Antiques Roadshow UK Series 15 Episode 7 Warwick, Warwickshire (READ DESCRIPTION)

those buildings which were fortunate enough to survive the disastrous Great Fire of Warwick in 1694 have since had to adapt to the changing needs of the town the Guildhall of 1383 became the Lord Leicester hospital and is now a home for ex-servicemen Oakland's house is a later timber frame building that's also seen several changes of use but the one feature that dominates the landscape around Warwick is undoubtedly the castle in a commanding position on the north bank of the Avon it's regarded as the finest surviving medieval castle in the country it's also one of the most popular among visitors both from home and abroad last year nearly 700,000 people robbed these ramparts and heard how William the Conqueror just two years after the Battle of Hastings decided to make Warwick his stronghold here in the heart of England some of those original parts of the castle still remain but it's been much added to and restored in its 900 year history the castle also houses an enviable collection of arms and armor reflecting the many turbulent centuries it shared with its owners the Earl's of Warwick perhaps none more so than the 15th century when during the Wars of the Roses the 16th Earl Richard Neville anxious to be on the right side fought on both sides and unfortunately ended up dead on the wrong side as always we've had to find a hole big enough for the many hundreds of people we expect to see today and we've come a few miles away to the Arts Centre at the University of Warwick but we hope that today will prove to be a special event for the Antiques Roadshow and the people of the part of water how did you start collecting them well it was my wife's collection actually and she took an interest in these before she went on to dolls and toys and things and we used to go around the antique shops we found bars a particularly good hunting ground you've got a fantastic collection here I mean Chatelain of course they actually date back to the Roman times where the Romans actually had chatelaine and they were particularly popular in the 19th century of course they they sort of died a death when women started to wear big pockets in their skirts I mean the object of a chat line of course is to hang the hook onto the belt and have all this lot suspended below but they're absolutely wonderful when you've got here you've got the little mesh purse for the coins the all-hail there of course is for the pins to go in a little commander and of course a vinaigrette even even in the FOB lunch and of course scissors of course very often these were lost and you had replacement scissors put into them there's an enormous collection orbán 19th century wouldn't oh yes indeed I mean there's this one I mean the silver silver marks on the top it would date that for sabe that's about 1893 well how many more of these do you have and that the Kennedys reckon of the best can you remember how much you pay for your success I think we bought more between four pounds of ten pounds each 20 pounds each well you can't buy a good chatelain these days certainly under 300 pounds so taking them all in all I should think you're probably your collections probably worst without going through the whole lot only five to six thousand pounds she was given to my mother when I was born mmm as president sort of thing and my mother kept her as soon as she was used to sit in the rocking chair at home and she wasn't just any play with them oh good well you can see the bits that haven't really so it's really are very nice oh why are the legs yellow like this I mean have they been painted they look as if they're being had some some restoration actually now with any doll best place to start if it's a bisque headed doll is the back of the head there we are k-star our Simon Helberg one 170 now that tells me that it was made by a company called cama and Reinhardt German company they were based in Waterhouse and in Thuringia and they set up in business in the 1880 1886 they set up and in 1895 they started using this star in their trademark but it was only later that they started to produce dolls like this now look at this face because it's not what I would call a typical Dali face and when you look at a face like this the first thing that you should think is perhaps it's based on a character now these character faces didn't start until 1909 so we can date her quite reasonably accurately we know that she cannot be before when I was told that she came over just before the first world war could well yes the one problem that she has is around here there's obviously been a crack - they - neck which has been mended can you see the good thing I suppose is that they crack hasn't affected her face I mean and that is the most important thing she has this very nice all jointed body and it's always a good sign when they have joints at the wrist and the elbow as well as at the knee and here she's not absolutely perfect with this chip out of her neck but even so I'm certain it should be worth between 800 and 1,200 pounds she's just while she is she's lovely I mean we've always loved her and it's nice to know that something like that is well I do think that you could perhaps add a little bit to her by getting rid of her dress thank you very much thank you very much what we're looking at appears to be very early George the first period worn up Bureau of the most desirable model is were made a few of them were made in the 1710 1725 period this fantastic shape beautiful cabriole legs a big solid ball and cloth foot it has all the elements all the features that you would expect to see on a piece of that period have you had it a long time as a family piece or what's leaving the family since a late twenties early thirties my son owns it now it was his grandmother who bought it these things are so rare that they have to prove themselves innocent yeah you know who