Antiques Roadshow UK Series 15 Episode 4 Kingsbridge, South Devon

[Music] this week's Antiques Roadshow brings me back to one of my favorite parts of Britain to me the best way who arrived in South Devon is by sea this is some of the most spectacular coastal scenery in Europe and the only real way to appreciate it is from a boat you carefully navigate your way in from the English Channel past the infamous Sulkin bar on which many ayaats moons reputation has founded and you pass also the cliff-hanging town of sultan than which there can be few more desirable places to live continuing on parsall come you come into a broad calm Esther it populated by visiting sailors and resident seabirds at the end of one Creek in this beautiful stretch of water is the town of Kingsbridge and that's our destination for this week's Antiques Roadshow surrounded by thousands of acres of farming land Kingsbridge is yet another NBA ball place to live though only if you're fit this charming South Devon town has one of the steepest main streets in Britain easy enough going down tough coming up perhaps that helps to explain why the town's most famous son was so fit at the age of fourteen he walked from here to London a distance of some 240 miles his name was William cook worthy and he's of more than passing interest to us a porcelain mug in terms of composition not really very different to the one you might use for your morning tea or coffee but in the middle of the 18th century when William cook worthy was working here in Devon to create something like this was about as difficult from a technical point of view as getting to the moon the Chinese had known all about making true or hard paste porcelain for years but it was something that had always eluded English Potter's after many years of experimenting cook worthy eventually discovered the correct formula and using China clay or Carolyn from the hills around some bowls for informal he was able to establish in Plymouth Britain's first true porcelain factory now nearly 300 years after cook worthy where in his hometown to discover among other things some English porcelain which his long painstaking research made possible so let's now join our experts with the people of Kingsbridge well I've been hoping to see some Devon pottery today and this really is a super example is a family local no we're not we are from certainly in Surrey we're on holiday down here for two weeks and it was very nice to find this local place at an Antiques Fair we've just bought it them yes yes we bought it so about 10 days ago well let's have a look it's made at Charles Brandon's Factory in Barnstable a great tradition for pottery making in that part of the country was in slipware techniques different coloured glaze but whereas the traditional designs from 70 to 80 percent recovered on the novelty of randoms work was the teeth you have to date modern designs and here pure are nouveau the work that the shape sort of foliage the leaping fish is so totally alien to traditional Devon pottery but very exciting so what one finds of most of his work in the early part of the century was made for the London retailers liberties who took the majority of his work and commissioned him to do designs that were are Nouveau modern and very very exciting indeed and the design has been built up using coloured clays and stained and then carved around dug out showing the brown body underneath turning it around got the signature the nice thing is they're always so fully signed and usually dated too so you can tell everything about it CH Branham Barham which is the old name Barnstable and the date 1904 together with a registered number for the copywriting of it which links to that year and the Potters mark TL that would be Thomas libertine one of local Potter's who were employed there and given the new designs to work on in the clay and can I ask the cheeky question what you gave Brits a visa we paid a hundred pounds for it and did you think that was reasonable well we thought perhaps that was the going rate it seemed quite decorative piece and we're pleased to buy it for that money a piece that is so stunning so our Nouveau so Liberty though it hasn't got the name on it I mean you've done very well I said I would afford 300 is near with the marked really nice memento of our holiday and you know that it's a cheese trolley yes you put your big piece of cheese in here cut slices out of it and then wheeled it up and down the table and that's what that's what the cast is the part that's yeah and they're made of leather little sections of leather so that it didn't scratch the table part and it reflects that period of English social history when when you sat down at the dining table you stayed there for a long time the reason I really wanted to look at it I'm so thrilled with this one and I'd like them anyway because they're lovely little bits of furniture is that this veneer and I'm always talking about the thickness of veneer giving you an indication of authenticity and age and so forth this is hand cut for Nia never less than 1/16 of an inch which is undoubtedly 18th century and you see this scratching on the back yes I'd love to see that that's key that is scored so that the glue held and it was laid on the surface was wet you plied the veneer and then you rubbed into it worried him with pressure until the glue came right the way through the wood and it was stuck now over the years of course it's dried a truck I would advise you to do no more than apply a little water glue a little animal based glue and just put it back to yourself where it touches don't try and mend it because this magic color will spoil well so that's that we'll just stop it getting worse and a little cheese trolley today well round about 400 pounds even like that I love it very very pretty but even more I like this this to a collector of oak furniture early furniture is an