DaVinci Resolve Watch Me Edit my Spy x Family edit

i just recorded first three hour trying to like explain my pack and now i just had like the greatest edit idea so i'm gonna do that and i'm gonna watch me it's gonna be too excited so yeah okay right now i'm just gonna get my my clips so it's gonna be i don't remember spike's family spikes family there you go episode 8 the new one that just came out let's go scene cut detection and i only want the end because i have my ideas of wire bro so wired uh not too that far enough or it may be here and then i definitely need the end but i don't need all this stuff in the end so let's just go to like yeah there there auto sync other text all right and then let's get the end as well so at the very end and then let's do a lot of flashing so there you go all right cool now we have everything that i want and now i'm just gonna go through these clips one by one let's see if the cuts are correct yes yes yes oh wait yes yes it's the flash and then we gotta delete because it's the flash there we go like that like that like that delete that i use this scene anyway it's ugly what the heck would you invert come on nice blending mode so i'm not gonna lie he's pogging on going oh man all right how many markers are there that the song i'm using is my bread fight is it's unreleased darling i don't wish you well i'm not gonna play because it's gonna get copyrighted but it's so fire it's so fire you'll see the edit though so there we don't we don't need all this stuff but i do need to cut the last scene let's let's just keep that one that's fine and then cut and then that's a cut so we're good all right so now we got everything i have this going into my clip spin that's right here i'm just going to add eclipse to media pool just like that now they're all there and here's the audio i'll play it but i'll cut it out i want you crying okay so now i gotta pick my clips what you want to do is just go into this timeline right here and then take everything that i got and then just drag it here and then scrub that i just go through it and then just what i do is i get the audio like that and then i'll just whatever scenes i think will work i will drag upwards you should be going super fast like this maybe that one i need to blur this because it's just going to literally go into the anime um let's see there's a weird face okay it's thinking that's funny this is good this is all the scenes that i wanted to get oh i need that i governed that cut like a dummy i gotta cut it again you could twix things took things though and then at the end there's this villain scene like right here probably gonna zoom in so it's over over this but i'll use that that's funny oh but it's gonna get cut out whatever it's okay let's go over again and see if there's everything done [Music] this scene just that back half it's the same one bruh okay yeah they're talking touch hand i don't know maybe that one all right cool uh i think this is the ones that i want i'm just gonna copy this and then let's paste it to our main comp press the audio like that and then we're just going to ripple delete i might hit the delete key to get rid of the subs button over here so it doesn't shift anything all right there we dude that's a little go now i'm just going to paste on my clips this is literally the longest part it takes up to editing so we'll see how it goes honestly i think i want to go back and like get some of the earlier closings just walked in so i'm just going to go back to our media like this and then let's open up the sync detection again and let's see when he comes in yeah like this weird interaction beginning oh my god come on the door she says i need to be asleep i guess not the beginning beginning here we go i it's like this is tense for no reason and then we do that um i don't know at mess up i can't change it now it's okay uh i don't care i'm just gonna add these things no no no no i should add i should have added those extra cuts let's see what does it really duplicate no does not cool that that's duplicate let's just go here and and then this is a let's sorry get rid of it where is the get rid of button uh he's actually a delete key i just not hit there we go okay let's go through this part here to here the audio this is sassy i shouldn't say that maybe that maybe that scene hey uh maybe uh under overestimated of the scene but we'll keep it okay okay we'll see you obviously if i need it there you have too many too many scenes but the more the merrier i guess i mean he's worse if you run out of scenes how to edit but i digress because it's watching me hit it okay my reference is really fast but it's by uh tj senpai something like that yeah she did it fast i don't wish you well i don't wish you well and that's really fast she did all those beats whole level don i don't wish you well oh market darling i don't wish you well wish you well when you wait with me i got you crying okay should be good i don't wish well i mean i guess we could do something with at the beginning and stuff did you get cuts or she just slides these slides little okay slide slide slide it works it works with me as you like the hand they hit hands maybe wait did i say that anyway with me and uh yeah i think i do i layer my clips like this where's him angry me there you go are you waiting with me for reference this guy has a sister complex that yours is you wait with me i want you to cry how won't you cry because the lloyd i want you to let's grab these scenes i want you dragging pop that's fine it's fine i want you to cry void then you were yeah there we go this is the scene [Music] i mean i'll do different versions let's see as i can see where should touches shoot boom