Armour of the Dark Gods | Chaos | Warhammer | Duncan Rhodes

foreign ERS been into Warhammer for any length of time I'll be able to tell you there are four chaos Gods each with their own distinct flavor and you know sometimes it feels like without a little security guard here there are five but anyway each one has its own style and if you're collecting a chaos Army you might want to paint your troops to reflect one of the Gods there's lots of ways of doing this but you can really bring in some character here so in this video what we're going to do is show you four different ways of painting the armor for four different gods now each one is going to use very different techniques that are all great things to know so it's definitely worth seeing all of them because these are tricks that you can use on all kinds of Miniatures I hope you like it and we'll see at the desk foreign has a distinct color palette and this is a great thing to take inspiration from to make sure it's very clear which God your troops are dedicated to and we're going to be starting out with zinc and here the dominant colors are blue and gold they can certainly introduce some other colors in there which is really fun to do that really sort of sells that sort of changing nature of Siege but blue is a great one to have as a dominant thing and because magic is a strong theme for zinc we're going to make it metallic blue as well to really go along with that magical feel so to do this what we need to do is start out by painting our armor with a bright silver and the one I'm going to use is some mithril blade now all these Miniatures have been on the coast with a gray undercoat they can do these techniques over any undercoat color you want to use whatever the case though you just need to make sure this silver goes on really smoothly so as ever make sure you thin down that little bit of water and go for an appropriate brush for the area you're doing depending on the model you've got I have here a size one for my sofas and with it what we want to do is just start blocking in that armor so it's a matter of just spotting it such as around here I'm just applying two Thin coats to ensure it's nice and smooth and strong in the finish before we move on to the next stage I've built up that nice and shiny silver base coat and I did mention it's going to be blue and trust me it is going to be blue but it's important that we have that silver first of all because this is going to shine through as we start applying our next colors which are all going to be contrast paints and so have that nice translucency about them and the first one we're going to use here is Griff charger gray which is sort of like a bluish gray and there's two main reasons I'm putting this on first before you really lean into the blues and greens and things like that it's first of all going to provide a little bit more depth in the shadow so a little bit of shading there and a slight bluish tint to it as well which we're going to build upon but also what it's going to do is to give a different sort of surface texture than what we've got at the moment because right now we've got that silver which is very smooth and the contrast paint is going to be ever slightly more rough meaning that future contrast paint will stick better over the top so basically they'll stay where we put them as opposed to slipping off the model so what we need to do is just evenly apply this over each of the panels just carefully one at a time and so I'm sticking to my size one brush for this and use a part as well just to make sure my brush isn't overloaded with too much at once because we don't overdo it remember a contrast paint might appear to look like a at first glance it does behave differently it tends to stick to things a little bit more tends to settle on flat areas a little bit and so when you're applying it you need to bear that in mind by picking a starting point and working your way across the model essentially like coloring it in so for example if I start on this knee just down here and I'll start on this corner and apply it get it nice and smooth and then just move on from there just letting it settle as it will [Music] that contrast paint is completely drying and you can see the result is a really nice polished metal so actually this is an effect that you can use on zinc things because it does have a slight bluishness to it but we're going to take it much further with much more blue now because what we're going to do is go over with some more contrast paints what I've got is two and I'm going to be leaning on one more than the other one and that first one is going to be some achillion green but we're going to add in a little bit of teradon turquoise two to some random points just for a bit of variety now don't be fooled by the names achillion green is actually more blue than teradon turquoise which is more green so I don't know why the name this way but what we're going to be doing is using that achillion green for the initial point because it has that really nice blue that we're looking for perfect for zinc because you've got them both here I'm using my size one brush once again and I'll start out getting some achillion green ready and you can see this is one of the stronger contrast paints so I'm just going to add a little bit of water to it just to thin it ever so slightly so there we go and then we also want to get some teradon turquoise ready so just grab some of that too pop that onto the palette you can see what I mean about