EPIC HOME RECORDING STUDIO SETUP 2021 | Schematic Studios (studio tour)

[Music] so you know what's crazy about nashville is the hybrid of residential and commercial businesses especially since you know this is music city and in these videos we go to home studios commercial recording studios and like whatever hybrids that live in between specifically here in nashville that line is very blurred today for instance i'm gonna go hang out with my friend brandon highfill at his place which is called schematic studios it's actually ran by a combination of guys arun bali dave elkins and brandon highfill it's cool because the property is zoned both residential and commercial so it's like there's a house on the property and in the house there's a couple production rooms they have what they call the white room and one that's called the black room the white room is more of like an organic kind of folky guitars and instruments in there and then the black room is like synths it's all it's black there's a lot of electronic stuff and it's it's very very super vibrant they're both obviously polar opposites and then the rest of the house is like an artist lounge so anyone who books time there can one just use the kitchen the living room space to write and get away there's a nice outdoor area and then in the backyard there's another building that was built in the 80s to be a studio and then they expanded it and added on the a room so now it's just this it's a house that just has like i don't know it's crazy it's like four rooms i guess like an a b c d room and the other crazy part is it's like two streets away from me it's so cool i don't know is your town like this is there just an abundance of studios everywhere i mean it's so cool to watch how you know now more than ever i think people and musicians and writers and artists are investing in themselves and building their own space to make music and there's really no limit to how far you can go especially if your property is zoned both commercial and residential which is really cool so thank you brandon for inviting me out brandon's a talented engineer musician and producer who is the engineer in the a room and he actually has a music store in east nashville called east side music supply so if you guys live here i'm sure you've probably been over there it's like a smaller boutique local music shop which is really cool so thank you brandon for having me out it was fun hanging and geeking out so much great gear in this studio it's amazing and a ton of really detailed hard work went into building the acoustics and just like it was a very thoughtful design and execution of the place it's really really fun to hang out and see how much work and love you guys put into this place it's amazing one of the things that i've been doing over the past month outside i've been out of town but since i've been back and before i actually have been messing around with this mojave ma300 tube condenser mic here can you see this this is a nice little ad right this thing has been so much fun to use i didn't actually know much about mojave audio they're designed by david royer from royer lab microphones and uh these are like his condenser tube microphones which were really really i didn't know that but it's been amazing playing around with this mic thank you to sweetwater uh they sponsored this video they sponsor all the studio tours and just a fantastic company to get gear obviously they set me up with this and i guess it's david royer's take on the u67 and it is it is so good i've tried it now on drums acoustic guitar percussion vocals and tomorrow i'm going to be recording cello with it which is extra cool i'm using on a bunch of different things for this upcoming project which i'll formally announce later but um you'll see more about that if you're not subscribed hit the subscribe button turn the notifications on and you'll see when i upload a dedicated gear video just showing how i use this on different things and the project that i'm recording for is the thing that i'll be announcing later i'm really really excited about it so that video will be coming up pretty soon i'll make sure to put a link for this mic as well as the ma200 which is up right above on overheads right now down in the description if you guys want to pick one of these up or check them out basically the links in the description that take you to sweetwater you can click any of them and buy anything and whatever you get when you check out it basically supports my channel so thank you sweetwater for sponsoring these videos thank you guys for smashing the like button for the youtube algorithm the studio tours are every monday gear videos and a bunch of new stuff thanks to my great new editor justin justin shout out to you thanks andrew but this ad is already really long so let's go and wrap it up and make sure that the notifications are turned on so you're notified when new videos are uploaded lastly you can go to andrewmastersmusic.com and you can book zoom calls with me and we can chat about gear and studios and music and whatever you want to talk about as well as every other service that's listed here above again that's andrewmastersmusic.com you guys can even make a