<i> C'MON, ANNE!
IT'S FRIDAY, LET'S GO!</i> (♪ music & singing ♪) JUST ONE MORE! (♪ music & singing ♪) ONE MORE. WHERE'S THE REST
OF THE TRACK TEAM? GONE HOME. <i> C'MON, ANNE!</i> (♪ music & singing ♪) (bell ringing) OH, GOD. ANNE, I GOT
YOU SOMETHING. WHAT? WHAT?! CLOSE YOUR EYES.
C'MON. CLOSE YOUR EYES.
OKAY. HOLD OUT YOUR HAND. WHAT'S THIS? HAPPY 3 MONTH
ANNIVERSARY.
WHAT AM I, LIKE,
6 YEARS OLD? YOU'VE GOT A WHOLE PILE OF
STUFFED ANIMALS IN YOUR ROOM. SO, WHO'S GETTING'
THE MOVIE TONIGHT? WHO USUALLY GETS IT? NOT CHARLIE'S
ANGELS AGAIN!
NOT CHARLIE'S ANGELS AGAIN! COME ON,
DREW BARRYMORE. GARY, WHY DON'T YOU GO AND PICK
UP THAT ADAM SANDLER MOVIE YOU WANTED TO SEE?
NO PROBLEM. SEE YOU TONIGHT. OH, I'LL PICK UP THAT
NEW CD YOU WANTED!
COOL. SO, MY HOUSE, 7:30. THANKS FOR THE
BEAR, GAREBEAR! (♪ music & singing ♪) GOT WHAT YOU'RE
LOOKING FOR? TOM? TOM?! YOU'RE HOME! (excited laughter) WHERE'S YOUR
TROPHY, JOCK? WHERE'S YOUR
HAIR, JARHEAD? (laughing) I MISSED YOU. THEY DON'T FEED YOU
LIKE THAT AT BASIC. MORE POTATOES? COULD DO.
ANNE, GO GET YOUR
BROTHER SECONDS. TOM'S OLD ENOUGH TO
GET HIS OWN POTATOES. NO, HONEY, I-I REALLY
THINK YOU SHOULD GET THEM. HE'S CLOSER. POTATOES. OKAY. IT CAME. <i> MOM, YOU OPENED IT?</i> IT WAS AN ACCIDENT. YOU LIAR! I GOT IN.
I GOT IN! I GOT IN! I'M GOING TO TERRE HAUTE. YEAH, THEY SAY THAT YOU
EITHER GET BEAUTY OR BRAINS, NOW WE KNOW. OH, MY GOD! TERRE HAUTE, I GOTTA
TELL GARY AND PAIGE. NOW? AH, COME ON, MOM.
PLEASE, PLEASE, PLEASE. YOUR BROTHER
JUST GOT HOME. LET HER GO.
IT'S OKAY, MOM. BUT DON'T STAY
OUT TOO LATE. COME ON, I'M
PRACTICALLY IN COLLEGE! MIDNIGHT AND NOT
A MINUTE LATER. OH, HEY, DAD. THANKS. THERE'S
THIS NEW CD. WE ARE SO PROUD
OF YOU, BABY. THANK YOU. THIS ROCKS! (♪ music ♪) (♪ music & singing ♪) SORRY! (♪ music & singing ♪) (screaming) HEY, NO! PLEASE DON'T! HELP! SOMEBODY HELP ME! DON'T! NO! DON'T! NO! SOMEBODY HELP ME!!! (frantic screaming) (punching) (♪ music ♪) (car door slamming) (screeching tires) (♪ music ♪) (squealing tires)
(♪ music ♪) (♪ music ♪) THE VEHICLE IS REGISTERED
TO A DON SLOTTY. WHO? SLUTI, DON SLUTI. ANNE SLUTI IS LISTED AS
THE PRINCIPAL DRIVER. WHAT? DO YOU KNOW HER? (doorbell ringing) I'LL GET IT. MIKE. NO, NO-NO, SHE WENT
TO PAIGE'S HOUSE. SHE LEFT AN
HOUR OR SO AGO. AND WENT TO THE MALL. SHE WAS GONNA
BUY A CD. DID YOU CALL PAIGE? ELAINE, WITNESSES SAW HER
BEING FORCED INTO AN SUV. (♪ music ♪) (moaning) (♪ music ♪) YOU SHOULDNA
SCREAMED BACK THERE. WHY DID YOU DO THAT? ANSWER ME!
WHY DID YA SCREAM? BECAUSE YOU
WERE HITTING ME. (♪ music ♪) SIT. GO ON, SIT,
UP HERE. (♪ music ♪) (sniffling) (♪ music ♪) (thump) (♪ music ♪) (thump) (♪ music ♪) (thumping) (♪ music ♪) (bang) A SUBURBAN SPORT
UTILITY VEHICLE, TWO OCCUPANTS, CAUCASIAN,
FEMALE 17 YEARS OLD... ...COVER EACH OF
THE INTERSTATES, ALL ALLEYS
AND BACK ROADS. HE WAS PRESUMED
ARMED AND DANGEROUS. IN MOST ABDUCTIONS THE
FAMILY IS CONTACTED, SO WE'RE GONNA SET UP HERE AND
BE READY TO TRACE THE CALL. DAVE, I NEED THAT
AT THE FAX MACHINE. WELL, IS IT MONEY?
A RANSOM?
WE DON'T KNOW YET. IT'S WHY WE NEED TO BE
READY IN CASE HE CALLS. SO, WE JUST WAIT? YOU NEED TO STAY PUT. AND DO NOTHIN'?
