UNDERSTAND Colour and MASTER Colour Grading in Photoshop

hi guys today I've got a master class tutorial all about how to understand color and create color grading effects in Photoshop and under star right now hi guys and welcome back to the channel my name is James and if it is the very first time to this channel and you wanna learn all about Photoshop Lightroom and everything photography related start now by subscribing and hitting a bell so you don't miss anything now in this tutorial guys is my master class tutorial all about how to understand color and create color grading effects in Photoshop so if you'd like to have a look at any of the pre-selected photos then go ahead to the link in a description understanding color is probably one of the biggest hurdles photographers face knowing how to use color effectively to create mood and atmosphere is difficult even picking colors that work well together most people struggle with so that's why I decided to make this tutorial to help you guys firstly understand color but also creating pleasing color grading techniques in Photoshop and by the end of this video you'll be able to master color grading and also understand how colors work so you can either alter the scene or create mood and atmosphere in your photos I'm going to be breaking these videos down into five separate parts and you'll be able to skip to the part that will help you most by using the time stamps that I've got just here first part I'm going to be talking about is color theory and then I'm going to move on to why color is important in photography next I'm going to be talking about saturation and values and how shades and tones work in photos and then I'm going to move on to color harmonies and how to create color harmonies in your photos and lastly I'm going to show how I've put all of this into practice in Photoshop and how you can use certain tools to create color grading effects in Photoshop so without further ado guys let's get started so first color theory color theory is the understanding of how colors are made all colors in the visible spectrum are a combination of three basic colors red green and blue all other colors are a combination or a mixture of these colors combined so let's take yellow for example yellow is a mixture of 50% green and 50% red so changing the percentage values of these primary colors can create millions of colors in the color spectrum and that's the basics of how colors are created if you'd like to learn more about color theory I'm going to be making a future tutorial that goes a lot more in-depth of the understanding of color theory also I'm going to be making a tutorial about how different color modes can be used in Photoshop so stay tuned for those videos why are colors so important in photography colors when used correctly can add mood and atmosphere to your photos they can also guide the viewers eyes to what's most important in the photo take this photo for example the muted tones in the background draw your eyes to the bright orange shirt of the model it brings her to the forefront of your attention however when used incorrectly like in this photo of Central Park it can make the few of you lost nauseous or even irritated colors are really important when you want the viewer to be guided through the photo if all of the colors are shouting at the viewer there is nowhere for your eyes to rest colors can make and break your photo and it's really important to get the colors just right for your image this is even more important on photo composites colors are one of the biggest giver ways that your photo is fake to test this just take out your latest work and converted to grayscale notice how it immediately looks a lot more photorealistic getting colors right is just hard so when I was first introduced into photography I thought just adding colors to your photo was the way to gather boosting saturation and brightening the colors but when I use these raw colors and notice that results just came out ugly but why is this saturation and value that's why so what is the importance of saturation and value saturation and value are one of the biggest culprits when it comes to ugly color work in your photos again to use this photo of Central Park as an example it has an overly saturated HDR look to it and in my opinion this ruins the photo so what is saturation and value saturation is the intensity or purity of the color and value refers to the brightness or darkness of that color saturation and value in combination with each other can create all types of shades and tones that you see so for example on the left is 100% red and it's really difficult to look at but if you tone down the saturation to 20% it becomes almost pink again I haven't changed the color just the saturation and it can give you completely different results so let's try this again but with value on the left hand side is 100% red but if you turn down the value to 20% it almost becomes a brown color again I haven't changed the color just the value this time so changing the saturation and value of the color can come up with very different results and tweaking these two values can come up with a whole spectrum of shades just starting from one raw color so how do you use saturation and value in practice let's look at this photo for example at the moment there is too much saturation in this photo but simply turning down the saturation and decreasing the value of the colors and change the whole dynamic of the photo it can turn a bad photo into a great one now that's not saying that saturated colors are all bad but you have to use saturate colors in combination with other shades and tones to create a great photo you can even use bright saturated colors to draw the viewers attention to certain parts of the photo take this photo for example using these d saturated tones of the water and sky can bring emphasis to the buildings on the left and right hand side this is deliberate drawing the viewer to what's most important in the photo this is also can be seen in films and movies fake Star Wars for example whenever there's a fight scene the colors in the surrounding background and even sometimes the actors have been on purposely desaturated to draw the viewers attention to the lightsaber the contrast