How to create realistic interiors using D5 Render | Full tutorial

foreign [Music] tutorial you've ever seen the reason being is D5 render is one of the most intuitive programs out there I would say it's actually competing with lumion for ease of use if if not easier so we've got this scene here that we're going to replicate there's no there's nothing better I think when you're laying on rendering programs then work into an example and obviously you can apply this lesson then to your own projects before we move into that I just want to give credit to the author and the photographer is Timothy K and the architect is Adam Kane Architects and what I've done is I've just took a screenshot of that am of that image and then created a very basic SketchUp model I mean like locally you can't get more basic than that um I've you know just split the table into components just the modeled in that little that little divide down the middle there and then things like this say the rounded Edge and stuff like that we can capture that in D5 as well Okay so hit save let's import it and then it appears down here imported if you click it and then place it then it appears in your object list and it's the object list that you use to reload the geometry when you make changes and I will demonstrate that I'm going to go to when I get to it and here we are important and what I like to do at the beginner is if you just don't put up the assets window right and then we'll just use inbuilt materials we'll we'll create one bespoke one just for the purpose of the lesson and sometimes the note is this all the Assets in the library and they begin as cloud-based only and it's only when you start downloading that you know you create like an offline copy so I've obviously downloaded a few historically I'll show you what it's not click and drag it's just click and then you use the Picker one great thing about the D5 asset Library is the sage function you just type in something like marble and then you've got this massive list of marbles to use and the great thing is when you apply it like just look how realistic that is off the bath then down here after you've inserted a new texture you've then got all these options to do with obviously stretching the the UVS I prefer going the other way tri-plane it just Maps it more correctly on a 3D object that's a very good tool to just get used to taking and then I mentioned earlier as well round corner and you can see it just creates that little beveled Edge and you'll see it working there threes are good default commands okay so then if we just cut it out applying to some in build textures as cases just downloading for the library clicking and then applying it to the object of your choosing now I've got the same material for both sides there so if you would create a good way of working in SketchUp is just working with block colors when you've got a rendering program in mind because more often than not they break it down by material I like to then group them as well though just for a good models like really so apply the material to one side and it's the same the other side and that is with our reference and that's true to the reference I want to give yourself the option of a different material for the table but I do think I'll keep it the same but I just gave it a slightly different color just to get I say give yourself that option and actually the option in this instance could even be a difference in mapping also be nice to cut on the bump down and all that sort of stuff so that's in the normal so you could just do something too and you can see then how that's just soften the bump roughness feel like point one it's like Mega glossy pointings a little bit more glossy than it was we've got some other very simple ones that we can just tap into here we've got Metals so I've gone for a black matte metal layer nice and easy and then if I type in like wall that's where we go painted wall it's a little bit more specific no let's just find it in here then wall paint that's what I meant sometimes you just need to hit also sometimes you need to just hit then we just close out open it what it's doing is it's still trying to search so I just and just clear that there we go so I mean wall and roof wall panes it will actually go I'll leave that in it was good good to sort of see that but sometimes you have to just say something else clearly and it just it just resets the sage and what really what I'm looking for is just going to go just white wall paints just nice and simple okay so very very quickly are the textures there now when it comes to creating the floor I will create a unique one so to create a new material you just pick the surface that you want to you know change you want to add maps to and I'm gonna just change the mode there because sometimes it's defaults to base color changes the base color map I want to head to one of my favorite texture sites I've just gotta download a polished concrete floor it's not it's not identical to our reference but you know you'll get the idea in here let's make a little folder for textures drag that in extract and it's just a case of just copy that file path paste it there and then we'll call it you can see there straight away that looks fantastic normal we'll make the normal quite strong [Music] do you also try and build in those imperfections speculate is the reflection map roughness is the gloss map now sometimes just on that yeah so it's gone the other way oh no that's right that's sorry sorry um what what I was going to suggest was sometimes you need to invade the gloss map so it becomes a roughness math but it's it's working this instance so we'll take it that's how you make bespoke section as well very very simple see the mapping just instantly improved when you hit try playing it actually let's make sure we've got that actually known all these okay well let's just kind of gloss down with that I have 0.2 maybe a good point and five okay now we need our backdrop we've got tons of trees in the background