MY (Traditional) DRAWING PROCESS! | Making A Marker Illustration From Scratch

every artist has a different way of drawing the same thing [Music] which is incredible and today i'm going to show you how i draw a finished illustration from start to finish hello welcome back to my channel wait coffee plants now i feel complete hello welcome back to my channel hope you're doing well over on my instagram i asked you guys if you wanted to see my drawing process for my traditional art first or my digital art and an overwhelming majority wanted to see my traditional art process if you wanted to see my digital art process don't worry that's still going to come at some point i'm going to show you today how i just make an illustration from start to finish because you know in this illustration i'm going to be using copic markers because that is what i most use in my traditional art but let me know if you're interested in seeing how i work with other materials got a brand new kneaded eraser forgot about that so a lot of the stuff that i talk about in this video can also be applied to other materials the sketching is pretty much the same for any medium i use and then the line art if it's a medium that requires line art and it's the same there too but if you want to know how i use other materials let me know because i'd definitely be happy to share it with you guys the first step that i do i actually did off camera because to be honest it's not very interesting and that it's making drawing thumbnails this isn't something that i do for every finished illustration but it's something that i do for a lot of my fitness illustrations specifically in videos if it's just a drawing for me i usually don't do thumbnails just because i don't feel like it drawing thumbnails is a really important thing it just helps you play around with different ideas and if it's like a bigger piece helps you play with things like composition and maybe even lighting depending on how much you work on the thumbnails so yeah i have some i can't my tripod's anyway dear lord oh don't spill the coffee i have some thumbnails here they're not very interesting they're very quick they literally take me not even a minute each normally i usually just throw some scribbles on paper and then if i don't like it i throw more scribbles on paper until i get some scribbles that i kind of like and then i play around with those ideas so there we go so yeah feel free to grab your sketchbook grab a warm drink i've got my coffee and just hang out with me for a little bit and draw it'll be fun hopefully i promise maybe i shouldn't promise that so yeah once you get your thumbnails done it's the sketching part i just threw my it's fine now the way i started sketching it's extra as hell i have three different pencils that i use i just want to make it very clear this is absolutely unnecessary again i'm just extra as hell so this is what i do in my digital art process i usually have three different sketching layers and then on the first layer i'll have a really thick brush that i'll use to just block out a pose on the second layer i'll use kind of like a medium sized brush to block out the more defined shapes so like it's i'm usually drawing a character i'll use it to block out like the character's hair and clothing and everything and then i'll use an even smaller brush to refine it so i thought let's translate that into traditional art so i have these these are mr pen pencils in case you're wondering it's two millimeter point five millimeter and 0.3 millimeter again absolutely unnecessary you don't need to do that i used 0.7 for the longest time and then i used just 0.5 for the longest time also the paper i'm using this is just plain card stock if you're using alcohol markers i recommend cardstock for just a very cheap kind of alternative to marker paper i guess i have used marker paper so i can also recommend that i've also used bristol board i can recommend that erasers i have both a regular eraser and a kneaded eraser as you saw this is a faber castell brand this one's brand new and then this i don't know the brand of but honestly as long as an eraser erases you don't need anything fancy i use both because a kneaded eraser is great for lightening up a sketch so if you are sketching in phases like me or if you have a part of a sketch that you don't really like and you want to fix on that specifically this is really great for lightening that up but then this actually makes the pencil kind of disappear to actually get to drawing shall we whenever i'm making the finished illustration i always have my thumbnails nearby i have it off camera and then i'll go for it the reason i sketch the way i do where it's in like the undigital art it'll be layers i kind of just say faces i guess for traditional art so then that way i'm very loose with it if i focus too much on pinning down finer details too early on the drawings come out very stiff and also let's say i work really hard on the head and i work on refining all those details and then i draw the body the head might be out of proportion and then the rest of the body looks weird but then also i spent all that time on that head so i don't want to erase it so this just helps me not only make things more loose and flowy but also just helps me place things in the drawing so i don't have to worry too much about fixing them later and just real messy with it and then when that's done i can move this guy over here take our eraser make it into a little worm and then we lighten this up and now that we have this general gesture down focus on making the character now this is where i start focusing more on defining the features a little bit but still i'm not too worried about pinning things down exactly like here i'm starting to carve out the silhouette of the face but i'm not too specific with it i'm just still very loose it's also where i start erasing more often i very rarely erase in the first step because again it's very loose and very flowy here i'm still not trying to make things perfect but i'm