Revamping your whole live stream channels
artwork with only free your resources while learning a little bit
about graphic design in the process, can you imagine
that you don't have to imagine because that's exactly
what we're going to be doing right now, but I understand for some of you,
the work is a little too meticulous and you don't have the time. You just want something
that is ready to go. Well, the good news is
that you can go to own3d.gg/gaellevel if you want to download like overlays,
banners, profile pictures, avatar makers. They have an emote maker
where you can create one character that looks like you and an owner
will automatically generate the rest . Even better, they have pre-made animated emotes
because, you know, recently a lot of people got access to animated
emotes. Boom. Here's your chance
if you want sub badge bit badges. All of that is available
at own3d.gg/gaellevel. To be honest, you can do both, but let's bring it back to the creation
of overlays yourself. This is actually the second time I'm recording,
I am pleased with this result, but I have to delete it because it took me
52 minutes to actually make it. So I'm going to try to go way faster
or explain stuff way faster. If you want access to this right now,
it's going to be on my Discord server, which is linked in the description. OK, but yeah, say bye to this one. Click New Boom. OK? We're going to start with a new actually,
let me show you what it looks like. So we got a photopea.com. This is the website
that we're going to be using. Once again, it's completely free. You're going to have some ads. I don't have ads because the cool people
at Photopea decided to basically give me premium access. All right. So we want our canvas to be 300 dpi. We want it to be 1080p 1920 by 1080. OK. We want the background to be black let's
Click Create. Let's press G for the paint bucket tool. We're going to hold the click
on the paint bucket tool to bring the actual paint bucket tool. We're going to click here and find a light
gray just like that. Of course, you want to ask yourself
what exactly I just clicked. What exactly you want to show. I want a text that says starting soon,
I want a little place for the chat and I want a labels bar
that goes with my starting soon. OK, so let's start by creating a new layer
just to make sure that we don't accidentally draw
anything on the background let's click on the rectangle tool,
make sure it's the rectangle tool and we're going to have, like rounded
rectangles is the look that I'm going for. So 15 for the corner
radius of my rounded rectangle, the more you go,
the more rounded it's going to be. So let's do this and let's create this. Let's actually
bring everything in this time. I do. I enjoyed the short look like that
the anamorphic look, if you will control a in order to select everything, press V
in order to go to the move tool. And then you can align the vertical,
the horizontal issue album. There you go. And the control +
d to deselect everything. Double click on the icon of the layer
in order to when it's a shape. Basically,
in order to change the color, click OK, and we like what we have here now.
We going to create
the chat. I'm going to go back to my rectangle tool
and I'm going to click. Maybe I want them. You know what?
Maybe I want them overlapping. All right, let's let's go wild. All right. Let's break some rules in here. Overlapping chat, just like that release. OK, that's nice. You might want to make chat slightly
a little lighter, slightly boom OK, I like that. OK, cool, cool. Cool. And now we're going to create
the rectangle for the labels bar. And maybe we wanted to be. Maybe you wanted to be aligned to the left
or to the middle. It doesn't matter, but left side feels right
since we have the overlapping chat now. OK, we need to bring in a couple
of a couple of icons for the labels bar. So we're going to need whatever you want to show
if you want to show follow donation sub. So heart four follows a crown,
maybe for subs or maybe a star for subs works and for bits you need like
the actual shape of the bits . You can go to Google and find images
with transparent backgrounds. I cannot speak and the same thing for a socials
because we do want to show some socials here,
so I'm going to click on a text tool. Right now
I'm using the font called Furore anyways, and we're going to click
with the text tool. We're going to click somewhere around
here. I'm going to type starting soon, and then we're going to select all of its drag on the "size" Word boom,
just like that. Click on the color here and make it white. Go away from it in order to click and
move it while you're on the text thing. Or you can just click on and move tool.
