Arlecchino releases in the next patch and we know nothing about her. Okay, that's not entirely true. We know a little bit thanks to the Archon Quest that one fortune-telling quest in Inazuma and the backstories of Lyney, Lynette, and Freminet, but... all of that basically amounts to ''she was raised in the House of the Hearth and had a confrontation with the previous Knave took over the position for herself and has since improved the conditions at the orphanage" and... that's basically it. And that's led to some wild speculation
on who she might be for realsies because, surely, she's not just a normal person from Fontaine that managed to work her way up to
the 4th rank of the Harbingers, right? Well, we might be in luck, because we just got a new in-game book that's all about Khaenri'ah lore which I do realize, on the surface, sounds like it has nothing to do with Arlecchino but it kinda does. Plus a lot more stuff that we're gonna cover in future videos because, uh, the rabbit holes here are a little deep. But what I'd like to do today
is use the contents of this new book called ''Perinheri'' to put together
a bit of a speculative analysis on Arlecchino and also
the House of the Hearth before they come out. Now, you know the drill, guys: time stamps, spoiler warnings,
citations, and links for further reading and watching will be in the description box below. And don't forget to check the pinned comment for any post-video notes and corrections 'cause usually there's some cool stuff in there. It seems like you guys are ready and so am I so without further ado, let's get this show on the road. Let's start by making the easiest connections first. Perinheri tells us that a long, long time ago Khaenri'ah anticipated
the arrival of beings from outer space who could transcend the gods and they created an orphanage that would take care of them because, for some reason, Khaenri'ah was under the impression that all extraterrestrials would be children. This idea of ''children of the stars'' is something I want to make a whole video on but I'm just gonna leave that hanging for now. But anyway, these beings would've been Descenders and these Descenders that they wanted never arrived so they started taking children
from anywhere that needed a place to go The book doesn't talk much about
what goes on in this orphanage but for some reason, it always ends up producing a lot of very powerful knights for the kingdom of Khaenri'ah who would likely be Swan Knights or Serpent Knights. Perinheri was one of these kids. So, he wasn't a Descender
and it's not actually stated where he came from but I also don't necessarily think
he was an extraterrestrial either. I think he was just a normal orphan but there's no way to be certain, really. Now, in the book, Perinheri states
that one of his very first memories was being told to crawl through an ash-filled corridor one that he suspects is a type of chimney. Now, chimneys are connected to hearths, obviously and since he passed through this hearth and eventually entered the orphanage you could easily call that orphanage
the House of the Hearth, right? As a quick side note, can I just say that this whole ''passage'' thing really annoys me? Because chimneys don't work horizontally. They have to go up eventually. So, there has to be some point at which Perinheri is either ascending or descending this chimney depending on where the hearth portion of this system is. Otherwise, it's not really a chimney, you know what I mean? Perinheri does mention falling or stumbling a few times which indicates that he's going down at least little bit which might mean that he's ritualistically ''descending'' into this new location. The passage itself isn't very clear on this but if the orphanage was
originally intended for Descenders this seems pretty appropriate. That said, I did discover two types of chimneys that are horizontal but on a
slight incline that could qualify here. There are chimneys for metallurgy, or puddling and non-mechanized commercial bakeries. Now, puddling factories basically smelted iron ore —something that the mechanized Khaenri'ah would need a lot of— but these kinds of furnaces
are frequently associated with alchemy as is the early science around metallurgy. Khaenri'ah having industrial alchemy facilities is more than believable. I mean, we have the Azosite factory as a potential example. But the bakery example is far more interesting to me because there's just a bunch of weird, little bread metaphors and illusions surrounding Khaenri'ah like how Rene complains
that Khaenri'ah has no respect for their alchemy and that they would exploit it for the sake of creating a bread production pipeline. Then we've got the Field Tillers.