they are suspect you've got firstly when you open it signs of wear which is always nice to see see those little circle ear marks where the door is a now the only trouble is that one's slightly suspicious that's such a wonderful piece of furniture should be made of such a ruffle bit of world on the inside so we now really start to look a little more careful yeah if I get to pull a draw out nice little draws you've got some ink on there usually we've got some ink on that one - this is very dusty I'll tell him this is actually what is called in the trade rotten dust this is a mixture of cement powders and various others which people put on to make it look older than it is they leave that one up there for a second have a look at the main draw buts morning we're now starting to look rather carefully at an awful lot of ink stains in all the drawers yes now that's a little suspicious so we then have to look at the surface itself the dirt has been applied in this case not just dry dust but wet and you can see where somebody has rubbed along then fatal mistake actually put his fingers on there close the drawer do you see yes so now we've got a piece that's actually been faked to look older than it is right this piece was made not in 1720 but in 1920 1910 to 1920 just after the first world war in fact now having said all that it is a very good example of it's time they are still being made today not faked to this extent but they're still being made today as reproduction pieces and they cost a great deal of money this little Bureau would cost you to replace four and a half to five thousand pounds absolutely even even as a early 20th century reproduction piece very very interesting I think there's probably more to say about it than about an enrichment now this pictures by NH Christensen I think that's Neil's H Christmas another day I find it I find it rather intriguing because Christensen is an artist that I've been aware of for some time and whose work appears regularly at auction and he's obviously an accomplished painter but we know very little about him although some of the books describe him as Swedish he is in fact Danish yes yes born in Jutland hidden about 1820 yes and then he came to England in about 1850 right and he died in 19:22 really how'd you know so much about him cuz he's my grandfather he'll grab yes then he's known as the snow man because of his snow scenes I think we've got a little one here right yes we've got these rather mysterious letters are AC after his name I often wondered what they stood for if you've got any ideas I was told it was the Royal Academy of Copenhagen well that would make sense in a way because that would um he put it sort of in in English in order to explain himself to the English public perhaps yes he didn't particularly need the letters justify himself because when you look at a picture this impressiveness you could see what a what a good to an accomplished painter he was apparently he was well known for the amount of detail that he put into his paintings for instance you look there you'll find there's a fishing net they very detailed what his typical of him also is this moonlit light and the artificial lights coming out rather Cosley of this cottage it's interesting that he came here and obviously did make a big impression from the number of pictures that one does find in English collections and the do come on the market if one were trying to devalue one it I have not been aware of Christensen making more than I think about 1,700 parties is the highest price I remember and I think that this must be in that area conceivably if this ever came up at auction it would beat the world record for a painting by Christensen but I think it sort of should be insured for two two and a half thousand pounds jolly nice one free little figurines all from the world was to factory at least something because you collect the tick of the day not really no no in fact I didn't know these two were Worcester I knew he was well this one is the earliest of them and what date from the late Victorian period this is a candle extinguisher rather than a simple figure it's follow based and the idea was to put it over a candle and it would cut out the oxygen and snuff out the flame and the model known as Rani snow model in the 1850s tradition Worcester that it was an old lady who lived near the Wurster Factory and terrorized the workmen and they may have heard of a caricature of her looking somewhat fierce lady in surprise but a little novelty an unusual thing shame about the damage on the hand that means she's probably still worth about 40 or 50 pounds in that condition next we have really quite an uncommon model which very seldom seen that's a Bonzo you know the cartoon creation of George study tremendously popular in the 1920s and early 30s when this was made it'll have a date code on the bottom for the actual year of manufacture the little mark shows a little symbol there which is 1929 and that was when they introduced this model first of all and the made him as a Pepperpot intentionally with holes cut in his head and that's normally how we see him and they made a few of them without the holes which I think are much nice-looking they are extremely rare and he's going to be 200 250 pounds the furred little figurine is rather odd because this figurine is the sort of piece that was mainly decorated by workmen in the factory in their own time it was a white figure it went wrong in the making probably the head got broken off when it was being made and was taken home by the workmen who painted themselves this isn't factory coloring it's quite an uncommon bigger by weeded out see from a little series of children of our different costumes of countries in the world and though you feel that particular figure were made but it had problems big another factor but up that have been fully finished of colored batteries it would be three hundred fifty four hundred