I think everyone who does
the Unfinished Comedy quest in Meropide has the same reaction when they learn that Caterpillar is a Hilichurl. They look at his blackened hands and ask: “does this mean Arlecchino is a Hilichurl too?" But I feel like we get too caught up in the shock of it all and fail to ask the bigger questions: like, if it's true that she is a Hilichurl and Caterpillar was meant to hint at this fact then why did HoYo pick Caterpillar to do it? What is it that connects these two? Now, if you've played through
the Narzissenkreuz world quests then your immediate response is probably something like... "well, maybe they were both kids at the Institute or both researchers at the Ordo." Which is a pretty solid
hypothesis and the most obvious one too so it would be remiss of me
not to investigate that line of thought. So, investigate I did and boy, oh boy have I reached some rather surprising conclusions about the true nature of Hilichurlfication and how Arlecchino could be connected to all of this. Emphasis on the “could be,” okay? This is a theory after all, not a prophecy. Now, this video does contain
a lot of spoilers for a lot of quests the full list of which can be found in the description box so please check that out before continuing. Let's not waste any more time though. I want to talk about Hilichurls
and I wanna talk about them right now. Hilichurls are the remains of the Teyvatian people who have been cursed in some way. They have existed for thousands of years although their last huge spike in population came immediately after the Khaenri’ahn Cataclysm. Our source for this information
is both the Codex and Dainsleif who even go so far as to name
this curse "the curse of the wilderness" which is a name that matters a lot and we'll get back to it later. Now, despite it being referred to as a curse it does seem as though the mere exposure to Abyssal energy can cause a human from Teyvat to transform into a Hilichurl and it's unclear if this is the case where you can get the same result through different methods or if the Abyssal exposure
and the curse are somehow the same thing. For simplicity's sake, I am just going to refer to this whole transformation process as "the curse" for the rest of the video. And just so we're very clear, let me reiterate one more time: Hilichurls are not just cursed Khaenri’ahns of mixed blood. We have several instances of other ruined civilizations being turned into Hilichurls. For example, Dragonspine has a Celestial Nail which notoriously destroyed an important Ley Line tree which then threw the entire mountain into eternal winter destroying all of the people who lived there. The Princess' Box talks about a guy named Ukko who was very close to the princess of Sal Vindagnyr and if you go up to the top of the mountain you can find a Lawachurl who shares his name. And there's a very good chance it's the same person. Now, in this video of mine, I made a case for Celestial Nails being used to repel the Dark Mud of the Abyss and in that same video, I suggested that Dragonspine had an Abyssal infection and that the Nail must have been
sent down to fix it and missed its target. If I end up being right about that then we could see how Ukko
and maybe every other citizen of Sal Vindagnyr became cursed Hilichurls. They had some kind of Abyssal exposure. Another example is found in the deserts of Sumeru where we have the infamous Gurabad a city that fell to the dark, Abyssal powers summoned by Liloupar
and her kin, also referred to as a dark plague. While it's not stated outright that the citizens of the city turned into Hilichurls there are several mentions of them
turning into humanoid monsters and in this book which contains
a legend version of the incident it says that the people
“scattered amidst a world of darkness left to become wild creatures
who had lost their language and faces..." Which honestly sounds a lot like the Hilichurls; there's the curse of the wilderness unable to speak in their own original languages and masks replacing their faces. Now, this area here is called
Wadi Al-Majuj and it's the remnants of Gurabad the city that sank into the earth. We know this because during the Dirge of Bilqis quest Liloupar identified this area as Gurabad and this matters because of the word Majuj. According to the Akademiya
Investigation Team Report and Logs the word Majuj refers to “bizarrely-shaped creatures” and "the innocent survivors of that ancient country, transformed somehow..." And there just so happens to be a theorized Celestial Nail inside that desert sandstorm perhaps sent to combat the dark power released in Gurabad. This is of course assuming it wasn't the same Nail used to transform the rainforest
into a desert thousands of years prior. It could be either or both, time is kind of funny that way. But either way, are you starting
to see a little bit of a pattern? A dark wave of Abyssal energy perhaps transforming all these people into Hilichurls? Well, let's keep going. The word Majuj is actually the Arabic name for Magog as in the Abrahamic Gog and Magog. These names can be used to refer to individuals, tribes or even locations depending
