- You would've been a great
cast member on "Friends." - I loved fr--
- You would've been a Joey. - My friends and I would
always go around and be like, like, who are you most like? I mean, I always came closest to Chandler. - To Chandler?
- Well, 'cause I'm... Because I get very sort of like neurotic and it just used to... I used to die laughing, but-- - You were Chandler Bing.
(Sebastian laughs) (upbeat music) - I'm very excited and
nervous to be here but-- - So am I, that's great, makes two of us. - Yeah, it's the adrenaline.
- Yeah. - All right, so-- - It's the work. - (laughs) It's the work of our lives. I'm such a huge fan of
yours, I have been for years. And you know, so for me,
this is very special. Where I'd love to start is perhaps with maybe the
obvious question of doing a show during COVID and incorporating COVID as a subject matter in the show. How did you feel? How was that approaching it as a, you know, from the perspective
of Alex, your character, but then also just in terms
of how it affected the-- - The show.
- Yeah. - Well, we had... There was, obviously, no
COVID when we started shoot. Oh, there was, it was
rumblings of it, right? It was like December, January, and everyone was kind of this coronavirus, which sounded so far away and
something not even an clue that this would be speeding,
like a speeding train into our work life. So we had shot for about a
month and then we were like, people are just dropping, like we gotta shut down
the studios 'cause every... All of a sudden, you know, companies were
closing and working from home. And so we were all saying,
well, what about actors? We don't have the luxury
of socially distancing, we're in scenes together. - Yeah. - So, well, and they're like,
"Well, screw the actors." No, so we... Anyway, we shut down. And then we took that
time to kind of realize there was something missing
in the beginning of season two and we couldn't put our finger on it. And then, and not to make COVID,
there was a silver lining, but in that happened, it was... We were able to incorporate
it into the show. And that's why, I mean, our writers did a
brilliant job doing that. But it had to be completely reimagined. And the same thing
happened with season one where we had about seven shows outlined and then meet the Me Too--
- Of course. - Movement happened, so same thing. So I feel like our show
is kind of in this place where we get to sort of
actually just deliver the news literally as in real time. - Yeah, because it was interesting
even for me as of viewer 'cause I felt weirdly some
kind of relief actually that I was watching something
that I was experiencing as well in the same world.
- Right. - Because we've sort of
pretended in the movies for better or worse that
it's just nonexistent, it's not happening, the
masks and everything. So just to kind of have that mirror was-- - And it was also nice to
not be shooting a movie that was... It felt, you know, we're not disappearing and
going into an alternate universe Where COVID doesn't
exist and we're being... I'm a cowboy or whatever, that's terrible and
I'll never be a cowboy, but you know what I mean?
(Sebastian laughs) Can you imagine that? - I know. - But yeah. - Well that, and then also I just think like as an actor, 'cause
at the time, right? You were hearing so many
different experiences of people getting COVID and
then obviously Alex gets COVID. - Yeah. - And just sort of like what
were some of the conversations or decisions around like--
- How to-- - How much of the symptoms you'd have? 'Cause it was sort of,
we didn't know, right? - No.
- Like what-- - And in the show we don't know. - Yeah. It's at the beginning
and after I go to Italy. and after speaking to everyone I knew who went down with COVID, there wasn't a symptom
basically that didn't exist. So, you could--
- Exactly. - It was not to... It was quite intense actually, 'cause it was also at the
end of our shooting schedule and we were all just crawling
to the finish line literally. So I actually felt beat up internally and it was perfect timing and you know, to be able to incorporate all of that. I no showed a debate. I chartered a plane into
the middle of a hot zone, 4,000 miles away and I didn't
tell a soul where I was going. And Chris Cuomo who had COVID and delivered the news from his home was very helpful for us, we talked with him a lot. - And also I found, I
don't know how you... Like in the pandemic, watching the news was just heartbreaking and exhausting and sometimes it made
me even more paranoid. - I know. - Is watching the news just
immediately part of your life? I mean, I know you probably
do it for yourself as well, but then did you find that you
ended up watching more news as a result of playing her?
- Actually the opposite. I watched more news before
because I was just also... As I love morning news shows, it kind of feels like someone's
in my kitchen with me, talking to me, waking up
with me in the morning. But then when we started shooting, I don't know why I
actually stopped watching, it was too much.
- Yeah. - It was almost too much. And just in general life, the world has become in
the last couple years, it just-- - Yeah. - It's hard to put the news on. Is this real life? - 24/7, I know. It's a very dangerous lot. - Oh yeah, sure, so-- - A lot of murders. - (laughs) I gotta go. - It's not even four.
