CREATING DEPTH in Landscape Photos with Capture One 20

hi everyone kasia smokwa here welcome to my channel where you will always find photo editing training and educational videos to help you grow as an artist and photographer today we will be working on this frosty landscape i wouldn't say it's a wintry landscape there is not much snow yet we just had some temperatures here in poland below zero celsius so we have some of this nice frost here in the on the ground so this is our starting point this is the original raw file and we will be working towards this result so today i will show you how to create depth in the image how to add mood to the scene and how to add style with color grading let's jump right into it okay so let's start working on our image i'm just going to create new variant so i will be starting working on this image from scratch so first of all let's take a look at our histogram so as we can see here we have quite nicely spread data across the graph we have plenty of very rich mid-tones we have some strong highlights and quite strong shadows as well we have this gap of information here to the left which means that we are lacking very deep blacks and we are lacking very strong highlights however in case of this sort of images i've been talking about this in one of my recent videos where i was showing how to apply matte effect on such a busy scenes typically these would be landscape images when we have especially trees they are providing a lot of detail so a lot of is going on in this image and one of my tricks is to simplify this sort of chaos with math effects so i'm going to post the link to this video down below so coming back to our histogram analysis so we don't have the blacks we don't have the whites but i don't think this is a bad thing in case of this image because if we would basically apply auto levels right now so let me just jump over and take auto level store levels tool and if i apply auto levels here so this will push my black point so now the data will be stretched across the whole graph now we have plenty of deep blacks we have plenty of very rich highlights however i don't think this benefited the image at all so maybe it's not aligned with my creative idea for this edit because as i've mentioned at the beginning this is sort of frosty landscape and all i want to focus on here is those still visible quite strong colors that we have here on those trees and i want to go in my color grading towards putting more emphasis on those blues that are visible here in the sky and here in the shadow on the snow so i want to accentuate those colors i want to play around with them and this will enable me to create this beautiful frosty mood so i don't want to go deeper towards those blacks i don't want to go for the sort of super contrasty and harsh look that we would get if we would apply the auto levels so this might be true but i'm already fed up with all the darkness that we have here so basically before four in the afternoon it's pitch black outside so i might save it for summer so right now i want to bring more light to this image i want to play around with colors and i want to introduce some delicate but quite prominent color grading so this is our starting point and this will be the image that we will be working towards so i want to play around with light i want to play around with color and i want to accentuate particular elements so in case of this image i want to put emphasis on those beautiful birch trees that are here on the first plant so going back to our original file instead of applying auto levels as i would typically do i would go towards the hdr adjustments let's put the layers here at the top okay so let's move over and take a look at our hdr tool because i would rather create more harmony in this image by revealing more detail in the sky so this can be done by working with the highlight slider so i'm going to push it towards the left so this darkened the sky maybe it is a little bit too much the sky good great so something like this this balances out the image we don't have now this division that was visible at the beginning so we had this bright sky and the rest was basically very very dark so this was wintery sunset i have taken this image about one week ago so at the very beginning of the month of december so the light was very very soft very dim the sun was going down very quickly but i've managed to get some of these warm tones so by pushing my highlight slider to the left i'm harmonizing the init i'm linking the sky with the rest of the emitter it will be stronger so this is my starting point the next step i want to do when i'm still working with the hdr adjustments is to work with black's slider so i want to basically open up blocks i want to introduce more light to this image why i'm not touching shadow slider so let's see if i would go for positive value on the shadow slider this is basically creating this washed out effect and i don't like this my blacks are still sort of untouched but i have lost the whole depth i've lost the dimension that was present in the original scene so instead i want to work with the black slider and by pushing this slider i'm only affecting those deepest blocks in the image so this revealed a lot of detail in those dark parts of the image but i want to counter balance it with my matte effect but before i do just that i'm just going to apply my auto levels right now so if i click on this magic wand i have corrected the black and white points but the image now looks way way brighter than before with the same operation so i have applied the auto levels and let's now apply my matte effect just to lift those blocks and to simplify the image in those dark areas so i want to put emphasis on this group of the birch trees that i have in the center of my frame and having such a huge amount of details all these dark trees in the background is not helping at all so still working on our background layer we have applied all these adjustments on the background layer so far i'm just going to grab my curves tool and here operating with the rgb curve i'm just going to apply a bit of matte effect let's just get rid of the browser so we have a little bit more space here so i'm going to use the ready preset here the hamburger icon and five point on all channels so that way with this