Antiques Roadshow: Waddesdon Manor (1997)

become a pillar on bbc1 at 8:50 tonight truly priceless looking at this great house in the Chateau style you might well think that we're in the French countryside say on the banks of the river Loire but we are in fact in Buckinghamshire just six miles west of Aylesbury this is wad stern manor home for more than a hundred years of the Rothschild family it was in the 1870s that the barrel Ferdinand de Rothschild decided to build this great country house as a centre for his two passions collecting the decorative arts and entertaining his friends the Barons first love ever collector was for French furnishings so for him a 16th century style Chateau was the perfect house will be showing you inside wad stone next week in a special edition of the Antiques Roadshow but for this program we've taken up temporary residence in the garden and in these magnificent grounds around his house the Barons vision was equally remarkable Baron Ferdinand first became familiar with this land and its commanding Hill when he came out here from London for winter hunting weekends at Leighton Buzzard from the top of the hill he saw grand views in all directions and when in 1874 his father died he had the means to make those views his own this was a major undertaking the top of the hill had to be leveled and the land scooped away on both sides to enhance the views the parkland was as devoted to the pleasure of his guests as the manor itself every morning after breakfast parties would be organized to inspect first the stay Bulls and the horses and then take in the aviary with its extraordinary collection of exotic birds before climbing back up the hill for lunch but the Rothschilds of course have not just been great collectors and patrons of the Arts they've also been leading figures in the world of wine and this one cellar contains 15,000 of the finest bottles of wine in the world all from the two great Rothschild estates in Bordeaux Lafitte and Muto this for instance is a venerable old bottle of Chateau Lafite 1895 imagine this was created before two world wars a great wine for a grand occasion and this a 1973 Muto these post-war Mouton vintages always distinctive because of the labels which were commissioned by the barrel from contemporary artists of the day this one of course was by Picasso in 1955 roars Brock was commissioned in 1958 it was the turn of Salvador Dali and a very good year indeed more recently Francis Bacon created the label for the 1990 you know this is the one room I think I've ever been in where I wish they'd lock me up and throw away the key it's in the gardens above these sellers that we've set up our cameras today so let's now go out and join our experts with the people of bar Kenosha this has to be the biggest Noah's Ark I've ever seen now how many animals have they got my grandfather thought there was about 500 in it it was given to him when he was a boy by Leopold Rothschild how interesting Christmas gift to my grandfather can you date it back well wrote in his hand on the on the family the history of it and he says in the 1880s well Christmas 1888 yeah marvelous he'd have been 11 at the time he brought something else too haven't you well yes this comes from my wife's family it was given to her father when he was a boy I think just before the First World War have you ever been out of its box I must have been you'll see when you take it out when he was a boy by father-in-law headed out and he had a friend and they were playing with it on the floor after the friend had gone one of the lamps had disappeared them and obviously finished it and a little bit of damage to the plaster driver but that is an absolutely fantastic car it's made by a company called curette George curette one of the greatest of the German manufacturers the correct company was founded in 1886 and it only ran through until 1917 so its period of manufacture was really relatively short let's just look at the quality here it's hand-painted with hand lining the accessories are finished in nickel another good indication of quality you've got rubber tires on the wheels and all together it's a really weighty object and what I like particularly is the realism of these padded simulated leather seats aren't they great now value toys are very collectible today and really you've got two toys from two different eras but both of them are extremely valuable the Noah's Ark with its history I would say we're talking about between perhaps ten and fifteen thousand pounds power between ten and fifteen thousand pounds and the motor car between six and eight thousand oh it's worth that IV my grand grandfather was a typical farmer and everything was nails and bits of string and he's obviously done one or two repairs on some of the animals well the most important thing is that it survived one of the things I always enjoy seeing on the roadshow is furniture made out of fare but this is a particularly fine set of three bears making a seat why have you got it where did it come from came from interlaken in Switzerland in twist yes my father had it made perfectly for him so it was a commissioned piece yes and he wanted father bear mother bear and baby bear so he's got the three bears got the three bears the three bears like that now do we know when he placed that Commission well I think it must have been the late twenties I think that's very interesting because as I say we see these sort of pieces very often always different fascinating things and one is inclined to always say oh they're Lake Victoria now with this of course we have this catalogue yeah now this is the most revealing document I've ever seen in this subject but what is interesting to me is thumbing through this catalog we find the whole range of bear furniture if it turns up over the years on the show and I would never have put