[ SILENCE ] ♪ ♪ -E-EXCUSE ME. -HELLO, MICHAEL.
I WON'T BE BUT A MOMENT. I JUST NEED
TO CHECK MY SAFETY-DEPOSIT BOX. -ALL RIGHT, MISS JONES. IT'S ALL RIGHT. - SO I'M DOING THIS JOB
IN L.A., RIGHT. I'M GONNA BE WORKING
WITH THESE TWO NEW GUYS. SOME VOODOO CRAZIES FROM FUCKING HAITI
OR SOMETHING, RIGHT? ALL THEY TELL ME IS THAT
THESE TWO ARE BROTHERS, TWINS, IN FACT, SAYING TO ME, "WHATEVER YOU DO, DON'T ASK THEM
ABOUT BEING BROTHERS," WHICH IS EXACTLY THE WRONG THING
TO SAY TO ME 'CAUSE SURE AS SHIT, THE BEST WAY TO GET ME
TO DO SOMETHING IS TO FUCKING... - WHY IS IT... THAT THE LANDSCAPE
NEVER LOOKS MORE BEAUTIFUL THAN WHEN YOU'RE STANDING
ON THE EDGE OF A CLIFF? WHAT IS IT
ABOUT RAISING THE STAKES THAT MAKES THE REWARD
SO MUCH MORE WORTHWHILE? YOU EVER FIND YOURSELF
IN A POSITION AND WONDER EXACTLY
HOW IT IS YOU GOT THERE? LIFE MOVES FAST. YOU NEVER REALLY GET A CHANCE
TO GET A GOOD, CLEAR LOOK. THAT'S THE PROBLEM
WITH CLARITY. IT USUALLY COMES TOO LATE. [ TELEPHONE RINGS ] [ FOOTSTEPS ] -OH, THAT IS BEAUTIFUL! OH, SORRY, I JUST... -DIDN'T HEAR YOU COME IN. - I JUST NEED YOUR SIGNATURE.
-OH, SURE. -WAS THAT ITALY?
-UH, NO. IT WAS GREECE. -OH, WELL, IT WAS BEAUTIFUL.
[ CHUCKLES ] -YEAH. -CAN I HELP YOU? -I CERTAINLY HOPE SO. I NEED TO GET
INTO MY SAFETY-DEPOSIT BOX. -OH, I'M SORRY,
BUT THE BANK IS -- -CLOSED, YEAH, I KNOW,
UM, BUT COME ON, EDDIE. IN THE TIME IT WOULD TAKE YOU
TO CALL AND CONFIRM IT WITH MICHAEL,
I'D BE IN AND OUT OF YOUR HAIR. COME ON, WHAT DO YOU SAY, EDDIE? -SO, HAVE YOU BEEN
TO ALL THESE PLACES? -NO. -OH. WELL, I WOULD REALLY JUST LOVE
TO GET OUT OF NEW YORK. YEAH,
IF YOU CAN BELIEVE IT, I'VE NEVER EVEN
BEEN OUT OF STATE. THAT'S PRETTY PATHETIC, HUH? -NO.
[ TELEPHONE BEEPS ] NO, NOT REALLY, NO. [ BEEPING CONTINUES ] -HEY, YOU. HEY! SWEETHEART. ARE YOU FUCKING COMING OR WHAT? -LET'S DO IT. [ CAR HORN HONKS ] [ HONKING CONTINUES ] -ARE YOU ALL FINISHED? -YEAH, JUST ABOUT. -OKAY. [ CHUCKLES ] -GET DOWN! GET DOWN!
[ SCREAMING ] -THERE YOU GO. -THANKS. -JUDY?
-YEAH? -WOULD, UH...WOULD YOU
LIKE TO GO? -WHAT? TO GREECE? -I-I MEANT...SOMEDAY. -[ CHUCKLES ] I THOUGHT YOU WERE ASKING ME
TO GO TO GREECE WITH YOU. -OH. -[ LAUGHS ]
OH, YOU'RE GOOD. [ CHUCKLES ] -[ CLEARS THROAT ] -[ SIGHS ]
YES, LAWRENCE, WHAT IS IT? -UH, CLOSING TIME, BOSS.