preset capture one automatically created five points on my curve in every channel so i'm working in the rgb tunnel and this helps me to uncore my curve all i need to do now is to just lift my blocks so i'm pushing this point upwards and this helps me to simplify these areas where we had such a huge amount of detail visible before okay we can maybe readjust this point a little bit lower so this adjustment won't include those brighter shadows i think something like this looks really good so we can maybe push our blocks even higher this can be still readjusted we are working on our starting point for the edit right now let's hide the curve and still on our background layer i want to now manually readjust my levels because i can see now i'm working with this white background to have the best reference when working on luminosity adjustments and i can see that the sky is almost melting with the white so i've just pushed it way too far so i can readjust my white and black points so when it comes to this one i want to push it slightly backwards so now i'm bringing back a lot of those it will be darker highlights so i have already improved the sky and when it comes to my black point we can push it backwards as well so now it is at 27 and i just want to make it a little bit brighter here okay so i think 16 works well so on our background layer we have applied adjustments with levels we've been working with the hdr tool and we have applied our matte effect with curves okay so having the base set i'm going to jump right into color grading so before i start working on differentiating those planes in the image so right now the scene is quite flat i have taken this image with a portrait lens with my fujifilm camera i have recommended this recently as well because simply when i'm going out to the forest with my wide angle lenses i'm overwhelmed with the amount of detail and basically when i'm looking at particular elements particular trees particular scenes compositions i'm cropping them out with my eye but when i take the camera and then if i take the shot and look at those shots at home i can't see those compositions anymore there is just too much going on so i started experimenting and what i recommended is taking landscape images with a portrait lens camera this might help you to sort of search for particular elements in the forest so here i was standing in open space i was very far away from these trees maybe even i would say 60 to 100 meters so the particular lens that i'm working with this is a prime lens the fujifilm fujinon 56 millimeter so it zoomed in quite strongly and i was able to actually crop this nice composition and bring it home if i would have taken this image with my wide angle lens this composition would be lost because there will be so much more going on to the left to the right upwards and downwards in the scene so this is my recommendation you can try it out and if you don't like it you can still bring your wide angle lens with you and swap them so let's start working on color in our image so i'm just going to create new filled adjustment layer let's rename it let's call it color and here i think i will move towards advanced color editor because this one will allow me to sample in particular colors in the image and this is the way to go because the image is quite monochromatic we have not much going on in terms of color but i want to really bring out some of those blue some of these yellows and to harmonize this whole image so first of all i'm going to take care of these blue so in general we have some of the blues that are more on the magentis side if i hover over the sky here and take readouts the color redoubts we have 201 for the red and 226 for the blue 210 for the green so there is plenty of red i want to push this blue this color that is present in the sky and the one that is visible here in the snow i want to make it cooler i want to push it more towards the science so let's start working with our advanced color editor i'm just going to sample here in the sky and that way i have sampled my color so let's now click on this icon here this just makes sure that we have the whole saturation range included in our selection if we want to see the selected color we can just enable this icon here and everything now that is grayed out is not included in the selection in here and what is included is visible here in the blue so let's just switch it off and let's go more towards the cyanish color so i'm going to work with the hue slider and i want to go basically upwards in the color wheel i want to switch my color that i have sample is visible here this little dot i want to push it upwards i want to go clockwise on the color wheel so i need to basically push my hue slider in the opposite direction if i go towards the right hand side i'm going towards magenta so i'm going in this direction and i want to go the opposite way so by pushing my slider towards the left hand side i have basically changed the initial color sample this is the original one before the adjustments i have pushed it towards those greenish cyans so i really like this result so let's see again before and after it might look at the first glance as a bit too much particularly here in those dark areas in the snow but i want to create this stylized color grading and i feel that it works quite well so maybe we can just go just a bit towards the negative side with saturation not much okay i think something like negative six will be fine and let's try push our lightness slider towards the right so we will introduce more light so i think this is a bit too much i think something about 25 works well so we have adjusted the blue this is before this is the after let's now focus on the second color that is visible here for now i'm going to leave out the yellows i'm going to focus on those sort of dark red brownish leaves that are visible here and here in these areas in the image so i'm going to zoom in so i can quite precisely sample in this area let's take our color picker and let's sample around here let's zoom out again so now i want to again click on this icon to include the whole saturation range of this color in this image this is my preview so everything that is grayed out is not included in the selection and those very subtle reddish brownish tones are part of my color