- Do you use an electric toothbrush? - I do. - Okay. - Do you? - Yeah. I've tried different ones actually. - I have too. I'm kind of obsessive
about my teeth though so. - Oh, really? - Mm-hmm. - We have wonderful teeth. - Thank you. I have braces for like two years. - I had two sets of braces. - Did you? Why? - I had a huge gap between my teeth. Like, do you see that huge gap and then the other one had a huge gap. So then I had a first set of braces that brought them all together, and then right as I went through puberty they went full on and put them all over and then I did like the real... So they had to put them
together first before-- - And then straighten them out. - Yeah. (melodious instrumental music) What I'm interested in is, is really how you, how did you come to this project? How did you get to this material? And how did you... Why were you fascinated
in the first place? - I didn't know you were gonna segue into an actual serious questions. I was still dicking around a bit. Okay, um... But to answer that question. I read this script. It was I, Tonya was the script on spec. It was later released on the Black List, but it was an available script and when I read it was just one of the best scripts
I've ever read in my life. It was very original, very unconventional. Very scary, which made
it exciting as well, like, how the hell do you pull this off? And obviously had an incredible character at the center of it, but also a lot of incredible
characters around her. And I don't really enjoy... I don't like acting on my own, I really... In fact any scene where I'm on my own I, that makes me really scared. - But you are incredible in the scene in front of the mirror where you're putting on
your makeup, that scene... I mean maybe you should be
doing more of the things that you don't feel comfortable with-- - That's true. - That scene in front of the
mirror is such beautiful work. - [Margot] Thanks. - It's such beautiful work. - That was kind of improvised
in the moment actually. Our DP, Nico, was just like, "Get her to look at camera
and just be getting ready." And yeah, and then I, I don't know, it was like an overwhelming day anyway and then it turned to like the crying. But yeah, it was one of
those weird moments on set that actually translated well in screen. - It's beautiful. And the mirror is such a, such an interesting thing for an actor where vanity is such a large part. I think though we try and pretend like it's not of what we do, either trying to avert it or trying to sort of move towards it or whatever it is. And it's so interesting when
you have an idea of someone or you have an idea of a
character that they're playing and then all of a sudden that character is put in front of a mirror and then they have to sort of you, yourself have to face yourself and then you also have to
face all the things that you are dealing within the
character that you're playing. And I felt like in that
moment it was so... I'm always so moved by people and the risks that you take not only a character but as a person and that's what I felt in that moment. I was like, you are really risking a lot with this and it seemed like you did a lot as a producer and also as an actor on it and you put yourself into it fully. And it feels like, not to say that moment is like the microcosm of the whole thing, but it is really telling
to see how much you cared and how much she cared. And how much pressure was on her? How much pressure is on you? I love that. That's the I like, as an
actor I'm eating that up. I will say it one last
time, it's beautiful work. - Thanks. Thank you. (sighs) (sighs) I feel like the similarities
of what we went through and that we were both
playing real-life people in a situation that didn't
happen that long ago. And there's obviously
the added responsibility when you play a real-life
person who's still alive. And that was like an
interesting thing to tackle and I'm sure you had a different experience and a very, I'm guessing a very emotional experience because of his story. But how was playing Jeff and playing a real-life person and just that story in general? - It was a huge responsibility. I felt like a pressure beyond
the pressure I've ever felt in terms of playing a
character because you're... Like you said, you want
to do the situation, the service that it deserves. What is the truth, right? What is being honest? What is respecting the
situation while at the same time illuminating what's real? And in the case of Jeff, I think he was struggling
with trying to... He's a guy who was standing there, holding a sign for his
girlfriend that he was sort of had just broken up with and
then gotten back together with and he was trying to show her
that he was committed to her and then he could show up. And he shows up and then
all of a sudden he's there when the explosion happens and then he wakes up he loses both of his legs. So I think he was just trying
to recalibrate everything and everything happened so
fast, not just that like within a year people were "Write a book. "Write a book about your story." And then it was like, "Be this symbol for all these people. "Oh wait, they want to
make a movie of it." And I think I felt that
from him and I felt like I didn't want to pressure him too much, but there was this massive
responsibility to get it right. And I think, I'm sure you understand,
what is the truth is always, is always so complicated. And what I always find interesting is you always want to empathize
with whoever you're playing, that's like that seeming
job of what we do, is to say how do you love this person. And yet they've done things
that are hard or tough on people or have been incredibly
complicated in the world and yet you have to stand
with them in some way. So what are you two ladies
slumming here for anyway? - I'm collecting donations
for the marathon. - No... - Yeah. - Oh, right. - Yeah. - You got a jar, huh. With pictures of yourself. That's so great. So you show people pictures of yourself and then you ask for money. - Yes. - In terms of you, like how... The truth of the situation, loving her, I'm sure you love her. Did you spend time with her? Did you... - By the sounds of it, I didn't, not the way I think you might have, I actually wanted to keep
a bit of distance in... I knew that if I met her and liked her I would never play this
character properly. - Yeah. - I would be sugarcoating her flaws. I'd be trying to justify the bad things that she may do or say in a situation. And I didn't want to do that because I'm a people pleaser and I know it and I just like... So I really needed to know
that it was a character and not a person that I was playing. So even though that doesn't sound-- - No, it makes total sense.