on what religious text you're looking at and in Genshin, this is the name
used to refer to Hilichurls in the desert. In other words, the people of Gurabad are the Hilichurls in the desert of Sumeru. Funnily enough, this might
actually be where Hilichurls got their name. It's said that at the end of days, Gog and Magog will descend from every hill and that kinda
makes them the people of the hills or hill people, which is
what Hilichurls are called in Chinese. I bring up the Abrahamic influences not just to point out how Hilichurls are made of people from all over Teyvat but also because of their relationship with floods and floods are a big theme of Fontaine. See, Gog and Magog is sometimes used to refer to the descendants of
the Prophet Nuh, or rather Noah as in Noah's Ark. In this way, Hilichurls are
allegorically survivors of the flood and since the story of Noah's Ark is related to the Primordial One via the book "Before Sun and Moon" Hilichurls can there therefore only be made of the people of the Primordial One. This is likely why pure Khaenri’ahns who are not people of
the Primordial One do not turn into Hilichurls. It's also worth mentioning that during the end of days the Gog and Magog will side
with Satan in a cataclysmic battle. And I don't know if you know about this, but in Revelations Satan is described
as a seven-headed dragon wearing seven crowns that will break free of his
1000 year imprisonment in the underworld; you know, like a Dragon King that's been sealed underground. Given all the lore that we're getting about the Dragon Sovereigns and Celestia (which belonged to the Primordial One, by the way) this feels important. Now, keep in mind that the Dragon King Nibelung sought out the power of the Abyss so he's Abyss-aligned right now and during the Caribert quest, we watched the Hilichurls bow in reverence an imprisoned, Abyss-aligned entity. So, I think it's reasonable to assume that the Hilichurls are or would side with the dragons if war broke out. Now, because of his imprisonment in the underworld (and for many other reasons) Satan is often associated with the dead or even the undead and that got me thinking. See, it feels weird to me that every person from these ancient civilizations are still alive somehow as Hilichurls 'cause if a civilization is destroyed then wouldn't it just make more sense that the people there are just dead instead of cursed? Why go through the trouble of cursing them? Unless the curse and death are the same thing. After all, isn't it commonly agreed upon in most cultures that death happens when mind and body separate? And if that's the case, then Hilichurls are kind of like... special zombies, right? I mean, Abyssal exposure is considered fatal so what if the curse is just like quarantine? The people died, but they're infected with Abyssal energy or, like, forbidden knowledge and we know how damaging that stuff can be to critical infrastructure like Irminsul, right? So, let's say the Abyss kills somebody. Their mind leaves their body but their body isn't allowed to die conventionally because it's contaminated so it just continues to live on and exist operating on fundamental physical needs like eating, sleeping, exercising, utilizing muscle memory to reenact aspects of their former life. After all, their mind might be gone but their brain is still there. It's like an operating system with no software. I want to continue exploring this idea further but before we do that, we need to shift our focus back to the apocalyptic floods and get some new context. Fontaine has brought us
a lot of lore surrounding two main themes: floods and the circumstances of death. I said earlier that Hilichurls
were the survivors of a great flood but they're not the survivors of every flood. Even if they're the undead or transformed bodies of the people who survived
the flood that destroyed the entire world at the beginning of time they became the victims of floods
of Abyssal power much later on, right? But in Fontaine, there is no Abyssal flood that we know of only Primordial Water. If you're watching this you've definitely done
parts 1 through 4 of Fontaine's Archon quest so you should know what Primordial Water does: it dissolves the bodies of the people of Fontaine and nobody else. But the people of Fontaine are also able to reappear within Fontaine's waters under certain circumstances like in the case of Vigneire,
where she and dozens of other women merged their consciousnesses together to form an Oceanid after their bodies were destroyed by Primordial Water. Since the people
of Fontaine's bodies are completely soluble it made me wonder if the people of Fontaine are merely minds without actual bodies. So, something that the Narzissenkreuz questline focuses on is the idea of separating the mind from the body. In fact, it's the focal point of Rene's research. He wanted to save everyone
in Fontaine from the apocalyptic flood by merging all of their minds into one bodiless entity; shedding their physical forms and thus avoiding the inevitable apocalypse. Essentially, he wanted to turn everyone in Fontaine into one giant, Oceanid-like thing, okay? Now, during his research, he played with the idea of extracting people's minds from their bodies and putting them into robot bodies. But because his mechanical,