so Assets Now we move to model we just need chip there we go we're gonna go for nice corner for trees now I've got a few downloaded just for the papers the video so let's just drop them in they're very detailed very realistic [Music] I quite like these two anyway um and then one feature of notice is that there's a trunk that's right in front of the window so we're gonna just start with replicating that as best we can actually that might even be up for this one yeah that's nice by the way to save me a job of navigating from outside to in you can actually create scenes in a very similar way to SketchUp all I would say is set up your camera face like your view first and just be wary of jumping between perspective and two-point perspective gives you that notification there so I will I always set two point perspective before I you know create renders that's a lot of architectural photographers do and then I create my scene and if you then want to navigate out of it I would just suggest that you then hit perspective and then away you go so let's just get these trees set up if you hold shift while you're moving you create a copy oh didn't mean that now the good thing about this um list here the object list this is what's called an outliner and you can then select objects while you're then in your view it's obviously a lot easier than to the team and its impact something like that will will do us for now and then we've you know we've very easily created our materials do you want to make the floor just a tiny bit closer actually so we've created our materials very very easily sorry I'm just I'm just tinkering I've just noticed as well that the bump on that water is horrendous let's just do like 0.1 as well oh it's good to eat an invade that actually so remember earlier I was saying that sometimes a gloss map um is is it needs invading well actually I actually didn't realize you could do that within this program so that's very good so you can see it it is just waking up that little bit better so let's just let's just invade that one as well and it's just getting rid of those weird like the weird highlight lines in the in the timber yeah that is much better okay so that that's what we were after let's try that for the floor as well see if we're getting anything different [Music] yeah I think I do think that looks a bit better actually so okay very good um now so we've got our materials we've put you know we've used some of the um objects in the library and by the way we will expand on a you know in a short moment um but then the Simplicity of D5 is as you can see there's a lot of menus a lot of buttons and that's actually one of the beauties of it if we then move on to environment because it basically it's just these two things that we need to then affect you know what what our rendered outcome is is going to look like so I like to use the hdris in in D5 because especially for the Interiors they give you a um a bit more of a softer overall kind of Bounce life let's go for like a partly cloudy and there's a case of just rotating it Taylor's son on just so we can change that individually there we go if we got a direction well the lights actually coming from over our shoulder but just for the purpose of this wheel and just do something like that nice long shadow keep the intensity to warm just warm it up a little bit a nice thing when you use the fog is you can turn on volumetric light and then you can you can see the you can see the effect there if we just turn that down let's just do point zero one just nice and subtle you don't want to go too mad with those sorts of effects and then if we then jump into effect turn off auto exposure and then we've got full control something like that a little a little better it was obviously way blown out I had to turn the highlights down all the way as well you don't want too you know too much when it comes to bright spots additionally dual Slide the the Shadows over to the left the fraction 23 size number and slope is kind of like the level of contrast and again you don't want to go too high with contrast but might just do 0.9 there Bloom just 0.05 very very subtle when it comes to things like that same with lens flare it does have a bit of a bit of something but it's all about these very very subtle moves uh for saturation if you go minus one it's completely desaturated so let's just do minus 0.1 just take a little bit of the color out of it it just seems rather a little bit of realism you can do all different kinds of color grading as well but we won't name we won't go into that for this one so it's a it's a little bit more advanced I might just slightly favor it towards it cooler tones and then really that that's that's all you need um when it comes to you know creating really nice scenes I think already that is starting to look well I think it is looking realistic now to lift the level of realism in this scene I think we need to then add more objects so one thing that I would like to do is let me just let me just thin that down that was looking a little bit a little bit chunky and I do want to add some divides here like that right and then these are the components or a nice way of Distributing these is to just do them and align it to the edge so and then really we want that to be probably more shallower than what we've got okay something like that save that jump back in here and again look at that difference now now that we've jumped from schedule to that you can see that difference and that's the beauty of of D5 really is that it's it's so easy to arrive at a realistic um real estate point so using our object list right click hit reload we've we've saved obviously saved all C and then there we are look how quick that reloaded as well now what am I if not my favorite things about D5 is the um let me just stop that lens flare down um is is the asset library but then the objects I love having a little look around the um you know ornaments so what we can do now is we can populate these shells with some of