financial contribution to help me pay the bills for my editor justin who's awesome we're trying to get him full time so we can upload a bunch of new videos and a whole new big project that's coming up again so you guys can make a donation if you want or you can just share the video with a friend sharing these videos with your friends family or your mother it's probably one of the best ways to help out the channel so uh go ahead and hit that share button and let's go check out schematic studios welcome to schematic andrew thanks for coming out this is kind of like a compound setup we just want this to be a property of creation so we have a house with a couple mini studios i'll show you that first and then this is the b room uh this is the original studio it wasn't called schematic at the time the story is friends in those places was was written there as well as other things but i don't know fact from fiction we can't go in there today unfortunately it is in transition mode right now but arun bali uh that's his private studio basically he's in there uh working on a cartoon for nickelodeon called middlemost post my kids love it he's an amazing musician so he's turning him out left and right out there he also plays guitar and saves the day and uh craig finn i think is the other artist that he plays for we have a little chill area here in the patio when bands are in town we want them to feel comfortable uh so we want to have a lounge area for them to you know have a barbecue have a bonfire and have just a space to hang out that's not in the uh the hot control room all the time yeah be able to stretch your legs and come in here and cook if they want so we'll head in the house if a band's here more than one day they can make themselves at home and have a place to cook so they don't have to spend their whole budget on food there's a lot of good food in the area so that can be a downfall for the wallet so this this is a house yes this is zoned for residential and for commercial so the property is either or we're just using it for commercial purposes at the moment but um this house used to be rented as a residential um at one point uh but we have a living room here not a lot of gear to show yet but we'll get to that you know with nintendo and and tv people can you know kick back and relax and um you know they can come in here and get away from the band and write lyrics whatever they need to do i mean it's so detached from the studio that you can literally just i mean having a lounge is one thing but having a house yes where you're literally in a different building and have a whole different i mean it's a completely different feeling here yeah and it's the air conditioner works and that's always a plus nashville summers we have a lounge in the a room which you'll see too but you know it only does so much sure you can stretch your legs a little more and uh speaking of if you so happen to rent this place for a week i'd most likely be engineering for you if you don't want to you know spend money on a hotel we have a room here for you to sleep in that's awesome it is a mess because right now it is being used as storage bunk beds another bed and all this stuff will be gone soon yes let's not focus on this room right now shall we so we have kind of the white and the black room uh the white is more acoustic instruments if you will oh nice there's a band called syrin they kind of permanently rent this room out for now and they work on their all their music here they do videos here as well um hence the lights oh yeah as you see the lighting in here yeah yeah so this is like an auxiliary room yeah in the house and it's kind of book so we all kind of work together as a team they use this to make their music but if i'm in there with a band and we want someone to bust out a crazy mandolin solo or do some gang vocals or whatever yeah these guys can do it all so it's kind of nice to have them right here because they're always down and they're just really talented dudes and then carson is next door in the black room and he will be able to provide the other side of things synths keyboards oh you name it so here's the black room d room or i guess would be the more official title carson's been adding keys to some of the music i've been working on because he has almost every sound that i can ever want he's got more keys that are not here because he's on tour with multiple artists right now but we have the melotron we got a prophet six we got a juno 60 yamaha dx7 and um this cool little yamaha mixer has all the keys returning to it and that's feeding his interface i think he uses a single 1073 500 series module for most of what he does in here he also has the mikey as well so sometimes he'll throw up one or two mics in here get a really dead jazz kit and uh do a break beat for a track for someone really fast wow you got an old lug way back here yeah absolutely he's quick people send them tracks and have him just finish them off and he'll usually have them done in a day or two so carson cody i highly recommend him so if we're doing a session in a we have an agreement with these guys you know we could either haul one of these in there and track something real quick with carson's