It's underneath everything. That's why we don't see it
so we can drag it in the layers here. The order of appearance is just like OBS the order of appearance
is the same order in the list basically. OK, so that is pretty cool. I like it. We can start maybe
shading a couple of things, but I want to work on the background
a little bit more. So I'm going to click on the background
and create a new layer. Press B to bring up my brush to make it
super huge. Make the hardness
super low. Make it huger. Let's go with 2000 bomb. You can hold Alt on your keyboard. You can hold control on your keyboard and then scroll down
in order to zoom out in Photoshop. And we actually want to
maybe choose a color at this point. I think that would be cool. Previously,
I chose like a gradient between light blue and the Mint, and
I think that's a pretty fantastic color. So let's go with that. I'm going to go with the blue here
for that gradient, and maybe I pick the blue on this side,
but it didn't pick the blue. So let me control Z, go back here
and actually go back up here. And actually, actually,
I was like the blue boom. All right. This way, it would look like we can see how much effect it has,
so I'm going to wait. It keeps alternating between control
and alt for the Zoom. Anyways, control are all done in mouse
scroll. I'm going to go way down. We wanted to be slightly subtle. Let's click on the color again and let's
bring it down to our mint green and. Just like
that, now, we can lower the opacity just like that, I think that's cool. We can create a new layer and go
white this time, and we're going to put like a gradient at the top was click
until we see some results. But I want this to be also pretty wide. Now where if we can see the lines, we can go ahead and it's
either not going to be that visible. So you don't worry about it.
But but we're good. We're good. Let's zoom in again. Alt works this time, OK? I actually want to lower the opacity
on my background rectangle there rounded rectangle. So I'm going to click on top of the layers
force lower the opacity just enough for it to go through for the
for the eye to catch that. Oh, that's kind of semi-transparent,
right? I actually want to do that on the chart
also just slightly. And while we're at it
let's add some shadows to the to those. Let's start with the chart
because it's the most visible when I click on the chat layer
and we're actually, we should name it, double click on the name chat more right
click effects, click Shadow. And here we want something soft
because we're going with a ton of gradients right now,
so that's fine. We want to angle it a little bit better. We do have a source of light coming from the top,
so we want it to be slightly realistic, especially if you're going with soft
shadows. It's always better to go
the realistic ish route. All right, this pick the size a little bigger,
so it spreads a little bit more. We want linear burn
just because I love linear burn. Look at how exaggerated it is, so I have to put like opacity
needs to be like one or 2% or six. That also makes it move the distance
a little bit. No spread
actually distances a little too wild. I go play with the size
until you're satisfied. Bars All right. Lower the opacity
until it's barely visible. 3%. I think that's nice, and a cool thing here is that we can duplicate the shadow for everything
so I can click on the effects. Little Arrow
here, hold on my keyboard and in drag and drop it on that background
layer, right? So now I have a shadow here. Don't be afraid to double click
on the shadow here and basically adjusted per layer. It's not going to look the same
because the background is not the same. It doesn't have to be mathematically
correct, right? It's like, Oh, they all have 3%.
It should look fine. No, your eyeballs is what dictate
what goes and what doesn't. So I'm going to do the same thing hold alt drag
and drop the shadow on the labels bar. Right now, for example,
you can see there is a huge like, I don't like how the distance is huge,
so I'm going to double click on shadows and I'm going to play around
with the distance a little bit and I select the wrong one. So let's click
close labels bars right here. This is why you need to name your things
and also pay attention. A lot lower the opacity to two. And then click, OK. All right, that's nice, even though I'm
not too happy about the text right now. Maybe I want it to be centered. What I can do is double click on it, on the T basically
and then click here the paragraph thing. And then I'm going to click
move tool control a and then I'm going to center it
horizontally. And this is what it would look like
if it was centered horizontally. But right now,
it doesn't have a lot of tracking. So I'm going to go here
and find character. If you don't see character, you can click
on Windows, click on character. It will appear boom. And here you have the tracking options. You click on the word and you drag to the right,
and now you have more tracking options. You can even play
with the leading a little bit because we want that
to be a little more visible. Let's bring that up, and maybe I wanted
underneath the chat underneath that chat. There you go. There you go. We don't play around with it. Maybe make make the transparent layers
a little bit foggy or whatever, but control D to select everything. The problem is going to come when I want to put social media,
but we'll deal with it. All right. Talking about social media,
if you want some icons, the good thing to do here is maybe
like change the color of the labels bar. Sorry. Double click on the icon. Lower it a little bit here. Here are the rules, if something is bothering,
you would just go ahead and change it a little bit. For example,
this is too green. I wanted to be more blue. I can select my brush tool pressing,
be like the blue, go back out again
and give it a little bit more blue. So the icons
you can go on Google images and download the PNGs the PNGs with transparent
background social media. So we want the most important ones
YouTube, Instagram and this. If you're not making it for Twitch,
you can put the Twitch. But if you're making it like if I have to be on Twitch
to see the screen, there's no reason
why you should show me your twitch. Because I'm already there. I drag and drop them. I could. Are they all there? Press V select them all control
alt T to transform them. And here, in order to not search it
you need to hold a shift. Drag it all the way down. We wanted to be tiny. It's very visible. People know what those look like. Press V