these amazing ornaments my favorite objects to add from the air the ornament Lively are these Dynamic ones let me just change the mode to sale actually you can just change it over here look at that oh apologies we need to say in real time on there we go just adds a little bit of a bit of Life do you see doesn't it and it's obviously it's pre-animated so that'll aim that'll show through when we create little animations so I'm just going to populate the shelves here very very quickly just using the first page of all ornament Library like so obviously yeah you're getting the idea that little lame the little inspector tool at the end there is very handy as well and that's what I love about D5 it's just it's just so simple to use and the results that come from it or um absolutely excellent and for me it has got the strongest I did touching on in my aim in my render comparison video the D5 has got the strongest asset Library these are these are actual works by by artists again for me that brings a level of realism as well so let's let's just let's pop that there maybe just move that along like so right and then one thing that you use to infuriate me my early stages of my career would have unboxed the shells now it's a few clicks and all that contained within the library as well so the scene was was looking a little flat if you like to begin with and then it's a case of just clicking on a few of these assets and we're away sometimes you do find see where that one's just stall in there but it doesn't stop you from downloading photos Okay so we've got that there now obviously our dining table needs a bit of dressing as well so let's go into furniture if I type in here Warden dining chair and we've got this chair that's absolutely perfect to go with the scene you can see there the asset library is nine nine thousand five hundred and twelve and that is growing regular just select all those rotate let's see if we can zero then no there we go I'm just using multiples of 19. so there we go let's get rid of that it comes to like kitchen here kitchen and bathroom and you've got all these accessories for the kitchen area you can dress your table like so and it's it's this attention to detail that really lifts your scenes D5 given its extensive Library makes it quite easy to to achieve it's also a little bit closer to the edge any like food and beverages they're just these like lovely little displays you know little fruit bowls I hope this like orange juice in the glass I'll tell you what they've nailed the appearance of glass as well a lot of real time rendering programs they struggle with glass and I think D5 those are a great job of it see there maybe some booze for the air for the shelves as well it's quite these are quite random shelves I must admit but you get the idea maybe just another one just to balance our dogs nope a bit much there we go maybe just some wine glasses so again it's the case of just typing it up here wine glass maybe just glass them there we are so that's looking fantastic now if I do say so myself and then if you come back to Kitchen just to demonstrate a few bits and Bobs over here so let's just clear the search kitchen and I do things like this this like you know hanging board you can add that in there there's all kinds of you know utensils and different types of storage so I think I think you get the idea with the asset Library absolutely fantastic let me just apply materials over here okay that's looking well and I maybe just [Music] just because I just popped another corner here and we'll use it as a focal point in a moment for the shot something like that okay that's nice maybe too easy okay now before we get into the rendering aspect there's one other one it wouldn't be entirely realistic because the slide is a shut right um let's say there was a Terrace out there and you wanted to show some kittens we have Dynamic kittens look at that so we'll just I will just include this in the scene but I'm well aware that it's not a I'm just just looking at the settings here well I'll just play to the end and then that's the end of it [Music] to let's maybe just use another one I think when it's got open there I'm wondering whether it's only playing the opening animation but it's really I just just wanna yeah I think I think this one will do it so my apologies it's a little slow there but we've got it now so you get the idea I think I will just roll things like that I was just Fanning out a little bit too much okay there we go so that's nice isn't it and then you can slow it down as well so if we do like 40 percent I think that's a little bit more realistic okay that's interesting isn't it maybe just maybe over the touch okay now rendering as with everything else the rendering aspect is pretty simple so we've got two options up here a still image and a video now before we move into those two actually what we should do is Select other scenes so this is what I was talking about here with we could do something like that right and then in the camera settings as well we can do a depth of field and let's focus it in the distance you can just see how it's Blade the foreground set it to two point perspective as well and then hit create scene so now when we're creating images and animations we've just got a thing to to point to let's do a little close-up of the the table as well something like that now let's just begin the focus yeah I don't mind the focus being in the in the foreground there and you can see here you've got that level of play so 10 is like maximum which looks fantastic or you could just go two and it's a bit more subtle it's got ease and then he's updated it gives that little pink dot there just to confirm so there's three scenes that we can then take a shot of so if we go here hit the image button up top and then we can still mess with focal length here as well so let's do a nice 30mm lens something like that just drop it and you kind of think update you can update the scene to suit these little tweaks as well which I think