[footsteps] [thudding] [distorted sound effect] [thud] [theme music] SCOTT WOLTER: The history that
we were all taught growing up is wrong. My name is Scott Wolter, and
I'm a forensic geologist. There's a hidden
history in this country that nobody knows about. There are pyramids here,
chambers, tombs, inscriptions. They're all over this country. We're going to investigate
these artifacts and sites, and we're going to
get to the truth. Sometimes history isn't
what you've been told. [theme music] [music playing] [beep] [phone ringing] SCOTT WOLTER (RECORDING):
This is Scott Wolter. Leave me a message, and
I'll call you right back. [beep]
ALAN BUTLER (PHONE): Hi, Scott. This is Alan. You've gotta come and meet
met out here in Washington DC. I've found something incredible. It's really going
to blow your mind. As you know, I've been
studying the place for a while, but now I've found symbolism
associated with the people who built this place, and
it's just incredible. This is evidence of
something really huge, Scott. Get here as quick as you can. SCOTT WOLTER: I'm
in Washington DC, following up on a cryptic call
from my old buddy, Alan Butler. He says there are secret symbols
hidden in the design of DC. And if there are, I want
to see them for myself. DC, or the District of Columbia,
has been the seat of power for the president since 1790. The National Mall runs
through the center of the city and includes the US capitol,
the Washington Monument, the Lincoln Memorial,
and the White House. I'm meeting Alan on the
steps of the Capitol building to learn more about the
architects who designed this city and about their
allegedly mysterious motives. Alan, how are you doing? I'm fine, man. Are you? I'm doing fine. Boy, have I got
something to show you. You do? I tell you what, that phone
call was very cryptic. And you definitely got
my attention, so do tell. Well, I've discovered that
this whole city of Washington is filled with symbols left
here by a secret society. [music playing] Do you happen to have a
map of Washington with you? I brought one with me. Let's go over here. Well, what I'm
going to do first is, I'm going to put
some dots on here on some of the major
intersections in Washington DC. There's four there, and the
most important one goes right in the center of the ellipse. I'm going to join those
two lines together. I'm gonna put another line
down there to the ellipse. I'm gonna add a third
one there to the ellipse. And then we're gonna
have another one there. Now, what do you see, Scott? Well, I tell you what
I see is, I see two V's. It's an ancient symbol of the
sacred feminine or the goddess. SCOTT WOLTER (VOICEOVER):
Many have speculated about the significance of the
shapes that can be created when connecting important
landmarks throughout the city. For example, a five minute star
is symbolic of both Venus's orbit in the sky and
of the goddess Venus herself connects the White
House, Dupont Circle, Mount Vernon Square, Washington
Circle, and Logan Circle. Connected another way,
they form two V's, which is also a goddess
symbol known as a chevron. Goddess worship, or
worship of female deities, was practiced by
the many ancient, including the Romans,
Greeks, and Egyptians. Alan thinks it's no
coincidence stars and V's are found here, though
I need a little more evidence to convince me. What really interested
me when this cropped up was not just that the
chevrons were there, but the actual length of them. Each of the measures
366 megalithic yards. - Megalithic yards?