genius friend Alain wouldn't help with that he abandoned the idea for the Oceanid one, but... Rene was not the first person to try this crazy idea. The God King Remus, who ruled Ancient Fontaine tried this process once already. He created golems from immortal stone and he powered them with an ichor which contained the lives and souls of his people. And he made that Ichor from Primordial Water, by the way. He was a mad lad. So, insert my obligatory Deshret mention here because he too tried to separate the mind from the body with the Golden Slumber so this idea isn't necessarily unique to Fontaine. It just might be that Remus succeeded where Deshret didn't get that far yet. We're gonna come back to this idea a little bit later. One of Rene's noteworthy associates was named Carter and he had an illness that sounds
an awful lot like Eleazar, of all things. And this is important, because Eleazar was caused by forbidden knowledge
which is basically just Abyss juice from Sumeru. And if it really was Eleazar that he had then it makes sense that his condition got seriously worse when Rene tried to use his own Abyssal research to cure him. After the treatment, Carter's body tissues began to collapse and his body mutated in a way that Rene could not confidently pinpoint where his vocal cords were. Eventually, Rene stripped Carter of his mind and had it absorbed into the bodiless entity he called ''the master.'' Now, this is never confirmed explicitly in-game but I don't think it will take much to convince you that the boy in Meropide named Caterpillar, or Cater is actually Carter, reborn by
Rene's hands as originally planned; not a robot body, but an organic one a Hilichurl body which makes Cater a Hilichurl with its mind restored; a bit like Caribert but also a little bit different. See, Caribert had his mind restored but it was in the same state it was in when he died so his expectations of what his body should be and what it actually was didn't match and that resulted in a mental breakdown. Cater, on the other hand, had a total support system as well as his memories almost completely wiped possibly an after effect of being absorbed by the collective consciousness that he called a master. So, he was able to accept his body and his reality and that let him form an entirely new identity as Caterpillar, instead of Carter. But here's the thing: prior to this whole rebirth stuff Carter's body was already dying. His death was probably inevitable,
even before the Abyssal treatment especially if his symptoms line up with Eleazar. Now, we know from Dunyarzad that Eleazar was both incurable and terminal so, by that logic, his body should have died, right? And yet here he is, completely reborn as a Hilichurl. I would like to take a moment to point out that the name "Carter" literally means "foreigner" and he was inflicted with Eleazar, potentially and that should be a Sumerian affliction. And since Rene had already tested
this Abyssal treatment successfully on Jakob, who was pure Fontainian I can only assume that Carter
was from Sumeru, and not Fontaine which is why the treatment did not work on him and instead exacerbate his condition replicating the effects of
the dark plague that destroyed Gurabad and turned those people into Hilichurls. In other words, Carter had both a body and mind while Fontainians like Rene and Jakob might only have a mind and an illusory body. This might be why Jakob can transform into an abyssling an entity that appears to be made out of black, immortal stone with a colorful liquid, or ichor, running through it. Thanks for that, Remus. My big point here is that Carter died but Rene was able to manually remove and salvage his mind for a manual rebirth. A closer look to Cater's humanoid form supports this idea that he is not exactly alive in the traditional sense, too. Blackened limbs can be a sign of gangrenous necrosis or death of the bodily tissue. Basically, the blood doesn't flow to your limbs properly and your limbs begin to turn black and then they rot. There's no saving the limbs at this point and the best you can do is just cut them off which is basically what Celestia does to Hilichurls: cuts them off from the cycle of death and rebirth. So, maybe the people who are infected with the Abyss are providing some kind of cosmic necrosis. He also has dark eyes, with no light in them and that's a very common indicator of someone who is dead or dying, in popular media. It's a trope called "empty eyes." So, ok, all of this is great information. I just love the fact we're pummeling the reanimated corpses of the former citizens of Teyvat but you're probably wondering how I got from "Hilichurls are rotting zombies" all the way to Arlecchino. Y'know, apart from the fact that she and Cater have the same discolored limbs and power of verbal persuasion. So here goes. Most of Rene's research that wasn't focused on the Abyss seems to be aimed at Oceanids for their ability to merge together and split apart at will as it gave him insight into how bodiless minds could theoretically function. To understand this he leveraged the assistance of an Oceanid named Lyris the director of the