it being much more green again just add a bit of water to it because it's a very strong dark color so mix that in and there we go so what we're going to do is start out with that achillion green and like with all contrast paints just pick one starting point and work your way along in the case this armor I recommend you do one panel at a time so for example we've got this panel on the thigh just here what we want to do is just pick a starting point like this corner and then just start coloring it in to get that really nice blue and as you're doing this every now and then just grab a little bit of the teradon turquoise and just add that and let the two mixers go along to get a little bit of variety in the tone with that step done you can see we get quite a dramatic transformation and the model looks blue at first glance but the more you look at it the more you'll start to notice those little hints of green swirling around in there so perfect for the magical feel of the changer of the ways with that done we now need to put in the other main color which is the gold we're going to go for a really warm Rich gold here so I'm going to start out with some dragon's gold now to apply it I'm still going to go for my size one brush but this is a matter of just choosing whatever you're comfortable with because here we're picking out details like trims all the arrows that sort of thing and it'll vary depending on what model you're doing and how big these details are but throughout it's just a matter of as ever just making sure the paint's nicely thin so you've got the control over it and then you're just going to start looking for these features that you want to pick out then work your way around them so for example this Arrow right here [Music] I'm happy with those gold details there picked out so now what we need to do is apply the wash to those to give them their depth and definition and here what we're going to go for is a nice warm color to give a real nice contrast between the gold and that cold blue so for that warm gold what we're going to use is some flesh wash and to apply it I'm still using size one brush again change brush as you need to the key thing with this is to be careful not to get it onto that blue so definitely use a palette to control how much is on the brush there you don't need loads and loads of this so once you have got that ready it's just a matter of being nice and steady carefully move again and paint this directly over the top of all of that gold [Music] once the wash is dry all we've got to do now is to highlight both the blue metal and also that gold and for this we'll start out with the bluish metal and here what we're going to do is go back to our bright silver so the same one we originally used for the base coat in this case it's going to be mithril blade and then for the gold we want a very nice pale gold so in this case I'm going to use some glistening gold but first of all we need mithril blade and for this I'm going for a much smaller brush now I'm using a size double zero because here I'm going in with some Edge highlighting I'm just looking for the sharpest edges and Corners across the armor I just want to follow each of those so remember the trick for doing this is to make sure your paints thin correctly so it's nice and smooth but not so thin that it's running out of control and then just make sure we don't have loads of it on your brush at once then all you got to do is start looking for these sharper edges what we want to do is use the side of the brush where possible to skim along them so for example on the shoulder just here we just want to angle like this so we're just touching the edge and just gently skim away around so get that sharp highlight running along these edges here like this with the highlights applied you can see all the armor now really pops out nicely and so we just need to do the same thing to the gold and for this I'm using some glistening gold and this is once again an edge highlight looking for all the sharp corners and following along with them and because these tend to be these smaller patterns often you'll just need to use the tip of your brush just to follow that edge and to do so just make sure you're nice and steady really brighten the model and paint as a downward direction towards yourself to get those neat lines together and with that gold now fully highlighted you can see the zinc themed armor is complete and the real trick to doing this one is the application of the contrast paints remember it's all about just being efficient and neat with applying them by just picking one panel at a time making sure you smoothly cover it and then leave it to dry so you get that nice smooth finish we're now going to move on to zinja's greatest rival who is nurgle and venergal what we thought we'd do is give a sort of subtle almost texture into the armor almost like it's rotting in the Very Metal itself so a really sort of dreary decaying sort of a streaky appearance to it almost like wood grain really and to do this what we need to do is start out with a nice screen to get things going I'm going to use some death World Forest here though you could of course do what we're going to do here with just about any green that you want to use whatever you choose what you need to go for is good brush for base coat and the armor plates and once again I'm using my size one brush here as ever it's just a matter of getting that good base coat first of all just going to make sure it's nicely thinned down