ANNOUNCER:<i>
Tonight on</i> Nightwatch... (woman yelling) KEELEY:<i>
I've never seen</i> a panic attack this bad. (yelling):
Mama! HOLLY:
Who was in this car? What do you mean,
he's walking the bridge? NICK:<i>
His brains were hanging out,</i> and he was walking
down the bridge. (bleep) He gone behind!
Behind, towards her! Oh, 94. 94, 94. Ooh, Lord have mercy. <i> Someone wanted this guy dead.</i> -Can you see how many shots?
-Uh, more than you can count. ANNOUNCER:<i>
In the city of New Orleans,</i> <i> there are as many as 1,000
emergency calls every night.</i> <i> These are the stories
of the heroes</i> <i> who risk their lives
to answer those calls.</i> <i> Police officers...</i> <i> firefighters...</i> <i> and emergency
medical technicians.</i> <i> This is</i> Nightwatch. KEELEY:<i>
I'm not gonna lie to you.</i> <i> This job can hurt.</i> <i> It can frustrate you.</i> <i> It can keep you up for hours,</i> <i> thinking about what's wrong
in our city.</i> <i> And then the craziest thing</i> <i> is that through all
the tough stuff,</i> <i> you go out at night,</i> <i> and you also see a future
that's worth protecting.</i> WOMAN:<i> Code 3 with fire
in the Eighth at 2247.</i> <i> That number is 3551.</i> <i> Code 3 on assist
a fire at 2248.</i> <i> Turn to radar
at Code 4 on channel 1.</i> (dial tone) What? Oh, God,
I hope he didn't kill himself. (siren blaring) 6250... I am not in the mood for that. Dude, they better get a code
through quick. It's gonna be hard for me to
step in and wait for a Code 4, knowing
that an eight-year-old child is lying somewhere
bleeding, bro. <i> My whole way of thinking
when I go</i> <i> on some type of trauma scene
for a kid-- it changed a lot.</i> You know,
since becoming a father myself. EMS 3220. Is the air clear? (bleep) RANDY:<i>
Arrive on scene,</i> and I see a lady <i> putting a bleeding child
into a car,</i> <i> and they're speeding away.</i> Stop! Stop! Stop! Stop! DISPATCHER:
All right, 18. Ah. -Ah, (bleep).
-Why would they do that? I mean, they didn't want
to stop for us. <i> It's frustrating when you see
a bleeding child, and you can't</i> talk to anybody,
or get medical attention. <i>Now we can secure a crime scene</i> <i> and start looking
for evidence--</i> bullets, casings, guns. <i> Apparently,
the kid was on a porch</i> <i> when someone shot
in that direction.</i> Shell casing right there. How many have you counted
so far? Three, one, two,
and one over there. Got a spent slug right here. RANDY:
Oh, my God. What? Okay, we got a shell casing
on the porch. Whoever was on the porch
shot back, that's for sure. Randy, did they say
what hospital they're going to? No, man, we... Look,
they were going up the thing. -We tried to run 'em down.
-You tried to run 'em down? She was hanging out the window. I ain't stopping. -(woman crying)
-No. All right, get her up back,
get her up back. RANDY: All right, perpetrator
vehicle: rock-colored Jeep. <i>It's a very difficult situation</i> <i> when you have upset
family members on scene.</i> That's all we got right now. <i> I feel bad for families</i> <i> caught in the middle
of this random violence.</i> It's not what any of us want. TITUS:
Man, but you know what, dude? It's to a point, man, I'd be like, dude, my kid?
It depends. -I'd be, like...
-It's hard, dude. Like, it'd be hard
for you to stay when you're, like, I...
You just... You got him in a car, you just
go, you just pick him up. But it's different for you
'cause you're trained. -All right, that's true.
-DAN: Like, if that kid's shot, you know, and-and that's... Or he's bleeding, dude,
kid can't lose that much blood. -Yeah. You're right.
-(garbled radio transmission) (siren blaring) Code 3 in the Seventh. Females could be heard
hyperventilating through the phone. -Two females? -ARKADY:
Unknown what's going on. DISPATCHER: 26, are you out
on the bridge already? It's never good when nobody
knows what's going on. All right. 6220 on scene. MAN:
We're close to a floor. KEELEY: Hey, y'all.
What's going on, baby? KEELEY:<i>
So I get on scene,</i> <i> and apparently,
there's two children</i> having a severe anxiety attack. -(loud breathing)
-Yeah, that's a panic attack. TOMMY:<i> The older sibling
was in the front room.</i> <i> And she was hyperventilating,
and not really</i> responding to us verbally. (loud breathing) Why? KEELEY:<i>
So, we find out that</i> <i> they've gotten some bad news,
which really upset</i> the younger one. TOMMY:<i> As we started
to ask her questions,</i> <i> she got up and walked
to the other bedroom.</i> <i> And in the other bedroom
was her sister.</i> (child crying) ARKADY:
All right, listen. KEELEY:<i>
One was holding the other one.</i> (loud crying) <i> And they are both</i> just hysterical. (children screaming,
indistinct chatter) TOMMY:<i>
You had to get them separated,</i> <i> because both of them together
weren't going to calm down.</i> Listen to me.