thousand sadly unfinished is still about but together they're big it is a fascinating collection of uncommon was to pieces - thank you very much this is a little dog and he's real he was three years old he wasn't because he had known the parents him and his brother and his sister were the same size really really no bigger than hamster [Music] when they reach the riverbank the thief is gone they draw a blank Rupert says I then say I must get home without tonight it's just exactly the same still addressed appears that as you get today it's just an absolutely charming all of these children's books are now become merely approaching and I think it was Rupert books that start something inside the first Rupert annual I think these days is worth around up sort of ninety a hundred pounds this was a Christmas present and you were a keen uncle fan it was a great success when it came out in the mid sixties on the television and of course it's come back now and the great thing about this is you must have played with it extremely well because it comes in the original attache case and it's complete with the exception of the panel but you've still got four wallet when you've still got the file of some invisible ink very nice my feeling is that even without the pen you're looking at a set but he's game to be worth in the region of a couple hundred pounds this is really what is so lovely about this table now how long have you had this and tell me what Java 57 years we were comped and across one careful gentlemen lady suddenly they so when she as they hunted two days later I always took the milk and everything so mom said she liked to buy wisdom he went to the shine on this survey well I think you've got something very very nice from that sale but it's interesting because this sort of decoration is really from Italy the workshops were set up in Florence in the 16th century and from that time onwards this kind of decoration was very much sought after by British tourists going to Italy particularly to Florence and Rome but I think this is a particularly charming example from the probably through the second half of the nineteenth century and it has this very pretty garland of flowers and the leaves going all the way around it but the perhaps most effective piece is the bars with the doves that is in the middle here in fact there was a a workshop with the workshops in Derbyshire that made marble inlaid marble pieces as well but one of the reasons I think this is definitely an Italian piece is the inclusion of malachite for instance here in the butterfly and something else which is also quite exotic if you like and that's lapis lazuli here which was a very precious stone and was used by Renaissance painters to make the color of the gums for the Virgin Mary in their paintings and those are used on the butterflies of some of the flowers which really gives it a richness and so this is something that you treasure wouldn't want to get rid of lovely piece to keep in the family it does have a considerable market value things like this which are extremely decorative and at auction you might expect to to get around 3000 pounds for some and I'm sure you will continue to get a great deal of flavor out of this one well now once again to our competition and your chance to win a voucher to the value of turn our thousand fans which you can then spend on antiques of your choice and an additional prize this year all our lucky winners will be receiving one of these in now more boxes as a memento of the Antiques Roadshow but first the answer to last week's competition when the question was at around what date was this fire screen made and the answer is 1720 and so to this week's magnificent competition object which comes from Warwick Castle where we were a little earlier today it's this magnificent vars dates from around 1770 and the base material is a mineral called Blue John which is mined in Derbyshire and this rich purple color and vivid translucent appearance is absolutely typical of Blue John a wonderful mineral in my view it's all vividly set off with this gilded metalwork comprising basically two classical figures supporting these candelabra and then here in the centre a swag of leaves and fruit now this metalwork decoration is known as ormolu and the whole thing was the work of a silversmiths and metalwork manufacturer from Birmingham who briefly was the biggest producer of Omalu in Britain and that leads me to the question what was his name was it christopher Pinchbeck george Elkington James Cox Matthew Boulton or Paul store now if you'd like to take part in the competition you can enter on a postcard but your entry must be in the post please by next Saturday and address two Antiques Roadshow competition p.o box one six one Northampton nn3 one said Zed and if you'd like a copy of the rules then please enclose a stamped addressed envelope to the same address best of luck with that the winner by the way is the first correct entry out of the Hat I'll be giving the answer and setting another competition object at the same time next week these are my husband's relatives this is Vice Admiral Sir Richard brindle who was a captain at the time of the Battle of Trafalgar and commanded the Prince the annoying thing about this particular painting is I just don't know who it's by at the moment I would have thought it's painted about 1800 and I think that it's enchanting posture of his children his wife and I particularly like the neoclassical setting the house in which they're in one or two elements just in the furniture for instance this lovely desk and chair here other things the splendid fitted carpet it's not just a rug with an actually fitted carpet even though it has elements of flowers these colors of greens and reds and so on do show a strong kind of Pompeian influence and of course at the end of the 18th century there's discoveries of antiquity in Rome and there was a whole interest in the