- I know. - I have to see you again tomorrow. - (chuckles) It is tomorrow. - Perfect, where are we going? - So you shot "Pam & Tommy" during the pandemic as well obviously. - We did, yeah. We shot it, we sort of
start around this time, April, May last year. So the vaccines were just coming out. So everybody felt a little
safer or a little more relief and then it just was weird
because it was the '90s (laughs). - [Jennifer] No.
- Every day for 12 hours. - Which, by the way, feels like yesterday. - I know, yeah.
- Watching that show, which was so weird and bizarre, I don't... I have about a thousand things to ask you about "Pam & Tommy." Can I just ask one
really just blatant one, get it outta the way?
- Of course. - So you have a scene where
you're talking to your penis. - Yeah.
- How do you prepare for that? And are you reading it going?
- You talk-- Is this like... How does it read to you on the page? - (laughs) I thought... I found that the less I
thought about it, the better because you just sort of... Kind of the train of thought
starts to go into panic mode. But it was a tricky scene to shoot 'cause when we were shooting it, we didn't know if it
was really gonna work, if it was gonna be too much or not or-- - So did you shoot it kind of two ways where it was sort of like your alter ego or, I mean--
- There were-- - They suggested that it
was, you were talking to? - Oh no, it was there. - Okay. - They were, you know,
there were components, manual and prosthetics and
things and people with wires sort of plugging things
into sockets (laughs). - That's crazy. - Well, yeah, because I thought, you know, look, we have the benefits of CGI. I mean there's--
- Yeah. - But no, we went old school for it, which was an interesting experience. But look, I think--
- Very bold, very brave. - Yeah. Well, his penis is a character
in the book that he wrote. - Yeah. - And so the writers I think, were tipping their hat
off to that and finding... Trying to find a creative
way of how this guy would confess his love in
his realization at the time for this woman. And that's what was on the page and-- - Quite romantic and beautiful. I mean, how... (Sebastian laughs) In moments in that '90s sort
of rock and roll kind of way-- - I've never done ecstasy, so I don't... I wouldn't know what I was asking. - The decisions made, they
made some really big moves. - Yeah, they certainly did.
- Just for a couple days. - I guess so, yeah. You're doing it. You're about to be the biggest
movie star in the world. You go in there tomorrow and you tell him you're doing that scene
or you (beep) walk. - God, I wish I could be more like you. - Were you familiar with them in the '90s? - Everyone, even in Europe 'cause I was... You know, I'm from Europe originally, I came to the states in '95, right? And--
- From? - From Romania. - Romania? - Yes. - You were born-- - Born and raised in Romania, yeah. - Wow. - And then I lived in
Vienna for a little while and then we finally
moved to New York in '95. - [Jennifer] Nice. - So I guess this thing
had already happened, but I even remember Baywatch,
I remember more than anything. Even in Europe we used
to watch that religiously like, you know, communism
or not, you got Baywatch. - Sure.
- Yeah. You would hear about it, but I didn't really
actually know what happened. And that's kind of what was
surprising about doing the show is just that I was surprised to find out how much we didn't know
about what had happened and how many people really didn't know that the tape was stolen, or that they had nothing to do with it, or that it tore them apart
of the extent that it did. And because I think
that they did their best to sort of fight it and then
kind of just coexist with it. And it was just all repercussions
that ended up happening as a result of it. - And it was right at the
time where the internet was just becoming.