WE'RE GONNA LOCK UP NOW, OKAY? -FINE. FINE. [ SIGHS ] I FINALLY WORK UP
THE NERVE TO ASK HER OUT, AND I ASK HER TO FUCKING GREECE! [ SCREAMING ] SO, MISS JONES, YOU GOT
ANY PLANS FOR THE WEEKEND? -BIG PLANS. -STOP! DROP YOUR WEAPONS! -[ CHUCKLES ] LOOKS LIKE THE WORLD'S
ALL OUT OF HEROES. EVERYBODY GET THE FUCK DOWN!
NOW! -PRESS THE ALARM?
-NO. -PRESS IT!
-WHAT? -PRESS THE ALARM. -WE'RE ACTUALLY
NOT SUPPOSED TO DO THAT UNTIL AFTER IT'S ALL OVER. -YOU WANT TO DIE?
-IT'S COMPANY POLICY. -YOU WANT TO KNOW
WHAT MY COMPANY POLICY IS TOWARD SMART-ASS TELLERS...
JUDY? HUH? GOOD. GET OVER THERE! GET UP! -I PRESSED THE ALARM.
IT'S OKAY! - OVER THERE! ALL OF YOU!
GET OVER THERE! -DON'T MOVE! DON'T TURN AROUND,
YOU FUCK! MOVE! -WHOA, WHOA, SETH.
WHAT THE FUCK! WHAT'S GOING ON, SETH?
[ POLICE RADIO CHATTER ] SETH, IT'S FLY! WHAT THE FUCK?
LOOK OUT SETH! -STOP!
-LOOK OUT, SETH! -STOP, YOU ASSHOLE! ♪ -GET UP, BABY! ♪ -YO, DUDE! WOO!
-WHAT'S GOING ON? WHAT? -GOT NOTHING ON YOU BABY! YOU GUYS ARE TOO SLOW!
YOU GOT FUCKING -- WHOA! WHOA, WHOA, WHOA! -FUCKING PERFECT! ♪ -'CAUSE I HEAR YOUR HEART
POUNDING ♪ ♪ DROWNING OUT
ALL THE OTHER SOUNDS ♪ ♪ I'M A HUSTLER, BABY ♪ ♪ I'M A HUSTLER, BABY ♪ ♪ CREEPING FROM THE GROUND ♪ ♪ AND YOU SICK ♪ ♪ WHAT COULD I THINK ABOUT ♪ - ON THE STREET,
JUST LIKE IN THE REAL WORLD, IT'S ALL ABOUT WHO YOU KNOW. OR MORE TO THE POINT,
WHO KNOWS YOU. IT'S CALLED
GETTING VOUCHED FOR. SEE, THE BEST WAY TO GET
A CRIMINAL TO VOUCH FOR YOU IS TO EARN IT. IF YOU DON'T HAVE TIME
FOR THAT, THE NEXT BEST THING
IS TO HAVE HIM SEE YOU BEING CHASED DOWN THE STREET
BY COPPERS. SEE, CRIMINALS ARE
A SUSPICIOUS BUNCH BY NATURE, BUT ONCE YOU'RE ON THE INSIDE, THEY'LL HELP YOU OUT
LIKE NO OTHER FRIEND -- NOT BECAUSE THEY'RE LOYAL BUT BECAUSE
THERE'S ALWAYS AN ANGLE. I NEEDED HELP. I NEEDED TO GET IN ON A GAME. POKER GAME.
"NO LIMIT TEXAS HOLD 'EM." IT'S WHAT THEY PLAY
IN THE WORLD SERIES IN VEGAS. AND I SHOULD HAVE KNOWN
RIGHT THERE. I SHOULD HAVE KNOWN. TRUTH IS, I DID KNOW. [ BUZZER ] -YOU'RE LATE. YO, WHAT HAPPENED
THIS AFTERNOON? -NO BIG DEAL.