They weren’t tractors or anything but their codename is all about farming or tilling; they're also called cultivators. And one potential theory about Khaenri'ah's name is that it comes from Cain, who was a farmer hence ''the land of Cain'' or ''Cainri'ah.'' And then, during Kaeya's Story Quest he tells us to find the Arcadian Ruins where grandfather's ''Descender Sword'' is. The thing is, Arcadia was a real place and in Greek mythology, it was founded by Arcas who taught the people there how to weave and bake bread. Now the puddling factory and the bakery chimney lore starts to come together when you realize that alchemists were paranoid about their work being stolen so they would encrypt it using
metaphors, allegories, and symbolism. Some even disguised them as regular recipes in cook books. And this is something you might be familiar with if you've ever watched Fullmetal Alchemist. Considering Descenders are heavily associated with the concept of gold
and the orphanage was made to house them you've gotta wonder if at some point this facility tried to make Descenders through alchemy. It doesn't seem like they succeeded but it could explain why so many orphanage graduates became great knights. Perhaps they had a slight... advantage. Now, I made a whole video about the ceremony of the Eucharist and how consuming the sacramental bread in Genshin is akin to eating the flesh of a god which then grants special abilities. And I dunno if these two concepts are related here but, uh, it really makes you think, doesn't it? Alternatively, this could also
be a metaphorical crematorium —since those also tend to have
underground horizontal chimneys— and cremation in reverse
is basically being reborn from ashes. That's a theme we're going to come back to later, so remember it. Now, Pierro was from Khaenri'ah and he would've most certainly been familiar with the kingdom orphanage and its purpose given his noble status as a royal mage. So, it's not too unreasonable to assume that he could (upon founding the Fatui) recreate this orphanage system. Would he though? I don't know. I think it depends on what he knew about the inner workings of the kingdom orphanage of which we know very little about except many of its alumni
went on to become knights or soldiers. Now, the House of the Hearth also trains children to be Fatui operatives, or soldiers. So, regardless of what really went on back in Khaenri'ah it's easy to see how Pierro might leverage this initial idea and then proceed to name the House of the Hearth after the kingdom orphanage and its hearth ceremony; at least I'm assuming it's a ceremony. It sure feels like one because not only do a bunch of adults force this kid (and probably others like him) to crawl through this dark, ash-filled tunnel but they also block the exit and refuse to let him out until he tells them that he's dead. And when he finally does, they open the door and say "You have traversed the fire of two worlds within the hearth and here you are reborn." And, yeah, that kinda reads
like a weird initiation ceremony, or something. Now, a lot of people honed in on the whole "I'm dead" thing but I think the more interesting word choice here is "reborn" because, in this game, fire is way more commonly associated
with rebirth than it is death. Now, the House of the Hearth kinda does this whole rebirth thing symbolically by giving the kids new names and identities resulting in a kind of societal rebirth, right? An acceptance into a brand new family. But if you look elsewhere, you'll start to notice this whole Pyro-rebirth thing is actually a pattern. Like, the Pyro Hypostasis, for example will try to reignite itself
instead of entering a critical health state like all of the other Hypostasis. It's called an "emergency restart" stage and even the Adventurer's Handbook calls this out for being really unique. And in the Travail trailer the Pyro nation of Natlan is titled "Ode to Resurrection." It's even referred to,
again, symbolically, in Wanderer's teaser in the fairy tale about burning the ashes until only the purest form, the heart, remains from which you can rebirth yourself. That was kinda the point of his whole story. But for an even clearer indicator of rebirth over death as a theme with Pyro take a look at Hu Tao,
director of the Wangsheng Funeral Parlor friend of ghosties, and guide to the afterlife. Did you know that the Wangsheng Funeral Parlor in Chinese actually just straight up means Hall of Rebirth? The name likely comes from a time during the Archon War when plague proliferated Liyue, and the Hu family discovered that burning the bodies got rid of the plague and stopped it from spreading,
reducing them to ashen butterflies an event that's outlined in the Staff of Homa which is named after the Homa ritual which is one of purification by fire. Now, Arlecchino is quite obviously
Pyro-aligned, given her Vision but we now know that
