Roger Moore: A Matter Of Class | The Hollywood Collection

you who are you Simon Templar I think that Roger Moore has that light touch that it's just here and now and it couldn't be any other way except the way he's presenting it and it's all very easy very light and the mouth is beautiful Rogers have been blessed and in a way cursed with this handsome face I thought as a director I'd like to get him to shave his head you know and give him a broken nose and then say now do this and I think you get a great performance out of him I jokingly say you know what's the difference between playing the saint and playing bond that in the st. I did raise my eyebrow and I don't think I didn't think I would raise my eyebrow and in bond except possible to and a bomb went off when Sean Connery played James Bond he played it as the bad-boy womanizer and when Roger Moore played bond he played it as the man that maybe would marry the heroin if the circumstances were right I was born in South London today it's rather posh they call it some aqua there were just the three of us my mother my father myself and in those days policemen why didn't suppose they got a great deal of money today but they we certainly weren't amongst the well-off although I never seemed to want for anything I was very surprised to find out that he came from exactly the same place as me and was the son of a London policeman which means in the class structure sort of lower middle class or upper poor people Roger I think learned to laugh in dire circumstances no matter what they were like because Roger was very sickly boy he spent the first many years of his life in and out of hospital when we were alone with him they would always sort of bring up the fact how lucky we were and how when Roger was a kid you know his the the treat of the week was baked beans on toast his parents were very very protective of him because he physically he wasn't strong and therefore he was never let out on the street like I was to play with the other boys and involve himself in the rough-and-tumble and when he was he couldn't defend himself and so you will find anybody who can't fight becomes very very much very very funny because they like to turn it round with a laugh and Roger could always turn a dangerous situation into a funny one and and this was based on his early childhood plus of course he had the protective backup of the fact that his father was a policeman in a very big one my grandfather George Moore was also a life guard very strong very disciplined I think was very strict with my father my father used to grab me I remember with it by the belt my ring taken pull it in tight and say you're like a bag of potatoes tied up in the middle ugly so I guess I was was plump the only sport I was really good at at school was with swimming he's the only thing I ever won at I never could run and this race went on and I ran and the race was over but I was still running I was nowhere near the end and the next race has started and I was still running and I eventually got up to the winning stand a nice to the judges stand and I stood there and I stood there and I stood there and eventually they they gave me a bag of Toffees to get rid of me so I've always figured you really don't have to make that much effort to get out in front to win because you'll get a bag of top is in the end my father was a was an amateur actor months many activities that he did he produced and he directed they built the sets he did the makeup and he starred in amateur productions for the police the war started they were already digging trenches in Hyde Park and we'd all been issued with gas masks all the kids from London the big cities were evacuated they put cardboard labels on our jackets a head of the blue raincoats we carried out gas masks in a cardboard box and we were put on trains and shipped off I went to a place called Worthing on the south coast of England which probably the closest point to Germany which was a great place to send the kids from London it was really scary because we were billeted on people who didn't know who we were in a different way of life and then came back to London just before Dunkirk which I remember very well seeing the trains with the wounded passing at Clapham North near where we lived and then the Blitz has started after a few weeks it was a bit hairy we lived at night in an Anderson shelter in the garden which was sort of round corrugated iron [ __ ] bit of dirt it kept shrapnel from damaging you but it would not sustain a direct hit by that time my school that is cram school didn't exist in London we were put into a central school and I was able to pursue what I really wanted to do was art and by the time I was 15 15 and a half my father had shown some white work to a colleague of his who knew people in the film industry and I was offered a job as an animated cut as well I was off the boys of the jobs t-boy and an animated film business and that was the beginning of my real interest in film and I learnt at that point what cutting was an editing was which came in great said much later when I was able to direct when I started doing the same series I think that it was by pure chance that I think he became an actor he would absolutely have a career as a sketch artist without a doubt I mean he's brilliant at it anyway I left my employment there left I was I was fired I was booted on I then had some friends who were doing crowd work on a film called Caesar and Cleopatra and I don't know I often joke about it laughs was either my spear was longer than anybody else for my toga shorter but I was some somebody that you know are you an actor do you want to be an actor and I met with a director and he said I think that you should be trained and so I know how wonderful he said I'd like to speak with your parents so I rushed home and I told my mother I was going to be Stewart Granger but I did go to the Royal Academy of Dramatic Art for a year