Antiques Roadshow UK Series 13 Episode 3 Merthyr Tydfil, South Wales

[Music] [Music] the Brecon Beacons one of those special places uncrowded unspoiled and for the people of south wales in particular a place to come that was so very different from their own much harsher environment the foothills of the Brecon Beacons become the Welsh valleys and we brought the Antiques Roadshow today to one of those Valley towns Merthyr Tydfil now although it certainly doesn't look it on a fine day like today with not a solitary puff of smoke coming from a single chimney all of this was once known as the iron capital of the world from the early 19th century the combination of both coal and iron bearing rocks here in this valley made it inevitable that mirtha would both meet the rewards and suffered the penalties of earning its living from heavy industry this was a town of iron master and iron worker of pit ponies and Collier lads a turbulent place of Fiery Furnaces but many like them to the very fires of hell mirtha was a town of overcrowded insanitary streets of great wealth and grinding poverty the last ironworks in the valley closed in the late 80s the last Collier II went in 1990 but resilient as ever mirtha has turned its skills to industries as diverse as vacuum cleaners chocolates and toys we've set up our red show cameras today at the vidiq R Leisure Centre in mother.and in this bright warm weather many local people as you can see have decided to make a day of it with us and we're very happy to see them inside the hall our experts include david batty and few commander Fletcher both of them of course I old roadshow hands and they're joined on the tables by Henry Sanders on pictures this week we have David Collins and P Turner who custodian while John Bligh is here to assess an interesting collection of furniture so let's now join our experts again with the people of antique shopping on so you bought this one right well let's let's go through them they are Staffordshire and they all date from this group in this in the bottom here Dave from around the early years of the last century and to say above 1800 they are crude peasant pottery made for at the time they had been incredibly cheap when they were produced and they were made to brighten up rather an exciting houses this one I think is tremendous fun not a pair to this one yes there is a bed sheet I mean thank you what's interesting to me is that it's got s oh and I've never seen that and I imagine that it must actually be just as we mark sheep now they mark sheet then they painted a great paint on it and it's a it's a Lamarr probably the painter who did it you might even have been his initials or something like that it is fun same sort of data only 19th century a pair of those now but a damage on these will be again around two if you have the prowess this one I've never seen oh I love it you love him I think he's marvelous absolutely marvelous and of course what's nice about him is he's marked a nice mark Walton absolutely and of course anything additional like a makers mark does help the price and characteristically these impressed initials are these letters which have been impressed from time have filled up with the glaze which is very blue in tone which is absolutely characteristic you see very well yes he's a snitch in ER there is sort of 1800 you prepared this one oh I wish I did I wish you did I think he would probably make around 150 to 200 pounds even on his own yeah and a zebra or zebra depending on your class they're blue and we were in school my wife calls it zebra and she teach the children several ancestors zebra no she's not pair of eights yes these are a bit later these are probably mid 19th century very very desirable yeah much much sought-after pair of those are now going to be about 350 to 500 pounds yeah yeah so they were very so yeah on this one you bought yes I did I do you know who it is no yes I thought st. no it's Antonia Bradley and of course there was a companion of clear path yes this is Neil & Co Staffordshire and again it's got this very pole wear body you can see the blue glaze very much on here but it's a very nice crisp clean example nice marble base and there's not a bit of damage on it anywhere is there no it's a shame we haven't got the command how are we anyway it's still very saleable worth in the region of 500 to 900 well that does astonished when the woman look really dream and I offered a chair and I said I can't I can't leave without it listen if you like something enough and it's a good object you should [ __ ] yourself to fires because it will come right in time and if you love it that's really all about shadows we're short on time you did well in your time well it's it's a it's a lovely some of our very very nice indeed nice little ivory button on that on the top here little little lid when it's in use you have the chimney on the top to let I let out the smoke yeah let out the steam from the tea you have a little tiny swivel thing there and you can lift this off and then inside you have this funnel down there which is actually for charcoal you put hot charcoal in there it was kept alight by the holes down at the base which gave the the charcoal some somewhere to get in and keep going you can see it's a lovely little thing well I'll be a big thing I suppose really underneath here it has a sort of the ashcan after you'd finished and the tea party was over you opened that and shook the ashes out that had dribbled down from from from the charcoal burner and and the obviously the idea of the charcoal was to keep the tea in the in the outer skin completely hot and stewed food all the time interesting a new great value really more decorative than anything else that I would have said it's it's worth sort of three to