VIDEO MASTERCLASS | Newly-Released Features in Premiere Pro and After Effects!

[Music] [Music] all right everyone hello good morning good afternoon good evening wherever you are in the world my name is jason levine and welcome to the friday masterclass here on adobe live where today we're going to be talking about some of the most recently released features in premiere pro and after effects and one of them the most highly anticipated features is the new captions panel inside premiere pro which makes creating cache captions and editing and stylizing captions incredibly easy you can really customize the way these things look where they go even more importantly and this is something that we didn't have in the beta when we showcased this after mac several months ago the ability to create and automatically export an srt file or a subrip subtitle file and this is the standard captions file that you would upload say to youtube videos to add you know perfect captions to your uploaded content so i'm going to take you through some of the workflows there along the way we also have a couple of additional features in after effects including some new um additions to the 3d workspace really amping up the 3d capabilities in after effects in real time playback as well real time preview and then we'll go to an older feature in premiere pro the warp stabilizer has been given a little boost for uh soon to be spring 2021 it's a lot faster it's a lot better looking less kind of jarring warpy type movements and if you haven't looked at it recently it's significantly improved so a lot of fun stuff there as always we're coming to you on adobe live uh youtube behance twitter periscope and my youtube channel wonderful to see you all a couple of quick shout outs here got lock from charlottesville virginia how's it going wade akov how are you fairy and quinn michelle how's it going umacorn chris your genus oh my god man how's it going christopher genus been on adobe live many many times incredible drummer super cool human great to see you man clarissacon steve festus cosaboom z by hp always lovely to see y'all there as well okay lisa chestnut great to see you and we've got the international entertainment handy channel sebastian von aikelin abdul wahab abdullah hello we've got eloy lopez and coming to us over on the twitters we've got uh mk born in detroit district create has it going keeping dc alive anonymous 9250 and uh a friend from liverpool as well i can't read it here sandra how are you sandra from liverpool lovely to have you with us today television show ricky harrington des great to see you all okay want to remind you that i will be reading the live real time chat over at adobe live so uh b will i ever get this right b dot slash adobe live that's the chat that i'm reading live and in real time on my channel and the others i will look back at the end of this stream to get your questions but the real time chat that i'm reading right in front of my face is this one here so if you want to ask questions and kind of get real-time follow-ups that's the one you want to follow okay so again we've got quite a few things to cover here want to kind of get right into it and i've missed you all sorry i couldn't see you last week i was taking a little a little pto to help a family member had my first air travel in 14 months it was not spectacular that's all i'm going to say about that so without further ado let's go ahead and kick over to premiere pro and let's start talking about the new captions panel all right so once again this is really it's a two-part feature and i want to for the master class here be very explicit and very clear we're just we've just released the captions panel i've already had several tweets and several comments on youtube what about the auto transcription thing okay that has not been publicly released just yet that's okay because this new captions process one is very easy again you could export srt files the creation and editing and stylization of those captions is super unique to premiere and now i can't imagine myself not using captions for all the videos that i'm uploading custom ones the youtube generate auto-generated runs are great also this allows you to have multiple caption tracks so if you wanted in different languages it's very easy to do that very easy to organize very easy to lay those things out and i'll have a complete video on the entire workflow we can't cover every facet of the caption creation process today but i'll do a an upload on my youtube channel where you can see every part of it it'll be chapterized that's going to be coming next week so stick around for that okay in the meantime we're going to start with a piece of content with a smiley or truly here and i'll just play a couple seconds of this this is from a little promo that i cut for one of the recent master classes hi it's jason levine from adobe here's what you missed this week on adobe live today we're going to be talking about how dynamic link works with after effects and premiere pro okay so again edited video here put together we want to add some captions okay so it's really simple here's how this works we're going to go up to the new text panel i realized i called it the i think all the marketing says captions panel too but it's the panel is actually the text panel text okay and in the text panel forget this top button here you're going to see create new caption track now you also have import captions from file we'll get to that in just a second here but let's create a new caption track and when you do that you're going to see that this new little dialog pops up right here where you can choose your format now again whether you're doing closed captioning or you have specific caption uh uh uh standards that you need to adhere to you can choose them here already this is way easier than the previous captions workflow frankly i hadn't touched it in about 18 to 24 months and there was a reason for that it was really confusing very slow and just you know it needed work it had been in there quite a while we've revamped it so for this we're going to choose the