- What I was doing, but it needed to be like that, in my head I had to have them completely compartmentalize in
different places in my brain. So there was the character of Tonya and then there was the person
that I'm telling their story and there's the responsibility
to do their story justice and it's a weird thing to try and make something entertaining and entertaining doesn't
always mean funny or happy-- - But it is funny I mean-- - But it did, there are funny moments and there's horrible moments. It's like life, it's entertaining but to entertain in a meaningful way. I don't think you can really
do that if you're not, if you're sugarcoating something and I didn't want to do that. So I did all my character
prep before meeting her. And there's so much footage on her from 15 to the age she is now. So that was an amazing resource, I could study her mannerisms, her dialect, the story, everything she
went through her life. I could do all my research,
I could do all my prep and I wanted to have that all done and decide exactly how I
was gonna play the character every single beat and and then meet her. And to meet her I didn't want
it to feel like research, I didn't want to meet her and change any of the
decisions I had already made. I'd already kind of done that, I'm not going to change it now. And then I met her pretty
much just so I could say, "Hi, I'm playing a character "and I want you to know that there's a "difference in my mind between "the character I'm playing and you "and I just hope you understand that "when you one day see this movie." because I can't let that
hold me back on set. - But I think it portrays her in a... I think you were all very kind and thoughtful and respectful of her situation
and I also think that the movie exists in a tone. The tone of the movie is like just slightly from off
from reality in that space. So I think it allows for you to enjoy it. Like you're saying, I think it is really entertaining to watch because you're like, you're
rooting for this person, you're laughing with them and at them too and all the characters around her. But I think in the meantime
you're really being really respectful of her story. And really of other people who are affected by all this stuff too so. - Yeah. The fact that it wasn't
a traditional biopic gave us the freedom to like
really go for things on set. And you hear the story from so many different people's perspective that when when we're
telling Tonya's version, it's 100% what I'm saying. But when we're telling Jeff's version, you know I'm acting the way he said that Tonya acted in that scenario, even though Tonya didn't... I mean the whole thing was
born out of these interviews that Steven, our writer did
with both Tonya and Jeff that totally contradicted each other, both their stories contradicted
each other completely. And that was the structure of the film, to kind of have these unreliable
narrators it would seem because their stories kept
contradicting each other and I loved that and it did give
that freedom on set to be like, this is now someone else's
version of the story, so I'm gonna play it
totally different right now. - Did you find yourself while you were, while you guys were shooting,
did you find yourself like take to take, pushing it a little farther? Because there are these long
one take shots a lot of them, sometimes probably are merged
and post and things like that but I feel like maybe in
those spaces did you just say, "Okay, I'm gonna go farther
and then push it farther "then I'll bring it back
and push it farther." Or was there, like when you say you made very specific choices. Did you make those choices early on or did you make them change them a little bit on the day or-- - It always like, you know how
it is on set when sometimes a situation just escalates, especially when you
have like co-stars like Sebastian and Allison who
don't hold back at all. And we would kind of know
how to provoke one another in a really respectful way. But we knew when to change the line and say something different that would take it to the next level. So it always escalated, but it always escalated
in a very organic way, so it never felt over the top,
it never felt melodramatic. Because as long as you
have out of conviction, it feels true. When it stops feeling
true that's when I think, even if you're not doing it,
even if you're not screaming it doesn't feel true,
then I think people stop, it doesn't seem like you're
doing good acting I suppose. So no matter how big we
