Antiques Roadshow UK Series 17 Episode 10 Inverness, Scotland

[Music] this week we brought the Antiques Roadshow to Scotland and to the city of Inverness with its many fine 17th and 18th century buildings known as the capital of the highlands that are few places that have been so influenced by the drama of their surroundings at the foot of the Grampian mountains the town bridges the river Ness and is the focal point of hundreds of square miles of this part of Scotland by Locke by River and by canal Inverness is equally well connected to the North Sea and on the other side to the Atlantic and precisely because it is the capital of the highlands Inverness has had a rich colorful and sometimes tragic past but in its many centuries of existence there's one event above all others that stands out it happened just outside the city on the 16th of April 1746 the name Culloden is seared in the collective memory of all Scots the battle which took place on this lonely Moor marked the end of the Jacobite rebellion and the 60-year struggle to put a Scottish Stuart King on the English throne Bonnie Prince Charlie fought the Jacobite cause against george ii forces under the duke of cumberland it was a bloody and brutal conflict the Highlanders were under strict orders if any man turn his back to run away the next behind such man is to shoot him the government forces were under equally bloodthirsty instructions the results was horrific slaughter with the Highlanders famous charge impeded by the boggy ground over a thousand of them were killed in 40 minutes 40 minutes that settle the future of the British monarchy to this day [Music] well just up river is the new Inverness Sports Center which makes an ideal home for the Antiques Roadshow so let's now join our experts with the people off in Venice the first glance anybody looking at this figure will say that's rather a nice bronze isn't it yes but if I was to give it a bit of a tap well even then you might be thinking well maybe if it's not bronze this metal but no it's terracotta it's like an earthenware body the sort of object that started life many many miles away from here actually started life probably in Vienna how long has this lady been residing with you up here in the North between five and six years I would see an inheritance or did you have to play hard cash for I actually paid two hundred and eighty pounds hard cash for her an auction or you bought at auction yes so you were obviously quite taken with it I was very impressed with it right well with good reason because she's a pretty girl a hair the way that the these tresses fall away doesn't this is some an element of movement in there she's got a pretty face she's got a sort of a a rather sort of restful gaze hasn't she surely angelic and she's got quite I have to say cut quite good legs actually but I'm tend to say she's got footballers legs you know they pretty sinuous but either way date wise we're talking around about 1900 to 1905 and stylistically it shouts Art Nouveau this is the style was prevalent at that time and it's got everything you would want from an Art Nouveau figure I mentioned Vienna when I see a figure like this there's only one person that really springs to mind and that's the goal Scheider Factory I think 280 pounds even six embers I think you were I think you did very well because I'm quite sure you could more than double your money today which is there sa a point well worth reflecting upon I've never seen an apothecary's chest in such pristine condition has it been have you had a pharmacist in your family a chemist no no the box I see belongs to my girlfriend and she got about 15 years ago and she just just kept it stored away notes it's probably 18 for 1850 mid 19th century lovely rosewood case it's apt to find these potions with their kids covering and this I think to see anyone that's been opened that says carbonate of soda well one would imagine that was the most used of all Leah yeah indigestion I dunno whether that but that's obviously been used we've got a really big one here which they have been used and unless that's just evaporated it doesn't look at the looks it's oil of a yes castor oil now we've flipped this up that's different I've been told there is rhubarb pills in one of them absolutely wonderful we've got the little weights here I don't see the balance there I think don't think it was no never was one now you've got the lovely measuring jug a little early 19th century glass measuring jug and in this pristine condition still with their kid tops their leather top and this very nice words wood case only because it is in such good condition because there are a lot of them around and it's the smallest one really that you can find bigger ones make a lot of money we're probably talking around 600 to 900 at all thank you stay in the family [Music] well I get the feeling with this painting this little sketch here comes from somebody who really loves works of art well I think it did yes the friend whose foster father collected EES wasn't a great way to itching to do small paintings this is what I call a real painters painting it's not somebody showing off to the public it's somebody sitting down and doing a sketch just for the love of painting and recording it and it's delicious it's by Tom fade no Tom fade was a Scotsman born in kakou Bree the ocean gets the work of quite a young man because fade becomes like tight and strong later onyx it's got a softer earlier feeling - but it's the sort of painting but I like I would love to earn myself so I think I think about the price in a minute but let me go on to this which comes in the same collection right well the reason that there was a reason I left him in the frame because I thought it's not really the right way here's a man that works about he's not really been quite fair