standard subtitle here okay again i'm pointing this out because for those of you around the world who might need to create these caption standard types cea708608 ebu subtitles op47 etc this is where you'll find them right at the start of the process here now we have this ability to add a style we're going to get to that in a second i haven't created any styles in this project just yet what this will allow you to do is let's say you create again your own unique caption style with your own unique coloring with your own unique font that can be saved and then reapplied to subsequent captions in the project let's go ahead and click ok on this and now we have this nice blank canvas so of course we're going to start a caption block right at the beginning so to do that i'm going to add a new captions segment now any of you who've watched me on adobe live over the last couple of years you know that i i'm not great with shortcuts i just can't retain them i don't know what it is i know the same six that i've known for 20 years um but this is one that you're going to want to know and more importantly you do have customizable keyboard shortcuts for the captions workflow so real briefly uh just to kind of get into the weeds here to get into a little the nerd areas let's go into keyboard shortcuts under the premiere pro menu here i believe that's under the edit menu on the pc i can't remember exactly and under here we're going to simply type caption okay and this is going to show you all of the new keyboard shortcuts that are either pre-assigned or you can user define and assign them yourself so the first one here add captions track so in lieu of hitting that plus button that we just saw we could instead type option command a that's already pre-configured that's done for you these are editable of course as well the other one which we're going to find very very useful in a moment here is add new caption segment at playhead all right option command c i guess that would be alt uh alt option c on the pc all right um this one is the most important one and you'll see why okay but option option command a option command c okay so let's go ahead and add one so i'm gonna do just that what did i say it was i already forgot option command c okay and you can see in here it says new caption with time code it's default three seconds in duration and it's already added the text um on our video okay so naturally i have to play it back to hear what i'm saying in here so let's see what that is hi it's jason levine from adobe okay ooh look at that always a great stop frame hi it's jason levine from adobe that's probably going to be the first caption right so i'm simply going to double click in here hi comma it's jason levine from adobe period okay you can see it types it right on screen all right and to get out of that editing caption block simply going to hit the escape key and hit play hi it's jason levine from adobe here all right let's rewind a little bit adobe here's all right always with the closed eye okay now if i wanted to drag the edge of this what's really nice you'll see that we have this new caption subtitle track it even it's even separated from the video tracks and the audio tracks here now that you can't expand the height of this i already had some people asking me that that's by design but it's in its own subtitle track now if i wanted to adjust the edge so that i could start the new caption i can drag it just like i would any other piece of video so what's really nice about this is that in general the the editing tweaking timing process for adjusting the caption blocks is just like editing video but this is where that other keyboard shortcut comes in because now i effectively want that next caption to start right with right when my eyes are closed so i'm going to go to what is it option command c and what you'll see is that it automatically creates the next block for me okay super easy now i could go up there and tap the plus button again i could trim it i don't have to do that option command c i just can't retain this shortcut what's wrong with me okay let's play back and hear what we've got here's what you missed this week on adobe live okay here's what you missed this week on adobe live okay you can see it corrects itself there hi it's jason levine from adobe here's what you missed this week on adobe live today okay that's typing captions real simple now something else that you have up here just to point out a couple of the options in the panel okay so here you have split segment so as you might imagine if i were to place the cursor in the middle here and hit split segment it's going to do just that it's going to create an edit right duplicate the same text note that it the time code here continues to adjust accordingly so it's doing all of that work for you okay and then you also have merge segments so if you try if you've got you know sometimes you might have two caption blocks for a single sentence maybe the srt maybe you've generated them externally and it created two blocks where really it should just be one you could highlight the two right select both and and say merge segments and you can see it just did that it just merged all of the text into a single caption block okay really useful because again sometimes just you know maybe you have a very long sentence i'm the first to say i can i embrace run-on sentences every now and again not an uncommon thing to happen especially in the live stream world so perhaps you want to emerge or you want to split or you want to adjust or i want to add a new one right here fortunately for us i have that little transition on adobe live today we go all right so i'd wind back again here we are right about here and again option command c place my new caption block today we're going to be talking about how dynamic link okay so write about right about there today we're going to be talking about hi all right let's edit this one here okay today we're going to be talking about all right i'll leave the the dots in there today we're going to be talking about how okay and then again option command c you get the