IN CASE THE
KIDNAPPER CALLS. THAT'S JUST GREAT. TOM, LET'S JUST LET
THEM DO THEIR JOB. MR. S.,
WHAT'S GOING ON? WHERE'S ANNE? WE'RE GONNA HAVE TO ASK
YOU ALL SOME QUESTIONS. NO PROBLEM.
YOU NEED TO UNDERSTAND
IT CAN BE INTRUSIVE. (banging) (♪ music ♪) (car door slamming) (♪ music ♪) GET OUT! (car door slamming) (gasping) OH, GOD,
PLEASE DON'T! STAY STILL.
STAY STILL. DON'T HURT ME!
I WON'T TELL ANYBODY! I PROMISE I'M NOT GONNA...
I'M NOT GONNA SAY ANYTHING! PLEASE LET ME GO! (sobbing) PLEASE DON'T DO THIS! I'LL MAKE YOU DEAL. IF YOU CAN GET THE TAPE
OFF, I'LL LET YOU GO. OW! (laughs) YOU HAVE TO DO
BETTER THAN THAT. (♪ music ♪) (clang) (♪ music ♪) (metal fence clanging)
(♪ music ♪) TIME'S ALMOST UP! (clang)
OH! OW! (gasping)
(♪ music ♪) YOU LOSE. (♪ music ♪) COULD YOU
UNTIE MY HANDS? I THINK THEY'RE
STILL BLEEDING. (♪ music ♪) OW! (spit) STAY STILL. NO, DON'T DO THAT!
STAY STILL, YOU GOT
SOMETHING ON YOUR FACE! DON'T TOUCH ME!
DON'T YOU! OW! LET GO OF ME! (tires squealing) (loud bang) (water splashing) (♪ music ♪) CAN ANYBODY
MAKE A STATEMENT? NO. AT THIS POINT WE DON'T
KNOW WHAT'S GOING ON SO. CAN YOU TELL ME IF
SHE WAS SEEING SOMEBODY? THERE'S A SWARM OF
REPORTERS OUT THERE. THE MORE PEOPLE WHO
SEE ANNE'S FACE ON TV, THE MORE TIPS
WE'RE GONNA GET, AND THE FEWER PLACES THIS
GUY'S GONNA HAVE TO HIDE. YOU GOT ANNE'S PICTURE. WHAT ARE WE
WAITING FOR? IT MIGHT NOT
GO OUR WAY. IT COULD PANIC
THE KIDNAPPER, AND THAT'S A RISK YOU'RE
GONNA HAVE TO WEIGH. WELL, THE STORY'S
ALREADY OUT THERE. I MEAN IT'S ALL OVER THE NEWS. IF GETTING ANNE'S PICTURE
OUT THERE WILL HELP, WE SHOULD DO IT. TELL US WHAT TO DO, MIKE. <i> HERE HE COMES.</i> (reporters shouting questions) APPROXIMATELY 5 HOURS AGO,
17-YEAR-OLD ANNE SLUTI WAS ABDUCTED FROM
THE HILL TOP MALL BY A UNIDENTIFIED
CAUCASIAN MALE. ANNE IS 5-FOOT,
7 INCHES TALL. SHE HAS BROWN HAIR
AND BLUE EYES, AND IS WEARING A PINK HOODED
SWEATSHIRT AND BLUE JEANS. NOW, WE'RE ASKING ALL OF
THE RESIDENTS OF KEARNEY AND THE SURROUNDING
COUNTIES TO BE ON THE ALERT AND TO REPORT ANY
POTENTIAL SIGHTINGS OF ANNE AND HER ABDUCTOR
TO THE LOCAL POLICE. WHEN THEY WERE LAST SEEN,
THEY WERE DRIVING A DARK BLUE SUBURBAN,
WITH LOUISIANA PLATES. (reporters shouting questions) KATIE. DETECTIVE TIMBROOK, ARE THE FBI
INVOLVED IN THIS INVESTIGATION? WELL, IF THERE'S ANY
INDICATION THAT ANNE WAS TAKEN OUTSIDE OF NEBRASKA, WE'LL
CERTAINLY CONTACT THE FBI. (reporters shouting questions) <i> TV: Isn't it true that almost
75% of children kidnapped</i> <i> are murdered within the first
three hours of abduction?</i> <i> Well that depends on a lot
of different circumstances.</i> <i> And isn't it true
that after 24 hours,</i> <i> the statistical chances
of her being found alive</i> <i> are virtually nil?</i> <i> Well that's why we're
asking for everybody's help</i> <i> and cooperation
in this matter.</i> <i> Okay, that's it, folks.
Thank you.</i> (♪ music ♪) (splashing) IS THAT ALL YOU'VE GOT?! I'M STILL HERE! (yelling) (hideous laughter) WHOA! WOO! HELP...HELP ME! I CAN'T MOVE! PLEASE, PLEASE,
I-I CAN'T GET OUT! PLEASE COME LET ME OUT! I CAN'T MOVE!
I'M STUCK! PLEASE! OH, GOD. OH, GOD, PLEASE,
PLEASE HELP ME! OH, GOD, OH, GOD. PLEASE HELP ME! PLEASE, GOD,
I'M GONNA DROWN. (gasping) (♪ music ♪) (♪ music ♪)
(rapid heartbeat) (splash) (choking cough)
(♪ music ♪) (heavy breathing)
(♪ music ♪) I SAVED YOUR LIFE...
I OWN YOU. (gasping)
(♪ music ♪) (♪ music ♪) (telephone ringing) THIS IS IT. ARE WE READY?
(telephone ringing) WHAT DO I SAY?