on the palette and then what we're going to do is just move and start blocking these panels so it's just a matter of working through them one at a time making sure they have an even finish of this color [Music] once you have that even green across that armor the next thing to do is to start to build up this subtle texture that we're going to go for and to do this what we now need is a brighter green as well as our original Green so I'm going to be using some death Forest again but now we're going to introduce some Elysian green to it and the way to do this is to pick a small area at once and do the effect on it and then work your way around the miniature so to do it we need some death of a forest which you can see I've still got set up from the previous stage so I'll just turn it down just a little bit more for this and then what we need is some Elysian green ready next to it and we'll be drawing from both of these together almost at the same time really and just playing around with it as we go along so just need to get some of that there ready and it's pretty thin already so I'm happy with that and what we need to do then is start with the Dark of the two so starting with death World Forest so what you need to do is just pick an area and I'm going to do part of the back of the shield just here and what we need to do is just start out by quickly applying a thin coat to this across the whole area so we've got some paint to play with then it's just a matter of picking up the other one so in this case leucine green and starting to apply it as streaks are vertical on the miniature we just want to go across it like this just quite randomly back and forth Just building it up then grab some of the darker one start to play around with that too just to help blend it together a little bit being careful not to go over everything from the previous stage then back to The Brighter green and again to start to work some of this in brighter streaks like this now the idea is to go back and forth and play around with the color that we've got on there so we don't get any really sudden jumps of color so we get a sort of subtle blend of it and this way you can see we can play around and start to build up that green now remember always do this in the length of the actual well length of the limb or length of the body so in the case The Shield it means going up and down like this when it comes to the legs it means falling up and down them but when it goes to the arms you'll want to go across them in that sort of Direction just there [Music] I built up those streaks there on the shield and you can see I've got them on the armor as well so now what we can do is increase the contrast by introducing a darker green into this still an olive green though and the one I'm going to use for it is deathclaw drab but at the same time I've still got the other two available in case we need them just to ease any gradients here so remember that's death wood forest and also Elysian green but as death core drab that I need to set up first of all and once again what we're going to do is just get some of this thin down and ready on the pallets and you can see now how having a wet palette is so useful for a technique like this because those paints I was using from the previous stage there they're still available so we can still grab them if we need to just help ease things together but what I'm going to do with this is as ever make sure it's nicely thinned down make sure there's not much on the brush and here I'm going to look to start to introduce into some areas just to make it a little bit darker in some points and I'm really looking for areas where there's not so much releasing green so this little bit just here for example what I want to do is just thinly start applying it in just streaking it in that vertical motion there like that if you ever find the jump is a little bit too much like it's happening there then you can always make sure you just grab one of those other colors we've got and just use it just start blending it together by just painting around it and over it there like that just merging the colors and playing around with them to get that streaky appearance appearing there on the shield [Music] now that stage is finished you can see we got much more contrast going off and that texture there and so now we can highlight all of the green and for this what I've got is some auguring camo and this is going to be an edge highlight so I'll switch to a small brush now I've got a size double zero for this and what I want to do whilst hitch highlighting is also just use it to emphasize some of the streaks that appear on the edges of panels so not in the middle this time just a few of them around the outside just go ahead and again really help build that texture so for it make sure that paint's nicely thin so you can do the edge hunting with it just to get that control there make sure the brush isn't overloaded and then it's just a matter of working your way around all these edges so for example on this thigh plate just here I want to approach the side of the brush and just very gently apply this color for that sharp green just in the outer edge just there and along here but you can see as I go along this Edge we do have some of those streaks coming up so what we want to do is just make sure I get a few of those doesn't have to be all of them just one or two just help emphasize them that a little bit more I finished applying the Highlight now and you can see the detail of the