idea okay so once you've done this once you've created those captions and of course i have a finished one here for you now this is where it gets really interesting so first of all you will have noticed that as i was scrubbing through all of this if you're paying attention to the left-hand side here as i scrub through it's scrolling and following the text the caption blocks in real time this is great because one it allows you to really see the timing it allows you to adjust the timing if necessary and remember you can always slip and slide just like with video at the frame level super easy but it also just allows you to keep everything in check as you're doing this all dynamically okay just gonna check our chats here roland kullenberg i'm sort of disappointed it wasn't named essential text panel that's a good one roland all right very nice okay reverb mike could we just do this with regular text i'm not sure what you mean by that if you mean can you just do it by like importing a text file well here's the interesting thing mike and we're going to get to this in just a moment when you export the srt which we're going to do in a moment here you can open that in a text editor and in theory you could create an srt by following the format it's a it's a it's a standard format that the srt uses with that file extension but no you can't just like i don't know if you're just trying to open like a text a text file without the proper time coding to import that and and you're not using the text tool here of course you're using you're doing this within the subtitle captions panel or the text panel so i hope that kind of answered your question there okay so again we've got our cascading caption blocks following in real time but you may have noticed already that our original this one with this admittedly slightly funky looking minion pro i don't know why we chose i don't know why we chose that as the default that seems to be the default um and here's the one that i landed on in the end which was avenir this is the stylization that i was talking about okay so this is where things get really really cool now you can stylize individual blocks or if you select everything because likely you're going to want to change everything simultaneously here's where we can modify that so first and foremost again you have the ability to change your font okay so here in this case what are we using avenir light again i could go to you know avenir condensed i could choose any additional font in here that i want barracuda all right this is really where it gets super cool because you're no longer tied to the three or four uh text styles that you have typically seen with captions they can be anything all right i don't like barrack oh barricade not barracuda sorry i have uh i have heart on the brain i guess so let's go back to avenir light all right now let's go on and talk about some of the other options here so of course you have all of your justification i have everything center justified we can have things left or right justified or however we want it the reason why that gets interesting is because you also have this align and transform grid that allows you absolute positioning so you can position your caption blocks off to the left hand side oh did my east coast just come out there off uh right hand side top center left you you get the idea here you can move all of these around and this is where i say now we're doing this globally we're moving the position of all of those blocks so all of them would adhere to that bottom left corner the really nice thing is that you know you've seen this with shows right there's some times where you know and i have a drop shadow on here we'll get to the appearance in a second but sometimes there's like a single cut where the captions in that native position they're they're obscured maybe it's just very blown out in this case i'm using white captions even there's a drop shadow but maybe they're just it's too hard to read or there's something that's conflicting with the text on screen so that's where you could select an individual caption block change its position change whatever you have to change the font of course and then let all the others stay the same so you have a lot of flexibility here you also have positional offsets all right so you can see here you can offset the horizontal vertical all right horizontal size vertical size so this makes it really really simple to again just give a real custom position for the captions and then of course the appearance right so as you're seeing more and more across your streaming networks some you know are defaulting to this kind of standard white uh caption some use a background box right so maybe you want something like this right we added this background box um uh in uh essential graphics i don't know a year or so ago you know you can choose your color maybe maybe you want it to be in this case it's like a gray it could be a color if you wanted it to be it doesn't have to be gray it could be anything it could be whatever you want i'm not saying that stylistically looks good it just can be whatever you want of course you've got your opacity settings here you've got your ability to grow that box and this is responsive as well so it will flow it will move and change as the text grows it changes right so you can see i don't have to think about that is the box going to adjust in size when you enable that background box it's automatically going to do that and then of course we have the drop shadow here which if you have the box you probably don't need the drop shadow drop shadows are kind of nice sometimes again if you're on something where in this case because this is the ui of the app it's so dark i don't really need the drop shadow but it's a stylistic choice okay so once you have all of that and let's just keep the the background box for now let's say i think that's brilliant now we can go up to track style now this is not to be confused with master styles although it's basically master styles for captions right and here's where now i can say let's go ahead and create one so i need to