You worried about your sister? -You are making
your sister worse. -(yelling) You need to calm down. You're the only one who can
calm yourself down, okay? You'll see her soon. You got to help me
help you calm down. Listen, on three, we're gonna hold our breath,
okay? You ready? <i> With panic attacks that bad,</i> you feel like you're dying. <i> You feel like
you can't breathe.</i> <i> Your chest gets tight.</i> (screaming)
I can't! You're doing good.
Keep slowing it down. -No!
-Okay? ARKADY:<i> Talking to her,
working on her breathing</i> finally starts working. GIRL:
Mommy! (screaming)
I can't! TOMMY:<i> Arkady's able
to calm down the older sister.</i> <i> The younger sibling--</i> we couldn't
control her breathing. Oh! Oh! Oh! Oh! KEELEY:<i>
She was just inconsolable.</i> <i> I've never seen</i> an adult have a panic attack
this bad, let alone a child. -(screaming) -KEELEY:
Do you just want to take her? -You got the stretcher?
-TOMMY: Yeah. (guttural groaning) KEELEY:<i>
We make a decision</i> <i> we're just gonna go ahead
and bring her to the hospital.</i> <i> They may have
to medicate her to actually</i> get her to calm down. (screaming)
Oh, no! Shh. -Mama! -She's right here.
-She's right here, baby. Shh, shh, shh.
Your sister was all relaxed. Your mom's right here behind us. I know, because you've been
breathing so fast. Everybody's okay. All right,
we're gonna get you in the unit right now, okay?
Okay, are we going to get -the other one?
-No, she's good. -She's okay?
-She's calm. -Somebody's gonna stay with her?
-Her breathing's back to normal. I got her calmed down, she's
good, she's talking again. You just slow
your breathing down, and then that headache's
gonna go away. <i>She's a child. She doesn't know
what's happening to her body.</i> <i> It's scaring her.
Her fingers are tingling.</i> Her head starts tingling. Everything starts
tingling because <i> she's hyperventilating.</i> You want me
to give you a little oxygen? Huh? We'll give you
a little oxygen? It'll help your headache. You want to hold it? ARKADY:<i> I definitely
was concerned for Mom,</i> <i> that she has
two young daughters</i> <i> who have anxiety</i> that's this severe already. <i> That's got to be a hard road.</i> Your hair is beautiful. ARKADY:
I like those pajamas. You think they make
these pajamas in my size? I think that<i> is</i> your size. (Arkady laughs) KEELEY:<i>
It was sad.</i> <i> I mean, I just wanted to...</i> <i> to hold her
and just hug her, and</i> tell her it was gonna be okay,
but that wasn't helping. All right, Mom, good luck. -Got to smell it.
-Got to smell, -listen to the streets.
-Listen to the streets, they'll talk to you. VIC:<i> We were patrolling
in the Fifth District</i> <i> and doing proactive work,
as normal.</i> You'll hear gunshots,
somebody screaming for help. -Smell drugs, like marijuana...
-Drugs, tires screeching off... You can hear yelling
and screaming, fighting, fussing, whispering--
you could hear it all. If the window's up,
you lose all of that. Where's Slim Shady coming from? <i> We observed a young guy</i> <i> standing near a fence
by a business</i> <i> -in a pitch-black area.</i>
-Y'all live right here, my man? <i> We see him clenching
on his waistband.</i> We immediately think
he has a gun in his waistband. Slim. Come here.
Let me see your hands. Check his right hand, P.,
right side. P.:
Do a 95! 95! Running, running, running! -BJ!
-He's gone in that alley, Vic. He's gone in that alley. -BJ, 1028!
-Gun was in his right hand. He's gone the other way, P.
He went to the left. -I know. -He's gone behind,
behind, towards... Vic, at the corner!
Get yourself at the corner! That last street, New Orleans. <i> Well, the first thing we do
is form up a perimeter</i> <i> to seal off
all his routes of escape.</i> He's got red jeans on.
He's slim. Gun was in his right hand. He went behind that household. -(rapid gunshots)
-Oh. 94, 94. -(gunshots continue)
-94, 94, 94! -VIC:<i> We sealed off the block</i> -That las. <i> looking for a suspect
who took off running from us</i> <i> with a gun in his hand.</i> He went behind that household. -(rapid gunshots)
-Oh, 94, 94. (gunshots continue) 94, 94, 94! <i> It turned out those shots came</i> from several blocks away,
so it wasn't our guy. <i> Other units were dispatched
to that scene</i> <i> while we continued searching
for our suspect.</i> I heard it. (sirens wailing) HOLLY: We got a shooting in
a block of North Robertson. (man speaks indistinctly) (indistinct chatter) Just set it down, babe. -HOLLY: Alive, Nick?