important little piece the color is wonderful the surface is good it's warped a little with age it's shrunk properly you couldn't make it today because it would never be that shape that would never be wrinkled krinkle and it is in fact a cricket table and why well I'm glad you asked me that actually I think the best answer to that is the most logical answer that originally was called a cracking table and it stood on three crackit legs and crack it got corrupted into crickets nothing to do with a cricket field or the game of cricket or three stumps or anything into three legs will stand level on a cottage floor that's it yeah and that's what it is lovely bit about Oak and elm mostly elm don't top is that the top I think yes the top is elm defect yeah and you sometimes get worm in it um having said all that I mean it's such a lovely piece and a collector's piece but not a big money item not a big money item but for all the things I've said an ordinary one with repairs will probably be four or five hundred pounds one in such lovely condition that this could easily make 800 or 900 pounds not sell it but it no well it's a lot of money except when you think about it it's an old and very vulnerable piece of furniture yeah he was the governor of Assam and then the governor of central provinces and finally the governor of Bengal this is him here sitting with all the other governors of the conference with Lord Wavell and lady weibull's sitting in front of them Viceroy of him no it he's got the first world war medal here Silver Jubilee in Georgia fit and then King George a sex coronation but what I find most curious is he hasn't got the victory level now this is most odd and soon as that particular tree has been well-worn it's incorrect he must have been going round even properly friends absolutely now this is the most exhorted order of the Star of India now only Indian Prince's and people very high rank are awarded this it was instituted after the Indian Mutiny in 1861 I believe and discontinued in 1947 what we have here is the neck bag and the sash page of the star set in diamonds with the motto heavens light our guide this is the order of the Indian empire and what a set now for insurance purposes I think you must treat this one at around about 400 450 but this pair with the citations of course we've got to think of something like 5,000 pounds well where did you get these what do you pay for them three pine the path which I've been there these these these plates here are delightful examples of a late traditionally called history Otto maiolica it simply means a story or scene on a plate such as this although these are more a reflection of the 18th century the earlier place would have been classical subjects but here you've got these little figures travelers ruins on either of these things both the same sort of typical scene you get this sort of plate would almost certainly been acquired by some senior or somebody on the Grand Tour there have been done gone to the visit the kingdom of Naples and acquire these probably in Naples itself they were made not far away on the aid on the Adriatic seaboard in the place called of Brut see at Castelli these are Castelli maiolica so these are 18th century the last sort of throws of Italian Monica and they have his lovely soft colors and they're done in a way that reflects the sort of rather layered life of people that have gone on the Grand Tour you can see that in this design there are delightful little pair as I say and the characteristic is is where they're made they're fired on little Spurs like this and are very very shallow room they're meant really as simply as a vehicle for decoration and I mean you paid three pounds for these well I think you'd probably probably a present opera it realized between 1,500 and 2,000 pounds so in fact if we're going to if you're going to go to a fancy dealer say in Milan or wherever you may end up paying the equivalent of say three thousand pounds that would be a deal is in early night do you keep a pub no but if you did this is the sort of thing you might have had in your pub yes because this is a very early form of cash register or till and what you did is you put the money in the top you can see it works its way down the chute eventually get this drawer in the bottom yes so if you didn't trust your barman you knew that all your taken we're safe in this now I mean I the money I put in I expect I've now lost this is how you have you got the key so that's gone forever it's a wonderful piece of domestic Victorian commercial machinery it's as simple as that once very common now extremely rare because suppose they were scrapped with the coming of the cash register and so we have something that is representative of a guard of a bygone age it's not spectacularly available it's a sort of collector's piece and I suppose now I've won someone in a shop it would be like that in Nice good condition which it's not really a piece of furniture it's just a decorative way of keeping the account straight now what I got to do is pick this I suppose the question I'm most frequently asked about the Antiques Roadshow is how on earth do we get all the furniture into the Hall do you really expect people to come along with a a Welsh dresser strapped to their back well the answer of course to that is no what happens is we usually advertise our presence in the local press about three weeks before the show takes place and we say in the advertisement if you've got items with furniture or perhaps large pictures do write to us with a Fed graph and a description and we'll get along to see you and then a few days before the show takes place one of our experts goes off on what we call the furniture run and makes a selection of things which we then have brought into the hall but of course apart from that everything you see on the program is entirely spontaneous with things brought