Antiques Roadshow UK Series 23 Episode 6 Selby, North Yorkshire

[Music] it is a gigantic undertaking to give you some idea of the scale of it all each of Drax's 12 cooling towers is taller than some pauls cathedral the river ooze kindly supplies three tonnes of water each day for the cooling process and it was the river that played a crucial part in one of Selby's most colorful legends it involves monk benedict of Zaire who in the year 10 69 had a vision of a place where one day a great Abbey would stand years later he was sailing up the river whose when suddenly three swans settled on the water and Benedict recognized the area as the one he'd seen in his vision he planted a cross and staked his claim selby Ibis survived the dissolution of the monasteries and the odd natural disaster and contained some fabulous stained glass the most famous feature is the 14th century washington window jeong de washington was a prior in the region he shared a family tree with the father of the new world George Washington the family crest of stars and stripes shown in the window also served as the basis for the American flag Selby was heavily involved in the English Civil War there was the Battle of Selby in 1644 when Lord Fairfax stormed the town and recaptured it from the Royalists but 700 years before that it became the home of the Archbishop's of York this gatehouse now owned by the landmark trust there's all that remains of the Great Palace at Cawood King John and Henry the eighth who were guests here in their time and it was here in 1530 that Cardinal Wolsey was lying sick when they came and arrested him for treason he was a popular man in these parts it said that as he was led away there was not a dry eye in the house it's an event that's been enshrined in legend and song and all the king's horses and all the king's men never ever did restore Wolsey again and so to the show our academy of experts is installed of the abbey ledger center hoping fervently there'll be no Falls or breakages let's see what the people of Selby have brought us quite a lot by the look of it that's the first time she's in the old days whiskey keep you going yeah well that kept the deer safe I'm sure maybe could fire a decent shot after that we'll get some things taken in really it's a shocking grace pedestal is certainly is all walnut on here because solid walnut balusters though I think it's really nice and this this frame here all very gently sort of scalloped all the way around I like that too it gives the at the top of the table really quite a lot of weight doesn't it yeah now I'm going to go underneath here and because this is a tilt top table it's if I can do this I might need some help that sounds good here we go now that is pretty spectacular I think can you tell me anything about this or where it's come from or well I got it from a father and it was given to him by his mother and it belonged to her aunt and uncle now I believe my grandma's uncle was a mace bearer of Pontefract and I'm given to understand that it came from the Lord no Scarlett gracious so it might well have a very grand provenance then yeah I think he came into my uncle's possession about 60 years ago right well the data the table would go back quite a long way other than that and the style of the base and the the really incredibly decorative character of the front would suggest the third quarters say of the of the 19th century so it's still showing quite a lot of French influence and the French style was very popular at that time walnut veneer as a brand into it to set all these different shapes and cartouche shoes and I think that I mean the middle bits almost two cubes isn't it really these musical trophies that you've got there and here really lovely violin and a tambourine and a horn and so for musical trophies and then interspersed with flower springs fantastic color in the skeptics its greens there is a problem with the surface of this table yes restricts the polish off about seven or eight years ago why because our eldest daughter who was three at the time decided to color on it with the felt-tip pens and in order to remove the color we removed the Polish right I would never had it redone right well no I mean it's a shame because they're a little bit suppose left and you can see the richness it really would be worth having that properly polished again well I think you ought to consider an insurance valuation of around six thousand pounds because if something happened to it you wouldn't forgive yourself yes she's lost her earrings and she's lost the top of that crowd but I think if she was washed up even with those defense she'll probably be worth about a hundred and fifty pounds probably a little more now this object here is rather interesting isn't it we've got a little stoneware thing and you know what this is well I think he said wahwee yes yes Anna and the hot water bottle you can put in this and it was made he can see the registration mark here and that was registered in 1929 oh yes and you acquired this one another relative you've done very well from your relatives it's not very valuable 80 to 100 pounds perhaps a little more but it's it's a good interesting piece and then this big what I suppose we can rather posh we call as jardinière in Yorkshire you're gonna ask me test report when yes yes well it's it's a very well-known piece it's made by the minton firm probably around about 1860 1870 typical of what's called majolica Jolicoeur introduced by Minton as a result of experiments by a Frenchman Leon are know who was their art director and he had this way of making these opaque colors to decorate what's really basically a terra cotta pot you've got something which is well known very collectible really unfortunately it's got a little chipper you can see yes yeah we turn