maybe there i don't like that that's the only thing maybe just fix this according to look at the right variation yeah all right i think i'm going to have my layout let's have my all my clips here i'm actually trying to do this i'm uh like quickly compound clip this and i should have just called this footage and then i'm going to decompose this so i just have like a little copy of all the scenes i want to use and then i'm just going to cop on this and do like f2 which is for footage too and i can just delete this and then now our microcomp is clean let me start doing other things so this is the layout and i don't wish you will when you ain't with me i want you crying all right so i'm gonna do a bunch of retapping and twixing first i put these in my cc folder which is my comps so let's just come back with this i just all individually so all these scenes are saved i'm gonna do a bunch of fade transitions so it's good that these are laid like this so i have a bunch of extra room do my twixing and then having extra room for fading on the twix too so that's my process all right now everything's cool let's see where we want to fade again don't hear i'm gonna fade right here i can't even not get rid of my cornering yeah so my recording got off for this section because if i hit the same button i hit for uh coloring my clip it mutes my mic on obs so there's no audio here to deal with whatever i'm saying right now and uh yeah it'll be back very soon because it's just you guys okay what part of this to be one scene let's just go in the timeline it was good i have it so i can go in the time i pay control c or by hitting t but you right click and then go in the timeline like that let's just do this like that okay it's a copy of our footage let's just do something like this it's not it's not even like twixing in the scene he's just talking he can freeze framing i wanted to but i don't think that i don't need to actually i'll try so you hit r and then hit freeze frame and then re-type controls and then get rid of this and then you can do this you can also get rid of that that's fine let's see what we got i want to switch these clips actually maybe not i don't know because it goes like him smiling not so i guess oops so we find other i also can exchange this out for the other footage that's there which is uh let's see the eyes this one darling all right darling i don't wish you will ha ha okay wait that could be a record let's move this and then let's take these two scenes i can delete the rest now then i i wish you well uh this one could be hidden i guess actually we need to come back with these this about like this uh let's put this off to the side i don't i'll be using this for now this is like a square edit for sure so i'll think about what i'm going to do that put to put some uh bars on it real quick i have it preset in my setting like this and probably put a way up here and i cut you a call okay okay okay okay so what do you know i got yes out of these clips then a little bit like three frames will be cool i guess b of the node or you just bleed like this like that that'll work for sure so let's do three three frames one two three bring it down bring it up one two three this up one two three one two three bring it down here one two three bring it up one two three let's just not even wait one two three oh this is at different b oh it should be here what the heck one two three two four for this one all right or something uh more egg skills i'm going to actually do all my stuff on the clip so let's see that clip ends there ish or here actually i'm just going to cut all these down here here oopsie oops again okay now i can collapse everything mostly to like this layer right here which is cool me okay scales time zoom out here for sure transform this this is very fast on myself too and then have this actually moving more instead of i want these to pan to the right and left so this would be these gonna be unorthodox for sure uh so some guidelines on here so a percent of the edit like this you might as well just weird i just for sure that's fine and then let's have another transform mirror to end up here go back to here and then like that and then oops control a s like this like this that's too uh quick i don't know if this fits we'll see you know what i said to learn in by just doing it and not judging before it's done guide oops guidelines transform that's not transformed don't keyframe here this to be centered first we want this to be mirrored edges okay let me add another one with mirrored edges and then we keyframe we wanted to go ask this is like this like this or you scale out t um actually barely i need this to be there too ish let's open up the spline yeah why is he not okay control a s down fast as fast here are these guidelines man what the heck okay here we go i need more zooming out so let's go from here to here and then make this more constant motion but make it like maybe not two but like one point two maybe further than that i mean 1.5 better keyframe any column d frame to one probably g drag click click okay s down like that like that a little less it's me some more centered i posted subscribe bro i'm not gonna lie watch huge scrap yeah uh let me get both barely barely it was like center of attention over there i'm excited for this one actually it's gonna be the slide of a lifetime another transform uh one two three four i've been closing four it's five ish less let's see i should be fine like this opposite side need some guidelines need some guidance thank you i need this to be the center mirror here we're gonna mirror here because we need to here here that's middle let me go stop it that's not too bad but i can see the motion