to make sure you're on the move tool. And in here we actually want
those to be on top of this layer, this layer being that background
rounded rectangle and then the order of importance
once again. Hi, my YouTube is my biggest channel,
basically, and my Twitter is
where I'm the most active. So YouTube, Twitter and Instagram. Cool. Let's get rid of this. Nice. We're going to change the colors
a little bit later. Just eyeball
this until it feels kind of center. You're going to put text anyways
and talk about text. We can just create that right now. Let me go. I'm going to click on YouTube. So hopefully it puts the text on top of it in the layer list,
and I'm going to go and type Gael Level. It doesn't
let me like control A on the text, which is kind of annoying,
but you're going to hold shift and then use the arrow keys to side
everything. You can lower it with the size
right there. We actually don't need the tracking
to be that wide on the little text, but we're going to keep it that way . I think it might look a little cleaner, but I'm going to click on a move tool
to deselect. Basically, I'm going to hold all
this is one way that you can duplicate. I'm going to hold alt and click
while the layer is selected, of course. Click and drag boom. I can hold shift if I want to. If I don't want it to bounce
all over the place, hold shift, boom. And now it's only going like, that's good. Another method to duplicate
you want to leave some space here is to hold alt and then
drag up on the layers list and boom. You have another layer
and now you can drag it. And there it is. Nice. OK, of course, my name is not Gael Level
and everything, but it doesn't matter. Actually, you know what, if this is going to be self-promotion
and it's going to inspire you guys to go? Follow me on Twitter. I run a lot of giveaways there, even though they just give away
didn't go that well. I mean, it went really well. Does the company stop entering? I made a video about it, go
check my Twitter and this one is just go dot level. I believe, There you go boom. If you don't want it to grab attention
too much, you can lower the opacity on those,
so just select them holding shifts. You click on one,
you hold shift, you click on the bottom, one is going to select everything
in between and then we can lower it
just to give it that look. But we have. I don't know what my neighbors are doing,
they're hitting the ground. OK, Twitter,
we're going to click on Twitter when you click on effects
and we're going to go with color overlay. We're going to pick the color here. Boom, click OK. Nice if you want this to be like kind of
different or part of that color scheme that you're going for. You can do that. one thing that you can also activate here
would be like a gradient overlay. So I deactivated color overlay
activated gradient overlay. Click on it. Click on the here double click
on the black to pick your first color. Double click on the white
to pick your second color or go for a mint ish look nice. Click OK, and here you have your gradient. Now we want to,
you know, make it a lot more random. Bump up the scales with blends
in a little bit better. Nice, actually like that. Look,
so let's continue. So I'm going to click on the arrow
next to the effects. I'm going to hold Alt on my keyboard
and click on the effect and then drag it and drop it on Instagram
and do the same thing. Drag it while holding
Alt. Drop it on YouTube. And now we have all of our social media
following that color that we chose, right? I don't like how bright the white part is,
so I'm going to select it in the background. Lower the opacity. The labels bar, for example, labels bar. We're going to have a dollar
sign, for sure. If you want to show recent donators
like something else you can have is a heart for followers, a crown
or a star for your subscribers doing this the second time, I'm not doing it
another time. So this free whatever new layer,
what shape do you have? Shapes? There you go. It's loading all the shapes that it has,
and you can even look for a shape. So I'm looking for a heart button. There's a heart
so I can just click here and then drag. I'm holding shift to make it perfect. Otherwise it's
going to be all weird like that, and I can already save myself some time
and making the same size. So when I resize them,
they will already be the same size. Isn't that beautiful? I double click on the icon
to change the color. I want that to maybe be white. Yeah, that's cool there underneath that main layer,
so we can select them again with shift. Drag them up, drag them up, drag them up,
drag them up very quickly. What happened there? OK, cool. Now we want one more. And that would be bits
I believe I have a shape for the bits. And if you don't, you can. Does that work? It
does. OK, that's perfect. It's a GIF though,
like it's supposed to be animated, but it's probably like super big compared
to the other images. Just make it the same size if you want to. You can also manually resize everything
one by one if you want to waste some time. But I don't want to
just show you how to do stuff. So if we're keeping those whites,
we can make them. We can add a color overlay
right around that color overlay, we added. At first,
we can drag and drop it and turn it on. OK, it was. It wasn't on, but we selected Blue
for the color overlay, so that won't work. We can drag the color overlay
to the recycle bin in order to can it, if you will. Now we can drag
and drop the gradient overlay and the same thing while holding
all still obligated. Remember, and we're just going to do that
for all of the icons that we just added, including the dollar sign. Now, boom,
we select all of them using shifts. If this is taking too much space and it's messing with your mind,
you can select them all in the collapse. Those options control
alt T in order to transform. Place it around here. I'm going to hold shift
and alt at the same time to maintain proportions
and also drag from the middle. We wanted to be pretty small. Remember,
everyone has basically a full HD screen. There are underneath the labels bar
right now, so that's why you can't see them
labels was all the way to the top for some reason. Let me drag this down a little bit, and now I'm going to place them
on top of the labels bar. There you go. I'm going to press control. Add the labels bar to that selection. Control G so that we don't have to worry
about that anymore. And now we can place everything. So we want the heart, of course,
to be first like order of priority. It depends on what you value
the most on your stream. That sounds so profound.