four hundred pounds something like that no more but it's just such a beautiful I think it's a lovely one well thank you very much for they bring it along well you might be excused for thinking it's a wristwatch but in fact it never started off life as one and this might just turn it round that way and if you could picture it with the two lugs taken away and the bow put back on again you can see now that it is in fact a lady's fob watch when converted to a wristwatch those lugs were soldered on and the instant giveaway for getting the pendant is the fact that the 12 o'clock was in the wrong position it would look very strange on the wrists of the United degrees out the lovely thing about it is the case back which is enameled on the gold we've got a pair of blue birds with some that appear to be pansies a very pretty scene which again as a latest fob watch would have been charming but whether it's back to the wrist would have been absolutely pointless so let's have a look inside have you ever opened it up well not just the back well it's 14 karat gold and it is a very typical Swiss cylinder movement a very typical ladies watch of about 1895 possibly just into the 20th century now for all intents and purposes the wristwatch came into general use at around the time of the First World War so I would suggest that somebody converted this lovely watch to a lady's wristwatch probably anything as late as 1920 you also probably know that there's a great vogue now for vintage wristwatches having said that somebody now if you ever to put it to the market would take those lugs back off and replace with a bow then put it back as a lovely ladies Bob watch actually think you should do that yes I would like to would you well it could be done very pleasingly without any of those solder marks showing and then it's price at auction would be in the region of 550 to 600 pounds there's just such a charming scene and in very nice condition so then I hope you'd wear it I would too thank you but when you play with it you push it to and fro this makes the doll which is made of wax sit up and cry the chances of getting a toy like this to survive for nearly 90 years intact still working and still crying and with its original costume and original bedding is most unusual it's just a family heirloom yes well it was given to my grandmother by an old lady who lived in a big house you know for your first grandchild which was my uncle and do you remember it as a child yes and where you're allowed to play with it as a child let me pushing it back and forth allowing it goals today are very very widely collected there are doll buyers all over the world and they would be prepared I am sure to pay in the region of say a thousand to fifteen hundred pounds to own a toy like this just because it is in such lovely condition majordomo really it went - without it they were about to fall in on five so being Ted and all working order I think it certainly be about 100 pounds it's really the color that appealed to me and plus the fact that apart from three little legs it's actually all turned oh yes everything is turned on here the top the base and all these extra bits and it's almost in the category of cream which is basically turned wood it's a little bit large for that [ __ ] there's an occasional table not occasionally a table and occasional trade used for any purpose e right in the house after was made about 1820 you know this is quite an early thing a good little table for a furniture collection and it's useful and it's like the venomous sea I think today the table like that probably cost you around about five and a half six hundred pound we will you shake me honestly this one is very colonized because this is Queen Victorian starvation and they're very rare it's a rare one it's a little bit stained but otherwise it's pretty good that's going to make somewhere in the region of four to six hundred pounds where am I in the shop written on the back you know what this is but do we know how old it is I believe it to the early spoke yes and what does that mean well I don't want something I'll tell you exactly in the first 20 years of the 19th century there was a wonderful flowering in England of this very very skilled Austin made by Spode and others they had total technical confidence they knew exactly what they were going to get when they'd let me start with a kill they knew what they were going to get with their gilding and all that and this is a classic example of what's called Spode London pattern these shapes made between 1815 and 1820 and when we look at him the gilding is so rich look at that if it's my source of you thick is there and the colors are bright and fresh looking really new it's one of the great things about porcelain is once who fired it it stays like that if you treat it nicely it will always go on looking lovely but this mark is a typical early Spode mark and these big red letters and that's a pattern number which occurs on every piece pack number two six nine seven now normally when you've got a cheese service like this and the teapot is damaged people would say oh well a service is brewing in this particular case but quality is so hard that the individual items still have substantial value and there are people who would want one tea cup one coffee cup on one saucer they have to share a saucer yes and never intended to and I think you would reckon calculated a trio like this is probably worth about 200 pounds and a dish like this was the same the pieces of form a little more each say you're probably looking out for insurance Assam approaching 3000 this I would take to somebody and get them to clean it and glue it back together for you get it done it professionally shouldn't cost very much more than 50 pounds but get it