in by the public on the day one of the easiest ways of turning something is whether it's English or French is the way the drawers are constructed and this beading here see it there quite clearly in its long strip of beading quarter moulding is typically England virtually no other country in the world ever uses it and all it is it's a giveaway guaranteed giveaway the English don't always use locks the French invariably will put a lock on that drawer and I'm glad to say see that nobody's actually put a lock at later on which is quite common so it's absolutely typical English nicely proportioned beautifully made and lovely craftsmanship in the form of a French Bureau flower writing desk but this is made much more as a centre table to go in the middle of a room not for use as a desk at all you've got all this wonderful marquetry here these English roses all tied with ribbons here leading to various armorial trophies here the sword spears and over here quiver of arrows and a hunting rifle very finely done this type of marquetry was commonly done by somebody called the Blake family working in Tottenham Court Road of London in the eighteen forties and fifties it could be by them there are known pieces like this is documented and that would be very interesting to try and research it further see that really is by the Blake family which would make a nice difference because they need the way one looks at it they've been actually named it they never signed these pieces unfortunately what I think is I've seen this before this type of work this quality it's quite rare that you do see it what is exceptional is these incredible figures there I mean this is a sort of anomaly as in England gilt bronze but this is silver-plated which is most extraordinary on a piece of furniture it's a marvelous piece of sculpture and absolutely pinned it down to the eighteen forties and fifties in the middle of the 18th and 19th century the early part of me Victoria's reign so it's really a rare piece of furniture I'm not an area that hasn't really been published very much and identified very much so it needs to be insured must be sure it's obviously quite valuable any any ideas of how much it is worth not easy I don't know maybe 5,000 it's I think actually with with a bit of luck and with a bit of research a good auction estimate will be more like eight to ten thousand pounds five thousand is too low and if you're going to insure it it should be more than the auction estimate yes you know over ten thousand pounds well this is a particularly beautiful example of my clothes oh did you worry I had wanted a couple of times but because I like to use it piece of art like that I don't worry very on yours well it is a work of art and the way in which they made is really remarkable the school of massage was founded in the Vatican in the 16th century principally to do the mosaics force and Peter and as you know they're little cubes of glass and to set them side-by-side cherubim morosely in cement and the Impala off and in the very finest examples which this is you hardly can see the capital between the can hardly see that it's actually made it was fairly uncommon to copy paintings because we had to get this mildest gradation also it's setting a particularly beautiful mouth they finely granulated bowl work and the Mount was probably also made in Rome and the sort of and the Classical period it has a tiny little mark there and I'll see what it is it's a crossed keys which is the Vatican mark and possibly of an item about so this was actually also made in Rome the whole thing and the period about 1870 or do you have an idea well I know when I took it to my local junior I mention it because of the I catch myself and what saw it he said it was a very fine example of its kind he thought it was done over men that's that's what he said he wasn't sure but he said that you know maybe one that's very lucky that you didn't actually have that catcher order to a safety bag it's a lovely piece and you're probably coming ashore he manages them well I think we can easily double that today if not more we find it very hard to replace a beautiful thing like that well I gotta go to be very pleased I'll make a day a couple of years ago I saw the most wonderful planetarium and here's another one I really didn't think I'd see another one in my lifetime but here we are super planetarium what's it doing here where did it come from well the story is that I had seen one of these or something similar to this and the whipple Museum of Science in Cambridge and a few weeks after that I was at a talk on antiques in the muscle Hill in the library this is going back 25 years and in the interval the man next to me said what sort of antiques you interested in I said well I've got very interested in other areas was the topic of conversation as much as anything else and he said what on earth is an orrery I tried to describe it to him and he said well and what'd you say I think a friend of mine has not once so we were sent to a tower block of flats in Tottenham this was produced and we bought that with a chair which he said he'd got in the same pascals I must go to more antique lectures you see that's the way that's the way to find things great thing I'd like to have a look in the box first of all because that sometimes tells you a bit about it looks as if it's the knob it is the original box that's great to have these two names in here banks it says number four four four strand London Owen this is nice here at the golden spectacles number four for wellness tram that's wonderful wonderful when our banks was moved to number four for one in the Strand in 1797 and he stayed there until first quarter of the 19th century until the 1820s so this can be dated really quite accurately from that and really the planetarium this this type of Bobby I'm just gonna leave that one side actually the planetarium a