the rub because
it provided a new setting for gamers to explore upon release, and was more or less free of all
those nasty bugs that plagued the second game. The story is an intriguing one, with
a powerful sorcerer-king of a mighty city-state looking to make a massive blood
sacrifice by putting nearby free cities to the sword. The player's party begins the
adventure as gladiatorial slaves, and must fight to escape their bonds before attempting to
put a stop to the nefarious sorcerer-king's plans. Reviewers appreciated the game's detailed
graphics and user-friendly interface and praised SSI for setting off into new
territory, and so a new series was born. While we're on the subject, now seems like
a good time to mention that there is another Dark Sun video game, a secret 70th entry
to this list. 1996 MMO Dark Sun Online: Crimson Sands was reportedly enjoyed by
those who explored its post-apocalyptic world before its servers were shut down, but
very little concrete information is available, and absolutely no footage of it appears to
exist anymore. As such, we were unable to rank Dark Sun Online: Crimson Sands, owing to
it being buried in the crimson sands of time. 17. Forgotten Realms: Demon Stone PC/PS2/Xbox 2004 Releasing in the same year as Baldur's
Gate: Dark Alliance II, Forgotten Realms: Demon Stone tried to muscle in on some of that
D&D-licensed, hack-and-slash goodness and, to be fair, it did a fairly decent job of
becoming a worthy adventure in its own right. Featuring an exciting storyline penned by none
other than R.A. Salvatore, Forgotten Realms: Demon Stone initially puts players in
the shoes of a fighter called Rannek, who soon picks up a pair of adventuring companions
before inadvertently freeing a couple of warlords who had been imprisoned in a Demon Stone. Escaping
the warlords' wrath, the three decide to do the right thing, and embark on a quest to stuff the
bad guys back inside their spherical, red prisons. The game is a fast-paced, action role-playing
affair with some great-looking graphics for the time, enjoyable voice acting and dialogue,
a rousing musical score, and some cool cinematic set-pieces. All of these factors combined to
make a surprisingly enjoyable adventure that has fallen into relative obscurity next to the
more-treasured Dark Alliance titles from the era. That's not to say it was without its faults;
the game was hampered by a tendency to become very repetitive, and could be soundly beaten in
a matter of hours, but it's still recommended for a quick, D&D-themed, action-RPG blast,
and was perfect for adventurers who'd finished the Dark Alliance games yet still
craved more action-packed dungeoneering. Despite its somewhat ominous
name, Forgotten Realms: Demon Stone definitely deserves to be remembered. 16. Baldur's Gate: Dark
Alliance II – PS2/Xbox – 2004 The sequel to the game that first brought
Baldur's Gate to consoles, Baldur's Gate: Dark Alliance II provided another dose of
the polished dungeon crawling offered by its predecessor, allowing players to choose
from five playable characters with varying classes and combat-styles, and focusing its
campaign in and around Baldur's Gate itself, which is under threat from
our old foes, the Zhentarim. As the hacking, slashing, and questing
continues, the party and the Zhentarim realise that they have a mutual enemy, the
powerful vampire, Mordoc, who actually comes super close to realising his villainous plans,
transporting an evil tower to Baldur's Gate, renaming the city to Mordoc's Gate, and turning
all of its citizens into mind-controlled zombies. With its exciting and impactful
storyline, entertaining co-op gameplay, the varied play-styles offered
by its cast of protagonists, and its preservation of all the positive aspects
that made its predecessor so well-regarded, Baldur's Gate: Dark Alliance II pleased fans.
