Hi, and welcome back. Certainly glad you
could join us today. (echo-y) Certainly glad
you could join us today. (laughter) Hi guys. Welcome to the void
of nothingness that
is now our garage. Yes, it is completely,
100% dark in here. We have covered all of the
windows, any sources of light. 'Why?' You might ask. Because when we're painting,
we doubt ourselves. Oh, no. Oh, no, no. Every step along the way, we're just not
happy with the art. And then when we see it
at the end, we like it. I'm liking it more and more as I'm farther away from
the act of creating it. So we thought, why not just
eliminate our ability to see until the very end? Yeah. In the dark,
there are no mistakes. There are truly only
happy accidents. And then when we
return to daylight, then we realize
what we have done. But it could be amazing. I mean, we're following
the Bob Ross tutorial. Yeah. It usually works out
in the end somehow when we do that. And you might be wondering, "How are you guys
filming in here when it's completely dark?" You see a few little red dots. KATELYN: From the cameras. EVAN: The cameras are
recording, but other than that, there's nothing. So we have a few infrared
lights around our shop sending out invisible light, because the human
eye can't pick it up. But you know what
can pick it up? These night vision cameras. KATELYN: Complete darkness, yet you guys will be able
to see us on this camcorder. Even the camera screens
are gonna be closed so that they don't
give off any light, and we'll be painting
in complete darkness. Even the laptop. Look, we made these little flaps so that we can look
at the tutorial. Then as soon as we're done
watching that section, we close it up again. There's no light coming from it. Honestly, we probably
spent more time setting up than we will painting. KATELYN: Yeah, probably. Probably. I mean, guys, look at this. This is so cool. KATELYN: It's so cool. It's dark. EVAN: Also, that's horrifying. KATELYN: I'm getting
a little toasty too. Ah. (laughter) EVAN: Oh, my god. KATELYN: Is this worse? EVAN: It's definitely worse. (laughter) Okay, fine. I put it back. So, we've chosen a
Bob Ross tutorial that has high
contrast hopefully, because what you're gonna
see is like shades of green. And we want you guys to
be able to see the outline of what we're doing generally, even though we won't
be able to see it. We've also labeled our pallets where all the colors
are going to be. That way, as we're painting, if we go for the black and
we accidentally get green- You guys will know
that we're messing up. We won't know, but
you guys will know. Then at the very end, when
we're done with the tutorial, we will turn back on the lights. I sat down the (indistinct) I sat it down. Okay. We'll turn back on the lights. And then we'll see what we made. Are you excited? I'm excited.
I'm excited. Let's go. (somber music begins) Oh my gosh. Okay. So. We went ahead and added
our paints to our pallets. Can you see it? No. (Evan laughing) We also added a coat of
liquid white to our canvas, which I also cannot see. Are you ready to
start the tutorial? Yeah, let's do it. I'm scared to move, honestly. All right.
Okay. I'm ready for some
happy accidents. Hello. I'm Bob Ross and
I'd like to welcome you to the 24th 'Joy of
Painting' series. I thought we'd just do
a very warm little scene that makes you
feel good in here. So let's start out
with a two inch brush, a little tiny one. Take a little bit of
the Indian yellow. Just a very small amount
on the two inch brush. Oh no. BOB ROSS: Load a little
color on the brush. I'm just realizing we
won't be able to know how much we're
loading the brushes. Oh no. (Evan laughing) BOB ROSS: Go into a little
bit of the yellow ochre. Still making our little
crisscross strokes, little X's. He gets it so light too. It's so light on the brush. Maybe it's better if
it's loaded heavy. I don't think so. We also run the risk of not
getting any paint on our brush. That's true, that's true. Time to get crazy. Oh, it's time to get crazy. BOB ROSS: Just a little
bit of the bright red. Are you keeping track
of what paint is where? I'm trying. BOB ROSS: Just little
criss-cross strokes. And we have such a warm color. It just makes you feel
good when you look at it. What if you can't see the red? (Evan and Katelyn laughing) BOB ROSS: And the water,
we're just going to reflect the same basic colors
that we have in our sky. Take a little bit of the blue and alizarin crimson
and mix them together right on the brush. This is a lot of colors
to keep in our heads. I think maybe we pause. All right, okay. This is already a lot, okay. EVAN: Deploy the
darkness shield. KATELYN: Deploy the flap. Okay, so. Oh no. One of the yellows. EVAN: Okay. I'm going to dip into
whatever I just dipped into. I'm just trying to find the
edge of my palette here. Oh no. Oh no.