model of the planets was a very popular gentleman's pursuit originally the first planetarium was used well the first one that we know about was commissioned by the charles boyer they 4th Duke of orrery who commissioned one from a scientific instrument maker in London and he gave his name to the planetarium after that it was always called the orrery and here we've got two alternatives the simple one if you like the Lunarian which is showing the moon going round the earth and the earth very gently turning as it should do some missing moon that's the missing moon sorry yes but that's where the moon should be here's the Sun and then what's rather nice I'm going to just have it yes that comes off and then you can put the bigger version of the version of the the solar system um on top let's get that one out put that one down the version whoops the version of the solar system isn't quite as complex it doesn't have the gearing to allow you to rotate all the various planets but there it is there it is going around the Sun it's a lovely planetarium it is a normal-type though I suppose if one could say that there is a standard planetarium this is it wooden base printed paper card on the top here giving the other details that those signs of the zodiac in the months of the year and so on if the whole thing shouts quality at you value wise it's it's a good piece even though I've sort of run it down and said that it's it's a standard type but it is a good piece and I would say at Ellucian today we should certainly be talking about 3000 pounds so insurance wise I would say probably double that it was a good buy can I ask I paid 10 pounds for it was a very good vibe [Music] but even so I mean it's still gonna be worth well it's the fifth day jump-ups right this is kind of a yeah where's it always come from well originally this is this young guide when he fell that was sent by the soul of people to this exhibition and she brought placed as that and they have been in the guide Allanson be very very careful because the old paper yes that'll be that's of irrigating current vines in Australia unfortunately damaged out here these probably date from around 90 if they're the Empire Exhibition they date from around 1924 when we've had to the Empire Exhibition in London and with the subjects you see reaping sugar canes in the West English just one of your favorites was an interesting collection and he did take some time to go through very wise market the posters is is pretty good and the major serums in Mac have regular yearly sales of our pastors looking at these of the ones I've seen so far they're very interesting and some of our very good artists indeed Pennywise the I think five to ten pounds is there something you have loop because this actually wasn't made by far from here it's actually made in Turkey and is actually a type of fake type of forgery there was a notoriously producer a force of them lottery in Turkey who was best amaizing copies of all sorts of early English porcelains and Potteries and some of them extremely convincing various rumors about his work and just when he was working most people but if they similarly started in the nineteen twenties and thirties and carried on just after the war and copies of Darby and Bo and some really good at issue century wares so a traditional copy of a Staffordshire coffee industry should be 1830 but it's probably nineteen thirty and so the talkie has really gone down at in the in English Post in terms is that there's a sense of these really marvelous face this one as humble example lots of people always being caught out by them and I know many people buy these thinking they are nineteenth-century then look so good and honest and I think in a way they deserve to get away with it that's right so only 1930s as such from probably revaluing eaters in 30 40 pound as a lake but I think good value for that because it's just traditional and it's in the word on his fate but a bit naughty yes where did this come from as well I'm not quite sure and I think water Tibet from the east I know she was in Borneo and around right I I would have doubts about that story because this is an 18th century Chinese jar cover but it came from China I would think somewhere in the late 18th early 19th century so it wasn't brought back by your arm because when it got to this country what they did to it was clobber it as what's on it because he's not smash it which is much what you might think yeah started out purely blue and white yeah and all this colored decoration has been put on probably in Staffordshire this speckled blue ground is called powder blue and that started in the 17th century and the way they did it was to cut out a paper shape which they wanted left white with these panels yes stick them on and then they blew the cobalt as a powder through a bamboo cube which had got gauze over the end and as they blew it it came out as Tynan's and speckles and stuck all over and it was then placed and fired and indeed that that style of powder blue was copied by some of the early English factories and I I have a theory that this that miles Mason who went on to found in Mason's arm stone started out as a blahblah some of the early patterns are very akin to is and usually one finds that kind of mark now that is nonsense it's supposed to be a Chinese seal mark but its total garbage and in fact he's early marks were very akin to that so perhaps we don't know what we've ended up is with a really quite decorative past it's not a great value on afraid because it's been ruined according to present theory I think in good state there would have been worth somewhere around eight to twelve hundred pounds but decorated like this about that but a fascinating story well let me told it's Turkish you're absolutely right it is Turkish let's have a look inside the giveaway really is the bow on the top and inside we have a lovely example