JUST STAY CALM AND TRY
AND KEEP THEM ON THE LINE AS LONG AS YOU CAN. ALL RIGHT, READY? HELLO. NO, WE'RE NOT
GIVING ANY INTERVIEWS. THEY'RE LIKE JACKALS! IF I HEAR OR SEE
ONE MORE REPORTER... I'LL DEAL WITH IT.
I'LL DEAL WITH IT. <i> YEAH, I'M INSIDE
THE HOUSE NOW.</i> I WILL ASK THEM.
MRS. SLUTI? HOW DID YOU
GET IN HERE?
GET OUT OF
HERE RIGHT NOW! YOU'RE MAKING A MISTAKE.
GET OUT OF MY HOUSE! WHOA! TOM, IT'S OKAY! NERVES ARE A LITTLE FRAZZLED
AROUND HERE RIGHT NOW. I CAN SEE THAT. THIS IS AGENT
REYNOLDS OF THE FBI. FBI?
BECAUSE THE CAR HAD
LOUISIANA PLATES, THERE'S A LIKELIHOOD
THAT THE KIDNAPPER HAS TAKEN ANNE
ACROSS STATE LINES. AND THAT MAKES IT A
FEDERAL INVESTIGATION. THEN ANNE COULD
BE ANYWHERE. (chain clattering)
(footsteps) C'MON, KEEP UP! YOU TRY WALKING BAREFOOT
WITH BLEEDING FEET. BUILDS CHARACTER. BLEEDING FEET? PAIN. (footsteps)
(chain clattering) (♪ music ♪) (engine starting) (♪ music ♪) (engine revving)
(♪ music ♪) (♪ music ♪) (engine revving)
(♪ music ♪) (telephone ringing)
(♪ music ♪) (♪ music ♪) (ding-dong) DIANE KRAEMER. I'M A
FRIEND OF THE FAMILY. THEY'RE EXPECTING ME. OH, ELAINE. DIANE. (♪ music ♪) (gears grinding) <i> COME ON!</i> <i> COME ON!</i> (engine revving) <i> COME ON! COME ON!</i> <i> (bang)
DAMN! HA-HA-HA!</i> I REALLY
APPRECIATE THIS. WE'VE GOT TO GET
HER OUT OF HERE. I DON'T FEEL
RIGHT LEAVING. ELAINE, DON'T
THINK ABOUT IT. YOU NEED REST, YOU'VE
BEEN UP FOR 36 HOURS. EVEN A FEW HOURS SLEEP AT
MY HOUSE, AWAY FROM ALL THIS, WILL DO YOU A
WORLD OF GOOD, OKAY. THANKS, DIANE. I'LL LOOK AFTER
THINGS HERE. IT'S OKAY, MOM. (♪ music ♪) YOU HUNGRY? YEAH. (crunching) WHAT'S YOUR NAME? ANNE.
ANNE. ANNE, YOU CAN
HAVE A COOKIE. (crunching) WHAT'S YOUR NAME? THEY CALL ME JACK,
AS IN JACK-RABBIT. I'M FAST AND
I'M STRONG. (clapping) YOU MUST WORK
OUT A LOT. WHATSOEVER THY HAND FINDETH
TO DO, DO IT WITH THY MIGHT. ECCLESIASTES. VERY GOOD. YOU CAN HAVE
ANOTHER ONE. YEAH, GRAMMA INSISTED
ON BIBLE SCHOOL. IF WE CONFESS OUR SINS THEN
HE IS FAITHFUL AND JUST AND WILL FORGIVE
US OUR SINS. (♪ music ♪) MAYBE. YOU KNOW, THERE'S PROBABLY A LOT
OF PEOPLE OUT LOOKING FOR ME. MAYBE YOU SHOULD TELL
SOMEONE I'M OKAY. MAYBE LESS
TROUBLE THAT WAY. AND DO WHAT, CALL UP YOUR
HOUSE AND SAY, "KISS MY ASS, I HAVE YOUR DAUGHTER?"
(laughs) I COULD SAY IT
WAS MY IDEA. IT DOESN'T EVEN HAVE
TO BE MY PARENTS. I COULD JUST
CALL A FRIEND. SAY YOU WERE
GOING ON VACATION. YEAH, SURE. (♪ music ♪) (telephone ringing)
(water running) TURN THAT OFF!
(telephone ringing) THE SINK! DIANE, ANSWER IT. WHAT DO I SAY? JUST SAY HELLO.
ACT NATURAL. PICK IT UP.
GO AHEAD. HELLO? HELLO? <i> Phone: HI, IS ELAINE THERE?</i> NO, ELAINE'S NOT
HERE RIGHT NOW. <i> DO YOU KNOW
WHO THIS IS?</i> IS THIS ANNE? <i> YES.</i> OH, ANNE,
WHERE ARE YOU? <i> I'M OKAY.
I'M NOT HURT OR ANYTHING.</i> HOW DO WE
GET YOU HOME? <i> HOPEFULLY...SOON.</i> <i> CAN YOU JUST TELL
ELAINE I CALLED?</i> ARE YOU...
(click) ANNE...ANNE! (dial tone) DID WE GET
THE TRACE?
NOT LONG ENOUGH. VACATION, YOU'RE
SUPPOSED TO SAY VACATION.
YOU HUNG UP BEFORE
I COULD SAY IT! YOU'RE TAKIN'
TOO LONG! CALL SOMEONE ELSE,
ANOTHER FRIEND. SHE'S ALIVE,
ANNE'S ALIVE. WE HAVE TO TELL
ELAINE AND DON. OF COURSE. CAT, PLAY THAT BACK
FOR ME, WILL YOU? <i> Tape: HI, IS ELAINE THERE?</i> <i> NO, ELAINE'S NOT
HERE RIGHT NOW.</i> <i> DO YOU KNOW WHO THIS IS?</i> HEAR THAT? IT SOUNDS LIKE A
LOT OF HIGHWAY TRAFFIC TO ME.
