Antiques Roadshow UK Series 13 Episode 4 Stowmarket, Suffolk

[Music] this week we brought the Antiques Roadshow to Constable country John Constable an inspiration to generations of artists after him and perhaps the greatest landscape painter Britain has ever produced his famous canvas the hay Wain was painted here at flat furred mill in Suffolk yet another great English painter Thomas Gainsborough also came from this part of the world his home was in Sudbury where the town remembers its most famous son in time-honored way that then is the artistic background of this week's Antiques Roadshow which comes from the nearby town of Stowe market surrounded as it is by rich agricultural land it was inevitable that this would grow up as a thriving Suffolk market town Stowe Market owes its living its very existence to the land and that is so obvious when you come here to the Museum of East Anglian life this is very much a working museum a reminder of the time when the heavy horse and the plow and the seed drill dominated the rural scene but you can't really talk about rural life in supper without special mention of the supper punch of which Remus here is a spirited example these work very much the workhorses of the farm right up until the 1950s when mechanization forced them into retirement that is with the exception of Remus's own family his father his sire works to this day on a farm not many miles away from here we've actually brought our Roadshow today to the mid Suffolk leisure centre and as you can see we've already got three of the preconditions for a successful programme a large crowd a fine day and a Hall of the right size to accommodate us among our experts in the hall today we have Mars lab who's joining our ever strong team on pottery and porcelain while over on pictures we have Steven Summerville Theo and we already know that we've got a good collection of furniture today so we brought with us our two furniture experts Christopher Payne and John Lyon mr. Capas in sportin broughton that's near here yes to be left at mr. sand a we don't know mr. Cedillo at the golden land in Ipswich isn't that wonderful it was any bit of information like that on the back of a piece of furniture in that lovely old writing as tremendous interest lots of furniture was transported all over the country and left at different pubs for collection with the the next coach or the next carriage so we know that this one was intended for this part of the world anyway which is lovely and the other nice thing about it is of course its size bearing in mind this little chest was made around about 1690 1700 to get one as small and compact as this in such lovely condition is really quite unusual and you use it every day yes I do yes sir and it is your family it's on permanent loan from my boyfriend because I've got more clothes than he earns well that's pretty good let's have a look actually I want to take one of them as you take the drawers out and you'll see when you look inside oak linings for the drawers when you look at the back of the drawer front it's pine soft cheaper wood they didn't need to use an expensive timber on the front which was going to be covered with this wonderful veneer now the veneer is laburnum and you cut it in two different ways it's a very very hard dense wood and you cut it either at right angles across the branch or about 45 degrees rather like French bread and you get these wonderful ovals that it's incall oysters you can see those all over the top the official name for that is parquetry as against marquetry each piece is laid on separately and then the picture formed of these wonderful shapes the other thing too is important to furniture at this period this is prior to the bracket foot the bun foot is he is the earlier shackles and if you want to find out if it always had them pull that draw out and there you can see the original place where the bun feet always were these actually have been replaced but considering it would have stood on either a floor in a bedroom which would have been wood but would have been knocked about the very point of contact under there is weak would have broken away or of course if it stood downstairs it would have got washed on a stone floor and rotted so that's no real detriment to a piece of this quality to have replacement feet so having said all that about it have you or your boyfriend got it in short no not separately well I think I should because on the open market this would cost you between 12 and 15 thousand I'm not sure I'll use every day now you should use it every day continue to enjoy because English furniture particularly benefits from being used and handled carefully and enjoy Indian sulfa normally fits into two categories in the 19th century into the century as you get silver that was made very much for the European market a lot of it's made by Indian craftsmen which in fact is what we've got here so the designs are very much European styles saw the teapot sugar cream could very easily be an English 19th century tea service then there were lots of Scottish Goldsmith's in particular that went out to India to Calcutta to Bombay and worked there and made very much again for the same market they're really like chalk and cheese the ones made by the Indians for the European market as we got here all this heavy represent work over the pieces the ones made by the Scots for the same market but of course Indian army officers Indian Civil Service so on they absolutely play and once made by the Scots just typically Scots answer it should be absolutely playing the quality here there is is really quite something though I can't remember seeing such a good quality sound what do you know about his history well it was actually acquired by my great-grandfather who was a textile manufacturer and sense of business interests in the subcontinent and it is said that while staying with a Maharajah at the end of the last century he was presented with the set and since that time it's been passed to the