it as late as the 1920s I can say - I've always been wrong what this represented the continuity of a tradition that is essentially Victorian or 19th century into the 20th century and probably beyond the Association of wood carving and animals particularly with southern Germany Bavaria Switzerland of course is well known but the bear somehow has a particular fascination and looking at this catalogue that comes home to me one can have bear everything here bear the can to hold the bear close brushes anything you want to be named okay do you know what he paid well I couldn't I looked in the back of that catalogue there is there is a price tick they're both in French franc it's very French franc I'm afraid my exchange rate to nineteen twenties are not very good yeah no line I'm sorry we can't do it can't do it I can tell you what it would fetch today because these are quite collectible they're quite desirable and I would put something like five to eight hundred pounds on it but of course that doesn't really relates to the value of what it means to other family piece and I've now got to reconsider everything I ever thought about car fare I inherited them from my mother and I before that they belong to her mother and to her uncle my great-uncle alright have you thought about when they must be made and what they were for I really I think they might be for snap but I'm not sure and I I really don't know much about them right they are snuff boxes with this one which it's going to Davis from the looking at the early part of the 19th century in Marvel's way they're set in this is micro mosaic and these tiny tiny pieces of stone set him to the top the game the patient was to produce a having it so actually that easier as the technique that is often thought I mean they don't put a couple more to that size and toggle them into position that you have little want and then smooth it down say it makes it a little bit easier then to this one which anthem is superb but I know I know long before they were mine I I can't really light on that at all I know yeah it's quite badly that matter a needs of top restorer yeah again the wonderful plows there and it's such a shame that that that damage has occurred but it's not beyond redemption the scene on the top as far as I can see though it's it's mercury of course with his wings hat and I think this is almost certain to Diana but a beautiful example of the enamels art I mean it couldn't read him not be flying on have you thought about about us at all with either of these problems well only frightfully vaguely I'm in line I know that there's this one being so damaged obviously will have lost a lot of its value but I mean no I really don't know it's a very vague idea as it is even with the damage I would say with this box we'd be looking at at least 1,500 to 2,000 really that much even even with the damage even with the damage and properly restored one would obviously be looking at significantly more this one I think they're looking a wee bit more as it is ivory quite happy and saying that a fortune I would expect that box to be selling between four and six thousand pounds really and I would be ensuring it near to the eight to ten thousand jobs - one of these lovely little sort of earlier deco figures made by Lorenzo the great name but I have to say it's the boxy fortitude that really interests me this is a beautiful leather suitcase and presume it's come down through the family it was my mother's she brought it round about 1920 and having the original brushes with a with a beautiful wood bags is is an added bonus to a suitcase fact there's normally I wouldn't expect to see the original content and look a manicure set I mean it really is a little time capsule if you wanted to sum up the nineteen twenties travel arrangements then you've actually got quite a nice little hoard in their own days these leather suitcases crocodile skin suitcases were highly valued and came with their own outer cover just recover you'd have for traveling you've got the original thing I mean there are shops which specialize in selling luggage and suitcases of this carrier today and I I think I'm right in saying that if you saw piece in this condition with its content you could expect to see a price tag anywhere in the region of seven hundred to a thousand pounds just well what a charming young girl is not a lovely expression she's dark you see little serenity isn't it what sort of history we've got with you actually belongs to some friends of mine who knew I was coming today and they're trying to bring the date of this is second half of the 18th century and it's a Chinese mirror picture so if you break the glass you've broken the whole thing because the painting is on the reverse of the glass and the detail is such that they put the gold there for example goes on before the dress the decoration there would go on before the fabric of her skirt the pupils go on before the eye it is totally in Reverse I'll say all right it was a technique that the Chinese developed and we tried to do it in Europe but with less effect and I think basically I've done for the European market now it is a very fragile work of art of this different and insurance for this would have to be in the region of four and a half thousand pounds so take care of the way better wrap it up well it really is such a treat to see such a pure untouched and unrestored piece of Regency furniture hmm I mean opening the top I mean the color it looks completely unused do you do you ever use it or is it care very much against the wall no it's very much against the wall yes what really is unusual about it is the mechanical movement which if you could very kindly give me a hand in just I'll try and open the top if you hold onto there as you can see a little bit stiff but diem the way that the legs close mean that you are