it round here you can see the little chip there but otherwise it's in pretty good condition and they're extremely fashionable in America I would think in the region of two thousand pounds probably a little more yeah so of the stuff the items we've picked out from all those you brought today I found these extremely interesting so yes thank you very much for bringing today thank you every so often you get a rare treat on the roadshow and this is one of my rare treat because I've never seen a brass kettle understand exactly this form where do you get it from well I inherited it from my father's family who were very local and were farmers in the area my grandmother saying that it was used as a at the sunday-school teas I think it dates from about 1820 it's got the original turned evany handle on the top of the kettle which matches the turned Ebony on the stand if you turn it up inside you've got a tinned interior which is what you should have and the really rare thing is having this stand which although it looks black is made of brass - I didn't know that the stand was made of brass I always assumed it was iron no no if you look carefully particularly up at this top end you can see the original brass underneath this black patination and all this heat in the fireplace standing in the ashes is what has made it go completely black and inside this wonderful pig of iron so for your family's sunday-school teas that would have been in the fire and would have gone into this and would have radiated the heat into the bottom of the kettle and it's all remained exactly as it was in those days yes in my living memory it's never been used and I've never cleaned the back of this kettle because I think if you do clean old brass you're losing part of its history I think this color remaining on the original stand is very attractive now like a kettle like this ordinarily would perhaps be worth 100 to 150 pounds to have the kettle on the stand from this period translates it rather excitingly into an object that's worth perhaps six to eight hundred pounds that's the difference by keeping it all together it's wonderful not surprised really we've got here because it's a small collection of absolutely the typical time watches that turn up every round sure the problem is of course that everybody had a granny in the rampart and most of they've got the watches and so although they're marvelous pieces of pieces of work this is the one here's a typical granny watch some nineteen hundred beautifully engraved probably still working immaculately but 50 pounds or less so this is a very as you said very handsome collection with some of these to my innocent I look terribly expensive what do you advise people to do bringing in their watches to avoid disappointment well it's difficult which really to say because there isn't of course an easy way of looking on the bottom and saying it's marked like this so therefore it's 50 pounds or honey but I'm afraid one just has to have to bring them along we have to have a look because there's always that chance it's going to be something inside that's going to make it always very nice nice one it's been passed down the family on my husband died from his great-aunt it was the lady in the picture though it did originally belong to her five-year-old sister which she got it for the Christmas present which unfortunately six weeks later she died of diphtheria and apparently when she witnessed with the left phone she was holding with a doll when she died totally sisters kept it in memory was that an orange - yeah there's a tragic story and as I always say the things that are more valuable are the ones that haven't been played with and usually it's because of a sad story like this she's been put away in her original box in superb pristine condition and the fact that it's a British doll because we don't have very many British dolls in this country she's what we call a shoulder hair discern she's all in one with a shoulder blade lovely original silk satin dress and little overcooked original shoes her own little bag and this photograph of the original owner all go to push up her value - I would say somewhere in the region over to 300 possibly a little okay well this is really psychedelia isn't it fantastic bit of optical art but from when not from the flower power age of the 1960s but look at that one that's fantastic too this is if you like psychedelia from a century before that he's a nineteenth-century kaleidoscopic slides and there's another rather fun one here of somebody looking in the mirror and they see the donkey's face and instead of their own now these slides obviously go with something much more extravagant this wonderful magic lantern before can you trace it back yourself wanted the wife's uncle there surely when they were little like so he's his job was as a rejection I want it with a plumber very good this particular magic lantern is a very good quality one it's good mahogany body brass fittings and on the front here is the name of the manufacturer the Hughes company was working from the 1870s all the way through until the early part of the 20th century there are two distinct parts to this one is the the lantern itself I would say we're talking about perhaps 400 to 600 pounds sort of bigger and then we come to the slides I would have said that we've probably got about 300 pounds perhaps 350 pounds worth of slides so put it all together and on a good day it could be she asked edging up towards a thousand bananas remarks on this year a jolly confusing because it's stamped there Nevada silver fee that is actually not a gram of silver in this it was actually a manufacturer in Sheffield in the nineteenth century who was literally stamping all these names of a today there's no way they'd allow you to actually put that on