got with these characters having out of conviction
in our point of view, which was the coolest thing about script 'cause everyone had they're point of view, their truth that they were sticking to, like the name of it is I, Tonya. I, Tonya, this is my version, he's like "Oh, I'm Jeff
and this is my version. To have that out of conviction meant that we could get bigger and bigger. It also helped that we had footage, especially for someone like Allison Janney who's playing the mom LaVona, who has a fur coat and a bowl cut and giant glasses and
a bird on her shoulder. And if we had suggested
that to Allison on the day maybe she'd be like, "Guys, I think this is kind of
overkill maybe on the nose." or whatever. But the fact that we have footage of Tonya's mom wearing a fur coat with a bird on her shoulder
and all that stuff I mean the people themselves gave us the liberty to really go for it because
we had that footage, we knew that that's what they
did and said at the time. - Man, I wish Jeff's mom
had a bird on her shoulder. - She's such a good character. Talk about like great moms in the film. - Great moms. - Well, great in-- - Let's talk about our moms. No, um... Yeah, yeah. - How was she... - I was just thinking if we
had had footage like that it would have been incredible. I only had footage of Jeff
that New York Times had done really like a few, about a month and a half after, maybe a little bit longer after Jeff had gotten out of the hospital, and he was just sort of
trying to figure out his life. And I had asked Jeff, you know they won a Pulitzer of this, the guys who did this piece on him. And I asked Jeff if he could get me all the outtakes of all this stuff, because I could really see how he was moving around the world at that time which I can... In spending lots of time with
him I could do it day to day before we were shooting in prep, but I just no idea what
he was like before. There were only a few photographs, they're only stories people told. And everybody wanted this
story to be a particular thing, so you had kind of to pull apart all the enmeshment of the family and everybody's idea of
that day in particular and then everything after it. And then, in the way, it's interesting, in your film I think was a group of people who were very aware of the
choice that they were going into. They're very aware of the fact that she wanted to be, she wanted to win gold, she
wanted to do those things. And in the case of someone like Jeff, this is a group of people who had no, he was fine just working at Costco-- - Into in the limelight. - Yeah. He was just like... And his family was like, "What is this? "Who are we when that happens? I mean... - I think they're both a product
of their environment too. Their upbringing obviously affected the people they turned into and then affected the way they
handle a situation like fame when it was kind of
unwanted perhaps and... - [Jake] Yeah. You should have seen
the sign I made for you. - What did it say? - It had like 3D letters and everything. (sobbing) Hey. - I have a few questions. A, how much time do you spend with him? When did you meet him for the
first time and how was that? And also how did you jump onto the project because you produced it as well. Your first producing venture? - My company produced it. I produced other movies
but this is the first film that my company produced, yeah. - So did you know when reading the script that it wanted to be, you wanted it to be a producing vehicle and an acting vehicle or... - [Jake] No, I think-- - It just turned out that way. - We're pretty ambitious and we have a lot of different projects in development but this was one that I
had read very early on, has a very early draft before any filmmaker was on it and thought this character is incredible. I was laughing three or four pages into it and I was surprised by that because I thought this was going to be a different kind of character. And then I called up Erik
Feig at Lionsgate and I said, "Hey, I really want to do this." He said, "Let me find a filmmaker first." And so they went to David Gordon Green, and then when David came on he
said he wanted to come to me and then we met up. And then there were sort of two... At a certain point all of a sudden this other Boston movie came
up and everybody sort of was a little like, "What's gonna happen?" And we being the sort of smaller duck we kind of felt things slipping. And so I brought them
the script to the company that finances my company,
we had just sort of-- - Focus, right? - No, to Bold.