towel displace control a as this this that's too much movement actually anyway you ain't with me just ignoring the motion is adding blur i can do that that's the wrong way let's go too fast let's do a slide here make sure this is mirrored that here is this like this guidelines i might keep that fingering that works like this go like this like that a little fast and now it's too slow i need more value to this actually we can go a little more this works i want you crying just settle this again [Music] like that like this oh this one's defined song just got stuck in my head every little step i take [Music] let's see like this too fast too much value made to last value be sure now put this up more uh bring it back like this this needs to be faster it's an rv that's awesome that's why i wonder i'm i'm like this and bring this down and it's still a little too fast we go let's go like this like this bring this back to here there we go and then disregard the movement and then like this guideline guideline oh my god i don't know let's see centered first mirror transform here and keyframe back here like three frames so it doesn't so sharp what oops pretty fast either way i want you crying i could maybe let's just put a version and then we can see if we can send it one more frame that'll look good that there we go [Music] i gotta put something here i'm looking at it uh [Music] look at this a s out wait with me [Music] i want you guys i want you crying with me let's just try like a zoom out and see how this over feels it's not going to end let's go here and then two here let's drag a s out like this a little less like that that looks weird loki is not centered control g you see um we go a little bit like here because he's leaning to her side no it's too much door oops i need to look to the right okay it's a little that's weird yeah let's hear this i want you crying i don't know it's not looking too bad i don't think it's like a strap right now um let's think of synthetic [Music] as well for this let's try it let's go like 1.5 it's a little too much 1.3 ish and a s down that's different movement i like that [Music] f that not too much more movement right here uh let's do like that and then down i want to move this down but like it room like that switch sides yeah we gotta move from your eyes up and so that's just the easy [Music] scaling by like one point 1.15 and then up a little bit there you go yeah that's it i do the little thing that i do that copy from ross a long time ago he's little flash and then go to the scene build up the scene which is here this is where it needs to put an opacity mess and let's do that and then it's like zero this frame is one phone that's not worth it on top do we do it fast right now i have a preset of it so let's see if i preset one maybe it's mk's one mk twitch me that's gonna be good we can't be seen okay i don't even want the scene there you go i don't wish you well i don't know about this one guys i'll take a break all right i don't know if i like it so i'm gonna tweak some stuff and see how it goes i think it would take we can switch the scene maybe sees if there's a good frame i mean there's movement but i don't know if i no that's not gonna look good even this is a little iffy and that could probably work but i wanted to be in this scene on this frame that hooks for that let's bring this closer huh for sure the scene um how much do we need though 21 22 we go that's not 22. here we go lock it do our twix let's open our twix bin generally all these things there you go let's go through it duplicate duplicate i tripping that's it okay like this like this go inside let's do every time macro will work we'll see does not let's do something like this there's no movement at the end so cut it down maybe four is too much yeah that like that like that let's let's make it quicker like this all right now let's add our optical flow let's do both please don't worry it's not working let's go it worked over there we don't talk about it it's a little too stiff like this all right cool i like this let's catch it that catches really fast i think i can get rid of that first framework add a version i don't know i could just cut it but i want to do it this way let's see maybe this is bad maybe it's good i think it works i wish come on uh 21. 21. there we go duplicate right there [Music] twix cuts he's moving a bunch and so she's moving too oh it's gonna be tricky let's see duplicate duplicate hello okay moving the slightest movement ever they both moved she moved nude dude he moved he moved he moved he moved move it okay that's not why she moves like that it's going to look so stiff but we're going to focus on him i'm going to try and make philly let's focus on him what do you do there we go it would be all right this one is going to be 17. like that like that like that w oh she's moving her mouth this might be obvious uh uh i'll do it anyway but let's see okay uh this one let's see how this will work a lot so we're gonna end it at five frames i know four frames yikes hey this like this like this more movement if we do like that okay okay no okay for this one i wanted to move but i want her mouth to like not do that thing and so uh we'll see we'll see how this i might have to do some masking and we'll see i don't even know how long the clip needs to be i need to be 21 22. there we go cut it all oh my god all right let's see let's start about's moving does he move oh he doesn't move everything i gotta i gotta focus on him i don't care focus on her bro bro hello there we go oh they put like posterize time on him oh my god looks ugly so i might just go with whatever frame that's not blurry one two three four five one two three four