starting to make them a little bit more refined so there's a little bit more racing involved and then the final sketching phase part thing that is when i start erasing the most and trying to actually finalize things a little more and also as always i have not warmed up i'm really bad at practicing what i preach warm up before making a finished illustration it'll help you so much i just never do that so don't be like me and warm up when i'm in the different stages of sketching i kind of work at different speeds like in the first thing where i was just blocking out the pose i was really really fast and quick and loose and here is still kind of fast i guess but i'll just a little bit slower and then on the third sketching phase i slow down a lot and really focus on the details here i'm still essentially just blocking in shapes just more specifically to the character rather than just a general body reference reference gesture don't know why i said reference that's a good reminder though use references having a difficult time with this hand i think that's a little bit better when i'm sketching this character on top i'm still very much keeping in the first sketch layer in mind i don't need to follow it exactly like if there's something i don't like about it of course change it it's more of just like a point of reference to draw the character on top of rather than a clear-cut guideline of this is what you need to do once that's done you go to get your little eraser guy again if you don't have a kneaded eraser i'd very much recommend one and then we use this as a sort of reference for the details we're going to be putting on top this i guess would be another reason why thumbnailing would be important so for me i'm drawing a character that i've had for years now so i'm very familiar with her design but if you don't have any sort of original character and you're making an illustration of a person thumbnailing can help you figure out the details of that person okay sir can you not mow the lawn right outside my window am i gonna have to pause filming if you can move somewhere else that'd be great i think the ear needs to be brought in a little bit closer i need to study where years ago i always think i know but the last i do not ah so yeah in case you guys are wondering when my letter was break so often it's because i'm using point three millimeter lead stop mowing your lawn okay this guy in this lawnmower is really getting on my last narration the grass doesn't need a haircut [Music] sir i'm gonna let that resolve i'll be back when he's not directly outside my window okay does that sound good thank you he's away now i think i mean he's mostly away back to oh no i spilled coffee it's okay this is fine it's okay everything is a okay everything is fine it's gone now see now let's actually continue now i have to make the decision of do i make the floof go off the page or not it really didn't account for having to cut the top part off now the composition is ever so slightly strange but i guess i can deal with it when i do line art i usually add a hatching effect which is why i start adding a little bit of i start add i start to add a little bit of shading with the pencil just so then that way even if a lot of it does get lost i can use it to help me decide where the hatching will go and then you click your pencil a ton because the lead is broken this is some excellent content huh then you could just continue drawing so you always do i don't know i don't have anything else to say at this point the rest of the sketching phase is just this it's just chiseling away at stuff the sketching part tends to go by at different paces for a lot of people sketching does tend to take me a little longer because of the art style i have i really like a bunch of finer details in my art so if you have a more simplistic art style this will go by a lot faster for you and also i don't want people to take that and just think that like a more simple art style is quote unquote worse than an art style like mine where i put a lot of detail in it because that's just quite simply not true there's a lot of other aspects of art that's not just detail whenever i'm adding in smaller details it's kind of important to remember not only the shape of the thing i'll explain what i mean with that in a second but then also the angle that things are at for this part right i'm drawing i can get it right i'm drawing the cuff of her jacket and so it's over her arm which is a very round thing so i have to make sure that it wraps around the arm in a way that sort of makes sense and then also her body is sort of tilted this way so like the angle of her shoulders is like this rather than straight so just like this you would see a little bit more inside the cuff of the sleeve but then down here because her arm is going back this way you wouldn't see inside of the sleeve at all with stuff like that it's really important to keep in mind because you might have a clear picture in your head of what angle something is at but stuff like that can really give it away and make it not look like it's at the proper angle if i drew this more like straight i guess it wouldn't give off the impression that the arm is at the angle that it's at you know that that sounded like a big garbled word mess but i hope you understand what i mean i don't color in darker shades with line art but i do color in like darker shadows so like if something is black i wouldn't color it in with my liner i would color it in with like a dark gray with whatever material i'm coloring with but there are some shades that are like the darkest shadows in the drawing i'll color in of the line art so like right here and then here and then in the hair those are things that i would color in with the liner right now i'm focusing on like so right now with this arm i'm worried it doesn't look like an arm because this is very curved like right here instead of being more straight i guess because of where her actual arm is and the bagginess of both of her sleeves and the angle that