of a triple cased watch for the Turkish market triple cased basically because it comprises three cases the outer one which was local Turkish silver the rest is English silver this triple outer is tortoiseshell and little silver pique pin work here and then we have the middle case and the inside of the watch here signed by Isaac Rodgers a very very good maker and he specialized to a large extent in making watches for the Turkish market have you seen inside well have another look because in fact it should be a thing of great beauty and it is it's a typical English Virg watch the date London hallmark 1784 said quite early just that yes absolutely just over 200 years old lovely lovely pillars balusters pillars with little scrolls and engraving to the top and interesting to note that even the signature of isaac rogers is there but in turkish script even the number is in Turkish numerals the Turks were very very impressed by the number of cases and this protective outer as I say locally made to protect particularly the talkshow which is in their in their hot climate is to crack up and ship very easily yes cell room at the moment good collectors to be very happy to give you between 800 and 1000 pounds for that even in that condition thank you very much I think this really sums up everything that William cook worthy was trying to achieve and it is of course Timnath porcelain and you couldn't imagine the more typical piece of that factory's production is something that you'll do collect this locally she's always had a weakness for white pieces did you know what it was for time fiction you mean the distinctive thing is the hard place porcelain which rarely works quite as white and evenly as this normally on a big piece especially the problems they encountered meant you've got dark patches uneven glazing but here it's fairly well controlled and the smoke hasn't gotten and problems it encountered they haven't come out and was worked fairly well a centerpiece for sweetmeat different sorta Delic has served on the shells in Machop probably for salt though everyone argue was just how these pieces were used is certainly sat on the table and the marine life was especially other tea not only a Plymouth but many English factories at that time these fabulous fish calling up the shells cast real shells but on it's quite likely seeing but she's saying the details here but they're it's the work of a model that John Toulouse who came up from what's to and joins Plymouth and then with what previously at bow where many shell dishes were made must well there's such a similarity between the ones of a different factory but instead here hard place posters and very much more intense the body really does feel sharp toobut accented the word is unlike any other English porcelain but 1768 1770 I think that reason one can forgive it lack of color which is he didn't mind because it was proud to be white and the bit of damage on the shell it suffered a bit their value I suppose is going to be now with the damage 1200 1500 pounds did you know what it is well I guess it was French yeah my father the small collection of French furniture India because left me and my parents but that I know that's what I know right nothing more than that well the lots of Confirmation but what's interesting about it's very high chested here and that's often the sign of German manufacturers and a lot of German makers went to Paris around the well in the 18th century and also in the 19th century so I would date this around 1880 1885 the style is very much derivative at the 18th century which is perfectly normal uncommon for this end of 19th century period the marble-top a certain time marble top of his brecciated marble nice quality very much in the 18th century manor of 1807 by 50 and the decoration do you know if it's called the decoration do you quite frank you are down it's a it's an imitation of some work done by some brothers called the Martin brothers and it's known as they need Martin or Martin's polish if you were right I mean the painting of this is superb we know very little about the people who did it and this is visit timber this is Hollywood it's solid wood here has been lacquered and then painted well I was rather concerned about these cracks appearing I don't know if that's detracting from the value or whatever but see under this strong light they seem to be more in handsome beef I thank whoever noticing that much up till now is that a problem no not at all because the cracking or the crack alia as the painting chaps would call it is intentionally it's part of the original concept and design to give it an antique though I mean it is an antique no when it was made it was trying to look back something earlier and the varnish on old paintings cracked unlike the coats work all leather work who's in it painted and fired and it cracks in this way it's a good piece of furniture very well made wonderful quality Amon Amarth gilt bronze mask I hope I haven't disappointed you telling him not to at all I mean it was left in the legacy so I'm quite happy Brian who stayed in the family but it could have been an ordinary piece of 18th century furniture but it's a very good piece of 19th century furniture so it's an important piece in its own right there's nothing to worry about than that you haven't got a guess at the value to 3,000 pounds that's a twenty-year-old price I think now something like this would make but I'd certainly think at auction you would estimate six to eight thousand pounds on it six to eight yeah so you've got to insure it for over ten thousand pounds it's not a bad price a hundred year old piece of furniture that's right oh very good the roly-polar bear is wonderful isn't it sort of weighted so that he and I know his face it's a gorgeous little yes he lost some stuffing so he's a little bit lopsided yes got his head is a bit askew way he's by stark is