down and just to put the whole thing together it is really this is a really expert a pair of glasses they are French of course and they come from an area that it's definitely known as a Palais Royale and that was full of people who sold it all beautiful knickknacks of assorted mother-of-pearl the enameling on them is Limoge enameling and Limoges was famous for its enamel as since about the 15th century it's all beautifully engine turned underneath the enameling so that you can see the pattern showing through the translucency and enamel is a very tricky medium because it's not like porcelain ware or pottery where you put your piece in the kiln for hours or days the enamel is 5 many many times each for 30 seconds or a minute so sometimes they're 20 or 30 firings and you can spoil it on the very last one where they ruin it completely but but they were extremely skillful and the decoration on this is is really lovely the rest of it is gilt metal and this has this sort of very nice and very elegant handle so that you can do that mother-of-pearl wheel to focus them mother-of-pearl eyepieces made about a hundred years ago they are not as valuable as they ought to be considering how beautiful they are and how wonderful work is but you still probably have to pay something like five hundred pounds for therapies today I think they'd be worth a lot more if they really had a practical use David I suppose we're all familiar with the work of Rolf Harris the artist and singer through what he does on television and we come here to South Wales I mean I had always thought that he was an Australian he come here to mirtha and discovered that in fact his roots are in the valleys now this is what an early work of of Harris's of row covers his grandfather's side and what happened to him I mean how much work did he do here he had a studio in Cardiff they painted portraits and and still lives I think he's decided through perhaps lack of work towards 1920s to go to Australia and explains the Australian connection yes and you you would say that it has more value and more interest perhaps in South Wales and yes indeed although this this particular work which is untypical is you know a jolly nice picture indeed it's a fun picture but it's very broad in execution if you look at his portraits they're quite detailed value of something like this would be probably in the region of seven or eight hundred pounds and an average for the portraits probably around a hundred to two hundred pounds more a sort of local interest I think the portraits do you like it I do you do absolutely I lived with it for 65 years Oh 65 years fantastic I think it's absolutely miraculous I adore it oh this is the sort of archetypal mutant majolica where majolica as I've said so many times before is an earthenware with these bright colored glazes which were so popular in the second half of the 19th century Minton was perhaps the best of all manufacturers and they made this tea set I think I've only ever seen one other complete one and the last one I think was about lunch simply three so to see another one turn up here I think is so exciting I love the way it's been designed it's been very cleverly thought out the teapot is made from a whole lot of nuts the Sucre is a squash or good the milk jug I think is an is not asparagus what's an artichoke it's called isn't it then we've got two teacups and again as Goods with leaves coming off and the sources are lily pads each piece is carefully fully marked we've got the Minton name impressed we've got a Potter's mark a date code and a mold number which happens to be one three four nine on here and that that meant was that with a mold for that Shane was that number and in fact on this one we've got a whole range of dates from 1872 to 74 you don't know what your parents paid for it yes 50 pound 50 pounds there's a lot of money 650-pound a lot of running so they can vary rated it as an employee yes yes well I think they were right to do so because majolica has now really become a cult collecting field the markets slightly flat at the moment but it's certainly gonna pick up again there's no doubt about that and conservatively I would put about two and a half to three and a half thousand pounds on this really but if you back Mississippi's which we bought other books about 30 30 years ago we were traveling to London for a weekend and we stopped we saw it in the window at antique shop but I asked the price I realized that I couldn't possibly afford it how much was it thirty five guineas well that's probably a lot of money it was it is but it was more than more than half my monthly salary so we reluctantly said no thank you went home sorry buddy boring to fold up the shop instead preserve it for me well we've looked at a good many of these present chests over the years but it's a shame not to look at a couple of points on this one which just take it out of the ordinary as you know virtually every house in the land had at least one of these to put linen or even the occasional lover so they said the one thing that if you're going to buy one of these 17th century pieces it is nice to have the original hinges yes now they old iron double hoop hinge of which this is the top part it's just the end of a split pin yeah it's so often broken and here you can see well you know yeah I wouldn't have I first looked at it I think those are probably the best thickest and best preserved iron hinges I've ever seen I mean they are so good so pure they could have been on there 50 years rather than box it's 1660 when this thing is made I suppose I don't know yes absolutely and I mean that is marvelous to see and the other thing is certainly with these panel fragments to get a bit of craftsmanship and here you've got absolutely everything that