everything's at it would kind of make sense logically it would make sense but also visually looks kind of strange so there are situations where even if something makes sense you have to change it for the sake of it looking not awkward not all the time sometimes it just looks awkward because you aren't used to seeing something like that real life doesn't always translate to illustrations so nicely so in those situations you would have to make those adjustments adjust adjustment adjustments i can't talk it looks a little tangy you are unaware of what tangents are so you see where this thumb was in terms of like where the cuff is it kind of fits perfectly in that little like angle right there you don't want that because it looks a little awkward whenever you catch something like that it just makes some adjustments at least in most cases with art i'm always reluctant to say like don't do this don't do that because even if there are quote-unquote rules to art any rule in art can be broken if there's a purpose for breaking it so there are a lot of times where i can say like this composition seems to cramped but sometimes you would want a cramped composition depending on what type of mood you want to give so i'm always reluctant to give like solid advice i guess i'm always like do this but also don't sorry if it's very unhelpful okay for a coat filling back with what i like to call anime wind there's no actual wind but there's wind for the purpose of making things look dramatic and cool so that's what's going on in this drawing it happens a lot in my art i guess you would kind of see the other part of her coat peeking out behind here a little bit i don't know if this right here makes sense but i mean it looks cool for now i'll keep it and it'll probably stay that way because you know i think this would be at a different angle because of how her body is tilted i think this would be more up here i think her whole body should be shifted actually let's see if that's there that should be there i think this is a little better i think that's a good sketch this space right here one thing i do a lot with my illustrations is i fill it with washi tape and this is like a spot where i would wash it now we take our kneaded eraser for the last time in this illustration make it into a worm once again and then we lighten up the sketch for the final time i do this just because it helps me focus a lot more on the line art for all you digital artists out there this is basically the equivalent of turning down the opacity on your sketch layer or layers if you're real fancy maybe even a folder what i use for line art differs per drawing really so i'll show you a couple of different line art stuff that i use liners that i used to use all the time but honestly very rarely use now are these ones it's the copic copic copic multi-liner sp code a bunch of different sizes and then these specific ones are refillable the reason i don't use these as much anymore is because they're black ink and i don't use a lot of black ink anymore i'll talk about wine a little bit they used to sell these refillable ones in various colors but those have been discontinued so i don't i don't use these anymore i'll sometimes reach for them but it's very rare that i do sometimes what i'll use is i'll use these sepia microns again i have these in a whole bunch of different sizes these work just fine i like them these are very popular amongst artists and for good reason they're fairly affordable and waterproof and ink proof and all that fun stuff and i think the ones that i use the most nowadays are these copic liners these ones are just called copic multiliners these are in sepia i like these ones because they are a lighter color than the micron sepia but if you don't want to get these because these are a little bit pricier if you get microns in brown rather than sepia it's the same color as this or like a very similar color rather i like the color and of course as the name implies they work well with copic markers also one more liner recommendation i forgot to mention here i've used staedtler multi aligners i don't know if they come in colors but i've used a set of black fine liners and they worked pretty well so there's another option for you i normally use a couple of different liners in my illustration so normally i'll have a pretty constant liner color for the rest of the illustration i'll have a thinner one for the hatching and then i'll have a thicker one for like filling in shadows and then sometimes if there's like a really big spot like this one i'll have a even thicker a even thicker and even thicker one on standby then i just i just go for it the reason i don't like using black liners a lot anymore because i like the soft look of other colors since these colors are very very light it gives the liner a super soft look but even with just like these ones these micron sepia ones even if the color is darker it still gives it a softer look than if you were to use a black liner but again it's all personal preference there's literally nothing wrong with using a black line art in terms of switching between them i normally just do it as i go along like i could use this one and just outline everything that i would outline with this one and then go back with the other stuff but i finally just forget stuff because small brain so i just switch between them while i work aside from the hatching in the liner what i like to do is i like to leave a lot of gaps in my line art even with just this you can see there's a lot of places where i don't close lines and i just find that helps to make things a lot more just a little bit looser i guess i don't know how to explain it i think i've tried explaining this on my channel before and also i failed i try my best instead of it being like a solid outline of something it's more of like an implication i guess so like obviously this is pretty harshly outlining something but it's like not a full outline i don't know how to explain it somebody who's better with words try to explain it for me