armor pops out really nicely but we do need some shading and so that's what we're going to do now and here rather than using a wash I want to do something a little bit different for a bit more fine control and that is to paint in a dark brown into the recesses so kind of fine lining with it really this one's nice dark warm Brown so I'm going to use some Curious leather for this and what we want to do is just make sure it's nicely thinned on the palettes a little bit more than we normally would so it's going to help it just run into those corners and nooks and crannies and things so bringing it right down to about this point here and then using a fine brush I'm still using my double zero here we're just looking for all the recesses corners and things I just want to paint it directly into them so for example this plate that we got here on top of the leg it's going to go into the corner just here and just run it right in there and this will give that really nice bit of shading in that area too as well as the sort of appearance of age and Decay so perfect for nurgle and with that the green of this armor is now complete but we do need to paint in the trim and for this what we thought we'd do is go for some silver and you could do some brass if you want to with some flashes of Verdigris on there but we want to go for some silver because we can make it nice and Rusty and make it quite orange so to do this we need to first of all paint in a sort of a grimy silver color so we'll base coat it using some circuit silver then wash with some battle mud wash and then for the Highlight what we'll need is mithril blade so we'll start out with sir coat silver for the base coat and to apply it I'm actually still using my size double zero here because some of this detail is quite fine but let's feel free to go for whatever size brush you feel comfortable with for this stage and for your particular chaos Warrior what you need to do is just look around it for the small little metal details that you get on top of the green armor now the chaos star and The Shield is the most obvious example here so I'm going to paint that and it's just a matter of being as neat as possible as you block in this pattern [Music] with the base coat done you're then ready to neatly apply a brown wash over the top in this case I'm using some battle mud wash and it's just a matter of taking your time to keep it just on the silver and once our wash is completely dry you're then ready to highlight this grubby metal using a bright silver I'm using some mithril blade here and once again it's an edge highlight neatly applied around all the edges [Music] now that we've got that dirty metal highlighted the next thing to do is just add some Rust to it and for this we're going to use two colors first of all some mon Fang Brown and then some scragg brown and both these are going to be applied in a very similar way starting out with mon Fang Brown I've got my small brush again the size double zero and we're going to do is just get some of this onto my regular palette and then heavily water it down to make it really really thin almost turning it into a kind of a wash really because what we want to do is just run this into the model it's like collecting some of the recesses to be where rust would collect so what we need to do is go to that point then and then just start applying it and if we take a look at the shield what it's going to be is areas like around rivets and things around spikes so for example around here we're going to do is just start a dotting it in there like that and you can bring some of it out onto the flat of these metal Parts if you want to just to color it a little bit make it a little bit more brownish and orange so there we go so you're just starting it on to get a natural appearance to it if you want to you can also have some of it streaking down onto the green so if you imagine this was in the rain and there was water collecting on it just think about where that would go so for example in this Spike you'll come down to collector this little Point here and start running down the Green in areas like this [Music] once the monfang brown is completely dry you're then ready to move on to scragbran which has been thinned down in the exact same way and with this just going to wash it on top of the previous colors the previous Brown we just want to add a little bit of this on top and you can see it is much brighter much more orange and so this way we get that brighter rust just appearing on top of the previous one and once that second Brown is completely dry too you can see we've got the rust effect there on the metal and with that the nogal armor is complete and doing this one is really all about that streaky pattern there on the green and doing this is really fun but it's a very organic process so as you're doing it you might decide you want to adjust it ever so slightly I encourage you definitely to play around with it as you go along but remember just to finish it off you're looking for that bright heart on the edges just a few little flicks along the corners as well just to help bring out that texture foreign the color palette tends to be towards purples and pinks and things like that but the word that I really want to have in mind here is Lush so we're looking for really expensive colors so these purples are going to be really deep and really well Lush but also we're going to trim it using a really pale gold so very expensive looking gold but to do this we need to start out