it was fascinating because the moment I started and rather if I knew that I was where I belong where I wanted to be doing what I I really wanted to do but it never occurred to me before that I want to be an actor and then I left Rada and I had got a job with Norman Marshall Cambridge the the Arts Theatre a festival of Shore and I was called up for a physical and I found myself doing six weeks primary training in the army and then I was sent to or was be a war off the selection board for commissioning I suppose it because I I spoke posh I don't know because I'd been to Rada and he had also been an officer in the army the exact opposite of what I had been I'd been a private in the army how did that very thick cockney accent and hadn't been to any Academy at all in England there's a class structure a very well defined if you will class structure and it's one of the few countries where you can tell the class or the breeding that's that an individual has by the way that he or she speaks leaving the army having been completely spoiled having it achieved the rank of acting captain and having my food found and being given money to spend I came back to the harsh reality of life as a struggling young actor and it was audition after audition I had to scratch around and make a living I did repertory how did coughs and sneezes in a couple of homes I worked in television that says the BBC which stood me in very good stead because in 1953 I came to United States to New York and did quite a lot of live television work at Robert Montgomery presents home our dad also in 1953 I was cast in a play called a pin to see the Peep Show which opened on September the 17th 1953 and closed unfortunately on September 17th 1953 by that time I had with all the television work I'd been doing I'd been spotted by what they had then were talent scouts of the studios and I was was offered contract by MGM my first picture which was the last time I saw Paris with Elizabeth Taylor and Ben Johnson I think I was pretty awful in it well I was in the publicity department at MGM Studios we seem to hit it off immediately because it turned out that we were worth cockneys both evacuated during the war and the first time I met him was on the set of last time I saw Paris he didn't have a very large speaking part but he was a focal part in the film and we felt that he was going to be the success of possible successor to Stewart Granger I guess I've known Roger since the 1950s but at that time he was probably the most beautiful leading man Hollywood I don't think that MGM when they put him under contract thought he had a range I think they hired in this so quoting quotes a pretty boy from England who was who had a background and a craft and they thought that he could put him in roles with major stars where he could play second leads and so forth proclaim me your heart yeah I married Katherine but I never promised to stop loving you all the people I work with was very kind to me and Lana and feeding role in a phone and she was very patient with me we had quite a lot of sync - together during the making of Dan I had my first unpleasant encounter with a horse as the king of France hi my uniform my armor was was gold and it was all real real armor they had me in and I had to kick my horse out before a jousting tournament and so gallop off and the horse took off on my eighth of hands it wouldn't players because of all the metal even my fingers would however they wouldn't hold the reins and I lost the reins I said and I couldn't grip with my knee because they got this metal horse turned right I turned left and I had sort of concrete steps but I remember being put into an ambulance and whipped off to Queen of the Angels Hospital and there was about 45 minutes while I was lying in a reception area where they argued I was lying on the floor they were arguing who was going to pay Diane turned out it's been not that great a movie and I left MGM as you know is that when they take out that little notice in the in the trades seven relationships leave they put it in a rather nice way which everybody in the business knew that you've been dropped and I went back to England The Adventures of Ivanhoe there was after playing the King of France he was back in armor again as Ivanhoe but fortunately I'd learned learnt my lesson that my armor was made of a lot lighter material they did 39 episodes of that the first unfortunately they never shot it in color you know I mean it was stuck around or maybe I'm very lucky it didn't stick around we're name is doing ivan who i thought well now I have gone into television I will never go back to films and then fortunately a film came up an offer to go back to Hollywood to test her film called the miracle but having rapper was directing Carole Bacon was going to be in red have Vittorio Gassman from Italy Katina paksa knew who was a legend a legendary character actress from Greece and an exciting young man from Great Britain Roger Moore I was terribly impressed with Roger he was so beautiful tell him I leave early in the morning to report for duty before I started film they said would I work with the dialogue director Paul Joe Graham I said why you know because you sound too English and he analyzed the problem straight away I spoke with a clenched draw and Joe said you do you did you did you great a university I said no he said do you regret not having been to university I said yes he said do you feel that when you're talking to people who probably have been to university that you might make a mistake in what you're saying I said yes he said well he said that is in your subconscious and say all the time you don't open your mouth because you're frightened of what's going to come out he said you're very fortunately said you you're you're even for you Joe six one two why'd you stand five foot ten don't be timid don't be embarrassed be it is a sin not to expose what you've been given and he really nagged