point by this is that so many of you were playing and done in the Victorian town we can all carved up in the Victorian period and the thing about 17th century carving it might have been slightly primitive but he was extremely well-put-together well balanced yes and it was precise and everything on here you can see was done either with a ruler or with a compass the drawings are either roundels or straight line and they were created with the use of a half round chisel a round punch or simply a gouge and those were his working too I think pound-for-pound Brown was probably giving more 10 to 15 years ago for good coffers like this than we are now yeah nevertheless having said that last year's price for this would have been about 800 pounds I was a definite lump this year you could expect to get twelve hundred and fifty to fourteen hundred pounds for it quite well they do say that beauty is very much in the eye of the beholder and I suppose this glass bars that you brought along today might be described as both somewhat weird and wonderful now my first question to you is which do you accept weird or wonderful there's a family family object or something you've purchased in recent times it's been appreciated by several generations of tumblers that's nice to know that's very nice to know well I have to say right away that to all intents and purposes it has the appearance of a Tiffany bars with this iridescent surface but it's never been anywhere near America in its time I have to tell you right away that it's Austrian the factory itself by the way was called Luke's victory with love it maybe in the German well for word for Widow they were started earlier in the 19th century your handlers died in his widow carried on the business but by this time we got to about 1900 things had changed quite dramatically this was the great time of Art Nouveau glass when iridescent glass was very much de veau and in America Louis Comfort Tiffany was the big name and in Austria the Lutz Patrick there's a lot of glass out there that looks very much like this but pointone a good thing to look at is the thickness this glass is quite a thick glass there were lots of Austrian makers imitating lurtz and the glass tends to be much thinner another thing to look for is the base if we turn this upside down you'll see if I can turn it like so there's got a polished pontil so any all I can say is it's a good sign when you've got a ground Pont or as I say there's no mark on it it's about 1900 woodie's you'd be happy to know if it was worth three or four hundred pounds would you be delighted to know that it was worth nearly three to four thousand pounds believe that takes unbelieving but gooseneck glasses of this type extremely sought after the you can imagine how many have got broken over the years yes very vulnerable piece well [Music] my people I can't say it's after the Rockingham start it's going to be a teen trendy yeah too early for rockin this is a Steiff teddy bear we know that because if we look in his left ear there's a little button that says slice okay which makes him amongst the teddy bears the favorite he's got boot buck knives okay the later bear teddy bears start having to color glass eyes this is only because he's got boopin eyes okay if you look at his back he's got a little hump yes and somewhere in here it doesn't work now but somewhere inside his stomach is a growler yeah despite his play born condition which is a nice word to describe that he is by nicely play one he is still very baby and if you went to a shop today to actually purchase it they'll probably cost about eight or nine hundred pounds which i think is quite a lot of money when you consider that he has got all these ongoing repairs possible not years I think it's wonderful he's great he's great fun isn't objective in the front it's late [ __ ] face that means old your eyes ones like that dog on top of Jerry he sees a tobacco job or so it in a late majolica colors 1880 and well we're not sure where he's robbed but he's have got a good pedigree at the he's a handsome chap that value though he's practicing but I like a good boy an easel back so he stood back well they did make them quite a bit bigger they made them almost double the size but this is a very reasonable size indeed yes and in this state between about 150 and 200 pounds did really yeah so what did what did she use it for [Music] it's a scale model of a school's class locomotive and tender which were designed by somebody called re L Mansour and he was the chief mechanical engineer for the southern region in the 20s and 30s they were produced between the period of 1930 of 1934 and about 40 of them in we manufacture and they were all named after important and famous public schools of which you're honest their knowledge and that's a school and in South London it's a southern region railway locomotive and so it's slightly out of its territory here and a funny sort of way how did it come here what I'm told it's been in the family of 30 years I'm told and my cousin run it around the shoulders and areas blazing that he said it came from Brighton do you know who made it I don't know he said it's on him to nobility but I'm not sure it's a strange it would be snowing I would think yes to start making locomotives like this yes I was magnificent yeah these there's a certain amount of artistic license has been used yes on this on the real locomotives this pipe just here should be straight up yeah here this one's actually curved yeah in an S straight yeah also on the the cab that would have been bars and Ross here and this I think that's these are working I think it is when you're using it he gets really hot how many people come here 20 kids can ride on it all she'll pull soon after she's played the thing