However, revered developers, Black Isle Studios, didn't really add much new to the recipe, instead
content to focus on using the existing mechanics to spin a new yarn, making the game seem
more like a continuation than an evolution. Still, this well-received sequel
was mostly considered a success, offering existing fans a new and exciting campaign
with hours of addictive hack-and-slash gameplay, not to mention a chance to once again visit
the mighty city of Mordoc's Gate … sorry, Baldur's Gate. That teleporting zombie
tower is still having an effect on me... 15. Pool of Radiance
–Amiga/Apple II/C64/PC/NES – 1988 We're getting towards the business end of the
list, now, so it's time to take off our plumed paladin helms and our stealthy rogue hoods, and
pay our respects to one of the games that started it all. While Pool of Radiance was predated by
the two IntellivisionD&D titles, this venerable adventure was the first entry into SSI's Gold
Box series of RPGs, and ushered in a new era of computerised, D&D role-playing that helped
to shape decades of digital dungeon crawling. Obviously eclipsed by later role-playing
adventures, Pool of Radiance was something of a revelation at the time, and a cause for
celebration for D&D players who were wishing for a professionally-produced, single player
adventure to play on those long, 1980's nights. It was very well-received upon release, and
did huge numbers for SSI, with even the Pool of Radiancehint guide reportedly outselling any
of the publisher's previous games. Reviewers were throwing terms like “best RPG” around,
and review scores rarely dropped below 80%. Switching between first-person
exploration sections and top-down battles, Pool of Radiance's quest tasks
players with aiding in the rebuilding of a once-great trade city known as Phlan.
That's Phlan with a PH, by the way, there won't be many custard-based
treats in this monster-infested ruin. Lack of tempting dessert dishes aside,
though, Pool of Radiance will forever be the progenitor of the Gold Box series,
and will be remembered as an RPG with a huge impact on the direction of the genre.
In my opinion, that makes it sweet enough. 14. Curse of the Azure Bonds –
Amiga/Apple II/Atari ST/C64/PC – 1989 The follow-up to Pool of Radiance, Curse
of the Azure Bonds expanded on the original game's ideas and mechanics by providing
additional character classes and spells, and adding an extra level of polish. The adventure kicks off with the party waking
from a magical sleep in the town of Tilverton, with all of their belongings stolen and, in a
story beat that will resonate with anyone who's ever gotten a drunken tattoo, the party also
discover that they have acquired some fetching, sparkly blue markings on their arms. These are
the Azure Bonds, and much of the ensuing quest is centred on getting these cursed symbols removed in
a world devoid of laser tattoo removal technology. The bonds are revealed to be the work of
a cabal of evil organisations who have cooked up a scheme to mark the
local hero contingent with the titular symbols, and said symbols give said evil
organisations control over the party's actions, leading to some interesting
and unsavoury situations. The story hook was intriguing, and Curse of
the Azure Bonds improved upon its predecessor, compelling fans to spend their money
just like the Azure Bonds compelled the game's protagonists to
perform unspeakable deeds. As a top-notch Gold Box title from before the
series started showing signs of stagnation, Curse of the Azure Bonds delighted press at
the time and is respected to this day. In fact, I think I might take this design down to my local
tattoo place and ... no, probably a bad idea. 13. Baldur's Gate: Dark Alliance
– GameCube/PS2/Xbox – 2001 When the Baldur’s Gate series first debuted
on consoles in 2001, it was quite different to the top-down, real-time-with-pause RPG
antics that PC gamers had been used to. Using a three-quarter top-down rotatable
camera and presenting action-RPG, hack-and-slash gameplay, Baldur’s Gate: Dark
Alliance was compared to the Diablo games by many observers, but offered an enjoyable and
well-crafted experience in its own right. Kicking off the adventure in
Baldur’s Gate itself, Baldur’s Gate: Dark Alliance tasked players with choosing
from the three premade characters and setting off on a quest to defeat the ominously-named
Eldrith the Betrayer, a once-loyal general who previously served Baldur’s Gate and now
plans to take wrathful vengeance on the city. Developed by Snowblind Studios, Baldur’s Gate:
Dark Alliance was praised for its high-quality, hack-and-slash gameplay and tight
controls. Seemingly a labour of love, the title offered a wide range of enemies
to defeat, weaponry to defeat them with, and a general high standard of production that
made it one of the best action-RPG titles around. The Xbox and GameCube ports that
followed the PS2 original did drag the overall score down slightly, with
Xbox-centric publications disappointed that their version didn’t make use of