because of course it would be so exactly trade subscriptions act here it's made all the more confusing by these marks at the end because there's give you of course a visual impression of a set of hallmarks but they're not when you actually look at them in detail they're quite spurious and they're just made to give you that idea of a set of hallmarks so the whole thing really is set out to confuse in a nutshell I think in 1906 cell barely was destroyed by fire and one of the stonemasons that our period in time retained so much wood from the Abbey and over the next 10 to 15 years they used it for carving walking sticks for special people are you had to be important to get one are generated yes this one is an earlier one which he carved for one of his workmates but this belongs to Sylvia P from their archives this is a later model probably around 1920 but both made from water cylinders from the old Abbey under marked on old oak 1069 shall be available 1065 wonderful we were born and how many how many how many of these are there probably twelve in the world it's mounted in a very pretty platinum case that's probably French but the value of the watch is more or less commensurate with the diamonds and the metalwork so it's probably worth in auction something in the region of 400 pounds now when what we got here is something else we have a compact it was given to me fairly recently by better not say an elderly lady and mature lady and and she didn't heritage it from an even older lady that had died and and she gave it to me I think for safekeeping well this jet-black like this is quite severe looking but it's very typical of the 1930s let's have a look inside inside you got the mirror and then you've got these two little doors rather like wardrobe doors and as the lid flips up it sort of slightly releases the handles of these doors and you can see it's a powder compact inside there you've got a little hallmark and it's not gold it looks like gold but it's actually silver gilt and it's black enamel on the surface so if I turn it round like that you can see the full extent the way that it has been black enameled lovely diamonds that form this flash on the front initially I think they probably weren't if you think about the 1930s it was fashionable to put a monogram of some description in a very linear look there's a tiny inscription my daughter saw it and there's a number that's right because it's by cutting London and if you look in the hallmark it's 1934 and that makes it quite valuable I'm pleased to say now it ought to be worth something approaching a thousand pounds yes oh well I was going to keep my pillows in it you still what you still I'm especially looking at these beds well it's entirely appropriate that says we're here in Yorkshire today we should be looking at this wonderful piece of embroidery which depicts archery because of the important Association that Yorkshire as a county has had with the development and history of archery now this Stampler we can see was worked by Sarah ensign who finished this work in her 11th year 1802 so she would have done this just at the beginning of the major part of the Napoleonic Wars and if we start from the top of it there's this wonderful scene of an archery match and you can see two gentlemen there one of them has just loosed his arrow and it's done of this beautifully naive style there's a great arrow winging its way towards the Bucks and the two chaps standing next to it presumably of the score as I think they're probably quite brave fellows to just them there one thing that is very important about the whole aspect of archery is that it was the first sport in which both men and women could compete virtually equally in an outdoor form of sport and there we have a lady very very fashionably attired the detail is absolutely beautiful she's a really has observed things works a minute and I think she's been inspired by them my favourite bit of the whole picture is this person arriving for church service at the sedan-chair now that's got his style yes you get lots of formal painting of people standing there with a bow and arrow being painted by the leading artists of today but there's very little that this sort of folk art that I've ever seen and yet archery was so important in the history of Yorkshire and there's a match now that's still known as the York round which is still shot so it's absolutely wonderful that we've got it here today and in beautiful condition with very little fading and just the odd little hole in it I paid for that and another sound plaque which knew a friend of yours had and I paid two thousand for the tool well I think it was a good buy because I think that this is worth about 1,500 pounds because of its clarity and it's unusual subject as well how did you come back through your family inheritance would you buy it it was a gift a gift it's a fabulous gift to have a must say you know it's Japanese obviously I presume that Japanese yes and what do you think he is with his sword here this samurai well yes but in fact he's a little bit more than it's a bit more complicated than that in fact he's a sort of renegade samurai warrior he's called a yama bushi Yamabushi were priests samurai figures was he like a bad warrior yes he would yes he would have been that he is a sort of renegade character who left the official samurai clan there for whatever reasons went into the mountains and became a priest samurai but he didn't turn out to be a particularly good figure in fact he was a renegade character and they would then descend from the the heights of them at the mountains around here to descend into Kiev and course absolute habit so they're not at all popular actually this particular figure is by one of the most well known of the Japanese bronze makers I can I take this