Antiques Roadshow UK Series 11 Episode 4 Bournemouth, Dorset

[Music] this week we brought the Antiques Roadshow to the south coast and to that to archetypal seaside resort of Bournemouth now because it is so famous as a holiday center one is perhaps tempted to think that Bournemouth has been here forever and a day not so in fact it isn't much more than a hundred years old it all started in the 19th century with just one large house a cottage for the butler and a pub then came the Victorian love affair with the seaside and thereafter Bournemouth like Topsy just grew and grew in 1851 there were only a few hundred people here now there are more than 140,000 including a large proportion of those who perhaps came to Bournemouth first on holiday liked what they saw and decided to retire here thomas hardy wrote of Bournemouth numerous fanciful residences with their towers gazebos and lofty roofs a Mediterranean lounging place on the English Channel well now because of intense competition from the real Mediterranean Bournemouth can no longer just rely on the tourist trade and they've built a large Convention and Conference Centre on the cliffs overlooking the beach and that's where we've set up our cameras today among our experts this week we have on porcelain Sebastian Pearson and Carrie Lockett who we saw for the first time a few weeks ago in Liverpool a Peter Nahum is our picture expert here in Bournemouth and we're also very happy to welcome back John Bligh for the first time in this series when I was like five or six years old I used to sit on the neighbors stairs in Cadle everything is lovely and it was always promised to me and I waited over 40 years for it well it date he's about 1870 and he's made by a firm called Brown WestEd more unco a stoke-on-trent factory who specialized at that time like a lot of firms did in making what was called majolica majorca was an attempt to look like italian maiolica but the english called it majolica and it was very popular especially for ornamental pieces in houses in gardens and you put Jardin ears on the top of this it's a stand for a Jardin ear so lacking its Jardin ear it's a shame really but he's still a very impressive piece over the hundred years or so of its life it's had a little bit of chipping and damage but it's still the very impressive piece so to you I'm sure you're delighted to it well I mean it said the modern sort of Jardine's danya's it were the pot that you see about 275 in pain but I think it was a bit more than that I think it's worth bit more than that but you may be surprised that one and very very closely similar to this was sold in a London auction not too long ago about a year or so ago and it went for I think it was five thousand powers now don't get too excited it is a little damaged but not too fiddly but but the problem is that the Americans a year ago were buying the jolly corrupt like mad and the prices had zoomed up through the roof but the Americans have dropped out to buy majolica now so the prices have come down a bit sorry I should confidently expect this if it went into auction to fix something like about three thousand pounds so carry on cuddling it absolutely lovely little thing but how did you come by him it was on a brick right stall at a street fair about three years ago and glasses what to pay for him 20 pence 20 fans right he was actually made let's just have a look at the marks there he was made in Birmingham in 1911 and Birmingham in 1911 but say to lots of collectors that will give verified there are collectors of pigs a lot of big collectors actually around place and there are also cost the collectors of pincushions so little thing like that actually the small ones are the most desirable ones enormous considered small that's considered a small one yes normally they're about twice as big as that they don't often go much much larger than that but the little ones are difficult to get hold on so at 20 P now today I would expect him to sell at least a hundred and twenty if not 150 pounds battery tender lot about return do you know who about perspective oh there's a family I bought a place and it was furnished during it was in that house well that's wonderful I didn't pay anything well it's painted by later called as you can see mrs. Withers and she is caught Augusta in his Withers she was born in 1793 and she's not really known for sporting birds at all although when you find them they're glorious like like this painting with the beautifully detailed feathers and she's a marvelous illustrator of sporting birds the reason she's not very well-known in sporting bird circles is that she's extremely well known in horticultural circles in fact she was flower painter to two queens to Queen Adelaide who was George the fourth William the fourth wife in the 1830s and then to Queen Victoria and she also was very famous for illustrating a book on orchids so she's really a rare beautiful fascinating just recently there was a sound in London when the pictures there were some rare botanical illustrations by which did extraordinarily well and the two best one has made 12,000 pounds of 14,000 this painting if it were by article Thorburn the famous man might be worth saying the region of 30 thousand pounds in their misses with us is not so famous I think she's equally as good and being much rarer you know an exceptional painting fine but I mean she's equally as good so I think we could say around 15,000 points really yes I just threw it in the back of the car as I came here oh what a stunning clock-case absolutely wonderful thing from the great age of English marquetry as far as dating is concerned reasonably accurately I suppose the shape of the bonnet top as well as the marquetry itself give it post 1700 rather than just for 1770 10 and as a bit of English furniture this is cabinet making at its best this is