I'm gonna find my canvas. I don't even know
if I have paint. La, la, la, la, la. Okay wait, so you need to do
some here and some down here. So it's the light yellow,
then the yellow ochre, then the red. EVAN: Oh, I was
dipped in somewhere. Katelyn, this is
actually great for me. KATELYN: I don't even
know if I'm painting it. What if I'm not
even painting it? Oh, I got a color. How do you know? It is stuck.
Oh wait, you felt it? I stabbed it and I felt suction. I want to do a little bit
up here for more intense. Okay, I'm going to go for my medium yellow.
And a little down here. Oh dang, I forgot the bottom. Oh, did I do the bottom? Gosh, I don't know, okay. Where's the canvas? EVAN: Wow, look at that. I might just be painting
this entire canvas one color. This is so weird. Are you going to go for the red? The red was on the right. I'm gonna start on the right and I'm gonna go in until
I feel it get sticky, and then the red was on top. Oh, I felt the sticky.
And on the bottom. I felt the sticky, okay. There we go, it's beautiful. In my mind's eye. I love your confidence.
Wait. Wait, what? What does he do? I'm just doing
big, broad strokes. He does "Z's"? Oh, crisscross. Oh yeah.
Oh yeah. I forgot about crisscross. Oh, this is getting
so much better. It's kind of relaxing. You know, our theory was that
it would be lower stress, because we couldn't question
ourselves the whole way, couldn't doubt ourselves. (Evan chuckling) Now I am not feeling
totally devoid of worry. I think I'm ready to
see the next step. Okay, here. We need to get in a position
where we can't see what we did. Well, I'm going to put
my pallet back behind. Behind you? Okay. I'll do the same thing. I'm gonna kind of rotate. And lean in towards the laptop. Okay, ready? Yeah. You can't see anything?
Yeah, no peripheral. Okay. We'll just fill in
the top of the sky. So it's blue and crimson.
Crimson and blue. BOB ROSS: You can take
this to the blue side, or the red side. Oh god, I'm so excited to
see what ours looks like. (Evan laughing)
It looks great. BOB ROSS: Maybe I'll
tell you what, look here. Oh, is he gonna add a cloud? BOB ROSS: Yep, you're right. Just a happy little
cloud up here. Maybe my cloud will be
crimson or black or green, whatever color I dip into. I don't think I'm gonna mix. Oh, no, you have to try to mix. The cloud? Yeah. You have to try. BOB ROSS: So you
can just let it go. Let your imagination take you- That's the whole point. All right, I'll stop there? Yeah, cover the flap. So the crimson... Right here. KATELYN: Was on... the left. Okay, I felt it sticky. Okay, and then some blue. Okay, confidence, confidence. Okay. My white is here and this... That's probably blue. KATELYN: Find my corner, okay. EVAN: Don't fail me now, Bob. It's so weird having to
like find your canvas anytime you take your hand away. EVAN: Okay, that's beautiful. Okay, now I have to
find where I mixed. EVAN: Now I'm gonna
make some happy clouds. Okay, I'll do another
in the middle. Maybe there's just a happy
little cloud right there. Or maybe there's not, you know? We won't know. My biggest concern is I'm just gonna have
a mostly white canvas with a few smears where
I actually hit color. I'm kind of getting
kind of zen about this. I kind of like feel
the space of things. Yeah? I think I'm getting it. Did you do your
reflection at the bottom? Oh yeah. Okay. I guess I'm ready
for the next step. Let's sit down our
things, lean forward. BOB ROSS: Let's take
and wash the old brush. Take it off... (paintbrush beating
against wood) and just beat the devil. That really is the fun part
of this whole technique. Now very lightly, three
hairs and some air. You can continue to blend them till they absolutely
just disappear. I think maybe today in
this little painting. Okay, we'll do it now. Okay, we just have
one brush cleaner. How are we going to
set our things down? I remember having
some space over here. I can set mine down and
then I can hold yours. I think I can set it down. Will I ever be able
to pick it up again? Make sure you grab
the right brush. I think it's the right brush. It's that outside brush. The inside brush is
the clean one, okay. Gentle, gentle. And then beat the
devil out of it. KATELYN: Beat the devil. (paintbrush beating
against bucket) Oh, it stinks. Did you get the odorless one? I got the only one
that Michael's had. (Evan chuckling) So I don't think it's odorless. (Evan laughing) Okay, do you think that's good? I don't want to drip. I can't see what you're doing, so I don't know how long
you've been doing it. (paintbrush beating
against bucket) Okay, well. Is the devil gone? I don't know. EVAN: Three hairs and some air. KATELYN: Three
hairs and some air. EVAN: All right, light. I don't want the
clouds to go away. I don't know what I'm
doing, and that's okay. Okay. Mine seems blended. (Evan and Katelyn chuckling) Let's build us a
little mountain. For that, we'll use some
black, a little Prussian blue, some crimson. Maybe some Van Dyke brown. Crimson and brown? Oh my gosh. He's got all of it. Black, blue, crimson, brown. Oh, pallet knife.