revival and of course the neoclassical interest now this gentleman here appears to be ready to go to sea as a midshipman and he's got his camp there now who's he he is Horatio who was a midshipman on the victory but at the time of Trafalgar was a left-hand and I believe died on the victory is the oldest son I don't know anything about those two at all again trying to come back to the attribution who actually painted it just hope that one day that one can come up with the name of the artist yes now on a question of its baño I would have thought probably for insurance purposes that you ought to think of something between the region of ten or fifteen thousand pounds and of course too sentimental and kind of historical interest to you probably actually surpasses there yes do you know what they are I don't you've never had an idea none whatsoever while they are in the form of Japanese Netscape little Toggl worn at the waist band and the Japanese use them to suspend a pouch or a box when in Rome proper waste because they didn't have pockets let's move back in date order this is the earliest one and he's in fact a little figure of a Dutchman Josh Robert of figures of fun I mean ever really bizarre these tall people Japanese very small and they actually to come from all over Japan in the 17th century just to take a glimpse of a - this one isn't late 18th century of date he's going to be worth somewhere in the order of a hundred and fifty to two hundred pass go getting proud of poets now this one is not a net ski no holes is an ahkam oh no just a little standing figure to amuse the export market tourists after they gave up and they're wearing their ski right and it's a boy with a I think they're supposed to be a musical instrument called a poacher he dates much narrative 1900 and he's worth about thirty to forty hours this one is very poor quality and this really is the bottom end it's rough holes in it very poor quality these were friends but this one is very very well carved an attractive group and it's a baby and of course that's a good subject and you've got a cat cats are very rare in the Japanese iconography you can find them grill well they were actually considered bad luck Emily enough but he's beautifully carved detail is fine there's no damage on it busy or just Littlefoot well that's always a good sign if they bothered to spend a lot of effort on the bottom and this signature on a red lacquer reserve now there's a sort of Mythology about red lacquer reserves that if you've got something signed on a red that goes oh it means it's good quality that's not right because they did do dreadful one but that emergency but on the whole the best ones do have red black reserves yeah and it's sewn signed Joe ray carefully generate unusual name it's it's a very good little big I think he would probably make somewhere in the order of seven hundred thousand pounds yeah we've had it in our church for an awfully long time for me since it was just a bit oh yes yes I'm sure it's in the bank unfortunately most of the ties this was made around about 1570 the only place that I know that makes chameleon cups with the strange little flange that looks almost like an Elizabethan ruff is up here in the Midlands and specifically at Coventry now in the 1570s there were three different people making communion cups for the local area one of them used the mark of a rose one of them used the mark if' and one of them used the mark of a cross regrettably this one has got no marks on at all so we have to guess but I'm sure this is the man whose mark was a rose he used more often than not this bucket shaped bowl it was he who really specialized in this little flange and he who was very keen on what I call this sort of hit and miss ornament it's a series of little hyphens within the typical Elizabethan in today's strap back that you get on practically every Elizabethan communion cup that exists given that this was made for the parish in 1570 ish if you lost it is it is it's basically irreplaceable and I think it's very sensible sometimes to ensure it for the sort of price that you would get a real craftsman artist Goldsmith to come along and design something for you today I would think probably he would make you one for eight hundred two thousand pounds if this had the Rose mark on it you could say that arguably the thing would be worth double maybe even two and a half times that but I think it's wonderful thank you so much for bringing it along really thrilled that a little play with it but one invited to bring it thank you these are very very early postcard to be there before 1902 because you can see in back it isn't divided to serve address on one side message on the other like a a postcard is today you were supposed to write your message just on the frontier that was the only place for the message and then a whole of the other side was taken I made the address these are very early they are very good fantasies and these are by the very by an extremely good maker these are by Raphael targets are not who were the rolls-royce printers a postcard these cards are worth a minimum five pounds each 150 this is one of the most exciting collections of Prescott now you may remember a few weeks ago we were in Kingsbridge in Devon and the gentleman came in with two very fine drawings which he'd been told were by Titian and Varanasi respectively now Peter Nahum was our expert that day who looked at them and he was by no means 100% certain but he did undertake to do some more research well that research on the two pictures is now complete Peters joined us again here in morick together with the owner to deliver the verdict well firstly we know it comes from the Earl Spencer's collection which was formed in the 18th century and as far as I can tell largely dispersed in the 19th century and thank this particular drawing turned up in one of the Spencer cells at the beginning of the 19th century and this