Going on would be bits. I guess I didn't put donations,
but hey, you can do it too. Showing you how to do it. All right. Remember to leave some space
for the actual text and just eyeball eyeball the placement. Now this is the part
where you add a little bit of decoration. This is already good, right? This is already done right, but we can add
a little bit more decoration, if you will. Also, maybe
I don't want my chat to be on top of this, although the overlap is cool,
but maybe I don't want it on top of my texts or control oddity,
of course, and you can change. The chat is try imagining
if it's readable, basically. And in this case, yes,
it will be fully readable. There's actually match it
with the height of that text. The bottom text right there, boom. I would like to add like a spot
that is just for the chat. I'm going to create a rectangle.
It doesn't matter. Like if it's in or out of bounds,
we're just going to create a rectangle. And we wanted to intersect where we
wanted, where we want the top part to be. And we're going to add our gradient. We're going to find our gradient. OK, it's on the YouTube logo here,
and we're going to drag and drop it here. So that's our gradient. Now what are we going to do is hold alt
and then click on that layer. It's going to create a clipping mask. It's going to basically be attached to the bottom layer,
which is our chat and boom. OK, and boom, there you go. And basically, it's only visible
where the bottom layer is visible. That's pretty nice. Let's create a ellipse. Let's create a circle. And let's put it in the middle or
to the side if you want the middle might. Cool. Make sure it's somewhere where it's
visible preferably on top of everything for this one, I actually want
the drop shadow of the chat to be on it. It's a little bit of drop shadow. We can always play around with it,
so it doesn't look too exaggerated. 2% opacity. Nice. OK? And now we want a little icon again. Those were from Google images.
We're going to make it white. Don't worry. Alt and shift at the same time to drag
from the middle and maintain proportions. And I can either put the gradient,
which I'm probably going to do,
or I can just make this white. But let's do the gradient. The gradient is on our bar here. Let's boom And there it is, and I think
that looks pretty nice if you ask me. Maybe you want that circle to be slightly
lighter because it's like closer, right? We're obeying
the laws of physics and light. If you really want decoration,
you can just I like adding random shapes everywhere
just to make it look good. I forgot the transparency on the labels
bars, so I want to do that right now, so I click the labels bar. Actually, that's not the right one. There it is. The labels bar labels bar. So we don't get lost
later and lower that a little bit. What I'm talking about when I say details,
you can just pick the brush tool right? make its way smaller,
like one or two pixels that's got two pixels
for now, hardness 100%, and then I'm going to go ahead and create
a new layer on top of everything. There's multiple things that you can do,
but like this is the detail part. I can go here and do this. That's just a dot, right? Nothing fancy. That's the difference between
a detail overlay and a non detail overlay. Instead of just being,
if you were to describe it, that gives it more complexity. But we're going to do way more. We're going to do we're way more. We're actually going to go over the text. first of all, that text deserves our drop
shadow. Let's add that to. Let's find
something that has a drop shadow. The hcat for example, hold alt drag
until you find the text. That's it
starting soon. And drop it. Nice. Now play around with it
until it suits you. I'm going to bring it a little closer. Maybe. Yeah, 2% on the opacity, for sure. That looks good. All right. And basically, I'm
probably going to put this in time lapse. I'm just going to go and click around my text
to make it more detailed, more futuristic. I guess just random detail. I can just put a dot here
and I put it out there, and then I hold shift
and then drag one click once. Oops. But once click Hold Shift and then drag. So you see how that prevents me
from dragging away. There you go. So that's pretty cool. Another thing you can do
is click once, for example, here and then hold shift and click again,
and it creates a line. If you want to do straight lines,
that's how you do it. Now my brush is a little big,
so let's go with one and let's control Z a little bit. There you go. Brush again. one. Just add a bunch of details like that. I'll see you after the time lapse. All right. So this is after all the details, again,
like this video went pretty fast. You want to take your time for this. And of course,
if you want to do, I can be right back. This is what's going to happen. You're going to have to do this
every time. But if you don't want to do that part,
that's completely fine also. You can just add a little details