is obvious when you view it seen by scene and out of context brightness and saturation can also affect your mood take the movie up for example the movie starts off with the colors being very vibrant there's lots of oranges and pinks vibrant grass and bright colors this signifies happiness and a joyful moment in their lives but when it later turns to sadness the bright colors and saturating changes in 2d saturated tones a lot of grays and a lot of Browns almost no bright colors to be seen this is obvious when you view out of context and side by side to each other but when watching a movie it can sometimes be missed so to summarize what I've already spoken and to kind of conclude saturation and values don't overuse it don't overuse saturation in colors and high values all throughout your scene it will always come out horrible use saturation and value to guide the viewer and tell a story with your photos you can use saturation and value to change the mood use vibrant colors and photos to add joy and happiness and use d saturated colors when you want to convey sadness or depression and of course you can use saturated colors to draw the viewers attention to an object or person within the photo so that's the basics of color theory why colors are important and saturation values next I'm going to be talking about color harmonies so what are color harmonies color harmonies are the fact that some colors look better together than other colors also known as color schemes or complementary colors so today I'm going to be talking about the six most popular and common color harmonies that just work well and that you can start using them in your photography right away so the first one I'm going to be talking about is monochromatic and probably the easiest one to start off with because it only involves one color in the entire image monochromatic images work best when there's just a single subject because it forces the viewer to focus on the small details of the image you can use the changes in saturation and value to convey detail and changes in light monochromatic effects also can add depth and atmosphere to your photos the most common form of monochromatic images are black and white photos but there are many different examples of monochromatic photography out there so here are a few examples so my first example is this lovely photo of a desert as you can see from the very foreground of the photo all the way to the background of the sunset is only containing this beautiful color orange which as a mystical kind of depth to it that you wouldn't get if this was a full color photo the next example is this lovely photo of some mountains again with the beautiful starry night sky in the background again utilizing saturation and value to create depth and atmosphere and my last example is some lovely photo type of a plant again using value and saturation to add depth and an interesting mood to this photo so next is analogous analogous color schemes refer to colors that sit adjacent to each other on the color wheel this color scheme can have up to three different colors and is popular because it's easy on the eye analogous color schemes have been popular for ages as most natural landscape refer to this style of color grading this style of color grading can also create a peaceful and a comfortable mood again depending on the choice of colors so here are a few examples so my first example is this lovely photo of a forest and as you can see the analogous color schemes is represented using the oranges and greens that you can see on the bark and on the forest floor my second example is this amazing photo of some mountains and you would initially think this would be monochromatic until you notice the very dark green muted tones you can see on the far left-hand side and lastly is a great example of an analogous color scheme this beautiful photo of an island that you can see the colors being represented in this beautiful dark blue which then change into this gorgeous green that you can see on the island this is a great example of an analogous color scheme next is triatic triatic color schemes refer to colors that are equally distant from each other on the color wheel this is probably one of the hardest to pull off as each color is very distant from each other a triatic color scheme doesn't just refer to primary colors either as long as the colors are equally distant from each other on the color wheel you will often find a triatic color scheme in surreal style photography as this particular type of scheme is quite playful and dynamic so here are a few examples so my first example is this great photo of a girl on the left hand side you've got the red on the right you've got the blue and then you've got the yellows in the skin tones and this is a great example of what you would call a primary triatic color scheme as it has all three of the primary colors my next example is this lovely photo of a girl surrounded by flowers you've got the purple with the green and then the skin tones we're bringing out the orange and then lastly you've got this great urban photo of a alleyway again you've got the triassic color scheme with the teal ground you've got the pink sign in the far distance but then you've also got the orange building on the left-hand side next is complementary colors complementary color schemes are probably one of the most popular style of color grading in photography a complementary color scheme refers to colors that are opposite each other on the color wheel and is very popular for portrait style photography but you must make sure the colors are not balanced meaning that there is one main color and the complementary color plays just a small part in the image never use a 50/50 split more like a 70/30 split works best complementary color schemes are also very popular in landscape style photography as these colors are often found a lot in nature this style of color grating also looks appealing to the eye and works with most styles of photography so here are a few examples so my first example is a photo of the shard in London and this is a great example of a natural complementary color scheme this is where the Sun set has created this beautiful purple color but also as a complementary color this yellow color