The Haunting Of... Margaret Cho (Season 4, Episode 15) | Full Episode | LMN

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[whispered] On<i> The Haunting Of...</i> (Margaret) I was really afraid in this house. I just had to get out for my own safety. I'm actually afraid to go back right now, but I think there's something that I need to find out. (Kim) There's something upstairs. There's some violent energy. (Margaret) That's where it got really scary. (Kim) I smell something burning. [suspenseful music] It just feels like there's a spear between my shoulder blades. This is probably the source of my insomnia. I really have trouble sleeping still. I'm sensing some kind of satanic cult. That is not good. [shudders] ♪ ♪ Oh, I don't know about today. [eerie music] ♪ ♪ (Kim) My name is Kim Russo, and I am a psychic medium. When I was nine, I was visited by the first of many dead people who wanted to communicate with the living through me. Realizing that I couldn't ignore my abilities, I chose to embrace them. Many people are haunted by traumatic paranormal events buried in their past. Some of these people have faces you might recognize. You've heard about their paranormal experiences. Now you're about to witness the moment they take me back to the place of the haunting in the hopes of uncovering the truth. This is... [eerie music] (Margaret) We are in Peachtree City, Georgia, and we are headed to a house that I rented for a shoot that I was doing here a few years ago. ♪ ♪ I only ended up staying there for actually less than a month. ♪ ♪ I thought that I would be alone, but apparently I was not. I was really not okay with sharing my house with a ghost. ♪ ♪ I just had to get out of the house for my own safety. ♪ ♪ (Kim) I'm headed out to meet with Margaret Cho. She's best known for her role in the television series<i> Drop Dead Diva,</i> and she also is an amazing stand-up comic. While she was on location filming, she rented this house, and apparently there was something in there that she claims was supernatural and that there was a force or a presence that seemed to really, really want her out. You know, Margaret comes across as a pretty tough chick, as if nothing frightens her, and for her to be terrified to return, it had to be pretty bad. I was going down to Georgia to work on my show on Lifetime,<i> Drop Dead Diva,</i> and I had rented a house. [tense music] When I first walked into the house, I really felt that there was something there, that there was somebody there. ♪ ♪ I really have no problem sharing the space with spirits, so I don't have a sense of fear, particularly around ghosts. At least, I didn't think so. [foreboding music] ♪ ♪ There was a lot of noise, a lot of some doors slamming. [door slams] There were footsteps. [footsteps tapping] I just tried to block it out with headphones, block it out with earplugs, but the more that I ignored the presence there, the more it tried to make itself known. [doors slam] - [gasps] ♪ ♪ One night, I was just laying there... ♪ ♪ [gasps] (Margaret) And the bed lifted. [suspenseful music] The whole bed, like, up and crashed back down. [bed slams] [eerie music] And it was so jarring and so terrifying and I was so shocked that I thought, "There is nothing that could have explained "that bed actually, like, lifting up with me in it and crashing back down." ♪ ♪ A little later, I felt a weight pushing the bed down, and I could feel something or someone actually lift up the blanket and get in bed with me. [whooshing] [ominous music] [creaking] It was not... human. [soft growl] I was so terrified that I just stayed there till the sun came up. ♪ ♪ And then I turned around, and it was part daylight, and, of course, nothing was there. [eerie music] At that point, I really felt that I needed to leave the house, that that was more than I could deal with. So I called up the realtor and was very adamant about moving as quickly as possible. When I hung up the phone... [static crackles] [electronic beeping] The oven started beeping. [beeping continues] It was really loud. [beeping continues] The garbage disposal there just started going off like crazy. [garbage disposal grinding] It was as if some spirit at the house is so enraged that it just started to erupt. [grinding and beeping] [pots clanging] I just felt so, just, violated by this presence. I got out of there as quickly as I could. [solemn piano music] So about a week later, I came back to the house to make sure that I had not left anything behind, and right in front of the house... [ominous musical flourish] [suspenseful string music] There was a dead rabbit, and it looked like it had had his throat slashed, very violently killed. It seemed like something was just saying, "Just don't come back here. You're not welcome here." And I did not go back in. [eerie music] (Margaret) I haven't been back to this house. It's a dark place in my mind. It's a dark memory. I was really afraid in this house. I'm actually afraid to go back right now, but I know that I need to. I think there's something that I need