is fantastic um aspect ratio let's do a four by three so it's almost Square and sorry not 4K 4K is obviously the wide screen let's do four by three and then just set that to four thousand is as simple as that hazing render obviously find your file path so let's just go it renders sorry and then call it you know table close something like that and the render times are incredibly quick we can see they it's you know it's just floating around a minute so let me take the other shots and I'll come back now as I got to this image just remembered one thing and it's let me just jump also a couple of little artificial lights so let's let's pop them in sorry let's call it with image mode and that lets me add a rectangular light and the papers of these things it's similar to what our photographers do and it's just a nice big box light this just basically boosts the lighting of the scene it creates highlights on you on objects and it also lightens dark areas of the scene you don't want you don't want a bright spot you don't want dark spots and these rectangular lights help with that you want the attenuation radius to kind of cover the the scene you don't want them visible in Reflections and you want the intensities to be pretty low let's how's that affecting the scene now so you can see that we're not having those dark spots now as we did previous but it's helping a little bit with it let me do like 10. yeah so you can see what I mean when when you boost it to 10 you can see what I'm getting on we don't want to be too strong with that so two two looks like it'll do the job so just wanted to make sure I got that in there make a habit of when you've got window openings like that make sure that on the other side of it you've always got oh sorry you've always got a rectangular lace now instead of cutting the video off again and rendering I'll just show you the two that I've done so far and by the way it gives you the option to export all the channels as well so you can mess with the the depth of field and the light and Reflections and stuff like that let's just show you a couple of shots we've got that one there and then that one there I think that one's really successful I think we're getting a little bit of issue outside there I think that's just because I've cranked the the depth of field a little bit too high but if you look over here the level of realism is brilliant something look at that for the shot and it's took very little very little work really um to arrive at that point so the last thing to show you is the videos so if I just sorry let me just jump out of there because I just have the wrong apologies so see the way within video mode and it's letting me wear through these scenes NASA pairs obviously set them up so let's let's just turn that blade out I don't think that Blair was was helping us let's just refresh that scene with the lower blade amount and then maybe some maybe do six okay so two things to note right you've got a camera here and clip here so the clip is the entire scene and the cameras are the movement so if I then just pan to the right and actually sorry let me just delete that in this instance 10 [Music] two-point perspective off because the camera movement isn't isn't quite right so let's start like let's go let's put a bit further left right add camera move to the right of touch like so add camera there your duration is down here so if we just do six seconds that's nice and smooth one thing to look out for is make sure that the curtain doesn't jump if it you know if it goes to a full cycle of animating it kind of jumps the beginning and it's pretty horrendous so there's there's one clip you can obviously rename it let's just call it red shot okay we can then jump to another scene like so and create a new clip edit that table shot add camera sorry before we do the first thing two point perspective of camera a little flip to the left and again it is the key thing to animations by the way it's just a nice smooth camera movements not all too fast okay then let's go to the main scene like so now what a little put a little off then aren't we let's just update that okay so new clip let's just call it Main and then TNR two point perspective off and then let's just walk forwards ever so slightly like so let's see what that looks like you wait looks like the camera's just gone and it's too high let's just refresh that there we go brilliant stuff four I sign off let's just hit that to jump out so when I would like it in editor mode I just want to finish that little shelf off there let's get a nice couple of sculptures something like that maybe just just put in the knee scale of that one down like so we then jump back here we've just got something there then so there's our main shot table shot and all Council shots look at that what a piece of software I hope that was useful to find out more about Academia please head to our websites at arcademia.com we offer a subscription either monthly or annual and we are trying to be the the skillshare of the architecture world I feel like we we've got um 25 courses at the moment we will have 30 by the end of the year we are looking to roll out the course on D5 render in full really going into detail but we it's not just software we cover all types of things to do with like architectural Design interior design project management and all that sort of stuff so thanks for watching hope you enjoyed it I'll catch you in the next one

Channel: ArchAdemia

Views: 57,855

Keywords: d5 render tutorial, d5 render animation, d5 render 2.4, d5 render interior, d5 render sketchup, how to speed up d5 render, how to stretch the texture d5 render, porque no me sabre d5 render, como descargar d5 render 2023, how to use d5 render, sketchup tutorial, sketchup tutorials, sketchup lessons, sketchup modeling, sketchup tutorial for beginners, how to use sketchup, sketchup for beginners, sketchup basics, sketchup free tutorial, d5 render, d5

Id: g23i7vkVtfo

Length: 48min 3sec (2883 seconds)

Published: Sun Aug 06 2023