comes into it especially in the lights in London as well my next example is a photo of a MacBook and as you can see we've got the teal lights shining off the reflection of the screen but then we've got the yellow color coming in through the keyboard and in the background and then lastly we've got this great photo of an aerial shot of a beach and this is probably one of the few exceptions of the 50/50 roll where you've got this lovely kind of orange color in the sand but then you've got a beautiful blue kind of color separated by the shoreline which is what next is split complementary so let's talk a little bit about split complementary color schemes split complementary color schemes are very similar to the one we just talked about using opposite colors but instead you take one end of the color wheel and you split it into two colors creating this split style complementary color scheme this style of color braiding allows you to be more creative as you're not just locked down to just two colors this particular style of color grading also allows you to use up to three colors which is often makes your photography feel more lively and joyful again depending on your choice of colors so here are a few examples so my first example is a great photo of a Porsche on a beach and due to the color of the Porsche being similar but not the same to the sand in the foreground this allows this split toning for effect to occur again with the blue overcast sky above the next photo is a great portrait photo of a girl and again the use of split toning between the using the red lips as an example of the split toning effect and lastly a great street portrait of a guy standing at a corner and again the use of split toning with the red bricks versus the tan color that you can see on the sidewalk and again with the complementary color of teal represented on the building these are great examples of some split complementary color schemes you can even use color harmonies in your everyday life and for instance I'm using it in the back of my youtube tutorials so for instance I've got the blue at the top here and then it fades down into this lovely purple and again I've got this nice kind of ambient light from this right side here shining down on to me and this is creating a split complementary color effect and again I can go down and dial in the exact colors that I want and again I also obviously color grade my YouTube videos as well so it shows you that you don't just have to use it for traditional photography you can use it for film and video as well and you'll notice now it happens in everywhere of your everyday life and you'll notice a lot of youtubers use this effect to create a nice appealing video for you guys to look at and last but not least is double complementary so let's talk a little bit about double complementary color schemes again very similar to the complementary color scheme but this time it's doubled meaning you have a choice of four colors instead of just two which adds a lot more creative freedom in your photography it really doesn't matter where these colors fall on the color wheel as long as you have two pairs of opposite colors such as green and red and yellow and blue this particular style of collaborating works best when the foreground and background are separate so for example a model in the foreground and a beautiful mountains or city in the background again very similar to the complementary style color grading never try and split these colors 50/50 always try and have a main color with the complementary colors just playing a small part in the image so in this case no more than 25% this particular style of color grading is difficult to pull off but if done correctly can look pleasing to the eye so here are a few examples so my first example is this amazing photo of some cliffs in Rio de Janeiro as you can see the green and the blue complement each other really well with the dark forest beneath and then the rising cliffs and then you've got the complementary colors in the background where you can see the sea meets the beach and it's this lovely yellow color fading into a very muted blue again this photo is very similar you've got the deep kind of blue color fading into this lovely gradient of orange of the sunset but then you've got the pink in the very top hand corner again this is a great example of a double complementary colors grading and then lastly is probably the best example that I've found as you can see in the background you've got a gradient from the very top you can see the red and it fades down into a very muted green it's very subtle but it is there and then again you can see we've got the double complement your color effect with the model again this is a great example of a double complement treat colors grading so now we understand why color is important the importance of using saturation and values and then how color harmonies work I'm now going to show you how you can put all of that into practice and use particular effects in Photoshop now if you'd like to download any of the photos that I'm going to be using in this tutorial then go ahead the link in the description and today I'm going to be using these five photos and each photo I'm going to show you a particular tool in Photoshop so the first one I'm going to show you is the gradient map adjustment layer now this particular effect or particular tool is great for creating a monochromatic effect this is where you use a single color so what we going to do is we've chosen this photo here which is photo one we're to go down to our adjustment layers icon and we're going to go to the penultimate to the bottom which is this there which is called gradient map our gradient map is a way of creating a gradient from the brightest to the darkest pixels and again this is great for creating a monochromatic effect in Photoshop so we're going to do is just turn it off for the moment and what we want to do then is double click and what it will do is it will bring up this dialog box once you bring up the dialog box this is where you want to create the effect so you want to click on that and it will bring up our gradient editor dialog box which is the one that we're after and this is where we can create a custom gradient and we want to choose