her Constellation name is Ignis Purgatorius which means purifying flame, just like the Staff of Homa. And the thing about "Purgatorius" is that it's where we get the word "purgatory" from and most people think of purgatory
as a place you go when you die but technically, purgatory isn't a place but a state that the soul enters after death; one wherein sins are cleansed by holy fire in preparation for ascension into heaven. At least it is in Catholicism,
which is what I'm rolling with here. But the thing is that the concept of the purgatory isn't unique to Abrahamic religions. Hinduism, for example,
has a sort of purgatory called Yamaloka wherein souls are purified in preparation for rebirth because we've got the whole reincarnation thing over there. And since the Wangsheng Funeral Parlor is in Liyue where you wouldn't necessarily have Catholicism —you'd be more likely to have Buddhism or Hinduism— you can see why we would connect it to rebirth more than being purified for heaven, right? Now, I could see this purgatory reference having one of two relationships with Arlecchino: either she is the one
cleansing things and people through fire to prepare them for the next life or she is stuck in a state
of being perpetually cleansed by fire which, in my head, it makes her a kind of undead entity because she's not quite ready for rebirth but she's also not totally alive; she's in that sort of middle ground, you know what I mean? Now, when I think of undead creatures in Genshin I immediately think of Hilichurls because we have some detailed records about what the transformation of
human to Hilichurl looks like and it involves necrosis, or the blackening of the limbs. Something we can confirm
thanks to our good friend Caterpillar. Although Caterpillar isn't technically a normal human turned Hilichurl situation
(like we have everywhere else) Caterpillar was actually a blend
of the minds of multiple people that were placed inside of a Hilichurl's body. But either way, the characteristic is present and Arlecchino's arms are also a near perfect match to it so let's roll with it. While I have suggested in the past that she might also be a Hilichurl,
or is undergoing hilichurlification or is a recovering Hilichurl I'd like to amend that statement and say that I now think Arlecchino and Hilichurls are in similar states of undead-ness. Because there's another match for these hand markings. And they belong to Signora a debatably undead fire witch. If you're not sure what I'm talking about just take a look at Signora's Crimson Witch form: notice the markings on her hands and how they're the red version of Arlecchino's hands? Well, that might be because
she experienced death once upon a time. See, prior to the Cataclysm, Signora was studying Pyro magic as an apprentice at the Sumeru Akademiya and had, according to the Crimson Witch of Flames Set stumbled upon a long forgotten art
that destroyed her mortal body and caused her to mutate into the Crimson Witch of Flames. The Elegy of the End also says that she swore to use her life's flames
to cleanse the world's crookedness; meaning these were meant to be cleansing flames exactly like Arlecchino's Constellation name. Now, according to the Ashen Heart Pierro found Signora before
her flames finally extinguished for good and used a Cryo Delusion to prevent her from disappearing in a puff of smoke because the translation of the Witch's Heart Flames suggests that her real body was already gone and she had just turned herself into some kind of elemental-fire-spirit thing. To quote: "People rumored
that she had abandoned her human blood and flesh and what flowed through her body was liquid flowing-fire." Signora also has a lot of the same eye motifs on her Crimson Witch form, just like Arlecchino does. And I'm starting to wonder if they're not eyes, but eye spots like the ones you'd find on the wings of moths or butterflies since Signora is quite obviously a fiery butterfly which is also why I'm in the mood to identify her as an undead. Moths and butterflies are heavily associated with the dead in mythology, folklore, and pop culture because they go through
a symbolic death in their natural life cycle melting themselves down inside of a chrysalis and emerging as a completely new life-form. This is why they became known as either representations of the souls of the dead small beings that carry
the souls of the dead to the afterlife or the physical manifestation of a deceased loved one paying a visit to the mortal realm. This is part of the reason why Hu Tao,
the director of the funeral parlor has a butterfly motif as well. She's supposed to be a guide
for the deceased into the afterlife like Charon. Ironically, the Pyro Hypostasis also self-destructs into a bunch of Pyro butterflies. And it might be a bit of a stretch but in my Narzissenkreuz analysis video I pitched the idea that Arlecchino's throat pin might be based off of a Heliconius melpomene butterfly or a Cinnabar moth. You pair that with the potential eye spots and we might be in business here with a good connection. That would mean that we have three Pyro characters dealing with death and rebirth with butterfly motifs and cleansing flames. What do we do with that information? Let's stop here for a second and go back to Perinheri. When Perinheri reaches the end of the chimney tunnel the adults will not let him leave