IT WAS PARKING TICKETS, I THINK. -LAST TIME I SAW YOU, COPS WERE
CHASING YOU DOWN THE STREET. -FORGET THE COPS.
LISTEN, ARE THESE THE GUYS? -HEY, YOU WANT IN ON ANY OF
THE ACTION IN THIS NEIGHBORHOOD, YOU TALK TO THE FAT MAN. -HEY, CAN YOU GET ME
IN THE GAME? -LADY AT THE BAR --
SHE'S YOUR TICKET IN. YOU DON'T TAKE A LEAK UNLESS
SHE HOLDS IT, KNOW WHAT I MEAN? -HEY, SO WE GOOD?
-IT'S ALL SET. [ As Elvis Presley ] HEY BABY... YOU REMEMBER THE KING
IF YOU WIN. ♪ -NOTHING TO LOSE ♪ ♪ NOWHERE TO GO ♪ ♪ NO ONE TO LOVE ♪ ♪ NO ONE TO HOLD ♪ -YOU'D MAKE A BETTER TIP
IF YOU TOOK THAT OFF. ♪ -DRIVIN' DOWN THE ROAD
IN MY EL CAMINO ♪ -AND WITH SO MUCH TO SAY,
THEY EACH SAID NOTHING. -WHO'S THAT, KEROUAC? -GRISHAM.
-[ LAUGHS ] WELL, WE DON'T GET MUCH OF THAT
AROUND HERE. IT'S MOSTLY JUST,
"NICE DRESS. IT'D LOOK GREAT ON MY FLOOR." -OH YEAH? WHO'S THAT? HUH?
HEMINGWAY? [ CLEARS THROAT ] CAN YOU, UH,
CAN YOU GET ME IN THAT? -YOU SURE YOU WANT TO? THOSE GUYS ARE ROLLERS. YOU'RE CUTE, BUT YOU DON'T
HAVE ANY MONEY, DO YOU? -[ LAUGHS ]
HEY, I GOT A COUPLE BUCKS. -YEAH?
-YEAH. I'LL TAKE MY CHANCES. BESIDES, UH, I GOT LADY LUCK
ON MY SIDE, RIGHT? -MM. YEAH, WELL... I'D KEEP MY EYE ON HER
IF I WAS YOU 'cause she can be a real bitch. EXCUSE ME. ♪ -DO YOU WANT A SUNSET
MEXICAN BUNGALOW ♪ ♪ NOTHING TO LOSE,
NOTHING TO SHOW ♪ ♪ NO ONE TO TRUST
AND NOTHING TO LOAN ♪ -SO? -HE SAYS HE'D BE MORE THAN
HAPPY TO TAKE YOUR MONEY. -REALLY?
-MM. -OH, GOOD. [ CHUCKLES ] LOOK, UM, I'M TRYING
TO THINK OF SOMETHING REALLY SOPHISTICATED
TO SAY RIGHT ABOUT HERE -- -HOW ABOUT "BYE"? -SIMPLE, YET REFINED.
I LIKE IT. ♪ -IN MY EL CAMINO ♪ -EXCUSE ME, GENTLEMEN.
YOU GOT CARDS? 'CAUSE, YOU KNOW,
I WANT TO PLAY CARDS. ♪ ABANDONED LITTLE VILLAGE
DOWN BY THE ROAD ♪ ♪ RISING ON EACH SIDE ♪ ♪ WHERE IS THE BEACH SIDE? ♪ ♪ YEAH, I'M LOST ON THE ROAD
IN SAUSALITO ♪ ♪ SITTING BY THE POOL
IN SUNNY SAN FRANCISCO ♪ ♪ THINKING ABOUT THE OLD TIMES
RIDING DOWN THE ROAD ♪ ♪ CURSIN' TILL MIDNIGHT ♪ ♪ LIVING THE HIGH LIFE ♪ ♪ JUMP IN THE POOL
AND LET YOURSELF GO ♪ ♪ NOTHING TO DO
NOTHING TO LOSE ♪ ♪ NO ONE TO LOVE
NO ONE TO HOLD ♪ ♪ TO LOVE, NO ONE TO HOLD ♪ -GOT A LIGHT? -SURE.