ABSOLUTELY. <i> OH, ANNE, WHERE ARE YOU?</i> <i> I'M OKAY.
I'M NOT HURT OR ANYTHING.</i> LISTEN TO HER. <i> HOW DO WE GET YOU HOME?</i> <i> HOPEFULLY...SOON.</i> <i> CAN YOU JUST TELL
ELAINE I CALLED?</i> DID YOU HEAR HOW CAREFULLY
SHE SAID, "ELAINE?" THE KIDNAPPER MUST HAVE
BEEN STANDING RIGHT THERE. THAT'S WHY SHE
DIDN'T ASK FOR MOM. SHE KNEW WE'D BE HERE. WHATEVER SHE'S
BEEN THROUGH, SHE'S KEEPING HER
WITS ABOUT HER. (♪ music ♪) (beeping) (phone ringing) <i> Phone: HELLO?</i> PAIGE? <i> OH, MY GOD, ANNE!</i> <i> OH, GOD, YOU'RE ALIVE!!
WHERE ARE YOU?</i> <i> ARE YOU OKAY?</i> I'M FINE.
DON'T WORRY. I'M JUST, AH, LOOKING
FOR EQUALITY VACATION. GOOD GIRL. I GUESS NOW WE CAN
START OUR VACATION. (♪ music ♪) SHE CALLED?! YES. ELAINE, SHE
SOUNDED JUST FINE. WHAT DID SHE SAY? SHE ALSO CALLED PAIGE.
WE JUST GOT THE TAPE. <i> YOU HEARD HER VOICE?</i> DO WE KNOW WHERE ANNE IS?
CAN WE GO AFTER HER? IT'S TOO BRIEF
FOR A TRACE, BUT WE KNOW THAT BOTH CALLS
FROM A HIGHWAY PAYPHONE. LISTEN. (ringing) <i> Tape: HELLO?</i> <i> PAIGE?</i> <i> OH, MY GOD, ANNE!</i> <i> OH, GOD, YOU'RE ALIVE.
WHERE ARE YOU?</i> <i> ARE YOU OKAY?</i> <i> I'M FINE.
DON'T WORRY.</i> <i> I'M JUST, AH, LOOKING
FOR EQUALITY VACATION.</i> HANG ON, LET'S LISTEN
TO THAT LAST THING SHE SAID AGAIN
REALLY CLOSELY. <i> Tape: I'M FINE.
DON'T WORRY.</i> <i> I'M JUST, AH, LOOKING
FOR EQUALITY VACATION.</i> <i> ANNE DIDN'T SAY A
QUALITY VACATION.</i> <i> SHE SAID, "EQUALITY
VACATION."</i> (tape recorder beeping) <i> Tape: I'M JUST, AH, LOOKING
FOR EQUALITY VACATION.</i> WHAT DOES IT MEAN? EQUALITY, WYOMING
IS THE EQUALITY STATE. COME ON, SHE'S THAT
CLEVER UNDER DURESS? YES, SHE IS. ALERT WYOMING AUTHORITIES
TO BE ON THE LOOKOUT FOR OUR BLUE SUBURBAN. IT'S A NEEDLE
IN A HAYSTACK. (♪ music ♪) SO WHERE SHOULD WE
GO ON OUR VACATION? GO TO WASHINGTON? ALL THOSE
TREES UP THERE. OR THE DESSERT? NEVADA? OR THE YUKON? NO ONE WOULD EVER
FIND US UP THERE. I ALWAYS WANTED TO
GO TO THE YUKON. A BUNCH OF THE BOYS
WERE WHOPPING IT UP IN MALAMUTE SALOON. THE KID THAT HANDLED THE
MUSIC-BOX WAS HITTING A JAG-TIME TUNE. THE BACK OF THE BAR,
IN A SOLO GAME, SAT THE DANGEROUS
DAN MCGREW. AND WATCHING HIS LUCK
WAS HIS LIGHTO' LOVE, A LADY THAT'S
KNOWN AS LOU. THERE'S MEN THAT SOMEHOW
JUST GRIP YOUR EYES, AND HOLD THEM HARD
LIKE A SPELL. SUCH WAS HE, AND HE LOOKED AT ME LIKE
A MAN WHO LIVED IN HELL. WITH A FACE MOST HAIR,
AND THE DREARY STARE OF A DOG WHOSE
DAY IS DONE. HE WATERED THE GREEN
STUFF IN HIS GLASS, AND THE DROPS
FELL ONE BY ONE. HAVE YOU EVER BEEN OUT
IN THE GREAT ALONE, WHEN THE MOON
WAS AWFUL CLEAR, AND THE ICY MOUNTAINS HEMMED
YOU IN WITH A SILENCE YOU MOST COULD HEAR? AND THEN ON A SUDDEN,
THE MUSIC CHANGED, SO SOFT THAT JUST
SCARCE COULD HEAR. BUT YOU FELT THAT YOUR
LIFE HAD BEEN LOOTED CLEAN OF ALL THAT YOU
ONCE HELD DEAR. THAT SOMEONE HAD STOLEN
THE WOMAN YOU LOVE, THAT HER LOVE WAS
A DEVIL'S LIE. THAT YOUR GUTS WERE GONE, AND THE BEST THING FOR YOU
WAS TO CRAWL AWAY AND DIE. IT 'TWAS THE CROWNING
CRY OF A HEART'S DESPAIR, AND IT THRILLED YA
THROUGH AND THROUGH. "I GUESS I'LL MAKE IT
A SPREAD THIS YEAR," SAID THE DANGEROUS
DAN MCGREW. (♪ music ♪) I DON'T EVEN OWN
A BLACK DRESS. (♪ music ♪) GET OUT. AND DON'T
