DAVINCI RESOLVE 19!! What's NEW?! You won't want to miss this!

D Vin resolve 19 is here yeah yes now it's currently in public beta which we'll talk about in a second but as you can imagine it's full of some really cool new features one of them is this film look Creator which I've just had to play with and it's awesome it's going to be insanely popular it allows you to create really nice cinematic looking grades super quickly you can even do it directly from the edit page yeah there's been a big Improvement to the transcriptions Fe so now you can even have different speakers and they've added a bunch of mind blowingly good AI audio features one of which is something we've been talking about for ages that one especially like the dialog separator is but this music [Music] remixer now as you can imagine all of those features are limited to the paid Studio versions however there's good news for free users as well because the performance difference between free and Studio should be significantly reduced interventure resolve 19 I'll tell you why in a few minutes but first I need to do a quick bit of housekeeping this is a public beta it's available to download right now but it won't pop up within your D Vinci resolve instead you'll need to head over to the D Vinci resolve support website and download it for yourself as a public beer it will be buggy it will crash you will have hiccups all that sort of stuff so just prepare for that don't upgrade if you're in any major projects that's also a good thing to keep in mind and before you do anything make sure you do a quick backup of all of your project libraries just to be safe and I think that just about covers it now this isn't an extensive video covering all of these features because I've not been able to look at it for particularly long and I don't know all of the ins and outs but I'm excited to talk about it so I want to share it with you all so that's what we're going to do right now and we going to start off with an audio feature which is awesome and it's going to save me tons and tons of time and that is the new ducking feature there was technically a way to do the ducking within Fair lights but still you'd have to jump into Fair light mess around to get it to work whereas now you can do this directly on the timeline on the edit page so I've got this example set up I talk for a bit but then there's some big gaps underneath there we have music which we want to duck now you do do this at a track level so you need to set up an entire track just for your music I've got audio 2 down here so then if we give that a click then open up the inspector we can see the track level audio controls we have a new one called Ducker we just enable that the source is the talking so that's the thing we're listening to to know when to duck and then we can change the Duck level there are also some Advanced controls within here at the very beginning when it's quiet the music will be loud and then it will duck down good morning hopefully it's the morning now and then the opposite here all of that was shot on this this is the sur super useful that's going to save me loads of time in pretty much every single project that I ever do wow good one nice excited for that next let's talk about the transcriptions so it was this time last year where they added the transcription feature into the vent resolve 18.5 and while it's worked really well it did lack a couple of features one of them being speaker recognition so now when you right click on a clip and come down to the audio transcriptions there's now an option to enable the speaker recognition if you then run the transcriptions you got a new column with speaker one speaker 2 however many speakers there are you can rename them and then you can edit this transcription knowing who is saying what that just makes life a whole lot easier it's pretty cool in my testing with this clip of me and Casey from podcast which I've linked down below if you want to check it out it does seem to work pretty well it's a nice new feature it's something that people are asking for and now it's here another feature they've added is the ability to import existing transcriptions via a subtitles SRT file so if you have got a transcription already from a third party app or whatever you can import it directly rather than having to run the transcriptions within resolve itself once they're in they work in exactly the same way you can just copy bits from the transcription window drop them straight onto the timeline and job done and lastly they've added the ability to edit timeline content from within this transcription window as well which I think is a really neat feature so I've got my transcription window up here for an individual clip and I've added a bunch to my timeline as you can see just down here now within the transcription window we've got this little icon to jump over to the timeline view and now we can see that transcription from the timeline now there's a few cool things with this for starters I say something rubbish here or Casey does let's highlight that and you can see we'll select it on the timeline and then I can hit delete to get rid of that section now what's also cool you can see these little icons here these represent gaps now you can see there's a big gap here on the timeline where I'm not really saying much of anything it's quite a few actually big gaps and they are all represented within the transcription so on the timeline itself we can simply click this icon and it's just going to remove all of those gaps let's scroll back over it's cut all of the gaps out so we have a nice tidy streamlined timeline pretty cool indeed next up sticking with the edit page they've just made speed warps faster or should I say you've got the option to use a faster speed warp or a better speed warp now if you've never heard of speed warp it's a really cool Studio only feature which allows you to do slow motion for clips that weren't shot at a high frame rate so it kind of artificially fills in the gaps using AR and can we just take a moment to appreciate just how good it is this flag is slowed down to like 10% and it looks incredible anyway now when you activate the speed warp feature from within the inspector you have speed warp faster and speed warp better one of the issues with speed warp previously was that it is a resource hog it's really difficult to