drawing was sold as a Titian an important issue and made a lot of money then wasn't a lot now but it made 14 pounds and 10 shillings the point about the Venetian school is that as a whole the school has not been very popular and it wasn't popular in the 19th century and it really hasn't been popular until well after the Second World War until quite recently this drawing in fact relates to painting by their amazing Ella very amazing painted in about 1565 entitled Venus and in fact the compositional elements of the painting are changed around now this would perhaps lead us to believe that this not being if you like an accurate copy of the painting was a parrot redrawing for this they're amazing but I have taken independent opinions from scholars and they all seem to think that it relates probably to Veronese his younger brother and he probably drew it some 30 years later Veronese he had a very large circle of artists working around him and his school went on long after his death so it is still if you like an enormous quagmire which the scholars haven't quite worked out also everybody agrees that is a very beautiful drawing unfortunately this doesn't make it a very expensive drawing it's insurance value would be around five thousand pounds now the second drawing is also very interesting because it's also taught me a great deal this it turns out is not by a Venetian and but almost certainly a hand of a Frenchman or a Belgian or a Flemish hand again it's Varanasi school and was drawn probably in Venice but about a hundred years later or something like that its value again I'm afraid is not high at all the consensus of opinion is that it's under a thousand plans at this point in time but as I say this is modern scholarship and the Vera may see the whole Varanasi school is still in the melting well I believe you've done the investigations is being very very interesting it's completely different my researchers of some years ago some 40 years ago that's exactly when all these the scholarship hadn't really began and so many drawings were given to Titian which have been debunked thank you very much once again it is very ornate it's quite difficult to display if if it's too near on furniture I find it a little bit strange because of a variety of detail on it but I have great sentimental attachment to it well that's obviously it's a family piece is it it's been in the family for a while my mother actually brought it about 30 years ago yes it really is what I would call a toy because it's very small in scale isn't it and I think it's what in the later 19th century would have been considered a wonderful good work piece it has everything about it that is the 19th century Madam's idea of what Marie Antoinette might have had in her boudoir which is why much of it reflects late 18th century French taste we can see that in fact it's made of a gilt wood and originally it would be sparkling with gold imitating solid gold but in fact it's on a wooden core we can see here just where a little bit of moulding has come away that the wooden core is covered with white gesso which gives a good brand for gold leaf which is then applied over the top here and you have all sorts of things piled onto it so you have this lower mirror complete with a little foot cushion I think that's what it must be you delicately place your your toe on push and while you're powdering your face at the mirror above all the classical detail you associate with Marie Antoinette's boudoir but there are details in it which don't somehow relate to Marie Antoinette for instance the Sphinx's that you have up here on the drawers and perhaps the whole structure this this part here is a little bit less French 18th century than you might think the what is lovely here you come across this top and into the middle to a little porcelain black painted with again a rather 18th century style lady who's handling a fan in a rather coquettish manner and why that is so nice is that you go up a little bit further you then find that the mirrors beveled mirror is formed at two staffs into a lovely delightful fan shape so that the decoration of the plaque is echoed in the decoration of the mirror and again in the trophy on the top here you find that there is the munication of a mirror and a fan again so there's a lot a lot of thought a lot of detail put into this little piece and I think it went when it was brightly gilded it really would have been absolutely delightful it's something that I think you probably need to ensure it has got some damage on the top but I think you should think in the region of 3,000 pounds for insurance and really worthwhile to do that because of the fragility of these pieces there aren't that many still around interesting and my own mother was told when she brought it that she can probably from one of the great sleepover apartments at Hampton Court Palace oh well thank you oh I like it I like it a lot it's an absolutely classic example of what we would call a Bourdon tube type parameter let's look at the doll first of all it's paper the reason is that then the outer bit can easily just be popped on in various different languages because as you can see from here the thing was designed by a Frenchman called Borden it says eboard ananda richards and they won a gold medal at an exhibition in Paris in 18-49 and then over there I see we've got a similar exhibition medal for the London Fair of 1851 well mr. Borden really invented this particular principle and it was the forerunner to the aneroid barometer the present day a neuron and basically that is a circular capsule which is of corrugated form partially evacuated of air and that it acts like a bellows through a linkage to give you a change of atmospheric pressure and there is a horseshoe-shaped thing in there which is a brass construction and that basically moves in and out to bear on this wonderful RAK which if I can just move it very briefly then shifts across