-[ CHUCKLES ] YOU LOOK PRETTY
PROUD OF YOURSELF. -YEAH? WHAT'S THAT SUPPOSED TO
MEAN, HUH? -WHAT'S YOUR GOOD NEWS? I WANT TO KNOW
WHAT WE'RE GONNA CELEBRATE. -YEAH? YOU WORKING? -[ CHUCKLES ]
-HUH? -WHAT WERE YOU EXPECTING?
"WOULD YOU LIKE SOME COMPANY?" OR HOW ABOUT,
"HEY BIG MAN, WANT TO PARTY?" -WHY ME? REALLY, WHY ME? -YOU LOOK NICE. -YEAH? -I DON'T MEET A LOT OF
NICE GUYS IN THIS LINE OF WORK. -WELL, I'M NOT NICE. [ LAUGHS ] AND YOU DON'T KNOW ME. -YES, WELL, LET'S JUST SAY
I KNOW MEN. LOOK, I PROMISE NOT TO PLAY THE WHOLE "HOOKER
WITH A HEART OF GOLD" ANGLE IF YOU PROMISE NOT TO ASK ME
WHY I'M IN THIS PROFESSION, TELL ME I'M BEAUTIFUL, AND THAT "YOU DON'T HAVE TO
DO THIS." -PROMISE.
-[ CHUCKLES ] WE COULD JUST CUT THE SHIT
AND HAVE WILDCAT SEX. -THAT YOUR HARD SELL? -THAT AND A GREAT ASS. -OH, IT'S A GOOD ONE! ♪ -WILDCAT SEX ♪ ♪ WILDCAT SEX ♪ ♪ WILDCAT SEX ♪ -SOMETHING WRONG? -YEAH. WHY WERE YOU THE ONLY HOOKER
ON THAT CORNER? -WHAT DO YOU MEAN? -WELL, WHAT IS IT ABOUT
THAT CORNER? -WELL, ONE CORNER'S
AS GOOD AS THE NEXT. -YEAH, EXACTLY. SEE, I'VE BEEN WALKING DOWN
THAT STREET FOR MONTHS, AND, UH, I'VE NEVER SEEN YOU. AND, YOU KNOW,
YOU DON'T LOOK TO ME LIKE THE TYPICAL STREET HOOKER. SO LET ME GUESS --
YOU'RE THE RINGER. OKAY, LOOK. SOME GUY WINS BIG
AT THE CLUB, RIGHT? HE'S FEELING GOOD.
HE'S FEELING REALLY GOOD, RIGHT? A BIG FAT FUCKING WALLET. NOW WHAT MAKES IT
A PERFECT EVENING? SOME GRADE-A 100%
TOP-CHOICE PIECE OF ASS. RIGHT? AM I RIGHT? AND THAT'S WHERE YOU COME IN. YOU GET THEIR MONEY BACK. SO THE HOUSE WINS
NO MATTER WHAT, RIGHT? HEY, COME ON. IT'S A GOOD GRIFT. IT'S A GREAT GRIFT,
AND I LIKE IT. I LIKE IT. YEAH. [ CHUCKLES ] [ CLEARS THROAT ] [ SIGHS ] [ SIGHS ] MMM. [ SNIFFLES ] SO, WHAT'S YOUR CUT? -I DON'T KNOW
WHAT YOU'RE TALKING ABOUT. -[ CHUCKLES ] REALLY? COME ON. HEY, BABY, THE GIG IS UP, OKAY? THE GIG IS UP. SIT DOWN. GO ON, SIT DOWN. LET'S TALK. [ CLEARS THROAT ] HEY, COME ON. DON'T WORRY.