SLAM THE DOOR. (♪ music ♪) (bang) PERFECT. (clanging) I'VE GOT IT ALL
FIGURED OUT. WE'RE GONNA GO LIVE
IN THE MOUNTAINS. LIVE OFF THE LAND. THAT SOUNDS FAR. IT IS FAR. IT'S THE BEST
PART ABOUT IT. YOU'RE NOT EATING
YOUR FOOD. EAT IT. EAT IT! MY GRAMMA ALWAYS SAID, "TONY,
EAT EVERYTHING ON YOUR PLATE OR YOU'RE NOT
GONNA EAT AGAIN." THIS CRAP IS BETTER THAN
WHAT THEY SERVE YOU INSIDE, THAT'S FOR SURE. PRISON? YEAH. AND WHAT WERE
YOU IN FOR? I'M NOT SO
BAD...YOU'LL SEE. (♪ music ♪) THANK YOU FOR DINNER. YEAH. (♪ music ♪) SO, I, I GOT
YOU A PRESENT. (♪ music ♪) SHOULD, SHOULD I
PUT IT ON YOU? NO. NO. NO. (♪ music ♪) NO, PUT IT ON, ON
THE OTHER FINGER. THIS GOES ON THE
OTHER FINGER. YEAH. YEAH. BEAUTIFUL. I GOTTA TAKE A PISS. (footsteps)
(♪ music ♪) (♪ music ♪) (phone - ding) (♪ music ♪) (snorting) (phone beeping) <i> OPERATOR: 9-1-1,
what's your emergency?</i> ARE WE IN MONTANA? <i> Yes.</i> I NEED HELP.
I'VE BEEN KIDNAPPED. <i> What's your name?</i> ANNE SLUTI. <i> Who took you?</i> HE SAYS HIS NAME IS TONY,
I DON'T KNOW HIS LAST NAME. <i> Is Tony your boyfriend?</i> NO, I DON'T KNOW HIM.
I NEVER MET HIM BEFORE. HE KIDNAPPED ME FROM
A MALL PARKING LOT IN KEARNEY, NEBRASKA. <i> Does the man
have any weapons?</i> YES, GUNS AND KNIVES. <i> Do you know where you are?</i> AT SOME CABIN
IN THE WOODS. <i> And where is he now?</i> (♪ music ♪) <i>'VE GO.</i> IT'S A CABIN IN
LIVINGSTON, MONTANA. YES!
(screams of joy) (sirens)
(♪ music ♪) SEARCH THE DATABASE FOR
ANY OUTSTANDING WARRANTS ON A 'TONY' OR 'ANTHONY' AND
THEN CROSS-REFERENCE THOSE WITH THE DESCRIPTION
OF OUR SUSPECT. HOW LONG UNTIL WE HAVE
SOMEBODY AT THE CABIN?
WE'RE ALREADY THERE. THE SWAT TEAM HAS
THE PLACE SURROUNDED. APPARENTLY, THEY CAN HEAR
VOICES COMING FROM INSIDE. THEY'RE GOING IN,
AREN'T THEY? YES. YES, THEY ARE. YOU HAVE TO SAVE HER. WE'LL DO OUR
BEST, MA'AM. (♪ music ♪) (radio playing in background)
(♪ music ♪) <i> RADIO: Forgive me, Jesus.</i> <i> Forgive me, Jesus.</i> <i> Can I have an amen?</i> <i> Amen.</i> <i> Go now in peace and love.</i> (♪ music ♪) SHE LEFT A NOTE. WHAT DO YOU MEAN
THEY'RE NOT THERE? WHAT?!
WHAT DID YOU SAY? THEY'RE NOT THERE. BUT YOU SAID!
YES, I'M SORRY,
THEY WERE THERE. YOU'RE SORRY?!
YOU PROMISED. ELAINE...
YOU PROMISED ME
YOU'D GET HER BACK. ...I'M SORRY.
YOU PROMISED!!! BUT YOU GUYS HEARD
VOICES AND YOU, YOU SAID THAT
SHE WAS THERE!
SHE WAS THERE. SHE EVEN LEFT A NOTE SAYING
THEY WERE HEADING NORTH. SHE'S IN LIVINGSTON,
WE KNOW THAT, RIGHT? TOM, CALM DOWN.
IT'S NOT THAT SIMPLE. NO, I KNOW, I UNDERSTAND THAT,
BUT IT IS THAT SIMPLE. YOU HEARD WHAT SHE
SAID, WE HEAD NORTH. WAIT A MINUTE.
WE'RE SITTIN' AROUND
HERE TOO LONG. NO-NO-NO-NO.
I CAN'T WAIT FOR THIS STUFF
TO FIGURE IT OUT ITSELF! NO, AND I'M NOT GONNA
WAIT AROUND ANYMORE, DAD!
TOM! I'M GONNA GO AND
DO IT MYSELF! TOM! MIKE!
I GOT IT. TOM! WHAT ARE WE
DOING HERE? WE'RE JUST WAITIN' FOR PHONE
CALLS AND ANNE IS OUT THERE. SHE'S IN LIVINGSTON AND
WE KNOW SHE'S OUT THERE. WE'RE WAITIN' AROUND, AND I'M,
I'M GONNA GET HER BACK MYSELF. TOM, YOU NEED
TO CALM DOWN. CALM DOWN? WE'VE BEEN SITTIN'
IN HERE FOR DAYS, THIS IS CRAZY! WE NEED TO GO
AND GET HER!!
WHAT ARE YOU DOING? I'M GONNA
GET MY SISTER.