deselect everything just choose one block in this case and i'm going to create a style from the look of that block which happens to be uniform across all of them okay and we'll call this uh white text shadow okay all right and then maybe maybe we do an alternate with yellow text all right i happen to really like that that yellow hulu style okay maybe even make it slightly more orange so we can go a little deeper in color also note our little indicator here telling us like we're going out of the bounds of legal colors here all right something like that same thing come over here and maybe i'll do this without the drop shadow and i'll create another style yellow text gray box avenue whatever all right put the actual text name in there okay so now you can see we've got two specific styles and now i just changed that single captions block right but again we can now globally affect all of these very easily and these get saved with the project now i've already talked to some of our uh our team members about this and i don't know if that's necessarily going to change because a lot of people would say well i've created all these styles in other projects what if i want to bring them into new projects at present those styles stay with the project that you create them in that may or may not change but it gets really interesting when you again start to bring in captions or want to create something else you can quickly apply that style so let's go ahead and do that so using the same video which is a masterclass promo okay so let me go ahead and create a new sequence from this clip here we are again okay and let's go back to this original one here and now we're going to create an srt file now again i'm just going to re-import this but this is just showing you how freaking awesome this is so you've got your captions the timing everything is brilliant and now you want to uh create a file that you can upload directly to youtube right youtube does a good job but sometimes it misses a few things particularly if you've got you know proper names and spellings amazingly it usually gets my name right but not always you can create the file that youtube wants to add those custom captions and it is a standard file type and now you can create that srt right from within the text panel here so we're going to choose export to srt file and i'm going to call this master class live today okay because i already created one earlier file format srt captions file save okay and it creates the srt now again i could take this video upload to youtube upload the srt we're done or let's go to this new one that we have here right no captions yet file import or again i can import captions from file let's go to our desktop here master class live today dot srt import imports the file choose our format subtitle choose our style so this is where that gets really cool right because now we're in the project the styles that we've created are already here waiting for us so let's go with that white text shadow and box now your start point again it'll adhere to source time code playhead position or timeline start in this case all of those are the same i do have it at the beginning of the timeline it is in fact starting at zero and the source time code also starts at zero so i'll just leave it with the default but again depending upon your source it may start at two hours three minutes six seconds ten frames it will respect that okay go ahead and that's going to depend on if you had the srt generated externally you sent it to a service where your video had time code they'll respect those time codes as they generate it for you click ok it builds the captions track for us right with our individual blocks you can see the stylization has already been applied and now when we play it back hi it's jason levine from adobe here's what you missed this week on adobe live today we're going to be talking about how dynamic link works with after effects and premiere pro okay that's captioning all right just checking here okay oh and thank you brian is saying yes you can export the style or using productions create a sub project as a collection yes so that's another way to do it again the export would be part of that process to bring it into something else probably in the end just as i mean the truth is it's it's three clicks right it's font choice color box or no box uh drop shadow or no shadow i don't know if it's easier or quicker or faster to just export it and re-import maybe it doesn't really matter but that's awesome thank you for that brian brian my fellow adobe colleague who helped me put all this together when we showcased this in max so you should ask him questions about it right now all right okay so rolling the answer is yours okay all right john answer yours okay okay i see here very cool all right nice okay all right so that is captioning in a nutshell again i'm going to have a prepared video on this on my youtube channel uh that you'll be able to see that'll be chapterized it'll take you through all the various i mean we're skipping just minor things here mostly around editing and having different speakers um with captions and how it handles that and positioning and stuff so i'll cover that in the upload video but this is enough to get you started and it just works great and exporting the srt is i mean again if you're if you're paying a service to do this now you can still do that or you can create the captions quickly use those keyboard shortcuts i mentioned export the srt and save yourself some money i don't know what the rates are these days for auto capture you know for captioning services not trying to take work away from them but now you can do it all in-house really easily okay so now we're going to transition over to after effects and uh talk a little bit about the ability to create mogurts with replaceable video content okay so again for those of you new to the concept of mogertz mogert stands for motion graphics template this is a format that we created which you can one build in after effects you can build these natively in premiere pro and motion graphics templates can be