the age I think which has never been surpassed and I love the way this whole thing has mellowed into a black and gold picture when it was new it was primary colors reds and blues and greens and so forth in fact probably more acceptable now what is interesting to see in its construction first of all I love the way the worn-out is put on herringbone but in the solid and then shaped afterwards all these moldings both the top on the hood and at the base are all done in the same way and that stopped round about 1740 anyway never done again certainly none with mahogany so of the Warner here in perfect example of structure and if we open the door that's good you see that's an oak lining that's the only time in fact in English furniture that you will find Warner of marquetry applied to over on anything else other than a clock door is always on Pyun or line or something like that and this too is nice that cleat across the tops the door is actually shrunk this way wood will always bring with it most the gray never along it so this actually sticks were slightly proud and if we close it you can see it's almost a wasted effect right which is repeated on the bottom a little you could never fail you would never be reproduced it is a lovely thing to see as far as the movements concerned really that's the the province of my colleague here today Simon ball I'll go get what date did John and I tell you for the case you know around 1710 I think well that would confirm what I know about Richard Taylor who I think was working some time around about 60 and 4445 through till 1719 right and I believe he was a member of the family of clock makers that rebelled against the clock makers comfort administration in the 1660s but it goes tailors are the name is very common and so there are a lot of makers having the same name but I should think that's probably the one it's had somewhat restoration actually the movement this hand here is I would think a replacement certainly it's rather on the heavy side yes it is I made it a clear because the original our hand was chronologically inaccurate well you've done a good job on the fretting it's the sculpting it needs undercutting yeah this I think is probably basically alright but it's been repaired that's right and I think you'll agree the seconds hand is it's rather clumsy isn't it it's quite a heavy hand that would have been a finer right about there but these are all signs on on the movement here over date of about 1700 yeah the ringing of the winding holes is cutting of circles into the winding holes and if we can move on this engraving of flowers and rather levers around the calendar I checked yeah and again these across the crown and the chair of ISM typical bold numbers are typical of the period one small point which I don't think is anything to be concerned about on this clock but if we just put the movement up on here generally the seat board sits on the tops the sides in case yeah now this has been built out with these supports yes that is not a good sign because it can mean that the movement has been replaced because if you have fit another movement in the clog yeah then if it's too low it doesn't fit properly in the door of course you build up or brick or cut down the size problems but because these have been taken down by such a large distance this there are differences between these clocks one there's another but not one and a half inches what I suspect happened is that maybe the original seat board and males which this looks to be the original seat board is the big nails being driven in and pulled out and Riven probably may be so badly cracked the top section that they cut it off flat yes and fitted is nice it's nicely because we do have as John was commenting on the marquetry and and this movement it is a classic over there yes yeah and so I'm I think it's pretty much to certain that it does bit off good so on that basis yeah that it is its original movement and a particularly good marquetry mmm price of value hoses to have a value up to ten thousand I bought them just last week I was interested yes both of those are thinking right well don't always believe everything the border is actually not quite like exactly like the excavator charge the pieces dug up in Liverpool it's very well with no Tigers anybody got a piece of straw I forgot to bring it sir jelly this this this smock has been the study so it's been in her family since since when it was made from my grandfather's grandfather fantastic the workmanship in smokes never ever ceases to amaze me I saw I've only ever I think it's probably five or six years since I saw one of these things it's definitely not me as a big black isn't it big oh yes well everybody I show everybody walks on like an American football they come they 300-plus say it but there's just a doubt in my mind that he might Nicole I saw what you saw yeah it's one of the two I said I'm just a little bothered but the only the only way to tell actually is to put the shard next to it you know you'd have to have to have the piece it's a large beach I just looked her up she was made in 1940 that manufacturers but that's wonderful five shillings a pretty nice doll of the Shakira night when I was growing up in 1919 1920 whose milk we call that a watermelon mouth so because it's got this funny little grin on it and her eyes do clothes usually they're a bit stuck at them initially they don't want to and I called googly googly eyes they do clovers we don't one darling should we give her a tap other the other engines don't worry about it it's much better to leave it because if they're standing for years you yes if they fall inside it's quite difficult to get put back but you're five shillings has now become about 800 pounds well no you're going up in value on the Rosalie Rosalie she's a very pretty I wouldn't really know cigarette pages I'm