to this one if this is the way it really it's by James McNeill Whistler he was born in America but spent his whole life in Britain and in France and he was a difficult man and a great innovator he started off as an etch on this is a little etching by him and I think what we should do is take it out have a look and it's in a rather a delicate state but it's on Japan paper but it's very fine it's been trimmed as they often were in fact this has been through four states in other words when he first made it he he edged this figure but without the background he printed that and then he changed it as all print makers do and he put the background in and he changed the hand etc this is the fourth or final state it's not a rare thing there were quite a lot produced and they're quite popular so in fact but it is original work about and a very fine one and it's not very expensive its value is about two hundred pounds and I think the lesson here is that young collectors today can still buy really excellent works of art by great artists not scratch in the studio but a really finally finished work for a little money but so in other words it's not impossible to start collecting really beautiful things and I think this is a beautiful action by Whistler just to come back to the Thomas fade I should think three to four thousand pounds as a wonderful little object I used to yell it up [Music] well as far as we're aware was my grandmother's and we believe that she acquired it from an ocean-going liner we think the Mauritania or the dystonia but were not too sure I don't think it was made for ship it might have been onboard totally awkward thing to get down a cabin gangway I think that is the problem with these I mean the size of these alone and that is a very tall chest to draw so it makes it very very difficult to use let me explain why it's Scottish the shape of these drawers this first two here and it may not be obvious to people watching but there are slots under here just to open that drawer you have a draw called a cushion draw which was popular in Great Britain in the late 1600s around William and Mary's reign around the turn of the seventeen 1700s it's a hidden cushion draw and the same sort of shape goes on this drawer here and this I think is one of his great big deep draw with these deep compartments in here and I think I was probably meant for either bonnets or top hats originally that's why it's so deep it's gracious yeah it's the sort of thing made anywhere ready from 1850 to 1900 but I would say the third quarter of the 19th century what I think it's rather interesting about it is these wonderful veneers here I mean that the way that all the veneers right through the front of the chest I've been careful is sliced and then spliced together to give this flame figured look now value have you any idea what it's worth well because no one wanted it it ranges from nothing up to we think we've seen them called tall boys a breaking about 300 pounds right because it's so nice I'm really value it as a southerner and I'd have thought middle hundreds four or five hundred pounds of a fairly accurate from in the South but I wonder up here because it is so distinctive this got it you know it's if it is worth more and I think it should be work yeah [Music] it's all hand chased I should think it was probably given at a marriage I do if you've got the split our morale there and you've got the presentation here but I say it's very very nicely chaste and I would have thought you're probably looking there Georgia third 1816 I would have told adultery probably about nine to twelve local parish these curiously shaped Ethel's I you know one of the peculiar things that make it an unmistakable Highland fiddle so for that matter is the scroll at the head of the instrument but these F holes make it very difficult to see look inside okay where is the label JP airborne Aberdeen men JP Patterson James Patterson born in Sterling share in the 1830s and took a gold medal at Edinburgh for his violin making it's totally nice federalism and I imagine that an instrument like this who would sell legal selling it by auction somewhere in the middle to high hundreds that's a guess I don't know what the last James Patterson made what what I like about these two is the massive contrast between the two subject matters the trouble with this portrait is that the ladies wearing black and the backgrounds a little bit done you perhaps need her more in a landscape to make it more interesting but the real problem really is that and I have to be a bit delicate here because I think it's a relationship but she perhaps past her prime and we like them a little bit younger possible and I think portraits other people's relations are pretty difficult to sell say something like that probably anywhere plat 50 pounds on the other hand her dog but I think really is her story her dog on the other hand has sort of universal appeal and it immediately the subject matter this is extremely important it's signed here by Edwin Alexander and I'm the thought a picture like this is it who had it belong yeah for ages I mean I would have thought it's worth a good two to three thousand hours if not a bit more I mean I think it's a beautiful typical example of the artists work [Music] when I was first taught 20 years ago about glass I was given the idea that these were bohemian that was the standard belief that's all this type of glass overlay goblets made in bohemia' in a very rich taste but over the last few years attributions have very much been rethought does the history of it to give any clue back where you think it came from no no it's not no we just acquired it recently the quote the condition is lovely although I think the color probably would gain from a little bit of of wash it said let's get some of that color I think