to find out or something that I need to experience, something that's drawing me back. ♪ ♪ I've had other experiences with the paranormal, but this was certainly the most bizarre, the most active, and the most crazy, and it was very, very, very scary. ♪ ♪ [tense music] (Kim) Today's going to be really, really interesting, to say the least. ♪ ♪ There's energy that is very present and very much alive. I feel it. This is one of those times where I need to amp up the protection. If this energy wanted Margaret out, then why would I think it wouldn't want me out? I have to think about that. ♪ ♪ There's a woman coming through. She's definitely Asian. She might be her grandmother, and inside of a pot, there's, like, fish heads. I didn't expect to just see that-- heads of fishes. I feel that Margaret is someone who has been through a lot of emotional trauma. I don't feel she had it easy as a child. I feel like Margaret might need to open up a little bit and maybe feel that she can trust somebody. ♪ ♪ There's something else about today that's disturbing to me, and it's very disturbing to me. [shouting indistinctly] I'm picking up a lot of arguing. - What are you gonna do? - Gonna pay with your-- It feels like a lot of men energy. I hear yelling at each other, pointing fingers. [both shouting indistinctly] There's a lot of negativity; there's a lot of darkness, of evil. ♪ ♪ There's always a target. There's always one person that the energy will target, and I really believe that target was Margaret. ♪ ♪ And now she's coming back? It will remember her, and it may try to make her the target again. ♪ ♪ I think this is it. ♪ ♪ Here we are. ♪ ♪ Wow. There's something going on in this house. [foreboding music] There's some energy in that window. I don't know. There's something upstairs. ♪ ♪ And it looks like it might move things in its path. [doors thud] Oh, no. Oh, I don't know about today. ♪ ♪ There's something freaky about... [scraping] - [gasps] [crashing] I know poltergeists when I see poltergeists. ♪ ♪ [screaming] My ears are ringing. [dramatic music] There's too much violent energy around here. ♪ ♪ [eerie music] ♪ ♪ (Kim) There's something upstairs, and it looks like it might move things in its path. [foreboding music] Oh, no. Oh, I don't know about today. [scraping] - [gasps] [crashing] I know poltergeists when I see poltergeists. I want to get this over with. ♪ ♪ (Margaret) I'm really scared right now. It feels like my blood is on fire. It's a very alarming thing, and I feel very threatened. I don't want to do this, but I feel like I have to. [tense music] ♪ ♪ - Hi. - Margaret. (Kim) Nice to meet you. (Margaret) Nice to meet you. - Thank you. Thank you. - How are you? (Margaret) I'm a little nervous. (Kim) I can see why, honestly. I think this is one of those cases that it doesn't need to look like a haunted house in order for it to be one. (Margaret) Mm-hmm. How long did you stay here? I stayed here for about a month and increasingly got more and more terrified as it went on, and things became more active. I already started picking up some information by tuning in on the way here. I usually like to know what I'm getting myself into, so I try to send my energy to the place prior to me even getting here, and I did that, and then when I pulled up and I was waiting for you, I don't know if you see what I see, but the energy of this home sticks out. And there's something dark about it, and there's something threatening about it. Well, I am on board with that. - Yeah. - So we agree on that. Mm-hmm. Let me ask you a question. Do you believe in a power greater than us? I definitely do. So do you ever call upon that power? I guess if I do, it's calling upon ancestors... That's fine. And calling upon people who I love, who I've lost... Right. And, you know, people who I feel like can help me now. - Right. - You know, it's weird. I've been calling Joan Rivers a lot. Oh, how great is that? I would talk to her when she was alive when I was afraid, and so, you know, now she's kind of, like, everywhere, so... I am just a little bit concerned more than anything at this point about entering this house. [ominous musical flourish] I am actually speculating that there's some violent energy in there. ♪ ♪ You said it seemed to want you out. Yes. And you paid attention. My concern is, if it wanted you out then, it certainly doesn't want you to come back now. Mm-hmm. ♪ ♪ (Margaret) I want to tell you what happened the last time I was here. There was a dead rabbit... [foreboding music] Laying right in the middle, right here, and it looked like its throat had been slashed. - What did it mean to you? - I don't know. It just meant don't go back, don't go back. So you, like, took it as a sign of... I took it as a sign of just, you-- this is not a safe place for you. All right, that's-- let me see what I pick up on that. Okay. - You ready to go in? - Yeah. ♪ ♪ (Margaret) [whispers] Okay. ♪ ♪ (Kim) How does it feel? (Margaret) It feels different, definitely. This was sort of a little living area here. There was, like, couches