selection let's just switch it off and when it comes to this color i want to actually go towards a reddish side or sort of magenta side so with the blues we went here on the heels like there towards the left hand side but here i want to go the opposite side the opposite direction and this way i will be creating stronger color contrast as well between those cyans and those warmer red tones so i went for 30 on the hue i think it's not too much i think it works quite well when it comes to saturation i think we can go towards positive values as well okay this is too much this is affecting those trees here as well but something maybe around just before 70. let's see before and after okay i think it works well and when it comes to lightness let's make here this color a little bit brighter as well so something around 30 okay so you can see that during the color grading process i'm not working this time with the color balance tool but even with the advanced color editor when i'm making certain colors brighter when i'm accentuating them stronger i'm already introducing more depth to the image i'm basically differentiating the plans we will talk about this further in a second but i want you to notice already at this stage color grading we are accentuating certain parts in the image stronger and that way we are creating depth in the image we are creating more dimension we are creating contrast both in terms of luminosity and bold in terms of color in between different elements in the image so we have adjusted these two colors in our photo let's put our color editor back let's have the layers and the top so this is our image before adjusting colors and this is the image after so let's now talk a little bit more about creating depth in this photo so this scene as i've mentioned before was very far away from me i haven't measured it but it would be definitely more than 50 meters so i have just captured this little crop so this basically flattens the scene so these birches these trees are the nearest element then this sort of hill it was going down very rapidly there is the a road down below and these trees visible here in this upper left corner are basically growing on the opposite hill that is far away just after the road so the portrait lens basically compressed the space we don't see those distances we don't see that space here so now let's focus on creating stronger contrast between the first plan that ground here those buried trees and those trees that are here in the distance so what i want to do is to brighten the top part of the image to sort of create artificially the air perspective effect so let's create new field adjustment layer and let's let's just rename it to top gradient and i'm going to be working with the linear gradient let's just create a gradient like this let's hit m to see the preview of my mask okay i want it to be really subtle so always on the middle line you will have 50 percent visibility of your adjustment here 100 and on the last line zero so i want it to be going very very smoothly very subtly i think something like this should be fine so let's switch off our mask preview and on this layer i'm just going to revisit my hdr tool and open up shadows so let's find the hdr and let's push our shadow slider towards the right hand side so by pushing the shadow slider towards the right hand side we are introducing more light we are making the top part of the image lighter and now the contrast between these trees and the foreground got way way stronger so now the birch trees now those bushes visible here they are way more heavy we can feel their structure stronger while these trees got sort of airy and we can feel they are in a far distance so this is before and this is after applying our adjustment so now i would actually jump back to my background layer because the sky got a little bit too bright so i'm just going to go back here and again on my hdr tool i'm going to push this highlight slider a bit further maybe still not towards the negative 100 but quite far so we are maintaining a little bit of the grayish tone in the sky it's not melting with the light so again this would be before and after applying our adjustment so here we can actually maybe go a little bit further so with this layer with this adjustment we have pushed those yellow trees further away from us so this affects everything here on this line those yellow trees this as well you can see this if i switch off this layer this is before and this is after the adjustment okay let's move forward let's take a step further and let's now refine this effect of brightening these trees but now we will be creating a color based mask because i want to basically just brighten all these areas where we have those yellow leaves those last leaves and i don't want to touch those dark trunks if i would apply similar adjustment layer as here with our linear gradient this would be basically affecting everything and i don't want to make those trunks brighter so now i want to go deeper with this adjustment but i want to be more precise as well so let's create our color based mask to do this we can use our color layer as a starting point so let's go back to our advanced color editor and here let's sample somewhere here in this area with yellow leaves so these are not actually leaves i don't know what is the name of this tree in english in polish i would say it's mod jeff so okay let's sample somewhere here perfect let's zoom out and now let's just make sure that the whole saturation range is included and we can push it we can manually extend it a little bit more so we will introduce more of the yellow tones and maybe a little bit more of the greens so this is enough this is our color selection we can switch on this button here to see what is selected let's maybe zoom in here and see if we still can include a little bit more if i extend this selection so not much really and i don't want to go towards those magenta stones that we have been targeting before so i would say this selection is perfect let's switch off our preview and now i'm going to create the color based mask so our color is selected all we need to do now is just go here and select create masked layer from selection so capture one is calculating and now if we go on our layers we can see that brand new layer was created at the very