WE HAVE POLICE
FOR THAT. WELL, THEY'RE NOT DOIN' A
GOOD ENOUGH JOB, ARE THEY? MR. TIMBROOK,
PLEASE, LET ME GO. THIS ISN'T HELPING
YOUR FAMILY. THIS ISN'T
HELPING ANNE! YOU NEED TO BE HERE
FOR YOUR PARENTS! GET OUT OF MY WAY!! (wham) (gasping) LET'S GO GET ANNE. I KNOW. I KNOW. WHY DID YOU DO
THAT, HUH?! WHY? WHY'D YOU
CALL THE COPS?! (pounding) GOD, THAT'S IT,
IT'S OVER FOR YOU! I MAY AS PUT A BULLET
IN YOUR HEAD RIGHT NOW! (♪ music ♪) HIS NAME IS
ANTHONY STEVEN WRIGHT, ALSO KNOWN AS TONY ZAPPA. ARRESTED TWENTY TIMES
BEFORE THE AGE OF 18, AND THERE ARE OUTSTANDING
WARRANTS FOR HIS ARREST ON CHARGES OF ASSAULT AND BATTERY,
B&E, AND GRAND THEFT AUTO. MIKE, DO YOU REMEMBER
THAT INCIDENT LAST MONTH AT THE MALL OF AMERICA? THEY SHUT IT DOWN. YES, FOR A MANHUNT. WE'VE BEEN TRACKING
THIS GUY FOR TWO MONTHS. WE FINALLY CORNERED
HIM AT THE MALL, HAD EVERY EXIT AND ROAD
IN AND OUT OF THE PLACE TOTALLY BLOCKED,
AND STILL HE ESCAPED. OKAY, THAT'S TONY ZAPPA,
THAT'S WHO WE'RE DEALING WITH. HE WAS RAISED BY HIS GRANDMOTHER
IN ST. PAUL, MINNESOTA. I'M SENDING SOMEBODY UP
THERE NOW TO TALK TO HER AND SEE WHAT
WE CAN LEARN. IN THE MEANTIME, I AM GONNA
FLY TO MONTANA TONIGHT. I'M COMING WITH YOU. NO, I THINK IT'S BEST
IF YOU STAY HERE. HE'S GOTTA GO. WE WANT MIKE THERE. I KNOW THIS GIRL. I KNOW HOW SHE THINKS. I CAN HELP YOU. I NEED TO BE THERE. ALL RIGHT. JET LEAVES IN
HALF AN HOUR. PLEASE DON'T BE LATE. (♪ music ♪) (scraping)
(♪ music ♪) (♪ music ♪) ARE YOU TONY
ZAPPA'S GRANDMOTHER? <i> WHO WANTS TO KNOW?</i> WE NEED TO ASK YOU SOME
QUESTIONS ABOUT TONY. (gasping) (scraping)
(♪ music ♪) (♪ music ♪) NOT DEEP ENOUGH. PLEASE DON'T KILL
ME LIKE THIS! HOW DO YOU
WANT TO DIE? PLEASE DON'T! KEEP DIGGIN'. (♪ music ♪) (gasping) (scraping)
(♪ music ♪) YOU DON'T
HAVE TO DO THIS!
YES, I DO. WHY?
'CAUSE YOU LIED TO ME! NO, I DIDN'T!
YES, YOU DID! YOU SAID WE WERE
GOING NORTH TOGETHER! WE ARE!
I TRUSTED YOU! SO DIG! DO IT YOURSELF!
YOU PICK THAT UP! OR WHAT?
YOU'RE GONNA KILL ME ANYWAY.
I'M THE ONE GIVING THE
ORDERS AROUND HERE! PICK IT UP NOW! YEAH, I BROUGHT HIM UP. HIS DADDY JUST
KEPT BEATIN' HIM. I'M NOT GONNA
ASK AGAIN. SO JUST GET
IT OVER WITH. (♪ music ♪) GET UP! GET OUT OF THAT HOLE. TONY, PLEASE
DON'T KILL ME. I'M NOT GONNA
KILL YOU. (♪ music ♪) HE LOVES HIS GRANDMA. HE'S A GOOD
CHRISTIAN BOY. DON'T! TONY,
PLEASE GET OFF ME! DON'T...PLEASE! NO, GET OFF ME,
PLEASE, TONY, PLEASE! DON'T! SHH, STAY STILL. PLEASE, PLEASE, PLEASE! (♪ music ♪) DON'T, PLEASE
DON'T, TONY. PLEASE!
(sobbing) (ripping) PLEASE, TONY, STOP! (♪ music ♪) KEEP OUR BABY SAFE. (♪ music ♪) (sobbing)
(♪ music ♪) (♪ music ♪) (♪ music ♪) GET OUT. (♪ music ♪) GO WASH YOURSELF UP. GO. GO WASH YOURSELF UP. (♪ music ♪) (water splashing)
(♪ music ♪) (♪ music ♪) (water splashing)
(♪ music ♪) (♪ music ♪) (water splashing)
(♪ music ♪) (♪ music ♪) (water splashing)
(♪ music ♪) (♪ music ♪) (water splashing)
(♪ music ♪) (♪ music ♪) HEY! GET CHANGED. (♪ music ♪) (sobbing)
(♪ music ♪) (♪ music ♪) (sobbing)
(♪ music ♪) YOU LOOK NICE. <i> I'LL BE RIGHT BACK.</i> STAY THERE. <i> TV ANCHOR:
...manhunt for fugitive,</i> <i> Anthony Steven Wright,
AKA, Tony Zappa.</i> <i> Authorities are fanning out
across Montana searching</i> <i> for the Kearney
Nebraska honour roll student,</i> <i> who disappeared last Friday.</i> <i> The Slutis appeared in public
for the first time today</i> <i> to address the kidnapper.</i> <i> Whoever you are, we
will do anything we can</i> <i> to bring Anne home.</i> <i> Please let her go.</i> <i> Anne, I love you,
I miss you.</i> MOM. <i> You be strong.</i> <i> We won't give up.</i> (bang) WHAT WAS THAT? WHAT? I HEARD SOMETHIN'. <i> Zappa is known to the FBI as
the Jack-Rabbit for his uncanny</i> <i> ability to escape a series of
police dragnets set up across</i> <i> the central United States.</i> <i> Zappa allegedly kidnapped
Sluti from the Hill Top mall</i> <i> parking lot five days ago.</i>
SEE THAT,
I'M THE JACK-RABBIT. <i> He was last seen driving a
stolen blue Suburban SUV</i> <i> with Louisiana licence plates.</i> (banging) WE NEED A NEW CAR. (banging) LET'S GO. WHY? WE NEED ANOTHER CAR.
