[police radio chatter] <i> [dramatic music]</i> - Damn. <i> male narrator:
A woman with nowhere to run.</i> - Banana! - Slipped in her own blood. - Tragic. <i> narrator:
A deadly premonition.</i> - Oh. And one week later, she was dead. <i> narrator:
A twist of fate.</i> <i> - I think you might be
in danger,</i> so it's very important
that we get to the truth. <i> narrator:
And the clock is ticking.</i> <i> ♪ </i> <i> For homicide detectives,</i> <i> their chance
of solving a murder</i> <i> is cut in half</i> <i> if they don't get a lead</i> <i> within the first 48 hours.</i> <i> ♪ </i> [upbeat percussive music] <i> New Orleans, Louisiana.</i> ♪ <i> - Looks like we're kind of
about to start,</i> so I'm gonna go
and find my seat, 'cause it's super tense
standing up, staring at people. <i> narrator: Promotions day</i> <i> for the NOPD.</i> - Sergeant Travis Ward. [applause] - We're here to watch members
of our Homicide section be promoted to sergeant and--
and lieutenant today. <i> It's a special day.</i> <i> narrator: Veteran detective
Ryan Vaught</i> <i> is up for the next case.</i> <i> - The Homicide Unit's
a very close-knit group.</i> <i> I consider everyone
part of my extended family.</i> <i> But now they're moving on
to their--</i> <i> their new assignments.</i> - Lieutenant Jimmie Turner. [applause] - Gonna miss 'em all. <i> [tense music]</i> <i> narrator:
A few miles away</i> <i> in the Gentilly neighborhood...</i> <i> [line trilling]</i> [sirens wailing] <i> narrator:
Police and EMS respond</i> <i> to find a woman
lying in a pool of blood...</i> <i> [dramatic music]</i> <i> Dead.</i> <i> ♪ </i> <i> [clock ticking]</i> <i> ♪ </i> - So we were gonna sit down
and celebrate and have a nice lunch, and then we got notified
there's a homicide. Most times, when you have
plans for the day, you know,
a tragic event'll happen, and you have to
give up those plans to go work it. - I'll tell you,
it's real sad to say, but anytime, any day,
any place, yeah. <i> ♪ </i> <i> ♪ </i> [camera shutter clicks] [police radio chatter] <i> ♪ </i> - Hey, Tim. <i> - She's in the rear bedroom...</i> laying on the floor. <i> - We have any ID on her yet?</i> - A lady came running up to me
a little while ago, and she gave us that name. - Shakeitha?
- Mm-hmm. <i> ♪ </i> <i> narrator: 25-year-old
Shakeitha Johnson</i> <i> was born and raised
in New Orleans</i> <i> and went by the nickname
Banana.</i> <i> ♪ </i> <i> She is survived by her parents</i> <i> and two sisters.</i> <i> ♪ </i> [indistinct conversation] [police radio chatter] - Neighbors say it was
her birthday yesterday. Just tragic. <i> ♪ </i> - Damn. <i> ♪ </i> <i> Oh, God.</i> <i> ♪ </i> <i> Multiple gunshot wounds.
- Yeah, yeah.</i> <i> ♪ </i> <i> - She got it to the head,
left shoulder,</i> <i> right arm.</i> Ugh. Brutal. <i> ♪ </i> There's casings inside. <i> [camera shutter clicking]</i> <i> ♪ </i> <i> narrator: CSI collects
three casings inside</i> <i> and three more
leading into the front yard.</i> <i> ♪ </i> - Door was not forced, right? - No. <i> ♪ </i> - So maybe she opens the door. - Open the door and boom, boom. - Bang, bang.
- Probably went out there. - Yeah. <i> - Slipped in her own blood.</i> - Makes me think
she was trying to escape. <i> narrator:
Footprints in the blood</i> <i> match Banana's slippers.</i> <i> ♪ </i> <i> ♪ </i> - It's a horrific way to spend the last few seconds
of your life. You know somebody's coming
to kill you. <i> You know you can't get away.</i> <i> ♪ </i> - [sighs] We have our work cut out for us. - I'll start the canvass.
- Thank you. <i> ♪ </i> [knocking at door] [woman sobbing] [people shouting] - Ma'am, you think this might be
one of your family members? - That's my little sister. - All right, if you don't mind,
just go and talk to this detective real briefly,
and maybe we'll have some more answers for you
in a few minutes, OK? - OK.