approval or just come in here with carson and bring the session on a thumb drive because it's all set up yeah so that's what we usually do is just come in here with them for an hour or two add some stuff take the session back in a and continue on that pretty much covers the house that's great so if we come out this way we will finally see the a room a little fire pit area a big yard there's actually a dog run back there so if you do have dogs and you want to bring them with you there is a place where they will not escape back here in the backyard we also have a little creek back there with a swing for the romantic times oh yeah if you really if you want to get away a little more and um you got to polish off some lyrics and get away from the rest of the van sure there's a good spot for that this is the a this is a this is my uh my domain here and i love it here man i really do the a room here was built i think in 2010 2011 but it was unfinished for a long time so about four years ago dave elkins my my partner here in crime and arun came in here and did all the grunt work and finished out the build out and floated the floors ran all the cabling did the mic tie lines yeah let's see let's go check it out yeah all right welcome to a here's the real lounge for the a-room oh no we have a bathroom back there so the first thing you walk into is sort of a drum storage not the best thing to walk into this is going to be a lot better we're going to have some cubbies and all the drums will be risen off off the ground and have their own little storage area after you my friend holy cow we swapped the mic out depending on the singer um but i kind of leave it set up there so i don't have to do that every time i got a b15 in there experimenting with different microphones on the bass amp right now right now we got a beta 52a and re20 but yesterday it was something different what's that neumann uh that is actually the warm that's the 67 there for the past few months every singer has selected the warm 67 as being the best for their voice so you know we're rolling with that and it seems to do the job every time i'm very impressed with that microphone i gotta say that's great here's the live room wow what crazy amount of detail has gone into here there's textures and the materials and the decor and the like what that would up there like yeah again i didn't have to do any of that i'm thinking my last nice gosh this diffusion is crazy yeah it's effective these and these it's all different this is so cool and all the decor you know there's a lot of stuff to find there's always a new thing that you'll see i'm still seeing things that i've never noticed before yeah so we got some coals overheads right now sometimes i'll do mono but right now i have the over-the-shoulder method that seems to be what i've been rolling with for the past year to be honest with you and uh there's no rack time right now so i before he got here i took the 421 that's usually on the rack and threw it under the snare which is actually not standard practice for me i like doing the under snare thing but i don't find myself doing it too often i don't really find it necessary because i love the crotch mic yeah i'm the same man yeah i'm just throw one mic on the top yes yes i got a 201 on there right now sometimes it's a 101 but 201 i love the buyer stuff 57 on the crotch um to get that kick snare snap and i run that through a dvx 160. if we want a bigger rock sound we'll bring in the bigger shells and i'll do a couple different practices fat 47 on the kick along with the buyer tgx 50. wow so that's an old-school one yes sort of like the m380 um but it does have some differences um but uh it's great on kick and bass amp i got a rca 74b as my mono room it kind of lives there i'll throw that on guitar amp sometime and then if i'm not digging that for the session i'll bounce over to here which is the 47 yeah the warm 47. when you came in and uh joined forces with these guys you already had all this stuff i had a lot of it so i had a few mics dave had some mics here too so we kind of uh you know merged but when i moved in there was no console there was maybe two pieces three pieces of outboard gear that's dave's i had built a studio in donelson here in town behind my house from the ground up i got way too carried away i ended up moving all of that stuff to a downstairs area in hermitage um and then acquired this neotech for an insane deal so i wired this thing up in the hermitage location and spent way too much time and money getting it all wired up three days after i finished dave approaches me who owns this who owns this property and said hey i've been talking to arun we think you should kind of join the crew here and i was like you've got to be kidding me i've been waiting for you guys to ask me this for two years little did you know yeah and i just finished wiring everything up here i walked in here and it was instantaneous yes and then over the course of the last year with kovid yeah i didn't have the pressure of having anything on the schedule so i taken my time we re-pinned everything for the for the tie lines and the pin outs for the console and the patchbay and then i brought in half of my gear and then