Yeah. BOB ROSS: Get a
little roll of paint. Now you have to make your
first major decision. (Katelyn gasping) (Katelyn chuckling) Oh no. Just literally push the
paint into the fabric. I feel like it's going to
be a lot harder to tell with the pallet knife if
there's actually paint on it. Well also what's going
to be really hard too, is he's probably going
to add snow next. And on the mountain, you need to choose where
the highlighted side is and where the shadow side is. You need to hit the
same point repeatedly. Look at that blending. Now with this, you're
going to have to remember where your top silhouette is. This is gonna be so hard. Yeah. This is gonna be the worst part of the whole painting session. BOB ROSS: There we go. Oh, it looks so nice. Let's take titanium white. I'll get a little bit
of midnight black. I want a grayish color. Touch, no pressure, zoom. And just follow right
down the mountain there, but no pressure. White is on the right. I'm gonna skip this step. You can't skip it. Yeah.
That's against the rules. We're making rules, Katelyn. No, we're not. We are the rule makers. What is the title of this video? BOB ROSS: Just to pretend. Very delicate. And by applying no pressure, it allows this paint to break. In other words, it leaves
all these little holes. All right, is that enough? Yeah. Yeah, yeah, yeah. So, you remember where
you sat your palette? EVAN: In between the poles? Okay cool, I found
it, I found it. Okay, pallet knife.
Pallet knife. Here's the pallet knife. Found it. Okay.
Okay. Black was in the middle. What other colors did he do? I'm gonna get some of this. Black. EVAN: Some of this... and some of this.
Am I distributing it? Some- EVAN: Body once told me. (Evan laughing) KATELYN: Some blue... crimson. What was the last color? Brown. I'm gonna hope that this
is at the right height. (out-of-tune recorder playing) I feel like I
distributed some paint. I'm gonna get some black, some crimson, some brown, and then I'm gonna
scrape up an amount. I don't even know if I'm
digging in the angle right. Now I'm gonna find my canvas. Now I'm gonna boldly add
a mountain right there. (paintbrush scratching canvas) I'm trying to give
it some like, flair. EVAN: Was his half
way down or less than? Maybe a little
higher than halfway, but can you really determine
the amount of subtlety? EVAN: Yeah, because
you can feel the top, feel the bottom. He blended the black
with a brush, right? Yeah, ready for the dab? KATELYN: Yeah. Okay. (Evan humming) (Evan and Katelyn chuckling) All right. I'm only gonna do four strokes. KATELYN: Oh, really? EVAN: One... Two... Three... four. KATELYN: I'm doing like 40. I feel like I added a lot of
paint with the pallet knife. I'm gonna go for not
touching it too much, because I think the
more you touch it, the more chances there
are to mess it up. Now we do the white
mixed with some black. Black. Oh, I think this is the white. That was a big one. Okay, okay. So he did it kind of
craggly, like a dry scrape and he did the light
on the right side. BOB ROSS: Very delicate. Oh, vicious. Yeah, that might've been
a little bit strong. You're supposed to do it
as gently as possible. Oh. Remember? 'Cause you're
supposed to leave a trailing... Gentle. Gentle, gentle. KATELYN: Gentle, gentle. There, think I'm done. Don't do much. KATELYN: You're gonna
have to wait on me. EVAN: Don't do much. Don't over complicate it. That's not my philosophy. Hi. Hello. Am I boring you? Are you bored waiting on me? No, I just want to have
a heart to heart moment with our audience. What if our audience
wants to watch my masterful paint skills? Hello, I can only show
one camera at a time. What if we do a split screen? KATELYN: Fine, have
your heart to heart. This is weird. Isn't it kind of like
meditation to you? KATELYN: I kind of feel like I'm in some sort of
deprivation tank. (Evan laughing) It's kind of relaxing. I don't know. I go through moments of like
happiness and then fear. (Katelyn laughing) Maybe the cycling of the
emotions is good for them. You know? It's like mouthwash. What? How is it like mouthwash? I don't know, you go
from not minty to minty, and then you spit it out. I don't know, it's
not a good analogy. That's the worst
analogy I've ever heard, but I love you. KATELYN: Well, you come
up with an analogy. I'm trying to
concentrate on my art. Maybe like when you hop
from a hot tub to a pool, to a hot tub to a pool. Okay, that's a much
better analogy. Okay, are you ready
for the next one? Yes. BOB ROSS: A little
bit of Prussian blue. KATELYN: White and
Prussian blue and black. BOB ROSS: A little
roll of paint. (Evan chuckling) KATELYN: That's a little
precise roll of paint. BOB ROSS: We have to begin
putting in the indication. EVAN: Oh, we are not
gonna be able to do this. No. What if I already did this part? We didn't. Yeah, I did it. No, you didn't.