-(sighs heavily) -It's a 30.
-It looks like it. HOLLY: Looks like a 30.
Ooh, Lord have mercy. HOLLY:<i> He is riddled
with bullet holes.</i> I immediately recognize
that he's DOA. NICK:
They... I mean, they got him. HOLLY:
Can you see how many shots? Uh, more than you can count. Someone wanted this guy dead, and they succeeded
in a very gruesome way. 3232.
You can cancel everybody. MAN (over radio):
10-4. HOLLY: Hey, guys.
just watch, they got a bunch of shell casings. NICK:
Yeah. And you got the automatic
and the handgun. HOLLY: I guess they shot him
once he got out of the car. <i> I see stuff like this,
and it blows my mind.</i> How are people in our city
doing this to each other? Hey, Dr. Miller.
It's Holly. I have an approximately... 25- to 30-year-old male, multiple gunshot wounds. Um, he has what looks like a couple to the head, with, um, obvious deformity,
obvious brain matter. We're calling for a DNAR. <i> At this point, there's nothing
that we can do for this guy,</i> <i> so we leave it
in NOPD's hands, and...</i> I hope that they can find
whoever did this to him. Geez. I couldn't even count
how many holes he had in him. No. (siren wailing) VIC:<i> While other units were
responding to the shooting,</i> <i> we were looking
for our suspect.</i> -You ready?
-Yeah. -All right. Everybody hot?
-Yeah, they been hot. <i> We knew he was on the block.
We knew he did not get out.</i> -(barking)
-Go on the other side. <i> In that area,
some of the houses</i> <i> are still affected
by Hurricane Katrina,</i> <i> so these abandoned houses
can be really dangerous,</i> <i> especially
when you're searching</i> for an armed suspect. -(dog barking)<i>
-But K-9 is real good.</i> <i> It makes it harder</i> <i> for that guy to hide in
different little small spaces</i> <i> when you have
the K-9 dog with you.</i> (barking) (barking continues) (barking continues) All right,
Code 4, one apprehension. Like a .45. <i> You know, it's pretty
satisfying knowing that we got</i> <i> -another gun off the street.</i>
-One in the chamber. <i> And this guy winds up
being a juvenile, so...</i> <i> a gun in a juvenile's hands
could end up bad.</i> <i> To get that off the street,
to get him off the street,</i> you know, it was a win
in in our column. All right, guys, paperwork time. Uh, we're going to a female
with a knot in her breast. Might be some indigestion. -Never know till we get there,
my friend. -Right. -How y'all doing?
-(woman shouting indistinctly) What's going on, baby? -(laughter)
-DAN:<i> When we arrived on scene,</i> <i> there was a ton of people out</i> <i> in the common area of
this woman's apartment complex.</i> Like, every neighbor
she had was out, trying to see what was going on
with her and what was happening. Let us check you out first
before we do anything else. -All right, tell me
what's going on. -Yeah. DAN:
Do you feel like it's actually
in the tissue of your breast, -or in your chest?
-Yeah. Uh-uh. Where is it at? Right there? You never had it biopsied
or nothing? <i> This woman has
chronic respiratory problems.</i> <i> She's got heart failure,</i> <i> she's short of breath,
she's got chest pain.</i> <i> While the lump in her breast
is something</i> <i> that needs to be evaluated,
right now we're more focused</i> <i> on getting
her breathing better.</i> -What y'all got
for blood pressure? -160/120. -That's a little high.<i> -With her
blood pressure being that high,</i> <i> it's probably signs
of her having</i> <i> excess strain on her heart.</i> So we do need to get her
to the hospital pretty quickly so she can be adequately
treated and medicated, and make sure nothing happens<i>
because</i> of that blood pressure. Now look, I don't want you
to cut up on them, all right? Because your blood pressure's
high, baby. I don't want you to get
all out of whack. All right? WOMAN:
Say cheese! (camera shutter clicks) (laughter) DAN:
Ah, they cutting up, Ma, look. (laughter) TITUS: See, they going
back in up there, so they ain't worried about it. DAN: Now that you gone, they got
no reason to stay outside. TITUS:
Right. Where you from, Ma?
You out the South, Ma? That's where I'm from. Killa Bee? Look, I want you
to suck on them, baby. Hold it, nice deep breaths,
all right? You feel a big stick
over here, Bee. One, two, three. -(groans)
-TITUS: All right, baby, I'm gona get you
to the hospital. -All right, Mama?