five six one two three four five one two three four five two three four five six one two three four five one two three four five six one two three four five yeah i just need to mask in our mouth so i need to choose a position that's the only one that's like not blurry okay i gotta take this frame mask out her mouth right i don't know like the colors are changing in the scene but we'll see like this this is moving around that pin that a pimple that's a mark above here do that and then you're going to soften the edge just a little bit yup there you go please frame it send it if it works yep for the most part well there's a warp you see a little tiny install on our face you can't teach in the shot your mouth doesn't move childhood colors but that's okay twix open this there's more more more frames than i need cool cool connect down i want you i want you all right cool i don't really think i need this but we'll do it anyway basically i look sharp or cool too so that's a good thing i got a warp hold up i want you crying a tad remember this position though all right now this is a good scene all right i gotta i gotta get some bumps here so this needs to be the end how he why does he close his mouth for like one one frame i can fix that that's funny bruh hold up 102 like that that's what that's what that was you crying every scene moving no one dude okay i see lag okay so we should just either hold on to this this one or keep his mouth open and i think i would keep his mouth open but [Music] there's this frame and i could use that this is gonna be harder because scaling i use the scaling the the mouth and maybe less and soft there you go maybe a little bit more coverage because he's opening his mouth super wide there we go let's zoom in okay oh man this is tough i need to paint it out excuse me lower so reference is this let me do this and trace back it's like almost perfect match okay that could work i will paint out everything below this using the paint node it will lag a little bit a lot a lot of it but it's worth it so that's all i got to do that's the wrong scene that's why i'll just copy that one here go into the bottom one just paste this on to that brush and then just blend everything together all right that's okay let's copy this let me just paste it on a different one i try to resize it no ah a little bit on this you guys gotta resize this what the heck man this like this like this like this like this all right now we just copy all this stuff so here we can come here and just put this in things you do for the high twix orbs you know okay here we go one more that's already good i could probably maybe erase something all right we shall know just it doesn't move a little bit but you know i just got to deal with it all right let's uh come up with this and then now we gotta do something special and uh mark out the frames where we need to i'm sorry so 5 15. that's easy that's seven um 15 all the way in so that's going to be 25 um like 24 to 20 23 to 25. um [Music] [Music] that and then we'll do a different version but this will be the flow version and we'll see how this goes pull this over here oh my god yeah [Music] that looks pretty good though let's see i'll take the last week that works and then i'll zoom out for four frames i was doing four ah it needs to be 1.2 already what are these frames for oh this is this do that like that more quick [Music] i much sharper me with me oh man i brought this you know what can i do to to fix this no not glow you can blur it like soft edge and then turn this all the way up oh no that's not how it works don't you cry i'll put my name or something in the corner i want you crying that's like so cool i like it i love that i love that syndrome so three times so guys [Music] comes off the blame let's see we'll see we'll see i want you crying okay i think you know i'm happy with where this is with the movement and everything so i'm just gonna add effects and blurs and anything else let's do uh wait where are they what the heck oh so i always forget it is blurry exposure that's too much nothing with that i'm dude let's do the exposure let's do easy exposure how much you cry wait with me i want you crying me i'm it's headset upon text or not i just called it like a twix anymore i mean let's play this is see what cc i got i was looking at seasons earlier and i'm between baby lime and easy easy you know the ones i have in my opinion coming soon so let's see let's see well we can combine them huh i wonder how look let's see okay even bad that's a little bright like kind of gives a darkness which in this scene yeah they put like they cobble each other maybe we flipped over let's see maybe instead of like in a nice exposure we put like uh those are flashes so i have this thing called manual exposure just like this this one okay i want you crying i gotta fix that this looks so bad um big um i kind of put some more attention on it i don't know i just like put a bright flash in that corner i mean maybe something like this like something like this like something like that and then this and then maybe this that soft edge like sometimes it blends in kind of sometimes only notice here so let's and until you notice it right away we put the the the thing down more [Music] soft edge down more yeah i don't know it looks weird flickering so i'm just gonna do that and do that it's gonna be the whole time man groups right there maybe actually uh let's do [Music] hit node and pino boys do i have a node on here oh i got the guidance there we go ah maybe not here honestly i want this to be hidden not drawing attention to ew like oh that know what i'm doing putting them on the fridge bruh hello stickers on the fridge man i put