here, and I would play music, and there was a point where I would just try to play as loud as I could to drown out the sounds of stuff happening in the house. (Kim) Just give me a brief description of sounds. Like doors slamming, creaking, like windows, shutters-- Okay, okay. I almost thought it was like the wind. I would always try to explain it away. - You better watch out! - [yells] So what I was hearing, just so you know, is, I hear men arguing, a loud argument... [shouting indistinctly] Pointing in each other's faces. Hmm. [eerie music] And I did pick up someone that I think might be for you or connected to you, related to you. I think she's your grandmother. ♪ ♪ She was standing near a stove, and there was a pot. ♪ ♪ And when she picked up the lid, I saw all of this fish heads in the pot. Mm-hmm. Like, I saw the fish heads looking at me, and it freaked me out a little bit. It's like a soup or something? It's a soup, but it's also-- you can pick the heads clean; it's really good. 'Cause honestly, I'm seeing the eyeballs and everything. Oh, yeah, you have to eat the eyeball. That's the best part. All right, thanks, but that's not my thing. Yeah, it's very Korean. You know who that is? Like-- Mm-hmm. I think it's my aunt. She was wonderful, and we called her... [speaks Korean] Which is big aunt. And she loved food, and she loved to cook. I see. I see. [chimes tinkling] Did this aunt raise you on some level? She was very protective. She was very loving. Like, oh, I was her favorite. She would come from Korea, and she would give me all the gifts that she had gotten for everybody else 'cause she wanted me to have everything, and she was just overflowing with love, and, you know, she died on a plane going back to Seoul, trying to get home before she died to be with her kids, and she died over Seattle, and they had to emergency land the plane, and so it never felt like she ever got home. Well, her home is where her loved ones are, and I believe that's why she's with you today. And you just said something that was very significant. You said she was a protector. - Mm-hmm. - And we need protection today. So interestingly enough, for you to say that word is why she showed up. All right, um... [yelling] Um... [foreboding music] [grunting] ♪ ♪ [clattering] My ears are ringing. [yelling] It's--something's trying to change the frequency. [grunts] [banging] [suspenseful music] [both shouting indistinctly] (Kim) So there is some violent energy that I'm feeling. That is definitely not good. ♪ ♪ There's, like, no air up here. Gets more crowded. I don't know what the heck they're doing. [speaking indistinctly] ♪ ♪ This is so bizarre. This doesn't always happen. [speaks indistinctly] ♪ ♪ [eerie music] ♪ ♪ (Kim) My ears are ringing. It's--something's trying to change the frequency. [yelling] There is some violent energy that I'm feeling. That is definitely not good. [yelling] I think, if what I feel is on target, is ghosts, spirits feed off of the living in order to get their vitality and their energy. They feed off of our distress. If they're negative, they will gravitate towards negative. I saw a lot of depression around your family. Oh, yes. Yes. I see depression and negative. Really negative. Your aunt watches over you, so she knows-- she's able to get some insight into your space, because she always was concerned about you, still is. This is getting a little bit deep. [eerie music] She said in order to be free, you have to unlock the pain-- and she points to your heart-- from your past and let it go. There's some emotions that are in your subconscious that are under lock and key, but every once in a while, they rise to the surface, and they affect your life. - Do you understand all this? - Yeah. Do you have anything you want to ask? I just want to know if everything's gonna be okay. With your life or-- With everything, with my life and everything. [gentle music] Something recently happened to you that triggered a lot of the past emotions, like a traumatic thing. You lost someone recently. I just had a miscarriage, and I've been trying to get pregnant for a long time. And I had a lot of complications, and, you know, it's just-- it was so devastating when I lost the baby. - So sorry. - Thank you. I am so sorry. It's so dark. You know, I don't have a lot more chances. ♪ ♪ (Kim) Do you want to sit? (Margaret) Yeah. Here we go. ♪ ♪ The energy now is very off-balance with you. Mm-hmm. And I really don't know why I'm about to say this, but I have a feeling that coming back here today has something to do with getting your balance of your energy back on track. I don't know exactly how it's going to tie in, but it will have to wait and see. Yeah. [yelling] Something about this space gives me a really creepy feeling, so we--I... [ominous musical flourish] I do want to know where all the activity started for you in this house. Already psychically, I felt that there was a room upstairs that's a high activity zone. Upstairs in the master bedroom, that's where it got really scary. Oh, well, we need to go there, all