we can find underneath that that the actual gold comes up as quite a bit of dirt there nice rich color underneath the panel on the front actually is an unusual subject to find you but the design done by overlay technique they build up the white panels by plying white glass to the colored base and then cut them smooth until the shape is one layer of glass onto another that's the overlay and then when their panels have reserved hand painting of flowers and these portraits of young ladies she's quite a well-known subject this is really in lovely condition so I mean I would expected a popular with Middle Eastern buyers particularly they collect this sort of glass always have done a lot of a miserly maiden behavior for the middle eastern market a good example now about 1301 power 400 pounds deviation that compares welding what it cost you what's meant what you gave about 300 pounds and that was how long ago about five to six years ago what you haven't done badly but but a lovely face thanks for showing it today now where on earth did you get this and it was my husband's you've got it from these great grand was great grandfather yes so that's really going back home isn't it yeah have you any idea what it is no we didn't I mean a lot from you I Godley know there is a gun yes right well it was made I should think around about 1830 now this is a James Bond weapon and many years ago I should think you know this squares on I can't do it with the elegance of James Bond there we go and on the barrel here is the proof marks of the Birmingham proof house and now we have another attachment here you can screw in and we have loosely called a poacher's gun so you can imagine when it's not assembled those three pieces can fit into a big coat okay even talk to the policeman down on the corner and then nip across the food in yeah I'm doing it for two of the damage this appears to be seized up but the actual firing trigger the spring is still very good so what I suggest is you put some penetrating oil in here and then you'll be able to pull it back and it and find well at least go through that anchor without the shoulder stock the value of one of these pistols is around about a thousand pounds now with the shoulder stock I would have had on say another three or four hundred pound say 1,500 all told yes nice piece so 1500 pounds and it should be mentioned on your insurance industry mm-hmm make sure case you have the misfortune to lose it at the time there's a sort of chair I think was made typical Victorian chair made for the language youth of the period of the 1880s I can imagine a Victorian aesthete sitting down like this rather languidly and the reason for sitting it so awkwardly is this the strange shape of the bag have you ever tried to work out the back but I thought it was actually maybe I caught last year or something like that you know it has that look to it doesn't it but it doesn't make any sense because this is rounded as well yeah you know and I don't think they maker was drunk when he made it I think it was made for a reason I think it was to sit casually like that with one leg hooked over it's a nice chair to have on the roadshow because it's it's a good working Victorian chair and it is from the 1880s and typical with that but upholstery and I can help date this quite easily for you really by the way the legs are turned here this little turn leg here made of very difficult to see I think worn up so common wood at the period is this turning is typical of that Japanese movement the aesthetic movement is see that I talked about and it dates it really to that decade at 1880 not much late in 1885 the Japanese aesthetic influence but what is really fascinating about this is we can tell who made the chair very difficult to read but it says Howard & Sons London have you ever noticed that well it's very interesting a very very interesting firm i luckily been doing some research recently about howard and their affirmative Sargen 1820 right back in the early 19th century and they're not just chairs so they were chair makers upholsterers cabinet makers and exhibiting as I said the very best exhibition is making right alongside the top ranker furniture makers I think it's something that would be in a local auction not a country house sale you can pick it up for a hundred fifty pounds out of thought quite easy especially somebody hadn't noticed the caster I think however in a country house auction is exactly what people try and buy from a big country house is a big local castle sold up and the contents go down to the waste paper baskets this is a sort of thing that suddenly shoot up to be making probably four or five even five or six hundred pounds and by the time it's been reupholstered and cleaned up a bit within the casters all cleaned and working nice but upholstery with a good expensive material it's a twelve or fourteen hundred pound chair excellent is it really a Viking amazing and it comes down and protect to your nose you ever put it on you'll never put it on I'm sure just a bit big I think these are all gullets do you know why put them up water and poured out it goes double double double do they actually called Douglas and they actually very interesting ones because they're Chinese but they're imitating the Japanese color they're copying the Japanese Amaury colors of underglaze blue on red and Gilda in China they are actually quite ancient pots they date from the middle of the 18th century over 200 years old and rare one doesn't see very many of this type at all there's a particularly sought after in France with style and coloring and a pair like that would make somewhere around a thousand or fifteen Underpants I think even be good I'm pleased okay thank you now this pair of pistols has been magnificent day I mean truly magnificent but just to look at them