the console’s extra processing power, and GameCube owners incensed that their version
suffered from an inexplicable drop in performance. Luckily, Baldur’s Gate: Dark Alliance was still
really good regardless of your platform of choice, and there was enough armour sundering,
loot plundering fun for everyone to enjoy. 12. Ravenloft: Strahd's Possession – PC – 1994 While we’re done with the Gold Box titles, we’re
not quite finished with SSI-published RPGs, as DreamForge’sRavenloft: Strahd’s
Possession is next on our list, and represents the SSI RPG formula
being used at its atmospheric best. The Ravenloft D&D campaign setting takes place
in a dimension known as the Demiplane of Dread, which is composed of multiple spooky domains
ruled by entities called Darklords. The setting focuses on the more horror-centric side of the
grander D&D universe, meaning players should expect fewer goblins and kobolds and more
undead horrors and eldritch abominations. One of these Darklords is Strahd Von
Zarovich and, in case you hadn't guessed, he’s a vampire. In Ravenloft: Strahd’s
Possession, he gets himself involved in a plot to steal a holy symbol from Lord Dhelt of
the land of Elturel, and the player’s party find themselves in Strahd’s domain of Barovia, unable
to escape due to an impenetrable poison mist. With its Gothic horror atmosphere,
Ravenloft: Strahd’s Possession offered a delightfully creepy alternative
to the high fantasy of its contemporaries, and pleased those who liked their adventuring
with a generous helping of dreary spookiness. While the game was called out for
its clumsy interface, Ravenloft: Strahd’s Possession was still lauded as one
of the very bestD&D video games at the time, delighting fans and press with its
gameplay, intriguing storyline, and atmospheric music and sound design. A
little clunky by today’s standards, this supernatural soiree proved to be an eerie treat
for contemporary connoisseurs of creepy content. 11. Ravenloft: Stone Prophet – PC – 1995 Another game that makes use of
the Ravenloft setting, Ravenloft: Stone Prophet steps away from all that
Transylvanian-style spooky stuff and focuses on Egyptian-style spooky stuff instead,
with foreboding castles replaced with desert ruins and mummies stepping in for vampires.
The game still possesses that traditional, Ravenloft horror theme, but things are
a lot more sun-baked this time around. Trapped in the harsh and
dangerous deserts of Har'Akir, the player-controlled party this time
find themselves up against an evil, undying pharaoh and his appropriately
Egyptian-themed minions, with the land of Elturel once again under threat as the
sandydomain encroaches on its borders. While Ravenloft: Strahd's Possession was
appreciated by almost all who reviewed it, Ravenloft: Stone Prophet was near-universally seen
as a step up, offering a less buggy experience, as well as a fresh setting that was enhanced
greatly by appropriately thematic music and atmospheric sound design. The
gameplay and combat were on point, and the well-written plot compelled
players to keep plumming the depths of those labyrinthine temples and
ancient monuments in search of answers. The game wasn't perfect, with some still lamenting
the interface and others complaining of an ending that didn't live up to the quality of the rest
of the game, but despite these issues, Ravenloft: Stone Prophet was fresh, well put-together, and
filled with ancient mysteries to uncover. As far as the SSI-published D&D adaptations go, we
think that this one sits on top of the pyramid. 10. Icewind Dale – PC – 2000 Alright, settle in, people, because
things are getting really serious, now. As we enter into the top ten, we also
encounter our first Infinity Engine game. When Bioware created the
Infinity Engine in the late '90s, they ushered in something of a resurgence for
Dungeons & Dragons-style RPGs. The top-down, RTS-like gameplay replaced SSI's familiar static
combat maps and first-person exploration as the go-to for computer role-playing games, right up
until Bioware themselves introduced the fully 3D Aurora Engine in 2002.We'll get to that later,
though, as this is Icewind Dale's time to shine. Developed by Black Isle Studios, Icewind
Dale offered a more combat-focused adventure than its fellow Infinity Engine titles, with
enemy encounters forming the grand majority of gameplay with relatively little in the way of
investigation or interacting with party members. In fact, the entire player party is created
by the player, offering plenty of scope for customisation and experimentation, but robbing
more narrative-minded Infinity Engine fans of the well-written and engaging allies that
Icewind Dale's bigger siblings were known for. Still, Icewind Dale's gameplay, music,
and presentation all hit the mark, and the game's combat and mechanics-focus meant
that players who were interested in building a powerful party and testing its mettle against the
toughest foes that the frosty tundra could offer were sure to have a great time. Those looking for