anything it can be lower third elements it can be animated text overlays it could be graphical transitions it could be anything that you create in after effects which can include 3d objects 3d spinning things all of the effects and things that you can use in after effects natively can be part of a mogurt if you use third-party effects those can also be part of a mogurt but the person on the other end would need those same effects to have them rendered properly but the nice thing about this is that you can build standard graphical elements that you can click and drag and reuse easily directly in premiere pro and still make them editable and one of the things that we previously didn't allow you to do you've since i think the beginning of mortgage you've been able to add video into the motion graphics template so if you wanted like a video layer ha you know think of like a show intro and you had some kind of video playing and then there was text and stuff flying in you could have that video there the only limitation was you couldn't there was no way to change or swap out that video now there were ways if they were created on the after effects side that you could fake it by adding a slider control and placing a series of videos in a comp and then effectively using the slider to allow you to scrub through different video layers different videos there are ways to kind of do it before it was a little clunky again unless you were kind of an after effects pro you probably wouldn't have figured it out necessarily the slider controls are awesome but not everyone uses those we've made it super easy now so here's kind of a really basic example of where you might want to use replaceable video in a motion graphics template so um i'm going to be going on a sabbatical uh shortly here 20 years at adobe and uh i'll be taking some time off and one of the things i was doing is maybe i'll i'm going to do just a couple of not a series but you know i have a bunch of projects i want to do and one of them is kind of exploring the various places that we used to tour around the world one of those being egypt and many other you know many other places around the world so i'm going to have a standard kind of text intro for this little series now again i'm you know i'm no uh great animator and again if you've watched me before you know that text in general just frightens me i never know which font to choose and what cool styles are this is where i defer to my colleagues rufus and terry and paul uh you know what's cool now is it thin fonts you know this is fat frank i love this font here i never know i know people are like just use what you want well anyway i stress about that stuff but in any case i made this very simple uh text animation here all right explore egypt and the concept is that every episode is going to have explore some location so the explore won't change but the location will i also wanted to preserve the animation that i have on this okay which you can see here and then i want to be able to add video underneath so again if we look down into my comp you can see that i've already got a video layer of the pyramids i've also um added some lumetri color to this just to give it you know just a little bit more of a cinematic flair here so this is what it looks like okay now again the concept here is that i'm going to reuse those graphical elements but i want to be able to modify certain parameters of this including you know the city location text uh the video underneath and maybe some of the lumetri options here's where this gets really cool so you may have noticed that i have the essential graphics panel open and ready here all right so first i'm going to give it a title and record this explore show intro all right we need to choose the comp that we're going to drag elements into so this one is called replace video start all right oh and i've i forgot i'd already done this so here let me let me go ahead and take these things out so i can i can re-add them all for you okay and then what we're going to do is we're going to now drag the properties that we want editable into the essential graphics panel to create our mogurt so again you create the animation you create what you want in after effects and then you as the author can decide what do i want the user of this motion graphics template to be able to modify drag and drop so simple now we have this function here called solo supported properties which makes it even easier for you to know well what properties can be part of a mogert when you choose that it will now automatically twirl down all of the various options that are available to be modified as part of that motion graphics template and they are many so first and foremost we want the egypt text right that's the location text to be editable so i'm going to take the source text drag it into the panel and i'll call this location text all right just like that now what do i want to be editable obviously the text itself but this is something that we added a few versions ago edit properties okay go into edit properties and now you can choose the source text properties that you allow to be edited in this case i'll allow them to maybe adjust the font if they want that was a nice rhyme and adjust the font size that's particularly useful because if we didn't adjust the font size right egypt is only five characters what if it's san francisco well this is like 200 pixels now we've got twice as you know three times as many characters it might be off screen so font size is super necessary and then again faux styles if you're using them that's up to you um you can make those parameters editable click ok and now you can see that this is what the user this is what will be revealed to the user right the font the style and then the size real simple okay now what else do we want to be editable well we don't need explore because that's going to be in every episode and you might say what about color yes you can you can add the color um the color picker to change text color and such i'm not going to do that because these are kind of the brand colors of the of the show in