here I mean you've got beautiful gold inlay in the name does egg one of the most classic of gun makers gold lined flash pen button module obviously belong to a man of consequence here we have his family crest and his initials when these were brand new and just made by Derek they must have looked wonderful truly wonderful now in its sorry state they've been neglected no doubt laid in an attic or garage but you can see by the by the gold that's inlaid in there I mean it must have been one of his prized pair of pistols now if these were as they should be you're looking at 4,000 pounds I don't know how you feel about that is just keep them sell by all means by all means but I mean they're just worth a few hundred pounds it's not a wonderful the gorgeous color plates it met father your father is obviously a collector of pigeons to that [Music] well this dates from about the 1870s 1880s and this is prevalent ography at its very richest I suppose and almost brewery now in good condition this book would make 250 pounds per house I'd have to tell you that the condition of it is just not what I would say it's good enough I would value that at about 50 pounds tell me frankly do you like this object no I've never liked it I've never liked the colors I don't like the combination of yellow and blue yellow and blue it's quite a striking combination isn't it yes it is that of course is entirely deliberate oh yes now I'll tell you that the main part of this design is painted underneath the glaze in cobalt blue and the the good thing about it is that it's done in a very very subtle way you have very strong parts of blue and then you have it fading out to almost white in areas which gives you a very strong 3d effect it's very good painting so even if you don't like it you've got to admit that yes yes yes yes this work is instantly recognizable as the work of one man called Mikasa Kazan who was perhaps the best exponent of underglaze blue painting in late 19th century Japan it's Japanese it's Japanese it's not Chinese which is maybe what you think yes and it has two lids instead flu because it's a potpourri jar and if you want to enthuse a room with potpourri you remove the inner lid while still keeping the outer lid in situ but the nice thing about it is not only do we have a mark on the inside of the covering lid but we also have mark on the inside of the inner lid and it is actually signed by kuzu Kazan the sad thing about this piece is around the shoulder link we see hairline fractures they creep along and they run right through it they really are a serious blemish to the piece they will have a serious effect on expanding they don't go right the way through on the inside of the jar but they do run around the sides and they're very very obvious so has anything that I've said about this in any way made you like it anymore well I'm sure I'm going to like it a minute because I mean it really is a superb piece of the porcelain painting it's value is now sadly much reduced by that crack and it's going to be only somewhere in the region of twelve to fifteen hundred pounds if that had been perfect its value would have been in the region of five thousand dollars right right the coat of arms of the old borough of Inverness do you know where the ball was made probably teeny very good yeah absolutely was made in China as Chinese export for Celyn made during the reign in the Emperor King long there anything in 1736 de 1795 and this would have been made towards the end of his reign in about 1780s and around there and most of these bowls are simply painted with flowers and they're not uncommon now somebody in 1780 or thereabouts drew up the inverness coat of arms and sent that across to China and have that copied on to mmm I'm forced involved the problem with these bowls is they're extremely fragile they're almost always broken and here we've got a chunk out of here which has been put back and we've also got - cracks in it the arms I think had a great fun we've got a dromedary in the on the red shield there and it's supported by two elephants that look more like sort of squashed moles and the chap that painted this the that painted that he would never have seen an elephant never clue what they look like very nice little Rococo feathery Scrolls here combined with this more neoclassical border on the top value well if it had been perfect it would probably made about two to three thousand pounds as it stands probably about three to five hundred and finally it's so tied up at the history of the town that it really should be in a museum right would I hoped a private place well it's well there beautiful picture but I was a bit worried about all these scratches on here I think it's had rather a rough ride it's been left in a shed is it and but it looks as though did this happen the car here on the way no no this little one did on the way over yes I mean it's the only reason I refer to that is that it's a salutary lesson because every one of us who handles pictures has damaged them and we're often rather Cavalier that being said we can get on to the painting now which is very beautiful Henriette Rana has been described as the queen of the cat painters in fact she was Dutch but painting a lot for the English market and of course it was a time in the second half of the 19th century when rich industrialists were making an incredible amount of money and perhaps rather than having their wives painting they had their wives pets painted and so she was a very very popular and she paints beautifully I mean the relationship of the the mother cat playing with the kittens and the naughty kitten over here and I think particularly the dog is beautifully painted it's a family picture no it was my sister's picture then she got from the boot sale what does one in a boot think 50 P in a boot sale when again