- Yeah. - It really sort of shaped
so much of a new culture kind of about this thing
of people becoming famous for basically doing nothing, but yet having these incredible careers. And then women's sort of reputation. I mean, Pam, Paris Hilton. - We've been in that invasive
kind of privacy since and it's only gotten more
and more, you know, so-- - And it's really hard. I always say, I feel so lucky that we got a little taste of the industry before it became what it is
today, which is just different, more streaming services, more people, you're famous from TikTok, you're famous from YouTube,
you're famous from Instagram, it's sort of... It's almost like it's
diluting the actor's job. - I remember even going on
auditions for shows like that and it was like written
in a very specific way that you had to kind of work through and be aware in a certain way. And this is obviously so different, and your dialogue is very different. And just did you find anything different with it being a streaming servicer or how did you find approaching
the dialogue piece of this compared to that other style? - I thought it was so easy compared to... I mean, you had an
audience, it was like big. - Like that sounds like the
most terrifying thing ever, but-- - And every actor, who was a film actor who came onto our show, to "Friends" was terrified, they were terrified. It was who the audience was
like, what are they doing? Who are these people
laughing at what I'm saying? - Yeah. - Morning show feels like
you're shooting a film. It's these hours or these... Although you're covering
much more real estate a day. So the dialogue for me,
I would take every Sunday and I would just hammer the whole week out with my acting coach. And we would spend three hours, sometimes four hours just
going over every scene for the week, so that I
became kind of comfortable with speaking like someone who
is way smarter than myself. And I mean, Billy Crudup also, oh my gosh, I mean, you turn a page and it'd just be like Billy, Billy, Billy. Oh, our heart's just sank for him. - I always think of what we do. Kind of as sometimes you're
just taking inspirations and it's ingredients from different places and kind of that go into
this thing that maybe... And so did you watch just
anyone in specific, you know, news anchors and--
- Yes, many. - 'Cause they have a way, yeah. - I kind of... My dream human is Diane Sawyer. Like she was sort of my ultimate, this is who I would like
to emanate in some way. And I had... And I've known Diane for so many years. And so I had a wonderful
dinner at her house right before we started and she... I just... Not rough, it was like right
as we were writing the shows and just the stories were
endless and fascinating. And so I sort of incorporate some of... Any little bits that I could
and Gayle King was great, Chris Cuomo was great, Hoda, they were all just really excited 'cause it is such a world behind
the scenes of what goes on. - Oh yeah, that we don't see.
- No. - That we don't... We just get this sort of-- - The good morning, everybody. - I know. - I'm so happy to see you and
make you feel so comfortable and then there's so much crazy stuff. - And I'm gonna go toe to toe with you for all the best stories, screen time and I'm not rolling over. I'm gonna compete with you.
- Do it. That's what you should do, compete. Don't roll over. - I always just, you
know, kind of was amazed at the fact that their day
starts at three in the morning. - It's a very strange
like nocturnal existence. - Yeah, and that's gotta
plan on your psyche. - Yeah, and to do it for
that long, I mean, 25 years, some of them have been doing this and you have to love that job a lot. Your life is hijacked pretty much, they're in bed by six, seven. - Yeah. - Growing up in Romania, when did you decide, I wanna be an actor? And did you-- - I didn't know, I was just... I guess I was like really good
at impressions or something. My mom used to kind of
bring me out for the show, you know--
- Perform. - Yeah (laughs). - When we would have--
- Perform, young man. - People over, yeah. She didn't push me with anything. I mean, I guess for a
little while she tried. While we were still in Europe, I lived in Vienna four
years before New York. So then I would go to these
casting calls with her and I would hate it, and then, so she sort
of just left me alone. And then when I moved to the city, I started going to this
acting camp, Stagedoor Manor. - Oh yeah.
- And we did musicals there. So that was the--
- You did? - Yes.
- Are you a singer? - Well, at karaoke I'm-- - Pretty good, solid. I'm not an embarrassment, I guess-- - Good to know.
- At karaoke, in case you wanna know.
- Okay, so you'll be invited. - Nice.
- Yeah, I guess I was like 15, 16. and then it just started from there. - And your first big break
was that "Gossip Girl?" - "Law & Order." - Oh, "Law & Order." - Yeah, "Law & Order" for sure. - Fancy. - Not a commercial?
- No. - You went right into the big leagues. - I never, yeah. Jerry Orbach, yeah. - Yes, oh my God, I went to
high school with his son. - It's such a small world out there. - Wow, yeah. - In New York that was it. And then, you know, I guess watching a lot of TV and movies helps. - You are extremely
talented, A, I have to say, - [Sebastian] Thank you.
- And you do... You go from like a Marvel film to flesh. - "Fresh," yeah. - "Fresh." - Is it "Fresh" or flesh? - "Fresh" as in it's
really fresh (laughs). - [Jennifer] The one that about the guy? - Yes, thank God, they didn't go that far as to make it flesh, but-- - Why did I think it was called Flesh? - Because it should be in a way. - I've been telling people
you've gotta see flesh. They're like what?
(Sebastian laughs) Oh my gosh, that's why I
was like I watched that, and then when I finished "Pam & Tommy", I was like, wow, this man
really has sort of gone into the world of--
- 2021 was interesting. - Yeah, interesting.