a good I was oh yes I know I noticed he got a bug in his ear yeah but I didn't know if you look very closely seis type on it about [Music] that with time [Music] good and I love him but and they're working to I mean over the years we've had some really wonderful collections of cabinet makers and join us tools but of course I've never seen perfect miniature working tools like this I think that just merge of they're very very interesting and they're made of beech of course or Beach handles and the interesting thing too is that you could actually probably date them they're all contemporary and they've got these carried screwdriver well there's one carried screwdrivers and another one which of course gives us sort of Edwardian absolutely love I would think today in a collector's market they probably make round about three or four hundred pounds but that nowhere matches the the value of the academic interest that they have I was coded to rhythm when he described it very well this very beautiful old master drawing I see comes from two noble collections can you tell me something of its history and the Lord Spencer in 1830 1800s this was his private collection and somehow rather from there it had ended up in the rosin or lubricant collection beyond that British Museum the pictures have been lost over the two centuries right and how did you come into a family well it was purchased by both up were purchased together by my mother during the war years of all days in an Oxfam so I really but she had a good eye we yes mother certainly had coming from a family of painters well she obviously recognized quality and after her Davies came into my position wonderful well I I as you probably know I'm not an old master drawing expert but I do recognize quality and I think it's a very very beautiful very beautiful drawer I think that we should think about Titian and how exciting in Venice was in the beginning of the sixteenth century which was the most powerful trading nation in the world and the most powerful artist the one who exude that power as an artist was Titian and say that were this to turn out to be authenticated today with the new expertise it would be the most extraordinary find very very exciting and again we have another drawing yeah signed Paulo veteran easy but very nazy have a certain awkwardness and style when you actually come into it but it is a very beautiful drawing and of course Varanasi was the next generation on from Titian another Venetian artist not absolutely a top-ranked artist I mean because edition we put absolutely in the top rank and then Varanasi was an extraordinary artist but on second rank and a follower but I think to go back to the tissue and just to have a look and the beautiful grouping here the hounds and the Cupid the composition whatever it turns out to be it's a very beautiful drawing I wouldn't I would hesitate to talk about petitioners earlier and I think if we may come back to you and enjoy the benefits of the great experts on this period yes where do you think I might have come from Mozilla likes to you China thank you because I thought you were only because of the figure right well this is a very famous Chinese group of a small boy and a water buffalo here's what about that and these came over to Europe in the 17th and 18th century and then the English Potter's tried to imitate them and here we've got a cream where imitation wheeldin staffordshire imitating the chinese now the interesting thing is that this if this were a 17th century Chinese one in this condition we've got some damaged forms of missing on it so it's not good it would be worth perhaps 800 pounds but because he's English and nothing like this good of quality and vast it's going to be worth about two thousand pounds which is amazing it could be the wrong era but it is actually much rarer than real thing it's sorry this one is about 1750 yes thank you I would think mm I mean it's the kind of thing which could if one were lucky this one is also damaged as we can well see at the top here large chunk missing very clean their situation and that of course makes a difference but it is or was a magnificent part this is Chinese underglaze blue this is dating about 1450 to 14 and 17 so it's over 500 years old it's decorated with these sort of different registers bands which is quite typical of the period broken up and here we've got running round it the eight Taoist immortals and this is known as a windswept type they appear to be sort of a great gusts of wind going by we've got Buddhist emblems around here and very unusually on the neck we've got to bet on characters which is rare on a pot like this five hundred years well I don't tell you what it would have been worth it would have been perfect I tell me no no no you don't okay hope to know you would like yes if it have been perfect we would be talking around a hundred thousand pounds however even with that amount of damage which should be redone with modern restoration they would do that you'd never know taught you it would cost you three four hundred pounds today but it'd be well worth doing and the pot as it stands twenty thousand pounds even with this wonderful very well what a day we've had here in Kingsbridge we began with some local pottery we've seen some fine porcelain sand very nice furniture and then two old master drawings one of which maybe by Titian now obviously there's a lot of work still to do a lot of research and we will let you know the final outcome in a few weeks time the excitement of the chase next week we're off to Derbyshire I very much hope that you'll join us then until then from all of us here in Devon good bye

Channel: UK VHS Archive

Views: 83,975

Keywords: Antiques Roadshow, Antiques Roadshow UK, Antiques Roadshow Series 15, VHS, VHS 50fps, 50fps, BBC, BBC 1, Hugh Scully

Id: VYTYnfnusew

Length: 43min 9sec (2589 seconds)

Published: Wed Nov 28 2018