but i just find that it makes things again look softer and a little bit more lively than if i were to use a lot of clothes lines i think a lot of people tend to stress out over doing line art for me it's just more of like a mindless thing that i can do because the sketch is already there and i'm just going over all of the stuff i'm already doing that didn't make any sense because i'm going over the stuff that i already did i i don't know i find it kind of relaxing so a lot of the time for lips a lot of the definition i'll put in by coloring this one's a little bit different because it's a side profile so i do have to define the lips a little bit more but if it's like a front-facing view or like a three-fourths view i'll sketch the lips out but then when the line art comes i usually only will draw like the line of the mouth i guess and then i'll draw the lips in with color because of the way i do line art it can sometimes take a pretty long time but personally i think it's worth it i think these things just make a line art not only more enjoyable to do but also more enjoyable to look at let's draw this hand first because it's on top of the other stuff using the thinner liner i'll also add in some more subtle details i guess on the hands for example that's when i'll add the tiny little wrinkles and the fingernails and such hello is this your kneaded eraser i gave you a needed eraser with that no this is not that mine is in my room well that must have been the needed right that you lost then we have a phantom kneaded eraser when i do a line art some people say that you have to draw really fast some people say you have to draw really slow honestly personally i find it just depends on what line you're drawing you might also notice sometimes i'll like draw and then i'll flick it out that kind of gives a similar effect to like you know how if you're drawing on a computer like drawing digitally and you have the pen pressure sensitivity it kind of gives a similar effect as that and that's also the same reason why i'll use several liners in the same drawing because having line width variation is a tip i see a lot for digital artists but it's not something a lot of people seem to talk about for traditional art i also find it a little bit easier to do line art when i draw towards my body i feel like i have a little bit more control when i move downward it's okay zola you don't need to bark at ever you don't need to bark at everybody you don't need to park can you let me finish damn oh my god that was almost bad how did i get coffee over here my favorite art medium you you're the culprit get out of here no one invited you i'm about done so now we move on to the coloring phase okay i finished drinking my coffee off camera so hopefully this doesn't happen anymore i also erased the pencil off camera because like it's that's boring i always take my markers out before i start coloring just because it's a little bit easier to reach for the colors i need i know exactly what i'm using it just saves me some time later so then that way once i start coloring i can just get right into it i have my handy dandy chart copic has a printable chart that you can just print out and color on but even if you aren't using this and you don't have like a pre-made chart i would recommend just charting them anyway and swatching them preferably on paper that you're also going to be using so this one's printed on card stock because the caps are a little bit different a lot of the time from what the colors actually look like and even on a printed out color swatch thing that usually comes when you buy markers even though whether those colors print are a lot of the time are different than how the ink looks it also think can look different depending on what type of paper you're using it on there's a lot going on so swatch them out on the back here there's even some swatches of markers that aren't copic these i have a review video coming out soon stay tuned the way i pick colors since this is a character that i have already made and she has like a color scheme it's a little bit easier to pick colors for her so if i'm coloring a character i have i'll pick their colors i'll have a skin color a highlight color and then one shading color usually two and i'll also have one similar color that i'll use to shade with throughout the rest of the drawing a big common one is this e4 it's like a very purpley sort of brown but that one's kind of dead so i'm not going to be using that one sometimes i'll have a couple different ones it really depends on how dark the shade is so this is the one i'm going to be going for and since that one's a little bit darker i'm going to add that in the darker shades and then i'll have let's see let's go with that one it's like a lighter one and add that and lighter shades i do that just because like not only does it make the drawing a little bit more interesting to look at but it also helps make the colors blend a little bit nicer together i think i'm actually going to take out a couple of these because i think my copics of these colors are running a little dry on ink i also have my copics sorted out by these rubber bands by like the color groups and everything and if you don't want to go for the big boy copics because money they're very expensive there are some other brands that i can recommend in the back here i have these tombow alcohol based markers which like i said i'm going to be having a review video coming out soon i'm assuming it's going to be coming out after this video and then i also have some prismacolor and spectrum noir these ones right here personal color and then these both are spectrum noir both pretty good brands i can recommend both of them i personally have not used oh hoo markers but i've seen those recommended quite a lot but also another thing i want to point out is yes these copics have a lot of them but i want to make it very very clear i've collected these markers over the course of years this isn't something that i just sat down and bought the first time i bought