don't you think was worth was just the cats on it but we thought it was a chocolate box frame well it is an original painting and it's worth an extraordinary 15,000 pounds [Music] let's think it would be that much I don't think it would be worth anything it's already now to part two of our competition and your opportunity to win two and a half thousand pounds and a weekend in Dublin and you can spend that to an hour thousand with an antiques expert from the roadshow we'll be there to help and advise and they'll also be three runner-up prizes of that same weekend for two in Dublin and five hundred pounds to spend now the subject of the competition as you'll know from last week is wine-related antiques and today we have four wine glasses Hugo all with the same purpose in mind the enjoyment of wine yes well these are English wine glasses they essentially mm-hmm what I've gone for is the stem here we have the simplest one the latest one at 1717 with a fast in stem then we have one here with an opaque twist M this one slightly more complex than air twist the stem the balusters air fish stem and just got bridge here it's well just look at this one a little more closely from a technical point of view how difficult was it to achieve that that decoration in the stem I think it's extremely difficult to get this absolutely even to get the spirals to fill the stem evenly all the way to go out into this ballast enough again then it requires a lot of skill so these 18th century English wine glasses are really an art form all of their own they are yes well that leads us then directly to the question this week what is the correct name for this type of stem and here's a quick tip we are not looking for the name pedestal now part three of the competition and more details of how to enter in the Antiques Roadshow next week how did you come by this piece my mother she was the same name visible friendless and I ate and she probably our great great right and it was handed them too so tonight decision now well you know the very interesting thing about this is that it is actually made in Inverness and it's the only piece we've seen today with the Inverness hallmarks on just round here that's a little confusing because it's got this date inscribed on the side 17:55 but is actually made quite a bit later than that this maker's mark here AAS is for Alexander Stewart with Inverness and he entered his mark in about 1800 so it was made between about 1800 and 1810 but being an envious piece of the state of the Georgian period is actually quite a rarity I wouldn't expect one of this size and condition it's in very nice condition three worth in the region of seven to nine hundred pounds well this is a jolly nice hunting cased watch well it's a hunting case because it's got solid on both sides in other words it's not open-faced which it would be if you could see the dial it's assayed 18 karat gold in America America it is American yes and here we are it tells you aw American War from watch company wolf from Massachusetts and there's a serial number two million eight hundred and twenty four thousand something so they were pretty prolific these people I actually have a little crib sheet here which has the production of all the American factories and wolf them the two million watch was made in 1880 and they'd made the four million by 1890 so they didn't produce quite a number the joy of this watch is in very clean conditions virtually no rubbing to this machine turn case and I noticed in the front a fascinating little thing here which I don't even know yes we saw that the paper inside well the paper American watch company wore from building number one Bond Street New York and that is the factory and then underneath this just certifies that it's been officially assayed by the American assay office so that's a lovely touch and that's quite unusual to see that I have to tell you so a lovely clean watch and this superb chain which is 15 karat gold I see they're just Sade they're 15 carat lovely big bars on it long enough to go around your neck to ever wear well I can understand because the chain is absolutely lovely where's my my husband's was my late father knows who never went to Ramona did he not know I wonder how it came to this country have no idea well price-wise on that it's a sort of thing that you would good put in one about a thousand pounds to buy from a specialist and the chain would certainly retail for about fourteen hundred pounds nice little couple of things to see thank you thank you very much my father-in-law was teaching in a school in London from the end of the Second World War and in the late 50s they were expecting a visiting lecturer to the school and they had no leptin so the school caretaker was sent out to buy elector came back with this and the decision was that it was far too fragile for someone to lean on so it was pushed into a corner of the library where after of two years he said look can I relieve you of this and gave him a few pounds it's a piece of really good georgia fort late regency furniture very nice polity imported roseburg South America beautifully made with all the features you would expect a ream see furniture especially when he looked down at this Lotus down the base here now that beautifully carved lotus leaf Sentosa value this two or three pounds that probably turned into I would say $2,000 yes right that's lots of money quite a good increase in value isn't it yes it's a great piece of labor agency furniture my grandfather's grandfather yes when do you think he bought it we reckon baby it's about the late thirties late thirties yes because I would have thought it was either risk a picture no well like I can probably I think it's rather nice she was yeah I think it's extremely nice it's clearly signed here by Belgium art it's called Joseph