- All right? <i> ♪ </i> I got Bruce doing the canvass. - Hello? - And then I got Ripp talking to the family member
right now. <i> - To the family member, yeah.
OK.</i> <i> ♪ </i> - I interviewed
the victim's sister. Apparently, the victim
wrecked that car over a week ago. - OK. - That car belongs
to one of her best friends, Lyneisha Tennessee. When the victim said she
couldn't pay for the damages, she's been having
a lot of death threats. <i> ♪ </i> So it sounds like everything's
over this stupid car. - All right. <i> ♪ </i> - There's some conflict
resolution issues in this city. <i> ♪ </i> - Banana! No! - Usually, when you have
female victims, it's gonna be someone
that knows them. It's gonna be a pretty close
person to them. <i> ♪ </i> <i> narrator: Vaught
and Detective Theo Kent</i> <i> head to an address
for the car owner,</i> <i> Lyneisha Tennessee.</i> <i> ♪ </i> - Is this it?
Is this them? <i> ♪ </i> [sighs] Ms. Tennessee, how are you? - I don't know what's going on.
- All right. <i> narrator: Tennessee says
she just found out</i> <i> her friend Banana
was murdered.</i> - Why don't you take a ride up
to our office? That way,
we can talk in private. - All right.
- OK. <i> ♪ </i> To your right,
that door that says "Homicide Section." I just want to see what kind of
feelings she did harbor about the vehicle. Have a seat in that back chair. <i> Supposedly, she and Banana
were best friends.</i> All right. <i> ♪ </i> - I'm just trying to figure out
how the hell this happened. <i> ♪ </i> - So are we.
So are we. Who would be the last person
with her? - I don't know.
I don't... - Were you over there
last night? - Yeah, I believe I remember
seeing one out there. - OK. <i> narrator:
Tennessee says Banana</i> <i> wouldn't pay to fix the car.</i> - Had to be a big hassle
for you, though, huh? I mean... - It was crazy,
but what could I do? <i> ♪ </i> - [chuckles] My mom used to always tell me, "Stay away from that girl.
She nothing but trouble," and I'm like, "Nobody can
keep me away from her." - What--what drew you
so much to her? - When me and my kids
needed a place to go, she's just always, you know,
been there for me. <i> ♪ </i> - You do not seem to be
grieving over-- over her loss. <i> ♪ </i> - I can't cry right now. I just can't. - Um... <i> ♪ </i> Did you have anything to do
with her murder today? <i> ♪ </i> <i> [dramatic music]</i> [police radio chatter] <i> ♪ </i> - No. What?
No. I can't get nobody killed. <i> ♪ </i> - So, who do you think
would want to hurt Banana? - Jazz. - Wait, Jazz was
living with her? - Yeah. <i> narrator:
Tennessee says Banana</i> <i> had an ongoing feud
with her roommate, Jazz.</i> - She not gonna let nobody
mess with her. - Her and Jazz?
- Yeah. Banana got a text message
from energy saying that her light bill
was $307, and she went there fussing about
her light bill or whatever. <i> narrator: She claims Jazz
refused to help pay the bill.</i> Banana was so mad at her that Banana wanted her
out the house. <i> ♪ </i> I was helping her. - Jazz was there? - What was she doing? <i> ♪ </i> - What's her real name? <i> ♪ </i> - All right, I'm gonna step out
for a second, and I'll be right back, OK? <i> ♪ </i> So I'm gonna run our victim in our report database. <i> ♪ </i> See what kind of complaints
she's made. Here we go. Got a disturbance report. Banana claims that her roommate
was threatening her. <i> ♪ </i> I'm looking up a picture
right now, and I'd like to show it
to Ms. Tennessee. <i> ♪ </i> See if it's the same person
she knows as Jazz. <i> ♪ </i> Hey.
Sorry about the wait. Take a look at this individual and tell me if you
recognize her. <i> ♪ </i> - That looks like Jazz? <i> ♪ </i> That's her?