inter-party conflict, fire-forged friendships, and possibly even a spot of romance, would,
sadly, have to look elsewhere though. 9. Dungeons & Dragons: Tower
of Doom – Arcade/Saturn – 1994 We've had our fair share of RPGs, hack-and-slash
games, and the odd strategy interlude, but how many of you were expecting a side-scrolling
beat-'em-up to make it into our top ten? We're not just putting it here for shock
value either, as Capcom's 1994 arcade hit, Dungeons & Dragons: Tower of Doom,
is a top-notch example of its genre, and offered something completely
different for fans of D&D video games. Combining D&D's Western, medieval fantasy setting
with Capcom's arcade flair and distinct visual style, Dungeons & Dragons: Tower of Doom sends
players on a mission to save the land of Mystara from a multi-pronged, organised monster attack,
led by the nefarious and spooky Arch Lich, Deimos. Not only did Dungeons & Dragons: Tower
of Doom provide mechanically sound, four player beat-'em-up action, it also provided
unexpected depth, with numerous secrets to find and seven levels to fight through. The developers
even remembered the game's role-playing origins, and sprinkled story encounters and
equipment shops throughout the adventure. Also released on the Sega Saturn in Japan as
part of the Dungeons & Dragons Collection, this arcade beat-'em-up isn't going to
be to every D&D enthusiast's tastes, but when reviewers are claiming that it is
equal in quality to genre greats like Teenage Mutant Ninja Turtles and The Simpsons, it has
to be recognised at the higher end of our list. Also, the kobolds look and sound
like armed Yorkshire terriers, which is both hilarious and adorable. 8. Dungeons & Dragons: Shadow over
Mystara – Arcade/Saturn – 1996 Then there was the sequel. Hitting
arcades a couple of years later, Dungeons & Dragons: Shadow over Mystara did
everything the original Capcom coin-op did, but bigger and better. Two more player
characters were added, with a thief and a magicuser joining the cast, and the story
continues directly on from its predecessor, with the party realising the previous
antagonist, Deimos, was just a pawn in an even bigger bad's game. The evil sorceress,
Synn, is the new threat, and she's another one of those characters with a really scaly
secret. Seriously, watch out for those. By taking the original and improving
on it, Capcom rolled another natural 20 with this action-packed follow-up, and
the game received fervent praise across the board. The developers continued to push
the envelope of 2D graphical capabilities, more story branches and additional endings
were added, and controls and mechanics were tightened up, expanded upon, and further refined
to create a sublime monster bashing experience. Often hailed as one of the greatest
examples of the beat-'em-up genre, Dungeons & Dragons: Shadow over Mystara
is the perfect game for those who still want their Dungeons & Dragons fix, but are a
little worn out from all those stuffy RPGs. Go on, forget about stat rolling, extensive
dialogue trees, and character sheets for a while, and just enjoy some good old button
mashing instead. Let your elven hair down.Please refrain from poking the shopkeepers,
though. They are most definitely not for sale. 7. Neverwinter Nights 2 – PC – 2006 What do Neverwinter Nights 2 and Star Wars:
Knights of the Old Republic II have in common? Well, both games were developed by Obsidian
Software, both were sequels to a Bioware-developed predecessor, and both are generally seen as
inferior to said predecessor, but not by much. The most common complaints regarding this
3D role-playing sequel concerned a number of aggravating bugs that affected things
like AI path-finding and camera operation, and many of them persisted after numerous
patches. These programming nuisances were enough to drop Neverwinter Nights 2's overall
score below that of the original game, but Obsidian's sprawling adventure is
still considered one of the classics. Allowing players to create their character
from a selection of 16 races and 12 classes, with an additional 17 unlockable
classes becoming available, Neverwinter Nights 2 provided epic scope
for varied gameplay and replayability, and even gave players the opportunity to
play the campaign cooperatively online. This campaign was definitely the game's strongest
point, specifically its expertly-crafted story littered with tough, ethical choices, with game
director Chris Avellone using his experience with previous D&D adaptations to craft another one
of gaming's all-time great yarns. Remember we mentioned him way back in entry number
68? Talk about a reversal of fortunes. Like Star Wars: Knights of the Old Republic II,
Neverwinter Nights 2 is a great game that stands in the shadow of its beloved predecessor, but
it deserves to be celebrated in its own light. Come to think of it, this
seems to be Obsidian's thing... 6. Icewind Dale II – PC – 2002 Back to the Infinity Engine,
now, withIcewind Dale II, another Black Isle Studios-developed RPG that