senior male member it's interesting to some textiles because the makeup all the the major I don't have got his initials there but underneath is the name booth now food was a town that was known for cotton and for its silver textile rock Birds website to ensure this as a set you'd need to book one twelve hundred pounds of attorney thank you very much here you have a a school Marcy from telling the school buses he's got a specs on he's sitting with a text and around him is the entire class reading reading books my grandfather bought it here as a collector yes handed on to my mother yes the whole thing is executed in a particular sort of palette or color scheme do you know what that color scheme is called it's called the green family of enamels and if we delete the French term family vet family of enamels which dates back to Ming period and in fact the piece you have here is earlier than the piece we're looking at in the bars this is actually a very fine example from the the best part of the family Burt in Abilene here from the Ken see rain from 1660s through to the about 1700 period I will put this in the late 17th century this is my preferred piece sadly if we turn it over we'll notice that there are hair cracks hair facts are things which sure when we're looking for them we we tap a plate like this and you can hear the awful buzz which tells us what we already know in fact and that the piece is cracked this dish would probably have been worth about two thousand pounds in perfect condition in present stage it values going to be somewhere in the region of maybe six hundred to a thousand pounds so the value is down by fifty percent perhaps the VARs is worth less I'm afraid because something else rather more majors happened that the neck has been reduced in the design you can see actually carries on but in fact the original height of neck would maybe be another three-quarters of mention the reduction you can actually see if you turn it over you can see how the edge of the porcelain that is not glazed as it would be originally but it is being cut down and so the of course but in cutting it down the plays entirely disappeared that is basically a land base and its value would be somewhere in the region of maybe two hundred this card table is clearly influenced by the English Regency car table we've got on the stand made of rosewood but I think this one's a visitor to our shores because there's something about this that makes me feel it's American it's very like the English version the idea of a Regency card table on a stand England influence Germany a lot of German cabinet makers went to the eastern seaboard of America in the early 19th century so I'm pretty sure it's American there are one or two reason for that let's have a look down here you've got all this slightly heavy almost quite frankly ungainly work on it very Victorian looking but it's still the same time as Queen Victoria I've made in America what is absolutely typical of American furniture as a caster Germany in America tended to use wooden casters we're in England at this time we'd be using brass sometimes ceramic brown or white ceramic casters improper seen so the general look of it is typical of America but what is spectacular and confirms perhaps any doubt I might have is this I've never ever seen but stencil Bayes on any thought furniture before under stenciling is quite clearly of that American style became so popular they had the various generations of classical style and this has been known as the fourth generation classical style by about eighteen forties what interestingly is worth probably about twice as much as English equivalent a Victorian one before or 500 pounds this one being American is I say only worth a thousand pounds but perhaps is a jolly good investment for the future it's it's an art deco period object this is this was made and run about 1925 and we can see the signature if we turn the thing on the side there of Monsieur Monsieur Eduard sandals now Sanders was perhaps the top in my opinion the top art deco sculptor dealing with animal subjects he did a whole series they range in size from something literally 1/8 the size of this little cat they do come almost life-size as well but they're nice nice thing about some does is that he uses this very unforeseen this very was stylized quality and some of his pieces I've actually got almost like a mirror black imagination to them it's lovely color it has the other thing is that and a good sign on a bronze is when you actually get the foundry mark you know the founder people here we're very proud to put their mark on and they're a top foundry and it's down here at the bottom at the other side where it says suscribe that's one that the top Paris foundry misty or Sanders has gained in popularity in the last few years the Orkut would probably carry a price tag of around about 1,200 pounds in the auction market so Brett have photographs of that age and the dolls silliman in the same dress the doll herself is the famous makeup Simon and Helmick now Simon how they've made the heads for Cameron Reinhardt later on and it's that head that made 91,000 last year at auction but this is a different mold must be bumpy I've been full marks full marks for originality I mean it really is thank you for power 50 too much it made not stood on a huge pedestal at the moment you've got all of this part here do use it well I did used to put my pan and I decided that that's my favorite Spode patent ii 1166 patent and yeah sure enough you've got you've got the mark on the bottom 1166 Spode and it's the name they gave to the patent with guilt scale ground with filled with his Penta mystic flower painting sumptuous piece of porcelain from what 1820 just by 1888 some of them height of the Regency now just before the Georgia fault became Georgia for quality of that the flowers out there are assets there anyone there and a beading around them fantastically crisp awesome wonderful thing this charming watercolor of Swift's weaning