like to the corner. You can add little dots here and there,
which I like to do or little squares. Or sometimes I put the plus sign
basically, and I just duplicate it everywhere
and it looks. It looks just fine. I want this main thing to be affected
by the light a little bit more, so I'm going to create a new layer on top of it, selected by pressing control
and clicking on the icon, bringing my brush tool, of course,
lowering the hardness, going 100% or actually 2,000%, I should say 2000 pixels,
why am I saying percent? scrolling down here
and back to my brush tool. And let's do click click. There you go. Nice control D to deselect as you do this and let's lower
the opacity top right of the layer bar. Of course, now there's also like
the other step, which is easy, easy step is go find an image
that kind of looks like, you know, the type of thing
that you would put in an overlay like that,
depending on the game that you play. Of course, this doesn't look like a game like an overlay for someone who's going to play Animal Crossing,
for example, right? You would go with cutesy thing, but the pxhere is a website
where everything is free public domain so you can use every image even
for a commercial purposes, actually so. Yeah. And we're going to go all the way down and
under our gradients and our background. We're going to control V nice control
alt T in order to scale it up. We're going to hold shift in order
to keep the proportions and not stretch. Never stretch anything,
especially not a picture. Let's bring it up a little bit. And then that looks nice. We're going to control shift hue hue controls shift U
in order to desaturated completely. All right. Get rid of the colors. We don't want you to contaminate
our scene. Let's lower the opacity way down,
keeping it still visible, but not as much. Just like that, another thing that I like
doing is control L, which brings up the levels and all the way
at the bottom on the white output. We can lower that
so that basically everything that's white is going slowly towards gray. If I do this, basically
it's going to be completely black. It lowers the contrast in a way
that we can actually use that image as a background image without adding
too much light to the background. Let's bring that up. We can still adjust that gradient that's up top,
but just wanted to be barely visible. That's not too bad. Let's duplicate it. I'm going to hold all to drag it
up in the source list, and I'm going to select everything that is
basically intersecting with it, right? I'm going to hold control
and click on that one. I'm going to hold control and shift in order to basically add
to that selection with the chat boom and then the labels
bar control shift and click on the icon. So all of that is selected and we're going to create a mask for that
layer, create a mask. Nothing changed, that's fine. But we have a mask around. That specific part and a cool thing
is that we can blur that part, so our mask is going to be selected
once we created. Just make sure you click here
so that the image is selected because we're going to add a filter to them, to the to the to the layer
and not to the mask. Wow. And click Gaussian Blur. You can play around with a settings a little bit
if you want more fogginess, basically. Wait, I should have. I should have turned off the other one
so we can see what we're doing. Let's click Filter Blur, Gaussian Blur,
and now we can see how it kind of looks with the lower opacity. That's not bad actually,
this lower this little bit. So it's oop. So at zero, it's here and here and here. I think I like that. We're basically giving
like some sort of foggy glass. Look, it keeps jumping. All right. Let's not touch it anymore. I think it doesn't like my brush
being selected. All right. And we can bump up the opacity
for that one. Actually, let's see what it looks like
if it's full. This is what it looks like, so it appears as if those layers
are basically fogging up. We can lower the
the actual chat overlay opacity this one so that more goes through actually lower
the chat's color when the color to be a little darker because it's a little too gray right now. Now you can turn on that background layer. There you go. So it is clear and this is basically fogging it,
and you can lower that by all lots. So we do want our main thing
to be pretty dark. Just like that, this is pretty clean. I believe that's it. Like I do. I don't need to
to tell you more than that. I think this is a solid looking, very,
very clean. You can definitely add Mike. I would. I really want to add more details,
but I feel like this is enough. This is enough for now. Let's say that this is a part one. Maybe I show you how to make
an intermission screen in part two. To be honest, you're intermission screen
like you have it already. All you need is the cutout. The the the
the text part. This to show you. Let me show you. So we want the background
actually to have a hole in it, right? And we have our selection. I held control. Click on this.