run there is now speed warp faster which is considerably faster to run but obviously doesn't give you quite as good results right now I've got a quick fire Round Here of quick edit page things that they have added so let's run through these really really quick text Plus in viewer so now from within the preview the viewer display on the edit page as long as you've got the fusion overlay open and you can move the text around you can highlight text and you can type directly in the viewer itself rather than having to jump into the inspector so that just makes working with text plus that little bit easier you now have access to the trim editor within the edit page so the trim editor or the enhanced trim editor whatever it was called on the cut page was really handy you can now do that on the edit page so all you do on an edit Point obviously you'd click and drag like so but now if you double click you get this enhanced viewer and it's actually really handy so here's the you got the left and the right so here's the first clip and here's the second clip and then you can move that edit point along or you can trim them you can roll them and it just gives you a much bigger view rather than trying to do all that stuff stuff directly on the timeline you can now search across all effect Library folders this one's super handy so I don't know whether it was just me you'd search within the effects library for a title or whatever and then you'd go and open up the effects and wonder why there's no results and it's because you've still got something in the search now if you click on the little drop down next to the magnifying glass rather than searching within the current folder you can search across the entire effect Library which just makes life easier talking of making life easier they've added a super sneaky little keyboard shortcut so now within the effects Library let's go to titles obviously if you click on the little icon that expands titles like so however if you hold alt or option and then click what it will do it will open titles but it'll also open all of the folders within titles so then you don't need to go down and individually open everything you can open it all in one big go if I hold alt and then close titles and then just open it regularly you can see all of those things are closed now that also applies to the favorites folder so obviously you get favorites within the effects library now all of the standard folders are available within favorites which just helps to keep your favorites area nice and organized winner if for whatever reason you prefer the fixed playhead style of the cut page you can now have that on the edit page instead all you do you click on this little icon to open up the timeline view options and then there's an option to enable the the fixed playhead and now you move the timeline around rather than moving the playhead around quick random mention this isn't talked about anywhere but this timeline menu looks different they've taken the design cues from the cut page and that's the first time I've seen them implemented on the edit page when I say cut page design I mean touch friendly design iPad kind of design H maybe anyway next up you can now restore from deleted timelines so there is a super handy timeline backup feature within the current version of denture resolve so you can just restore backups if you've made any errors or whatever now what you can do if you've deleted that timeline entirely you can click on the three little dots within the media pool and you can go to deleted timeline backups and you can see all of the timelines that you've deleted along with the backups that were created along the way you can get it back in a jiffy nice support for bezier controls with open effects key frames this is another big one so previously you could use the open effects effects things like transforms and there's loads of cool stuff within there and you could add key frames but you couldn't add any curves to those key frames now you can open the key frame editor and you can add ease ins and ease outs and S curves and all that sort of stuff which makes all of the open effects plugins effects whatever you want to call them much much better to use some of those actually have builtin motion blur as well like the transform one is going to be way better to use I'm thinking we could probably make some really super easy handy fast transitions now that's a job for another day you now have the ability to select the audio channels when doing an audio sync so I have to sync up my video and audio whenever I do these sorts of videos it's dead quick and easy and resolve you just select both the video and the audio and it will all syn up on the waveform super handy the downside is it never really worked if you had multiple different audio channels and you could never pick which one you were using for the sync now there is the option so if I was to go to try and sync these two I could highlight them both right click autosync audio this new window will pop up I can select waveform and then I can select the channel number so do I want it to be the channel one two three however many channels I've got I've only got one so there's only one option but but you get the idea there's also mix and automatic mix will take all of the channels and squish them together into one and then try and figure it out from there super useful if one of your channels has got a big sort of empty space in the middle for example and then you've got automatic as well where again the D Vinci resolve brain I don't know in the the little man the little wizard in D Vinci resolve will figure out the best channel to use to get the best SN and then it will go from there and last but not not least for this not so quick quick fire round we have improved voice isolation and dialogue leveler so these two features have been within D Vin resolve studio for a little while now they've made them faster so you've got things like faster queue up and improveed performance and a more responsive buffer if you've ever used them they do work well they do just feel a little bit snappier now there's not that delay when you turn them on it'll just kind of works which brings me really nicely into one of the big new features they have as did and it's something we've wanted for a while or at least lots of you guys in the comments have mentioned it's now here