- Yeah. I've never heard
of that before. What's a megalithic yard? The megalithic yard
is an ancient unit of linear measurement. It was rediscovered by a
Scottish engineer called Alexander Thom. He measured over 600 of the
most famous monuments in Britain and France, places
like Stonehenge. SCOTT WOLTER (VOICEOVER):
Understanding the megalithic yard is
critical to Alan's theory. Alan believes that the
megalithic yard, which is equivalent to 2.72 feet, and
is often used in units of 366, was used to design
structures like Stonehenge over 3,000 years ago. This was the same time ancient
cultures were practicing goddess worship. If we can prove that the
megalithic yard was also used in DC, it could mean that
the architects of our nation's capital were also familiar
with goddess worship. Like we might use
the foot or the meter, they were using a unit which
was 2.7 feet in length. And he christened
the megalithic yard. We have it here
in Washington DC? I know, it's incredible. These units of 366 megalithic
yards are all over the City there are dozens of examples. And although it's
incredible, it's true. OK, I have another
question for you. 366, does this have anything
to do with the number of days of the year? Is it connected
that way somehow? Yes, it is. The year that was used by the
people who built Stonehenge and the other monuments
was 366 days in length. So these units of
measurement also related to a measurement of time. But I can show you something
else, which is really gonna blow your mind. Hm. Do you fancy a pint? Now you're
talking my language. Let's go. SCOTT WOLTER (VOICEOVER):
Alan believes the discovery of the megalithic
yard in Washington DC is a big deal. This is because the use
of the megalithic yard here would suggest
the designers of DC were influenced by the
same ancient beliefs as the builders of prehistoric
monuments like Stonehenge. I think it's possible
the designers of DC were hiding clues to
their own beliefs. Well, Alan, I like
this experiment already. Well, I can't think
of a better place to carry out an
experiment, can you? All right, so
what's the plan here? OK, what I'm gonna
do with this beer is prove to you that
the megalithic yard and its components
are still alive and well right here
in the United States. This cube has sides which
measure exactly 1/10 of a megalithic yard. What I want you to do is to
pour that pint into that cube. If I'm correct it, will
fill that cube absolutely to the top, proving that the
pint is a megalithic unit. SCOTT WOLTER (VOICEOVER): Alan's
experiment has proven to me that the megalithic yard is
not only a real measurement, but also that this
3,000-year-old unit still has relevance and is with us today. Well, I'll tell
you what, Alan. That was pretty impressive. And as far the megalithic yard
existing in ancient times, I'll buy it, OK? But what does has that got
to do with Washington DC, and what does that have to
do with goddess worship? We all know that megalithic
yard is an extremely ancient unit. It goes back in Britain
to at least 3500 BC. The woman within the
society at that time was seen as being
something very special, because she had the
power to create life, just the same as
nature has the power to produce crops, and fruits,
and animals, and all the rest of the things that
human beings need. I can appreciate that. I mean, if we go
back far enough, we didn't understand
procreation. So all of a sudden, this
female is giving life. That would have been mysterious,
and I can see why they would look upon women with reverence. So hence goddess worship, right? Absolutely. SCOTT WOLTER (VOICEOVER):
Many ancient cultures and some secret societies may
have practiced goddess worship and represented it through the
use of symbols, the the V's I saw earlier on the map. Alan believes that
the same people who revered the goddesses used
an ancient unit of measure called the megalithic yard. The discovery of both
in DC suggests to me that goddess worship could have
been going on here as well? Why is it that it
has to be veiled? Why all the secrecy? Why embedding it
within Washington DC? The goddess worshipping people
were very much marginalized. We tended to end up with a
much more patriarchal sort of religion. And when that happened, the
people who were the most devout of the goddess worshippers, they
had to find somewhere to go, so that they could maintain
their beliefs without being persecuted. So I think, to a great extent,
it was driven underground. And so you're saying
it survived in part due to the megalithic yard? I think the two probably
survived hand-in-hand. The people who used
the megalithic yard, it was part of their pact,
their secret, their pact with the goddess. And it became just as secret as
the goddess herself was secret. So, Alan, you really
think that there are symbols and signs of goddess worship
embedded in Washington DC? Oh, absolutely, Scott. Have you got the map that
we were using earlier? Yeah. Right here. So look, Scott. Yeah. The double chevron. The chevron has
always been associated with female sexuality. That's right. It's the pubic triangle, the
symbol where life comes from, a very ancient symbol that's
been around probably forever. ALAN: And it's not
the only symbol we can associate
with the goddess that we might find in
and around Washington DC. There may be cases
of other chevrons, and perhaps most significantly,
we might find diamonds. Diamonds. OK, the diamond. That's very important. SCOTT WOLTER (VOICEOVER): The
diamond shape has represented many things throughout history,
and it is still used today. In esoteric circles, it serves
as a symbol of the birth canal. The diamond shape is also
used to celebrate the female as the life giver, which is
a basic principle of goddess worship. You know, the
District of Columbia is in the shape of a diamond. It's 10 miles by 10