copics it was a set of like six for a while those are the only copics that i had don't feel discouraged when you look at this and be like wow a lot of markers because yeah it is but that's because i've been buying copics for years i would usually just pick out a couple at a time whenever i found myself having a little extra money normally when i color i'll start with the skin i don't really know why that's just what i tend to do there's no reason for it i just always gravitate towards the skin to start with regardless of what i'm coloring whether it's the skin hair clothes whatever i'll add the highlight color and the base tone at the same time i like to have my highlights and my base tone a lot more blended in than i tend to have my shadows and so i add them at the same time so i'll start putting down the base color and when i color you'll notice that i'll switch between going in little circles and little lines to like feathering this out when you feather it out like that it just makes it easier to blend coloring in more small areas and in the little circles and feather-ness i don't know if that makes sense coloring in smaller areas like this helps get the colors to be more flat and smooth than feathering it out it's better for blending dark color sometimes if you go over a darker color with a lighter marker it'll lift the color a little bit which is why sometimes you need to go back and layer on top again and then i have the lips for the lips it's nothing fancy i usually just go a color darker and then add shading later on boom lips still kind of getting used to drawing lips in my art style so there's not a whole lot i can say about that it's always important to keep in mind a light source now i'm really shitty at doing that i definitely try it is an effort that i make but it's very easy for me to forget when you don't keep a light source in mind things can look okay it's not a make or break sort of thing for a drawing but it just helps to make things look more cohesive i just feel like i should put some paper on underneath then i blend it out some more then i gotta go and layer some more i'll take our shading colors and then i just layer on top honestly i mostly just put color down where i think it would be which might not be the best thing to do but here i am doing it let's cover her eyes really quick it's cuz they're right here this is the only yellow in her design so can i use this to add like some blush yeah that's not working out yeah it's just a lot of this this is a part of the reason why i have so many markers i use a lot of layering and a lot of blending so more markers are kind of necessary i guess but it really just all depends on what style you have another thing you might notice is that sometimes when i color i'll like i could demonstrate on this i'll like push it down and then flick i just like the way it looks there's that's all there is to it i like how it has that like harsh edge to it i mostly do it in hair but you can also see me doing it here on the fingers my drawing process can vary a little bit depending on what material i'm using but there are still general rules that i like to keep in my art even if i have to apply things differently to get a similar effect i still try to keep a similar style which can be surprisingly difficult when you're working with different materials let's actually do her sweater vest next because it has similar colors to it and yes same sort of rules apply to the clothing i'll add the base tone and the highlights at the same time then i'll go in with the shades i guess from there i'll add the grays and the blacks to add some of this tone it's actually edit just right here lay the gray over it anyway which should tone it down and run then you layer the layer and we layer and then we land i needed to get a refill for that brown i was talking about earlier it's still like this within the same purplish thing so it gives off a similar effect but it's a little less saturated so it tends to blend in with the colors a little bit easier and then for this darker color i have a black marker now i very rarely use black so i'll either apply it very lightly and then go into this dark gray and then blend that out or i'll do this other blending technique where i take both of them and i touch the tips together low-key inappropriate to be honest but then that lets the inks mix a little bit on the nib of the marker and lets it blend a little bit easier if you haven't guessed by now i really like to have a soft look to a lot of my drawings and using black just is it's such a harsh color so i really try to avoid it i don't use colorless blenders you've probably noticed by now honestly they're not really necessary but a big misunderstanding with them on how to use them you actually put the blender down first and then put the markers on top if you put a colorless blender on top of marker it'll actually lift the color rather than blending it but as you can see it's not really a necessary item button that out let's add this pink i need a refill this is not going to last welcome to my copic refilling tutorial take the cap off take the other cap off pull out the chisel nib and then just pump it in there baby you can also leave the chisel nib in and just like have the ink on there it takes a little bit longer to fill it that way and also i have baby wipes it's very effective at cleaning up alcohol stickiness i don't know why i don't know what's in these baby wipes but they're very useful so i recommend grabbing some but just like that markers filled and ready to go i just realized i forgot to color in her sleeve silly me so with markers i tend to work on a much smaller paper size it's just a lot easier to get flat colors with a paper this size this is actually this is a regular eight and a half by eleven piece of cardstock that i cut in half as you can see the chisel nib is meant to cover larger areas but that being said it's still quite small so i normally don't recommend working on a on a piece of paper bigger than eight and a half