afraid a terribly unsalable one of the most unsalable things that come on the market today and it was actually pre the government's anti-smoking campaign it went back to the days when we had these nice from cardboard cigarette packets so we can't blame the warnings for that because lots of today's cigarettes won't won't fit anyway but the nice thing about this of course is it's Russian now having said that cigarette cases are on the saleable the really nice enamel ones are collectible and once they're collected then the price better so this is a nice one it's Russian it's 84 percent silver we don't use that stand until it's much lower than our standard so we use ninety two point five but this is 84 percent silver but it's very very nicely Kisan in our wood and the nice thing I think about this one in particular is the nice muted colors a lot of Russian class on enamel is in these very gaudy colors but I think both the cigarette case and the napkin ring are very very nice muted colors again the things unusual about this one and I haven't seen before is this lovely hunting scene on from I've never seen that before on a case like this you see them on the English cases all over it's pre-revolution the marks act to indicate that was made round about 1908 which again fits him on a hunting scene and as I say very collectible and today's market I should think you should get something in a reader probably in the five or seven or eight hundred pounds for it you know very very collectible had it been an ordinary cigarette case they were gone in the melting pot for 30 quid and the same thing really applies with this you see it's a very ordinary napkin ring the reverse active napkin rings they're always very saleable but this in particular nice muted colors funny enough by the same maker as this one and napkin ring not that today in the Russian works of art sir would bring some areas probably 150 200 pounds well somebody came to my house when I was going to move down here yes because I wanted some valuations done looked up on the shelf and said I see you have a mingoes yes so I said well I didn't know it was many bars it was given to me many years ago by my father who bought it in Paris that was where he lived and I lived and I've loved it and kept it preciously ever since but I don't I still don't know if it isn't making bars yes this is what he say yes well it's a nice thing I think what's so charming about it is it has a cover and often you see these small bars which are you he's quite correct and the tiers of the late Ming early air Ching dynasty so it's it comes from period known as a transitional period yeah it's it's a sort of the first half of the 17th century yes made in China yes today's absolutely right what Afton they do crop up with it without that well yes the color is so poor boots I which you it which means five colors talent in Chinese you have eat or Sun sir woo okay and if you counted the number of colors here that's in fact what they employed to make this yes yes I'll take the cover off so we can have a look here it's a very very attractive typical Chinese seen here the dignitary receiving a visit from a child in he won it in the mountain retreat yes on teens here and blue rocks but the design is very bold and the whole thing is very attractive thing to look at it does have to you notice obviously or somebody's balls for your attention it has a little here which is a pity quite perfectly it's not worth fortune for many thousands it couldn't possibly a bit because of the it has a hair crack yeah and they're yes they're not uncommon having said that it's a very attractive object and I think with its cover it would probably be worth in the region of five 5655 with in good condition yes at least double yeah yes an amputation said obviously here you've got the torniquet if we can run through the gory detail the torniquet with it's rather nice little velvet fitting here with the clamped round the offending member to be cut off then you have one of these knives if I can take one out about cutting myself leave it at the edge here which would be from severing through the main tissue and then the saw for going through the bone so if I can take that out as well finally you've got after everything is done you're cut the sinews with the pincers there and you'll finally got the job of sewing up whatever's left this type of knife has an ebony handle or perhaps a bakelite handle I think that this vise molding on it the name of the maker is Vice London it's going to be before 1818 these were used as recently you can find descriptions of them being used in the First World War yeah almost in every man's kit for chopping off limbs and these are called Liston knives after a famous surgeon called Robert Lister who used these with great effect apparently he could get a leg on the sawdust within about two and a half minutes there's a very nasty story which I need to tell you of him operating so fast but not only did he remove the offending limb but he also took one of his assistants fingers and the patient's testicles the reason for this very fast speed was because if you operate it slowly the patient went into shock it had to be done as quickly as possible and Lister the big burly man use these two great perfect did did you buy it apart yes can I ask you what we paid for an hour four hundred I think that's about the right price yeah I was gonna hoping I was gonna be able to tell you my other I didn't think it would be a lot more yeah it's a comparatively simple set if it contained more gruesome things more specialist knives an interesting sort of perhaps yeah that would push the value up but I think 400 pounds is not far off the right price it was given to me about my grandmother about 15 years ago as a typewriter table to stand a typewriter on because it was a fairly solid table how wonderful