this case right i always use this particular hue that i looks like this so i'm going to keep them kind of in that in that uh that color range but you could certainly add that as an editable parameter the main one here of course is the video itself so i'm simply going to take the video layer and drag it right into the essential graphics panel it doesn't get any easier than that all right and we can call this location video alright you can change the thumbnail image of the video here it's kind of arbitrary it doesn't really matter and then i can um again maybe there's certain elements of the lumetri uh adjustments that i want to be able to change now for this particular one i made again some changes to highlights black saturation um intensity the actual the look that i'm using so maybe i want that to be editable maybe this particular look that i added this lut might be too much for some of the videos so i can make that an editable parameter by dragging it into here all right and you'll get that same drop down menu that you have what you know when the when the engineers just nail it in terms of just like user experience because it can't be any easier i know someone watching this in the replay will go why is he so excited about this because it's exciting i have now i can just edit that or whatever or any of those parameters yeah you choose so the look uh maybe the intensity that's a pretty good one okay and let's do the vignette as well because not everybody loves and just the vignette amount i don't need all the parameters here again you can decide you can rename this vignette amount i'm going to rename this lut intensity by the way you also have the ability here to add little groups oh we can't see that let me there you go so like i could group some of these things together you know i could say this is like color and vignette and i can drag these things down here so all that means is that they just these all just fall oh sorry i dragged them onto it so it just makes it easier so that in terms of when you export the mogurt it just kind of cleans it up you may have noticed if you're using mogrits from adobe stock some of them have these twirl down arrows one that tells you they were generated in after effects two it just allows you to organize things so i like that color and vignette maybe we'll even make this all caps okay color and vignette vin vin yet there we go i spelled that right okay um color and vignette location video location text simple we're done that's it that's all you have to do so we're going to save this okay and we're going to click on export motion graphics template okay let it do its thing it's creating tell it where you want it to go now i've discussed this a lot this is again one of the really brilliant elements of creating a mogurt is that you can you can share it or make it accessible to you or others in your in your organization via a couple of different methods the first and the one that i typically well always use and recommend to most is saving them to a cc library a creative cloud library which you can see i have many this is my standard jsons library is the first one i created when we first introduced libraries and what that means is wherever i log into premiere pro this mogurt will live it will always be there doesn't get any easier than that right so i can save it to my cc library now what if i'm uh working along with somebody what if i'm collaborating is brian mentioned there if i'm doing a production with other people maybe i have shared libraries here's one that i always use for me and terry white so we have a library together that we share stuff you know cool things we can pop it in there i could save this to terry's library this is a shared library so it'll show up on my desktop and if terry were at his desktop now if i created this right now it would show up on his really simple really easy okay so personal libraries shared libraries and then you also have local so if you want to be able to just create the dot mogart.mogrt file and then maybe you're you know you prefer just i just like to have the file or maybe you're going to archive this project so you want to be able to save that mogurt file maybe you know yes when it's in the cloud you can still download but maybe you just want instant access the other reason for saving it locally is that even after the fact you can re-open that mogurt and all of its native parameters in after effects by opening as a project in after effects don't open it as a file open it as a project it'll extract the elements and then you'll be able to create a new mogurt from the source material so there's benefits to creating the local.mogrt file 99 of the time though i i don't need to do that i just save it to my cc library you can put in keywords the reason for that is for search search inside of the essential graphics where you have your mogurts they're also in libraries but you find you can access them easily easily in essential graphics panel in premiere search can be challenging put in keywords that you know you're going to use like i could say explore and it'll come right up all right explore show title sequence intro animation can't type today animation you get the idea jason's library okay okay okay here's some warnings around fonts and everything again i mentioned if you're using adobe fonts you never have to worry that this thing won't display properly it'll always look right no matter who's using it whom you shared it with they don't even have to have that font licensed on their machine when they grab that mogurt nowadays we automatically grab the font from adobe fonts there's no limit anymore we license it in the background for you and it displays properly if you use third-party fonts many of us do you can create a mogrit with a third-party font but the person whom you're sharing it with must also have that font otherwise it won't display properly right this is another reason for always including i say always design design agencies would be like never but this is why i always kind of add the font adjustment option properties here because you never know but