Leonardo DiCaprio and Tom Hardy interview for THE REVENANT

thank you he's such a genius man coming down guess their weight is shirts you started off with massive Emily code that in the swag Oh everything I wear I keep I think chivos the greatest cinematographer of all time and ever since children of men he's just a genius and I'm wondering how natural lighting works for you as an actor how differently you have to block things is it affect your performance whatsoever when you're in natural lighting I wouldn't say it's not necessarily the natural lighting Nets that's a challenge for for us it was a completely new concept to first off rehearse as much as we did beforehand in the wilderness and these actual locations trying to accomplish very it was like a Swiss watch a lot of times so many different departments and actors had to work in coordination with the camera work but it would every single day was a massive rehearsal until we had that hour and a half of magic light so it wasn't the magic light it was the time period in which we needed to accomplish the day's work and that was usually about an hour and a half and it brought a lot of intensity to the filmmaking process I think a lot of what you see up on the screen intensity that's upon screen is because we know we have to look in the back of our mind finish the day right so we go for it you know we go for it every single day because otherwise you know hundreds and hundreds of people are back at that same location you know which is hours and hours away from our home base he's not that you have to find your light necessary in an aspect to the Sun so that there isn't you know right oh you're in a shadow it's not really when I interviewed you for wolf of wallstreet wandering that blew my mind was that Martin Scorsese had you actually Storting B vitamins for those for those cocaine scenes which is like insane like and in this movie you're literally having to eat a bison organ so I'm wondering like when you have to do that in a sequence does it does it really help add to the actual moment for you to vilify the Hogan was liver yeah liver yeah yeah the litter yeah yeah I mean the reaction is up on the screen I think that you know you get you put yourself in those circumstances pain is temporary film is forever you realize you have one shot at making a sequence look and look authentic that's the whole objective of this movie that was Alejandro's motto and the Native American actor that I was working with Arthur who was incredibly talented was eating liver all day and he said it he said it's in his culture and it's something that he actually likes the taste of and my thing looked like a big bloody pancake so I had to go for the real thing and the reaction is up there but I agree I think it gave a great moment to the movie ultimately I think it's it's too realistic that's for sure YouTube worked with some of the greatest directors in the history of filmmakers Christopher Nolan George Miller Steven Spielberg Martin Scorsese and I'm wondering when you're in this environment within your reach is one of greatest filmmakers of all time do you take anything from those filmmakers at all and still utilize that here in this environment from sources you were a Nolan or Miller not it's interesting because I think anything the relationship you helpful for me anyway whenever the director is so specific that it exists specifically for the piece that I'm working on the next one it's almost like business stuff for one a better word the Spanish you know like the private personal relationship you have with an individual director is like they're the only person in the world and it exists for the world that you within then you move to the next if you took somebody that there's trace evidence of anything from previous experiences or relationships as it were then that was purely rudimentary and nothing to do with cognitive thought so no does that make sense totally my director is my director where he wants he gets that's it or she gets when you're filming that bear scene and I'm not gonna ask you to give me every detail I just want to know how are they moving you around how are you moving well it was done on location in invent code we actually went to a different location to get those beautiful ancient conifers that they had those beautiful trees that weren't on location in Calgary but it was had to do with a pulley system a pulley system in the forest and made flying around in the woods basically yeah but I'm not like you said I along just told me specifically don't talk too much about it because it's something I think he's very proud of it's a very immersive sequence and he wants that sort of movie magic to retain its history so to speak

Channel: FOX 5 Washington DC

Views: 1,217,708

Keywords: Emmanuel Lubezki, Chivo, Alejandro Gonzalez Inarritu, Leonardo DiCaprio, Tom Hardy, Inception, Movies, Film, Cinema, Kevin McCarthy, Entertainment News, Movie News, Interview, TV, Celebrity, Clips, Trending, New, Viral, Exclusive

Id: UfsrYHlnimQ

Length: 4min 22sec (262 seconds)

Published: Mon Dec 21 2015