miles by 10 miles by 10 miles, 100 square miles
that are marked by 40 boundary stones around that perimeter. There's your goddess
symbol again. And I tell you what, I need
to go take a look at one of these boundary stones. I think it will connect the
founding fathers to goddess worship. Do you realize what
you're suggesting? I mean, this is
pretty provocative. In fact, when people
hear about this, they're going to go "no way." But if you have measurements,
megalithic yard, and it exists here, and you can
show and demonstrate it enough, you might be able
to convince people, and that would be
borderline explosive. SCOTT WOLTER (VOICEOVER):
I'm here in Washington DC, investigating whether the
monuments and buildings lining the city streets are
part of one big secret. My historian
friend, Alan Butler, has a controversial but
potentially groundbreaking theory. He says the architects
of our nation's capital used a long lost unit of measure
called the megalithic yard to plan the city's design. A unit of measure he believes
was used by ancient people who practiced goddess worship. Alan and I believe there's a
reason these goddess symbols are here in DC. But first I need to understand
who helped establish the DC location as our capital and why. Fergus, I'm
investigating a theory that involves the boundary
stones that outline Washington DC. But the first thing I'd
like to know from you is, how did DC get to
where it is geographically? Well, imagine
we're back in 1789. The Constitution has
just been signed. There's a consensus
that the country needs a permanent capital. The capital's been wandering
from town to town for 10 year. That permanent capital would
be a physical symbol of unity for these 13 fractious states
that comprised the United States. SCOTT WOLTER (VOICEOVER): But
when plans for our nation's capital started to
take shape in 1790, many cities were fiercely
vying to be chosen. There were more than 30
locations under consideration, including Newport, Rhode
Island, Williamsburg, Virginia, and Annapolis, Maryland. Each city made their
case, but a backroom deal led to Maryland and
Virginia donating land for DC's construction
as part of the residence act. So, Fergus, why would
they pick Washington DC? Wasn't it all swamp
land back then? Well, actually, it
was pretty good land. It was pasture land. It was never really
a swamp at all. Plenty of rolling hills
here in the district, as a matter of fact. Capitol Hill, the
capitol was on a hill. The notion that it was
a swamp was propaganda. It was propaganda launched by
other parts of the country that wanted the capital
for themselves by denigrating the Potomac. Another thing that
strikes me as very curious is when you look at the shape,
and I understand that we're talking about 100 square
miles, the layout, 40 stones that make up this,
what I see as a diamond shape. Congress mandated that
the Federal District, as it was called, would be a square. Why does it look like a diamond? Because George
Washington stretched it so that the one
corner of this square would incorporate the
city of Alexandria, where he owned property. Oh, I see. This is one of the
original boundary markers. SCOTT WOLTER (VOICEOVER):
The first boundary stone was laid in April 1791. Over the next two years,
40 boundary stones were laid to mark the diamond
shaped 100 square mile area that President Washington
had chosen for the city. 36 of these 200-year-old stones
have survived to this day, making them the oldest
federally placed monuments in the United States. I tell you what, it's
in pretty good shape. I mean, it's suffered
a little wear and tear, but it does feel like sandstone. I think it's called
the Aquia sandstone. And my understanding is,
there's a number of buildings in the capital city that are
made with this sandstone, including the White House and
the Capitol building itself, the capitol itself. OK, well, you can still
see the inscription. And on the side there, I
think it's says "1792". The first stone was placed
at Jones Point on the Virginia side of the river in
a Masonic ceremony. George Washington
was present and quite a few other prominent
members of the community. SCOTT WOLTER (VOICEOVER): I
know that George Washington, like many of our founding
fathers, was a Freemason. Fergus said Washington was
the one who altered the plan to include Alexandria
and make the boundary stones into a diamond. Maybe he had a secret
reason for that. Along with some of the
greatest ancient civilization, like the Romans
and the Egyptians, the Freemasons may also have
been secret practitioners of goddess worship. And if a Mason created a diamond
symbol with boundary stones like this one, other symbols
might be hidden here, too. So how about
the street system? Now, that's a whole nother
thing that many researchers have pondered over to this day. Well, for that, Washington
picked Pierre Charles L'Enfant, a remarkable Frenchman,
who had served heroically with Washington
in the Revolution. Pierre L'Enfant was a
brilliant architect. He was trained as an engineer. He was a man with a
mathematical head. He was admired deeply by
Washington and other founders. On the other hand, he
was a pain in the neck. He couldn't get
along with anybody. Even Washington, who adored
him, was so irritated by the man he fired him. Interesting. OK, so you've seen the layout
of the city, obviously. And it is a series of
angles and geometric shapes. Have you ever heard of the
concept of sacred geometry? I've heard of the concept. OK. This is one of the main
tenets of Freemasonry. And we know George
Washington was a Freemason. Our understanding is
L'Enfant was a Freemason. And I think there's
pretty strong evidence to suggest that this whole
concept of sacred geometry is part of what
inspired L'Enfant in the layout of the city.
