IPAD PAINTING TUTORIAL - Dramatic Clouds art in Procreate

okay welcome to another ipad painting tutorial on today's tutorial i'm going to really help you understand how to paint some dramatic skies and a sunset and some really nice warm colors i know that when i include a sky in certain of my other landscape tutorials people sometimes struggle so hopefully this focus on the actual sky more than anything else will actually help people understand how to integrate that a little bit better in other tutorials that i do as usual i'm using an a4 canvas within the app procreate on the ipad i've got some pre-selected colors here there'll be a link in the description of this video that will take you to my patreon page and the file will be downloadable there for free if you'd rather put them in manually then within the value section of the colors you're in the colors go to the value section each of the colors has a hexadecimal code they are all down in the description as well put them in there press enter color will appear up here and then you can just start to piece together your own palette anyway terms of the brushes i'm going to be using one brush today and that is the soft brush with an air brushing if i go too fast during this tutorial press pause catch up then continue and if you need to backtrack a little bit then don't worry about that too okay the first thing i'm going to do on my canvas i'm going to go to my layers so i'm layer one i'm going to my colors i'm going to choose the second color on my bottom row and if i go to the color disk you'll see the colors and it is within the blue it's a blue green color actually but it's a very grayed out version of it and i'm just going to grab that color and drag it into my canvas and it floods fills that canvas create a new layer so on this second layer i'm going to go to my colors and i'm going to pick this second color along and it's a really nice saturated deep orange red color but it is quite a darkened version of that it's not a grayed out version but it is a darker version of that color so on the brush size we're going to put it at around 25 and we're going to have the opacity at around 50 and i'm just going to have a few sweeps of this at the bottom section up to about halfway then i'm going to go to my adjustments i'm going to my gaussian blur i want to affect the whole layer and i'm going to slide it all the way across to 100 percent like that i'm going to create another layer and i'm going to go back to my colors and i'm going to use this darkest color to begin with now it isn't quite solid black we do have a solid black but it is still pretty dark and with this color i'm going to have a foreground bank of clouds these are going to be the ones that are really close to you which is why we've got a really nice saturated dark color so i'm going to go obviously back to my brush soft brush it's all going to be soft brush and i'm going to reduce it down quite significantly to around four percent and in terms of the opacity we'll have it at around 40 so what i'm going to do is i'm going to start in circular motion start to build in some shapes i want to put in the mass of this cloud so i'm i've determined it's going to be a big shape here maybe sort of thinning out a little bit and then maybe a bigger shape over here but i'm going to keep it as circular motions to stop it you don't really want any straight lines in this cloud sometimes as clouds get further in the distance we have a flattening off at the bottom part of the clouds but when they are nearer to us you're going to notice less of this flattening out at the bottom section so i'm just doing it as a series of circular motions just to start to build it up initially doing it as lots of separate strokes and it's going to occupy this middle section but i think it might have it slightly staggered so this is the bit that's absolutely closest to us so you decide the absolute shape of it if it varies a little bit from what i'm showing you then that really doesn't matter it's going to have its own personality it's going to be a little bit different than the one that i'm doing and that's absolutely great and that's the way it should be and then i'm going to have a bank of clouds over on this side we're going to push them back a little bit further with techniques but for now i'm going to have it at the same kind of intensity okay so once we've got the main shape i'm going to reduce the size of the brush to the lower end of three percent and now i'm going to start deciding on just some of the shapes that i think is going to look a little bit nicer now along the edge some of those circular shapes are going to look good but that's going to be a little bit too cartoony so actually some of those edges are going to be a little bit more fragmented a little bit more just abstract really [Music] now this is the kind of thing that might take a little bit of practice just so it looks completely random but the more you have a go at this type of texture in this type of shape you will get better at it but basically around this edge you just want to sharpen the detail up a little bit which is why we've reduced the size of the brush [Music] and you can probably hear i'm using lots of tapping motions with the apple pencil now this isn't the only color that's going to be along here because we're going to use really bright colors where the sun that's going to be behind these clouds obviously is going to really pick up and highlight the edge of some of these shapes that we're making anyway so this isn't the absolute edge of these but if we create something that we quite like even at this stage or is it more interesting then the chances of it looking better later on have increased so find some sections to create interesting forms you're gonna have bits that start to stick out or the bits where you get less and then other bits where you might get another section sticking out i mean what you probably don't want to do is have some strange suddenly sticking out like that it's gonna look a little