I already did it. You did not. BOB ROSS: If it didn't
have its own shadow, it just sort of lays there dead. It won't play with you. So magical with a pallet knife. BOB ROSS: So it has a
little more character to it. Yes, character. Then we take a clean,
dry brush and just tap. I want to diffuse the
base of this mountain, and always follow the angles. Follow those angles. Do you remember
what angles you did? BOB ROSS: And to blend
everything together like so. So, white. I need to locate you to
bring my pallet over. Oh. White... blue and black. Wait. Oh my god, that was so weird. I was trying to find the
right side on my palette, but I kept on going farther, but it was right in front of me. Oh, that was weird. I need to re-find my zen. We're gonna do white, some blue, some black. Mixing it up nicely. EVAN: White, blue, black. The mixing is what
I'm least sure about. So you do... I only did like
two peaks, I think. KATELYN: Oh, I did like six. Six mountains? I did a main one. Well, I tried to do a
main one in the middle and then some little
ones to the side. EVAN: Okay, gentle swipe. Gentle swipe. KATELYN: Gentle swipe. EVAN: Gentle swipe. KATELYN: Seems right. EVAN: Gently swipe. You need your brush. Remember your angle
of the mountain. Just do little swipes. Oh no, no, no, no. Angle. Angle.
KATELYN: Okay. Angle, angle. I probably look
like a crazy person. I think just like the whole
premise of this project makes us kind of look
like crazy people. This is not normal
human behavior. Maybe it's freeing. Do you feel freed? A little bit. I do kind of feel freed. I'm not saying it's not freeing, I'm just saying it's not
normal human behavior. (Evan laughing) I'm gonna try to be confident. I thought this might be a
little bit harder for you than it is for me. Because I don't like
giving up control? Yeah. Okay, I think I'm good
on that stuff though. I'm down to do the next one. BOB ROSS: Another little
range of mountains right here. KATELYN: Oh, I thought we
were done with mountains. BOB ROSS: And watch how it
pushes that first range back. Blend them out. KATELYN: This so tough,
because even if we did okay on the first one,
now we're just- I don't think we did
okay on the first one. BOB ROSS: Angles
are very important, if light's coming through here. There. (paintbrush scratching canvas) KATELYN: Oh my god. EVAN: That could be
a complete painting. KATELYN: Okay.
EVAN: Okay. Start with the dark one. Oh, no. I don't know where I
mixed that original color. I'm just going to do it again. It was the black,
or blue, maybe? KATELYN: I think I did it. Find the canvas, and add a mountain. KATELYN: Mountain. EVAN: Oh my gosh, I don't
know what I'm doing. I'm kind of worried about
running out of room. Dip into some white. Doing my white. And then you take the brush
and you add a little bit of- No, oh, I didn't draw it out. KATELYN: You do that at the end. No, no, no. You're supposed to do the
black, then draw it out, then the white. I didn't draw out the black. Me neither. We'll just draw it out now. That's all we can do.