We have a selection. What I would do for the intermission. It's going to ruin my layer
If I do that, let me just duplicated. All right, cool. I clicked on the lock
to unlock the background so I can just duplicate the background into that one layer
since it doesn't want to work. And now we have the background, OK? So what I was saying is that
we just need a mask on the background. So if I click, I have this selected. If I click on mask right
now, it's going to mask it, but that's the other way around. So while I have my mask selected,
I can press control I and this will actually inverted the mask
and you can see we're already getting there
with the transparency. I'm going to group up my socials,
so all I have to do right now is create is add that same mask, basically delete
that background thing right there. A background thing, delete that background
rectangle and I can turn it off and that gives me transparency. But I still have,
you know this. That's all of that. So I can hold alt on the mask here
hold alt and drag it on that layer. So that's one of the backgrounds, right? But I can do that on that one
because it already has a layer mask so I can hold alt just click once
so I can see what the mask looks like. And now I can grab the paint bucket tool,
make sure I have the color on black and I can just make a hole in the mask. Click twice for good measure,
also for overlapping pixels and then hold and click once again
our back, we're getting close. I remember our other mask
we can drag and drop. while holding alt on one of our gradients. Drag and drop it. And the other guy on the other gradient. Let's see what is this? This is the thing that is keeping us. Let's do that. And there it is.
We have a full, transparent background. Not all we need to do
is get rid of the little details that we added all around the text
and the social media. Social media is in that folder socials. All right, we can turn it off. No, that's not the right one.
That's the labels. This is why you need to name everything
labels socials. So I turned that off. I turn starting soon off. You can go and find your detail there. I actually want that little thing to stay, but I'm going to get rid of it
just for the sake of time. And there you go. If you export this as a PNG
and you upload it to like you, you use it in OBS you can just put your camera
underneath it. And guess what? Yeah, part of your camera
is going to be semi-transparent with the chat on top of it,
which is will look pretty good. So here we have intermission
screen intermission. All right. And here we have starting soon. So here you have a starting soon screen
and an intermission screen all in one. What I'm going to do is exploit
this as a PSD for Photopea here, right? And I'm going to make it available to you for free
so you can come in here, modify whatever. Make sure you take my
name out of there, of course, and I'm going to publish online. There you go for up here and
there will be a link and I'll try to link. The thing is for photopea we'll keep it for a couple of months,
so it's not going to be forever. But it doesn't matter. I just thought,
you know how to do it for free or you can make it from scratch
if you have to. Again, the other one will be in my discord
to the first one that I showed you because I deleted it, telling you
all you have to do is go in here, double click on the text layer for the
for the social end and change the name. Change the name double click here. You just put your own thing. If you don't want it,
it's all there. It's all there. I don't have to explain all of it. Just check out the links
in the description, and that's it. Now, even though I was trying to go
as fast as possible, it still took whatever amount of time
this video is going to end up being. You should probably take a little bit
more time, but I just wanted to show you my technique, especially since
I was improvising most of it. As you can see, like the previous one, I did it once,
but it had nothing to do with it. It would look pretty different, right? Hopefully, you were able to learn
a couple of techniques knowing that I've used
most of the techniques that I use. Usually when I'm making overlays,
I would probably take more, more time to make this. I would probably work on it, you know, one more hour or two,
but this is the biggest part. Like if you start with it starting soon, all you have to do is change the text
to get an offline image, for example, of course,
to get rid of the child or the labels bar and you can cut parts of the overlay
in order to make your banner in order to make your panels
and stuff like that. So it's easy to keep your branding
as long as you created one big file, one big artwork. Anyways,
let me know what you think about it in the comment section below if you would
like to see more tutorials like that. Let me also let me know, OK? Also,
let me know this was pretty much almost uncut apart
from the time lapse part. So, yeah, I just really wanted to show you
how I make the overlays. So you guys don't complain that
I just sell your release. I just give your release. I also teach you how to fish. OK,
now go fish. All right. Go out there. Oh, also follow me on Twitch. I stream on Twitch. OK, so follow me. Go out there
and make me proud. Gael Level Audi.