- Bold, sorry. - Yeah. And I said, "Do you guys want to do this? And they said, "Yes." And then all of a sudden we were producing the film with Todd Lieberman and Mandeville, his company. So it was like, I had initially
just come on as an actor and then by bringing a
financing then start producing and now I haven't slept for two years. - I feel you. I also have not slept in so long. Did you understand, because I didn't really
understand the full scope of what a producer does until
I'm now in the thick of it. And it's like 24/7,
every minute of the day. It's so rewarding, I'm
sure you find as well, but it's also so hard
and I never really gave producers the credit that
they probably deserve. - I don't think that producers get the credit that they deserve, unless they're up there at an
award show getting an award. - But even then everyone's like, "You showed up for a couple
of days with this shoot "and like you know and it's like." Oh no, you spend years of your life, like years of it on a project. - Which is why I understand
people going like, "Why are you actors trying
to get into this space?" But I mean I grew up in my parent, my mother
produced films that she wrote and so I saw the, the consistent failure that is producing more than any I think
any job on a film set or in pre-production or post or anything. It is just, it's like a sort
of seemingly like strange... You like... Just constant failure
and then all of a sudden you're seemed maybe you're
halfway up the mountain. It's like, occasionally a day is great, you have a great day, and all
these things go really well, and then rest of the week is just like everything seems to be falling apart. But it actually gives me great patience as an actor in particular because I think, I think you realize that
in these moments where one little thing becomes a big
deal, it's really not at all. And eventually the organism of something is supposed to head in
the direction it's going and you really don't have
that much control over it. - You've been in the business
a lot longer than I have. Your first job was when you were 11-- - 11. - I believe. So how long? 20... 20 years, more than years. - Arithmetic. Hmm, yeah. - Well, you've been doing it-- - 25, like almost, yeah. - And you come from a family who's heavily ingrained in the film industry. I'm correct in saying? - Yeah, my immediate family, yes. - So did you... Well, one thing I wanted to know was, was there a conscious
choice to become an actor or do you think you grew up in that... If you grew up and no one in your family was in the business, do you think you would have found your way into the business anyway? Or do you ever wonder what you'd be doing if you weren't doing this? - Absolutely, I definitely do. - What do you think? - I don't know, you asked those questions
at different times. I think I don't really know, because that's why I'm an actor and why I'm like playing different parts and pretending like I'm doing a real job. But I think that, it's also this crazy blessing that is really a lot about luck. And I'm sure you feel
that way too it's like you find yourself in a position where you've had a lot of luck and that makes me feel very grateful. But being around this
business my whole life I think there are a lot of aspects
that feel like family. I think we all come to this space one way or another
to find different families and then we do in different-- - Do you get this? Because every time I do a job
I tell myself before I'm like, "Don't get attached to everyone." You do this every time and
every time the job ends you're so upset and devastated, don't do it this time and
then I harden myself to it and then like two weeks in
and I'm in love with everyone and we're a big happy family
and I never want it to end. I'm a week away from finishing
the film I'm working on now and I'm-- - Heartbroken? - I'm already getting that, I'm so scared about finishing because I just don't
want to leave everyone. Do you get that after this many years? - I try not to end it. I try not to end it, like
this movie in the space I'm still friends with
Jeff, we're all still in it, we talk almost every day,
so I think it's that, that thing where I think
now I've tried to sort of... I was working with an actor
once and he said to me, "There comes a moment
where you have to realize "that this is your life
when you're on a set "if you have the opportunity
to work like this. "And stop fooling yourself that
you're gonna go off and..." he's like, "Figure out what
the things that you like." He said, "I like to
cook when I come home." So I would always like
to find an apartment in the city I live in because that's my life and what I like to do, I like to play the guitar
and I like to cook. And that's what I decided and I thought, "Wow, yeah, we all kind of
live in this space we're like, "we're gonna get to that." or, and really you're in that space, that's what I've realized. But I will say, did you feel,
because it's interesting in thinking about these two characters they were both kind of
thrust into the spotlight in a particular way. First, initially for your
character because of her choice and then also because of
the event that happened in a whole different light, and all of a sudden she became
somebody totally different. - You're so pretty - No, I'm not. You are. - Did you relate to her? Do you relate to that idea? - That was something she
asked me about when we met. She said, "How you dealing with
with fame and being famous?" And, I actually, it was very kind of her to ask because to be honest I was like, "Your situation was horrible." And it happened to her so young, and I think what made