COME ON! NO, I MEAN WHY
DID YOU TAKE ME? I GOT TIRED OF
BEING ALONE. (♪ music ♪) PACK UP THAT BAG. BRING IT WITH US. (♪ music ♪) (pounding) (♪ music ♪) (engine starting) (♪ music ♪) WE'VE GOT A POSITIVE
ON THE SUBURBAN. WHERE? (♪ music ♪) ALL RIGHT, SO THE SUBURBAN
WAS STOLEN IN LOUISIANA FROM A FRANK BARTLETT. THE GUY WAS 80 YEARS
OLD AND AN EX-COP.
AH-HA. ZAPPA BEAT HIM UP
WHEN HE STOLE THE CAR. FRANK DIED TWO
DAYS LATER. GEES. TAKE A LOOK AT THIS. HMM? WE'RE NOT FAR BEHIND. (♪ music ♪) (footsteps) (footsteps) (♪ music ♪) (rattling)
(♪ music ♪) (dog whining)
(♪ music ♪) (♪ music ♪) (rattling)
(♪ music ♪) (♪ music ♪) (banging)
(♪ music ♪) (♪ music ♪) DAMN IT! NOT NOW!
NOT NOW, NOT NOW! (banging) <i> COME ON!</i>
(banging) (banging) (footsteps) (♪ music ♪) GET OVER HERE.
GET OVER HERE. <i> GET OVER HERE NOW!</i> <i> GET DOWN!
GET DOWN!</i> LOOK OUT THERE. DO YOU SEE ANYTHING? DO YOU SEE ANYTHING? NO, IT'S TOO DARK. YOU'RE LYING TO ME.
NO. DON'T LIE TO ME. (♪ music ♪) DELTA TEAM IN POSITION,
SECURE THE PERIMETER. LOCATION SECURE, OVER. <i> TONY ZAPPA, THIS IS THE FBI.</i> <i> YOU ARE SURROUNDED.</i> <i> COME OUT WITH
YOUR HANDS UP NOW.</i> OH, GOD! HOLD YOUR FIRE,
IT'S THE GIRL. THIS IS ALL YOUR FAULT!
THIS IS ALL YOUR FAULT. IF YOU HADN'T CALLED. I DO NOT HAVE A CLEAN
SHOT, REPEAT, NO SHOT. LET'S JUST CALL 9-1-1
AND TALK TO THEM. NO, THEY DON'T WANT TO
TALK, THEY WANT TO KILL ME. IT'S ALL RIGHT,
THEY WANT US ALIVE. IT'S GONNA BE OKAY. <i> FBI: YOU HAVE
5 MINUTES TO COMPLY.</i> <i> YOU ARE SURROUNDED.</i> HE'S GOT THE GIRL
AT GUNPOINT. HOW MUCH SEPARATION
BETWEEN THEM? <i> ABOUT 3 FEET.</i> HAVE YOU TIED INTO
THE PHONE YET? YEAH. CALLS FROM THE CABIN
WILL COME DIRECTLY HERE. I'M NOT GOING
BACK TO PRISON. NO, NO-NO, I'M GONNA
TELL THEM THAT. I'M GONNA TELL THEM. <i> FBI: YOU HAVE
5 MINUTES TO COMPLY.</i> <i> YOU ARE SURROUNDED.</i> OKAY, WE'RE GONNA MAKE
IT ALL RIGHT, OKAY, TONY. OKAY. (phone ringing)
BINGO! BE CAREFUL
WHAT YOU SAY. <i> Phone: TONY ZAPPA?</i> NO, IT'S ME. IT'S NOT ZAPPA,
IT'S ANNE. SHE'S THE ONE
MAKING THE CALL. WHAT?
I KNOW. THIS IS A NEW ONE, THE
HOSTAGE MAKING THE CALL. LET ME TALK TO HER. MIKE, THIS IS
AN FBI CASE.
I KNOW HER. IT'S WHY YOU BROUGHT
ME HERE, RIGHT? OKAY. CAREFUL NOT TO REVEAL THAT
YOU KNOW HER IN CASE ZAPPA IS LISTENING IN, OKAY? <i> THIS IS MIKE TIMBROOK.</i> <i> I'M HERE WITH THE POLICE.</i> HI, THIS IS ANNE. ANNE, ARE YOU OKAY? <i> YES, I'M FINE.</i> <i> DOES TONY WANT
TO TALK TO ME?</i> I'M NOT SURE. HE WANTS TO
SPEAK TO YOU. NO, I DON'T WANT TO TALK
TO THEM, IT'S A TRICK. THEY WANT TO GET ME FRONT OF
THE WINDOW SO THEY CAN SHOOT ME.