well originally it was an architect's table or that's the general term for this sort of writing or reading table inside the drawer no there are no longer there should have been at one time a fitment a sliding tray which went in these rebates or rabbits along the top here which would have had a leather or cloth cloth colored top and you can see the various places where there were fitments inside so that was basically a fitted drawer look at the cross-burning the way the drawer front is veneered downwards okay that was something that you'll find up to about 1745 1755 and that wonderful great big plate on here that lock never Scotch honest and you can't imagine putting as something as important as that on something it didn't contain valuable papers and so forth so you have 1745 1740 along the top front and all the way around in fact you've got the veneer or that the border is laid on edge ways again continuing this downward stop by 1757 t-55 went out of fashion and during the later periods would have been applied in strips with the grain going along having said all that you've then got a not a lying inlay which was not fashionable in 1745 1750 so all this white line or gold line in those he was put in to bring it up to date in the 1770s 1780s there's a slight gothic influence there and I would presume at that time they took the insides out of the table out of the drawer now you were a rising top which worked on about back here and this part shoots up and supports the book now actually nobody else could see that so if I ask you to lift underneath we'll do some furniture moving how's that right at me and we'll turn it right the way around that was the clip okay I'll let you press this time good there we are now there is the rising action on this sort of little cut spaces here these graduated spaces to give you the right angle and this clever little book rest is operated by these spring clips it's a joint difficult thing to fail you I mean have you had any because in its original condition it would have one very high price and in this condition obviously considerably less for insurance purposes even in this condition it's something you have to consider around about 2,500 well it's certainly a good day for Venice today this is the second beautiful view we've seen in Venice tell me how you came back that actually got a pair of okay yes both of Venus both by the same artist and really they I was clearing a friend of mine who's fat and she'd had them in the cellar for about fifteen years and gave them to me about three years ago people are extraordinary how they have beautiful possessions and then put them on the wall because this is a beautiful painting beautiful I love them both yes I mean it's it's interesting because the other viewer vanished showed a more Victorian view of Venice if you like a little brighter and harder this shows that end of the day when it's soft you know light is gentle perhaps more the feeling of the Impressionists rather than the Victorian than pure I think it's gorgeous I mean I just is soft soft washes and it's interesting George Cockrum did paint a lot I mean he painted Venice later in life cause he lived a very long life but did he he was born in 1861 and and die till 1950 but I would think just from the quality of framing and the gold snip that these must this must be between 1900 and 1910 in order for so yes yes have you thought about value at all no no I just like no they're not particularly insured or no well I went talking about the pair I'll talk about this one because I can see it I think it's a lovely thing and I think in the region of eight to twelve hundred pounds to get the foot what they did was to take a gather of glass on a agar on a rod spin the rod which flung the glass out and then they trimmed round the edge and applied it to the stem the result is you get a what's called a pump will mark on the foot here and the rod is simply broken off that so it's quite rough it's a sign of a handmade glass but in this country an 18th century glass yeah and I plead with you to take these wires off you have them hanging on the wall yes yes if you want to do the ward you get some plastic plastic oh dear the engraving is probably a bit later the glass itself 1778 I suppose the engraving Kebir add it an 1800 it's not so important the rarity of this class is some two colored twists the red and the white it does have a slight ship on the foot very very slight not really and to important it's worth about five to seven hundred pounds and it's a rare glass because there's colored pencil well I think it's a box for carrying medicament mm-hmm used by the Chinese mm-hmm I don't know how old it is it was given to my husband by a missionary who came back from China really it's possible they came to China but if it did it has made its way there from Japan because in fact it's Japanese yes when it's a little nest of boxes called an inroad and you're quite right they were often used for carrying a medicament they were also used for carrying seals and they were worn because the japanese both the men and the women wore the kimono people think it's a woman's dress but but the memoirs as well when the commando has got no pockets so if he wants to carry anything around he was some so what's your deed was to keep all this splits for example yes and of course the string keeps it together what you did was to push you've had a net ski on here you know them it'll toggle yes carved of ivory or wood that was fixed onto there and you pushed it up through your belt like that and of course it hung there it was held in by the toggle and it was worn at the waist now of course once the Japanese adopted Western dress which they did in about 1875 the netsuke Carver's was thrown out on the streets cuz the next he was no longer necessary and the in row really become him redundant any