again as long as you use adobe fonts you never have to even think about that so now that we've made this let's go back over to premiere and i have let me make a new i'm gonna make a new sequence here because i already dragged that one in all right and we'll call this media replace explore okay go into browse okay explore intro here it is all right oh or did i just create that untitled one did i not change the name i didn't did i not change the name of that you dope all right well that's okay but that one has a couple of the additional parameters so let's drag that one i'm going to take it right from my essential graphics panel into video 2 it's going to load that motion graphics template can you get fried chicken yogurt ew okay golden rose i don't know what's in the marshmallow library but i like it already we did a a contest last year with marshmallow and so all of the marshmallow assets that we use for the contest are in there and that was that may have been a global shared library i can't remember okay so now i've just created a new sequence i just dragged the mogurt because this contains everything i need for my show intro right if i go ahead and hit play there's my animation there's my video there's my animate out just as expected okay we can loop this in playback wonderful good to go but here's where it gets cool right go ahead and click on that and you see that it automatically goes to the edit tab okay so first and foremost text now again maybe the next episode we're not in egypt where are we going to be well as it so happens i believe i have some footage here um [Music] right here there we go of san francisco so maybe the next episode is san francisco so let's type san francisco okay and as mentioned can you imagine that if i didn't have resize the font this is what we get right fortunately for us we can resize it okay now what i also should have done is allow vertical as position because you know now it's smaller and it doesn't look as good all right that's my bad we can always go back to after effects and re-export a new version you can even drag it over top you can if you give it uh the same name you can even push those changes that's something that we did a while back but we'll go we'll we'll come back to that later anyway san francisco we can change the font if we want we can change the size it might even be nice to do that but the video itself all right this is what we want to change now a couple different ways you can do it you can of course double click right here or even easier drag and drop right over top [Music] done wind it back play it back sweet now we added the ability to change the look and the lut remember that but with that text in those colors and actually even now the size i'm happy with that again some designers like no you need to be able to position it above that building it's all wrong yes okay i'd recreate the mogrid all right see what i'm saying now because we have the color and vignette options i can change it maybe that uh this particular one it's a little it's a little too much maybe we just need to adjust the intensity so let's see first intensity adjustment all right it's a little bit less you know there's 200 percent and there's 25 yeah so like at 15 we still get some nice shadow detail but we could change it all together maybe we want blue moon all right and we adjust that intensity or something else here okay whoops didn't mean to do that okay do these look like they're not changing to you please don't let me let me do this noir here this should be black and white now huh the lut doesn't appear to be changing maybe we just found a bug hey brian are you in here hey kevin you listening so yes as kevin is pointing out you have positional adjustments here you can also as you can see you can adjust start time of the video the end point if it's longer in this case position rotation scale to fill scale to fit stretch to fill however you want it no scale but yeah the look doesn't seem to be changing so that's interesting all right we may have just found something let's see about the vignette okay the vignette is working so we can adjust the vignette okay don't go reverb mike all right super cool okay so that's media replacement real simple love creating these i imagine myself now using these constantly especially for my young my little one who's editing his own videos now we actually already made a couple of mogrits but he likes to have a video intro and he wants to be able to change them out with every hair dye change that he does so perfect example to do that with replaceable media okay kevin i didn't know you could add a lot i'll have to check that out yeah well it's in the solo supported properties but apparently it's not changing so uh but the intensity of the lut is and the vignette amount is so it's probably just a bug okay we will address that all right um two more things i wanted to show you let's dip back to after effects real quickly okay quinn we need more contests all right 3d stuff all right just a couple of really quick things here uh this is the content that i created for well i didn't create this one of our engineers created this i showcased this during macs i love this little project here and just to kind of re-emphasize you know we've got all these new 3d tools so you know your dollying tools make it really easy there's of course keyboard shortcuts for all of these i've forgotten them because i don't do a lot of 3d as you all know um you know panning under the cursor you know we make this really really simple it's also really responsive even more so than when we showcased this at max and when it officially released with these tools um they're they're phenomenally real time and you can see this is like you know for the for the the few things that i've done in c4d i was always marveling at the fact that 3d manipulation was always just it was it was liquid it's now as liquid in after effects but here's where this gets even better because now you will see we have a new function here called the 3d ground plane so when i turn that on it's going to do exactly what you would expect