What do you think about that? I don't agree with it at all. I don't think there's
any major historians of the early federal
period or really Washington who would agree with that? And as far as any Masonic
connections or symbolism associated with Masonry
that was incorporated into the design of the
city, your thoughts on that? I don't think it exists. You don't think so? No. OK. Well, I disagree. I respectfully disagree. In fact, I think it's
obvious, and on one level, when you look at the
geometry of the city, I believe the diamond,
its shape itself of the District of Columbia,
is where it all starts and that's just the beginning. I think it is related
directly to Masonry. I think the founding fathers,
George Washington absolutely for sure was involved in laying
down these secret symbols and signs within the city, and
that's what I'm investigating. Part of what I'm looking
into is something I believe the founding
fathers embraced, and that all Masons embraced. It's something called
goddess worship. And I also believe that our
founding fathers and people in Washington right
up to this day had a secret agenda,
hiding something important, perhaps a religious ideology
that we're not aware of, that's embedded
within Washington DC. SCOTT WOLTER (VOICEOVER):
There may be clues that Washington DC,
our nation's capital, could in fact be a city
dedicated to goddess worship. Female shapes and
symbols suggesting it's the city of the goddess
might have secretly been included in the city's design. Many of the designers of DC were
Freemasons, a secret society that I believe may have
revered women as goddesses. Their use of symbols here,
together with their use of what may be an ancient
unit of measure called the megalithic yard,
could have been important. And I'm just starting to
understand how important. While I checked out the diamond
shaped perimeter of the city, my friend Alan was working to
find some more clues hidden in plain sight here at
the Washington Monument. SCOTT WOLTER: How's
it going for you? Well, it's a
little bit difficult as you can see, because
of all the work that's going on here at the monument. SCOTT WOLTER: Yeah. But generally speaking,
the measurements are holding up
quite as I expected. Really? Yeah. But we haven't finished. Do you want to help
me go on measuring? Absolutely, let's go. So what we need to do,
Scott, is get to the very end of this ellipse. OK. And then take a measurement
to the base of the monument. I'm gonna start by
drawing an ellipse. So then what we have is, we
have another ellipse, right? And then we have
a second ellipse. Yeah. And then we have the
Washington Monument right here, correct? Yeah. I need to take a
measurement from here to the edge of the monument. About 173 megalithic yards. I can tell you that the monument
has a base of 55.125 feet. And how many megalithic yards? 20.25. I also would like to
use the measuring wheel and the whole circumference
of the circle, just to make sure we've
got it absolutely right. OK. SCOTT WOLTER (VOICEOVER):
Architect Pierre L'Enfant, the man behind
DC's street layout, decided to put the Washington
Monument on the Mall. Construction didn't
begin until 1848. That's when the cornerstone was
laid in a Masonic dedication ceremony. Completely after the Civil War,
it's the tallest stone obelisk in the world at 555 feet. There's one particular
thing about this area that I've noticed. And I managed to get a picture,
which will illustrate it really well. So as you can see, this
is the outer ellipse. Now, the distance from
that point of the ellipse, the widest part, to that
point of the ellipse is exactly 366 megalithic yards. - Exactly?