able to sit and play games with your knees without banging that against the chess lens yeah really very ingenious idea which I've never seen before I speak guys in a short form yes the shop yes and I still got this good check it for it have you yes when was that 1947 do you remember how much he paid for it he is 14 pounds 10 shoes well that's not a bad buy a shirt equally if that was to come up at auction today I think it would be worth in the region of three to five thousand pounds well gosh we well worth looking after those appears my mother in one of her places at work many years ago and it belongs to the boss's mother and she was an actress somewhere but that is all in there you know where it's been really well we look on the bottom and we will find here this is the mark of the Wooster factory while with the factory your crown and your W is an underneath you've got the date 74 I think it's 75 it might be 76 but anyway it's either 1875 or 1876 so it's 120 years old Boston a very complicated thing to make all these little pots so carefully arranged little lamb for us I continued because he he signed it mr. Willoughby that WY he did the gilding and then the man who faces the birds was call John hopeful and what makes it particularly good is and what collectors like is this yellow yellow ground is always been some object when it is very bright not too bright it would be brighter if them it was washed carefully but why did you down wash it dancer who did this okay pretty isn't it yeah but you've lost one two three handles and so it has reduced its value a bit so I think sorry but 350 or 400 pounds one of the problems often with Victorian pieces that some of them are so big that they're very difficult to wear do you wear it you don't why well I've only had it about six months and I haven't had the occasion ah but when you get the right the cave I probably will because it lends itself for wear if you were to put that on the side of a dark outfit like that it would look absolutely stunning it's late Victorian and it's in I suppose one of the most popular wildlife themes which is well I suppose I would call it a bean now it mounted in gold but what is the most significant thing about it is the body where you've got this lovely natural dark grey colored pearl it's ever so slightly misshapen but the fact it's missed it is not a perfect round felt lends itself to the general design of the piece because you've got this sort of it sort of goes into a pointed top which then nicely goes into the Sapphire cushion shaped cluster in the middle and then the eyes are set with rubies they're totally different round cut stones so you've got all the color there but look at the diamonds in the wings lines of little old cut stones with this veining between turning it over and you can always tell the quality of a piece when you look at the back because quite often with pieces of Victorian period the back gives it it just doesn't look the same but in this piece you've got this super gold cup that forms a setting to the pearl itself then you've got looking at the veining here of the diamonds you can see it's all very beautifully cut out do you like the piece I mean if I do I do like it yeah I think it's very pretty and it means a lot to me sentimentally it does okay now there it is a very commercial piece and I would suggest that in auction it would probably be worth around about 2500 pounds that's a lot well it's because it's such a commercial choice thank you wonderful varied collection of children's shoes have you been collected in the long time about four years and they are very difficult to find certainly start with but that's with your first but better for those beginning in the lock shop in in the Cotswolds that's quite an older child isn't it I think there yeah I'm a very and which was widget your favorite my favorite I quite like those yeah and I quite like the shape of bone right be the one yeah yeah and be easy said yeah yeah actually they don't look the same as all the others I would have thought those were American very Americans me but um what I I see a lot of these kind yes they are thought Bernard stole by the dole dealers right yeah and I think these are my paper working those I know the beading and it's not good this is get ya cut blast and so much work in them I don't know what sort of Rises when I started off paying about 40 pounds on the average but I've I've progressed and I've found slightly different ones and say I think for about 80 pounds well I think that's probably about right a few month Orton from dealers we have Orton from the shop a she she was telling that connection so you haven't had any sort of really fantastic bargain no not really no I don't collect them because I love the shape on them I just wish they could tell me where they came from yes and who wore them yeah really I mean how many pairs all together 71 and to get mad at the moment anyway I think you have got a great collection and if you say got 71 and you've paid about right on average yeah under 40 some a bit more we're talking about a collection of 3,000 pounds already 2 c1 3 barreled pistol is unusual but to see a pair is rare indeed they actually belong to this man and this man is your great-great great-great whatever yes and he were born in 1705 but in that grave there's the man who owned the pistols and here are the pistols we're very fortunate these pistols would probably be carried by him on journey as if he had to go by coach somewhere and George Ernie with money or valuables and they would be his protectors to describe the action to you when they load these pistols they put powder into that trough there and then with this little catch here it's sealed off right right you your pistol and close up your prison now she's all ready to fire having pulled the trigger and the prison going forward