bit strange so you can have bits growing out of it but maybe after it gets to a certain point maybe it fragments and and then you get a broken piece that's floating away let's go along this bottom edge there might be some slight flattening out even on this one that's really close to us it's not going to be as dramatic as the ones in the distance this flattening but you might get a little bit of that let's have some more shapes breaking off up here perhaps there's no right and wrong shapes with clouds i suppose other than you can look at something and it's you might be stretching the believability you might look at it and think it really doesn't look like it could be a real cloud shape so if you end it up with anything with straight lines obviously that's no if you get anything that just looks like it wouldn't hold its mass so for example you could have something like this suddenly growing out there now and it again it doesn't look quite natural [Music] so i'm creating some areas perhaps where we have some fragmented pieces we can come back to this and we can use the eraser in fact let's put the eraser on the same brush setting as we're using for adding information let's just say you'd been using this different eraser on a different painting and now you're using this brush within this painting to get them to be the both the same so they work well when you're trying to keep the same kind of texture press and hold the eraser and then when you do tap into it you'll notice it's it's matched the two things together so now you can just get in there and just start nibbling away at some of these edges and just breaking it up a little bit it's going to give that soft focus soft brush look that you've been adding information with so it's going to match up so the eraser tool can be just as important as applying information so i'm just going around with the eraser tool now and just starting to define some of these edges making them look more interesting if i think that you know sometimes some bits look a little bit dull give it some character bring out some of the gaps make them look more interesting but we can come back and do more of this later as well like i say so go back to our layers i'm going to add another layer but we're going to put it underneath the layer that we've just been working on and then i'm going to go back to my colors i'm going to go to this third color along now i'm going to go back to my brush i'm going to put it up to around 10 i'm going to put the opacity quite low i'm going to put the opacity at around 10 percent too and then above in this top section we're just going to bring in some more of this warm color now it's going to be lighter up here because this is where the sun is going to be having more of an impact so we're bringing this sunshine color this white warm color up a little bit further now i'm just going to fill in this section over here we're on quite a low opacity so you can go over a few times but i'm just going to block in this section [Music] i'm going to go back to my colors and i'm going to go to this fourth color which is a really strong yellow so if i'm going to use this i'm gonna have to put it on a really low opacity so i'm putting it down to about three percent and i'm just going to go back in and i'm going to make a decision as to where the sun is going to be where that area is so i'm just going over a few times now i'm pressing on lightly and i'm just building up the yellow color in that area we'll come back to that but i'm going to create another layer and i'm going to put it on top this time i'm going to go back to my colors and i'm going to go for the next color along which is a slightly more pastel version of that yellow really it's heading more towards the lemon but it is also it has also got more white in it so i'm going to keep it on a low opacity but i'm going to reduce the size of that brush to around two percent and then i'm going to start going along the edge of my cloud and in fact let's turn the opacity up a little bit so we'll put that a bit more generously up to about 10 and i'm just going to start going along some of the edge of my cloud now thinking about where the light source is going to be coming from which is roughly in this area we haven't quite put the brightest color in yet but we're going to start showing some of the effects so we know that we're going to get highlights along the edge of any of the nearby clouds anything that's near to that sun area it's really going to bounce some of that light back so we can just go around and really pick out the edges that are going to pick up the light in fact let's turn the size of that brush down to the lower end of two percent and let's continue with that you're getting a bit more accuracy we can really sharpen up the edges of these clouds now give it some definition again think about your edges you don't want these to be flat these are points of interest this is where your eye is going to be focused in so spend some time getting these edges looking interesting i'm not zooming in i rarely do during these tutorials i'm after the overall effect for you to help you get to that stage but this is definitely something you might want to zoom in a little for i'm just going to turn the opacity up to 15 just to make this even more impactful and we're just going around some of these edges still now as much as we are going around the edges it doesn't mean therefore that you have to keep a thin line that goes around it sometimes the edges fragment off into blobs and shapes that break away as well i'm just going to go back to my colors i'm going to swap and change between some of my colors so i'm going to go to this orange color this third one in and as we get further away from that light point we're going to increase the amount of oranges instead really so we'll probably use a combination of those colors so we can bring some of that warm orange in a little here and we'll have more of the orange over here but we might take just a hint of that yellow with it as well so it's often