the biggest difference in the world was, she didn't have a support
network around her and I do and I'm so lucky. I didn't start working professionally until I had finished high school. I had a very clear bookend from my childhood to my adulthood, from my life outside
of the film business-- - You have always been
very clear about that. Your life and your work
is very important to you in separating those two things. - It is, it is. And my friends and my family and no one is connected to
the business whatsoever. And I guess it's bittersweet
living outside of Australia because I miss everyone so much. But the fact that they
are so removed from it helps me keep my life and my work separate even though they are intrinsically linked because all I want to
do is work all the time. Honestly, I never complain, but I love it, I just want to be on set all the time. Yeah, becoming famous at her age without a support network around her and without that clear distinction I think would be incredibly difficult and I'm grateful that I
have people around me, great people around me. Both my team in the business and my family and friends
outside the business. So yeah, it's a weird thing and it's, you can never presume
what it's going to be like until you're actually in it. But you adapt and be grateful
for the things you have. - I think that's true. I learned from Jeff that just, that he didn't really, he
didn't ask for those things. He didn't ask for the attention
and to become that thing but he has slowly evolved into being able to hold
that idea for people and to see the hope. - I felt that in the film so much, the moment when he, you
really see the characters, his mindset really
transitioned from resenting the position he's been put in. Not just physically and the
horrible trauma that brought, but having that responsibility to be the beacon of hope to everyone is a huge responsibility
that he never asked for, he didn't ask to be that guy and that was heartbreaking to watch. And I was in tears in the moment when he's at the Red Sox game and
you can just see that it's, he suddenly realizes that
responsibility he has and the positive impact it can
have on the people around him by just listening to their story and shaking their hand and I was bawling by that part. I mean there's a lot of parts
in the film that made me cry but that one to me was so
moving and important and it's, like I said earlier, I guess in this business we want to entertain but we want to entertain
in a meaningful way and that moment in your film
just feels very meaningful. Like one of those films
you finish and you're like, "I'm so glad I feel
like I went through that "and I'm glad I did that. "I'm glad I watched that and I feel..." Yeah, it's very emotive. - That means a lot. Thank you, that's really
sweet of you to say. I think that movies
bring and can bring joy and I think that that's
what I feel Jeff showed me is that his spirit when
you get touched by him or you're around him or if
he were here you would feel, you'd feel so happy to be alive. And also just he has such
a great sense of humor and makes all my petty
crap seem like petty crap. And all the things I take super seriously, I think he just always puts
it in perspective for me in this way. And I don't know if he was like that even before this situation, he may have just had that in him. But I think, we can only learn how we move people from other people I think in a lot of ways, you can see how people respond in it. It means so much to me that,
that the movie moved you and you should know how
much your movie moved me. And I think that's really important for us to tell each other, all of us
to share that and to connect because I feel like what else
are we making movies for. - Yeah, exactly. - You showed the world
that they can't break us no matter what the hell they do. You know it gave me a little hope. It made me feel a little better. And I just want to say thank
you for that, man, that's all. - What's your name? - My name's Larry. - Can you imagine if Dr. Johnny... I don't know if you seen
that movie but Dr. Johnny who I play on Okja met Harley
Quinn, that would be... - I haven't seen Okja yet, but I did hear that your
character is like very... - I feel like we wore
the same shorts maybe. - You saw my outfit? I knew this was gonna happen. - Maybe your your socks, yeah, maybe I... - No, I really want to see it because I did hear you did like-- - You can't already hear
it, it's still happening. It's so loud, you might be
able to experience it now. No, the performance-- - Oh. Was it really? - Yeah-- - Did you enjoy that? Do you think of yourself
as a character actor or... - I think that in the case of that it was, to me it was, like that role
was so polarizing to people, some people thought it was great and some people thought it was horrible and that was exactly where I want to be. - Yeah. - And I think you know, you live in a place where
creativity gets sort of like washed through this thing where it's supposed to please everyone and in the space of making choices there. I mean I remember walking out, everyone walking out on
the outfit in New York City because we've been shooting in Korea, I wear this crazy outfit. And I remember walking
out, everyone's like, "You know there's paparazzi out there." and I was like, "This is how
I've always wanted to look "in front of photographers." It feels like you want to
be able to make bold choices that throw things off for yourself, right? And then you also sort of
throw things off for others, it's super fun. And Bong Joon-ho is an
incredible director, and the movie is so moving so. - Do you want to keep doing kind of outlandish characters like that? Have you always wanted to do that or you're gonna continue to do that? - That's how I wake up in the morning. That was just-- - And then you just chill