with that purple so the one I picked out for this is Phoenician purple and to apply it I've got my size one brush once again and for this first step all we need to do is block everything in now what we're going to do after this is start to introduce a second tone into it so I get like a really nice gradient and variety of color on there but this is just to get things going really so just think of it as a base coat all over I've got a paint thinned down as ever to make sure it's nice and smooth and all you got to do is just work your way around these armor plates just blocking them in entirely one at a time [Music] I finished building up that purple base coat there on the armor so now we can move on to the next step which is going to be to introduce a second tone to it and again we're looking for those Lush colors so what I'm going to do is add in some screamer pink and we're going to blend it into that Phoenician purple so we're buying both these paints at the same time and wet blending is a technique we're going to use now if you've never done wet blending before I really do encourage you to give it a try because it's much much easier to do than you might first think but it's also really fun and it looks great so it's definitely something worth experimenting with because or you'll be surprised what you can do here what you need to do to get it ready first of all is to have a wet palette it really does help out with this because it keeps appliable for longer you need to set up both colors to get going with it so I've got my size one brush again for this I'm just going to get some of that Phoenician purple ready like we used in the previous stage so just a bit more there on the palette and thin down and ready to go and then what we need is some of the screamer Pink as well so on this I'll just get it ready on the palette next to it so I can draw from both around the same time again just making sure it's thinned nicely not too much but just so it's nice and smooth like this and then we're ready to go so to do this pick one panel at a time and do the blending effect over it and to do it what we want to do is start out with the Phoenician purple and we're going to pull the screamer pink into it so we'll just load up with some of this and what we're going to do is start out with this plate just here on the thigh what we need to do is apply this color about two-thirds of the way up so we're looking at this sort of distance here we just want to quickly apply it over that side and then over that side and then just grab some of your screamer pink and I've not even wash my brush to do this let's load up with some of this we're going to go to the top and then go back and forth and then just pull it down into that purple beneath it just letting the merge as we go along now you might find on the first pass it might look a little bit rough but it's not a problem just let it dry and then repeat this process for a second coat and you'll find the second one is smoother than the first and this way you'll get a nice gradient between the two if you want you can go back as well so back to the Phoenician purple you can always use this and go upwards to help ease it a little bit but you see it's very easy to get that nice gradient between the two so now I'm going to do is just carry on doing this on each of these panels [Music] and there we are all those armor panels have been Blended as has the shield and as I mentioned doing this is a lot easier than you might first think so definitely encourage you to give it a go but once you're happy with it the next thing we need to do is to highlight it we want to tie these two colors together now so what I'm going for is a highlighter that works on both what I've got is some pink horror and to apply it it's going to be well I know charting thing so it's down to a small brush here so I'm using my size double zero now with this paint definitely make sure you thin it down so you get that translucency about it so some of the color beneath shows through and this will help ease it has the heart over both of them so just add that bit of water to bring it down to about this point and then you won't need very much in your brush just a matter of looking for all the edges on those armor panels and following around each one being as neat as you can throughout so just very carefully applied just building it up so you get that sharp highlight along the edge of each panel [Music] with the Highlight on there you can see it ties those colors together nicely and you can see there on the shield as well and with that done what we now need is just a little bit of shading just to deepen the recesses a bit and for this what we're going to do is just paint it in by hand once again using a normal acrylic paint just for a nice sharp finish to it so I've got some doom-def black here so a really nice pitch black and to apply it I'm sticking to my size Double Zero Brush and with it we just got to get some of this nicely thinned down so it's quite runny really quite Inky we're looking for about this sort of consistency here and then it's just a matter of making sure there's not loads in the brush because with this we're looking for all the corners and we just want to carefully paint it into them so for example this panel just here I want to paint it on this side here so kind of go into the underside where it goes down to the leg there like that so we've got some really nice shading to help Define this area [Music] that shading is done and so now