top of our layer stack if i hit m the red overlay shows me my mask so i'm just going to call it yellow mask and i'm going to add hdr because i will keep opening my shadows here with this mask so this mask is a little bit too precise for the particular job so i'm just going to refine it or maybe feather or maybe both so i'm going to show you first let's refine the mask so let's right click on the layer and go for refine mask so here now you can see that if i go for the maximum amount for radius this sort of extended the mask and it made it more precise this is with zero adjustment and this is with the maximum so i'm happy with this i'm going to go apply and i want to still extend this mask a little bit more so let's okay let's maybe first apply the adjustment so we won't run too far with this so having our layer with the mask selected i'm just going to jump to the hdr so i think i have it here and in my hdr tool i'm just going to continue opening up those shadows so you can see now that by restricting the yellow color i have not included those trunk anymore i'm adding still more depth i'm bringing up the light i'm bringing up the color but in a very very subtle way i'm not adding any saturation here i'm just making those parts a little bit brighter and i'm still enriching this image and creating depth in the photo so let's see this would be before applying these adjustments and this is the after so now we can actually apply the further mask fine tuning i wanted to apply the feather because from such a big distance i wouldn't really see those little details and i want to maintain a realistic look so i would say i will go still with feathering so right click on the layer and let's go for feather mask let's maybe okay let's do this and i want to see the mask so this is the after and this is before so this is my mask before applying an adjustment and let's now switch it off so we will see how this will affect our adjustment with hdr tool so if i go middle way this is sort of softening the effect if i go all the way to the right this will be softening still more so i think i will go for something like this so this is how the mask got softened and i think this is enough so let's go apply and now we can see again so let's zoom out so this is the image after opening the shadows within the yellow color range and this is before so you can see that this affected this whole part of those trees and those here nearer to the upper right corner as well so this is before and this is after applying the adjustment okay so we've been working on color we have added more depth to the image and i would like to actually jump back to my color editor to my color layer so let's open up the color editor and we are now here i'm going to sample again because this color got brighter what i want to do now is i want to introduce a little bit more light here i want to make those yellow colors a little bit more luminant so here i'm on my color layer in the color advanced editor i'm going to sample again so let's sample somewhere here and now i'm just going to again include the whole selection range and now let's just push our lightness a little bit towards the right okay this is too much these threes are standing out too strongly let's actually highlight this numeric value and work with the arrow on the keyboard so that way i can be way more precise okay something like this i feel is enough let's see if we can manipulate with the hue if i go towards the left hand side i'm going through the oranges towards the magentas and towards the red which is exactly killing the image let's go the opposite way so if i go somewhere here this will cool down a bit those yellows actually i think i might do this just a notch so maybe something like this so now by introducing this more yellowish tones in comparison with the original one so this is before the adjustment we've been more towards the orange side and now i've pushed it more towards the yellow this contrasts a bit more with those cyans here so this is very subtle you might not be able to see it on your screen on youtube with the compressed mp4 video but i think that it's worth adjusting like that okay so i have made i have changed the hue a bit and i have brightened the color just a notch so i think this is enough when it comes to working with color so now finally i want to go back to the i would say the most important element that i have in this composition to my birth trees that are here in the middle so now when i have applied all these adjustments when i have worked on color i have worked on the depth in the image i have introduced more depth but i haven't touched those birch trees and they are basically lost so if i go for the original image so this will be the original raw file they are way stronger here we have those colors here that are more on the brownish side more dimmed and those trees are still sort of main actors on the scene but after all my adjustments they are lost so let's fix it and now actually i think that i've made these trees a little bit too bright so the sun was setting down it was positioned behind me so it was sort of highlighting tops of these trees but i think this is a little bit too much so let's go down with lightness here if i zero it out it's like this okay let's maybe touch it just a little bit let's not go crazy here okay so on this layer we have our color grading and now i want to start working on those bird trees so to put emphasis on them i'm going to apply a luma mask so i will create a luma mask that will basically cover this luminosity range sort of brighter mid tones and on this mask i will apply clarity so let's do just that i'm going to create new field adjustment layer and let's maybe rename it to birch and hdr so here we are the layer is filled this has to be done like that in order to make the luma range mask working so now let's switch on the display mask preview and i'm going to basically narrow down the selection so let's push it towards the place where our birth trees are covered okay something like this i will fine tune the mask manually i want to basically get rid of everything else but for the moment i think this works well okay let's not introduce too much of these side branches because we've been working hard with our matte effect at the beginning to push them away and now they