Narzissenkreuz orphanage that Rene grew up in. I have to start this section off with a small disclaimer: this Oceanid here, and the humanoid Mary-Ann both are and are not Lyris and Mary-Ann at the same time. See, around 400 years ago, both Lyris and Mary-Ann were present during a big explosion inside of Elynas which killed Mary-Ann. The thing is, Lyris seems to have done something that allowed Mary-Ann to gain an Oceanid form and I think that entity then created
the tiny Oceanid that we call Ann. We don't know what happened to Lyris after that and that actually matters a lot! This is because, in the quest,
Ann calls Mary-Ann princess Lyris and she calls the Oceanid a dragon despite neither of these things
being either of those things. It's kind of like how this boar is actually a dog. So, what I'd like you to take away
from all of this confusing nonsense is that the Oceanid form is metaphorically considered a dragon, in this case and the body of Lyris is still missing. Believe it or not, Lyris is the key that connects the Narzissenkreuz Ordo to the Hilichurls and for that to make any sense at all we need to know a lot more about Lyris. So, we'll start with the one piece
of information that we do have which is her name. Because apparently, the other way to read her name in Chinese isn't Lyris, but Lilith and I think Lyris was chosen here because it's the name of an Oceanid from Greek mythology which would make this a pun in true HoYo style. Now, there's a lot of history
around the character of Lilith and the Lilims but one Judaic story about her really stood out to me. In the "Zohar," Lilith was considered barren and could not have children on her own in the normal way and soon after realizing her condition she flew up to Heaven and clung to the cherubim angels who are said to look like very small children. She apparently fed off their energy,
and God got annoyed with it and cast her into the sea forbidding her from ever returning to the cherubim and also making her really angry in the process. It's kind of the perfect story
for an orphanage director, don't you think? Especially since Oceanids need permission to obtain the Helixsplit that they use for reproduction and otherwise can't or are not allowed to reproduce at all. In this way, we could say that Lyris was a mother taking care of the children of others since she couldn't have children for herself. Just like Lilith tried to do. Initially, anyway. Now, in my very first theory about Arlecchino (which looks at her historical inspirations rather than mythological ones) I did propose that she could be based on a cherubim angel in the same way that Columbina is based on a seraphim pointing out the number of feathered wings in her hair and broach as evidence. And well, wouldn't you know it, in the "Talmud" Lilith is said to look a bit like the cherubim as well. So, with this admittedly tenuous connection between Lilith and Arlecchino is it at all possible that Lyris and Arlecchino are the same person, in some capacity? And how the heck did we get
from the bodiless Oceanid to a Hilichurl? Well, let's look at the evidence. Lyris and Arlecchino are both
references to Alice in Wonderland: Lyris is the Red Empress, or rather the Red Queen while Arlecchino is supposed to be the knave who was put on trial
for stealing the tarts of the Queen of Hearts. And I swear to God, if tarts ends up being a pun for Tart-aglia I'm going to be SO mad. But the rest of the Narzissenkreuz Institute is also full of Alice in Wonderland references. The poem of the Jabberwock,
the Ann in Wonderland achievement thematic tea parties, nonsensical talking animals and, of course, our good friend Carter, codenamed Caterpillar. Now, Arlecchino and Caterpillar
have a few odd things in common notably their eyes, which lack any light their blackened limbs, odd markings and strange powers of persuasion. This has led many to believe that Arlecchino, like Carter, is also a Hilichurl. And I'm inclined to agree. See, in the Institute of Natural Philosophy you can find this letter that says: "The lizard's bones dissolved into mud from which swans emerged." Lizard, in this case, is a dragon and as we established earlier,
Oceanids are metaphorical dragons. The mud here is likely Dark Mud, Abyssal goo the same stuff that Hilichurls melt down into when they finally disappear once and for all. This is kinda similar to how Carter's death and rebirth is described as well and when his rebirth is finished,
he took the shape of a Hilichurl with feathered accessories and a bird-shaped mask kind of like a swan ─stretching it a little bit, but come on these are stock Hilichurls models. But swans do seem to be
Arlecchino's primary design inspiration. So, I suppose you could take the phrase literally. The dragon dissolved and was reborn as a swan. The Oceanid became the Hilichurl. This Tumblr thread does an excellent job showcasing how similar parts of Arlecchino's design are to that of a black and white swan as well as Odette from the ballet Swan Lake and even the movie Black Swan. The Laughing Man also made an excellent video on this topic ─which you should totally watch,