the effect is about mixing colors together it's not always really just picking one color for one area might be use one of the colors and extend that across your canvas and that's a better effect so you can see i've just added some orange and then we'll go back to our yellow colors so we don't want the brightest yellow we'll go for this one again and we're still on the 15 opacity so i'll just press lightly and i'll start to bring some of this yellow chasing the orange into this area again you can have broken sections as well as dark blobs drifting away you're gonna have perhaps thinner sections of cloud that aren't dense enough to give a shadow or a dark appearance but they are floating off and they do catch the light so you can have all sorts of floating little sections debris bits and pieces that are just fragmenting away let's really start to bring in some more shapes perhaps that go across this area i'm going to increase the size of my brush a little bit the top end of 2 it's quite a big difference between the lower end of 2 and the top end of 2 with this brush sometimes you really don't want to use three percent and you don't want to use one percent there's enough variation within that two percent size to fulfill all the requirements that you need from it so allowing this to become a little bit denser in places this is something you can build up gradually until you've got a bit closer to the look and the effect that you think looks nice okay so i'm going to go back to the layer that was underneath and this had our background warm colors and using this same yellow color i'm going to increase the size of the brush to 10 but i'm going to put it really low opacity now to 5 i'm going to go to where i think the sun roughly is and we're behind make sure we're on that layer and then we can start adding this in and we won't need to worry because we know it's not going to interfere with that dark layer if we feel like it's getting too bleached out we can go to this slightly more saturated warmer yellow and have that impacting as well we can start to extend it further across over here i'm going to go back to my colors i think we need some slightly more of this orange so i'm building it up with combinations of colors so i'm bringing some of this orange into this section too and perhaps bring it up into this upper area okay i'm going to go to the brightest of my colors now so i'm moving along almost at the brightest i'm at the next one check was still on the layer so we're still in layer four that had all those background colors and i'm gonna reduce the size of the brush to four percent we're still on really low opacity so we're on five percent and i'm just going to place the brightest or begin to place some of this brightness underneath now for a later stage we want to have that layer having more of an impact we can go to the adjustments we can go to the bloom setting affect the whole layer and we can turn it up and you can see it will make it more dramatic but we're not quite at that stage yet so we're not going to do that yet i'm just building up some of this brighter color into the background just helping the general sense that there's a lot of light coming from there now i'm going to go back up to this layer that have the darkest color on it and i'm going to go back to my colors but i'm going to use this color so it's the darkest color within the warm colors and i'm going to reduce the size of my brush to 2 and i'm going to turn the opacity up to 10 i'm going to go along this edge and we can start to bring inward some of the warm influence of that color now it's not going to go over the top of the bright yellow color so we don't need to worry about it doing that because it won't it's underneath but you can quite happily go along that edge knowing it's not going to interfere with that yellow color in fact let's turn the opacity up a little bit knowing that it's not going to be a problem we'll put it up to about 20 percent let's go along that edge and it's just going to soften it a little bit add some of these warm colors it's going to start to improve the overall look a little bit it's a gradual process something like this it's a minimal impact what i've just done but it it still can be quite important to the overall look i'm going to just go over this area i think this needs softening in a little bit we'll probably do that more effectively with another layer afterwards so now we're on this layer i'm going to go to my third color along which is the orange color turn the size of the brush to the lower end of two percent we'll keep it at the 20 or thereabouts and i'm just going to use this orange to start picking out some of the edges of the clouds that are a little bit lower down so the light the sunlight is obviously behind all of the clouds but it's not here it's not actually located there it's located millions of miles away so it's going to impact all of the edges it impacts here most but you can't just ignore the other edges it will have an impact on those and it will create highlights along those edges too [Music] and we need to perhaps add some anywhere where it's darkened off as well i mean if you're going to add it around here you'll probably find that the background is lighter than the color we're adding so if that's the case you need to go to a lighter color to add to that area so we'll go to this yellow color i'll just show you again if i would go to that more yellowy version and we'll just ever so slightly lighten up along those edges you don't want to go too much though in fact i'm probably going to subdue most of this with an orange color but to begin with we're going to just bring out some of the highlights and then we've got highlights along around this cloud that's sticking out as well so spending quite a long while just going around the edges of these clouds [Music] okay so i'm going to create another layer i'm going to put it on top of all my other layers i'm going to go to my colors i'm going to go to this third color in again i'm going to put the