yourself out for the... - For the Actor on Actor interview, yeah. I'm forced to put on a suit and come here and act like you know... - Responsible and serious. - Responsible and serious, yeah. What about you? Aren't you doing another one? - Yeah. I hope to be playing Harley
again at least next year. I love her. I mean... I love any character that... Every character I played doesn't feel like I don't feel like myself and
that's why I like doing it, which is why it's so weird when people want to know
about you because you're like, "But wait, my whole job is not being me. "Me? I don't know, I'm boring, "but these characters are
amazing, ask about them." And Harley's one of
those insane characters and people do seem to really like us, I hope I get to keep playing her. But no, I love that, and it's so nice, like right now I'm working on a indie film that we're producing as well. It's a six million dollar
film and with very small crew and a second-time film director and, I love it so much and the
idea that I get to do that and then walk into a hundred
million dollar film set with pyrotechnics and all that crazy stuff and have my baseball bat and do a totally
different thing is just... Oh, it just occurred to me,
we've both worked it David Ayer. - Yes, we have. Yes, we have. - End of Watch by the way
was one of my favorite films and the reason I signed
on for Suicide Squad was because I love End of Watch so much and I saw it about four
times at least and all. - That was a really special... - [Margot] I don't know
if I told you that. - You never told me that. - Didn't I? - Just in front of the camera. - Just so you know, Jake and
I go way back to yesteryear, and that's something
else I wanted to ask you. 'Cause when we met you
were doing, we met... Did we decide it was
five or six years ago? - I don't know. Yes, six probably I think. - A while ago. - Yeah. - And you were doing a play in New York. - And you were about to
start Wolf of Wall Street. - And I had my first day
of Wolf of Wall Street the next day. - Oh, that's right. Oh, wow. - And you were like, "Wait,
why are you out tonight? "Why don't you..." I was like, "I'm just so scared. "I need to keep my mind..." - I was like, "You looked really tan too." - I was like, "I've had a spray tan. "And these nails." My life for the next six months. The smell still haunts me. But you were doing theater
and I loved that play. I loved you in it, you were so, so good and I haven't yet had
the chance to do theater and it's something I plan on doing. And I was wondering, what do you feel you
get out of doing theater that you don't doing film and vice versa. And will you be returning to the stage? - It was a very long name of a play. - If I'm there you're there and... - If There Is I Haven't Found It Yet. - If There Is I Haven't Found It Yet. - [Jake] The play that I was doing. - I remember your performance
just not the title. - Yes, thanks. It was by Nick Payne, who's a
wonderful British playwright. And I then did his other
show called Constellations which is really kind of a masterwork. - With Ruth Wilson? - With Ruth Wilson, yeah. I think the stage, I
think we're all different, we're all different animals. I think that I admire
people who can really... Movie acting is very particular, it's almost like these little sprints, it's like delivering in a
very short period of time. Something magical, something
dense and full of choices and sometimes it takes
some choices to do that and a lot of mistakes along the way, it's a much more imperfect
process in the moment. But I feel like on stage there's the animal that you have to
be is a very different one, it's sort of a much more,
it's an endurance animal. And I feel like there's preparation before and the choices are made through, I think the messy part is much earlier on. - Right. - And so to me I feel like
you're also tested in that space, your bold choices can be made and you have to make them bolder. And working in the theater has made, made it possible for me
to make more confident, bolder choices when I'm on set, because I don't really care
about all these people here, we are connecting in a different way, it's not like it's judgment,
it's like it's something else. Sometimes I used to feel that way before I did more theater work, because when I was on
set I was always like very sensitive to people watching. - On what they thought of your performance or what you were doing? - No, I just think it's weird. Here we are talking in we're on a set and half of the set is there and then the other half is like-- - Let's be honest,
they're on their iPhones, playing like Candy Crush-- - They really don't look like it. They look pretty interested. - You guys... - Four of them are like... (melodious instrumental music)
Margot Robbie is art
So nice to see Batman and Harley getting along.
This video made me really want the Jake Gyllenhaal rumors to be real. He has a very Bruce Wayne look to him in this particular vid and of course I would love to see him acting opposite Margot as Harley.
He could be a perfect joker after Ledger. Just do Night Stalker's performance with a bit more laughter and he'd be a terrifying presence. Not to mention it'd be a different take on the character than Dark Knight.
GyllenBat please be true!!!
seeing this and thinking about him possibly being our new Batman just put a huge smile on my face! Make it happen WB let Matt Reeves have his way
The Matt Reeves makes this interview even better for me. Regardless it would be great if he joined the dceu
Batman and Harley!!!
BATFLECK FOREVER