me and I I found I didn't want to be on set without Joe he gave me a great deal of confidence and made me enjoy acting much more when I first met Roger he was standing at the end of a swimming pool in these very short shorts just about to dive in and he was so absolutely beautiful act as a lot of them are very egomaniacs you know all they want to do is shove you out the way and look in the mirror but Roger has never done that he was not only an actor when I first met him he was also a very famous male model he modeled so many puller was used to call in the big knit I think sometimes from the point of view of just being an actor he would prefer to be slightly more uneven featured to have even features is an asset but by the same token to be taken serious as night we always feel that you're rather like the empty-headed blonde they say are now if they look good then they can't act I suppose Warner Brothers in in the late 50s and early 60s was rather like rancor being before I came out of the army 70 people on the contract there I think were about 50 of us under contract Warner Brothers we all looked alike we're all interchangeable even the girls look like the boys and the boys look like the girls Park Jim Garner and Clint Walker it was terribly difficult being a contract player and you could not get apart a good part in a film unless you signed because they wanted to own you they didn't actually care what way they they used you as long as you were fulfilling your arrangement with them and you were working for your money well I know basically all I know is in the 50s when he came out here he loved it he just went out and bought a car and you know he was in Hollywood when I finished the miracle I oh they wanted to poke me on the contract and to start off by doing a television series called the Alaskans there was a writer strike and we got the script from maverick and they didn't even bother to chid well they changed the names oh they didn't changed the dialogue IRA replaced Jim Garner and maverick they said I wasn't replacing Jim gonorrhoea maverick but all the clothes had gone or written around the waistband and they had to be taken at an inch then he became Kazon beau beau maverick and I think that after a while you know there was much rebellion there was James Garner rebelled and many of the other stars didn't I think that's why when the Alaskans came to an end Roger decided to go back to England and see if he could get something else I'm afraid I gave up the song and dance routine a long time ago what I mean routine we want you on the show just as you are what a totally unique unbeatable famous Simon Templar I think the the opportunity that Roger had in in starring in the st. was what every actor dreams about the romantic hero who gets involved in every conceivable kind of adventure that one can have and of course you know it's now history because it seems to be see her played forever the saint he it was sort of like Roger who was almost playing himself very charming very witty great looking perfect leading man all the things that audiences around the world have grown to love and adore about Roger before it was a writer I was kind of an actress for about five minutes and during the course of that five minutes I got a role in the Saint he was always very kind to his leading ladies because he had a different one every week I might add he had the most beautiful women that were you know in English films yeah they serve a eloquent or decidua I know baby oh I guess all we miss here in the Metro spoon wine yes yes thank you very much you're more than welcome I wish I could speak French I think all the true series stars they have a charisma and they bring something to the character that is within them and I think that's what Roger did with the Saint after the first few episodes naturally once settles in to not have to search how you're going to play it because it is just automatic I just can't believe you got away with it I promised I would yes yes you're wonderful knowing the way the character thinks of course it makes it very easy in terms of directing yourself there's nobody in it who's afraid you go right into him one as far as I go Simon I'll have those plans please hi my life is full of surprises the same went on for about six six years yeah during that time I taught a Deborah was born in my son Jeffrey and then then when I started bound Along Came Christian it was like going to the office I had a I had a regular job go to the studio every morning would come home every night that's it although it was very comforting I was probably glad to finish the Saint and tackled new pastures hello I did rain I said I did ring but you probably care for the sound of the music hi I said you probably why didn't you switch that thing off I think I'll switch that new grade when 2 American came back and said I've sold the persuaders which had been an idea Bob Baker and I had had while we were doing the Saint and the character we had in mind to be the other man which Tony Curtis eventually played because tune is wonderful sense of comedy would play very well against my laid-back English Lord be much closer if you'd stop complaining you mind very much if we stop for a minute why not oh how is it you're always clean because I think the persuaders concept was really like an American being an Englishman servant it was not unlike Rochester and Jack Benny's relationship in in their films he played Lord Sinclair's sort of a very sophisticated rich get away with everything and he sort of teams up with Tony Curtis who's comes from the streets New Jersey he spoke you know English like the English and I spoke English like the Hungarians is this an excuse me or can we old your hair sorry I like it I like it yes we'll just remember where we stopped stay close behind I may never leave we found that the the two characters we were playing Lord Brett Sinclair and Danny wild we took a lot from ourselves