brush at around 5 and the opacity really low at around 5 and i'm going to have this color imagine there's the sun there and it's breaking through and we're going to get sunbeams that go and cut in front of this section of the cloud [Music] and if we extend this round all those beams are going to have to go in the direction of the sun so they're all going to burst out in this direction obviously so this is almost like the vanishing point and all the beams twist and turn always to face that point if they cross over a little bit it doesn't matter too much because i can go to my gaussian blur affect the whole layer blur it in and you can see it's knocked this section back and it's brought this section forward so i'm going to continue not always worrying about the beam sometimes it's just not going to be noticeable but i'm going to knock all of this area back a little bit i feel like it's all competing a little bit too much and i want this area to stand out more [Music] so it's this section really where we we get a distinct beam coming through so maybe we should reduce the size of the bush to three percent we can create that solid edge where it cuts down at that point and the rest of it is less important but certainly at that point we need to have a clear sense that it's broken through as a beam [Music] perhaps we'll also do the same thing so we can imagine it cutting through here and creating some beams that perhaps so imagine perhaps it goes up to around in this area and then maybe it's creating some beams that just you don't need to absolutely clearly define them but just the general sense that it's cutting through here maybe it's cutting through here a little bit we're on really low opacity you don't need to clearly define them at all [Music] if you find that you are too clearly defining them you can always go to your gaussian blur affect the whole layer soften it in a little bit and then go back in and define it as much as you feel is necessary but don't go overboard so i might go to a brighter color in fact but if i go to this one but i'm gonna have to be extremely careful so i'm gonna turn it down to two percent opacity and the top end of two percent size so i'm just going to perhaps just sharpen up that edge and that's even too much i'm going to reduce that back just a couple of tiny tiny gestures just to sharpen up the fact there might be some beams coming through there and we're going to have to add some brighter colors here to really justify these beams i think just a hint coming through here and there in fact let's add some at the top so we'll turn this up slightly to three percent we're still on super low opacity so we'll just add some of these at the top as well so they'll get slightly wider as they go off and i'm perhaps too clearly defining them a little bit at this point but i'm going to use the gaussian blur perhaps we don't need to do the whole layer gaussian blur because these sections are fine so what i can do is i can just specify which bits i want to blur off from which bits i want to leave alone so these are two defined it's not a problem i'll go to my adjustments or gaussian blur and i'll use the pencil now it seems to be set at around 60 we'll try that but we'll turn the size of the brush up to around 10 percent put the opacity up to about 40 let's see how that looks and then we can just start to blur these sections in so just the bits that are perhaps creating too much definition we can blur those bits in instead of all of the layer go back to my layers i'm going to create another layer i'm going to go back to my colors now when i was adding these clouds i was using this color so i'm going to use a slightly more subdued not quite as black color i'm going to reduce the seismic brush to the top end of two percent in fact let's put this layer underneath that first cloud layer so that's the cloud that we want to go underneath to create a new layer for underneath there go back to our colours go for the second colour in this time and size of the brush is going to be top end of two percent and we'll probably need to turn it down a little bit so i'll put it around 30 opacity i'll just start creating some more clouds here so these are okay to be slightly more stretched out and we'll do something over here as well [Music] in fact let's turn the opacity up a little bit just saves a bit of time so i'll put it up to about 50 let's really bring some of these out a little bit more [Music] bring it across here [Music] so because we created a new section of cloud we're going to have to go around those with the highlighted edges just the same as what we did before before i do that i'm going to create another layer and i'm going to put it underneath that one again so we've got the dark layer clouds and we've got the next layer clouds and then we've got a layer underneath that and i'm going to move along to this third coloring and we're going to do the same again but perhaps these are slightly even more flattening out so i'm going to go back into these layers now i'm going to use this orange color the third one in i'm not going to change the settings really i think two percent and let's try it with a 50 let's see how we go so we're on this background layer now so we're just using the orange just to hesitately start to add some highlights definitely to the top edge of them and it might get to a point where we have highlights starting to introduce but we don't even see where the shadow of the cloud is anymore that tends to be what happens is that the highlight is preserved but the darker shadow of it is lost in the mix [Music] and if you want we can go back a layer to that layer of clouds as well i don't really mind sometimes the highlights can just go in any layer being quite rough now quite fast just to go around i can always refine a little bit later i feel like i'm going to add some tones just to knock sections back anyway so i'm not worried too much if they show through then we'll refine them okay i'm going to go back up my layers and i'm going to look at this