onto this pinion and then you get a superb register of scale now I have to say that we can date it pretty much because of these dates we know it was made or the patent was was well prior to 18-49 and we know that this particular example was probably retailed in about 1860 and very very soon after that really by the 1870s they aneroid had completely taken over so technically this is a bit of fun I've always liked it that's why I bought it when when did you buy it about 20 years ago I think so that was sort of mid 70s I mean roughly what's your page remember 10 poems I think that's pretty good news because frankly this sort of barometer and early androids have soared in the market over the last 10 to 15 years and something like this at the moment although not magnificently high values would certainly see you at auction in the region of 200 to 250 pounds oh pretty good investment on your Turner's thank you fantastic toy it's made of tin and the size is extraordinary the actual design with these two scholars is very unusual and it's in super condition now that there must be a story behind this it there isn't really no no it was bought at an auction in Lovington probably about thirty years ago right and it's actually quite a sculptural object as well as anything else isn't it wonderfully finished with this fake wood on both the hull and on the little rudder at the other end the figures themselves are articulated I suppose they would they would go backwards and forwards oh there we go backwards and forwards and actually move the oars the date is quite early I would say that it's dating from around 1905 1908 and the makers mark is actually in here and it is the letters GBM inside rings and that tells me that it was made by a company called Garuda being of Nurenberg now they are one of the very best manufacturers they were operating at what is known as the Golden Age of tin toy manufacture which was between 1900 and 1910 the thing about tin plate boats they don't seem to have survived very large I think probably most of them ended up at the bottom of palms or at the bottom of the sea or in fact I'm very tempted to dredge the Round Pond in Kensington I'm sure you'd find some wonderful boats there so this has a lot of things going for it and it's going to be worth a lot of money we're talking about perhaps between 1200 and 1500 pounds it's wonderful thanks so much a ring you do what a lovely little picture this is we've seen it out of its frame before only once I ask you whether you've seen it out of its frame for because hidden under the edge of the frame just up here as this tiny little signature and a date have you ever seen that before it is signed Canella who was a Italian painter Giuseppe Cannella who worked in Paris in the 1820s and 1830s and I see actually just below very very indistinctly there is a little date 1813 there we've got quite a significant date I suppose 1830 it was the date of the restoration of the monarchy and the artist is depicted a lot of figures in a sort of political turmoil there you see wonderful detail when you get into it a line of regular and irregular soldiers I suppose who described it coming along here I didn't if you've ever noticed it was wonderful characterization here they are marching along under the tricolor passing these three splendid of a dandified figures we'll watch them in a rather disdainful fashion lots of other good characters along here these two women giggling in the corner there's so much going on in there have you ever looked into it in detail no you given a new insight into it I think I need a magnifying glass room well it is when you get into it it is absolutely magnificent clear down the architecture which he was well known for he was well known as a painter of architecture but here he's doing something that I haven't seen him do quite as well ever before and that is this detail in the figures this human interest in the figures at of a crucial historical moment it's really lovely thing has he been hanging in your house of long time quite a long time in my house it's been in the family for a very long time as it was it originally belonged but I got it through my grandfather that I think it belonged by a great-grandfather but it's an unusual picture to find here at here more a picture of this significant moment in French history and in Paris I hope you got it in sure it's a chart with the general contents yeah was that me that means that means that if it burnt down tomorrow you probably wouldn't get more than five hundred pounds back for it I feel you should get straight back and revise or insurance because the last one by Giuseppe Cannella that came up at auction of a prison scene similar to this fetched fourteen thousand pounds and while I think this is possibly slightly smaller I think that you should certainly think consider a sum of twelve thousand parts for insurance in no time if you so that you might get up to anything between eight and twelve times in the 45 see my insurance brokers coming next week so that well I must say our day here at the University of Warwick has proved yet again the unpredictable nature of the Antiques Roadshow there was no reason at all when we began this morning that why we should have anticipated such an excellent day on pictures but that's the way things have been we've seen two very fine paintings indeed now I particularly hope that you'll join us next week because we're off to Kingston not I hasten to add Kingston upon Thames but Kingston Jamaica so we wonder what surprises lie in store for us in the Caribbean so do join us then in the meantime from all of us here in the West Midlands goodbye

Channel: UK VHS Archive

Views: 39,852

Rating: 4.6243095 out of 5

Keywords: Antiques Roadshow, Antiques Roadshow UK, Antiques Roadshow Series 15, VHS, Warwick, Warwickshire, Hugh Scully, BBC, BBC 1

Id: UMEgjylv6g4

Length: 42min 12sec (2532 seconds)

Published: Wed Nov 28 2018