and it's awesome but before we get into that here's a quick message from this video sponsor audio audio is a music subscription service that contains all of the music and sound effects you could ever need and it's music from real artists that doesn't feel or sound like generic stock music there's Pop there's Rock there's hipop there's country and there's even some cinematic bangers and now they even have stems so you can pick to download the full mix or just the individual elements that you need giving you even more options to find just the right music for any project and the audio Pro license does cover you for literally any project film TV social media YouTube of course video games podcasts and even audio books and the audio Pro license is available for your first year for just $59 that's a massive 70% off just click the links down in the description below and we are back next up we're going to talk about a new one called the dialogue separator now this kind of works like the voice isolation tools you can actually do the same thing as the voice isolation tools however it also allows you to do the reverse just like everyone asks for so basically if you've recorded some b-roll and someone's chatting away in the background you can just get rid of them and it's really clever now I didn't have a great example to use so I actually baked in some background noise into this clip of me talking and it sounds like this well you're not alone now this one just like the Ducker is track based so I need to click on my audio one track where all of the audio is and as you can see we have dialogue separator we toggle that on we've got three sliders for voice background and Ambience and then we've got three tick boxes to mute voice mute background or mute Ambience so all you do if I wanted to mute the background I tick mute background and then we hit play well you're not alone I did too and now we have no background noise and it works really well it's really clever obviously that's not that much different from The Voice isolation tools so we just simply untick this mute background and instead mute the voice and then hit play and you can't hear me at all you can just hear the background noise now with these sliders you can also increase the different elements so if I wanted to increase the background maybe keep the voice but bring it right down we can do so you can use this however you like how clever is that now I must admit I've only played with it briefly I can't at the moment really figure out the difference between background and Ambience there's probably quite a subtle difference and I'm using quite obvious examples so I haven't quite figured that out if I do figure it out I'll also put that down in the comments below talking of things that I don't know how it works and blows my mind next up another one of the AI features again limited to the studio only version is what they're calling the music remixer tool and I don't get it so people like audio like if you go to a good music subscription service like audio you can download the individual stem so you can go for the instrumentals or just the drums or whatever but I know that isn't always available to you this tool allows you to do that directly from what directly from the edit page woo so again this is track level so I've set this up on audio one we enable the music remixer and we've got voice drums bass other and guitar very similar we've got levels and then we've got mutes so if we just hit play on this one obviously there's vocals where if we just mute the voice now there's no vocals how how does it do this I don't understand this quite an obvious drum beat let's mute the drums and we can combine them let's mute those but let's give it loads of [Music] Base that one especially the dialog separator is but this music remixer anyway I'm getting ahead of myself and I'm getting really excited by those new features cuz I just I don't understand them and they're really clever next get on track Al keep it on track talking of track what a segue that was they now added an AI based intell track so basically he uses AI to do tracking a little bit quicker and get in my experience it's super quick and seems to work really quite well so from the color page we've got this little drifty car coming along and if you wanted to do any sort of tracking if we just open up the tracker we jump over to FX and then we change the point tracker down here to this new intelli track and then I can grab the little thing on the screen the little pointer and we just put it on there and then we just hit track and yeah look how quick that is there you go tracking done real time I didn't even speed that up that's exactly how fast it is on my system I don't know if it's more accurate than any of the previous methods but it's certainly quicker so as long as it's as accurate as the previous one your workflows just got quicker and another really cool thing you can do with that which I don't know is going to work particularly well on this YouTube video because I'm recording internally and all that sort of thing but you can now do the intelli track with audio panning on the fair Light page essentially if you've got something going from left to right on your shot and you want the audio to also pan you can use this tracking to do the panning for you I'm a seagull baby so we're in Fair light we've got this same clip we used before underneath the little preview we click on this icon and then we show the tracker controls we put our little tracker on the car we select left and right cuz we're going to do a little pan and then we need to select the track that we're using and then we select sort of uh ins and outs so we select the actual area we're doing this for and then we track and then if we hit play all of that audio is coming out of the left hand side and then as it goes along it pans the audio to where this tracker is just like the Ducker that was possible before but you had to do it all manually now you can do it all automatically with pretty much a click of a button winner so we're going to stick with the color page cuz there's a few things to show you in here there's actually loads of stuff I'm I'm going to skip some of it there's a new color slicer which I haven't had enough time to get to play with I don't understand it well enough to talk about it but that's there someone else I'm sure will do