in our own personalities and Antonia and I today you know have this the same sort of relationship that those two characters on the screen had we were both in the same period of time in our live we're about the same age and we have had by that time 20 years experience working in movies so it made it a lot a lot easier for us to work together Hill in England we clear the streets when that persuade is played they are just that people would run into their pubs or wherever and what's on show so it was extraordinarily successful in all over Europe Sean then announced that his last one was going to be diamonds of forever then I got a call from Harry Saltzman saying that cubby and I want you to take everyone and so they were looking around for another bond and they came to me and they agreed that I would do it I get calls from cubby saying Harry thinks you're too fat and so I take weight off and then Harry call and say cubby thinks your hair's too long catch haircut my kept on losing weight and getting my haircut into the end I got so desperate said why don't you get a thin actor with short hair in the first place magics put me through this absolute torture he has a tremendous sense of humor and is very good at skating he skates slightly over his own life and persona and he does that in his work - Shawn and I hope I'm not misrepresenting him here is a very serious Scotsman who nevertheless can lighten his act whereas Roger is a very sunny type of character who occasionally is obliged to darken his act I don't think I was consciously set out to be to be different in playing bond the one thing that guy Hamilton said well let's not have any of you say any of those things as associated with Shawn such as martini shaken not stirred when Sean Connery played James Bond he played it as the bad-boy womanizer and when Roger Moore played bond he played it as the man that maybe would marry the heroine if the circumstances were right there's really nothing very much for us to do tonight or is that oh darling I'm tempted and there was never any feeling of tremendous rampant sexuality it was always seduction and with a very very light touch and a smile um with the women I think the difference between between Sean and Roger with Sean match owed them into bed and and Roger laughed them into it good afternoon a water pistol Roger brought something different to the character and I think he came along at a time when bond really needed to change because if you continue in the same vein I think bond would have become stale the girls had bigger parts in the Roger films because the first one was in 1963 which was a very very different area - late 70s and there was much more female emancipation so the girls the girls became more predominant in the film he was there for Roger had to adapt to the modern climate and he was lucky because he was the right type at the right time during the 60s there was a certain intensity of the Cold War there was Vietnam when the 70s came I think there was a loosening up of throughout the whole world and attitudes and it was difficult to play the son of the Cold War as seriously as it had been played in the past so the lighter touch seemed to fit in with the audience's expectations and and Roger was the perfect bond for that nothing where I'm standing he's not the necessary that sort of macho male hero type guy that that the image that he has because I was playing backgammon with him at his house in Italy a number of years ago and we were sitting outside underneath his Pinetree when suddenly out of the tree fell this little moving thing followed by another little moving thing going splat and they were baby rats which were being scared out of this tree by this snake which had crawled up well suddenly the snake falls out and lands about three inches from Rod between Roger myself Roger leaps up with a great big scream I mean like a frightened housewife looking for a broom or something screaming for his wife Louisa to come to the rescue I remember one day I said to me you're going to watch the Muhammad Ali fight and he grew quite violent funneling enough about boxing he said I hate boxing I hate anything to do with physical violence it was the only time obviously didn't be violent telling me how violent it wasn't the stunts that he was asked to do we very rarely had to do things over he took a lot of a lot of those stunts a lot of those things that he had to do they were really very hard on him physically and having been in quite a few of those scenes I know myself how much was being asked of you I've always been very fortunate to find doubles that looking looked exactly like me we had to do this fall scene where I'm falling off a cliff and he's holding on to me and we had these wind machines that were blowing rocks in our faces and it took the entire day and it was very uncomfortable for both of us we almost lost our sense of humor at times and it hurt my knees for being scraped on the wall and and I think there was a football on my stomach that was supposed to give me this rolling motion rest as he was holding holding on to me it was very uncomfortable for both of us and he never complained I was ready to quit I was ready to scream as they take his me off of here I want to go home and I probably might have done something like that if it wasn't for the fact that he gives you this this feeling that you've got to hang in there you got to do it and if Roger can do it you are willing to do anything the two films that I did with Roger the spiral of me a moon writer he was quite unique that he was the same right the way through the film I mean these films took 20 weeks to make and they were very very tiring for the actor but Roger was always the same I found that Lewis and I have exactly the same sense of humor the same sense of fun roger is always on the light side roger has a wonderful self-deprecating humor he's a great on the set he keeps he keeps the crew in stitches most