the cop coming down those two little holes would take the charge through to these two barrels having done that and you've missed him with two barrels you then your pistol reveal the lower chamber suppose you're free and you can fire the pistol again so it's quite something and of course I see the maker is kept 'land yes now he was a birmingham gunsmith and he came to london in in about 1760 these pistols would have been made around about 1771 pistol on its own today would fetch about 700 pounds so you've got a pair today I think you would get between 1,500 and 2,000 pounds but it is possible that two people wanted those pistols could pay more very much thank you for bringing them in if you're fortunate enough to own an oil painting the chances are that you either bought or inherited with it some problems they might be problems caused by too much Sun too much central heating or rising Dan Peter what's the most common problem in your experience with oil painting well when we talk about problems we have to realize that oil paintings start with artists and it's artists that can cause the first problems if they do not prepare their materials right if they do not understand how they are going to mature with history they cause the problems for you very often and here we have a typical example what's gone wrong it well this if you look at the paint here it is puckered and puckering is where the paint has almost remained liquid and the surface has has risen come into ridges and you can see that here and that's quite that's the most difficult problem in a way to correct but it's not actually caused by too much light or eat or anything like that it could be caused by too much heat it could be caused by bad preparation of the materials it could be far too much oil in the paint for instance so it remained too liquid too long in fact we should perhaps go back to here to see the original preparation we have a painting here on canvas that's one medium we have one here on a wooden panel but almost all paintings have a traditional dressing of white gesso you see that that has a white base that white base serves two purposes first of all the gesso is made of a liquid chalk a substance which makes the surface absolutely flat but it's something for the paint to adhere to if it's not prepared properly and put on properly you can get puckering you can get spreading now this is much more easy to deal with here the paint has spread but this can be filled and touched in and a restorer can fill in that touching you can never see it whereas this is a much greater problem and finally what about cleaning should should should anyone ever attempt cleaning themselves absolutely never I mean these works of art are not even if we paid for them they are not our possessions there are the possessions of future generations it's a it's a great science cleaning and we have there are marvelous restores and we must go to them - thank you do you pay for bit what you have is a ball covered with lots of numbers and before the game starts you agree between yourselves what forfeits are going to do and you write them out on a limb and then when you're bored of an evening you take out your forfeit for and you you roll it around and you have a wonderful time in the party trying to get people to do embarrassing things this object is actually made of clay and at one stage it was glazed but the glazes rubbed off from from loving youth and judging from the number sister was manufactured and in temperature sometime around 1800 1820 I suppose you want to know what it's worth well surely find out 20 C well let's multiply by 8 shall we I think I cannot see you buying that in a shop quarters under 200 pounds and it may well be worth a good deal more than that you know we have more Bibles on the Antiques Roadshow than almost anything else but this one is quite an exception it's a lovely addition it's slightly soiled some of it is slightly soiled one printed in Zurich here in Switzerland and the air is 15:16 and it's a lovely Illustrated Bible here we have this wonderful picture of God making woman from Adam's rib here he looks as though he's having a bad night don't you think I mean he doesn't look at all happy with all these wonderful animals isn't a little wood cut fate here this is a lovely Bible where did it come from it's there been in my family as long as I know report i'm from germany with when my father came over before the Second World War yeah and I loved the binding of this this is the does in fact have woodwork this is a pigskin over oak board and from what I can see of the binding it is absolutely original now often people actually write in Bibles and I noticed that somebody has written in here something that I can't make out but what I couldn't help me anything was at the other end of the Bible we have happily married Helen believe gold with 6939 is that that's my mother and father I think it's definitely lovely because if I rather like me an idea I presume you must have given it to her yes that's absolutely splendid now the the Zurich Bible the first edition of this particular edition came out in about 15-20 and there were subsequent editions of it but any Edition is desirable did you have it sadly before well I was told it wasn't worth anything as you said you always have Bibles give dodo it course it it's a sentimental thing at the start and it couldn't be any better because you're right in your family so it's worth everything to you but a market price if we have to put a market price on it I suppose would be somewhere between 1,500 and 2,000 pounds but lovely thing I'm glad you're both here thank you you know I did my whole life I've never seen one of me [Music] I know it is terrible and it in blue Jasper do that versus college saying we're blue team well made by desire Wedgwood and it has a particularly special