Ben Folds & Chicago Youth Symphony Orchestra - Rock This Bitch!

right the fact this is use of the orchestra and probably everyone on the stage has heard the word [ __ ] they were 2 years old but we'll pretend that they haven't this is a 19th century Sookie the main the first double basses has all the money so if you want it back talk to him afterwards okay let me explain what what it is because some people say rock this [ __ ] so and then the people the audience probably don't know what that means and you might know what it means what it is is actually was in Chicago anyone here from Chicago I might as well give a master class on how to do a rock show first of all first thing all you have to do is say is anybody here tonight from Chicago it's really good to do before Brahms the other thing another thing that works those would be like more for Shostakovich er servers that would be to go how many people like the taste of alcohol so give that a shot you know when you get when you become professional these are drinks at the Frank okay now in in this town in 2001 or maybe was 2002 might in early 2002 I was playing show here and I was recording it as a live show and it was a solo piano show and some guy in the audience immortalized himself on my album by screaming rock this [ __ ] right and when he said that I was like okay well I'll make up a song called that and I did and then up on the album then every night after that everyone always asked for rock this [ __ ] which means at this point that every single time every night I make him song from scratch called brockless [ __ ] and we just have to play so thing is with a symphony orchestra that becomes a little more challenging because they were but we can do it so I'm going to okay okay cellos let's start with you scope so that's man I've really ruined this p.m. yeah so this will this will be mystic Otto go that's a G concert D a sick so they'll be two of those and then sm e flat concert E flat same same sort of pattern so this will be an E flat major sir okay and then so on let's give see what happens let's give this up in the double bass is just a gene known acaba and then hang on the G while they're on the on them when they go down stay on the G so just constant G's let me see if that works that might suck and if it sucks we change one two three now let's go ahead and be literal about this just go down to a flat then so let's hit a low G and then go up to the B flat that's it okay great now let's see you I'm the only some of it you didn't understand what just happened okay let's so let's let's give a viola so melody because that's a novel idea so feels okay now the second violence I'll make it up yeah just a second I see the violas long with that great violence for silence okay listen is here all three of our violas and violins wheels you one two three four five six and the cellos okay that's good so I just takes a second it's a whole Orchestra I'm coming this arpeggio is for up is for Reeves so and in Flynn flutes let's spread that out and all the octaves that you've got so I'll leave that up to you how you're going to hang a position yourself what you need you want you want the bassoon down in the basement and then this is G minor concert okay that's right after you do that move it up and then that's that so that's an e-flat concert major check it should be harmony Shelby newsn should end up on a concert b-flat okay now someone in the in the percussion section mallet player give that on the xylophone and double what they're doing on the telephone as a G minor chord and the next one is the e one how have you got to fit it on the Internet okay let's hear that all together let's see what 2 D sounds like so far one two three four five six thank God mostly let's take the Saxons out of it except when we go like toe to the chorus and then just let's offset the sorry I make my masterpieces offset offset that arpeggio well I'm ranges we're all glomming on the downbeat and stuff so what stroll try to get one two three everyone now Hey right yeah when we go when we go like to tea at the end lower brass knows what to do because you know what those low notes are just fill them in and do whole holdups and lower brass does make it really loud the trumpet player can just go just just Eric's trumpet just basically just losing lose your [ __ ] thing goes for the for the percussion section that's at the very end when we're taking this out we want a standing ovation right okay so Alan bring them in and out with impunity so so start small with whoever you want to and I'll do something you how is it boys the kids that are this young would sound me me by some professional orchestras don't sell yes haha Wibbly Symphony Orchestra this mic stand sucks it's a piece of crap I've been fighting is all we it's a second likes then they've got for that for that real rock in this [ __ ] Rick Chicago you separately

Channel: BusinessClassDomains.com

Views: 410,185

Keywords: Ben Folds (Composer), Chicago Youth Symphony Orchestras (Musical Artist), Orchestra (Musical Genre), Chicago Theatre (Venue), Ben Folds (Musical Group), Chicago (City/Town/Village)

Id: H7LXBtqM0Hk

Length: 16min 42sec (1002 seconds)

Published: Wed Jun 10 2015

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