- Mm-hmm. - OK. You ever seen Jazz with a gun? <i> ♪ </i> - No. - Where could I go find Jazz? <i> ♪ </i> - I don't even know. <i> ♪ </i> - I think Jazz is gonna be
our strongest suspect right now. <i> ♪ </i> Tossing her into the streets
with no place to go? <i> That right there
could be motivation</i> <i> to want to kill.</i> Definitely need to talk to her. - Yes, and we need to get
contact information on her. <i> ♪ </i> - No active warrants for her, and no local addresses. <i> ♪ </i> It's gonna take
a little bit more work to try and track down
ol' Jazz here. <i> ♪ </i> <i> narrator: The next day...</i> - Theo, check this out. - That's our deceased victim
there. <i> narrator: In the database,</i> <i> Vaught discovers body cam video</i> <i> from the officer that filed
Banana's complaint</i> <i> against Jazz.</i> - That's Shakeitha. Banana. This is crazy. Right outside
where she was killed. <i> narrator:
The video was recorded</i> <i> a week before the murder.</i> <i> narrator:
Banana tells the officer</i> <i> that Jazz sent her
threatening texts.</i> - Wow. - Yeah. - Sad. <i> narrator: She gives Jazz's
phone number to the officer.</i> <i> ♪ </i> - Oh. <i> ♪ </i> Banana pretty much
foreshadowed her own death. <i> ♪ </i> She says, "I-I hope I make it
to my birthday. I hope I make it to next week." <i> ♪ </i> One week later,
she was dead. <i> ♪ </i> I got to be cool. Maintain my calm so I don't say something
that makes her nervous or makes her feel like
she's a suspect in this and then refuses
to meet with me. <i> narrator: Vaught calls Jazz.</i> <i> [line trilling]</i> - Hi, Jazz. - Ryan Vaught, New Orleans
Police Department. I understand you're friends
with Shakeitha? - I'm the one in charge of her
homicide investigation, OK? <i> ♪ </i> <i> [dramatic music]</i> <i> ♪ </i> - I understand
that you two lived together for a short period of time? - OK, so yeah, you-- you may hold
some information that-- that would be beneficial to me. Are you available to meet today? <i> - Uh...</i> - OK. - You--what time you think
you can get here? - All right, we'll see you
around 5:00. Thanks. - Bye. - I would say, let her come in
and say what she want. - Yeah. Some of the words
she used on there, like "alibi"... just like,
"You have any suspects?" I was like, "Why?" I don't know if that's guilt. It could be taken both ways. <i> - Yeah.
- If you're worried about</i> <i> your loved one, and then</i> <i> you're gonna want to know
what's going on with the case.</i> So we'll see. <i> ♪ </i> <i> narrator: That evening...</i> - Jazz was supposed to be here,
and she stood me up. <i> ♪ </i> <i> [line trilling]</i> - It's Detective Vaught. I was just calling to see
if you were gonna make it today or not. - Yeah, absolutely. We could do it tomorrow. - All right, I'll talk to you
tomorrow. - Bye. Well, there you have it. She, um, forgot
that she had to come down to the Homicide Unit office. - To talk about
the murder of her friend. - Slipped her mind, you know? 'Cause, yeah, happens every day. - I just don't like
the idea that it's no concern. It--it's just like,
OK, let's wait. - We'll see if she shows then. <i> ♪ </i> <i> narrator:
As the clock winds down...</i> <i> [line trilling]</i> <i> - You have reached
the voice mailbox of 5-0...</i> - Oh, my God. So I'm frustrated. <i> ♪ </i> Maybe I should send her
a message, huh? These kids,
they love their text messages. <i> ♪ </i> - Just say, "Are you coming
today or not?" - I'm trying to be a little
tactful about it there, Drew. - [chuckling] - Lure her in, dude. - Got to get some--
some, like, live worms or, like, a sardine. Trout, I don't know.
Is that a good fish, trout? - Stop talking fish lingo. You have never gone fishing
a day in your life. [laughter] - Give me this phone.
Let me see. <i> ♪ </i> - Rob's a young guy. He's into this texting stuff. - How about that? - "I appreciate you
coming to meet me. Can I expect to see you soon?" - [snaps fingers] That's it. <i> ♪ </i> [phone chimes]
- Here. This is her: "Stop texting my phone." She says, "I'll see you
when I see you." [chuckles softly] She's really
going about this all wrong. - [sighs] - You have a way
with the ladies, Ryan. <i> ♪ </i> <i> [rapid ticking]</i> <i> narrator: In the first 48,</i> <i> New Orleans Homicide
responded to the murder</i> <i> of 25-year-old
Shakeitha Johnson,</i> <i> known as Banana;</i> <i> learned from a friend</i> <i> that Banana had a fight</i> <i> with her former roommate, Jazz;</i> <i> discovered Jazz
allegedly sent</i> <i> threatening texts
to Banana,</i> <i> but have been unable
to get her to come forward.</i> <i> ♪ </i> <i> Several days later...</i> <i> ♪ </i> - Can I get you anything? - Have a seat right there. <i> narrator:
Jazz finally shows up.</i> <i> ♪ </i> - OK. I'm Ryan Vaught. This is my partner, Theo Kent. Most important fact here is that we get to the truth. <i> ♪ </i> Regardless of how sinister
it may look or how much trouble
it's gonna get us in. We just need the truth. - OK.