right? Okay. [eerie music] The most threatening kinds of activity was going on upstairs. (Kim) I actually felt that through the window. (Margaret) Mm. ♪ ♪ (Kim) The look on your face says it all. Well, it's, um-- energy for me, it was always different upstairs than downstairs and-- (Kim) How so? (Margaret) It was a lot colder up here and a lot more tense. I feel it. Like it's more crowded. [foreboding music] It still is tense. There's, like, no air up here. Mm-hmm. [high-pitched ringing] My God, my ear is ringing again. This is so bizarre. It's frequencies. [tense music] It's a deafening tone in my ear. This doesn't always happen. Mm-hmm. ♪ ♪ I see candles lit, and I smell something burning, some kind of fire. [chanting indistinctly] I get a very strong sense of teenage energy. [chanting indistinctly] I don't know what the heck they're doing. They have a fire. I hear chanting. [chanting indistinctly] I'm sensing that it's some kind of satanic cult. ♪ ♪ [shouting indistinctly] I have two separate things going on here. [dramatic music] - [shudders] - Mm. ♪ ♪ I just heard a gunshot. ♪ ♪ [eerie music] ♪ ♪ I don't know what the heck they're doing. They have a fire. I hear chanting. [chanting indistinctly] I'm sensing that it's some kind of satanic cult. [chanting indistinctly] Is this the bedroom where you had-- It's here. That's what I felt. I thought this was it. Yeah, this is probably the source of my insomnia today, where I really have trouble sleeping still now, because of what happened here... - Okay. - In this room. This is it. - Ready? - Yeah. [foreboding music] Okay, um... This is where my bed was, and I remember laying on this side. I felt something lay down next to me, and I was so terrified, I didn't move for I don't even know how long. The sun finally came up, and I just turned around, and there was nothing there. I see. So I had, like, numerous alarm clocks, at least three, and every time-- I would oversleep in the morning, because they would all be turned off. That happened several times, like it was just trying to stop me from going to work. ♪ ♪ Anything else happen in this bedroom besides the energy getting into the bed with you? I had overslept in the morning, and... [gasps] I felt the bed just slam down on the floor. I can't imagine it lifted in the air, but I don't know how it would have slammed down on the floor... If it didn't lift in the air. - Yeah, it was like-- - Your bed levitated... - Yeah. - While you were in it. Yeah, to wake-- it woke me up, and that's sort of what keeps me up still. - Unnerving. - It was really unnerving. It was really a shattering feeling. Everything you've talked about is so typical of poltergeist activity. Mm-hmm, mm-hmm. There's a force that's at odds with each other. Mm-hmm. [shouting indistinctly] I'm hearing this yelling again. [shouting indistinctly] Wait a minute. There's a older man and a younger man. This is the ones I saw in the car. [ominous musical flourish] [tense music] Somehow they feel related. Mm-hmm. Possibly father-son. ♪ ♪ The energy getting into the bed with you, did you feel like it was a man or a woman? It felt like a man. It did? It felt like a man, definitely. Okay, all right. ♪ ♪ [echoing] You're gonna pay for this! ♪ ♪ [echoing] You're gonna pay for this! [hands smack] ♪ ♪ "You're gonna pay. You're going to pay." [echoing] You're gonna pay for this! The young guy is saying that to the old guy. "You're not gonna get away with this." [yells] I don't know what this is. What are you gonna do? And I just see the older guy not backing down. He has his shoulders back. His energy is challenging the young guy, like, "I dare you." What are you gonna do? "What are you gonna do?" That's what I just heard. They were fired up, and there was some sort of family feud going on. It's this total conflict of... staying on the land, utilizing the land for a certain purpose. Mm-hmm. Do you know anything about this? No, no, I don't know anything. You didn't hear anything like this? No. This area is known for-- it's the McIntosh Trail, where a lot of Native Americans were pushed through, and they call it the Trail of Tears. There was a lot of death and a lot of disease and a lot of sorrow. A lot of people died here. So that's a well-known thing here? Yeah, that's the history of the region. Because that's not what I'm feeling at all. What a minute. I have two separate things going on here. [chanting indistinctly] I just got a vision in my head. [foreboding music] [chanting indistinctly] These teenage kids are sacrificing an animal. [chanting indistinctly] And it's not a body; it's an animal of some sort. Yeah, yeah. - [shudders] - Mm-hmm. That might be the rabbit downstairs, then. That's very possible. I believe they conjured up a lot of evil spirits... Yeah. Doing some kind of ritual, I don't feel, that long ago, actually. Where else did you experience something in this house? The kitchen. That was really where I really decided I needed to leave... Oh, really? And I really needed to get out. All right, well, you know where we're headed next. Yeah. All