there's a link in the description─ and when you really start to dig into the meat of the theory you begin to notice some things. For example, Odette was the Swan Princess kind of like Princess Lyris; she was depicted as a white swan while Odile was depicted as a black swan. Now, both roles were usually played
by the same dancer or actress hence Arlecchino's black and white palette. Plus, the name Odette ends up becoming another pun because Arlecchino's title as "Father" in Russian is actually "Otets." Otets? Odette? You get it? I cannot believe that we've hit the point of Hoyoverse lore where puns are viable points of evidence for theories but then again, they made Bohemian Rhapsody the character when they made Scaramouche so I guess this is just how life is now. Anyway, Fontaine actually has
two swans in its lineup of creatures: a black swan and a white swan. I know it says geese but swans and geese share a family so I'm thinking they're swans because they look more visually similar than they do geese. Now, the description of
the black swan says that their coloring made people believe that they had been cursed ─like Odette and the Hilichurls─ and therefore they were bad omens. But overtime, Fontainians began to associate them with people who are ill regarded at inception but prove to astonish with the passing of time. Fitting, since symbolically, black swans represent changing your own
personal circumstances from victim to victor. Funnier still, she takes a lot of design inspiration from a Honkai Impact character named Raven who also runs an orphanage and is associated with birds. And you know who is likely associated with ravens? Noah, obviously. He released a raven to find land before he released the dove. But, you know, more relevant
probably is Caterpillar's friend, Lanoire. Now, Edgar Allan Poe's famous poem "The Raven" tells the story of a man tormented by a raven over the memories of his dead lover Lenore. Now, given Odette's fairly tragic end since the prince shoots her with a bow unknowingly and then they commit ritual suicide at the very end of the whole thing I can get behind the vibes. But the relation between Caterpillar and Lanoire makes me suspicious that Lanoire is an allegory for Lyris since Caterpillar is also the one to tell us about Lyris as the Red Empress. And the name Lanoire is actually super interesting as the only reference
I could find to the game chosen spelling was actually a reference to
the character Cosette from "Les Miserables." She was also a character who started off the victim ─she was young, neglected, and abused and she was taken in by her foster father─ and, eventually, she became the victor when she was finally united with her true love. Cosette also gets called a lark while Lanoire gets called a Skylark. And yeah, it's time for some more puns. Lanoire can also be a reference to L.A. Noire with all the whodunit mysteries in Fontaine as well as Arlecchino's role as an investigator. Lanoire can also be spelled Lenoire which means black, kind of like noire but when spelled in the way of Edgar Allan Poe it would be Lenore, which means torch, bright, or light. Now, in the game, Lanoire's mother's name is Agnes which is Greek and means pure or holy. It's a very loose connection at best but reading this reminded me of Laughing Man's argument about how the ancient land of Remuria
was tied to the goddess Vesta or maybe the Vestal Virgins,
the pure priestesses of the goddess. Remus and Romulus were said to be born from a Vestal Virgin and since Remus is the king of ancient Fontaine perhaps Vesta can be viewed more as his mother literally or figuratively. As far as pure maidens that serve her or priestesses go I feel like that fits the Oceanids, who are all about purity which could easily tie back to Lyris. There is just one problem: Vesta was a fire goddess, not a water goddess. In other videos, I have proposed this idea that the five types of Artifacts in our inventory represent the Primordial One as logos and its four Shades of life, death, time, and space each corresponding to a suit from the tarot deck. That's not a stretch either. The tarot thing is confirmed by HoYo in an interview. So, the flower of life should represent the shade of life who is credited with
creating Egeria from the primordial sea as per the lore of the Fontaine windgliders. Flowers in Tarot are the Wands Suit, and wands are fire. Therefore, Vesta should align with the Shade of Life especially because she was a fertility goddess associated with flowers and agriculture. Now, more specifically, Vesta was
the goddess of the home and the hearth and Arlecchino is the director of the House of Hearth and the fire affinity should
explain Arlecchino's Pyro Vision. Now, there's just one last piece to this puzzle. If Lyris was an Oceanid why does she have a Hilichurl body? Well, I don't have the best answer for this but I think it's very possible that
when Lyris went to Sumeru with Egeria to fight off the Abyss during the Cataclysm she did not come back in very good shape. Water is easily corrupted and tainted so I'm thinking that maybe she lost a lot of her powers and the only way to get them back