of the day and his natural tendency is just to make fun of everything he does not regard everything as a laugh but he would die rather than let you see a lot of the time I laugh at myself and I think it's a defense mechanism because I want to love myself before anybody else tells also its I her seem to read somewhere that being a comedian is a desire to be loved certain things I think did come to measly like is with the witches all was there his intelligence always comes through but he's also also be your ultimate professional he's smart he knows it's how to pick up a little pieces of business he knows how to if not ad-lib he certainly knows how to improvise Rajas being chased by a tiger I don't know where Raja turned around and went sit done the tiger sets this wasn't scripted this was Rogers sort of clever thought and it was kept in the movie goodnight wireless continuing success of the series of films I think it's because the audiences were never cheated the money was put up on the screen it's the comforting thing of a bedtime story children liked hear the same story every night you mustn't change you mustn't change it it's all no no it wasn't like that you know that the witch came in and then that happened and and I think bond became an old friend with audiences they knew every two years that there would be this great outgoing of action and glamour and and humor did my curiosity of them what is that that's my little Octopussy what an unexpected pleasure welcome to the macabre Club he is so good-looking and so nice that he always had to play the clean-cut hero and I've always had a feeling I've never talked about this but I'd always had a feeling that Rodger would absolutely would love to play sort of Hannibal Lecter or some really dastardly character he really would they were slightly jealous and the villains and they could step outside themselves if you play the villain you can say right now this there is nothing of me in this because this is the villain and he is rotten through and through but he believes he is wonderful whereas when you're playing the hero you're human you're just being very nice I think somewhere in Rogers soul there is someone who would have loved to have been absolutely confrontational in in his in his heart he would love to have been an actor who was confrontational and big and up there he would love to be that as a person writer is really quite shy I think it's it's it's difficult to get to the real real close to Roger and I've only seen it a few times but in those moments you really feel so much love for him because he is here so a wonderful man with a great character and uh and I think if I were to explore the reasons why he is this way I think it part of it is is is what all actors I think feel which is a lot of actors become actors because they want to be someone else other than themselves I love it when I can put things on noses and mustaches and beards I did a film called man who haunted himself which I had a moustache something to hide behind and I played a dual role I played my evil self my alter ego I remember one episode of the persuaders which I was able to play my on to my uncle and my grandfather let them feel a touch of good old coal pretty steep it's the same in our family where isn't it Lance dear that's really fun when you when you've got something to hide behind and if you make an absolute bloody for yourself nobody can see it was you I did a film called folks or North Sea hijack it had all sorts of titles in which I played this character folks who was a misogynist whereas most actors think they're better than they are Roger doesn't think that and I think the way that I worked with him basically was to give him that confidence that really basically there was a very good actor struggling to get out there was a scene in the first film I did regatta which was the Spy Who Loved Me in which the barber bark had to tell him that she knew that he had killed her lover that was kind of difficult scene for him because James Bond didn't show too much emotion but suddenly there were scenes which he acted absolutely straight he didn't try to send it up or be James Bond they were quite serious scenes and that's when I suddenly felt my god you can do you can do something really well you can really act their business and your people get killed we both know that so did he my style of acting is is that the style that if the acting shows there's something wrong with it that you you shouldn't be seen to be acting you don't see the acting because he has a very light a wonderful touch you know there are some actors who say like I think it was a great line of Betty Davis you mustn't ever make them think it's easy you must make them think it's difficult you've got to show them that you're acting well I'm not sure that I quite agree with that I think the wonderful thing is to make a performance feel as though it's just happening at the moment you learn the lines and you do the work you don't need to send off your mind in some peculiar place if you've got to get angry you can't say well I remember when my mother's sister's brother got angry at his wife and her son Fred came up to me and punched me in the mouth so I felt bad it doesn't mean at all that they don't use in the style of the method the experiences in life that they have had that they don't draw on that experience that there is they won't dip into the well so to speak and use real-life experience in their roles or simply that they refuse to talk about they have a feeling that the more you talk about it the the more damaging it is to the actual performance they don't talk a great Hamlet they do a great Hamlet that's the English style and that's Roger style for a camera I'm stunned by please I don't think about you I think all of us were disappointed when Roger left on the Bond films but tide and tide waits for no man I suppose and Roger felt that it was time to hang up the Spurs so to