left the other half at home for my mixing room oh cool that lasted a few months then i said what am i doing i'll mix in the box at home all this analog gear is going to do me much more good on the way in of course so brought my whole rack and everything else and that's what you will see today i love it it was nice to have the free time to go through kind of dial in how you know the patch bay normally and all that that was all charted out already so that was i already finished that deciding what outboard i wanted to live on what channels easiest way to jump from mixing to recording sure um without you having to redo the patchbay every time and just all the things that usually make us pull our hair out control room right here it's kind of like a life aquatic submarine in my mind yeah the vantage point from the console down there you can see the live room so if there's a live band or just a drummer or a drummer and a guitar player playing together i can see that but also we have these three windows that i can also see from there so vocal booth here piano room and uh aka another iso room for cabs or small combos whatever and then here is another amp room so ah great always have a combo or cabs and the heads are in there feeding those to the right here is where we keep all our keyboards and stuff but that's what the windows are and then are these your guitars uh this is uh one of my telecasters um this is my favorite tele i've ever owned it's built by a swedish friend of mine he had a company for a minute called black lake but to for obvious reasons he doesn't build them normally so it was kind of a custom thing he can't sell these he built a 60s tele for us and this jazz master is one of dave's yeah also custom body jazz master uh dave stratt dave plays in a band called may m-a-e they've been around for quite some time um so he has that and his project's called schematic which is where the studio got its name uh this is also one of dave's tele deluxe classic sometimes i'll throw a combo under the roads uh and bring an amp in here for if i'm if i've got three or four amps going for any given reason we got a mk2 uh mark ii road stage piano i had a mark one in here sold it regret it already i'm gonna have to get another one piano tone oh um j600 we got a microkorg xl sub 37 which is always fun oh yeah a couple couple glockenspiels love that we just kind of keep these in here we'll uh run the roads into the amp room and capture it that way and then any of these we can kind of pull into the control room at any given time and a lot of these are small enough to just kind of grab and go oh another use for this room the drum storage on the other side and this wing where we keep the keys are really great for wide captures for rooms i'll have 414s or ribbons whatever they are and if i want a wider image i'll just keep these doors open like you said and look directly at it kind of measure and do the same thing on the other side that's probably one of my favorite room sounds to do man all right so we'll check out where we keep the amps miked up it's kind of like fine dining at an italian restaurant under the lights with your lady for the romantic days 80 30 still one of my favorite amps for just natural overdrive i just love using the dirty channel or the clean channel for that matter and just having it break up just the right way and down there we have a stereo cab that we have a super running to right now twin reverb i got an original 79 high watt 412 with the fein speakers i have a high watt head in the control room feeding that another rca 74b we have a gold one here two white 421s on these cabs you can tell i like 421s on guitars we have more amp room area as well as piano and vocals can any of these rooms can be used for anything really cool casket shaped ceiling i think that was accidental for the acoustics but it looks kind of cool i got a 64 champ i got one of those handy dandy royer clips that it's perfectly in phase 57 i got the old unidyne 57 with the r22 r122 on it i love that combo i'll usually move that from from the champ to this gibson falcon here handy dandy brownie for stepping the voltage down for my old amps uh nashville power spits out at least 120 um and uh that is not always optimal for two vamps i haven't had to change tubes once since i got that thing i got no gibson acoustic in here this is another one of dave's we got an old piano in here i don't know how his audio is going to come through but [Music] i really love the decay of this room yeah it's great this room sounds really great i like this room for piano obviously sometimes we'll pull the piano out and mic up the sound board instead a lot of times when we'll do a live session if they don't want to all be in the same room and they want some isolation uh we will have the band leader in here looking at me where i can see him across the way there yeah yeah and he will be churning along with his either captured or scratched guitars and kind of sing along or give the drummer vocal cues uh through the headphone system is it control room time yeah that's where we're going to spend most of our time yeah let's go the toys this is what you guys are trying to watch for right this is it when