All right. - You duckin' and dodgin' me makes it a little-- makes it look a little bit
more suspicious, right? If you know something
about this... - She did. It was brutal. <i> ♪ </i> - I want to make sure
I'm completely clear. What about the text messages
you sent... where you told her it would be
her last weekend? <i> ♪ </i> <i> [dramatic music]</i> <i> ♪ </i> <i> ♪ </i> - She got killed. Because... <i> narrator: Jazz explains
her text was a threat</i> <i> to get Banana's
government-assisted housing</i> <i> taken away.</i> <i> ♪ </i> - You say that those texts were taken out of context? - OK. - That would have been important
for me to know early on, right? - Mm-hmm. - OK. - OK. - What were they using her for? <i> narrator: She claims Banana
would sell</i> <i> her prescription medication.</i> - What do you consider dope? - Heroin, OK. <i> ♪ </i> - We're gonna step out
for a second, OK? - So many people
that have motive right now. The victim had a lot of people
in an out of that house, and that means a lot of motive,
a lot of opportunity. <i> But I don't think Jazz had
anything to do</i> <i> with Banana's murder.</i> <i> ♪ </i> <i> narrator: 16 days
into the investigation...</i> - Come on, come on, come on.
Come on, come on. Come on. <i> narrator:
Vaught gets a huge break</i> <i> that takes the case
in a new direction.</i> <i> ♪ </i> - [sighs] So I was at home
on my day off, right? And I got a phone call
from a-- from a person that has
information on my-- on the Banana investigation. I was able to convince them
to come down and come talk, so hopefully
the information is good. Could be the break I need. <i> ♪ </i> I'm Ryan Vaught.
This is Robert Barrere with the Homicide Unit. So, take me through it. What's going on? - Now, who did this? <i> ♪ </i> - All right, let me go back. So Tennessee told Shakeitha that Boom killed somebody...
- Mm-hmm. - And then she must've went back
and told Boom, "Hey, look, I told Shakeitha."
- Mm-hmm. - And then next thing you know,
Boom shows up and starts shooting her? - Mm-hmm. <i> ♪ </i> - You know who Boom is? - You saw him? <i> narrator:
The witness believes Boom</i> <i> was with Tennessee
yesterday afternoon.</i> - And you saw Boom at that time? - Do you think she's all right? - What'd he look like? How does he wear his hair?
Let's start there. - Anything else? <i> ♪ </i> - Excuse me one second. - We're not gonna let anything
happen to you, OK? <i> ♪ </i> <i> This person seems
pretty credible.</i> He or she was able to tell me
about things that are only known to us. It was never released
to the media. And if what--if-- if this person is telling me
is true, that Boom killed Banana
because she knew that he had killed someone
in the past, and-- and he knows that
Tennessee's talking, <i> he could be looking
to hurt Tennessee next.</i> <i> ♪ </i> I'm just gonna try and grab her. She could be the whole linchpin
to this whole investigation. <i> ♪ </i> You're in? Let's do it, bro. <i> ♪ </i> All right. - Absolutely. <i> ♪ </i> I got to try and flip her, tell me who Boom was. <i> ♪ </i> - Is this her? <i> ♪ </i> - I'll be back, Ma. <i> ♪ </i> <i> - You all right?</i> <i> ♪ </i> There's some things we found out about Banana's killing, and I don't think you've been
truthful with me from day one. <i> ♪ </i> I think you might be
in danger too, OK? So it's very important
that we get to the truth. <i> ♪ </i> <i> ♪ </i> <i> ♪ </i> - I don't believe you. <i> ♪ </i> - You know who was there,
though. - I do not know who was there.
- No? - Sir, I really don't. <i> ♪ </i> I wasn't there.
I'm--I don't know who killed her.
I don't know. I don't know.