off here which is a sort of traveling box here and let's take his conchshell off now this conch shell you can see he's blaring it by his rounded cheeks I suppose is it a sort of mobile telephone of its day so he would have been calling his companions who know from the mountaintops one else's arrival or to announce arrival indeed but this particular piece has a signature at the back here and he's by quite a well-known maker called Miao who was the most well known of the Japanese bronze makers this of course is post 1868 when the habit of wearing swords was was forbidden and people turned to western dress and that's all the metal workers turned their hands to making animals and bronze figures some are extremely fine and they can be large and enlarged miao ones which are of wonderful quality are worth tens of thousands of pounds this particular one it's not really at that caliber be worth and in Iran or something like 1500 but probably more like two to three thousand pounds so I think that's what strikes lovely that one snow pig and this one looks he looks a bit bashful yes he's not actually look he's grumpy he's grumpy so maybe this one is um he's bashful she's special very good well you've got it these are these are lovely group of Snow White the Seven Dwarves and where did you get them from and and how old were you when you started very good can you see on the bottom here there's a name which says Wade and it's being cast out of firm pottery and then it's been painted on afterwards so this this paint is a little bit fragile you can see in places that it is a bit chipped yeah but no it's it's a nice early set dating from um probably the 1930s I think it's actually worth a lot of money it could be worth about caps five so why doesn't it I understand that it was done by a private in the regiment of Captain oats after the Scot of the Antarctic where he went out into the snow to die and it was done with I mean darling well because it looks very coarse wool yeah and if it was done with army sock done well that makes it kind of triply interesting in a way and here we have a gallant gentleman the absolute emotional epitaph here it's it's very beautifully done it survived in jolly good conditions I think it's a really super object and it would be incredibly popular where it ever to be sold if this comes onto the market I think you'd be likely to get between a thousand and fifteen hundred pounds it's a very rare of thank you very much ringing thank you this was presented to my great-grandfather surviving president and he was a barrister so I suppose the connection is quite apt to anything of the history well the title laying down the law for trial by jury yeah the other title but he's one of the most famous images by Lanza one of the greatest painters animal painters in the nineteenth century at that time judicial reform was very very topical and the artist was trying to give us a message here it was a satire in the ferry effect that possibly animals and dogs could do a better job than their human counterparts yes yes yes I do understand that Lance you saw the dog sitting at the table and said it remanded judge and I think we better say now of course that it's not the original oh yes yes but it's a very very good version of the picture now it was either purchase or permission by the dupes of death at the Duke of Devonshire wasn't it and it was painted about 1840 yes that's right yes this dog here this Spaniard was in fact the joopa Devonshire's dogged it was engraved in 1841 fifty-two an Indian graving he doesn't appear and in fact the dog was actually painted in later yes an artist really magnified their income by having the paintings engraved and setting them the engravings all over the country look at this wonderful poodle the poodle belonged to count d'Orsay and I think he's the most wonderful imposing figure with a copy and it's a very good copy I think probably ought to say 2,000 or 3,000 pounds an inch or a bit more yes thank you some of them are of incredible rarity wonderful things that's a terribly rare one that that's this little chap here on the front so Worcester won a lot of them are incredibly rare there's one or two that are probably a little bit wrong that date in 1790 is is wrong it's a later French piece they often put phony dates of them and this one Dutch decorated one that's here they belong in fact added to the lodge not not to us personally we're just the two who brought them along today for you to have a look at and how do they come into being donated principally by two members of the lodge who were quite wealthy and knowledgeable about this this is this is extraordin yes I'm terribly rare with the Freemasons on the front and the emblems as well engraved by James Ross who was a great Worcester engraver a pupil of Hancock the great originator of transfer printing and um this this is marvelous about 1718 something like that this one I mean somebody I mean this super lead spot on it must be I don't know fifteen hundred two thousand pound really this distorted mug is is splendid I mean here we're 1,500 2,000 some of the glass especially these lemon squeezer bases yes I worth up to a couple of thousand each so I mean on this table heavens alone just these few pieces from the collection yes there must be what 17 18 thousand pounds and and the collection I've had it just a little flip see through this collection it's my bending it yes and one must be looking at something like around about a quarter of a million or more take great steps to get them all itemized yeah and all it's yours yes and and perhaps enable the public to come and see it one day they can we would welcome people to take an interest well that's wonderful to know thank you so very very much thank you very much mr. Sandin [Music] very well that it just