NO, LISTEN TO ME. I KNOW WHAT THOSE PRICKS
WILL DO TO YOU IF YOU DON'T COME BACK
WITH SOME MONEY, SO I'M GONNA GIVE YOU
SOME MONEY. I'M GONNA GIVE YOU
A LOT OF MONEY, OKAY? BUT YOU GOT TO DO ME A FAVOR. SEE, UM... I KNOW ABOUT THIS LITTLE JOB
THAT'S GOING DOWN, AND I WANT IN. SO YOU'RE GONNA
TALK TO YOUR BOSS AND YOU'RE GONNA
GET ME A MEETING. -LOOK, I DON'T KNOW ANYTHING
ABOUT A JOB. -GOOD.
IT SHOULDN'T CONCERN YOU. IT DOESN'T CONCERN ME, AND IT SURE AS SHIT
SHOULDN'T CONCERN YOU. YOU JUST
TALK TO YOUR BOSS, OKAY? AND YOU BE PERSUASIVE. YOU BE REALLY PERSUASIVE -- A TALENT THAT I KNOW
THAT YOU HAVE IN SPADES. AND YOU TELL HIM I WANT IN. -YOU DON'T KNOW
WHO YOU'RE DEALING WITH. -REALLY? [ CHUCKLES ] WELL, NEITHER DO THEY.
[ CHUCKLES ] SEE, YOU JUST
WORRY ABOUT YOUR END. I'LL TAKE CARE OF MINE, OKAY? HERE. GET ME IN. TELL THEM WHERE TO FIND ME. I WON'T HAVE TO. [ CAR HORN HONKS ] -IT'S COLD, COLD. TAKE IT BACK. -JESUS CHRIST,
YOU LOOK LIKE AN 18-YEAR-OLD WHO JUST LOST HIS CHERRY. -I WAS 15, AND YOU SHOULD KNOW.
IT WAS YOUR SISTER. -VERY FUNNY. THAT'S VERY FUNNY.
-[ LAUGHS ] THANKS. I'LL BE PERFORMING HERE
ALL WEEK. OOPS, SORRY.
-ALL RIGHT. [ LAUGHS ] SO, WHAT WILL YOU HAVE? -WHAT'LL I HAVE? WELL, UH, I'M GONNA HAVE
THE BIGGEST MILKSHAKE YOU GOT. -WHAT FLAVOR?
-YOU PICK. -ALL RIGHT. ANYTHING ELSE? - I'LL STICK WITH THE COFFEE,
THANK YOU. -SURE YOU DON'T WANT
A DOUGHNUT, TOO? -[ SIGHS ]
-YOU JUST GOT MADE? -WHAT, DO I HAVE IT
TATTOOED ON ME OR SOMETHING? -IT'S THIS WHOLE
TRENCH-COAT THING, MAN. YOU LOOK LIKE FUCKING COLUMBO. -ALL RIGHT, ALL RIGHT, ENOUGH
ABOUT ME. WHAT HAVE YOU GOT? LIEUTENANT'S
DRIVING ME CRAZY HERE. -TELL THAT PRICK TO RELAX, MAN.
EVERYTHING'S GOING JUST RIGHT. -YOU ON THE CREW? -YOU KNOW, NOT IN SO MANY WORDS,
BUT, UH, I GOT THEIR ATTENTION. -YOU GOT NAMES? YOU GOT DATES?
WHAT DO YOU GOT? -COME ON, CURTIS. YOU KNOW
THESE THINGS TAKE TIME, MAN. LOOK, IT'S NOT LIKE THEY GOT A
FUCKING HELP WANTED SIGN POSTED AND I JUST GO AND FILL OUT A
FUCKING APPLICATION, ALL RIGHT? I GUARANTEE YOU THIS, THOUGH --
I MADE AN IMPRESSION. -[ LAUGHS ]
I DON'T DOUBT IT A BIT. -[ LAUGHS ] -WHAT'S THIS? -THAT? THAT LOOKS LIKE MONEY. I'LL BE A SON OF A --
THAT'S MONEY. GO ON. TAKE IT.