a really good video on that I'm going to skip that though for now and I'm going to talk about first of all the new defocus background effect if you've ever used like a portrait mode on your phone defocus in the background that's what this does they've made this defocus background effect to get that effect really quickly and easily directly on the color page in my testing which you're seeing now it does work quite well and it's really simple to use combine it with something like the magic mask and then you can get a nice defocused background in no time at all they've also improved the face refinement tool so if you've ever used the face refinement tool it allows you to track faces and then you can do individual sort of grading you can pick up the lighting add makeup beautify all that sort of stuff they've just made that slightly more more well slightly more refined funnny enough so if I grab the face refinement I'll drop it on this clip of me and Casey and then all of these new controls at the top now the main thing I think the most important thing if I detect the faces in the frame we now get these boxes and I can just say is it casers or is it me it's going to be me and then I'll track it and then it's just going to track me throughout the clip all of my features and then we can go and make any changes that are required now they've also added what they call Ultra NR or Ultra noise reduction this again uses AI so it's an AI version of the existing noise reduction tools within the color page and the idea behind these is they're not quite as good as the previous stuff but they're much faster so it's kind of like your speed warb you can either go for the absolute best but know that there's going to be a performance hit or you can use this new AI assisted variant enabling it is super easy on the color page we just come to our normal noise reduction area it exists within the spatial noise reduction we change the mode from faster better enhanced to ultra NR with that selected we simply click analyze and it will find a point within the clip that's kind of neutral and it can see the noise and then it will set the Luma and the chroma automatically so then you're done that's it you just change it you hit the analyze and you're good to go you've got your noise reduction applied now if you want to you can move this box around you can resize it and move it to a different area and you still have control over the Luma the chroma and the blend if you want to tweak it to make sure that it's exactly as you want it to be I don't know how it Stacks up I haven't had time to really compare the two but it's cool that it's there and it's cool that it's automatic faster and just generally easier to use so many updates this video is going to be a long one isn't it yeah let's talk about the cut page for a second and then we're going to come back to probably my favorite that film look Creator so on the cut page they've added a few new things there's improved grouping on the cut page effects So within the effects Library previously everything was just dumped in there and the names weren't right it would always show the file path for custom effect it was all a bit strange now that's all being fixed you also now have access to the resolve FX and fusion effect overlays on the cut page so to activate this you click on the little graphy thing this one here underneath the preview window and then you get these quick access settings the one on the far right is your effects overlay and then you can switch between open effects overlay and fusion overlay now those two last things are really important for people like me that create custom effects things like my magic Zoom for example never really worked on the cut page because a was difficult to find from within the effects library and B you didn't have the fusion overlay available they've fixed both both of those things which means my magic animate and my magic Zoom should work much better now on the cut page which also means they should now work much better on the iPad as well not had chance to test it myself but initially that's good news right I think I've teased this enough I need to talk about this film look Creator I'll probably even make a full video about this when I finished recording this one because it's cool I really like it so in a nutshell what does it do well it allows you to create a filmic look with indiv vin resolve just quicker and it's easier so you don't need to use loads of different nodes it has a filmic styled look a little bit of a color grade built in and then you can adjust the color the exposure The Tint all that sort of stuff directly within this one effect you can enable effects like halation grain and there's even a built in color space transform so again you can do it all in one place and you can do all of that directly on the edit page using an adjustment clip which all goes to make your life a whole lot easier I think that's it in a nutshell I'll do a proper demo keep your eyes peeled for that oh my God this is such a long video I hope you're enjoying this cuz this is a really long one right to finish up we have some general codec performance information that's worth mentioning up to three times faster h.264 and 265d codes on non Studio in Windows so pretty much if you're shooting any sort of regular camera and you're not shooting anything fancy like raw video or whatever it's probably going to be in h.264 or h.265 now that decodes two or three times faster now by decoding it means it's unpacking the video files so when you're actually using them on the timeline which means your general timeline performance should be much much faster and it should be more in line with what you get from Studio which just means that's better better for everyone I think that's a really great decision because some people were like I've tried to vent resolve it's a bit slow so I don't want to upgrade to Studio even though if they did upgrade to shudo it would then be a bit quicker now they get to know how quick it is on the free version of Windows sweet anyway this is the rch resolve 19 here's a bunch of stuff I'm excited about I hope you are too thanks for watching take it easy talk to me in the comments I'll see you at NAB

Channel: MrAlexTech

Views: 158,783

Keywords: MrAlexTech, Mr Alex Tech

Id: T8ENuSsScDA

Length: 26min 0sec (1560 seconds)

Published: Fri Apr 12 2024