a bunch of groups here honestly uh like a multi-merge mmg it's from reactor and then we could focus it at the end i shouldn't want to focus on this like let me just blur it any bit this needs to be visible i don't know that's good enough copy base that let's go ahead node her node yeah bruh i think it's huge who's next uh are you okay okay you guys don't what the heck where'd he go oh i gotta fix this man luminance gotta put it on up to add opacity yes right there put it there here and now we fix it where is it oh it's a mass it's done i honestly there we go of oh i know it should go now old and rip cliche in a while it does look good does look like a magnet okay come on here we go you'll go i did a lot of my group defuse okay pretty big okay there you go okay here we go i need to add shakes but i don't know how i got that that one i guess the kid it could work i need to put shakes on the clip which is weird zoomed in tells him to mine like pj shake there we go let's go user i don't need the z for this y range pretty low even lower than that now we need to stretch it more lower lower angle and me i want you crying zoomed in no it's tough i can zoom it in like point one enough stay with me i don't know this ball is getting dumber and dumber all right so i realized that i didn't record like the last part of it and i literally did the outro because uh yeah i was like i'm talking about talking more but i feel like this is important to show this i don't know don't worry about this um so what else did i add i added a little bit more blurs some with like variant a very some with different types or different strengths of blur i think or different lengths different lengths for sure types but yeah um i don't know why this is disabled um what i ended up doing this this thing is still here yeah um my shakes that's what i want to show for sure so all these have little shakes i made i did i didn't use the other uh pg pj shake i had it's basically the same process like kind of so here i have a shake and a critter shape expression shake i got the tutorial on it and uh excuse me people are a little iffy or i don't understand how it works exactly so i'm going to try and explain that a little bit bonus if you made it this far you are you don't understand what this is so it occurs is a preset graph at the half so if we just put it on here right click and modify within the amp curve it's a modifier so it modifies this value so you see right now the value we have this clip look at it like this um this center is at zero zero like nothing just this is the whole scene it's not being transformed if we move it here and then now the center goes over here and that's a move we move the clip to the right by a 0.5 value and that's the value that they have for davinci and so with what we do when we do another curves is we're controlling this value on this little preset graph that is that is there so so go to our modifiers and to see the animators around the different source types but usually just go duration so it's the whole length of this uh this cop right here um and then you can do for the curve we're gonna do easing and then we're gonna go here put elastic and what that's gonna do is if we look at this here gonna give a curve that goes like this it goes up and down and then averages out to the middle value image or we're going to use the middle value because that's how i use it so i usually now i just linked it to equal sign to get an expression and i just link this value to this value so now it'll be the same value but then i put a negative sign so now it's going to be the inverse of that value but at the end it'll always average out at this frame no matter what value we have it at it'll always end up like this because the way that we have it set up and then it'll start at whatever value that we want it to be set at so you use this if you're going to use use this method but i usually what i did is i with a shake value that goes like that and with what we have here it zoomed in so we have enough room to shake without showing motion tile but here i don't have it so i would be showing the little mirrored edges but i think it went like somewhere around that value let's see if we can see how it shakes like that this little easy bob you can see the graph here if we had this one you don't have to look up we hit this one right here on the from this node you can see um this is how long this node goes for right this goes for it let's see what value goes to it now it goes cc and it goes like in between almost halfway down there because that's a negative one point zero one five and it starts at like it starts you know it's at negative .04 yeah right there and then what we can do with this is we can adjust it to make it longer or start shorter so if we wanted to start earlier you can move this graph to the left by using the time offset so it goes like that you see how the graph is moving and so this value is starting earlier and so now it's going to start at a value of like 0.02 that's right right around there and if we move it back then the shake will be delayed until that point so i just keep it usually here maybe go like that just a little bit if i want to adjust it like that but the main thing i use is the time scale so this will make if we shorten this time scale it'll make it the graph longer and so it'll give a softer shake now if we make it above 0.1 it's going to make a faster shake like that sometimes you want that sometimes you don't want that that's different styles for different uh different shakes for different styles so i go a little bit like that you saw it in the the first trick i was doing i think the ones that i have in here i do like really really low