BUY YOURSELF SOMETHING FRILLY. WHAT? COME ON, MAN! I WON IT GAMBLING
OFF THESE REAL LOW-LIFES. IT'S CLEAN. IT'S CLEAN MONEY. JESUS CHRIST,
IF YOU DON'T WANT IT, YOU KNOW, GIVE IT TO BETH. -BETH'S FINE, THANK YOU.
-OKAY. YOU'VE NEVER BEEN ON A HONEYMOON
AND YOUR OLDEST KID'S TURNING 6. -FUCK YOU, MAN! -I DIDN'T MEAN IT LIKE THAT,
CURTIS. -THIS ISN'T SOME KIND OF GAME
WE'RE PLAYING. NO. YOU WALK IN HERE ACTING
LIKE YOU'RE ON TOP OF THE WORLD THROWING MONEY AROUND? -YOU MAKE ME CHASE YOU DOWN THE
STREET LIKE AN IDIOT. FOR WHAT? FOR CREDIBILITY?
YOU KNOW HOW THAT MAKES ME LOOK? I'M THE ONE WHO'S ALWAYS
LOOKING OUT FOR YOU. I'M ALWAYS MAKING UP EXCUSES. SETH, YOU ARE GOOD
AT UNDERCOVER. -REAL FUCKING GOOD. -YEAH, MAYBE TOO GOOD,
YOU KNOW WHAT I MEAN? JUST MAKE SURE
YOU KNOW WHAT SIDE YOU'RE ON. PEOPLE HAVE BEEN COMING AROUND
ASKING QUESTIONS ABOUT YOU. NOW IS NOT THE TIME
TO BE FREELANCING. ALL RIGHT. SETH.
-WHAT? -DON'T CUT ME OUT OF THE LOOP. I'M GONNA TELL
LIEUTENANT SOMETHING. I'LL MAKE SOMETHING UP,
ALL RIGHT? IN THE MEANTIME, YOU GO OUT
AND GET ME SOMETHING CONCRETE. -OKAY. OKAY. CURTIS, COME ON.
CALM DOWN. I'LL LET YOU IN WHEN
I GOT SOMETHING TO
LET YOU IN ON, OKAY? I DIDN'T MEAN ANYTHING
ABOUT BETH, OKAY? -YEAH. IT'S COOL.
-NO, REALLY. FUCK IT. FUCK IT! YEAH, THANKS. HERE, YOU TAKE IT. BUY YOURSELF SOMETHING FRILLY. [ CLEARS THROAT ] THE FRENCH FRIES WERE COLD. OH, MAN.
-WHO ARE YOU? -YOU TOOK THE WORDS
RIGHT OUT OF MY MOUTH. -I'LL ASK AGAIN. WHO ARE YOU? -IT DOESN'T MATTER. -IT MAY NOT MATTER TO YOU,
BUT IT MATTERS TO US VERY MUCH. -YOU KNOW WHAT, YOU'VE NEVER
DONE THIS BEFORE, HAVE YOU BABY? HUH? NOW LOOK... WHO I AM IS NOT IMPORTANT. NOW, HOW I KNOW ABOUT YOU IS OF PARAMOUNT
FUCKING IMPORTANCE, OKAY. LOOK, LOOK, LOOK,
I WAS ARRESTED IN VEGAS. I GOT NAILED ON A FedEx JOB. I DID TIME WITH A GUY
NAMED SLIM TONY, OKAY? -GO ON. -HE TOLD ME ALL ABOUT
YOUR LITTLE OPERATION
UP HERE, YOUR CREW. SAID YOU WERE LOOKING
FOR SOME -- FUCK! HE TOLD ME YOU WERE LOOKING
FOR SOME FREELANCE TALENT, AND HERE I AM LOOKING. -SLIM TONY? -YEAH. -IN VEGAS?
-WHAT? THAT DUMB BASTARD!