speak but we had a good run seven movies all of which were successful and profitable loved by millions after seven bonds I think I had a feeling that everybody had had enough of me and I'd had enough a bond although I pride myself on being reasonably fit becomes rather dirty movie with with with James and old James Bond leering and latching at young leading ladies they would have to be getting old character actresses to play the leader to play the bongos when one is in Egypt one should delve deeply into its treasures if there's anything you would like anything at all well I had lunch but I seem to miss dessert Roger brought humor to report he brought elegance and I think should be credited for the fact that bond went on for as long as it did I don't think there's been any one particular film where I've been called upon to show my vast range because you know here is don't cry here is don't break down or not the type of heroes or films that I played here is it that's of course the front that is typically English what they call a stiff upper lip Roger happens to be a master of it making all of his points getting extracting every ounce of humor and every ounce of suspense and drama out of a situation and making it all look sort of easy that's that's the Old English professionalism and Roger has that Englishman if you look at the war films never showed much emotion that was a very very American thing Englishmen don't cry of course they cry in real life but they didn't cry in their acting they never had self-pity they never went in for that kind of acting you never saw English actors with tears in their eyes and that was English life that's what Roger portrayed he was the essential Englishman I think one of the reasons why my father had such comfort with Raja and such as fond friendship and love for Roger was that Roger was really a younger version of himself I'd met David Nevin when when I during my animation cartooning day is one of the films we were making was an instructional film for the 17 pounder gun and David was the technical officer technical adviser of course he didn't remember me as that low leader hose snotty nose office boy I mean there are many sides to Roger most of us or most of you will have seen the funny humorous person but there is underneath all that a very caring a very sensitive family man who is for me like the older brother that I never had and when my father died I was in California my brother was shooting the rapids in Colorado and my youngest sister was with our father when he died and couldn't find my brother and myself so she called Roger in the South of France looking for some help I mean here she was with a young teenager with a dead person in the house and didn't know what to do and so Roger don't worry I will be on the next plane and I'll be up there in a few hours and he called the airport he was down in South France he called the airport in Nice the planes were full he could not get on so he and his daughter Debra drove throughout the night they drove 16 hours to get to my father's house and to see my sister and to take care of the whole thing which he didn't he was starting a bond picture in three days time one of the things that you have to look at in films that all the great film actors had one tremendous thing they had a form of stillness and they were they seemed to play themselves in the Gary Cooper school or the James Stewart school Roger was in that school in other words he didn't seem to do much but what he did do he did very very well indeed I think that what happens in light comedy is the timing is everything and that is an art unto itself and Rex Harrison had it my father I think had it Cary Grant had it and Roger Moore definitely has it and while actress I've worked with in a modeling photograph many many years ago and then we had a special Murkoff in the same movie but we never met but we became friends and we became neighbors as already had been one of the great things that Audrey did for me was to introduce me to UNICEF that is a sign of Roger that to me reveals the fact that he's a man who will who will give who will sacrifice his own comfort his own give of his own time and give of his feeling and of his compassion to those who were less fortunate so there there is definitely that side to Roger although he may not very often reveal it on the screen and I think that the fact that also that he was he was very very say poorly and sickly as a child has come round into full circle now with his his work now for UNICEF which is for sick and starving and children in trouble all over the world this is not some man who was going out to try a show he is a great charitable figure or anything he does most of it very quietly I call him a life enhancer because that's what he does he brings a tremendous amount of pleasure to people with his work with his personality I love you I'm very glad that Roger has been given the opportunity to work UNICEF for the last few years but he is giving not only to the children are benefitting but also to all of us and it be in that it shows us who he really is Raj is one of the few actors who I think has really gotten better looking with age he still has that charm that twinkled that naughty twinkle in Rogers eyes and in his facial expressions and I think that's really what people will remember Roger is that he had this wonderful niche is he charming humorous leading man I've often tried to remember the first film I saw was I know there was Tarzan around at that time okay it wasn't on there Lincoln Johnny Weissmuller little did I think when I'd sit in this picture palaces like one day would sort of be up on those big screens - hanging this off I'd have paid more attention I think if I had Paul what do you think you're doing keeping the British hand up sir nobody does you

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Id: vQ5PC7m45_0

Length: 49min 5sec (2945 seconds)

Published: Tue Feb 23 2016