right, so let's go there. Okay, let's go. [eerie music] ♪ ♪ So when I came down to the kitchen and I really was about to leave and I thought, "I've got to deal with this. I've got to get out," and then the oven started beeping and beeping and beeping. It wouldn't stop beeping, and I couldn't get it to shut off, no matter what I did, and it wouldn't stop, and then suddenly the garbage disposal just started to run on its own. At that point, I felt really trapped, and I thought, "I've got to get out," and I called the realtor, and I was on the phone with the realtor, and this beeping seemed to just get louder, and the garbage disposal, it seemed to escalate. Right past this door, there's a panel for the fuse box. - Mm-hmm. - So I turned the fuses off. - Right. - And they wouldn't shut off. - [gasps] - They wouldn't shut off. I turned the fuses off for the entire house... - Oh, my God. - And nothing would shut off. And then I just-- at that point... - Were you, like, shaking? - I was shaking. I couldn't stand it in here anymore. Oh, my God. It was, like, too scary, and I had to get out. [beeping] Whatever this energy was, it was trying to communicate with you through all of the electric. Mm-hmm. And that's another typical sign of the poltergeist activity. [clattering and scraping] [yells and grunts] There's too much violent energy around here. [yelling] It's built up to a point where it's tangible, it's real, it has a heartbeat, it has a pulse. [gunshot] I just heard a gunshot. [suspenseful music] Somebody was shot. ♪ ♪ - [yelling] - You thought it wanted you out. Yeah. The energy source needed you. [suspenseful music] Honestly, it didn't want to let you go. ♪ ♪ [eerie music] ♪ ♪ (Kim) I just heard a gunshot. Somebody was shot. [suspenseful music] [both shouting indistinctly] ♪ ♪ This looks like one of those old-fashioned guns. [gunshot] [grunting] I feel like I've just been shot right in my chest, right here. ♪ ♪ This has something to do with this house and this land. One man, I feel his name is Joe or John. - Mm-hmm. - Because I see J-O. I really feel there's, like, some kind of connection between you and these men. I will really try to put it all together for you. Okay. Remember what your aunt came through and talked about earlier? She kept talking about this stuff that you shoved, and you have it under lock and key. Mm-hmm, yeah. Well, she said it had to do with when you were younger. Mm-hmm. Like, either you're holding a grudge, or you just can't seem to get past. Maybe it's just, I'm trying to protect my own body somehow. Like, I always feel like getting stabbed in the back. Anything that's emotional manifests in a physical kind of a pain and definitely between my shoulder blades. It just feels like there's a spear between my shoulder blades sometimes. The root of that, where do you think that stemmed from? Because I keep being shown something about... [gentle piano music] I'm very honest. Sometimes this is not easy for me to do. I don't mean to press, but when you were younger, you never really felt like you were like the other kids. Did they also make you feel that way? I think it's just that I wasn't really able to express myself properly because I had such a fear of talking and also an inability to understand society or understand other kids. - Okay. - So I was really shunned. I had a very difficult childhood in that regard. I mean, I was bullied a lot as a kid and very kind of alone-- That's what I was-- And it was-- yeah, it was terrible. That's what I feel you have locked in there. - Oh, yeah. - It's locked up. Oh, yeah, that's certainly-- I mean, of course, it's there. I mean, I actually sort of refuse to let it go, because I feel like letting it go means that it was sort of all for nothing, or, you know, like, if you hang on to that suffering, you prove a point in a way. That's so interesting that you just said that. [yelling] [eerie music] Okay. I get it. [yelling] Margaret, that's what this energy was. One man was trying to prove a point to the other. Mm-hmm. And they're not letting it go. It was a feud. This male wants revenge. He didn't get over it. And what I need to explain to you is, these teenage kids summoned the spirit which is causing the poltergeist activity. What a poltergeist activity derives from is, they thrive on your repressed emotions. A lot of the times, they find a target, like a host. It was all of your emotions that you refused to let go of, like your badges of honor, almost. Mm-hmm. You were giving food for this energy to thrive. Mm-hmm. You thought it wanted you out. Yeah. The energy source needed you. Honestly, it didn't want to let you go. [suspenseful music] You're not ready to let it go. No, even if it's a negative energy source, this is mine. ♪ ♪ [eerie music] ♪ ♪ (Kim) The energy source needed you. Honestly, it didn't want to let you go. There's more to this. I just... You want to go sit down and talk? - Yeah. Yeah. - All right. ♪ ♪ Did you ever use this backyard when you lived here? No, not really. It just didn't seem very welcoming to