-All right. What he didn't tell you was it's going
to be really bumpy. TITUS:<i>
3220, we're en route to Touro.</i> Whoa! Yeah. TITUS:
Oh, Killa! What's going on, sweetheart? Oh, yeah? What you know 'bout...? Hey, look, I was passing
by the project, though, -so I mean, you know
that little street... -Yeah. <i> She giving me grief
about my driving.</i> <i> I took it all in fun,
it wasn't a big thing.</i> She should see me
when I drive my-my personal car. She thought that was bad... Now, why they call you Killa?
You ain't never killed a bee. Why they call you Killa Bee? -Because you kill all men?
-Yes. TITUS:<i>
Oh, Lord have mercy.</i> KEELEY:<i> We got a call
from a motor vehicle accident.</i> A car hit a dump truck and there was possibly
somebody ejected. Really, it's my least
favorite calls to go on are MVAs, um,
especially on the interstate, because it's just so dangerous. And unfortunately,
it happens way too often that one of
the first respondents gets hit, or their vehicle gets hit. HOLLY:
Seriously? Come on, people. Break it up. Move it or lose it. -(horn honking) -You got
to be (bleep) kidding me. <i> The bumper-to-bumper traffic
tells you a lot.</i> <i> It tells you
that it is a big accident,</i> that it's occluding
all the lanes. There's obviously something big
going on. I don't know
how we're gonna get up there. -They're gonna have to move.
-I don't think they can. They're
so (bleep) tightly packed. <i> It's definitely frustrating
to know that someone</i> <i> is potentially very injured
ahead of you, and...</i> and you can't get to them. Just be advised, Keeley,
we're at a standstill. I see it. 20, you put me on scene
trying to get through traffic. -(siren wailing)
-(horns honking) We good? HOLLY:
Damn. That does look, uh, really, really (bleep) bad. Let's go get 'em. <i> We see, like,
a ridiculous amount of damage.</i> <i> A sports car has obviously hit
a dump truck</i> <i> and another car, and
I'm thinking, "Well, you know,</i> there's gonna be someone injured
on the scene." Who was in this car? What you mean
he's walking the bridge? NICK:<i> The first lady I come up
to says that the guy who was</i> <i> in the most damaged car,</i> <i>her exact words were his brains
were hanging out,</i> and he was walking
down the bridge. MAN: He's walking.
He's barely walking. NICK:
What the (bleep) is he doing? (sirens wailing) HOLLY:<i> Damn.
That does look, uh, really,</i> -really (bleep) bad.
-Let's go get 'em. NICK:<i> When we finally make it
to scene,</i> <i> we see that there are
some highly damaged vehicles.</i> It was a high-speed incident. HOLLY:
Who was in the dump truck? Y'all were in the dump truck?
Y'all okay? Do you want to go
to the hospital by ambulance? Who was in this vehicle? Okay. All right, y'all okay?
All right. <i> Apparently the Camaro was
traveling at a pretty high rate</i> <i> of speed,
wasn't paying attention,</i> <i> hit the dump truck,
spun around,</i> <i> and then the SUV hit the car.</i> HOLLY:
Who was in this car? What do you mean
he's walking the bridge? NICK:<i> The lady says
that the guy who was in</i> <i> the most damaged car,</i> <i> her exact words were
his brains were hanging out</i> and he was walking
down the bridge. <i> And I see this guy
walking down the bridge.</i> What the (bleep) is he doing? (sirens wailing) You all right? <i> Caught up with the guy
all the way down the bridge.</i> And luckily for him,
he had no major injury. <i> He was just really scared,
didn't know what to do.</i> You're all right, man. You got
a little scratch on your nose. Nothing else I could see. I don't know how that dude's
even (bleep) alive, man. The whole roof is stuck in the back
of the (bleep) dump truck -back there.
-I believe it. -KEELEY: Holy hell, man.
-NICK:<i> The passenger side</i> <i> of the Camaro
was completely destroyed.</i> -Wow.
-You lucky, man. Look at it that way.
It could've been a lot worse. It could be your brains
on the steering wheel, you know what I mean? And p... You could've had a passenger,
they'd have been dead. HOLLY:<i> As insane as this wreck
looks on the outside,</i> <i> everyone is completely
uninjured. So there's</i> nothing left for us to do here. KEELEY:
That's (bleep) unbelievable. I can't even...
I can't believe he doesn't... He... That dude doesn't
even have a scratch on him. I'll tell you what, when
it's your time to go, you go. And when it's not, you don't go. Every day you see it. Like, that dude should be dead. RANDY:<i> We receive a call
that two male subjects</i> <i> are possibly armed
in the Sixth District.</i> <i>So myself and a few other units</i> <i> are canvassing
the neighborhood.</i> <i> We have officers</i> on foot
near the apartment complex <i> where the call originated.</i> 1028. Black male. Son of a... Oh, (bleep). (tires screech) Back parking lot! Where you at? <i> I'm searching for two guys</i> <i> -who jumped out of a Hummer.