by eleven don't get me wrong there's still definitely ways that you could work bigger with markers just takes a little effort this one's also running out of ink dear lord i don't think i have a refill for this one though welcome to my youtube channel all my markers are dying simultaneously what are you doing now kind sir can you not this boy is outside tools the audacity how dare he try and keep the outside nice and tidy for everybody the disrespect i think that's just about it for the coat i don't remember if this is running out of ink or not and it is what do you know oh i forgot to color in her headband i'm an incredible artist who never forgets anything i just realized i forgot to color in her sleeve also i think this is a great time to say don't be afraid to use several different materials in a piece up until now i've used only copics but now i'm using tumbler brush markers it took me a while to figure that out and it's like of course that's such an obvious thing i don't know i feel like it's something that you don't really think about so yeah don't just try different brands experiment combine them together when i color hair i'll color in like one solid block like that and it'll go up and i'll feather it out and then in that white spot look at the highlight color and just blend it out similar to what i've been doing before it's just how i like working to be honest it's probably because of fairy tale if you've seen the manga art style there's something similar in there and i used to copy the fairy tale art style a lot when i was younger so a lot of my art habits came from that since this is the inside of her hair it wouldn't have any highlights now with hair i like to go back to up here and darken this up and then blend it out i really love the contrast between the shade color and the highlight it just makes everything look extra shiny is it something that i overdo in my art possibly am i gonna stop absolutely not i wonder if i should use this one oh my god wonder if i should use this one for an even darker shade layer over it oh mark said let's layer over this again there we go hair is colored and thus we can end the marker adventure so long as i stop touching things up which it seems like i'm not a couple more steps i do first colored pencils totally unnecessary step this is just some finishing touches i like to add if i don't add blush with a marker i'll add it with colored pencil similar to how i take water to markers and edit throughout the piece i'll take one or two colored pencils and add them throughout the piece it's mostly just in the shadows sometimes i'll add colors to highlights i'm using prismacolor color pencils these are the only colored pencils i've ever really used to be honest but i'm sure there's a lot of good alternatives out there if you have any good colored pencil alternatives let me know for the colored pencil there's really no rhyme or reason where i put it basically it's just when i'm looking at the drawing anywhere i think it would look good and that's it after that i'll add some white highlights i use the uniball signo white gel pen it's my favorite that i've ever used i've never used a better gel pen i know that the what's it sakura gel pens whatever they're called jelly roll that stuff i know that those are quite popular honestly i don't really like them they are a little bit cheaper so if money's an issue then that's an option most of the highlights end up going in the hair but sometimes i'll add i'll add these lines across the edge of something which is just a similar effect to like rim lighting no it's the other unnecessary step of adding washi tape i have a lot of tape but i do like adding it it's really i think it's a nice touch i'll look through my collection i'll find a bunch that i think look nice and then i'll narrow down my options i usually don't pick any more than three more typically there's two i really like how these moon ones look basically i'll just use them to fill up space so like right now i'm going to put them right here on the sides because there's a lot of empty space there so i'll take an exacto knife taking my scissors and then i'll also just kind of play around with the different layouts of it so i think i want to have one long one along here bend this over the edge and i'll take my x-acto knife it's not difficult at all to cut through the tape without cutting through the paper because washi tape is super thin it can sometimes be hard to see through so like this one was kind of hard because it's very dark but since it's a lot thinner it's a lot easier to guess where the line would be last but not least i sign it there we go here's the end result i hope that you enjoyed it my light is blinking red so i'm going to have to i'm gonna have to end this now let me know your thoughts on this if you have any questions about my drawing process feel free to leave them in the comment section down below i'd be happy to do my best to answer them i can't get to every question but i'll try my best and if you're new here hello i'm oliver i post a lot of art videos on this channel i post a video every single wednesday and other bonus videos whenever i can if this is the first video you're seeing of mine feel free to stick around i really really appreciate it and you can also follow me on social media which will be on screen now and linked in the description box below i'd recommend following me on instagram because that is where i am most active and that's where i post my art other than youtube obviously and there will also be some videos on screen now and linked in the icon for you to check out if you want thanks so so much for watching and i will hopefully see you next week goodbye

Channel: Oliver's Antics

Views: 47,397

Rating: 4.9825177 out of 5

Keywords: art, drawing, sketchbook, illustration, artist, traditional art, copic markers, alcohol markers, drawing process, sketch vlog, oc, original character, character design, olivers antics

Id: JmFxAEKKdqE

Length: 35min 42sec (2142 seconds)

Published: Wed Sep 23 2020