longer it wasn't only longer practical object so the netsuke car was turned to carving large objects for sale to the Westerners and the in Rome makers went on to make far more splendid objects which were really no longer functional now this thing was made of layers of gold lacquer and the probably something like a hundred layers of lacquer to build that out and you would get this fantastic buildup of different colors you could see the different colors of layers of gold and then when you get to the end they started to introduce little tiny flecks of real gold here you can see it laid up into little squares foil actual fall gold and then that's covered with a clear lacquer to protect it and the amount of work that went into this was phenomenal and of course they then done mother-of-pearl here you've got stained ivory you've got tortoiseshell and horn very centric design here we've got a lady being carried on the back of a blind man wading through a stream and she's preceded by her Samuel protectors and I think he's probably what's going to happen here this is the strange devilish figure it's called an Oni and I think this bloke is probably going to attack the procession I think that's what's happening might as bottom section I is jammed and I can see down inside the split there that was actually cracked and it's punch allowed me to pull it apart so I won't try but have you ever thought about in fact getting it Valley Road No it is your problem would you part with this no I'd rather not not at all no I don't think so no I'm very fond of it right well if you ever did decide to part with this it would sell extraordinarily well exactly the sort of fine quality Japanese object which is now very very sought-after particularly by Americans and I think even with that damage on it that would make somewhere around four to six thousand pounds thank you well I'm delighted to see three books in the most excellent condition - illustrated by Rackham um one by Willie Pagani the dish of apples with Eden Philpott's that he did all of these are limited editions typical Rackham illustrations these obviously well dating from the twenties which was Rackham's middle period really he was born in the early in 1860 and he didn't his style didn't really come to fruition until about 1900 when he produced his first blockbuster if you can actually call a book printed in 1900 a blockbuster that was the Grimm's fairy tales and I think at about 1905 another great blockbuster he produced Rip Van Winkle which made him a star both on this side of the Atlantic and in America again very typically Rackham dis comas by John Milton from that period on from about 1905 onward Rackham was really tied up in the in the Christmas market the gift book market he would produce 40 or 50 illustrations to illustrate a popular authors work he would they will produce it in a limited edition or possibly an unlimited edition which would be cheaper both both these Rackham's here are limited editions sold as gift books probably for Christmas the third one here which in fact I find the most interesting is this Rime of the Ancient Mariner illustrated by Willy Pagani Pagani was somewhere about 20 years later than Rackham he was born in the 1890s and he was a Hungarian very flamboyant typically mid European and he was illustrating for Christmas books as well as Rackham but he didn't stay with that he went as far as illustrating for ballets doing designs for ballets and theaters and this style as you can see is very much more our new verse he works in America he went to work for Florence Ziegfeld of the follies Fame sequin Romberg but I think it's in his designs particularly for ballet the Ballet Russe and for books like this but his work is most most appreciated from my point of view and this also has a complete delicious vellum binding and in such good condition are you responsible for the condition why did you buy the ring when they came out for one when I bought them they were boxed and they've been in the same box as ever since well I congratulate you because as a bookseller I rarely say things are in absolutely mint condition but these are about as mint as they come and from a collector's point of view they are as fine as you can get them I would say the dish of apples is worth one hundred hundred and fifty pounds the comas obviously 200 250 that sort of region but the Ancient Mariner I would say around 400 I have a very strong affinity that with this lady now by saying that I'm not confessing to be a secret warlock or anything like that but simply because I originate from pendel which country so to see a witch involvement today was quite exciting for it have you been living with this witch for quite some time though that's been in my possession about 40 years as it yes before then I don't know I bought it in the sale room in Worthing that 40 years ago my buyer flag to the Baltic not sure the exciting thing about the spots as I find it an exciting bronze ok doesn't necessary mean it's worth a lot of money but it's exciting because the technique involved this is this is almost certainly a set I do bronze in other words a lost wax process bronze with the loss white process quite simply is one of the oldest forms of casting the bronze in its most simple form you take an object and carve it in here carve a sculpture in wax you then encase it in a thick clay which then solidifies or a hole on the top or a hole in water and simply pour the bronze in after they obviously after it some do you be actual encasement this has solidified and out comes a wax and you're left with a solid impression she's not really a sort of witch that you would have found in Macbeth issue she's not really an ugly girl she looks a bit simple I think it's fair to say but she's not ugly and the other thing is that I mean are you actually still using it no no I'm not