-Somebody get</i> -to South Miro.<i> -Need
to lock down this perimeter</i> <i> so no one can get in or out.</i> Put the (bleep) gun down! Got him. <i> Units on foot had one suspect
in custody as I pulled</i> <i> into the scene.</i> Give me your hands, bro. Where are the rest
of your partners? You don't know? Got 'em? Go ahead. <i> Another officer radioed in</i> <i> that he caught one
of the suspects hiding</i> under a school. <i> So at this time we have both</i> <i> suspects in custody.</i> Take a look in this car. Smell like weed in here. See if you see any blunts or
roaches in there in plain view. Right there. <i> These guys took off
from their car in a hurry,</i> <i> so we need to search the area
for anything</i> <i> -they may have thrown.</i>
-There's his hat right there. -That's his hat.
-He was the driver. -That's the driver with the hat?
-Yeah. I saw him. (whistles)
95, right there. There's the magazine. The gun is way up
towards the curb. You have to scoot down
to see it. That's a Hi-Point. (chuckles)
Worst gun ever. <i> We found one gun under a car.</i> -That's .38 Special.<i>
-Another one</i> <i> -in the grass.</i>
-You got a gun on your porch? <i> And one that was apparently
thrown onto someone's porch.</i> It's like he just chucked it up
the top of the stairs. All right, bro. Straight shoot, 'cause you got
one time to be on it. You ready? Okay, 'cause we found three guns. So why you ran? So you're scared
you're gonna get arrested? That's your story,
you're sticking to it? You sure you didn't have a gun? 'Cause see
all those big huge cameras over there? They all got
y'all getting out of that car and throwing those pistols. All right. Fair enough. <i> We're just trying to give him
a fair chance to be honest.</i> That's all I can do. They all get it. -Good job, buddy.
-(chuckles) NICK:<i> So, we get a call for
a dude that's seizing outside</i> of the Corner Pocket, which is
one of the bars in the Quarter. When anybody goes down, that's
what they call it. A seizure. -Overdose? Seizure. Diabetic?
Seizure. -Right. Right. -Stroke. (laughs)
-Seizure. Oh, that's not a seizure. HOLLY:
Oh, no, that's not a seizure. Definitely not a seizure.
This dude's crazy. Hello. (yelling) You're all calling that
a seizure? Okay, that's... NICK:<i> I see a dude rolling
around on the ground,</i> <i> screaming in tongue and
very loud, and you could tell</i> it was not a seizure.
Something else was going on. What do you think he did? (man yelling) <i> They called it legal,
but "mojo" is a name</i> for something synthetic
that's made for another purpose <i> that you smoke to get you
in an altered state of mind.</i> (laughs)
All right. HOLLY:
Like huge-huge? Like big-big! It's an alternative to marijuana
that people, you know, think it's safe
and it's-it's not. Come on, there we go. Hopefully he won't do that spaz
when we're picking him up. <i> Most of the time we see
somebody smoked mojo,</i> <i> you see a little bit
of bizarre behavior</i> <i> or altered mental state,
but you don't see a level</i> <i> like this-- this guy was
completely out the box.</i> <i> Medically and mentally.</i> Hey. What's up, man? HOLLY:
What's your name? (groans) You know where you're at
right now? -(groaning)
-All right. <i> There were some things he was
doing that was pretty funny.</i> But then, it was not. Ooh, uh-uh,
this just came up with a 60 over 40. I find it hard to believe it's,
that's his pressure, but... I don't know, dude. It's not pumping up past 90. <i> When I caught that blood
pressure 60 over 30,</i> it definitely went
straight into serious mode. -Okay, so give me
your stethoscope. -Yeah. What the hell did this dude do?! HOLLY:<i>
If he smoked it 20 minutes ago</i> and his blood pressure's
already 60 over 30, <i> this guy could potentially
go into cardiac arrest.</i> And likely die. What you got-- anything? I can't hear (bleep). HOLLY: Ooh, uh-uh, this
just came up with a 60 over 40. NICK:<i> This dude's blood
pressure is 60 systolic,</i> <i> which is pretty damn low.</i> Kid was about as close to death
as you can get without dying. -Okay, so give me
your stethoscope. -Yeah. What the hell did this dude do?! Mojo will actually kill you. <i> If he smoked it 20 minutes ago</i> <i> and his blood pressure's
already 60 over 30,</i> <i> we have a huge problem.</i> <i> Immediately we want
to give him fluids.</i> <i> We want to try to get
his blood pressure up</i> <i> to see if that
improves anything.</i> What you got-- anything? I can't hear (bleep). NICK:<i> Then he went
completely unresponsive,</i> <i> not reactive to light.
I pretty much thumped</i> his eyeball and didn't...
anything didn't happen. -Something ain't right.