Draw it out now? I'm already so excited
to see how it looks. I don't think it's
gonna look good. I'm not confident. Also, I'm definitely
running out of room, because I can feel that
I'm hitting the bottom of the canvas. (Evan laughing) And his was like in the middle. Maybe we're done. No. Okay, I'm not feeling hopeful, but I'm not gonna give up. Hi. Ever find yourself in
a big void of darkness? Happens to me all the time. (fake audience laughing) But luckily I have my
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BuyRaycon.com/EvanAndKatelyn. BOB ROSS: We need back
here in the background just some little foothills. How much more do I have to fit at the bottom of this canvas? BOB ROSS: Little
quarter inch strokes. It'll make it look
like little trees. EVAN: Oh my gosh. BOB ROSS: Straight down. It's most important
to come straight down. Sometimes it's fun to
have several layers here, and you can do that just
by doing it the same way. Should I tell you what? KATELYN: "Should
I tell you what?" Oh my god, another
three hills, Bob. Do you have room for that? I don't think so. EVAN: Down first. And do another one.
KATELYN: Another layer. I feel like this is going
to be such a hot mess. EVAN: Third one. KATELYN: Third. Downward blend. EVAN: Oh, look at
how fast that was. I tried to blend and I
started blending air. (Evan laughing) I was at the bottom. You're at the bottom. BOB ROSS: We'll take
a little sap green, a little yellow. And as things get closer to us, we begin seeing a little color. We got to find the green. EVAN: Is green on the far
right or the far left? KATELYN: There's two greens. EVAN: Oh, there is a
green on the far left. Hold on, let me use that one. KATELYN: I think
that's the one he used. EVAN: Look at those
flowers, y'all. KATELYN: Look at
the beautiful grass in the morning light. You can tell that this is
the closest foothill to you, because of the grass. (Evan chuckling) Are you ready for the next step? Yep. Take a little touch
of the liquid white, put it on here. Pull it out very flat, and I want to add a small
amount of the bright red. Very, very small amount. KATELYN: Oh.
EVAN: Hmm. BOB ROSS: Cut across. Oh no.
Just to kind of try to cut a hole right
through the canvas. Oh no. It's precision. BOB ROSS: Back and forth
like you trying to saw a hole through the... Oh, no.
Oh, no. EVAN: So at the
bottom of the hill? Oh, no. Okay, he mixed white
and a little bit of red. EVAN: White is right here. KATELYN: Red, I think
is the bottom right. EVAN: I'll just kind of
like pull it in here. KATELYN: I worry, because
he did such a small amount of red. EVAN: Remember,
you're trying to cut through the canvas, Katelyn. Look at that dividing
line right there. The definition being brought
to the painting right now. KATELYN: Okay. All right, before
we move on too far, I want to do a few check-ins, so we can like see what
we had at various stages. Katelyn, close your eyes. Oh. Okay, I got the camera and I'm filming right now. With you eyes closed? With my eyes closed. KATELYN: I hope it focuses. EVAN: I'm just gonna trust
that it's capturing something. Here's mine. SLOW MO VOICE: Wow! I think it's majestic. Wow.
Wow. KATELYN: How's mine look? EVAN: Katelyn, duck. Yours looks beautiful. The care that you put
into it really shows. The extra attention to detail. Thank you. You want to take a light bow? (Evan laughing) Okay. Back to it. Oh wow.
Oh. Okay. What's the next step? BOB ROSS: Let's take some
black, and Prussian blue, add pthalo green. KATELYN: Black, blue, green,
red, every color, okay. BOB ROSS: Then we'll just
use a little fan brush. You can do this- KATELYN: Oh, fan brush. It's gonna be a tree. BOB ROSS: Some happy
little evergreen trees. Oh, my god.