i had a mix set up in a separate location i only had this rack here but then i brought all of my stuff from home and it creates this tower of power neotec elan 28 channel 24 bus um thank you jakir king and vance powell for convincing me to buy that uh electrical audio and chicago i love what they do the preamps i love the preamps i love the eq and i do run outboard pres and eqs as well but it's nice to be able to toggle for whatever the source is being fed uh it's got six auxiliaries well there's an av and then four instead of monitoring our headphones i use those for effects yeah and then i have the returns on the last channels here and then sweet this was supposed to have 32 channels i cannot find the rest of them i've had an ebay search for a long time uh they don't come up they don't make them anymore i've reached out to neotech scitec yeah they don't make any of this stuff anymore so i came up with a hack uh we added this ssl six and so this kind of is not just a random mixer here it's tied in to finish the console another weird thing about the console is it did not have a headphone amp or anything okay for headphones so we took the we got one of the cappies and took the faceplate off and he drilled out the neotec plate and made it look like part of the console which i appreciated that detail so that's uh that's a cappy headphone amp and then what's this guy over here okay uh 388 one of my favorite machines 388 is a eight track all analog obviously with tape there we have the last eight channels of the live room terminated to this for a really quick dirty live take of anything i have this normal to the neotec as well so if i want to add any outboard or mix it on a machine that's not the 388 i can actually mix it on there just like i would anything else all i have to do is press a button and there's our 388 we should hear something coming through there it is wow and anyone who's not familiar with this is one of the most obvious fun tricks you can bare speed it oh yeah so i know oldest trick in the book but for you for those of you who have never seen or tried anything like that great for like exiting a song um [Music] that's amazing fun for days i better stop now before i get carried away 388's a classic machine and uh it's obvious why they sound great like again if we want to do a very simple live recording with kind of that motown vibe or like that garage vibe sure this is ready to go all you have to do is plug into the final eight channels in the live room and we're ready right next to that we have the high watt that's feeding the 412 it's a 79 custom 50 dr 504 and a supro under there one of my small pedal boards and then a medium pedal board under there those are kind of my personal boards but we always pull them out and treat them as an outboard effect 70s rick base fell in love with that thing that came into our shop and i had to have it the behringer version of the 808 the rd8 i'm very happy with that especially when i run it through a distortion extra dusty juno 60. we got a realistic synthesizer by moog old weirdo that's the uh the concert mate mg1 it's really great for some wild apex 20 goodness um acoustic treatment yeah diffusion i am a huge fan of the way that these rooms are treated it is super you know well-balanced but extremely controlled it sounds amazing what kind of computer are you running okay i was hoping you wouldn't ask because that's about to change dave brought in the mac mini it's an older one um but it's not really having to work too hard we're sure we're using all the processing in real world so we're capturing through some apollos we got two x-16s an x-6 and satellite octo for the q system i'm doing uh the adapts through the apollo console or from if i'm working in luna we can do it all from there then you got the behringer p16 headphone distro box that's right and then the p16 modules yeah those are that's down there yeah with the neotec power supply i keep my uh green sign there so no one accidentally turns off the console that's the only thing that's always on if you want to stay down there for a second i actually i'm really excited about this greg norman has me in this email chain to keep us posted when they make these electrical audio di boxes which are passive and you can use them for anything you can even use them as a re-amp box or they're just they can do it all so i have this on base right now i have the warm audio active di and then the good old trusty countryman and these are all dedicated to certain rooms so this goes to the piano room if you wanted to be in here with it with me um and send any signal to the piano room and this is going to the amp room and this goes to the base the vocal booth or you know right now it's feeding the bass amp this is the newest one this just came in last week essay 609 it's in the name you know what it is you have the real thing at home yep it's amazing i use this to print a mix for a band called pacific sunsets in la and it really helped tie it together bss dpr402 i just keep this on the 40 38 overheads to kind of attenuate the snare drum a little bit so i'm it's just picking up the cymbals it's not over compressed it doesn't sound squashed but every time the snare