was to go through a type of rebirth by being absorbed into the master being that Rene created. Perhaps the only way she could be stabilized with all that Abyssal goo in her
was to be reborn into a human body. Once a body is dead, it's kind of hard
for the Abyss to make it worse, right? So, she would have been the bodiless dragon getting melted down into Abyssal goo and then getting reborn as the swan. This process would have given her a brand new Hilichurl body and made her quite similar to Carter. They both have pale hair, blackened limbs lightless eyes with comical red x's in them for extra emphasis on the dead part. And maybe the rebirth process screwed up her memories a little bit, kind of like Carter. Maybe there were a lot of things
that she forgot in the beginning but slowly recalled over time as her mind adjusted to the new body she'd been given. And through all of that she somehow still maintained
her fierce love of her children and somehow even managed to find her way back to being a director of an orphanage. So, once again, the metaphorical dragon Lyris died and her mind was placed into a Hilichurl body therefore becoming Arlecchino, the swan. Caterpillar then referred to her as the Red Empress instead of by her name Lyris, due to her new body just like how he used a new name instead of Carter. They had both been reborn
and therefore needed new identities. And remember, the Hilichurl body
is supposed to be a type of curse like how Odette was cursed into the body of a swan. You can almost see her as a vengeful spirit of sorts a ghost from the past clinging to some semblance of life in order to put things right once again. And given that Lyris went to fight
with Egeria during the Cataclysm and was one of the few to return alive it's likely then that she knew
the full extent of Egeria's prophecy once upon a time, just like Furina does. And if Arlecchino really is Lyris then her bitterness towards Furina makes some sense. Furina is most likely an Oceanid herself and the one Egeria chose
or created to save the people of Fontaine. But Arlecchino doesn't see the results of Furina's efforts so her frustration or bitterness is understandable. She probably thinks she should have been the one entrusted with the task instead. After all, she loves the people of Fontaine in her own way. She could definitely protect them all at a moment's notice if only she could just get her hands
on that Gnosis, or so she believes. In this way, I can see Arlecchino as being well-intentioned when it comes to the people of Fontaine since in some ways, they are also her adoptive children. But even so, I think there's a reason why Egeria chose Furina. And as enthusiastic or desperate as Arlecchino or Lyris is I don't think there's much she can do, even if she had the Gnosis. I think it's time to lay the ghosts of the past to rest. I still have enough material on Hilichurls to make an additional deep-dive
video on them, and I still might. But I was inspired, and I wanted
to get these thoughts out before 4.2 drops so here you go. I don't know how likely it is that
Arlecchino and Lyris are really related but there was enough evidence to make me go "Hmm..." and I have to share that feeling with all of you guys because that's what I do. I have some more thoughts to share on a different Harbinger however, as we witness the glory that are my channel members as they scroll on by. So behold and be amazed. But my thoughts are thus: during one of my older Harbinger videos I pitched two ideas about one character. The first was that Guizhong was Sandrone and the second was that the big robot was Sandrone and he was one of Guizhong's robots that missed his master after she died and gained sentience
and made a robot copy of her like a marionette. But I now think I had the right math but the wrong numbers. I still think the big guy is Sandrone, not the little girl but now I think the big guy might be Alain Guillotin and the girl is a robot copy of his dead sister Mary-Anne mostly because HoYo loves puns, and... Mary and et, marionette, get it? Plus, Alain was already
kind of a mechanical genius studying robotics and developing his own neural networks and he went a little nuts after his sister died. There are these interactables
in this one lab that seem to be about him and they imply that as an old man,
he tried to put his brain into a robot and he might have succeeded. And if that's true, it would explain
Sandrone's weird hatred toward Childe even though Childe says he's done nothing wrong and why Scaramouche says that all he makes is broken stuff. Like, maybe the mind transfer wasn't perfect; maybe his brain glitches sometimes, you know? His faulty, old neural networks. So yeah, there's that. Anyway, one more quick shout-out to Laughing Man because this guy finds more obscure historical, and mythological
references than I do most of the time so do check out his channel because I think his videos are criminally underrated. Anywho, I hope you're all excited
for the Archon quest conclusion in 4.2. I am ready to have so many theories proved right or wrong. So, thank you all so much
for watching and supporting this channel. Happy Halloween, guys, and I will see you next time. Bye-bye!