three particular colors so the color on the left hand side is our darkest color and the color on the right hand side is our brightest color but the color we also want to add is the color in the middle so we want to put a location of 50 and this will be our highly saturated color so on the left hand side we want to find a particular color in this photo that is dark so we want to find the darkest point in the shadows which I probably say is somewhere around here and as you can see the color value has appeared in the thumbnail and then in the middle we want to select a highly saturated color so I'll probably select somewhere in the sand around here and then with our lightest color we probably want to select somewhere here so you'll end up with a kind of saturation value similar to this now if you find I think this particular right hand one is a bit too blue what we can do is double click and we can just change the value back into kind of where the oranges fold so we can press ok and then all you'll need to do is press ok on this and you just need to turn the layout back on again and as you can see it's created this affective and we can now start tweaking where the gradient thumbnails are appearing so you see is a bit too bright so all you'll need to do is probably just increase the saturation at this particular area and then what we'll probably do is change it here as well increase saturation slightly we can also move these around as well so if we move this all the way over to the right-hand side as you can see this effect is really starting to work and what I'll probably do is add a little bit more of a darkness to the shadows lovely and I am really happy with this effect and that is how you use the gradient map tool to create a monochromatic effect in Photoshop so the next tool I'm going to show you is the color balance adjustment layer and this particular tool is great if you want to change the mood and atmosphere of a photo so today I'm going to be using this photo and this will be photo 2 in the link in the description and what I want to do today is to create more of a summer theme and we can do this by using the color balance layer and changing the temperature of the photo so we want to do is go down to our adjustment layers icon and we want to go to color balance now this is very similar if you're for instance ever use the hue and saturation tool or maybe if you've used the selected color tool where it's broken down into a bunch of different color bands but this time the colors are opposite each other so evidence we've got cyan magenta and yellow and they are opposite red green and blue so that's how you can change the colors again create a complementary color effect so today what I want to do is to create more of a warm tone so what we want to do is have a look at the color spectrum and work out where the warm tones are and they're predominately found yellows Reds and kind of those that area of the color spectrum so what I'm going to do is just increase those in this particular photo now a lot of the photos or a lot of the colors in this particular photo profound in the mid-tones so all we want to do is go to our tone section here and we want to select the mid-tones and in fact the mid-tones are the default for color palates and what we want to do now is just increase the amount of yellow and probably increase the amount of red and we can also do this in the highlights as well as I find that's predominantly found in the top right hand corner I'm going to do is probably increase the amount of red and ever so slightly increase the amount of yellow and as you can see we're now changing the dynamic over the photo and it's changed the mood and atmosphere so we can do is we turn that off as you can see it's very blue and if we turn it back on again it's a lot more of a summer theme to it and this is a great way again if you want to change the mood of the photo to change it to more of a joyful summer theme than if you were for instance of a cool theme using blues or maybe purples and there we go guys so that is how you can use the color balance tool to create a nice moody atmosphere in your photos so the next tool I'm going to show you is the hue and saturation tool and this is an incredibly powerful tool in Photoshop especially if you want to change the colors in the photo and it's a really really diverse way of changing colors so what we're going to do is open a photo 3 which is this photo here and this time we're going to be using the hue and saturation tool so we're going to go down to our adjustment layers I'm going to go up to hue and saturation now hue and saturation again this is very similar to what we were talking about previously with the saturation and values this allows us to change those in our photos but instead of just having saturation and lightness we've also got hue as well so it allows us to change the color as well as the saturation and value which is also called lightness in this particular effect so what we can do is in this particular photo I want to change it to more of a complimentary color theme instead of a split complementary so what I want to do is to remove all of the heavy reds and oranges and convert them into yellow and we can do this really easily just using the hue and saturation tool so we want to do is to work out the areas that we want to have affected so that's predominantly the reds and oranges it's all you want to do is go to our master selection you can see right at the top here we want to drop it down to the color that we want to change which is red now once we've changed that again we can change the luminosity like so we can also change the lightness but I think because we want to change it from a split complementary into a complementary color scheme we're going to change the hue first and then adapt the saturation and values afterwards so with our hues what we're going to do is I'm going to prune it to the right hand side and that should hopefully remove all of the reds and oranges and as you can see it is worked lovely and again you can move it around until you are completely happy with the result but again as I was saying it's an incredibly powerful tool so if you take it all the way as UBC you can change it to green and you should be able