-Yeah, but I can hear it now. He really is 60 over 30. Well, how about
we get this dude to Tulane? <i> If he turns any further worse,
he's probably gonna code,</i> <i> so obviously he needs
to go to the hospital</i> as quickly as possible. (siren wails) HOLLY:<i>
Had he been left</i> on that sidewalk alone, <i> his blood pressure probably
would have continued to drop</i> <i> until he died.</i> NICK:<i> I mean, I've seen
a few mojo cases,</i> I've just never seen one... -I mean, you know,
they go in and out. -Right. And you always
see that, and when they're in, they're bizarre, -and when they're out,
they're out. -Right. -But I've never seen one with
a blood pressure of 60. -No. -Did not expect
to see that coming. -No. And I just don't get
what people don't understand -about the fact that mojo
is really dangerous. -Mm-hmm. Like, that (bleep)
will really kill you. NICK:<i> New Orleans unfortunately
has a problem with</i> every drug there is,
so if there's a drug, somebody here is gonna be
stupid enough to do it. -Screw that.
That (bleep) is weird. -Yup. That blood pressure, though. -That blood pressure, though.
-Lord have mercy. DISPATCHER:
3239, 6249. Yeah, we on the road to a male who's been assaulted
and is unresponsive. Police are not on scene yet.
They didn't say how the guy was beat, if he was
hit with anything, you know, stabbed, shot. This looks like
some people up here. Y'all saw what
happened to him, baby? Okay. Y'all just
found him out here? Thank you. <i> It was apparently
right outside of a bar.</i> There was some kind
of altercation with a guy in the bar,
they came out. Got a lot of blood on his shirt, <i> blood on his head.</i> You hurting anywhere? Let's get a collar on him, baby. -DISPATCHER: 2350.
-I got him, baby. Lay down. Lay down.
There you go. What's your name? -(groans)
-What's your name? 49 Contact, Code 4.
We got to step it up a little bit,
he's gonna be a Room 4, baby, let's go.
Roll him. Check his back, baby.
Give me the head roll. Sir, you know where you at? -MAN: Yeah. -KEELEY:<i> A decreased
level of consciousness</i> tells me that there's
a possible head injury. So, nobody saw what happened,
they just came out and found him like this. One, two. What's your name? You know
where you at? What city you in? <i> We're not gonna
waste a lot of time on scene.</i> <i> We got to get him
in the truck and go.</i> He's gonna go to University. -We don't have
a name on him yet? -Mm-mmm. And we need to get
that shirt cut off. That way we can see if there's
an... I mean, he's got a lot of blood on him-- if it's just
from his head, or what. -You ready?
-Rock and roll. <i> That gentleman apparently
had been, uh, beaten up</i> <i> by unknown people.</i> <i> He was a trauma room
activation,</i> from some type
of possible head injury from the altercation he was in. <i> All those people
came out the bar, they said</i> they didn't see anything. So all those people
that were standing around, all them people
hanging outside the bar, <i> nobody saw nothing.</i> <i> It's sad. We all want
the violence to stop.</i> The neighborhood I grew up in. Almost got robbed
leaving this store right here. -That's the one you took off
running, kept running? -No. I ran all the way home. -(ringing)
-DISPATCHER: Arts. You got anything further
on those 94s? <i> Well, while patrolling,
we received a call</i> <i> about shots fired in a
residential neighborhood.</i> <i> We knew we were close
in the area 'cause we were</i> <i> in the Fifth District,
so at that point we</i> decided to roll
to that location. Put us 1097 in the area. -3432.
-(popping) -Oh, look. <i> As we got closer,
we hear the popping noises.</i> Sound like shots being fired. <i> At that point,
we're like, "Man,</i> <i> they still shooting, man!"</i> Ooh, they are... Put us 1097 in the area.
3432. <i> Well, while patrolling,</i> <i> we received a call
of shots fired</i> in a residential neighborhood. -(popping)
-Right there. Go around the other side. VIC: All right, we have
something burning. Can you start, uh, NOFD
to this location? (popping) A vehicle burn. P:<i> When we got close, we, uh,
saw that it was a car on fire.</i> <i> The burning vehicle
sometimes give off</i> sounds that sound
like, uh, gunshots. (siren wails) P:<i>
We kind of calmed down,</i> <i> knowing that this
is probably the incident</i> <i> people were calling in.</i> VIC:<i> We try to set up
a perimeter</i> <i> so that no one goes close
to that vehicle,</i> <i> and we let Fire do their job.</i> -(pops)
-Ooh! Just running out to, uh,
Arts and Peace Court. Little car fire out there. We check on our guys,
make sure everything all right. What if somebody's in the car? DAN:<i>
That would be bad.</i> <i> There's a lot of hazards
with working</i> <i>a vehicle fire for our firemen,</i> <i> so I think that's important
that we're there.</i> Yeah, they down there,
doing their thing. So the fire department already
really kind of had the car <i> pretty much under control.</i> <i> Fortunately, there's
nobody in the car,</i> <i> so we're kind of
just hanging out</i> <i> with Vic and P for a minute.</i> TITUS:
What's up, big time? How this little fire was? TITUS:
Oh, really? I got... The first time
I got robbed, I got robbed back that part. -Everybody got robbed stories.