- Yeah. That's incredible. Absolutely. SCOTT WOLTER (VOICEOVER): 366 is
the number of megalithic yards found throughout the city. Like the chevron
Alan showed me, it could be a throwback to when
ancient people used a 366 day Calendar year it has to be
more evidence that people who designed this were using the
measurement intentionally. How come nobody
knows about this? I don't know. I guess it's because they don't
know what they're looking for. I mean, would you look for
a 5,000 year old measurement in a 300-year-old city? You wouldn't even know
about it to look for it. But what I really
want to ask you, Scott, is what you see in
the center of this picture. What we have here
is two ellipses, but oftentimes you'll
have two circles. Sometimes they'll be
symbolic of male and female. And when you push those
two circles together, you create a vertical
almond shape. This is called sacred
geometry in esoteric circles, but that vertical almond
shape that you create is something called
the Vesica Piscis. SCOTT WOLTER (VOICEOVER):
Vesica Piscis is the name of the shape created
when two circles intersect and overlap to form an oval. The term comes from
the Latin phrase that means bladder of a fish. A similar shape is seen
in religious symbols, such as the Christian
fish symbol. Most importantly,
Alan's research suggests the shape is
sometimes used by Freemasons, and can even be seen as
symbolic of female genitalia. It's an ancient representation
of the female vagina. And here again, this gets into
this thesis you have of goddess ideology or goddess
worship being embedded into the city of Washington DC. Absolutely. And look at the
symbolism, Scott. We have a huge phallic
representation. Mm-hm. And the goddess
representation of the vagina. That is the union
of heaven and earth, as well as the union of
the god and the goddess. And so what this
represents is this concept we've talked about many times,
symbols and signs hidden in plain sight. Absolutely. SCOTT WOLTER: Well,
you've demonstrated that the megalithic yard
measurement is used here in Washington DC, and similarly
at the Washington Monument. I was thinking about the
whole layout of Washington DC. We're talking about
this information of the megalithic yard and the
goddess ideology being kept in secret. Take a look at this. I was looking at the
boundary stones, the diamond with the 40 boundary stones
of the District of Columbia. It just struck me that
there's a symbol that appears to tie the Freemasons to
everything that we're doing here in Washington DC. Take a look at that. What do you see there? A square and compass. A square and compass. You know what, Alan? This compass in the square
in the shape of a diamond? I mean, it's fundamental. It's obvious. It's an exact replication
of the diamond that encircles Washington DC. This is the connection, I
think, that absolutely ties it to nobody else but
the Freemasons. And don't forget, Scott,
that that diamond going around Washington DC is
the District of Columbia. Who is Columbia? SCOTT WOLTER: The goddess. ALAN: The goddess. SCOTT WOLTER
(VOICEOVER): Most people think of the name
"District of Columbia' as a reference to explorer
Christopher Columbus. However, "Columbia" was also
the name of a pagan goddess who was a symbol of liberty. Female personification
of liberty can be seen all across America,
from the Statue of Liberty in New York to the statue of the
goddess atop the capitol dome, and even in the logo of the
Hollywood studio Columbia Pictures. SCOTT WOLTER:
Alan, I don't think there's any question
about it at this point, that the only people who could
be behind these secret symbols that lay out this goddess
worship in Washington DC has to be the Freemasons. I agree. So at this point,
what I feel I need to do is I've gotta talk to a
Freemason that might know something about this. That's the only way to
get to the bottom of it. So that's what I'm gonna do now. SCOTT WOLTER (VOICEOVER): I'm
at the Scottish Rite Masonic Temple. The Scottish Rite is
a branch of Freemasons said to have special
hidden knowledge, from the real assassins
of Abraham Lincoln to the true meaning
of the symbols in DC. I'm looking into the
mysterious design of Washington DC. There is no question that
in the city of Washington many symbols exist that
have to do with Freemasonry. What I'd like to know is,
did the founding fathers embed these symbols within the city
that indicate goddess worship? SCOTT WOLTER (VOICEOVER): In
DC, everywhere you look, you find goddess statues
and goddess symbols. The architects of
our nation's capital might have been hiding a big
secret amongst its streets and monuments for those
who had the eyes to see. There's one man who knows more
than most about Freemasons and their motivation
behind the use of symbols to represent their
ideas and beliefs. If anyone knows whether
Masons were hiding secret symbols of
goddess worship in DC, it's Akram Elias. Akram, I recently talked to
a historian of the city who absolutely denied a
connection between Freemasonry and the symbols that I saw
here that clearly indicate the handprint of Freemasons. Are these symbols the
work of Freemasons or not in Washington DC? There is no question that
in the city of Washington, many symbols exist and have
to do with Freemasonry. The language of
symbolism was paramount, was essential to the
enterprise from the beginning. Now interestingly enough,
every major architect who worked on the city's
design and architecture, starting with Pierre L'Enfant,
the architect who worked on the White House, the
United States capitol, happened to be Freemasons. It makes sense to see Masonic
symbols in almost every one of those symbols in the city. But that does not mean,
however, that these architects came together as a
group and conspired as some of the conspiracy
theorists talk about. So what you're saying is,
is there's not necessarily a grand plan that they all
got together and said, "OK, here's what we're gonna do." However, because they had
the same basic training in Freemasonry, a lot of
these concepts and ideas are inherent, so they're
naturally going to come out. Is that what you're saying?