so we look um look at this yeah we have like point five times scale and then since uh point one look at that graph like very just bobby and then ends at this frame it's just one little bob that's what i that's what i want from this little shape that i made so if i try to replicate that bring the time scale all the way all the way all the way down maybe something like that i actually wanted to start a little earlier and then make this i wanted to make it shorter honestly yeah so now this is this is fine i like this it's not i did something much softer there but you get the point this is how you control at least the y direction and that's usually use the y for the shape and then what i also do is i also put intercourse on the rotate and so we want the or today to control the angle that we have here and so you know if we go 40 we have to start at a 40 it's not going to start at this so we don't want to start that so we just i usually just go like between one and four degrees that's a little much better like three i would i think i did two in this one but just set that with the uh animal curves same process that we did before duration we go using elastic and then compare this to here and then put this length two and then also uh put this negative so it is normal at the end and then we could bring this down voice too even more now that looks pretty nice and we uh look at it with all this other stuff like this that's not too bad and now we have two different shakes i someone we just made so what i ended up going with i didn't make it the exact same but you could you can understand the difference different styles probably we want the impact to be and i usually i got this info for the shake by watching brendan because he has this one slight side chick he does i i just love the look of it in this edit i don't want to play the song because you know the song it's traumatizing but you see how it just goes up and down i like that i like the little motion and that's for all the all those slides in this edit or for most of i guess but that's what i try to emulate it doesn't look too bad so i got this and uh yeah that's what i basically did i kind of recreated it for the other other ones but i put it in front of all these nodes because uh they have it this interacts differently with these transforms and it just needs to be first so if you ever use the new transformer put it first and then put the rest of the transforms and that's how things will work i don't think anything i want to address i mean i can go a little bit on my decision making because i didn't really explain that in it watch me edit but look at this i kind of wanted to match up with the eye line see like all this you're going to look usually going to look towards the eye of the character each time so we're looking here looking here it's already at the same level so we don't search very much and then this one's even though it's coming from the other side like it's almost coming the same place and this is so because the rest of the scenes are like or most of the details are on the side but you also get the reps over here so i don't know those two scenes match together because you know the both videos on the side so maybe you're looking here making you look in there but then i regather your attention when you're looking at your and look at her facial expression and then it blends to the guy's uh facial expression where he's being yes so i go here it's still kind of the same eyeliner where my mouse is it's still the same see lloyd and you look at your i try to move this up you saw me in that i moved it up a little bit more and zoomed in but i think that's the best i could do and then you get this scene which i probably should have like colorful better but this is what it is and then you get this last scene which is way different from the rest of the other transitions but it's just a shake a twitch shake from uh mk's tutorial so i'll i'll go link that i'll for sure link that one in the description but that's where i got that and that comes directly from that other video i was watching from tj senpai when she made this edit so yeah and that's uh what i was just subscribing is like i forget what it's called but it's it makes when you have a certain point where the audience is looking it makes the edit easier to watch and it makes it more enjoyable to watch because if i had to look here and have a look there for the main subject it gets a little iffy so i'm even iffy about this little part but for the most part it's okay and you know look like tick tock i mean like that edited pretty decent so pretty good i mean if you don't hold my tick tock you know follow my tick tock i just post randomly you shooting spritz but yup all right um i guess i didn't back it up without so i said originally my outro it's going to be you want the project file or at least a project file but this video needs to get 2 000 likes so yeah you want it i i will probably be changing out uh this part about the shape the shake note because it's gonna be in my pack hopefully coming out on uh june 1st and maybe this video will be coming out after the pack so uh go get that yeah i will be taking this away missing with a different shake or something similar so yeah all right thank you for watching no more watch me edits let me know in the comments or if you just want me to do like breakdowns like i just did for this last couple of minutes uh let me know all right

Channel: PeeJ ENT

Views: 13,378

Keywords: PeeJ, PeeJ ent, davinci resolve, amv, anime, davinci resolve amv, amv davinci resolve, amv editing, amv edits, anime edit, amvs, edit, edits

Id: DuF8ZJr6oNk

Length: 111min 2sec (6662 seconds)

Published: Wed Jun 01 2022