NO. <i> YOU COME IN HERE, I'LL
KILL HER, I SWEAR.</i> ANNE...ANNE? <i> I'M HERE.</i> ANNE, WE'RE HERE
TO FIND A SOLUTION THAT WORKS
FOR EVERYBODY. <i> TELL TONY THAT NOBODY'S
GONNA SHOOT ANYBODY</i> <i> AS LONG AS
HE COOPERATES.</i> <i> OKAY, I'LL TRY.
HOLD ON.</i> <i> THEY WANT YOU
TO COOPERATE.</i> <i> I WILL NOT COOPERATE.</i> <i> THAT'S WHAT MY GRAMMA SAID,
"TONY, DO WHAT YOU'RE TOLD.</i> DO WHAT YOU'RE
TOLD, TONY." WHAT DO YOU THINK YOUR GRAMMA
WOULD SAY TO YOU RIGHT NOW? ANNE, ARE YOU THERE? <i> TONY WANTS TO
CALL HIS GRAMMA.</i> OKAY, GIVE US A MINUTE AND
WE'LL PUT THE CALL THROUGH. WHAT DO YOU THINK
YOU'RE DOING? THIS IS NOT
FBI PROCEDURE. EVERY MINUTE THAT BOY IS ON
THE PHONE, ANNE'S STILL ALIVE. (♪ music ♪) (phone ringing) <i> HELLO.</i> GRAMMA. <i> GRAMMA, IT'S ME.</i> <i> TONY?</i> <i> YEAH.</i> <i> IS IT TRUE WHAT THEY'RE SAYING
ON TV ABOUT YOU AND THAT GIRL?</i> I'M SCARED, GRAMMA. <i> YOU CAN'T BE SCARED
WITH JESUS, TONY.</i> I'M GONNA KILL HER AND THEN
I'M GONNA SHOOT MYSELF. I'M GONNA PUT THE
GUN ON MY CHEST AND, <i> AND I'M GONNA
KILL MYSELF.</i> <i> DON'T TALK NONSENSE.</i> <i> I WON'T LISTEN TO THIS.</i> ASSAULT TEAMS GO TO
'READY' CONDITION. <i> I'M GOING TO PRAY FOR YOU,
ASK JESUS FOR FORGIVENESS.</i> <i> IN THE NAME OF JESUS CHRIST,
OUR GOD AND LORD, PRAY TO GOD,</i> <i> PEACE TO CRUSH SATAN
BENEATH OUR FEET.</i> <i> GRAMMA?</i> <i> TAKE HOLD OF THE DRAGON,
THE SERPENT.</i> (dial tone) (♪ music ♪) THERE'S TROUBLE. YOU'RE CLEARED TO FIRE. REPEAT, TAKE A SHOT
WHEN AVAILABLE. FIRST YOU, THEN ME. IT'S THE ONLY WAY. IT'S THE ONLY WAY. WHAT ARE YOU DOIN'? WE'RE COMING
OUT NOW.
NO! NO, I'M NOT! PROMISE ME YOU'RE
NOT GONNA HURT HIM. IF THEY SHOOT, THEY
GOTTA SHOOT BOTH OF US. (♪ music ♪) (♪ music ♪) IT'S OKAY. TONY ZAPPA, YOU HAVE
30 SECONDS TO RELEASE THE GIRL AND SURRENDER. TONY! TONY, YOU TWO NEED
TO COME OUT OF THERE NOW! (♪ music ♪) IT'S OKAY. PUT YOUR GUNS DOWN! TONY, LISTEN TO ME - I PROMISE
YOU NOBODY IS GONNA SHOOT YOU, BUT YOU'VE GOT ABOUT 20
SECONDS BEFORE THE FBI COMES IN THERE HARD, AND I'M NOT
GONNA BE ABLE TO STOP 'EM! OKAY, OKAY. IF I COME OUT THERE,
YOU'RE GONNA SHOOT ME! NO, THEY WON'T. TONY, NOBODY'S
GONNA SHOOT YOU! PUT YOUR GUNS DOWN! YOU NEED TO TOSS AWAY THAT GUN
AND LIE DOWN ON THE GROUND. (♪ music ♪) JUST LISTEN TO WHAT HE SAYS.
IT'S GONNA BE ALL RIGHT. JUST LET IT GO. I'M PUTTING
MY GUN DOWN!
THAT'S IT, GOOD. DON'T SHOOT ME!
DON'T SHOOT ME!
JUST PUT YOUR HANDS UP JUST
LIKE THAT, JUST LIKE THAT. (♪ music ♪) ANNE! ANNE! (♪ music ♪) HEY, HEY, DON'T SHOOT ME!
DON'T SHOOT ME! ON THE GROUND!
LET'S GO!
DON'T SHOOT ME!
DON'T SHOOT ME! GIVE ME YOUR HAND!
DON'T SHOOT ME! (♪ music ♪) ANNE, TELL THEM
WE WERE ON VACATION! ANNE! <i> DAMN IT, TELL THEM!</i> WE WERE GOING
ON VACATION! LET ME LOOK AT YOU. YOU LOOK FANTASTIC. THANK GOD.
(sobbing) HEY, I THINK I HAVE
SOMETHING OF YOURS. DID YOU, DID YOU LEAVE
THIS SOMEPLACE, KIDDO? HUH? (laughing) OKAY, COME ON,
LET'S GO HOME, HUH? YEAH? YEAH. (♪ music ♪) <i> ANNE, TELL THEM WE WERE
GOING ON VACATION!</i> <i> ANNE! ANNE!</i> (ding) ANNE!! (♪ music ♪) ANNE! (♪ music ♪)