around a Suffolk church tower and the busy life for the farmyard is by Frederick George Kaufman who lived in Suffolk and painted in Ipswich it was a member of one of the most famous families of East Anglian painters the Cochran's his uncle was John cell cop and who was the leading exponent of English watercolour painting at the beginning of the 19th century but what I particularly about Frederick George Scotland is that he had his own style he worked with Laettner and George Frederick Watts whereas his cousins the sons of John's old Copeland were painting his father style now can you tell me about the picture well it's the courtyard of the Sun in that Dedham looking towards the dead in church there's obviously just oh it was 1884 yes that's about all I can tell you about it okay no what I particularly like is the contrast in feeling of the picture the sunlight at the top the optimistic view through the archway and then the farmyard in deep shadows I think that the horse and cart is charmingly observed the geese here picking or the ducks rather picking up the cabbages and this part here with the attention to brickwork and the part eating which is falling off the side of the wall is beautifully observed I think that's the thing I like about it is it's not an obvious painting to me in a sense that it's not an obvious landscape or it's it's an unusual sort of to look at a it's quite a subtle insult ability picture it's now coming on to its value as I said it is one of the best works I've seen by him and they don't often come up for auction or become available for sale and I would have thought the value is something like up to 5,000 pounds the beautiful action it rolls beautifully then won't you just give it one more push like that to unlock that draw that's marvelous isn't it well the draw will help us considerably I think in terms of dating very long but you can see that even dovetail where the positive and negative exactly the same size that's a machine made dovetail but not to be disappointed with that it's still very well made piece of furniture and this sort of thing came in and let's say roughly the 1890s is exactly evenly made machine made dovetailing and that really is absolutely right for that type of handle we're talking about a Rococo handle again going back to the mid 18th century with this foliat casting on it nice brass English water gilt handle it's rather elaborate desk it reminds me somewhat of the Wells Fargo deaths of America some 20 or 30 years before this because because the the two combinations I would say add up to about 1890 1900 yes sort of date there where this was confirmed by the brahmalok company and when I bought the desk it didn't have a key and they asked me to send the lock to them they confirmed that the lock was like Victorian and they may be the special key for as well is that Wonderful's bra was started in the late I think 1784 they found four in a sari and they were in the 20th century recently able to make a new key for you tell you about still working in London a wonderful company it's very elaborate just like the American desk opens up like this lots of little pigeon holes again no dovetails we'll just pin together comparatively crudely made I mean they probably made quite a few at one time when I'm making this sort of furniture although I'd never seen another one since I think one wouldn't you know an awful lot of these I suspect was shipped out to America in the fifties and sixties when we in England didn't really appreciate them very much having said that now they're becoming very very much more popular it's made of walnut maybe American walnut - might have been imported timber in the first place because it's very difficult to get this sort of walnut in England towards the end of the century the fact that the lock operates the whole thing is extraordinary and presumably it must have quite a lot of counterbalance levers behind it yes that is it very complicated have you ever had a look oh yes I had to service it when I bought a desk because the lever system in the back didn't work anyway so I had to completely strip it out and you did it yourself yes it's very brave of you was he complicated to put back not particularly is quite simple but it's just meant a lot of candle wax to make it slide not big it's not easy and what then metal weights and things or no it's just purely the weight of the wood that's extraordinary probably made as a gentleman's writing desk or probably for an office I'd imagine it closes beautifully doesn't it what's wrong the closes right down then you can see clearly the brahmalok and now it's all locked up well a good-looking piece of furniture have you had it for a long time about 17 years I bought it did it cost a lot of money then 150 150 pounds 17 years ago I would say easily three thousand pounds for insurance you know there's nothing nicer than a useful object that is really beautiful or indeed a beautiful object this is useful which is what you brought along here what is it it's a wine glass very useful but is also extremely beautifully proportioned yes it's what we call a solution stemmed goblet good after why it's called salicin stem so don't know this is a classic shape of the second quarter of 18th century in this country and again from this period you get this typical folded foot here they turn the glass under the edge to strengthen the base and this again is a strength thing yeah it is a very simple one gloss I'm not sure because English glass is going up in price very fast around but I would say it's probably worth between 800 and 1,200 pounds well it was given to me by the great aunt of my wives who applied it many many years ago she had a brother bachelor brother who used to travel abroad quite a lot and every time he came home again he used to bring her a different little object art do you think he brought it from America it's actually in American say yes everything very probably he did but it's also in the Japanese taste which makes it