right you now have a ground plane and after effects which you can see now this again this was created before the ground plane so most of the content is actually above or i should say some of it is below the ground plane but this really allows you to very easily customize and create 3d inside of after effects just brilliantly right and make sure that everything is oriented in the correct sort of 3d perspective in space with access to that ground plane so this just got added a week and a half ago two weeks ago i again if i were recreating this now i would of course reposition these things accordingly taking advantage of all of that um it's just it's brilliant and of course don't forget that we have the the new gizmo here so if you haven't experienced this yet this is your new gizmo for moving rotating scaling you know your objects here look at it again it's it's liquid it's so fast i know when i showed this at the in max you know five months ago it was pretty good it's it's phenomenally good now and of course you have again this is where the ground plane really comes into play because now you can see it's giving me the exact pixel coordinates of how i'm moving let me see if i can zoom in and show this yeah so of how i'm moving in 3d space relative to where i am you know if this is the kind of work you're doing this is really going to um make your life a lot easier by the way as i'm making all these adjustments of course um it's also creating key frames for all of that so maybe we push this way back now okay do even more send it back you'll also notice that going into real time preview super fast this is yet another new addition to the recent after effects as well real time preview of 3d is incredibly fast okay love this all right just looks awesome this makes me want to do more 3d i don't really create a lot of this of course someone said well this is two and a half d these are flat yes can you bring in other 3d elements yes can you use we're using classic 3d if i wanted to add extrusion and reflections and other things i could also switch the renderer to cinema 4d and do that as well okay and take advantage of some of those properties you still have that 3d pipeline between after effects and cinema 4d i always like to remind people too that you can also create cinema 4d i almost said comps cinema 4d projects using c4d light which gets installed by default with after effects right from the file new menu so if you've never explored 3d objects it's all it's here it's already here waiting for you all right and that's c4d light we allow you to upgrade to the full version should you do that you know through max on that's entirely up to you but this is available to you now all right so 3d ground plane and three real-time preview all right last thing in our last three minutes here i talked about um having some uh new capability or faster processing for warp stabilizer so i'm gonna go ahead you can't see it i'm just gonna type it here warp i'm gonna drag the new warp stabilizer onto my clip it should automatically hopefully switch over to my effects controls here and if you're looking at the processing this is now processing those frames kevin keep me honest here i want to say it's like three to four times faster at a minimum okay it's significantly faster what i've also noticed is that it also seems to now in a couple of versions ago this is probably four years ago we made changes to the warp stabilizer where it did less cropping so it really preserved more of that original shot um while still um maintaining the space oh that's weird why didn't it auto scale wow i didn't like this clip good job dude it did something really bizarre to this i don't know what it just did there hey jace do you always do this stuff live yeah to the test okay it didn't particularly like that one i'm not sure what just happened there preserve scale i shouldn't have done any it should have just auto scaled it that's weird that it ended up in that box no that's not doing what i want either okay let's let's try this on another clip that i added in here this one see this one yeah let's try this see how this does got two more minutes here all right now this is 560 frames again if you've used this before minus the weird thing that just happened so much faster i can tell you that this absolutely took at least a minute or two before it's now happening in literally just a few seconds so way faster let's hope that this doesn't do anything weird hoping not also am i in the right maybe i'm in the hold on maybe my sequence is the wrong size maybe that's the problem maybe that's it new sequence from clip let me do this again because that didn't work either the analysis phase is way way faster and that's where you'll notice it yes okay kev why is it doing this why is it doing this weird weird scale thing what's happening there i don't know what's going on with that hmm well could be a gremlin friends unfortunately that's all the time we have kevin you're gonna have to let me know what's going on just there should we reanalyze warp stabilizer if we just updated well quinn i'm gonna tell you based on what just happened to me you know uh caveat emptor do it on a duplicate of the project i'm not sure what's happening here uh action safe margin no no that should really be changing i'm not sure but that's okay in any case friends we've got more adobe live coming up for you so thank you so much we'll see you again next week which will be the last one on twitter periscope because it's going away on twitter periscope well twitter periscope is going well periscope is going away so until then have a great rest of your morning afternoon evening wherever you are in the world we'll see you again next time take care everybody bye you

Channel: Adobe Creative Cloud

Views: 6,402

Keywords: Adobe Creative Cloud, MOGRT, adobe, after effects, beatlejase, captions, closed captioning, how to caption, how to create captions, jason levine, motion graphics templates, premiere pro, replace video, tutorial, video replacement

Id: nxToEiy_BzU

Length: 57min 0sec (3420 seconds)

Published: Fri Mar 19 2021