until he declares that he's dead. When he finally does this an illusion appears in his mind
of a red moon hanging in the sky. But it's not just the color that's unusual. When it turns around it reveals that it's a gigantic, frightened eye so some kind of living, sentient entity. The crimson moon shows up a lot in Genshin's history and it almost always precedes a disaster. It was present at the fall of Khaenri'ah the fall of Remuria and if La Luna Rossa is a reference to a rose-colored moon then the achievement must suggest that it was present at the fall of Gurabad as well. So, I suppose you could call it a "Harbinger of Calamity." Now, the Remuria thing comes from
the book "The Fall of the Faded Castle" which is a fairly poetic retelling of the fall of Remuria. The passage that mentions the crimson moon reads: "The castle's glory faded into the past,
swallowed by the glimmering waves. The blood moon the towers once blocked reappeared in the sky its baleful glow sweeping the land." This passage identifies the blood moon as baleful which is relevant because
Arlecchino's title is "Dire Balemoon." This can either mean threatening evil moon or threatening sorrowful moon or both, if you're feeling spicy. I'm mentioning this because Perinheri says that the eye on the red moon he saw looked frightened. Okay, so in Teyvat, there's a legend claiming that the sky was once home to three Moon Sisters and during a great disaster, two of them died while the third remained locked away in her palace likely lamenting the loss of her sisters. Now, Dainsleif's character card says that "the eclipse was swallowed by the crimson moon" or more accurately, from Chinese "the crimson moon got its revenge against the eclipse." Now that we know that one of Khaenri'ah's dynasties was called the Crimson Moon Dynasty we can assume that the Eclipse Dynasty betrayed the Crimson Moon Dynasty. But what does a betrayal of this magnitude look like? Is it at all possible that the Eclipse Dynasty was responsible for the fall of the Moon Sisters and that the Crimson Moon Dynasty's
namesake desired revenge? I think it is. After all, the theme of revenge incorporates the perfect mix
of threatening, fear, and sorrow. Baleful. And I know it never says the Crimson Moon is sad in Perinheri but the cover of the book is literally a crying eye. Now, this one-eyed red moon might also be a Lovecraftian reference to Ghroth a giant, reddish, moon-like eye made of ash and gas; also an ancient extraterrestrial
god that's wandering the cosmos and singing the music of the spheres. If there are any ancient deities on a planet it gets close to it wakes up and brings death and destruction which is why it also has the name of "The Harbinger." Now, I'd write this off as an easter egg but the problem is that Genshin's
got a lot of Lovecraftian references and several of them converge here, like with the dark sprites which are technically Riftwolves which are based on the Hounds of Tindalos. But in the interest of time I'll save the Lovecraft discussion for another video. So, okay, all of these little references
are kind of cool and all that but how is Arlecchino linked to the moon beyond these neat little references? Like, she can't really be a Moon Sister, right? That would be kind of crazy. And I would agree; I do think it's crazy. I think it would be really bizarre
for such an extremely powerful deity only to come in at number four
in terms of strength in the Fatui. And it would be even weirder for her to have a Constellation even if it's a fake one, like Neuvillette's. And weirder still for her to still have a backstory of growing up at the House of the Hearth. So, if she's not a moon, what is she then? Well, my first reaction is to just
say Arlecchino is a Pyro Oceanid mostly because I compared her to Lyris at one point and because in Chinese, Lyris' name is Lilith. And Lilith is a figure from Abrahamic mythos
associated with children both loving them and also killing them. And Lyris eventually merged
together with the human Mary-Ann in order to save her from death and in doing so, they were reborn as a new kind of entity neither human nor Oceanid. But then I got to thinking about Signora and how, after her transformation she was in danger of her flame
being completely extinguished if she continued to let it burn since it was literally being powered by her own life. And I wondered then if I could apply that to Arlecchino. See, the former Knave was said to have had a confrontation with Arlecchino which resulted in Arlecchino replacing her and that's effectively all we know about the incident.