-(laughing) I was just telling mine. I even got robbed
in high school, right there by the Winn-Dixie,
other side of Franklin. -You got you one?
-Nah. TITUS:
That boy from the country, man. I-I'm from God's country, ain't
nothing going on over there. That boy done grew up with a
silver spoon in his mouth, man. -He-He was not in the hood.
-Yeah, I grew up... Definitely didn't grow up
with no silver spoon. I ain't like you. You the Huxtables
out in the east with your silver spoon. TITUS:
Man, we about to get out. We gonna try
and save some lives, bro. Yeah, I'm-a get with you, baby. I'll be out, man. Hey, look, bro. Y'all try not to arrest
too many people though, bro. (laughing) Mine hasn't been chewed enough. Mmm, mmm, mmm, mmm, mmm, mmm. Uh-oh. -Aah.
-(laughs) Aah. I don't know why mine
will not blow big. You got to work at it. I'm on a struggle bus right now. -I'm on the struggle bus.
-I'm-a have more gum in my beard than I'm gonna have in my mouth. You're gonna be
Captain Gumbeard tonight. (chuckling):
I know. Aboard the struggle bus. HOLLY:<i> We get a call
for a two-year-old</i> <i> that the parents noticed
some swelling.</i> <i> She has some hives,</i> so possibly having
an allergic reaction. HOLLY:
Hi, what's going on? -WOMAN: She only ate,
um, noodles. -HOLLY: Hi. WOMAN 2: She ate some noodles,
like, earlier. WOMAN:
They had shrimp in them. HOLLY: Shrimp?
She might be allergic to shrimp. We're gonna take her
to the hospital, okay? HOLLY:<i> She's got a little bit
of swelling under her eyes,</i> <i> and I can see some hives
and redness on her skin,</i> <i> so I would call it, you know,</i> an allergic reaction,
definitely. I'm just warning you, sadly, we're about to make her cry. Why? Because we're gonna have
to start an I.V. on her and give her some Benadryl. You want to sit? -You can sit. -NICK: Let me
sit right over there, baby. Allergic reactions
and children are scary. Can I see this arm? <i> I know peanuts and shellfish
both can cause anaphylaxis</i> very quickly. NICK (playfully):
Oh, my gosh. Oh, my gosh, what is it? HOLLY (playfully):
Aah, I know, it's wet. -You see that? Wet.
-NICK: Yeah. -You're terrible at distracting.
-(imitates kissing) -Watch that arm.
-Water, treats, food. Water, treats, food.
Oh, my gosh, oh, my gosh. (child cries) HOLLY:
Oh, I know it. I'm so sorry. That's it.
No more, that's it. -Done.
-I'm so sorry! -It's all right.
-I'm not her friend anymore. HOLLY:
She ever had shrimp before? She had shrimp. Do you want to sit
in the big girl chair? <i> Allergic reactions
are so weird.</i> <i> You can have
that first initial one</i> <i> put you in anaphylaxis,
and you can die from it.</i> Let's go, um, one
to two milligrams per kilogram. <i> Or you could be one
of those people</i> <i> where you had that mild
reaction first, and then,</i> <i> if you come into contact
with it again,</i> <i> it's a little more severe,
and then,</i> more severe, until eventually, if you come into contact
with it, it'll cause you anaphylaxis. -(crying)
-Let me see. Oh, it's not gonna hurt,
I promise. (crying) That's it, no more. -NICK: It's okay, boo-boo.
-(coughing) -(choking)
-You all right? NICK:
Yeah, it's actually common for the throat to itch
a little bit right afterwards. Plus, with her being upset. She'll pass in just,
like, two seconds. -It's all that screaming.
-NICK: Yeah. -Okay.
-NICK: Here you go. HOLLY:<i> I gave her the Benadryl,
and, you know,</i> <i> she started to vomit
a little bit, which is fine.</i> <i> That's a normal</i> side effect,
especially for kids. -It's okay, it's okay.
(coughing, choking) DISPATCHER:
3234, go ahead. HOLLY:<i> Still, you know, watching
this cute little baby vomit</i> <i> and get a little shaky
from the Benadryl--</i> it makes you a little bit sad
to be the bad guy. It does. You want to hold her
for a second? Would that make you feel better?