How could I know that? - Absolutely you do. <i> ♪ </i> You know certain information, and at some point, that person may think of you
as a liability. OK? <i> ♪ </i> - Who's Boom? <i> ♪ </i> [police radio chatter] <i> [dramatic music]</i> <i> ♪ </i> - Mm. <i> ♪ </i> But you're having a relationship
with Boom. - How do you know him? - I know him through... I guess around the hood. <i> ♪ </i> - What's his last name? - What street he's living on?
Street? <i> ♪ </i> - Yesterday, where'd you go? - How'd you leave her house? - You understand
there's video in that area? <i> ♪ </i> - OK, how'd you get home? - From who? - OK. <i> ♪ </i> Now we're getting somewhere. OK? - Did Boom know Banana? - He's been over to her house? - Mm-hmm. - Why protect him? - These people got power. Even if I make it look like I have something to do
with this, I still could be [bleep]. I'm not about to
put my life in it, sir. I'm really not. <i> ♪ </i> - What's his first name?
Give me something. - If I knew it, I swear to God, I would give y'all
whatever y'all want on him. If--if I knew
where the bitch was at, I'd call him for y'all,
everything. - What's his phone number?
What's his phone number? - I don't give a [bleep].
- What's his phone number? You got that? - Yeah. - What is it? <i> narrator: She gives up
Boom's number.</i> - Anything else for her?
- No. - We're trying. <i> ♪ </i> <i> I think the big
motivating factor</i> for Ms. Tennessee
to lie to me right now is-- is fear. <i> But at least she gave us
a number for him.</i> <i> ♪ </i> I'm gonna try and call Boom, see if I can't convince him
to come down here and--and talk to me. <i> [line trilling]</i> <i> - You have reached
the voice mailbox of...</i> - Hi, this is Detective Vaught,
New Orleans Police Department. I'm currently investigating
the murder of Shakeitha Johnson. I'm trying to make contact
with anyone who knew her to assist in the investigation. If you could call me back when
you get this message, please, I'd appreciate it.
Thank you. <i> ♪ </i> We'll see if he calls back. <i> ♪ </i> Hey, Rob. You're not gonna believe this. <i> ♪ </i> I just got a voicemail... from an attorney stating he represents
a Delvin Wilson. He said he's returning my call from a voice message
that I left yesterday. The only person I called
yesterday was Boom. - Really? - Looks like Boom, upon receiving my message, called his attorney, and his attorney
in turn called me. I think we just identified
who Boom is. <i> ♪ </i> <i> narrator: Detective Rob Barrere</i> <i> runs the name Delvin Wilson</i> <i> in the database.</i> - Here he is. <i> narrator: 28-year-old
Delvin Wilson</i> <i> has prior convictions</i> <i> for possession of
drug paraphernalia</i> <i> and illegal carrying
of weapons.</i> <i> ♪ </i> - He's wanted for murder.
- Get out. - Shooting from a few days ago. <i> ♪ </i> - Whose case is that? <i> ♪ </i> - Looks like it's Barret's case. <i> ♪ </i> - You got him out wanted? - I do. <i> ♪ </i> Does he have a nickname? - Mm-hmm.
Boom. Delvin "Boom" Wilson. Supposedly, he was disrespected
at a card game. He allegedly shot a 2-year-old, who is the victim's nephew. <i> ♪ </i> - Oh, man. - There's a little blood trail
to where the kid ran to. Saved his life. - Ooh. <i> ♪ </i> - His car is in Georgia,
Atlanta, in front of a house
that he's been linked to through the marshals. - So I had a witness
come forward and say that a person,
name of Boom, is responsible for
killing my victim. - What caliber did you have? - I had .40s. - I had .40s. Detective Jenkins
has a Boom case, but she couldn't get enough
evidence to make an arrest. <i> ♪ </i> - You have Boom as a suspect? - Yes. - This guys is just killing half of the population
of New Orleans. For which case? - It's from my very first one. - It makes me wonder,
because my witness says that my victim was killed because they knew about Boom killing someone in the recent past, so it makes me wonder
about your case. <i> ♪ </i> I'm gonna try and get
a little bit more evidence to tie him to Banana's murder. So I'm gonna send a request
to our ballistics lab to have 'em compare the casings
from my crime scene to those casings collected
from Barret's crime scene and see if they were fired
by the same weapon. <i> ♪ </i> <i> narrator: 38 days
into the investigation,</i> <i> as U.S. marshals continue
their search for Boom...</i> - Guess who called me
this morning? <i> narrator: The case takes
a surprising turn.</i> - Who? - Delvin Wilson, AKA Boom. - Hey, Delvin,
it's Detective Vaught. You called? - Detective Vaught,
New Orleans Police Department. <i> [dramatic music]</i> <i> ♪ </i> - We got the wrong guy for what? I'm--I'm investigating
a homicide that occurred on Gentilly of a friend of yours. - Uh, Shakeitha. - She was known as Banana. - You'd been over to her house, and I'm trying to meet up
with all-- anyone that was a friend
of hers, and--and-- and see if they give me
any information on why she was killed. - Right, and-- - Right, and that's why
I was kind of hoping you could help me find
the person that did that. But I'd prefer to talk to you
in person about it. - [chuckles softly]
"I-I don't believe in killing females"? This guy can't lie very well. There's no telling
where he is right now. <i> ♪ </i> <i> narrator: A few weeks later...</i> <i> [line trilling]</i> - Homicide, this is Vaught. <i> narrator:
The ballistic results come in.</i> - Good, all right.