But that incident only occurred roughly 10 years ago and since then, Arlecchino has
already selected a successor in Lyney. And Lyney knows he's been chosen but desperately doesn't want his siblings to know. It's almost like he thinks they'll try to stop him from accepting the position. But that means that becoming
the Knave has a serious drawback like maybe an early death. So, if Signora's flames are powered by her life force and the power of the Knave is similar then it's possible that the Knave's flame is passed down from person to person slowly burning away at their
life force until there's nothing left. I almost wonder if her hands
are representative of candle wicks showing how much time she has left and how much of her life has been burned away already. But none of this really explains
her connection to the crimson moon. And frankly, I was a little bit
stumped and I wasn't gonna make this video. And then I had a thought. In my Narzissenkreuz analysis video I likened Arlecchino to Lady Maria from Bloodborne and Bloodborne has the blood
red moon that contains a presence an alien being from beyond a great old one, which is also a Lovecraft reference kinda like the crimson moon
Ghroth there that we talked about earlier. Now, whenever the Moon Presence descends the moon turns red, but I bring all of this up because in the true ending of the game you have to kill the Moon Presence and doing so also kills you and forces you to be reborn as the new Moon Presence (which is far from human, as you can see). So that got me wondering if the Moon Presence is like a gift or a blessing from the crimson moon that picks a host to carry out its vengeance. Kind of like an avatar. If anyone kills its host, it migrates to the new body forcing them to be reborn as its avatar of judgment creating some kind of cursed legacy. And I really like this idea,
and I was gonna leave the theory here. And then HoYo dropped a new teaser video for Honkai: Star Rail and a few more things clicked into place for me as I remembered that Arlecchino isn't the only Genshin character
associated with the red moon. As a quick disclaimer, I am not going
to directly connect these two games. The point here is to showcase some repeating themes and narratives found within
HoYo's brand of storytelling, okay? Themes and narratives only. This teaser is for Acheron,
a character named after a river in hell. She's based on Raiden Mei, a recurring character from basically every HoYoverse game including Genshin, where she appears as the Raiden Shogun. Now, Acheron's home planet, Izumo, had a twin, Takamagahara but the two never really interacted until one day beings called Kami
descended from Takamagahara with the intent to completely destroy Izumo. In order to defend themselves,
the people of Izumo forged special blades each with a very specific
dominion in order to push back these Kami. Now, the powers of these blades correspond perfectly to beings called Herrschers from Honkai Impact 3rd. So, think of these Herrschers
as human-shaped swords with alien powers. Now, pay attention, because the second Herrscher was also called the Herrscher of the Void which is the same as the second blade forged in Izumo and both of them share powers. The blade, however, was also said
to be able to create a firmament or a barrier in order to keep the Kami out. In Genshin, this is the Sustainer of Heavenly Principles who shares traits with the Herrscher of the Void and guards Teyvat's firmament preventing invaders from beyond from coming in. Again, game stories are not connected. These are just repeating themes I want to emphasize. And I bring this up because Izumo
slowly loses the battle against the Kami which should be likened
to the Honkai Beasts of Honkai Impact and the Abyssal Monsters of Genshin Impact as I think they're all using
the same characters, meaning alien. And the only one left standing here at the end is Acheron who's slowly turning into
a demon or an Oni, as is the fate of all humans. In the end, she uses her
newly forged blade called Naught to attack what seems to be the eclipse. What's funny about this is that the story of Izumo is very easy to link to Genshin's
“Legend of the Shattered Halberd” books meaning Genshin is repeating this narrative but with nine blades instead of fourteen. Now, this book is a Liyue one,
but you know what's kind of funny about this? The spine of the “Perinheri” book is also Liyue art so there's definitely a weird connection here. Now, the “Legend of
the Shattered Halberd” also features Fischl as a sword of judgment from the Celestial Emperor and she possesses the body of a girl called Weiyang a process that I'm going to say is a little bit similar to what I've been proposing with Arlecchino, yeah? And the concept of a sentient sword capable of possessing and controlling someone is actually present in Kazuha’s first Story Quest which is all about the Raiden Gokaden which are swordsmithing schools
founded by the Raiden Shogun herself. And given that Shattered Halberd
also features King Irmin as a character this story is implied to take place in Khaenri’ah. Now, in Honkai Impact,
the source of all the beasts and monsters and even the powers of the Herrschers themselves is a giant space eye called Finality. And when Finality is embraced by Kiana her eyes change to match those of the people of Khaenri’ah which makes me wonder if the crimson moon is Genshin's equivalent of Finality. Maybe it's responsible
for creating sentient blades of judgment and Arlecchino has inherited one of them. And since we know that wills and swords are basically synonymous
thanks to the Narzissenkreuz Questline we could say that Arlecchino has two wills inside of her: one that belongs to her,
and one she inherited from the previous Knave who also inherited it from someone, and so on, and so on all the way back to the first person who received it from the moon directly. And I'm not done yet. Raiden Shogun is supposed