to change it to blue as well so it's a really really really strong and powerful way of changing colors so I think I'm probably going to go for a nice bright yellow something like say and then what I'm probably going to do is just increase the saturation of the yellows ever so slightly like so so as you can see is changed the entire photo but again you can see the Blues are a little bit affected so if you want to increase the saturation all you'll need to do is just go to our master selection drop down to blues and then you'll just simply just need to increase the saturation there like so and again you can move it around that might be as well in scions so as you see we can move it around and create more of a deeper blue again we can increase the saturation like so so if we do the before and after wow what a massive change to this photo changing it from a split complementary into a complementary color theme and there we go so that's how you can use the hue and saturation to change the color themes in your photos next I'm going to show you how you can use the Selective color layer so the selected color layer is a great way if you want to change the colors ever so slightly and be a little bit more precise and how you change them so today I'm going to be working on this which is called photo four and what I want to do is just to remove all of the yellows and convert them into red but again changing this from a split complementary into just a simple complementary color scheme so all you want to do is go to our adjustment layers icon and we want to go to selective color now again this is very very similar to the human saturation but you could be a lot more precise and you can really dial in the right amount of color for your photos and this is great if you'll ever work with portrait style photos especially if you want to try and fix the skin tones it's all we want to do today is we just wanted to remove most of the yellow and Cory try and boost up the red a little bit so what you want to do is go to where you can see colors and we want to select the yellow first and what you want to do is probably decrease the amount of cyan them and that should hopefully bring out the red that's what we can do is go to our red section go through your cyan section and just bring it down and then we'll probably go to our yellow section and probably bring that up as well lovely and then one could probably do is also go into the science section and just reduce that as well lovely now as you see it is slightly affected it so if we do that before and after he's made it a little bit more of an orange color but I think the way that's best going to be changing this is if we probably increase the amount of magenta in it and as you can see that's worked so what we want to do now is probably just increase the red and we can increase the red simply just by going to our science and dropping the amount of science as you can see in the Reds as because red obviously is the opposite of cyan so if you want to decrease the amount of cyan you can obviously increase the amount of red or for instance if you want to decrease the amount of red you can always increase the amount of sine so they're always going to be opposites on the color spectrum so there we go so if we do the before and after that's how you can use the Selective color layer to change ever so slightly the colors in your photos next I'm going to show you probably most powerful tool in Photoshop and that is the Camera Raw filter so the Camera Raw filter is probably the most powerful way of changing colors in Photoshop now if you've ever used Lightroom before you might notice that the layout is very similar as I think they're probably found in the same particular format but in Camera Raw filter you also have the power of Photoshop as well so after you've finished all of the changes in your Camera Raw you can then change it back into Photoshop and again it gives you a lot more creative control than just for instance either Lightroom classic or Lightroom cc so we're going to do is open up the very last photo in our choice which is about 8 5 and today I want to change the yellows and the blues or probably teals in this particular case to more of a kind of binary yellow and blue so again just changing it from a split complementary into a complementary color theme we're going to be using the Camera Raw filter so the first what we want to do is just duplicate the background layer so we have a photo or have a layout to go back to just in case we do make any mistakes so what you want to do is click on our background and press command J and I'm just going to rename this particular layer Camera Raw just so we don't get lost when if we do create a lot of layers afterwards and then after we've done that we want to convert it into a smart object so we can go back and change the Camera Raw filter afterwards and this will turn it from a destructive layer so it means we can't change it to a non-destructive layer which means we can adapt it after the fact so we're going to do is right click on that layer and convert to smart object so once we've done that we can now open the Kara War filter so we're going to go to filter we're going to go to Camera Raw filter which is found to from the top and as you can see it brings up a completely new box now again like I was saying if you've ever used Lightroom classic you might notice that the layout is very similar so those are three particular icons that we want to pay attention to in this particular tutorial so we've got the main one which is basic we've got our hue and saturation Changez we've also got our split toning and i'm going to be talking about each one of them now so firstly we're going to talk about the basics now predominately this is where you'll find most of the changes for exposure so not necessarily calibrating but again changing the brightness and luminosity of colors can be found in the exposure section so I should be see we can change the exposure we can change the texture so for instance in this particular photo you can obviously increase this exposure which again will actually change how the colors look in the photo so you might not necessarily changing the luminosity of them because you're changing the contrast it will