feature on it it has the word Wedgwood in upper and lower case now that children that this has made in the 1770 very early now if that was a silver one of the period it would be worth about 85 maybe a hundred in 2003 the census of Wedgwood one is whether an awful lot more and I think that this funny little thing is worth a thousand pounds to roar than a rare rare what you got there [Music] oh sure I mean that's it it's Celtic I mean that really is quite incredible because the fire one is a remarkable find - all right this is a German mystery clock gating from 1900 give or take a year or two and you have it running at home or not no but it does include very good time right exactly tricky to regulate it but as you know that fits there yeah and then it swings away and apparently it is perpetual motion but we know of course this is known as to regulate it you do the reverse of what you do for an ordinary clock so if it was running slow with a normal clock you would reduce the size of the pendulum to make it run faster in this instance of it's running slow you lengthen the pendulum so you're doing it in reverse you'll get my meaning hence we call it a mystery time tease and almost certainly made by one of the factories like uranium but this one isn't signed on the dial so price-wise any thought not really no we were given it about six years ago by a relation oh that's a lovely gift yeah it's a good object they've come up in the market dramatically over the last two or three years and I would have no problem at all in retailing a piece like that for about 750 to 800 pounds you would show I'll tell the president Elizabethan stomacher well you're right in one part and wrong in the other because it is a stomach test but it's not an innovation now an Elizabethan amateur would have been longer it was a piece of material that was designed to go from the chest down to just below the waist because in those days the dresses were open in the front and we're talking about a day for about 1700 for 1740 so you had opened and worn over a petticoat and the extraordinary thing about dresses and those days were that they were pinned together so in the morning when you got up you would be pinned into your clothes or dress it wouldn't have been so so the stomacher would have been pinned onto the outer garment and very often it would have had a support that ran up the back called bus which was made of wood and could have been carved by your lover with some inscriptions because it was something that you would have worn everyday so it has been close to your heart and it would have given it support because of course it wouldn't have been any good on the canvas backing if it was all flopping around and what I like about it particularly is it really glowing colours bill because so often the light daylight has faded the colour dogs but here you've got this lovely pink and a very bright apple green turquoise and all sewn onto silver and gold threads at the back and the silver and gold thread shows that this was for a special occasion they don't provide a very great number with this given to you or harder to come by it it was given to her as a wedding present originally by AM ignorance and she said that it was to give me this little present although they are so rare objects and they haven't survived this was obviously kept carefully away after sunlight for a good many years having said that although they are rare I think you might expect them also to be extremely valuable which is in fact not the case and this beautiful thing would probably be worth some in the reach of about five hundred pounds but to me the pleasure of seeing something in such a wonderful condition yes well I don't think you could have a more suitable piece of furniture for a program from what sir than this isn't it lovely the way 215 style de roda down in a grandest grandest manner now before we start looking at it tell me something of the family history well it was left to me my by my great arms and she traced its history back to the Cobb family apparently owned Cobbs brewery from Kent well that would fit in because unlike Louis the 15th period this style was copied and continued throughout the 19th century and by the 1890s it's becoming really fashionable again there was one make a false wild link who copied this design and and produced much of this sort of furniture round about 1890 1910 that sort of period if we look at the construction of course this the workmanship and craftsmanship is the same if you like as the patterns of the 18th century this is a parquetry pattern the pieces are applied one against another not built up as and applied as a picture like marquetry but each piece rather like a parquet floor is carefully cut and placed so that all the veneers match right and as you step back of course the grandeur of these months is very very strong very heavy and very beautiful and if we look carefully you can see here if you look at the flower head even those are chased and pounced it's a marvel of hand finishing technique which you don't get with cheaper copy and of course there were cheaper copies so does everybody like this shape and they reproduce them various standards to fit every person how about the lever the lever well this is the original never surfaced and I prefer to see the old news leather than a bright spanking new one however I should tell you that in the 18th century French death they changed the leather every year sometimes according to the season so they have bright blues reds and greens but I think this is mellowed in with the rest of this bearing in mind these colors were much more vibrant when new so an important looking death quite a stunner early what sort of didn't got a price on it do you have it valued well where my art left it to me she letter came with it and she said to ensure it for one thousand