- Correct. I wanna tell you a little
bit about some of the research that I've done with Alan Butler. He has documented
to my satisfaction that the founding fathers
incorporated a unit of measure, something called
the megalithic yard, that he has documented pretty
much all over the city, that he believes it goes
back thousands of years. So the question is, is there
a secret system of measurement that was incorporated into
the design of the city by the Freemasons? Numbers are essential in
the language of Freemasonry. In fact, they are essential
to the natural order of this universe. It is no coincidence
that even in the Bible we have a book called Numbers. And the most important thing
in the city that I would say, geometry. At the heart of the design
of Washington DC is geometry. Now, interestingly enough,
geometry is feminine. It is feminine. It is feminine. In Freemasonry, we speak
of the deity, whatever that supreme intelligence
is, as the grand architect or the grand geometrician. This is where the
letter G is used. Between the compass
and the square. Between the compass
and the square. So its geometry. SCOTT WOLTER (VOICEOVER):
The square and compass is both a measurement tool and
one of the most recognizable symbols of the Freemasons. The square is said to symbolize
integrity, and maybe where we get the phrase
"fair and square." The compass represents
an initiate's journey of understanding as he moves
through the different levels of Freemasonry. The G at the center is connected
to geometry, a female concept, and another possible link
to the sacred feminine. Are Freemasons
goddess worshippers? For Freemasonry,
to worship anything or to tell people to
worship anything, that goes against the
essence of Freemasonry. However, in the
teachings of Freemasonry, the duality, the
balance, the equilibrium between the feminine and the
masculine are at the core. Some researchers suggest
that the feminine seems to be emphasized through symbols
and signs within Washington DC. Freedom is a feminine concept. This city is dedicated to
the feminine that is freedom. Freedom is represented by the
feminine, not by coincidence. Having the feminine as well
as the masculine represented through symbols in
the city of Washington makes sense, because
Washington DC's hidden symbols and mysteries in its
architecture and design reflect an idea, and
that is that there is feminine and masculine. OK, I think I get it now. And after everything that
I've seen so far in this city, these Freemasons,
by and large, they incorporated feminine
symbols and that duality of male-female,
heaven and earth, good-bad, light-dark,
back in the balance. America is much more than a
land, much more than a country, much more than a people. It is an idea. And that idea is
liberty, freedom. [phone ringing] Hello? ALAN (ON PHONE): Scott, I've
been taking these measurements, and what I've discovered
will blow your mind. I've found more
evidence of the use of the megalithic
measurement here in DC. I've also found an
amazing connection that links to an ancient
site in England that was built over 3,000 years ago. Where? ALAN (ON PHONE): The Pentagon. What? SCOTT WOLTER (VOICEOVER): Could
the architects of Washington DC have designed this city as a
temple for goddess worship? A spiritual practice linking
many of the world's most advanced ancient civilizations
represented in secret symbols? That's what I'm
trying to find out. Everything I've
seen so far leads me to believe the symbols
hidden in the city's layout are important in
proving that theory. And there's one more
place I need to check out, the Pentagon, a place
that's significant to me. As a forensic geologist, I was
part of the team that examined the fire damaged concrete
after the attack here on 9/11. All right, Alan, you've
piqued my interest more than a little bit. We're here at the
Pentagon, a place where I spent time after 9/11,
working on this building. So it's very meaningful to me. SCOTT WOLTER (VOICEOVER):
Hijacked American Airlines Flight 77 crashed into the
Pentagon on September 11, 2001. As a forensic
geologist, I was called to examine structural damage
after the terrorist attack. Later, I learned what
a significant date 9/11 was for the Pentagon. The attack came exactly
60 years to the day after construction began on
the new headquarters of the US Department of Defense. Several locations
were considered, but President Franklin
Delano Roosevelt himself finally
selected the site. And I wonder why he
chose that location. The reason that I brought you
here is because the Pentagon specifically associates with