Oh, boy. BOB ROSS: As you
work down the tree. I think you decide how
many trees you want. Less. I'm gonna try to do three
if you're doing three. You know how I
like to be precise. (Evan laughing) BOB ROSS: Strictly intuitive, because you can kind of
compose as you paint. Okay. Okay, four and three trees. EVAN: Oh. What were the colors? Black right here KATELYN: Black, blue, crimson. And then the green was
the green on the right. EVAN: All right. So, he started like probably
three quarters of the way up. KATELYN: He just did like
a few inches of line. MICHEAL SCOTT: No, god! EVAN: How are you going to tell what orientation yours is at? I have my finger all the
way towards the front of it. KATELYN: What do you
mean what orientation? Your brush is at? EVAN: The orientation
of the brush. KATELYN: You just kind of feel. You can... I don't know, I picked... I don't know. When I picked it
up, I felt the head, so I just had like a mental... EVAN: I have my finger
all the way up the front, so I can tell what
orientation it's... Oh, no. Tell what orientation
it's at, oh no. I just scraped my palette
across my painting. Maybe it's a happy mistake. Oh, no. Maybe it's a happy mistake. Oh, no. I feel like that can't be good. You're just going to have
a pallet shaped line. I'm giving everyone
a clear view of it. Is it okay? KATELYN: Okay, I'm gonna
go in for tree two. EVAN: Oh, no. I lost where tree one was. KATELYN: Oh, no. Do you remember about how far
in you did it from your edge? EVAN: No. KATELYN: Where's my mix? Okay this feels like paint. Oh, that's the edge. EVAN: Does he go stroke
down or does he tap down? KATELYN: I think he
does like a stroke down. Just like a few inches though. I think the tops of my trees
are gonna be very wide. Me too.
Wider than Bob's. Oh, this is the hardest part. I did feel like fairly
confident before, but my trees... Maybe my trees are unhealthy. KATELYN: I think this
is like the easier part. Really? KATELYN: The
mountain was so hard. I feel more confident with
the mountain, honestly. I think I just have
a harder time telling how much paint I'm picking up, and how much paint I'm
leaving with the pallet knife. So with the brushes, I feel
like I have a better idea of it. I can feel how much resistance
the canvas is giving. Oops. I was doing that when my
brush rotated the wrong way. (Evan laughing) EVAN: Oh man. I just don't know how
much paint I've applied. Oh, painting. You're beautiful. You're beautiful to me. I wonder what y'all
will be able to see. Not really color, but they should be able to
see the outlines of shapes. Now, if everything
that we're doing is all the same darkness level, then this is going to be a blob. Okay. EVAN: Okay. Oh, god. Oh my god. I hit your canvas. Oh, no. Hopefully not a painty bit. BOB ROSS: Let's grab
our 1 inch brush. KATELYN: A 1 inch brush. BOB ROSS: Down here at
the base of these trees. KATELYN: Oh, some bushes. BOB ROSS: The
indication there's some happy little bushes. KATELYN: That looks
like the same color. BOB ROSS: Tap in a
little color underneath. KATELYN: That's the reflection. Oh, am I going to have room
for that? Probably not. BOB ROSS: We don't
make mistakes. We have happy accidents. Yeah. (Katelyn laughing) I love your enthusiasm. Well, my whole painting
is a happy accident. BOB ROSS: This is
going to end up being some gorgeous reflections. EVAN: Wow, that's
actually looking so good. KATELYN: That looks amazing. Cover the flap. Pure darkness. Pure darkness. Okay. Oh, sorry. Oh, sorry.
KATELYN: Oh my god. Oh, no. I hit you and my canvas again. I'm also so worried
that I'm getting paint all over my clothes. Probably inevitable
at this point, judging how many things
you've hit with your palette. Okay. I'm going in with the same
color, one inch brush. I think this is the
bottom of my trees. EVAN: All the way to the corner. I dipped into a few more colors. I'm not sure what they were. Oh, on purpose? Yeah, because I need
some more loading. (Man laughing) [Unidentified Speaker]
Oh no, no, no. KATELYN: Okay. This is the edge. Give a little swipey. There you go. It's beautiful. Yep. [Unidentified woman] When
they ask you how you are, and you just have to
say that you're fine, but you're not really fine. Man, his is so pretty. BOB ROSS: Right into that tree. Just take a 2 inch brush. KATELYN: It's just
coming together. Yours is pretty too. BOB ROSS: Straight
down very gently. KATELYN: Okay, so
blend our reflections. I don't know if there's
paint on this brush. I'm just gonna assume
it's gonna work. EVAN: Sideways. KATELYN: Down. EVAN: And sideways. Perfect. BOB ROSS: Dip the brush
into a little liquid plate. Grab a little sap
green, a little yellow. Put some little sparkles
out here on these bushes. Oh wow.