absolutely fascinating yes when the Japanese ports were opened again after a period of isolation of about a hundred years enormous quantities of decorative objects were exported by the by the Japanese and the westerns Westerners couldn't believe their eyes the the technical abilities and infallible good taste that they saw and very shortly afterwards they began to emulate the style and this is I believe it to be a tea set although it has been described as a toddy you said it isn't is American and a particularly beautiful example the body of it is actually made of iron which is a favorite of the Japanese craftsmen and it's been overlaid with silver and in some instances splashed with gold and and applied with copper I wonder if you have any idea of its value at all well we had it valued several years ago and at that time and we're told it was worth 150 pounds I think it's worth dramatically more than clarity I'm sure if this set came up at auction it would fetch at least 1,500 pounds possibly more and it really is the most superb quality carving absolutely beautiful and it's sharp and it's hard as it should be but it simply cannot be 18th century the timber is wrong the feel is wrong and the construction really isn't right well no that's absolutely fascinating because my grandfather bought this out of my great-grandfather's house in 1918 for nine hundred and twenty five pounds and it appears in the catalogue right at the front as an exceptional piece and it was three times the price of any other item in the sole equivalent quality so who dear well one automatically assumes then that your grandfather gave perhaps too much at the time but he didn't he paid the market price Chippendale furniture of this type was at its height it was probably more popular than than it has ever been including you know yes let's have it up and then put the top on if you like the step over here we get this moved up right we can look at the table as a whole now a turning table of this sort that's what you keep serving tables yeah and of this importance would have been tremendously popular in the period running up to the 1920s at which time there was perhaps more enthusiasm than academic knowledge for furniture distress yes now it had been popular during the latter part of the 19th century and well any time after the 1860s - for one reason or another to make furniture of an earlier style so it's a revival piece it might have had one generations use 30 years use and its quality and perhaps one generation would have led them to automatically believe that it was in fact a Chippendale piece of course it's still a very interesting table in its own right as an example of that period the difference is now that we know unlike the 1920s the tools they used in the 18th century the methods of construction and much more about the timber so in fact we've learned now as I say it doesn't decry from the value of this table as an example of that type and that period in history is going to be part of the history of English furniture and a very important part - so you've still got a table worth eight to ten thousand there's a choice between Montgolfier and Lunardi now I've just had a word with Terry Lockett and he reckons it's Lunardi and ones therefore looking at a date of about 1785 give or take a couple of years I think forget the eggs are dues Lunardi this is an English Delft probably Lambeth you can tell English Delft because it has a more bluish tone at the back than most of the Dutch tells and the leaves of the bombs tend to be less spiky I mean when it came out I thought we look at you something Chinese and in fact obviously you know it is it stimbler George and I thought you ought to see it well speak to us there's a tremendous amount of discussion about these as to whether they they are Dutch or they're German what we said George and the whole thing is further compounded by the fact that whether they're Dutch or German the people have made them were definitely Dutch because there was a colony of Dutch Potter's who lived in Hana which is just outside Frankfurt and I would actually to use words of another television program I would plump for Hannah about 1710 I've been around than this business for 27 years and I have never seen one of these with his Liddy very uh not even a chip on the lid is on so now what four thousand I said four figures yeah I think it does yeah it might be worth five times I mean it's the best one I've ever seen the picture actually is of a horse called Linus who was in a circus owned by mrs. Bostock on and wound wool in actual fact the bus-stop family still live at near Hinkle Sherman in this county when he was brought in for the circus ring three or four people held his mane and his tail to prevent it from dragging in the sawdust I presume why what they used to do was they used to get the raw material because they went to the kitchens and put them together turns up in various guises which is where the camera yeah they were down in Dartmoor and they were also in prison ships that were impotent and you notice lady's name yes I do you do yes tell me I think it's as a narrow path so bad Susanna Oba do you know that it it is reputedly modeled on la Leakes own daughter seems an odd thing to do to model your daughter in the nude and then sell sell hundreds and if not thousands of glass models of her the important thing to remember here is that we're looking at a piece of molded glass this is not cut that it's it's molded in a machine press and then it's finished and trimming off by hand but what a clever design I mean here it is it sits on this this base now this base is bronze by the way it's been polished up but it is bronze you can see the sort of ver degree coming through and the light passing through it it just maybe just oh it's got an ethereal quality to it it sort of comes alive er I'm expecting her to do a dance of the Seven Veils any minute you know what I mean a lot of people one or two people might be seen I've got a figure