will be getting stronger okay i think we got what we wanted we have mask on our birth tree so this applies to these birth trees in the middle and those here to the right hand side perfect let's apply so this is our mask so now on our mask i want to basically work with clarity tool so let's take our clarity and let's apply quite a strong value because i'm going to mask out everything else just to put emphasis on these trees in the middle okay so let's actually zoom in and let's take a look at the image at 100 percent i'm on retina display so i should be looking actually at 200 percent but then i wouldn't see anything the trees would be cropped out so since i'm focusing just on them i think this is sufficient so this is after applying our clarity at the full value and this is before so you can see that they got so much stronger it is time now to refine the mask because apart from making this tree stronger we are making those trees we are making the sky brighter we are adding clarity to all these elements and this is not the way to go so basically if we are applying our clarity to all these elements that are masked here to all those parts in the image that are now covered with the red overlay this is not really helping with those birch trees because we should focus only on them if we apply this to the whole image basically everything goes stronger so let's now just refine the mask when you are working with the luma mask you can still fine tune it with the eraser tool so let's just go for e eraser and let's adjust i'm going to go for quite a strong flow maybe a little bit lower size and basically i want to paint over this area in this image i want to exclude it from my selection and that way i won't be applying my clarity over there so let's now switch off the preview of my mask and i would say that i want to get rid of this from the snow as well i want to really focus only on these trees let's make my brush a little bit smaller you can do this dynamically with your keyboard so with the left square bracket you can make your either brush or eraser smaller and with the right square bracket you can make it bigger okay so i have fine-tuned the mask let's switch m again and let's see if i should get rid now this is actually creating nice contrast between those trunks and adds more depth it looks differently to the left part of the image so we have those sort of triangles the one behind the trees the one here and another one here so i think this balances out nicely the composition maybe this part here is a little bit too strong so we can paint over but i like the rest so here all those birch trees got super super strong let's switch this adjustment off so this is before and this is the after and now as the very last step on this edit i'm going to apply clarity over the whole photo so this one i have added just on the mask and the next one i'm going to apply all over the whole composition so let's just create new field adjustment layer and let's rename it let's call it clarity so here we have our clarity tool and i'm going to apply both clarity and structure so typically if you are working either on sharpening or with clarity it is recommended to look at your image at 100 percent magnification level so this is 50 and i will stick with this because i want to see a little bit more if i go for 100 i will see just a little part of the image so i'm going to go 450 and let's first maybe apply structure so let's see if i start working with this slider you can see how beautifully it affects the image it sort of adds this crispness so as i've called this image at the beginning that it is a frosty landscape applying structure makes those branches makes all these textures sort of sharper and it adds more to this frosty mood so if i switch this adjustment off this is before the image is way softer it is sort of gloomy and after applying this it feels more as the temperature would be really low the colors got clearer and everything goes crisper and we can add to this clarity so let's start pushing our clarity slider to the right but this i wouldn't apply too strongly especially on the overall image so okay i like how those trees in the middle look like but i don't like what is happening here so we can now fine tune our mask because we've been applying this adjustment all over the image so this is our mask so i'm just going to remove it just a little bit from this area because if we go on a stronger magnification level we are now at 100 percent there is again a lot of detail visible here and i don't necessarily want to make these areas sharper so if i switch off this layer this is sort of tuned down it's calmer there is this sort of shade sort of soft areas and our eye is not drawn towards these areas after applying these adjustments this part starts screaming again so let's just fine tune this i'm going to go for e eraser bigger size and lower flow because i want to still keep it balanced but the same you can see these trees here they are a little bit too sharp so we can now play around with this particularly these areas here they occupy quite a large part in this image but i would say they are a little bit more to detail to my taste so let's just mute them down a little bit the same let's apply around the corners let's try not to paint over those bright trees those birch trees because we have made them sharper so that way they got clear that god strong that god brighter and they really stand out beautifully right now so let's see our mask after modification so you can see that i have just erased it a little bit here and there so you can of course find you need but more important is to look at the image and see how it affects the overall composition if the image got more balanced or if the initial adjustment looked better so let's see again this is before and this is the after we could maybe apply a bit of structure on those trees on a separate layer let's do just that i'm just going to still erase a bit of this clarity from those yellow trees here our modern trees so let's just paint over here i'm working with lower flow so i'm not removing the adjustment completely i'm just softening it so let's remove from here okay so let's now add very last layer i just want to check how it's going to look like so new field adjustment layer and i'm just going to go for