used it on for a number of years now I did use it at one time when I big house may be very high Satan in the hole I used to put it in there's sort of a gleam like defeat me a light already eaten right I mean it's I mean if we can look at the far end we can see that she's actually suspending a little London and quite cleverly or each corner of the lantern discussed with the the head of the Memphis trophies and the snakes at the bottom of it yes you remember just how much you you paint out for this no but my wife actually bought it at the time I don't remember what she paid for it but I know just a question to pound it wasn't it wasn't over there okay well before we actually give you a price I just should point out that the gentleman responsible actually for the sculpting it right well it's down here alright and is this in the name of Shula man cool hands Shula who was born in Lorraine in in France in 1874 and exhibited in Paris and then eventually he emigrated to to America in about 1910 whatever happened to him after that I don't know I know they were was in Maryland in Baltimore and but after that and Frehley seems to have disappeared into obscurity has so many French and East European artists did but what I'm trying to say is that he's not a big name and that therefore wouldn't probably put the price of this object between 800 to 1,200 pounds I believe it was given in lieu of money to my great-grandfather for medical services and then it ended up in my parents house at the bottom of the stairs and they used to put their hats on it but whether it came from a bed or since I just don't know I've been interested to know what you thought well it's it's first of all it's a very early piece of carving from the very style and the color and the quality of it and I'm quite certain this is mid 15 to late 15th century and it is quite one I'm it's it's contemporary with his costume it can't be English yeah I think possibly German or the area that we now call Germany or it could be semi but I think if we go for German he's a Germanic feel to it I thought when I first saw it it might have been from a few you know the US but I don't think you'd have a man with a tankard of beer at the end of the pew so he might therefore because it's wonderful quality he might come from either very important bed of which would have one of these on one side and one the other and or it might be an architectural fitting from say a burgomaster's house even a barge although I don't think it's been exposed to salt water but might be an inland waterway one of those enormous deck fitments but the surface on here is not one I think that's been exposed to the elements for too long it's quite wonderful I mean this is the the dream color to a collector of oak this wonderful thick dark patina let's have a look at it now I mean his his clothes are very sharply defined very well carved and it's a German shaped tankard anyway he's originally sort of had a lid that's merely been broken off I imagined that at the very top it had a scroll of some sort right over which has been taken off but Oh a couple of hundred years ago because of the patina you've got a shield here which gives us a little information at all and then you've got the sort of the semi draped lady supporting this shield again typical of that part of Europe and of this period but the best thing of all are these surfers when you look at it was just Scrolls yeah but when you look closely this is actually a rather nasty serpent down here who's with his mouth open he's sort of throwing out sort of beads and more scrolls which lead up and then the next run actually from his mouth comes a torch and his eye and his wicked mouth and then from that comes another one and there's another scroll and then another serpent and it comes right up to the top into flower heads a most extraordinary thing goodness knows I would love time to to research and to find out where it could have come from if I ever do our little Manchester goodness knows not an easy thing to value but given its considerable age and quality and color no one's ever stripped it all painted it all of those things combined lead one I would suggest as a collector's item that it should be should be valued in the region of six to eight thousand really yeah um oh yeah I wouldn't have thought that well it's a terribly rare thing you see Oh terribly rare I mean this figure alone is it look at will work about and so we can very nail it to the end of our day here in Bournemouth as I was saying at the beginning of the programme the hall where we're holding the Antiques Roadshow today it was actually only opened a few years ago it's a modern building and as a result a lot of the furniture in the old Bournemouth pavilion which is just across the road was made redundant they didn't need it anymore there was a plan to have a great bonfire of it all but wiser councils prevailed and it was stored in a boiler room from where this Edwardian chair was retrieved today John Bly tells me now much in demand by interior decorators and valued at about sixty pounds which may appear to be quite insignificant until you hear that Bournemouth has no less than a hundred of them and the moral to that story is don't throw anything away if in any doubt so our thanks the people of Bournemouth for having us here today we hope you'll join us next week at the same time when we go to the West Country until then from here on the south coast good bye [Music] the program regrets budget community evaluations at its recordings and not

Channel: UK VHS Archive

Views: 31,897

Rating: 4.7317071 out of 5

Keywords: Dorset, Antiques Roadshow, Antiques Roadshow UK, Antiques Roadshow Series 11, Bournemouth, VHS, Hugh Scully, BBC, BBC 1, 50fps, Rare Antiques, Antiques Roadshow 1989

Id: Hnq8iXw0A_Q

Length: 43min 51sec (2631 seconds)

Published: Thu Dec 13 2018