(Sebastian laughs) But what I was saying
is you are able to... You do comedy and drama seamlessly. - I don't... Well, I appreciate that. I don't know, I don't know, it doesn't feel seamless to
me, it feels a little bit-- - Feels usual, but that's when
you're doing your job well, is when it does seem seam... Well, it seems seamless to me. - I love to know. - You do, do practice? - Yeah, I do it all the time. Ever since I started, you know, I've just been like way
more chill and calm. Hey, hey, get the (beep) outta here. I (beep) see you mother (beep). - You know this better than I do, 'cause the Marvel I've done for 10 years and you play a character
for a long period of time, you know, you sort of feel
it's like riding a bike. You kind of keep coming back to it and then after a few
years, somehow it just... I don't know, you just
go there very easily. But you do sometimes kind of, I guess for me, I was sort of interested in kind of just trying to
take different turns from that as best as I could-- - And did you double in other-- - Maybe for my own-- - Right, for your own actor. - Yeah, or just trying to
see if you can, I guess, and these projects had
great people involved in that I try to kind of stick to better. - I love one of your
directors of "Pam & Tommy," Ms. Lake Bell.
- Oh yeah, of course. Yeah. I loved working with her and you guys worked together. - Not yet, we want to. - Okay. - We're just friends, we're just buds. - Yeah. - But she's pretty fantastic
and did such a good job. - Yeah, and so it was a great opportunity to kind of just try
something different and-- - And when you started it, what was the... What were you guys told in terms of tone? Like what was the specific tone? 'Cause it's so... There's a definite signature to it and it's funny and it's kind of highbrow. - Yeah. Well, I think Craig Gillespie, who I worked with on
(indistinct) him coming onto it, it felt sort of like I
understood what we were going for with that fine line between
kind of comedy and drama and stuff. And it was really well
written, it was in the scripts, it was one of those things where you didn't really have to improvise the sort of cadence and the inflection of how they spoke and
everything were in the scripts. And the comedy of it was there too, so we just sort of had to
follow this roadmap basically. - And did you feel nervous
about playing a real life person that it's still on the planet? - For sure, yeah, yeah.
- I'm assuming you guys... Did you ever meet before? - I found a way to reach out and just sort of wanted
to introduce myself. I just thought that was
the respectful thing to do. And it's bizarre because
I think it's a real person and there was so much information online and obviously the book he had written, which also Pamela is in, but also the articles and then sort of there
was another book written on the band, so there was a
lot of research to be done. It was actually... The work was done, it just was more kind of
trying to fit into this thing that's not you. - And how long were you
in that makeup chair? - Like three hours. Do you use that time in the makeup chair? Now, is that a time for you? Like where you're kind of focused, like the last sort of go around on what you need to do and is that... Or is it... Do you like to be... Is it a moment of just taking
a breath before you start or how-- - It's a little bit of both,
depending on what's the... What is ahead of me, but usually like when
I do that Sunday work, which it really nails it into
my kind of my neuro pathways, then it's just about lines
and then you just speed. I just speed through it
and then I'll just breathe and then I forget about it.
- Yeah. - And then... Or if it's gonna be an emotional, which morning show is
more emotional than ever, I think, I've ever been in my whole life-- - [Sebastian] I mean--
- Until this day. - One of the things that I loved sort of about your performance was that I feel like
when I'm watching Alex, is there's always sort of
this volcano underneath that's just like almost about to... You know, and I feel like I never know when it would come or
when it may come or not. And so I'm just--
- Neither did they (laughs). Like I was fun to be around. - Yeah, but that--
- I mean, I was never-- - But that's where you kind of, why you sort of like, you know, you can't take your eyes off
of you in those situations. And so I'm just curious
whether like kind of walking with that weight and kind of keeping that, were you conscious of
that a lot or was that-- - It was one of those things
where when I left work, I had to drop it. I had to like listen to a funny podcast because it was literally, it felt like I was unloading
years of buried feelings, which was... You know, and as my acting
teacher always said, you know, acting is a healing craft and
I never understood that more than in this particular show. And I mean, and others as well, but this consistently over
and over and over again. You know, to just have to keep digging and you're like, I don't know
if there's anything left, but somehow you just go,
"Oh, it's still there. It's something more." I don't know if you
ever heard this saying, 'cause I always heard when I was... From my acting teachers and
stuff that I always always told, just bring the day with you. - Yeah. - Right, 'cause it's like you can prepare as much as you can, but then your life is still gonna happen and now is like a huge thing for me, even in auditions 'cause I, you know, sometimes you go into
auditions and you're like, please hire me. - Oh God.