seem like the colors are brighter so if we increase the contrast a little bit and then we'll probably increase the clarity and D haze ever so slightly now again at the top here you've got temperature and tint now again like I was saying with color balance you can change the temperature which will dramatically change how that we feel about the photo so again if you add more warmer tones to it it will feel more joyful and it will feel a bit more pleasing for the eye but if you have more cooler tones to it it might add a cooler feel like a wintry feel to the photo so again it all depends on what type of photo that you're working with so I don't think I'm going to leave that just like so now what we're going to do is we're going to go into our major tool which is going to be the hue saturation or HSL adjustment layer now if we click on that icon just here now hate yourself stands for hue saturation and lightness and again this goes back to the saturation and value section of this tutorial and how important it is when it comes to creating color grading effects in Photoshop so as you can see it's broken down into a bunch of different color bands but as you can see we can change the hue saturation and lightness all independently so if we go into our hue first this will allow us to change the type of color and again is broken down into a bunch of color bands and we can change those color pans independently so as you see I've zoomed in just go to zoom into the shirt here this is a very orange shirt if we want to change it to more of a yellow color what we can do is go to our orange section and we can just move it over to the right slightly and as you can see it has changed it from an orange into a yellow again we can do this with the yellows we can move it around until you are happy with the result and again I quite like the teal if I wanted to convert it into a more of a blue color so we're talking about the jeans now we can just simply move this particular one all the way to the right and as you can see if we do that before and after is converted into more of a traditional blue jean color now if we zoom out as you see we've changed the effect but I would still say I'd like the yellow to be a bit brighter so we can do so we can change the saturation and lightness so we can go to our saturation section and we could just increase the saturation slightly and then again with our luminance we can also just increase the luminance like so and we can totally do that with the oranges as well just change the saturation of the oranges as well as you can see is bright brought it up and this is a way of really a dialing of right amount of colors for your photo this is why I was saying it's probably the most powerful tool in Photoshop for color grading because you've just got such a diverse amount of settings that you can do to really dial it down to the right color grading field for your particular photo and then again with this color grading effect we can also even add a split toning so again you can take normal colors in your photos and you can actually split them so you can add shadows you can have a slight tint to them and you can have highlights and have a slight tint to them as well and we can do that by going into our split toning icon so in our spec toning icon as you can see is broken into highlights and shadows and you can actually add colors to the highlights and shadows independently from each other hence the name split toning so with our saturation we'll do is increase the saturation and in the highlights I'm going to add more warm color to it and then in the shadows I'm gonna add a cooler theme as predominantly the background is a lot darker than the foreground so what we can do is increase that and I'm probably going to go for more of a slight orange like so and again with our saturation in our values on the shadows we can probably change that too let's go for something dark and then probably increase the blues something like say and again you can change the balance so this is where the shadows and highlights are found so for instance if you brightened it you'll be less shadows and more highlights and if you darkened it there'd be more shadows and less highlights so for instance if I drag this down as you see more of the colors are effecting in the shadows if I move it up more of the highlights are taking into consideration so if we probably keep that in the center like so so there we go guys so if we do live before and after as you can see we have dramatically changed this colors in this photo by using the Camera Raw filter and all you'll need to do is to confirm it and go back into Photoshop you just need to press ok and because we've converted it into a smart object we can go back into the camera wall using the smart filters and there we go guys so that is how you can use the Camera Raw filter to change colors and color grading in Photoshop brilliant and there we go guys so that is my master class tutorial on how to understand color understand why color is so important in your photos hue and value and how to use it effectively in your photos how color harmonies work and how to maybe split you split toning and also how to put all of that it's practice and use particular tools in Photoshop to get the results that you are after again guys if you want to like comment and subscribe to my channel it really really does help my channel grow I've just hit 1000 subscribers last Wednesday so thank you to everybody that has subscribed so far also guys if you want to have a look at my Etsy account I've got a bunch of actions I've got a Photoshop actions I've got Lightroom presets to help you along your color grading adventure but until next time guys keep creating [Music]

Channel: Photo Feaver

Views: 45,892

Keywords: Understand Colour, Master Colour Grading, Master Photoshop, Colour Grading Photoshop, Masterclass, Colour Theory, Why Colour is Important, Saturation And Values, Colour Harmonies, Gradient Map Tool, Colour Balance Tool, Hue & Saturation Tool, Selective Colour Tool, Camera RAW Filter, In-Depth Photoshop Tutorial, Photoshop Tutorial, Photoshop CC, Photoshop 2020, Photoshop, Professional tutorial Photoshop

Id: gSaU2L_4GvQ

Length: 40min 32sec (2432 seconds)

Published: Sat Apr 25 2020