layer and i think what might be useful is to put that on the very top and it's instantly brought out brought forward some of those highlights and i think that's a better move so we'll go back to that layer and we'll go back to our colors and i'm going to use this brightest color now this time but i'm going to reduce it down to the lower under two percent i'm going to reduce it down to about 30 opacity and just like we were going around the highlights before i'm going to continue that concept but i've decided here is where the brightest bit is going to be because this is where the sun beams are coming from so we really need the cloud to be picking up the most light and we probably need to start adding the sun in there as well [Music] i'll just go around picking up the highlights of the clouds to begin with [Music] and how about we turn the size of the brush to around six percent turn the opacity down to about 10 and just go for that area where we think the sun is going to be and it can just completely bleach out that area and then what we can do is go to our adjustments go to our bloom let's use the pencil we're on fifty percent loom effect put on five percent brush size and we'll turn the opacity up to around 30 and we'll just bring out the sun there and if you feel like you're just getting carried away and you want to keep extending it outwards you can do and see what it looks like i personally feel like that's going to be too much for my painting so i'm perhaps just being careful where i had it so i'm going to add it on this upper section but i don't want to add it into that section there i feel like it destroys the cloud sections that i'm creating so i'm going to concentrate that bloom effect just to where the sun is and now i can go back to my colors i think i might use this yellow color just to tap around this area to knock some of it back a little bit because we've got a really great effect there but it is adding a lot of white in so i'm just going to use this yellow just to subdue slightly around the edges i'm pressing on very lightly though but i can go back in now i'm going to pick the absolute brightest color i'm going to reduce the size of the brush really quite small to two percent we're still on the 30 opacity again we're on this top layer now where all the highlights are and now we really have a strong sun highlight in fact let's turn the sides of that brush down to the lower end of two percent we really have a strong highlight of the sun so now it's telling us that we need to have slightly stronger highlights around the edge of the cloud immediately next to it so sometimes when you add an element like that in it really dictates that you need more of highlights elsewhere as well [Music] go back a color as we start to get slightly further away and then we can go back another color as we get even further away and so on so i'm going to create another layer but this i'm going to put it underneath the darkest clouds which was layer 3 and i'm going to go to my brightest orange color i'm going to put the size of the brush up to around four percent and the opacity quite low at around 10 percent and i'm going to continue behind those dark clouds the concept of the the sun beams coming through in fact the opacity on that is too strong so let's turn that down even more we'll put at around five percent we'll continue those beams coming behind that banker cloud just interrupting and interfering with the sections further back i'm also going to consider using some of these dark colors now so i'm going to go to in fact now let's let's use this darkest color at the top i'm going to stick with the layer it's behind the main dark clouds and it's got some of the brighter beams but it's going to have some darker elements too so i'm going to turn it up to i'll put it at five percent but i'm going to have a bit more of a strong impact so about 20 opacity and i'm just going to start adding some of this shutting down some of the light in these areas here [Music] the fan let's really go for it with the opacity we'll put it up a little bit further to about 40 and i'm gonna do the same thing over in this section it's this bottom area you can always go back over it with the highlights that isn't an issue i just feel like if i shut down some of the lights then we can see the real impact that we have by adding more highlights and more beams poking through so we just shut down some of that area i think that looks more dramatic already in fact let's go to these muddier colors over here so let's go for that second color in and let's add another bit of that at the bottom go back to this darker color and let's almost add like a foreground element of land that's coming forward just like this sky clouds nearer to us we can also have some land that's creating a dark shape at the bottom as well i'm going to go back to my top layer i'm just moving around the canvas a little bit now so i'm going to go into this color so it's third in from the right i'm just looking at some of the sections up here i feel like it needs some floating highlights and things like that so i'm just going to reduce the size of the brush to around top under two percent and i'm going to have 20 opacity just i think that i can gradually soften the edge where the beam breaks out that could be a good thing we could do perhaps i should reduce the size or reduce the opacity on that to really get a slightly smoother look just be careful if you feel like it's becoming a bit clumsy we can always go to our smudge tool reduce the size of that and just smudge it in a little bit if it's not quite worked as a brush we can go to some of these sections back with the brush again just bring some of these highlights out we know squarely where the sun is going to be now so we can bring soft beams coming out and it can just sort of disappear it can have seems to have a strong release point where it escapes and then it can just fade away and you can use the smudge tool to help that process of it fading away if you feel like it's you can