when she steamed up now we come to the sort of question as to what we ought to insure it for obviously yeah the countryside for insurance purposes I think we oughta think in terms of about 15,000 pounds or so in 15 I didn't get anything like that well it's the most magnificent Welsh binding we have Welsh leaks here a little Welsh crests there with saying underneath which I believe translated means better deaths and dishonor and this to Colonel David Rees Lewis who was he he was a distant relative of mine and when his daughter died it was left my parents to clear the house oh yeah this is one of the things that they had I know they are gone is be passed on to me and it is obviously a fantastic illuminated manuscript here's his name again turn or David Rees Lewis in big gilt letters I assume his house here yes at the top standing anymore isn't it no it's where mirtha please soccer actually it's Alan Park and the picture of him mmm I must say it's remarkably high quality the borders are beautiful war memorial the county school Town Hall here General Hospital the castle and I assume what they're saying in all this is what a splendid chap he was how he did an incredible amount for the town and look at these wonderful little and mirth Irish burnt bottom here these they look like flamingos but they're probably not ibis or something like that very pink not the sort of things you'd find finding Bertha and then going to the mostly industrial side I noticed that the ironworks in the corner and guests Memorial is one of the William guests a ton of the ironmasters right I'm going on oh we've actually got a colliery here abaca nay I become an Abba can it fit through to the Chevette ik engine that's right well it's a magnificent illuminated address I mean can anybody believe that when you retired that probably not only did you get the keys to the city but you also got something as beautiful and as intensely beautiful as this I shall given us what people are nice to each other in those days but what a magnificent thing how could one possibly value it to you to your family it's priceless to somebody who is collecting this sort of material it is possible to put a value on it I've never seen such a good one with so many views so many tower views showing the aspects of mirtha I would say this was worth about $1,000 really perhaps more but certainly it is the best bag nificent one i've ever in fact a thumping piece of Merthyr Tydfil e armor if that's the collective noun for nothing the sort of primitive furniture has a great vote great following and it's also a very important part of the development of furniture it's now and this is described in most catalogs as primitive Welsh furniture but the important thing to this one is that you've got the family history so when was it meant as far as you know well it was believed to have been made by my husband's great-great-grandfather he was born in 1784 and he died in 1861 first off the shape could have been as early as 17 2013 30 and this sort of chair with the sort of condition it's difficult to date because in fact some of only perhaps a few of these pieces actually is old because they never threw anything away they simply mended it they put another piece off important two bits on the seat and they are right now let's have a look at the at the arm that sort of bowed arm was very popular for corner chairs whether they be Chippendale grandeur or their be country cottage from about 1745 1750 through until the 1860s however primitive he had an idea of what to look for because he's got this little curl on the out just to give it a bit of shape so he knew a little bit about what was going on in high style furniture and if we look here I'm going to try and turn piousness turn around look here at the lap joint very stylish really I mean that's not really primitive that's a very sophisticated so that could easily have been made at the right time let's say we made it when he's in his 20s about 1800 I'd actually go for that that's very good the seat underneath let's have a look at that now that's one I'm going to get down there have a look you see what is crystallization and these rough adds marks I think your great-great-great-great having many grandfather's used in earlier seat because this I'd put mid 18th century and of course three legs so that it would stand on an uneven floor but look at these wonderful names handmade iron nails to secure the uprights to support they are now you could do one of two things with this because you've got the worst part they are reporter is this it here which is not very old so you could in fact take that away and fill that part in and you would have a perfectly correct looking chair I like to think because of the balance of it it originally had one it got broken they put another one in one of the legs got broken they put another one in so it's built up over the years but nevertheless it is original now it doesn't look very valuable and as I said earlier it's not very you know we're not talking about anything but a chair like that although irreplaceable to you even so has a commercial market and probably between twelve and fifteen hundred pounds oh you're the curator of the local museum yes that's right and has this picture been on display no it hasn't it's been lying in the art store at the Museum unseen and indeed pushed very much towards the back of the the store for as many years as anyone can remember really I'm gonna take it out if I may yes and yeah because it's behind glass which is has its advantages and also its disadvantages television and I assume caught it in because you like the artist that's right I know the name Jack Yates and I realized that he is an artist of some interest but I know no further than that really what do I mean