provides even more of the combat-focused, pointing and clicking RPG gameplay that its
predecessor delivered so masterfully. The last Infinity Engine game to be released, Icewind Dale
II proved to be a more than respectable send off. Once again, the player creates the entire
party at the beginning of the game, and this time said party are identified as
mercenaries who have been shipped in to defend the harbour town of Targos from a besieging
goblin army. As the situation escalates, the party find themselves wound up in
a war between the Ten Towns of Icewind Dale and an overwhelming enemy force
known as the Legion of the Chimera. What Icewind Dale II lacks in detailed
NPC and party member interaction, it makes up for with varied and
interesting tactical combat, adapting the mechanics of Third Edition
Dungeons & Dragons into digital form and giving players near-unlimited tools to overcome
their enemies, both mundane and mystical. A well-presented and sublimely balanced
combat RPG with great music and sound design, Icewind Dale II only came up short when
compared to its legendary contemporaries. Of the five games remaining on this list, four
of them had been released within three years of this game's emergence, and as such, it had
already been bettered in almost every way. Still, it's one of the best around for tactical, goblin-zapping combat though,
and you've got to respect that. 5. Neverwinter Nights – PC – 2002 Bolstered by the success of their
earlier Infinity Engine games, Bioware were able to pour vast resources
into their first foray into the 3D RPG world. They chose to name NeverwinterNights
after the ground-breaking 1991 MMORPG, due to the fact that they wanted it to work as
a possibility-filled, multiplayer framework, with users able to host over 60
players in online gaming sessions. Neverwinter Nights also came packaged with the
powerful Aurora toolset, which gave would-be Dungeon Masters the ability to create multiplayer
content, story-focused, single-player campaigns, and anything in-between. Neverwinter Nights'
modding scene was popular and enduring, and over a thousand custom adventures were available
by the end of the game's year of release. Aside from all this impressive technical
stuff and additional content, the actual game wasn't half bad, either. In
the campaign, the player-created protagonist is sent on a quest to retrieve
various exotic creatures in order to cure a plague called the “Wailing Death” that has been
devastating the city of Neverwinter and forced a city-wide quarantine. Plague-based storylines
really hit different nowadays, don't they? Reviewers enthusiastically sang
the game's praises upon release, identifying it as a complete package,
and an RPG that had something to appeal to everyone. Great combat, enchanting visuals
for the time, an adequately intriguing story, and fantastic sound design all added
up to an adventure for the ages, and the city of Neverwinter went down in gaming
history as the second most famous city in Faerun. Not that it's a competition, or anything.
4. Baldur's Gate – PC – 1998 If it was a competition, though, Baldur’s
Gate would definitely be winning, not that you’ll be seeing the
fabled city for quite some time in Bioware’s ground-breaking and
genre-revitalising RPG, though. The story of Baldur’s Gate starts with
the player character doing odd jobs in the walled haven of learning and contemplation
known as Candlekeep, before they are forced to flee and survive in the wilderness with
only bubbly sidekick, Imoen, for company. The story quickly escalates into a
continent-spanning conspiracy to cause war and bloodshed so that Bhaal, the Lord of
Murder, might be revived, and the protagonist, as well as especially-spiky big bad,Sarevok,
are both revealed to be said murder god’s offspring. Along the way, the player can meet
a variety of iconic potential companions of various alignments, and some among them are
still enjoying relevancy over 20 years later. It’s not just Baldur’s Gate’s cast that helped
it win over the dungeon-delving masses, though, with the artful way the game’s story unfolds,
the best gameplay yet seen in a D&D RPG, the detailed and atmospheric
pre-rendered backgrounds, and the levels of customisation on offer all
contributing to the game’s instant classic status, with an up-to six-player online multiplayer mode
being an added bonus for sociable adventurers. Ironically for a game whose premise centres
on the machinations of the Lord of Murder, Baldur’s Gate breathed new life
into the struggling CRPG genre, and saw Bioware flourish into a legitimate
Triple A studio. Legendary stuff. 3. Planescape: Torment – PC – 1999 Developed by Black Isle Studios and designed
and written by Chris Avellone, Planescape: Torment isn't for everyone. Where the likes
of Icewind Dale carved an identity by moving away from role-playing and focusing on combat,
Planescape: Torment goes in the other direction, with a huge amount of effort put into its