hits it kind of ducks a little bit to make room for the actual snare sound yeah yeah the audioscape opto two eqpas i'll use this on kick and snare uh order the mix for the mix bus depending on if i'm mixing or tracking the d comps these are awesome i really love these on a drum room but they're great on everything but i tend to use them on the on rooms for neve 8108s again i don't want to claim fact that maybe fiction but apparently please someone help me in the comments below if anyone has photos of neverland ranch studio i would love to know if there was an 8108 in there because if so these came from that console according to the tech who racked them up and and upgraded some of the parts this seems to be everyone's top choice for vocals um so we'll have a vocal one here and then this one's for one of the bass amp mics apparently michael jackson's voice went through this so we'll see that's amazing um spx 90 classic effects unit oh yeah i watched a lot of studio videos and mixing tips but uh andy wallace he talks about a few tricks with this that i've utilized and it was very helpful thank you andy wallace i mentioned having a pm1000 at my old studio we pulled that apart here's eight channels from that wow um jeremy clark racked those up for me and did a beautiful job i really like those on guitar and drums uh re-150 classic very classic i love it on everything snare guitar vocals you name it mcm82 from heritage a summing mixer and 500 series enclosure and it's got volume and panning so nice you can use it as a summing mixer for mixing or summing microphones together on the way in inside of that we have two marist 440s i have not seen too many people with these i don't know why they are classy api style preamp with and the radial extc style effects loop so you can hit your guitar with your gain stage and have all your time based and modulation based effects in the loop cappies vp 28 double twos double square i don't know how you're supposed to say it but you know right now that's feeding the ssl six uh channels three and four because those channels don't have preamps so i just added two preamps to the ssl six tg twos classic beetles those are those live on my overheads crotch mic i'm using the 88 uh room center i'm using a 1073. that's another stam uh 73 oh nice um guy from chile also a great di for synths and drum machines that we have laying around dbx 161 that's on the crotch knee 542s these are on the rooms right after the bss dprs effects and returns those feed the pedals down here which soon will be a wall over here right now that's kind of a temporary thing another lunch box with the 560a the mog for that airband retro that's for one of the base amps that's great classic really nice compressor cool yeah i got it vertical so it looks like a 500 series yeah that lives on the inserts on the x desk one and two we got the dynamite classic that's on channels two and three uh which is my uh kick out and my snare ssl 9000s channel strips kick out and the snare that's that's what i use those for most of the time and then i have the sweet bay 500 thing that allows you to um link any two channels or couple them i should say so i have the lmc plus by itself and then i have the dynamic section going into the eq just like you would on a console and that's you know all this stuff is creating this this is a whole nother mixer if you will um that's being normaled and fed to the neotec wow so all this stuff it looks separate but it's all connected and going to one hub so i can do anything at any time without having to set it up patch bay feeding the other patch bay more 500 units we have the opto tg i'm actually using this cappy compressor for the kick and microphone that buyer we looked at out there the tgx 50 is a really hot mic and so instead of using a preamp i use an 1176 style compressor to amplify it cool and that's kind of what i use for a pre xdesk insert 4 we have the great river compressor which is great you could do feedback or feed forward the xdesk insert left and right on the main out i have the harrison style 32cs from great river love those eqs another cappy the 553f eq very simple easy and the lc25 for shaping a kick drum i guess we don't have to go through everything but we got a ssl style bus compressor which is great because you have a blend that's a stem stem okay nice uh you got the transformer i got the neve one or the sorry the british style put in yeah so you can run through it without the compression and just utilize the transformer and cool so that gives everything a little bit more weight a couple distressors one's an ela one's in the l8x 2500 which lives on my mixbus api channel strip which is currently assigned to one of the guitar amps it has a di on the front so it's double useful ooh transient designer transit designer that's also on the rooms so my room chain is trained as a transient designer into the d comp into the 542 earlier i said bss that was a mistake the bss has my overheads stam uh blue stripe for vocal and that feeds the ua classics so good combo blue stripe into the la2a my vocal chain uh with the 8108 eq and the neotech eq to shape it exactly how i want the warm audio 1176 that lives on bass di oh cool a couple 