me. It's the energy. It's not inviting. Yeah, yeah. Let's think about everything that I saw today. We have a cocktail of negative compounds. I see, like I told you, the teenagers. They're doing some kind of dark, ritualistic-- I believe satanic-- sacrifice, worshipping, and it was going on when you lived here. They lived close by, these boys. Sometimes people that dabble in any type of paranormal that don't know what they're doing, they're going to attract the lower entities, and I believe they conjured up the poltergeist activity here. Mm-hmm. There were two men. One of them got shot and is hanging around with a vengeance. Mm-hmm. Then here you come. Probably not a lot of energy here for this poltergeist to feed off of... Yeah. Until you moved in. Yeah. Poltergeist energy likes to feed off of intense emotions. It was feeding off of your suppressed emotions-- Yeah. That you said you're not ready to let it go? No, I don't know if I would ever consider letting it go. You know, part of that rage in me is kind of-- I don't know. It fuels me. It keeps me going. It's an energy source. Even if it's a negative energy source and does cause suffering, it's still kind of a point of pride. This is mine, you know? I do know. Just like these men with this feud. Right. It's exactly the same thing, a sense of pride. I'm not going to let the other guy win. Right. - I need to have the last say. - Yeah. My question to you is, at what point do you ever release... - I don't know. - Those wounds? I don't know. How do you release? And is it healthy to hold on to it? No, I'm sure it's not. I'm sure it's not. But how do you even begin to let it go? Well, if you could have a message for those people that bullied you back then, knowing who you are now, what would that message be? I think it would just be, um... ♪ ♪ "Why?" You know, just-- I would want an answer. Even if they had a reason, it would never be a good enough reason. If I could just let it go and just say, "I feel hurt and angry, and I'm still a child because of this." That's right. It's stunting your soul's growth. Yes, yes. And perhaps that's why you are not exactly where you want to be, where you feel, "Is it ever going to get better?" Yeah, yeah. - And that's your answer... - Mm-hmm. Is, it will only get better if you want it to get better. Yeah. For you, all these years, it made sense to you to hold on to it. Right, right. And I'm not gonna say it didn't make you stronger, because I think it did. Now take that strength and use it for the good. Yeah. How do you feel? - Do you feel better? - I feel better. I feel great. Even you talking about this actually releases the spear out of my back. Like, I can feel all this tension drain out of my back. - Like, I feel a lot lighter. - Lighter? I feel energized. I feel like, oh, there's kind of a-- like a weight lifted off of my back or something. Like, it does feel, certainly, like, internal. Good. - You know, it's good. - How about a hug? - Thank you. - You're a doll. [gentle music] (Margaret voice-over) Coming back here, I had so many fears and so much trauma here, but really Kim helped me just kind of release it all and kind of helped me take responsibility for it all too, which was really profound. I realized that I'm part of this energy cycle, that I'm part of all of this. The haunting and all of the stuff that was going on here, I am a party to it, and I don't have to be afraid of these poltergeists or anything, because really the haunting was inside me. I feel such a sense of closure. I'm really changed and moved by this experience. ♪ ♪ (Kim) Looking back, Margaret was anxious to return to the Georgia home where she once fled from unexplained violent activity. We discovered that Margaret's aunt, who had been her protector in life, still watches over her to this day. We also learned that teenagers nearby had conjured poltergeists by experimenting in dangerous dark arts. Uncovering the history of these angry spirits helped Margaret to realize that she needed to let go of past resentments in order to release the negative energy she had been carrying around like a badge of honor. Margaret's courage to revisit and then release painful events from the past can inspire all of us to let go of old hurts that block us from moving forward on a path to a brighter future.
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Channel: LMN
Views: 260,894
Rating: 4.8422232 out of 5
Keywords: lmn, lifetime movie network, lmn shows, lmn channel, lifetime movie shows, lmn full episodes, lmn clips, the haunting of, the haunting of full episodes, the haunting of clips, paranormal, The Haunting Of..., watch The Haunting Of, The Haunting Of full episode, watch The Haunting Of full episode, The Haunting Of season 4 episode 15, The Haunting Of s4 e15, The Haunting Of s04 e15, The Haunting Of 4X15, The Haunting Of season 4, watch The Haunting Of season 4, Margaret Cho
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Length: 42min 40sec (2560 seconds)
Published: Wed Jul 08 2020
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