a place in my own homeland back in England. I'd like to show you a couple
of photographs, if I may. This is a place where
you've been, Scott. Stonehenge. Exactly. This is at least 5,000 years
old, has a circular henge. Yeah. And then a smaller
circle of stones. Yeah. And are you gonna tell me
there's a connection here with the Pentagon? There absolutely is. All pentagons have to be
designed within a circle. And the circle around the
Pentagon is exactly five times the size of the
henge at Stonehenge. SCOTT WOLTER (VOICEOVER): What
Alan appears to have discovered could be earth-shattering. It could mean that the
headquarters of our nation's military was designed
with ancient principles of another goddess
worshipping group of people. Stonehenge is a place that
may have been constructed using the megalithic yard. That's the same
ancient measurement that Alan and I
believe we found in DC, and that may link to ancient
goddess worshipping cultures. SCOTT WOLTER: Wasn't
it President FDR who made the final decision of
where the Pentagon was going to be located? ALAN: He certainly was. And he also had something to
say about its overall design. It was intended to be
further over originally, and nearer to the city. On the very last day
before construction began, he pulled rank as supreme
commander of the armed forces and said, no, I
don't want it there. I want it on this side of
the old Hoover Airport. And by the way, FDR was
a Freemason, was he not? 33rd degrees. 33rd degree Freemason. OK, the question
then becomes, why did he want to move it here? Why here? I think the reason
that he wanted to do it was because
it was sending a message to other Freemasons. In doing this and putting
the Pentagon here, he created a megalithic triangle
which led from the Capitol to the Pentagon,
from the Pentagon to the center of the ellipse,
and from the ellipse back to the Capitol. And that triangle was 33 times
366 megalithic yards in length. And of course, he was a
33rd degree Freemason. SCOTT WOLTER
(VOICEOVER): The number 33 is significant
to the Freemasons. The number 366 may have been
significant to ancient people, like the ones who
built Stonehenge. It used to be the
length of the year. The triangle can be seen as yet
another symbol of the female, the goddess. The fact that we have
a megalithic triangle incorporating both of
these numbers here in DC, linking America's most
significant structures, in my view, is no coincidence. I think it could be further
evidence that the Freemasons, who had a role in building
our nation's capital, were replicating the
architectural practices of ancient cultures, ancient
cultures that were likely involved in goddess worship. SCOTT WOLTER: Alan,
this is incredible. This has to indicate
that they had to have used the megalithic
system, does it not? I think that's
absolutely the case. And when we look back,
we see with Stonehenge 4,000 years ago, they're
using the megalithic yard. The plan of Washington
DC is laid out, and the megalithic yard is
already inherent in that plan. After that, we have the
Pentagon, which again, is using the megalithic yard. Alan, you
continually amaze me. This discovery of the
megalithic yard is incredible. Quite clearly FDR knew
that it was inevitable that the USA would be drawn
into the Second World War. That's why the
Pentagon was built. He must have looked out
many times from up here and seen the statue
on top of the capitol, which after all, is the goddess. But it's the goddess in
the guise of armed freedom. SCOTT WOLTER: We've seen goddess
symbols all over the city. I think in part it was
due to a veneration of the sacred
feminine, the goddess as a symbol of
freedom, which is one of the messages our founding
fathers were trying to send. SCOTT WOLTER
(VOICEOVER): Everything I've seen suggests to me
that Washington DC could be the city of the goddess. I believe that there
are indications that the megalithic yard could
have been used to lay out America's capital, and that it
may have been used in the past by societies that revered a
female goddess above or on par with a male god. I think the builders of DC,
many of whom were Freemasons, may have revered
a goddess as well. This 5,000 year
old unit of measure may have been used hand
in hand with the reverence for the feminine that
was a sacred part of the ancient world. And I think that both megalithic
yard and the reverence for the goddess were
passed on through time by secret societies
such as the Freemasons. It's just one more
example of our connection to the past in ways we're
just starting to understand.