eight hundred and fifty pounds I was in 1991 1991 yeah I didn't sure that for eighteen thousand five hundred pounds really yeah push my Prima's up [Laughter] well that actually belongs to my mother and at the moment it's standing in her fireplace but it did for about four or five years stand outside on her patio with plants or something we are just a flower people that seem find offensive things with it what what do you deal with doing but it's actually belonged to my husband's grandmother and when she died it's handed down I've said that I like it at the time when she was alive should I commit and you're actually a friend of that my mother's gave it to her about 20-25 years ago so in in a sense they're both gift well they are too quite similar pieces insofar as they are both Chinese but let's take yours first because this one is covered with a plastic Chinese flower the Lotus which forms the whole backdrop of the whole jar this one was made for the export market and this one was made for the domestic market this is a very typical Chinese shape with typical Chinese rather formal borders whereas this is what the Chinese were producing which they knew would go down well in Europe one particularly nice thing is that your lid has totally different decoration on we've got little Chinese gentleman sitting here in the panel and in between these stems do they remind you of anything suggest anything to you nihlus that's right well you see the Chinese buyers then knew what the Europeans wanted over in Europe so they provided something that resembles Delft in parts of the design but I suspect that when this was taken off the shelf they took the wrong link it matched yeah well you you're absolutely right but the fact is the porcelain is at the same period now this is really rather nice to have two jars 5x5 one of both of which I mean Dynasty now yours was made towards the very end of the maintance it's sometime between 1600 and 1620 yours has made maybe around 1540 I've been 50 it should have a lid like this one it should have had lid and this was actually a domestic objects for wine is known as a Guan a wine jar right what are they worth do you have any idea you have it for sure do you don't have it do you have well I think if you solve this one in today's market you would get somewhere between three and four thousand pounds you don't know what this one's worth there i I think this would quite happily fetch somewhere between seven and ten thousand back to the garden Oh between seven and ten thousand and I think it's still gonna pantyhose for you why not it's interesting to think really that one most of the time this picture was painted for fifty years if you've said you'd like this painting you would have been pilloried because of a totally out of fashion I mean it's a 20th century picture but left over from the 19th century do you know anything about it good I believe it's Lady Diana Cooper I've been told that she was married to gentleman called Duff Cooper and I believe he was in the society that mixed around with Edward and what is Simpson but you've never checked it out never had it checked out the first time everywhere it's come out of the closet I don't think it'd be very difficult to check whether it was Lady Diana Cooper I think she is obviously in her best ball gear of the era it's sort of 1915 to 20 isn't it this period and the what nur is as I say I left over from he's an Edwardian artist and later left over from the Victorian period I mean when he was painting pictures like this he was a dinosaur really yeah and yet he has all the wonderful use of paint of the Victorian artists of his peers of the pre-raphaelites of that sort of clarity of skin values with lord leighton hands and he isn't he's both a portrait painter and a mere classical artists said he crosses those realms but really he and his crimes should have died out in the first world war when that great social revolution happened there's one thing I do notice about this picture if they're heavy smoke when you're family I smoke a pipe beer you're responsible are you well actually it's not hyung we're in a small cottage and we don't have a room large enough for it have to say it kept under the bed well I think I mean actually I think you'd be astounded I think when it's cleaned you can see little areas of rubbing where actually this would be almost a very light ivory wife instead of this rather yellowy color and all these pure glazes of the beads and the costume would come through still it is quite sought-after picture and I would say it would be in the region of 25 to 35 thousand pound goodness gracious do you think she might possibly reimagine under the bed I think a little bit of tender loving care as you suggest for cleaning and maybe we will find that a wall space for her yeah I hope so thank you well the end of our day here at Watterson and it's just started to rain actually quite heavily but we can't complain because we've been very lucky so far and those people still left to see our experts are inside that rather large marquee behind me the end of our day but not actually the end of our visit because we're back here again next week when we'll be showing you some of the great treasures inside Waddesdon Manor together with hitherto unseen highlights of our series so far so I do hope you'll join us for what's done part two next week until then good bye [Music] father Peters left holding the baby next on BBC one in Bali kiss angel [Music] the February issue of the BBC homes and antiques magazine features the Ming part and other surprising treasures found in this month's road shows

Channel: Coldclough

Views: 75,439

Rating: 4.6449704 out of 5

Keywords: Antiques Roadshow 1997, Antiques Roadshow BBC, BBC1 1997, Waddesdon Manor

Id: Z5xFkySYJmc

Length: 44min 23sec (2663 seconds)

Published: Sat Mar 10 2018