proves that it's got a good tone yes and what we're looking at is a corn opium please because at the date that this was made that is between about 1830 and 1860 they weren't called cornets they were called corn opions know very little about it actually yeah oh no it's possibly almost likely being handed down through the family and possibly played years and years ago by my wife's grandfather in a Salvation Army really was in the Salvation oh yes very good first thing it's very attractive I love all this sort of curly cues around here yes and the next thing is you look a bit closer you say hey there's something a bit dodgy with the vowels the invention of valves to to get the notes only came in in the 1820s and in 1838 a man called Shaw invented this particular yes his system which must have worked very well because although finally it's died out now it was actually used for many many years now have you played both types in no time and what do you have what's the difference how do you find this is a much smaller movement and the piston movement have a valve movement now right much slower that's interesting so probably that then decided the future of the shore system there there's some things I love about it which is that you haven't cleaned it no I was going to ask you about I mean there are two schools of thought there and particularly with an instrument that's used perhaps in public performances people like to think that you know a brass wind should be shiny and clean but to me I know I'd bang on about this all the time something that's old I think should look it and it's just this wonderful pattern of through here this golden coloring which which lightens the gray and I think it's it's wonderful to see here we have the maker kohler of henrietta street here it is again in London obviously of German extraction the instrument itself is a rarity and cone opions are very desirable if one was talking about auction value today we'd be thinking about perhaps between a thousand and fifteen hundred pounds under surprise had you had its case that might have pushed it over two thousand releases so that does make an enormous difference but as it is it's a wonderful instrumentation and go on using it I've not seen leaving like that before it's extraordinary isn't it yeah I'm allowed to tell you the real thing is that generally brought me a bit of soul now I would say gosh there's bread tears can not very nice and they made these very complex slightly Turkish inspire piece this wonder my mind is but only bitter Sean I have ever seen the works I think I think the painting very well it's a sort of fire see material these colours typical of 1875 to 1890 I suppose it probably worth about six or seven hundred pounds I haven't seen anything of this polity did you know anything about this before no not at all I have always liked it and my father bought it for my mother I've always said I would like it came to me I was really pleased to have it we love it I think it's some extraordinary thank you for luck thank you now it's a strange thing about the roadshow some days we never see the same thing some days the same thing occurs again and again this is the second wonderful coordinate we've seen today can you believe it now curiously all my life I've wanted to play the cornet I've never I'm completely unmusical I'll never do it but it's always been the instrument I particularly loved so why have you got this one well that belonged to my husband he played in a car rebound in this area in the Wakefield area yes right I think he bought it a few years after he started playing but about remember--we right it was an echo car it always wanting it now this is the interesting thing about it because this is a very unusual instrument in the sense that most cornets obviously as most trumpets have three vowels now this has got a fourth valve and that allows sound passed through an extra tube extension here I'm into this extraordinary sort of shaped extension which funnily up almost looks like sort of motorcycle exhaust pipe doesn't it now when listening to brass bands I've often heard when the corners are playing there is this wonderful of echo behind the note and I've never known how it was made because I haven't seen one of these seeing one I can understand it completely that you get that extra effect on top of your your main fingering through the fourth valve it was made in London by a company called besan we've got the box here that you can see there's their label and made in about 1900 so it was quite an old instrument when he bought it an instrument like this in this condition with all the box by besan should be 800 to a thousand pounds yeah now skeptic because it left it exactly which is the best reason for keeping it it's a memory of him and to me it's a memory of colliery bands was the nearly a thing of the past I would describe this as a sort of firm sideboard between what else have you got we've got what we call a desert of chiffon 'yeah which is much smaller but he goes with this I feel now it would have said that this was a French piece it is yes it is immeasurable and it was both the last year of the war in an auction room in a little town in the massive sample by my parents among other things right the Maduro material is a magic name really matter are associated particularly with the great period of French are Nouveau furniture who came to real prominence I suppose at the 1900 exhibition with very flamboyant curvilinear work and lots of marquetry and lots of gilt bronze and in a way one could say well this doesn't have a lot of those features there is a fact a mark which says mozzarell nor see down here and he didn't sign all these pieces but the better quality pieces was usually signed I'd love these handles must say absolutely tremendous these