see the edges of it perhaps you use that yellow colour just to perhaps increase the size of the brush to three percent we could bring it a little bit down into these lower sections as long as we don't go crazy we don't make it too saturated it can have a nice impact down there perhaps that's really strong so let's let's set it down ridiculously low to around two percent opacity and we can just do it more gradually than that what we do perhaps need to do is is reduce the size of the brush to two percent lower under two percent and turn it up to twenty percent and perhaps we could add because we know there are strong highlights there perhaps there needs to be some strong highlights in this area underneath as well because it is still pretty located still pretty close to that sun let's go back to our colors we can use combinations of these two colors now to start picking out some of the edges in this lower section it's all going to be about texture at this point so we've got the general sense of it for the most part but we're just using these highlights to bring out some of the details some of the edges flip in between that yellow and the orange [Music] so still on that top layer i'm going to use this orange now just to soften in areas around this dark cloud too so i can bring some of this orange in just to slightly reduce that dark edge when it gets to the bright sunlight areas [Music] so i'm creating a buffer now this orange between the absolute darkest bit of the cloud and the lightest bit at the highlight in some areas anyway and we're going to have little sections in these cloud areas where you can see here just there's going to be a slight highlighting of an edge there but it's not going to be strong as the main highlight but there's a section slightly further back that may just have some secondary highlights so you can use a combination of primary highlights and then perhaps slightly less impactful ones so you've got your main edges and then you've got second edges perhaps that just will set back a little bit further i'm going to go back to the layer that had this which is underneath the highlights and it's got this diffused and i'm going to increase the size of the brush and i'm going to add more of that effect so it's around five percent now size we'll turn it down to around 10 opacity and i really want to bring in more of this orange in this section over here as well maybe bring out some of those sunbeams a little bit more [Music] just gonna go to my darker blue here go back to my layer two and i think i'm just going to with my brush turned up quite high to around 10 percent and around 20 opacity just bring in some of this darker tone in the background i think i'd like to just darken off this section to create a little bit more drama as well especially near the top corner [Music] back to my main top layer i'm just going to refine just some fine tuning at this point so i'm going to turn the brush size down to the lower under two percent i'm going to keep it quite impactful at 20 but i'm just going to carefully now start to use this just to pick out some of the the high definition some of the sharp edges that i really want to pick out so i'm alternating between these brightest colors so i can go backwards and forwards between them i want some sections of cloud some whisper clouds but really quite highlighted i can use these bright colors for that as we move further away i'm going to move across my spectrum of yellows to a slightly more subdued version well it's still a bright yellow but it's just not quite as much white in it i'm also going to use the orange just to pick up bits of details as and when i feel it's appropriate [Music] so i could take a whole section like that and decide to knock that back and then bring this section forward a little bit because it stays darker so just shifting areas with light and dark tone can really create a more of a sculptured shape with these clouds as well you know if you feel like you've done it too strong you can always turn the opacity down a little bit and just build it up more gradually and just slightly more subtle effect but there's lots you can do with slight shifts of the tone [Music] [Music] match touch i'm going to just use this yellow color increase the size of the brush really quite big to around 16 15 something like to put it at 15 just keep it a nice number and we'll have it quite low opacity it's around five percent i'm just going to start diffusing some of this area and i feel like it's the brightness just needs to be softened in a little bit from the sun into the sun area i feel like we just need to blend that in a little bit more go over a few times i'm pressing lightly so i'm using shading techniques i feel like it needs a little bit more press on harder needs a little bit less so let go of it and i feel like that's just softened it in a little bit more if i just show you what it was a second ago and then go forwards and i feel like that just improves the overall look at it okay i'm going to leave that there at that point i could continue to refine it for ages to be honest but in terms of the overall effect i think we're getting in the right direction if you do have a go and you want to share it with me make sure to join my facebook group there's a link for that in the description as well as my instagram you can tag me there hit the subscribe and i'll see you back here another time see you later you

Channel: James Julier Art Tutorials

Views: 24,735

Keywords: iPad painting tutorial, iPad art tutorial, iPad landscape painting, how to paint a landscape, procreate painting tutorial, painting in procreate, procreate painting, iPad artist tutorial, digital bob ross, learn how to paint digital, iPad art teacher, easy landscape painting, art made easy, painting for beginners, apple pencil painting, IPAD PAINTING TUTORIAL - Dramatic Clouds art in Procreate, how to paint clouds, paint a sunset clouds, beautiful sky painting tutorial

Id: tBZk3eDm5WY

Length: 39min 9sec (2349 seconds)

Published: Fri Feb 12 2021