HE DIDN'T TELL YOU I WAS COMING? -THERE'S NO JOB.
-OH, BULLSHIT. BULLSHIT! WHAT, YOU CAME OVER HERE
TO PUT A GUN TO MY HEAD BECAUSE YOU GOT
NOTHING BETTER TO DO? THE WAY I SEE IT,
YOU CAN EITHER PULL THE TRIGGER OR YOU CAN GET ON THE PHONE
AND TALK TO TONY. HE'LL VOUCH FOR ME. -YOU'RE EITHER STUPID
OR JUST PLAIN CRAZY. -YOU KNOW WHAT? I'LL BE WHATEVER YOU WANT ME
TO BE IF YOU DON'T SHOOT ME. -LET'S GO. -CAN I GET UP? CAN I GET UP, HONEY? SO WHERE WE GOING? -WE GOT SOME BUSINESS. -WHAT DOES THAT HAVE TO DO WITH ME GETTING SOMETHING
TO EAT, 'CAUSE I'M STARVING. -HOW LONG HAVE YOU KNOWN
SLIM TONY? -I DON'T KNOW.
HE HOOKED ME UP IN VEGAS. A FEW YEARS, MAYBE. -MAYBE?
-YEAH, MAYBE. NOW IT'S MAYBE. I MEAN, I DON'T KNOW, LIKE,
DOWN TO THE MINUTE. HOW LONG YOU BEEN AN ASSHOLE? HEY LOOK, WE JUST PASSED
A CHICKEN SHACK! HEY, MIND IF I SMOKE? -ACTUALLY, YES. -OKAY.
I'LL CRACK THE WINDOW. -PERFECT. THANK YOU SO MUCH.
-MM-HMM. SO, I DON'T THINK WE'VE BEEN
FORMALLY INTRODUCED. MY NAME IS SETH. HEY, CALL ME OLD-FASHIONED, BUT I'M NOT WORKING WITH PEOPLE
THAT DON'T TELL ME THEIR NAMES. MY NAME IS SETH. -SOPHIE ZENN.
-SOPHIE ZENN. THAT'S A PRETTY NAME.
IS THAT FRENCH? -NO, IT'S NOT. -DO I KNOW ANY SOPHIES? -YOU FUCKING TALK A LOT,
YOU KNOW THAT? -THIS IS CISCO. -CISCO,
LIKE THE CISCO KID, HUH? WASN'T THAT A MOVIE?
GARY COOPER PLAYED HIM, RIGHT? -DUNCAN RENALDO.
GARY COOPER WAS IN "HIGH NOON." -OH, SORRY. -WHAT? I LOVE WESTERNS.
-YEAH? I DON'T. -OKAY, WE ARE HERE.
-OH, GOOD. [ ENGINE SHUTS OFF ] -I'M GONNA SPEAK
WITH THE MAN INSIDE. I'M LOOKING FOR
A LITTLE INFORMATION. IF HE SHOULD BE
AT ALL RELUCTANT, I WANT YOU TO KILL HIM.
-OKAY. [ INDISTINCT TALKING ] -[ French accent ]
HEY, HOW ABOUT ANOTHER? HEY!
[ SPEAKING FRENCH ] AND THEY SAY PARISIANS
ARE RUDE, HUH!? FUCKING BARTENDER. -[ WHIMPERING ] [ SLAPPING ] [ SQUEALS ] -SURPRISED TO SEE ME, MARC? 'CAUSE YOU LOOK SURPRISED. -WHAT IS THIS, HUH? WHAT THE FUCK
YOU GUYS DOING HERE? -WHAT ARE YOU DOING IN NEW YORK?
-[ SPEAKING FRENCH ] -OH, WHAT A RELIEF,
BECAUSE, YOU KNOW, WE THOUGHT MAYBE
YOU'D SKIPPED OUT ON US. -MOI?