van larious and he lived in the 19th century and he specialized in historical subjects and costume studies and indeed these sort of rather romantic subjects such as this what I like about these pictures is what's on the reverse and there's a lot of information on the reverse first for the most important is a little old stencil number which is I think I remember right 92 Zed now this is a stencil number from one of the main auction houses in London and they put a stencil number on every picture that has come into that company since 1766 so it's a tremendous record and it belonged to mr. Travers in 1887 second bit is that it's gone nice old label from the artist giving his name his signature his address in anvers and Antwerp and more to point the title of the picture which is called an evil and the third bit of information which is also quite interesting belonged or went through the very famous dealers Thomas Agnew's who had an office in Manchester and one in London and the last bit of information is an exhibition in Worcester in 1882 and there's a nice old label indicating that so all that information actually adds I think quite a lot to the value of the victor have you ever had it insured or has anybody ever asked you have you ever wandered its value well my husband is often thought yes but we haven't done anything about it well I think it's particular even though it's not buy perhaps one of the major names in Belgium 19th century art but I would have felt it's worth or should be insured for 10,000 pounds something like that look at the bottle of champagne this is a lovely rabbit yes he belonged to an uncle and when the uncle died he had a bad heart and he wasn't allowed to devout to play so he had lots of soft toys and when he died that was sat behind the rocking chair so it didn't get thrown away we just kept him he's not quite as collectible as do know or movable well it's rather like teddy bears on wheels aren't as collectible as teddy bears but yes it happens moving so he would probably have a value of 100 pounds realism yeah so he's quite collectible let's see we take the Charter down there and the drones go up top you you that's right that's right yes big drone on there she's positively yucky I bet but she's a good lesson he's smiling there that's right now around he's pregnant I don't know how old she is but it's my goodness know what we should be about the fifties yes it's that no no no no no that one goes let's try that one on the end okay all right now that's right a bit of London City and then we've got a very good English store which again is quite an early one bye Nora willing she's got the mark on the foot and she's an unusual one because she's what we call him a map doll and they're happy a little child might be going to church yeah can take your dolly with her looking after their hands tend to toes up as well we don't a Taser she's a very unusual one I have to say I haven't seen an otter wailing cloth door like that in a sail again around the hundreds pound mark which is quite good for a cloth door yeah get this pipe in my mouth students hang on to me [Music] [Music] [Music] well I was given to me by an ex-patient many years ago and she told me that wasn't both that I can't find about that bomarc in any book I've ever been ever to find but neither can I find a lot well of what letter if you've been looking up the mark under Jimbo you know I'm going to cover the mark anywhere no I can't find them anywhere what letter is this it could be it could be as it with with the line across it it could be an ending of the line across it finding anything I don't know it's a for insane it is aa for in terms of an impossible yes I like a 70 and can you think of any town beginning with Zed is Yorick well there is the answer oh really this is a business Eric Paulsen I mean I as it happens he did not have to look at the base underneath to see of Missouri because only at Zurich did they make these mound bases on around arranged like this that's a typical suruc base and zurich figures were made from the 570 65 70 75 and this is a particularly rare one lovely colors isn't it you know I mean just on red yes and it's a test of a good figure I always think when you have simple colors and white not too much my sister this is a really good good coloring nice coloring on them on the sponge this is on the tree stump on the base these species are so beautiful lovely very well painted I mean I know is it living they're lovely now they're very important they people see them these are 18th century eyes was there black later on they were still a fake thing but it had brown eyes and the eyebrows everything beautifully detailed very sensitive you've never had this value it just annoyed me because I couldn't find out what it was if I said it was worth 1,500 to 2,000 pounds probably fine words to leave you well you've been right doctor believe me I left a note off and I actually read 15,000 spent about how much no kidding it is the most wonderful thing gosh well in the best traditions of the Antiques Roadshow we've certainly had our share of surprises here today and I've seen one or two people leave the hall with broad smiles on their faces which is the way it should be we've also seen a fair selection of Scottish things Scottish silver Scottish furniture and pictures too and we've even brought music to the ears of the Highlanders music of a kind that is well next week we're off to Hampshire when I very much hope you'll join us until then from all of us here in Inverness good bye

Channel: UK VHS Archive

Views: 51,705

Rating: 4.8312235 out of 5

Keywords: Antiques Roadshow Series 17, Antiques Roadshow, Scotland, Antiques Roadshow UK, Inverness, VHS, BBC 1, BBC, Rare Antiques, Hugh Scully

Id: EXf6Q7H65AQ

Length: 43min 12sec (2592 seconds)

Published: Fri Dec 07 2018