Okay. -(crying) -NICK: Now, look,
she might get a little tired, -too, okay? -HOLLY: Yeah,
she's gonna be super sleepy. NICK: That's pretty normal,
so she might actually even go to sleep, all right? HOLLY:<i> Anytime we get,
you know, such a sweet,</i> <i> you know, pediatric patient,</i> it's like a little break. What kind of birthday party
is she having? Mickey Mouse Clubhouse? Your skin looks better already. You're gonna be perfect
for your party tomorrow. You're welcome. <i> You know, you're dealing
with grumpy adults,</i> or very sick adults, <i> and so, to get, you know,</i> <i>that little breath of fresh air</i> <i> and to just have the chance
to laugh with a child,</i> <i> and, you know, play with them</i> <i> a little bit
and things like that--</i> it's definitely a break
in the night. Why are you so cute? (siren blaring) (sirens blaring) KEELEY: All right, we got a male
that's been shot. He's supposed
to be in a red car. PD's on scene. Oh, there he is. <i> The car is just riddled
with bullet holes.</i> Get your stretcher. KEELEY: All right,
we got a male that's been shot. He's supposed
to be in a red car. PD's on scene. Oh, there he is. <i> The car is just riddled
with bullet holes.</i> Uh-uh. <i> I see the victim
in a kneeling position.</i> <i> There's a pool of blood.</i> (grunts) <i>So, I throw the monitor on him,
and he's pulseless.</i> <i> He wasn't breathing.</i> Get your stretcher. <i> He was in a pulseless
electrical activity rhythm.</i> The heart is not beating, but there's still electricity
going through the heart. Let's go, let's go,
let's go, let's go. He was in PEA
of, like, 58, baby. Don't worry about all that. <i> This is where that
life-before-limb comes in.</i> <i> I'm not worried
about securing his head</i> in case his neck is broken. I'm not worried
about all of that. Hold up, baby, hold up. <i> We need to start CPR</i> <i> and get him
to the trauma center.</i> Not too high, not too high,
not too high. <i> We have ten minutes
to get all that done.</i> Ten minutes or less. All right, baby,
let's get that on him. Get that oral airway in,
there you go. <i> This is someone's child.</i> <i> You know, this is someone's
brother, someone's dad.</i> <i> So, we just have
to do everything possible</i> <i> to save this guy.</i> All right, now we in...
we in the cords now. Go ahead, bag him, baby. Keep bagging him
till we tag him. Where's he shot? -Left thigh?
-Yeah. That was it?
That's all we found? KEELEY:
Hmm. All right, baby. Hey, doc, we're right
with about a 22-year-old male. He's got, uh, only gunshot wound we could find was
to his left thigh. Pulseless, apneic. He was in a PEA rhythm of 54
when we got to him. Uh, they're about,
maybe five or six minutes out. <i> Even though
it doesn't look good,</i> <i>there is still some electricity
going through his heart.</i> If anything's going to save him, it's gonna be surgery
for traumatic injuries. -It must have hit
that femoral artery. -It had to. Yeah, they shot him
with something big. You think it was an AK
that shot him? Mm-hmm.
That'd make you bleed out quick? -Right.
-Yeah. KEELEY:<i> I found out this morning
that the patient we treated</i> <i> last night for a gunshot wound
to his thigh</i> did not survive his injuries. <i> His family is participating</i> <i> in a second line.</i> <i> You know, down here,
we-we celebrate</i> life and we celebrate death. <i> I just want to show support</i> <i> to not only the family,
but the community that,</i> you know,
we're all in this together. (indistinct chatter) -Hey! Hey, I'm Keeley.
-Oh! -How you doing?
-I'm-I'm doing-- -Oh, my God.
-Thank you so much. I wish we could've did more. I'm so sorry. Thank you so much. Y'all are out here
for a good cause, though. How you doing?
You doing okay? -No, I'm trying.
-I hear you. Taking it one day at a time,
but thank you so, so much for all your efforts to... do
whatever you can do to save him. I really appreciate you. KEELEY:<i> This was
the first time in 15 years</i> I've ever met the family <i> of one of my patients</i> <i>that died from a violent crime.</i> So, it-it was nice, and it was
something really different, and it really touched me
and meant a whole lot to me. Y'all going to march with us? Yeah, if y'all are marching,
I'm down. She says she's down.
(laughing) I'm down.
I would love to. ♪ ♪ Got to keep it going, keep it
going, baby, hang in there. <i> The city loves second lines.</i> <i> But we want to make it
to where the second lines</i> <i> are for happy occasions.</i> <i> You know, birthday parties,
weddings.</i> <i> Second lines for the victims</i> <i> of violence far outnumber</i> <i> the happy second lines,
and that's got to stop.</i> <i> I've been doing this
a long time,</i> <i> and it's been
going on in this city</i> <i> for longer
than I've been an EMS.</i> <i> I-I just want
the violence to stop.</i> <i> At some point in time,
something,</i> <i> something has to give.</i> CAPTIONING PROVIDED BY
A+E NETWORKS