(Sebastian laughs) - And you're just-- - I was the worst at auditioning. - Really? - I hate, I'm the worst auditioner. - Oh my God. - Are you a good auditioner? - I don't know if anybody is, right? But like it was still kind of a fun. I didn't mind it so much, you know? - Yeah, that's good. I was terrified of it.
- [Sebastian] Oh my God. - I would walk into
that room just shaking. It's a shock I ever got
hired, let's be clear. My first, first job was a
Bob's Big Boy commercial. - Really?
- I couldn't... I couldn't get hired for like two years 'cause I was just my own worst
enemy walking into a room. - I know 'cause it's so
weird when everybody's there and you know, there used to be like a... Like the network tests.
(Jennifer sighs) When it was sort of like
a crowd, but it's dark, you can't really see--
- Black and you can't see them.
- Yeah, there is just shadows. - Maybe you'll get a glimpse
of an eye and you're like, hello. - Or you just hear a paper turn, you know, kind of--
- Yeah. - Yeah. - Or size. - Did you ever get that note, for example, like when you go in for something and then you have the
callback for the network test or whatever of... I would always hear from my
agent, "Just do the same thing. Don't do anything different," which almost used to freak me
out more 'cause I'd go like, what did I do that worked--
- What do I do? - That worked?
- (laughs) Yes. - You know?
- Yeah. - So let me ask you about morning shows. - Okay. - So concept wise and in terms of like
particularly with, you know, Alex and Mitch's relationship-- - Oh yes. - Did you guys always know even after at the end of season one
where it was gonna go or how were some of
those twists and terms, particularly with Italy and
so on kind of incorporated? Was that always a plan or
did that sort of kind of-- - No, well, that... 'Cause we had to reimagine. So we always knew after the summer, after we shut down season
one and went on summer break, Carrie kind of thinks... Carrie Aaron would sort of think about what season two is gonna be about. So then met with all of us and kind of gave us the
little bullet points throughout the season. And I was supposed to start in a rehab, like for mental health and we always knew Mitch was gonna die, but we just didn't know
he was gonna die in a... He went to do a coverage
on a war or whatever, he... It blew up in a building
or something, (chuckles) it was just like, oh my
God, this is so violent. - [Sebastian] Yeah. - So we always knew that
that was gonna happen, but then of course this
kind of just played out really beautifully with him
being sort of sent to exile in Italy to just sort
of live in his shame. - By the way, I do have to comment, it's true, you had one of
the best moments on film. You had your network moment. - Oh my God, yeah.
- You know, which was... I mean, again, like I feel
like when you're watching it, it's just insane to watch
as an audience member. But then as an actor, I
feel like if I read that, I'm like, yes, this is
good, this is great stuff. - There's a lot of those and I feel like Carrie
really gifted all of us with the material that
is like an actor's dream from the network, you know, mad as hell, I'm not gonna take it
anymore, that moment. Everybody has just was
able to have these moments. And you have these fantasies in life of having those like outbursts, but you can't never have them. - I do at home. You do?
(Sebastian laughs) Yes, no, I do it at home too.
- Yeah, I have that moment at home, you know? - It has to go somewhere. - It's like a letter that
you never send (laughs). - Yes, or you burn.
- Exactly. - Write it and burn it. - Very quickly after, no evidence. - No. - Do you ever have moments
where you as the are going, I don't know if I can.
I don't know if I... Do I really wanna go there? Is it... You know, can I go--
- All the time. - Yeah.
- All the time. I would just... I would doubt my ability, somehow that served me in being unsure if I was gonna be able to hit it right. - So this is something that I relate to in the sense that I think fear is good. - Yeah.
- Are you... So you're someone that's sometimes like-- - Nervous.
- If you feel, then that's a good sign.
- It's a great sign-- - Okay.
- I think. And then when you get there
that somehow fuels the scene and it works for in your favor, like you said, bring the day to work. - I know, and then maybe season three. - We're doing a season three.
- Yeah. - I actually just had to
think, am I going back to work? (Sebastian laughs) Am I doing a season three? Yes, we are. In fact, I've been reading outlines. I can't tell you what happens. Yes, it was hard for me to... When we wrapped season two, I
think all of us were like, oh, I don't know if I got this in me. And then, you know, they say as apparently like giving birth, you forget which I did.
- Wow, yes. In line with kind of
coming back to a character sort of over time and coming
back now for season three, but then coming back with Rachel, right? - Yeah. - For the "Friends" reunion. - You would've been a great
cast member on "Friends." - I loved "Friends." - You would've been a Joey, wouldn't you think?