And you're positive? There's no--OK. All right, just had to ask. All right, yeah.
Thank you. <i> ♪ </i> The casings from Barret's case
and my case are a match. <i> There's no doubt in my mind
right now</i> <i> that Boom is responsible
for the murder of Banana.</i> <i> ♪ </i> The matching ballistics coupled with
the information gathered from
our source of information is enough to author a warrant
for Delvin for the crime of murder. <i> ♪ </i> <i> narrator:
The next day...</i> <i> [phone ringing]</i> <i> - Hey, Bar.</i> Oh, yeah? <i> narrator: Before Vaught
issues a warrant for Boom...</i> - Wow, really? All right.
Thanks. Bye. Guess what? Boom was found murdered
in Georgia along with his brother. <i> ♪ </i> - Wow. - They were shot and killed
in a car, and the car was set on fire. <i> ♪ </i> Check this out. <i> - Two dead bodies were found
in a burned-out vehicle</i> <i> in the woods of Crawford County
on Sunday.</i> <i> The bodies were badly burned.</i> <i> They are investigating the case
as a possible homicide.</i> <i> ♪ </i> - They burned that car. - That's wild, man.
- It's crazy, huh? Probably had 'em identified
pretty quick, and then they contacted Barret. - Mm-hmm. - He was leading
that kind of lifestyle that ultimately
brought on his demise. <i> ♪ </i> <i> narrator:
With his suspect dead,</i> <i> Vaught closes his case.</i> <i> ♪ </i> - Although we have enough
to prove probable cause that he committed this murder, obviously, he can't be brought
to justice on it. <i> ♪ </i> <i> So it will be
a clearance by exception.</i> <i> ♪ </i> <i> narrator:
The next day,</i> <i> Vaught and Barrere
go to update Banana's family.</i> <i> ♪ </i> - Hello.
- Hello. - Hello.
- Hi. - Mr. Fred.
- Hello. - How you doing, sir? This is kind of
bittersweet news, OK? Do y'all recognize
this individual? <i> ♪ </i> - Never.
- Nope. - We believe that he's
the person that killed Banana. <i> ♪ </i> - We never seen him before. - I never seen him
before, either. - Never.
- What's his name? - Delvin Wilson. He goes by the nickname Boom. - Mm. - He had a connection to--
to Shakeitha. I have one witness
that did the right thing and came forward and said that
he was responsible for it, and I have physical evidence
that links him to--to that crime scene. - Wow. - [scoffs] - But he fled the state and he was murdered in Georgia. <i> ♪ </i> - He been killed? - He has been killed. - What?
- Mm-hmm. <i> ♪ </i> - I'm glad, man.
I-I-I mean, I hate people losing
their lives, but you took
my child's life, dude. Look at you.
You're a bum. <i> ♪ </i> - Yes, indeed. - Unfortunately,
the reasons why, you know, he did this, I don't think we'll ever know. - I'm happy that
somebody speak up. - It's brought some closure.
- Good. - You know, I know it'll never
bring her back. - Right.
- But God did his job. You know? I'm out there every weekend. I'm out there at her grave, and I want to go tell her. Same thing he did to you, baby,
happened to him. - Yeah.
- It's over. <i> [poignant music]</i> Now she can rest. <i> ♪ </i>