160 x's for toms sound workshop spring reverb one of my favorite spring reverb sounds in the world it's very reminiscent to me of a classic stereo lab dots and loops record as well as some apex twin snare sounds a couple coils these are amazing uh amazing preamps i think i have those uh live room 13 and 14. so those are for anything at any time those are those are attached to live room 13 and 14. sometimes it's vocal sometimes it's acoustic sometimes it's anything under that we got the ca-70s that's on one of the bass amps dsp 4000 just like a ultra harmonizer on steroids you can program your own sounds and kind of tailor it ultra ultra flexible uh very overlooked unit we got the uh the hammer this hammer is on the main insert of the x desk so it's like on the final output of the x test and the insert five and six on the x desk is just dbx 160 s or the less common 160 combo yeah and i think i covered all of the outboard that's incredible yeah um and then pedals and uh drum machines cr8000 classic drum machine there i'm a big fan of that we've got some focals uh as our monitors how long have you been using these since i moved in uh they were here so i got lucky i have some um calis and some nf-10s at home for mixing oh nice um sometimes i'll i'll get all the tracks together and then print groups you know and then um get out all my mojo here and then take it home do all the automating or i'll automate it on this desk here which does not have automation but what i'll do is i'll run through a song i'll get all my faders in the proper position for whatever section of the song it is yeah and then splice it all together analog uh faux automating and behind all this stuff we have a closet with more microphones all the cables and storage holy cow good cars we got guitars that's right we got more guitars that's my jazz master um and that strat is a 90s strat mexican that i had derek ness up at our shop customized funny story is i wanted the ed o'brien kid a strat so he we did everything according to the king of gears website which was attack for radiohead and we picked all the same pickups we did the sustainer system so it's got the built-in six string ebo if you will okay uh where you could do a fifth and a seventh up and then a month later fender announced the ed o'brien strat and it was all the same stuff except the uh the middle pickup was a texas special i believe uh but i put the lace gold which was apparently what he might have used on today so that was a nerd project that ended up turning out really well and i'm really happy with how it came out so you guys are like open for business like if somebody wants a band an artist somebody wants to come here and book the space and have you engineer and just do a whole i don't know ep or project single whatever you guys are it's not like a private thing no i'm glad you asked because we are just kind of launching now there is like a relaunch if you will so they were open for business they made plenty of records here before i got here again i moved in right when covet hit so i took my time i had the luxury of getting this all fine-tuned and i've done a couple projects in here with different bands and artists and it's all going swimmingly and we're about to kind of start getting the word out so um this was a crucial piece of that puzzle so thanks for coming where can people follow you yeah website yeah sure um schematic studios at schematic studios on instagram schematicstudios.com if you want to buy gear you can go to eastsidemusicsupply.com or come see us in the store that's great brandon highfield productions is my instagram for my recording and mixing and for more nerdy content like that i might have an instagram called johnny blaine which is my personal one but it's basically more of this stuff yeah so schematicstudios.com eastsidemusicspoi.com and at schematic studios uh and they can book time will write from our website or they can give me a call and uh we're very personable we we're happy to work with whoever whenever and we just like making records and we want to do more of it that's great yeah i appreciate you having me out thanks it's good to know that this is here and maybe we can do more stuff in the future absolutely andrew all right well i'll put links for everything down in the description guys give them a follow go book some time come in here and make some rad music this is unbelievably just unique and beautiful space that you guys did so i really appreciate you guys having me and go give them a fall and i will see you guys in the next video see ya [Music] [Applause] [Music] uh [Music] your business

Channel: Andrew Masters

Views: 52,763

Keywords: home studio, studio tour, home recording, mixing, how to, aea, ribbon mic, gear review, recording tech, technology, affordable, producing music, investment, recording studio, recording, audio engineering, productions, music, millennial, mixer, home, diy, universal audio, luna, uad, plugins, soundtoys, studio, drums, big drums, drum sounds, sounds, sweetwater, senheiser, coffee, session, consulting, andrew, masters, vintage king, dangerfox, studio desk, Epic studio gear

Id: VT0M-4vIjE4

Length: 35min 35sec (2135 seconds)

Published: Mon Aug 23 2021