- I mean, I go back at times, there are many times where I've gotten through
a lot of lonely nights with "Friends" I will tell you. - It's a friend to have
the room sometimes. - Yeah, and my friends and
I would always go around and be like, who are you most likely? I mean, I always came
closest to Chandler 'cause-- - To Chandler? - Well, 'cause I get very
sort of like neurotic and I used to die laughing, but-- - You were a Chandler Bing. - (laughs) I can't even imagine how surreal that experience
obviously must have been. I mean, you talk about the '90s and we want a staple of the '90s. Like you were saying, you have a friend in a way
you would turn into that show and almost sometimes learn
better about your friendships or relating with the
opposite sex, you know, in different ways you
hadn't thought about. So how did it feel coming back to that after all this time and seeing everybody and yeah, is it cathartic?
- [Jennifer] Yes. - Or is it sort of weirdly
the same goosebumps kind of come back or you're
just, it's so familiar it's-- - It was all of the above, honestly. I don't think we expected
for it to sucker punch us as hard as it did in the emotional gut. Like we just had this idea, this is gonna be so fun, we're going back to the sets
exactly the way they were. And literally every
single nook at on a shelf was exactly the same. It was so creepy, but each and every one of us we walked in, it was just like (sighs). - Yeah, yeah.
- Time travel. And then back to a time that
was, you know, was it 2005? I think, or four that it ended? And we were different, we were so little and our
lives were ahead of us and you know, so much has changed. And so we kind of had rose
colored glasses on going into it. And then it was just like, whoa, this is really a lot
heavier than I thought, but I wouldn't change a
lick of it, it was so fun. You know, every time those guys, we all get together, it's
just like no time has passed. - Yeah, I mean, I would imagine you're... It's almost like the symphony
probably, you know, kind of-- - Yeah, we basically grew up together and taught each other a lot and we're each other's fall guy, you know, 'cause the world was happening
and we were exploding and sort of that kind of notoriety was all of a sudden... And we were, you know, in these four walls doing the show and this
insanity is happening and thank God we had each other 'cause you couldn't really
talk about it outside. But it was before social media,
so we still had some sanity. I mean, I can't imagine now what every... How young kids today are, you know, becoming famous because
there's no respite, there's no place to escape, you're just-- - Yeah, to take a breath and-- - And understand what
you're going through. - And it's true. Like now I'm thinking of, you know, if you had social media and
"Friends" was happening, then you'd probably... Then it's almost like, I'm sure that network would've said like, hey, can we get a TikTok
video of you guys doing... You know, and you... And so much of that was obviously
preserved for the screen, you know, that you got those
iconic moments, but then... And that's why I sometimes
wonder it's like, where are we without some of that mystery, you know, a little bit.
- I know, I miss... I really... I get very nostalgic for the past when I think about that, like you would have
everybody on a cell phone, there wouldn't be any conversations. - I know. - By the way, working on green screen, how do you feel about that as
you did in the Marvel movies? How much of that was actual? I mean, that's gotta be tedious. - Yeah, I feel like
it's more opportunities to get distracted 'cause you feel like, oh, someone's gonna
do the work behind you. Whereas like if you're in the-- - The CGI stuff, right? Or your stunt (indistinct)? - The CGI stuff, where
somebody goes, you know, you're looking over there and
it's a planet and you know, there's a cliff.
- Yeah. - And then all these people are coming and you're just staring
at a wall (chuckles). But then it could also
just sort of make you use your imagination in a different way than you haven't before. It's weird, there's always
a pro and con to everything, I guess.
- Yeah. - I never tend to sort of discriminate between any kind of medium
or any type of genre or-- - Genre?
- Yeah. I think it always-- - Do you Have a favorite? If I could just live in "Notting Hill," the movie forever, I would (laughs). Or you know--
- Wouldn't that be nice? Yes. - Yeah, I mean there was
a lot of those movies. - [Jennifer] I know. - That were great. - That was great. What do they called? They weren't rom-coms. - The rom-coms. - Was that the rom-com? why do they have such
a bad rep these days? Because wouldn't that be fun to do one. - It would be do you-- - Wanna do one?
- Do you wanna do one? - I'd do one.
(Sebastian laughs) - I would do one in the second with you. - Will we shoot it in New York city? - Yeah, yeah, that sounds great. - [Jennifer] Okay. - They could probably write
that very, very quickly. - We'll get on that. (upbeat music)