like that but mine doesn't have these slits underneath the arm well he did do another figure a little tyese which is entirely enclosed the drapes for right fully underneath the arm the it's unusual for it to have its base these seem to be multi-purpose bases that they use for both the figures but it is nice when you've got an original base and again beware because there are modern bases on the market but I'm very happy with this base oh good very happy indeed with it I would be quite happy to see that figure makes in the region of six to seven thousand pounds at auction it's painted on oka massive piece of a not any large but also very thick now can you tell me anything about how you got the picture well left my late husband by his aunt and that's all I can really say we've had it by here had they had it for a long time they had it in the family long long yes yes I don't know who this paintings by but I believe it was painted by either an amateur or naive artist in the nineteenth century but it echoes back to earlier times I hope and believe 30 was painted not too far from here I like the church here and the intimate landscape I particularly like the portrait of the farmer's wife here and the dog who hasn't got anything else to do for the day and the chickens in the yard here feeding and strutting about in the way they're supposed to like chickens to feed today it's really quite a tranquil scene but the only agitation seems to be in the eye of the ball here who seems to have got a view of the artist but he seems to safely put him to this side of the pond now it's difficult to value of these things because there's no known artist but I would have thought probably for insurance that one all think of a figure of about 3000 now she's very very old she's about 240 years old and she's circa 1750 and when you do your history later on you'll learn that that's George the second and she's English and she's made of carved wood and that has a thin layer of gesso over the top and then it's painted and you see her rosy cheeks and you can see a little bit of the gesso because she's got the only thing that seems to be wrong with her is that she's got a tip of the nose that's had a little bash do you see just there now she's got a carved wood all the way to the waist and then the arms have got a material until they beached the lower arms and these funny little hands look at them like Forks aren't they but the great thing about her is her condition she's obviously being very well looked after have you had her in a box no she's lived most of her life and drawers I've had her for 20 years but um I think she was must being well looked after before then to make she must have been and this is the most splendid dress it is ribbed silk but the great thing about it is all these flowers here are hand-painted did you know that is quite amazing um so really she's in her all her original clothes and because of that in the condition she's worth a great deal of money I would say you are thinking about ten thousand at auction basically it's a piece of furniture decorated with panels of marquetry which date from the 816 90s and it's English marquetry albeit in the Dutch style and if you look at the whole front you can see all these wonderful panels which must have been bright colors when new and inside in traditional form you've got a multi draw arrangement inside and there you've got an idea of some of the brightness that must have been although that the green is faded you've still got an idea of the red and the contrasting colors so the whole thing must have looked very sparkly how did it come into the fabric my wife's grandmother who was a very talented and enthusiastic needlewoman there complained that her sewing boxes are it's small so having a very generous husband I'm bored of this yes what a very nice but well anyway we can't go back to when this was put together and that we can date fairly accurately because all around it our features that one would expect to find on a piece of furniture from safe Portugal in the 1820s from this Pierce border around the top sort of classical flowers is combined with this extraordinary numbing this nulled edge here which is very very typical 1820 1830s and this deep red rosewood and then further down these this sort of knob that's a typical late Regency dog both in the colonies and in English furniture and here you've got a pure Chippendale style leg now again outside of this country they continued to make furniture in a past style for many years and I'm quite certain that those legs are of the 1820s 1830s in the Chippendale style we would call mid Georgian style and they must have put them on as a separate thing because at no time did anybody really make a piece of furniture where the end columns ended an overhang the knee this should have come out from a design point of view would have come out here you couldn't have set that leg forward because it's not actually a 45-degree angle it's wider than that so to pull the leg forward these wings these ears would have stuck at therefore it was made up out of existing pieces around about 1830 and at the same time I think the metal mounts were put on now these panels were often bought and kept as well as being incorporated into furniture and altered at a later date so what I think you've got is a top part which is basically an early cabinet had lived at 1690 1700 the carcass exterior parts of which was altered in 1830 and put onto this base using matching panels but the bottom part of what was a two-part piece of furniture taken to pieces and rebuilt and so you have this curious and I think fascinating mixture of designs but goodness knows precisely when but that's the data I'd put on it so you've got marquetry panels from the 1690s and the top part 1820s this whole part was built up matched and then of course his wonderful cresting rail round the top to give it a bit of life in a bit of sparkle I would suggest that for replacement purposes you put an insurance