we can move on to painting the trim and remember here what we want is some really expensive looking gold so we're going to go for some white gold with a tint of purple to help it match with that slanesh feel so to do it I've got a very bright gold as a base coat I'm going to go for some glistening gold here and then we're going to wash over that with rookie Violet for the shading after that we'll layer it again using glistening gold to bring the shine back to it to make it look really expensive and then for the Highlight we need a silver here I'm going to use some mithril blade but first of all what we need is like glistening gold and to apply it I'm going for my size one brush though of course go for whatever one you feel comfortable with at this stage because all you got to do is just go around looking for all those details like arrows and things you know all those decorations of the chaos armor have on them so all that sort of thing once you've got the paint ready you just got to look around for those features so for example we're looking at things like this Spike on the front of the armor just here I just want to neatly block it in to get that nice Shiny Gold [Music] once you've got that gold base coated the next thing to do is paint a purple wash over the top so here I'm using some drooky Violet and this is going to give us some nice shading but also a hint of purple in the end just to give the impression that that gold is corrupted by sylvanish [Music] the wash is dry so now we're back to glistening gold to layer the gold and with this I've switched to a smaller brush for a little bit more control so I'm down to a size double zero here what we want to do is thinly apply it to most of it but just looking for recesses where more wash settled and avoid them so for example around this little bolt just here you see I'm just leaving it purple and the recess around it and at the same time at this stage I'm going to keep an eye out for any bolts and rivets and things such as these up here and pick them out as well foreign and then finally on the gold we just need a bright silver to highlight it so here I'm using some mithril blade applied to the size Double Zero Brush I'm just putting on as an edge highlight around all of this gold and with that this laneshi style of armor is complete and in doing this one of course the main technique is doing that wet blending between those two colors to get that sort of variant happening on the armor plates before highlighting them and this is of course wet blending which does have a reputation being very difficult to do but it is easier than you might think and it's definitely worth giving it a go because I think you'll surprise yourself with how easy it is to get a great result foreign the final style of armor we're going to paint is one to go for corn and of course for corn what we need is nice red and also brass so that's exactly what we're going to do but with the red instead of just painting it as a flat red instead we're going to introduce a subtle texture into it almost to get the appearance of kind of like bloody muscle that's the sort of thing that we're going for here and to do it we need to start out by establishing that nice deep red so to do this I'm going to base coat using some corn red then wash it with a brown wash and I'm going to use some Battlement wash for this and once that's dry we'll then return to Corn red and layer it on just to build up the color a little bit on raised areas so we're going to start out with that base coat of corn red and for this I've gone back to my size one brush and place it's just a matter of painting in that armor so nice and straightforward here just need to get that paint nicely thinned down so it's really smooth so down to about that point there and then all we're going to do is just start blocking all these armor plates such as this one just around here making sure to work the color into all the nooks and crannies as we go along foreign 's done so now it's time for the wash and here I'm using a dark brown wash I've got some battling wood wash here and all we're going to do is paint it directly over all the red armor plates [Music] and once that wash is completely dry we can return to Corn red and this time we're going to layer it on so we just need to paint it over most the armor plates just looking for any recesses and carefully avoiding them so for example around these rivets and also we've got these little slashes in the armor to avoid as well with those stages done we've got a nice even red to work from as we start to build up the effect and that's what we're going to start doing now by sponging on a brighter red and here what I'm going to go for is some evilson scarlet and what we want to do is make sure that this is going to fade into the surrounding color so we need to make sure it's fairly thin so for that reason I'm getting the paint set up on my wet palette and you can see I've already got some Eagles and Scarlet here so make sure it's thinned down with a bit of water so the idea is it's got some translucency about it so as it dries it's going to fade a little bit into the surrounding red so what you need to bring it down to around about that point just there then with that prepared to apply it instead what we need is a piece of sponge I need a little bit of sponge will do just fine I've got a small bit here which I've just torn up so it's nice and rough on the end and with it we just want to pick up some of this thinned down paint onto it so