What? BOB ROSS: The sun's
playing through there. Just zinging through. Have you noticed how he
was pushing up like that? I can't really tell,
he's going so fast. BOB ROSS: Let's just reflect
a little of that down into the water. Just come across. So gentle. One hair and some air. EVAN: One hair. KATELYN: Only one
hair and some air? BOB ROSS: Caress it. EVAN: Oh. Oh, I grabbed her brush,
but it's so painty and now my hands are painty. Did you grab the
bristles part of it? EVAN: Yes. Green. EVAN: Oh, what were the yellows? I was going to grab
a little bit of each. One right there. KATELYN: I need more paint. EVAN: One right there. One right there. Great. Great. KATELYN: How are your bushes? EVAN: fluffy and bright. KATELYN: Mine too. They're so bright. EVAN: And then we need
to add the reflections. Just a few little. One hair and some air. KATELYN: You're so
much faster than me. EVAN: Sideways. BOB ROSS: Caress it. EVAN: Sideways. KATELYN: I'm still
doing my bushes. I'm even losing the scale of
what I'm doing a little bit. Like how big were the trees compared to how big
I'm doing this bush? Or the base of the trees. Or the base of the
hills from earlier? Are these bushes above my hills? Are they floating? Okay, I'm gonna
do the reflection. Reflection. Oh, I should've done
this one earlier when I had the
location in my head. Boo.
Oh, my god. (Evan laughing) Oh, my god. How dare you? While I'm reflecting. (Evan laughing) That was so worth it. KATELYN: If my
bushes are ruined... I would have tapped
you on the shoulder, but I'm sure my
hands are completely covered in paint by now. KATELYN: Okay, I'm doing
one hair and some air. Are you ready? EVAN: I'm doing Charades. What? I'm trying to paint
here and be serious. I'm sorry that you're
rushing through and then you're getting bored. BOB ROSS: A few little
trunks in our trees. We'll take some white. KATELYN: Trunks? They don't need trunks. They don't need trunks. BOB ROSS: Yellow, a tiny little roll of
paint on the knife. Oh, no. Burnt sienna and white. BOB ROSS: Where your
trunk lives in the tree. Oh, no. Oh, no. Can we skip this part? No. We have to do it. BOB ROSS: And you can
scratch in the indication. Ours just won't be aligned. (Evan laughing) That's just evil. That requires sight. BOB ROSS: And make it look
like little sticks and twigs. Okay, I'll do those. Okay, Let's take a little- Do you want to pause? Yeah, yeah. Oh, geez, okay. Where'd I put my tap- Where'd I put my pallet knife? Here's the fan brush. My pallet knife. Oh, my pallet knife. So, you got some brown, some white. Oh, I got a ton of white, right? (paintbrush scratching canvas) KATELYN: Brown. I definitely hit the brown. And white. (Evan chuckling) Wow. Oh, my god. (Evan laughing) How are you such a ninja? (Evan laughing) 'Cause it's completely dark. But like, usually you
breathe more loudly. 'Cause I held my breath. (Evan and Katelyn laughing) KATELYN: Okay, I'm gonna do
some little sticky sticks. Did you do the sticks? Oh yeah, baby. With every step, I'm like, "Huh, what if I just
scraped off a bunch of paint right there
for no reason?" What's next? He was about to do
some highlights. Yeah. BOB ROSS: Yellow, make
a dark green here. EVAN: Oh, no. Oh, no. They're just floating. Mine are like the trees are
here, the trunks are here, and the leaves are here. BOB ROSS: Remember that your
light's coming predominantly from the right. KATELYN: That looks beautiful. BOB ROSS: There we go. Fan brush. Fan brush. EVAN: Sap green. All the way on the left. KATELYN: Sap green. EVAN: And the yellow. Yellow. One of the yellows. Okay. Two trees, three, four. We're probably getting close
to the finishing touches. EVAN: Yeah. BOB ROSS: All this needs
something to stand on, so it doesn't fall
over in the lake here. Take some Van Dyke brown. KATELYN: Van Dyke brown. Wow, whoa.
What was that? White?