structure again quite high and let's now actually invert the mask and i'm going to work with my tablet and let's go for brush and higher flow so i want to paint basically over the trees this could be done with a luma mask as well we could experiment but i just want to very quickly check how this will affect so i think this helps those birch trees to stand out even stronger my only concern is that it could be a little bit too strong i don't want to go for any artificial results here so let's see this is before this is the after and i'm just i was just operating with okay let's switch it on and i was operating with my structure at 56 we can maybe go a little bit lower okay and i think at this point a really good idea would be to step away from the screen for at least 15-20 minutes get yourself a nice cup of tea after you come back you will be able to just look at the image with fresh eyes so right now i'm not sure anymore if i should apply this adjustment or if it was better before so i'm a bit tired already i've been working on this image i believe about one hour so i'm going to leave it at this point so after a while i can come back and i can decide if i want to fine tune the color grading and if i want to fine tune my clarity my sharpening and for sure i will be tempted to create few more versions of color grading so this can be done very very easily so we've been working with this image all you have to do is to just right click on the image maybe i can click here so you will see the drop down menu so right click and all you need to do is to just select clone variant so the image number two this was the version that i've been working with you today and this one this is the new variant so this is basically the copy of the image so if we would like to create new color grading we can leave this one untouched this is our first version and on our third clone variant we can maybe work with color balance so here if i would like to maybe introduce a little bit of blue to the shadows i can just go here and start playing around with those sliders before i do just that i want to make sure that i'm on a proper layer because now i will be just on this mask so we can just create new field adjustment layer and okay so this is our new layer let's call it very quickly cb for color balance so on this one if i would like to add a little bit of blue to the shadows we can do this very very quickly we can lift the shadows further if we want to or maybe this is too much we can make them deeper we can go more towards the cyanide stones and with those subtle adjustments you can really create a new version of the image so when it comes to the mid-tones we can maybe go towards a little bit warmer side so you can see this beautiful creamy tone on our birch trees so if i would like to now compare let's just get rid of the tools if i would like to compare these two versions so the one to the right this is my image where i have applied color balance adjustments they are very very subtle but the light got actually warmer the whites that are quite cold here if i take the color readouts on the white we have 200 for the red 201 for the green and 1 9 for no actually they are not that cold but here they are way warmer we can see those whites that they got more creamy so you can work like this on creating new color variants this is a really very rewarding workflow so once you are happy with your initial adjustments with your initial image you can create new color grading having all the initial luminosity and clarity adjustments in place so if you're getting value from my videos i would appreciate as always leaving me a comment under this video leaving me a thumbs up and considering subscribing to my channel so let me now take you very quickly through all these adjustments that we have performed today so if i switch all of these off we are on the background layer and let's now hit y on the keyboard so this is our original raw file before an adjustment so then on our background layer we have applied the hdr adjustments we have lifted the shadows we have brought more detail to the highlights then we've been working with levels adjustments and we have lifted the shadow so we've have performed the strong adjustments here with our curves tool so let's find our curve it's here so if i just temporarily switch it off with alt key so this is the image before lifting the shadows and this is the image after so this is what we've done on our background layer and moving further we've been working on color grading and next we have applied brightening to the top of the image that way we have created more depth to our scene next we've been working on creating the color based mask we have opened up those yellows the shadows in this areas this created even more depth than we've been working on our birth trees you can see how this really strongly works in this image so this is our birch trees and i have actually made a mistake here because i wasn't working with the hdr tool lifting shadows wouldn't help so excuse me i've been working with clarity here so i'm just going to rename it bird clarity so on this layer we have applied our clarity here we have applied clarity to the whole image clarity and structure and on the very last layer this is actually not relevant i was just experimenting with the color balance so this is our frosty landscape this is again original image and our final result so thank you very much for watching if you want to learn more about capture one you can check out my capture one comprehensive course the link is available down below thank you very much for watching this was kasia's mokwa from digital art classes and i will see you very soon in the next video thank you and see you bye now

Channel: Kasia Zmokla

Views: 1,830

Keywords: Kasia Zmokla, photo editing, capture one, capture one 20, capture one 20 tutorial, capture one pro, capture one tutorial, capture one 20 photo editing, lightroom alternative, capture one 20 editing, post processing, capture one 20 tutorial for beginners, capture one 20 masking tutorial, capture one landscape editing, capture one landscape tutorial, capture one landscape workflow, capture one pro 20 landscape, capture one pro landscape, landscape photography capture one

Id: scUBechsthg

Length: 49min 53sec (2993 seconds)

Published: Sat Dec 12 2020