just get that loaded on there and then I've got my dry palette here because I'm going to use this just to test exactly what's on the sponge so I'm just going to dot it and move along like that until I'm getting this sort of appearance just here and we can start applying it to the model and all we're going to do is just work our way around this red armor just gently dotting it on so we get this nice random speckled pattern on my plate the sponging is done so you can see now I got it speckled all across the armor almost like blood splatter and now we just want to make it a little bit brighter in some areas with a slightly brighter red so for this one I've got is some Demon red and I'm going to apply it with my size Double Zero Brush now because with this I'm just going to dot it in some select areas just to help them pop out a little bit more really and I'm going to be looking at how the sponges put the paint on it in the previous stage and looking for areas where it's stronger and basically going at those parts so for example if we take a look at the shield once again you can see we've got a few little stronger points around here so all I'm going to do is just go in and just dot a few of these to make them a little bit brighter in random areas [Music] once that's done we're then ready to move on to adding a highlight into all of this armor and to do this what we need to do is jump back to some evilson Scarlet but this time apply it as an edge highlight so to do it go for whatever brush you're comfortable with for this sort of thing I'm back to my size double zero here and it's just a matter now of following along all the edges of all the armor plates to give them that sharp finish and to help them stand out so we've got your paint thinned and ready it's just a matter of looking for those edges and following along each of them so for example these plates around here is just a matter of very carefully going in looking for that edge and just following along the whole length of it now the red is highlighted it's time to move on to painting that trim and for corn of course the classic color is to go for some brass trims that's what we're going to do here starting out the base coat of Spartan bronze and then we'll wash it with a brown wash you can use some Battlement wash here and then for the Highlight what I'm going to use is some glistening gold but first of all Spartan bronze is what we need for the base coat and to apply to come back to my size one brush and here it's just a matter of looking for all that trim detail and picking it out which will of course vary quite a bit depending on what exactly you're painting but in this case we're looking at things like a chaos style that appears on the shield just here and it's just a matter of neatly picking all of this out at this stage [Music] with that base coat done we're now ready for the wash and in this case we need a dark brown wash so it's battle mud wash I'm using here painted directly over all the bronze and once that washes dry you're then ready to move on to a light gold so here I'm using some glistening gold applied to my size Double Zero Brush and this is just going to be an edge highlight on all of this bronze apply as neatly as possible and at the same time we can also use this to pick out all these rivets as well [Music] with that trim now highlighted we can move on to the last stage which is going to be to put some gloss varnish over the top of the red armor to give it that sort of wet bloody appearance and for this what we need is a gloss varnish so I'm going to use some art coat for this and to apply it I've gone for my size one brush and all we need to do is just neatly apply this only over the red so avoiding that metallic trim so to approach it almost like a layer making sure the paints just have that little bit of water added into it while the varnish just so it's a little bit easier to control and then it's just a matter of carefully applying it onto all these plates just making sure not to allow it to go into the recesses [Music] that varnish is now completely dry and with that this corn bloody style armor is complete and with this it's a really fun thing to do when you're doing that pattern because if you want to you can take it even further by doing some little freehand designs in there if you want so for example things like the mark of corn maybe some Screaming faces the choice really is yours but it's definitely something that's really fun to play around with so there you go four very different ways of painting armor for four very different chaos Gods now remember the most important thing about this is just have the right sort of color palette to reflect the god that you're looking to represent on your Miniatures the actual techniques you can always apply them from different ones that we used here in mix and match as much as you like if you've not tried something like this before I definitely encourage you to give it a go because it's really fun and it's something very different that can really spice up your army and really make your characters and things stand out so anyway we hope you enjoyed this one I'll see you again very soon foreign

Channel: Duncan Rhodes Painting Academy

Views: 146,990

Keywords: Duncan Rhodes, Duncan Rhodes Painting Academy, Miniature Painting, Wargaming, warhammer, warhammer 40000, henery cavill, age of sigmar, chaos, armour, nurgle, tzeetch, khorne, slaanesh

Id: UDvri5Aa1m8

Length: 30min 1sec (1801 seconds)

Published: Fri Jan 13 2023