have got grapes on them too you can see and we've got grapes carved into the wood in the middle they're also very marjorelle feature then let's just have a look at the draw the dovetails here very tight very evenly spaced which suggests machines in the dark alley and os is great because at the back I hope you hardly ever see this but you can see the the absolutely characteristic features of machine cut dovetails with these scallops this will suggest that it is indeed a machine made piece even though it's of extremely high quality the other thing that perhaps goes with your idea of it being measure L is the is the use of this water iron work and this is to me what really makes the piece of furniture I think this is really fantastic you've got vine leaves grapes and behind it a panel of glass which sets the whole thing off Lorraine which is where Northey is worth where major Albert became very famous for its iron work in the late 19th century and Majuro picked up and really exploited that I think for an insurance value you should be looking at around nine thousand pounds nine thousand good tomorrow so I comes it's a nice very nice surprise it says it is a handsome piece I must say we love it very much good here we have a limited edition of the fairy Caravan which was one of the later books by Beatrix Potter and she signed it inside here for Fred Satterthwaite and metal with kind regards from the author Beatrix Heelys where we all know that she was married to William Heelys and solicitor and in this later book she actually calls herself Beatrix Heelys so what is the connection with Fred Satterthwaite and Beatrix Potter Fred Satterthwaite was portrayed in the book as metal his dog as Beatrix Potter always turned characters from people that she knew so she wrote about people that send them into current oh that's metal was his dog lovely love it if I turn to this page here because it is a picture of a smithy anyway and in the middle is that metal that's metal she's actually more metal in that that's metal I think it's a wonderful wonderful story and all his dogs are called metal what all the same time no they Lakeland Terrier it will make them Terry yes presumably when passed away or whatever happened to them they the next one was called Mack called metal very envious very always remember their name well that's absolutely lovely now have you any idea of value and not really that said that I do know he was offered five pounds for it a number of years well a lot of years ago yes that's amazing and it was given to me and he told me that if ever I was short of money then I could spell it right are you sort of money could be well would it surprise you to know this worth 5000 hours but better than five pounds I think I think so by a few thousand yeah yeah thank you very much for using it's a lovely story well I trained as a leader work teacher and when we were living in Surrey my husband had this bright idea to start a needlework collection so being in London we had the opportunity to go and buy things fantastic now you bought this a long time ago about 17 years yes well I know that it came because it says so from the Shepherd collection when to his V collection and I think 1982 or something like that and it's the most wonderful piece of mahogany it is known as a new Dino D and it is for measuring skeins of wool and it's highly collectible early 19th century and probably worth as much as 300 pounds it's a bit of stick no it's not it's turned it's specially made I don't know what to take up next well that sucked I certainly haven't ever seen one of these I see him lots of needlework dolls with pins and everything else I has never seen one with all its limbs made of what you see this was probably made in Germany the sexual doll and sent over here and that again for a needlework collector I suppose we're talking about 60 80 pounds something like that and [Music] this is known as a goose wing and it actually is an early 19th century fruit wood knitting sheath in yeah you've got a knitting needle you put in and you go around the house knitting with one with one hand while you do your chores and it's known as a goose wing and it is highly collectible we're talking about somewhere around 150 for that I like this one oh look at that look at that with the original little Muradin interior tiny little scissors lovely little box leather we're talking about possibly the first half of the 19th century again up to a hundred pounds for that some Tunbridge where is it is it my why's it your favorite well i knew they're quite rare these were for holding narrow spools of thread it's absolutely wonderful that's a lovely lovely piece and it's in very good condition I would say that's probably worth about 200 on its own Wow one more little doll here which again they're collectible probably 1890 something like this my suppose again nearly eighty pounds or so for that so what we got here we've got getting on for a couple of thousand pounds wonderful collect just absolutely splendid well Celebi has certainly dug deep but of all the materials and all the objects on offer I think that wood has definitely been the star of the day there was that imposing French sideboard that lovely marquetry table and these excellent Thomas Strudwick walking sticks made from the beams of the Abbey and you can't get closer to the heart of a place than that so did the people of Selby thank you very much for warm welcome goodbye [Music] [Applause] [Music]

Channel: UK VHS Archive

Views: 47,754

Rating: 4.6774192 out of 5

Keywords: Antiques Roadshow, Antiques Roadshow UK, Antiques Roadshow 2000, Antiques Roadshow Series 23, Selby, North Yorkshire, Rare Antiques, VHS, 50fps, 50 frames per second, 14:9

Id: S8SGtdqtbKc

Length: 42min 49sec (2569 seconds)

Published: Tue Feb 05 2019