to be Genshin’s version of Raiden Mei who is also Acheron. Ei's normal attacks are called Origin and Raiden Mei was the Herrscher of Origin alongside Bronya as the Herrscher of Truth and Kiana as the Herrscher of Finality. Acheron wields the blade of Origin. And in Raiden's Plane of Euthymia we see in different instances, either an eclipse or a crimson moon like the one Arlecchino is linked to. And Ei also says that eternity—her ideal— is the closest to the Heavenly Principles referring at least in part
to the Sustainer of Heavenly Principles and what's even stranger is that Ei's skill is called Baleful Omen similar to Arlecchino's Balemoon. And both seem to connect with the eye found in the red moon from Perinheri. And in her boss form, this bale connection comes from the name of her Baleful Shadowlord phase instead, like a shadow of the moon. Now, according to the "Treasured Tales
of the Chouken Shinkageuchi" (also called "Raiden Reincarnation") some people are aware of there being two Raiden Shoguns and they refer to them as Shin and Kage light and dark, Makoto and Ei. Now, whenever I think of light and shadow,
I think of the Primordial One —a being of light and its four shadows three of which were thought to be the Moon Sisters. If you then look at the symbols for Electro it's made up of three tomoe which is kinda weird if Ei and Makoto were only twins. Like, why is the symbol of a 3 then? Like, I know it's got some historical context here but it was used as a family crest. So I ask again, if there were only two in this family why is it a symbol of three? So here's my crazy idea: what if Ei is also a child of the moon or the moon itself, having lost her memories, fallen to Earth and then been hidden by Makoto? We already know that Makoto reforged Ei's body at least once according to "Raiden Reincarnation" so why couldn't she have done it a second time? After all, Ei's current body isn't even human-shaped. She's a sentient sword inside
of a mechanical Khaenri'ahn puppet and she's covered in butterflies! I cannot believe I had to look at underwear for lore! And I could be wrong about this, but I think Ei in both her normal and boss forms is the only character so far in-game to have the glass-shattering effect apart from the All-Devouring Narwhal (and that is also a Lovecraftian reference to these aliens that come from beyond the beyond). Consider, too, that Ei drops Tears of the Calamitous God a title that really belongs to the crimson moon (given its history) but take a look at this description notably the last line: "The catastrophes go on for too long. Even a baleful gaze must wash itself with tears." We've got a baleful eye again but also a reference to how
it must wash itself with tears, eventually like the crimson moon Perinheri saw. And speaking of the Narwhal, it doesn't have drops to match but you do get this five-star key item instead which is called "Tears among the Stars." The description for this thing is
too long, so you can read it on your own but within this thing we see some themes and narratives of inevitable death through catastrophe and rebirth played out here. Think of Ei's boss lines: "Ruin, follow my blade!" or "The eye sweeps the land!" and "Witness the final calamity!" Am I really going anywhere with this besides pointing out how weird it is that Ei and Arlecchino have these overlaps? Not really. But, uh... speaking of eyes floating in the sky full of tears... A solo eye floating in the sky no matter what it's surrounded by, is usually referred to as the "eye of providence" and it's a symbol of wisdom or knowledge. Like, you know... forbidden knowledge. I would add an evil laugh here if I had one. Okay. That was a lot of random speculation and I don't know if any of this will end up being true but it's, uh... it's kinda the point of a theory so I guess it's fine. I'd like to wrap thing up here, though so, uh, say,"Hi!" to all the channel members scrolling by —Hi!—while I do that thing while I try to increase retention by giving you a couple mini-theories at the end of the video! Have you ever thought about how weird it is that there are 11 Harbingers plus Pierro, who may or may not be the number zero? Well, I had a thought while connecting the Sustainer to Arlecchino earlier. Since Susty here is thought to be
a Shade of the Primordial One (and also potentially a moon) there should be three others like her, for a total of four. And beneath them are the seven Archons, right? So seven plus four is eleven plus the number zero as the Primordial One. That correlates to 11 Harbingers, technically. And Nahida said that the top four Harbingers have powers rivaling a god and, frankly, if number six is the child of an Archon then the top four should be stronger than Archons meaning they're probably more Shade-level, right? And then I, uh... I-I wondered if Pierro might be trying to be P-er-oh Like, P-O, like Primordial One. The top four are his Shades, the seven below are his Archons. I mean, he is collecting the Gnoses to burn down the old world and create a new one, so... it kinda fits, doesn't it? No idea how this ties into the Tsaritsa. Anyway, as you can see, I basically covered like, four different pieces of this two-volume book and managed to make an entire theory out of it so, as you can imagine, there is a lot more to cover that I haven't covered,
that other people have already covered and that I might cover in other videos. But, in the meantime, if you want
some more Khaenri'ah deep-dives Arlecchino analyses, or some more information about the Perinheri books' contents I'm gonna link some Reddit posts and YouTube videos by other theorists that I think you'll like. If you made it this far, well, thanks for watching and, channel members, [clap, clap]
thank you for being awesome enablers. I am off to catch up on making some videos I should have finished weeks ago, so, uh... I'll see ya later.