I think that Jack Yates is one of the great 20th century artists and I see Jack has been a visionary poet in paint his father was an artist and the two brothers Jack Butler Yeats and his brother William Butler Yeats and William of course being the visionary poet and what I like especially about this is there's been behind glass and these it the glazes are untouched we're not looking at something where the varnish is dull we're looking at them as fresh as the day they were painted and of course the Irish now have really become to appreciate their and are so in Irish terms and the Irish market terms gates is highly appreciate and it's not enough for me I think you should be appreciated throughout the world as a major 20th century artist yeah but it's so exciting to see what I call a real painting yeah on the show rather than you know beautifully a good academic pension mm so I'm really pleased so really gonna take some steps to get this in the museum yes indeed yeah well as you said it's a terribly important painting then which has been stuffed in the back of the cupboard for far too long really and one of the first things I will do obviously is make sure we get it mounted in a in a better frame really and we'll get it on display as soon as possible I'm not too sure of the date myself but I would say it's 1934 Fortas not as late as fifties and I don't think it's as early as 20 so I think it's somewhere in there probably in the 1940s oh yes I mean this is quite an expensive picture Yates has been sold at auction for over quarter of a million pounds and a little larger than this maybe 20 by 30 inches or 30 by 40 inches but and have been sold privately for more than that I don't think it's a lot of money I don't think when you've got a major international artist it's a lot of money it's only a lot of money if you consider Yeats to be a minor provincial Irish artist which I don't know and this I think today is worth sixty to eighty thousand pounds I mean I think I love this plate with with this house it almost looks as though it's it's got the slide downhill anybody with the Copic or blue doorways of the a little plume of smoke I suppose coming out and that worked with the gorgeous patent I suppose the center as a bit I don't know like a I could be them down or something heavy may be beautiful but what's the history when they put my grandmother's and when she died I inherited these and some other chime in her that she had this is English It's Made in Bristol by pompous factory in on the banks of Bristol 10 banks factory and a very very fine for him starting in the 1820s and this is about as was 1830 in date under fifty sixty years of age and in remarkable condition to absolutely good for clean as a whistle and the back is nice and clean the in cream where and a very very beautiful plate I suppose the sort of thing because of its naive quality of painting is now going to be in the region of about four to five hundred pounds and this one this one had you have you wondered where it was from or who made it yes I had but I have no idea this interesting they also comes from Bristol but it's Bristol Delftware ten ways pottery and and somewhat earlier that's 80 90 years earlier than the the mayor found new factory a typical piece of crystal Delphia it has a blue tinge to it this is doubly the blue haze to it and fired on three stilts these little Mark's here which are indicate the stilts on which the factory fired the pieces to stop them sticking to the to the kiln in the fire and then so beautifully decorated I think the color system is is absolutely gorgeous a triangular based arrangement with these erupting flowers in reds and yellows completely non-existent flowers they're not okay crazy but I do like this gig of dress kind of arrangement I never seen that happen done like that before on English colored oh it's a it's a joy to see it had you thought about the value of this well you're not really I have I have no idea what it's very surprised to know that it's probably into for theatres it's probably something like about a thousand two or 1,500 pounds I'm amazed David when we began our day here in mirtha people asked as they often do or what would you expect to find and I said well since we're only 12 miles away from nan garrow the famous Welsh porcelain factory some of its bound to turn up and it didn't until we had to actually borrow these two pieces from the museum there's no why was that well I'm not surprised it was always in that luxury market it was made a lot of it was made for under 10 years a great deal of it was sent to London for decoration and it never made its way back again and so if we've found some here I'd have been quite surprised I regard this as absolutely typical of nanteos is that right yes it is molded border gilt decoration of good quality and wonderful painting in the center and this one is in its way even cool because you can see clearly the nice molding here this one is a straight take off of serve mm-hmm absolutely pinched from everything even to this little blue border with the gilt dots on it the layout of the flower painting even the way it's done is very like save and of course there was always the comparison between the serve body and the Nant guru body it's a very fine soft paste and very difficult to fire and if you hold it up to the light you get this miraculous translucency so your fingers right through it yes it's been likened to sodden snow which I think it's very good

Channel: UK VHS Archive

Views: 42,078

Rating: 4.6108108 out of 5

Keywords: Antiques Roadshow UK, Antiques Roadshow, Antiques Roadshow 1991, Hugh Scully, Merthyr Tydfil, South Wales, Jack Yeats, VHS, VHS 50fps, 50fps

Id: 6srqOXVKoQs

Length: 43min 0sec (2580 seconds)

Published: Fri Nov 16 2018