valuation of 7,000 but I like that very much it so fits my wrist like a glove the wristwatch market is quite an interesting phenomenon over the last few years and it's influenced by all sorts of different factors size shape material what the watch does who made it this has a number of characteristics that actually put it in the the area of the better end of the market first of all it's it's rectangular or square in shape of the dial but it's a rectangular watch it's in white gold it is unusually flat and if we can open the movement I have got a knife here which shower I'm sure we're gonna be I have a hundred letters I can just take this delicate little instrument to open it here normally I can open with my fingers but this one has a very very tight case right we can look at the movement which again is an important consideration and here we've got immediately one thing though you can notice that it's actually got one particular little detail that makes it rather special it's actually a minute repeating wristwatch it's not unique they made a number of them not specifically this firm but in certain firms Vacheron Constantin fili made minute repeating wristwatches and bubala were more retailers than manufacturers they actually had watches specifically created for them to sell and this is the name on this watch global out of the sound now the particular movement here is 29 joules it's beautifully finished machine the decoration all over it it's adjusted for seven positions that means temperatures seven adjustments on it rather that means a temperature for positions and for various different types and seven is almost as many adjustments as they make that means the watch was tested before it was delivered in various positions and have various different temperatures the actual train of wheels here is made out of a gold alloy and this unique little feature where actually when I pull the lever on the side the hours the quarters and the minutes on the two gongs now people have actually faked these watches in the past they've taken round movements and fitted them into rectangular cases or taken minutes of pocket watch movements and fitted them into cases in this case I'm absolutely sure there's no problem at all the case back of the case has the same number as the watch itself it has the proper Swiss 18 count marks white gold and the small punch of the head which is a control mark and it's signed Gubler and it's Sangalo in here the strap I'm not so sure about that is white gold also but it doesn't bear the same marks and I think it might have been fitted later hmm fascinating do you other word you know so I'm there give me a little clue as to how you got it well it's my father's and his father's there's not sort of your lots of collectors or anything no no no just had it in the family you know mama you know well I suppose you'd like an idea of learning oh I don't hear you've put me in a bit of a spot there because this has been a strong market in recent months and years and I hope it'll continue but I think at the moment I'd have to say that this would not be worth less than 50 thousand pounds what joking I'm not joking at all I'm glad you brought it it's made my day [Laughter] well our reaction here in stone market was I suspect much the same as yours at home a combination of both astonishment and delight that Simon should have found such a wonderful object with which to end this program at least almost the end but not quite we've something new for you and indeed for us this week over the next few weeks indeed and in conjunction with the Radio Times we're going to be running a special Antiques competition so that you can test your own knowledge of the subject and also every week the Radio Times will be providing an antiques voucher as a prize which you can then use to buy antiques of your choice and so to competition object number one and there it is a beautiful and unusual table now let me just tell you a bit more about it it was made around 1760 it's vineyard and mahogany the base comprises one deep cupboard and over that is a round top which revolves and you can see around that top a whole series of drawers twelve of them in all and they have on the front of them inlaid in I've read the letters of the alphabet a B C D and so on each draw as an original Swan necked handle the drawers are lined in oak and each of those drawers very carefully funnels in towards the center now when you look at the center of the table it's quite obvious that something here is meant to open because there are two hinges and I was given both a key and a pin with which to open it now I tried first putting the pin in this hole here which I thought was the obvious thing to do moved it around pressed it down absolutely nothing happened and then here up on this corner I noticed a slight indentation in the brass so I press the pin down and up popped that catch in goes the key you open it up and there it is quite a deep well in the center of the table and obviously because it's difficult to get into that well was designed to contain something of value once you've locked it up again and put down that latch you really can't open the table at all so that is the question what are these tables commonly called now for more details of the competition and exactly how to enter look at a copy of this week's Radio Times which is published on Tuesday and they will even go so far as to give you a selection of the possible answers and then your answers please in the post by Saturday not to the Antiques Roadshow but to Radio Times I will give you the answer to the competition in next week's program and also present you with another competition object and so we'll go on to the end of this series so good luck

Channel: UK VHS Archive

Views: 39,944

Rating: 4.7696333 out of 5

Keywords: Antiques Roadshow UK, Antiques Roadshow, Hugh Scully, Antiques Roadshow Series 13, Stowmarket, Suffolk, BBC, BBC 1

Id: gb1vB3mOzjI

Length: 43min 5sec (2585 seconds)

Published: Fri Nov 16 2018