dialogue, characters, and world-building, and the combat left as something
of an afterthought. It's an oddity, an acquired taste, and the epitome of a cult
classic, but it could also unironically be described as a masterpiece of the medium, and
one of the greatest stories ever told in gaming. Making use of the Infinity Engine and the
dimension-hopping, unashamedly bizarre Planescape setting, Planescape:
Torment has its own visual style, and offers players a customisable avatar in
the form of The Nameless One. This immortal amnesia-sufferer wakes up in a mortuary at the
start of the game, and it's the player's job to end said immortality by finding out
the secrets of the Nameless One's past. This will take players to some very dark and
twisty places, and will introduce an unequalled cast of optional party-members, including a
gith before gith were cool, a tiefling before tieflings were cool, a chaste succubus, a
haunted suit of armour, a burning corpse, a floating skull, and a robot with identity
issues and Homer Simpson's voice actor. Universally hailed as one of the all-time greats, Planescape: Torment did suffer
from occasionally-clunky combat, but words are timeless, and the words in
this game are some of the very best around. 2. Baldur's Gate II: Shadows of Amn – PC – 2000 Two years after the release of the original
game, Bioware came back with Baldur's Gate II: Shadows of Amn, and once again shook the
foundations of computer RPGs. Taking everything that Baldur's Gate had done so well and making it
bigger and better, this anticipated sequel allowed players to transfer their existing character,
thus kicking off the adventure at a higher level, which opened avenues for encounters with
powerful creatures, extra-planar beings, and high-level entities that would have absolutely
flattened the party from the first game. The story's antagonist is
disgraced elven spellcaster, Jon Irenicus, who plans to use the protagonist's
Bhaalspawn status for his own nefarious goals, and has captured the protagonist
and their companions at the start of the game. Irenicus' dungeon is
located in the city of Athkatla, from which players will eventually strike
out on a quest filled with twists, betrayals, thieves, vampires, and an isolated prison island
specifically intended to hold powerful mages. Reviewers and players alike extolled the
virtues of Baldur's Gate II: Shadows of Amn, and pointed out its many improvements over
its predecessor, including more meaningful interactions with party members, shinier
visuals, interface and combat tweaks, and some vast and entertaining side-quests.
Routinely identified as one of the greatest games of all time, Baldur's Gate II
is truly the stuff of gaming legend. 1. Baldurs' Gate III – PC/PS5/Xbox Series – 2023 It may seem sacrilegious to put this
Johnny-come-lately at number one, but as fantastic as its predecessors always
will be, they are over 20 years old, and are inevitably becoming dated, so a new direction was
required. With the likes of Mass Effect: Andromeda and Anthem under their fraying belts, Bioware are
no longer the masterpiece factory they once were, but Belgian developers, Larian Studios, seem just
about ready to step into those very big boots. Like an illithid tadpole boring its way into
an adventurer's brain, Baldur's Gate III has bored its way into the hearts of millions
all over the world, and has seized upon the unprecedented current popularity of
D&D to become a legitimate phenomenon. Larian have crafted an outstanding adventure
that respects the fifth edition D&D rules it is based on, but still knows when to tweak them
for optimum gaming enjoyment. It also respects the classic titles that came before it without
letting that respect hold it back, managing to seamlessly blend old-school and modern gaming
principles into a near-universally-adored whole. With its varied and likeable cast of
companions, its compelling villains, and its multitude of legitimately
tough moral choices, Baldur's Gate III creates a captivating narrative
for story-focused players to enjoy, and with its intelligent use of the D&D
rules, its clever encounter and world design, and its mechanics that lend themselves to
the constant emergence of surprising and chaotic situations, it also has the varied
gameplay to back up its fascinating premise. It has become a modern classic, with countless
reviewers ascending to the rooftops of the nearest temple of Lathander to profess their adulation.
Dungeons & Dragons is enjoying something of a renaissance period, and video games based on the
ever-evolving ruleset are more relevant now than they ever have been. Larian’s sprawling
epic is riding the crest of that wave, and offers an unforgettable adventure second
only to the very best tabletop sessions. Baldur’s Gate III readily deserves
its position as the shiniest jewel in the large and varied treasure hoard
that is Dungeons & Dragons video games, and that’s not just the brain tadpoles
talking – we really, really mean it. Now, can I talk to you about The Absolute?