White? Yeah. BOB ROSS: That'll give
us a little water line. There. KATELYN: Oh, my god. BOB ROSS: Painting is a
very individual thing, so when you're
doing your painting, you change it anyway
that makes you feel good. EVAN: What if we change
it in all the ways? BOB ROSS: I only want
to show you a technique and that you can do, anybody can do. Thank you, Bob. Thanks, Bob. BOB ROSS: Absolutely
never met anyone who could not paint. We've got a few little
sticks and twigs and things. What was everything that he did? KATELYN: Brown. Oh yeah, brown for the base. KATELYN: And then
he added some white. EVAN: Hopefully this
is brown right here. KATELYN: This is brown. EVAN: And... right there. KATELYN: Where's
even the bottom? Okay. Oh god. It's going well? I tapped it and I freaked out. (Evan laughing) The pallet knife is so hard, 'cause you really can't tell. Like, I have no idea
if I have any paint. EVAN: But also like the angle. KATELYN: Yeah, the angle. EVAN: Is so crucial. KATELYN: There's
so little feedback. EVAN: Now I'm just gonna
do white over the brown. KATELYN: I'm gonna
do the same thing. EVAN: Now, reflections. (paintbrush scratching
against canvas) That sounds like chaos. EVAN: You know, mine
is a very windy lake. (paintbrush scratching
against canvas) Yes. Looks beautiful. KATELYN: So just the
edge in the white. Do a line. How's mine? I can tell when you're
much lower down, because you're
like leaning down. and you're bumping your butt
against me like way more. Yeah. My painting is all
on the bottom half. (Evan laughing) Okay, should we see what's next? BOB ROSS: We're back
to the (indistinct). Oh, he's signing. This is it. Oh, my gosh. Oh. KATELYN: Okay. Oh, my gosh. Let me get the color recorder. Three... two... one. Wow. It comes across. KATELYN: It does come across. EVAN: Wow. I'm pretty happy with that. You know what? It's a little bit sparse
in terms of the trees. KATELYN: I think you might
have gotten a little lazy on the bushes. I didn't know how much
loading there was. But wow. What was I doing here? It's interesting. It's dynamic.
KATELYN: It's interesting. EVAN: It's also
very red and pink. KATELYN: Just a little bit
of green with the bushes. EVAN: Yeah. Wow. Yeah, there's no yellow. It looks kind of like
tropical, you know? Kind of like palm trees. KATELYN: Because
they're so sparse. (Evan and Katelyn laughing) I don't know what this is. This must have been
the pallet knife. KATELYN: I think that a
pallet knife highlight. EVAN: Hey, the forest looks
pretty good back there. KATELYN: Oh, your foothills? EVAN: Yeah. KATELYN: You just do one? I think I did way
more over here. (Evan laughing) It looks good, wait, should we look at
mine and then sign or do you want to sign? Yeah, okay. Oh, we're turning
the lights off again. Okay. Three... two... one. (Evan and Katelyn laughing) Oh, no. It's a lot. It's a lot worse than I thought. It's a lot worse than I thought. Oh, no. It's just all gray. I covered my entire reflection
with my hairy foothills. What happened? And it's so bold right there. It's so bold. Oh, mine is bad. I really look took my time. What is that blob? (Evan laughing) That's a little
mountain retreat. Look at how the
highlight the mountain. You see this side is
really highlighted and this side is darker. Wow. Wow. KATELYN: Did I just
do a stroke down? With my fanbrush? I don't know, I thought I was getting
white to do the trunks, and that's pink, and these are my bush stems. Those scapes right there
are my brush stems. Where are your foothills? Those are my foot... This is my foothills
right here, damn. That's why it's gray. Okay, I got some paint here. KATELYN: Let me see your face. Oh, your face
definitely has some. KATELYN: Oh, I do? Right here, here,
here, and here. No, you're lying. Look. (Evan laughing) How? Oh, I was like, I don't
even have paint on my hands. It was my gloves? You know... EVAN: You know... Yours is not bad. Let's sign these. EVAN: There you go. You know, from far away, it looks like a
skillful child painting. (Evan laughing) When I was a child, I
was better than this. (Evan laughing) Maybe our parents
will appreciate this. EVAN: Maybe they'll hang
them on their fridge. On their fridge. (Evan laughing) What are your thoughts? This is our third Bob Ross. How do you compare this
to all the other times? I feel like this truly
is my own creation. I took it in a direction. (Katelyn laughing) KATELYN: You know, I will say, in the moment, it
was fast, it was fun. I am wondering what we're
gonna do with these. (Evan chuckling) And I don't know if
I'm gonna hang them up. (Evan laughing) All right, guys. Well, as Bob Ross was saying, "Anyone can make a
beautiful painting." We just might recommend that
you paint with the lights on. See you next time. Bye. Bye. EVAN: It's like so frightening. KATELYN: Who's there? Oh gosh, be careful EVAN: I think I
just hit the camera.