[ SPEAKING FRENCH ] -[ LAUGHS ]
-[ SPEAKING FRENCH ] -YOU KNOW, I'VE BEEN HERE WHAT
FEELS LIKE AN ETERNITY, AND NO ONE'S OFFERED ME
A DRINK. I MEAN -- I MEAN, THIS IS A BAR,
AM I RIGHT? YEAH? OKAY. OKAY, WHAT DO I FEEL LIKE? SCOTCH. THANKS. -AH! AAH! -I GOT A FEELING YOU'RE NOT
TELLING THIS SWEET YOUNG LADY WHAT SHE NEEDS TO KNOW. -AH!
-AM I RIGHT? HUH? LOOK AT ME! FOCUS. YOU FOCUS ON ME. I'M YOUR PROBLEM NOW. HURTS LIKE A BITCH, HUH? HUH? DOES IT HURT? -AAH! FUCK! -WANT TO MAKE IT STOP? HUH?
-YES! [ BONES CRUNCHING ] -OKAY. -OH PLEASE, NO, NO! FUCK! JESUS! -YOU KNOW [CLEARS THROAT]
I GOT A FILTHY HABIT -- THIS SMOKING. YOU AND I. I'M GONNA QUIT ONE DAY. -ALL RIGHT, FUCK! THE NUMBER IS 21--
-NO! JUST WRITE IT. -NEAT! I MEAN, WRITE IT NEAT
SO SHE CAN READ IT. YOU KNOW WHAT?
I'M GONNA QUIT RIGHT NOW. COLD TURKEY. WHAT DO YOU THINK? -YOU'RE FUCKING CRAZY, MAN! FUCK! -WHAT'D YOU THINK
WAS GOING TO HAPPEN, HUH? BANG, BANG. NICE PLACE. REALLY NICE. -YOU WANT TO COME GET A DRINK
WITH ME? -SURE.
-I'LL SEE YOU AT THE CLUB. -RUN ALONG, COWBOY! [ ENGINE TURNS OVER ] -DO YOU ACTUALLY READ KEROUAC, OR DO YOU JUST QUOTE HIM
TO GET WOMEN? -I JUST QUOTE HIM...
TO IMPRESS WOMEN. -AH. [ LAUGHS ]
AND DOES IT WORK? [ CELLPHONE RINGING ] -THE KEY IS
TO MAKE A WOMAN LAUGH. YOU GOT TO MAKE A WOMAN LAUGH
AS SOON AS POSSIBLE. -I SEE. -SEE, SOPHIE,
WOMEN ARE COMPLEX. MEN -- THEY'RE SIMPLETONS. THEY'RE PREDICTABLE. -HOW SO?
-OKAY, LISTEN TO THIS. [ CLEARS THROAT ] EVERY YEAR FOR THE LAST 10 YEARS
ON VALENTINE'S DAY, THEY BEEN TAKING THIS SURVEY
ABOUT, YOU KNOW, WHO MEN AND WOMEN, YOU KNOW,
FIND SEXY. -UH-HUH. -NOW, FOR MEN,
THE TOP 10, LITERALLY, HAS BEEN THE SAME EVERY YEAR. -[ LAUGHS ]
-REALLY. YOU CAN BET
YOUR GRANDMOTHER'S HOUSE. PAMELA ANDERSON, CINDY CRAWFORD. -YEAH!
-THEY GONNA BE THERE. NOW, THE WOMEN'S LIST --
IT CHANGES EVERY YEAR. AND THE TOP SPOT,
THE COVETED NUMERO UNO? YOU KNOW? IT'S NOT THE TRADITIONALLY
BEAUTIFUL. LYLE LOVETT! AND THE CAPTAIN PICARD GUY. OF COURSE YOU GOT
YOUR BRAD PITTS, BUT...SEXY, I MEAN TRULY SEXY, TO A WOMAN IS ABOUT
THE UNDEFINED. SENSE OF HUMOR. STYLE.
-[ LAUGHS ] -CHIVALRY. THEY ALL PLAY A PART. SO, UH, SO THE WOMEN'S LIST
CHANGES. -REALLY? -YEAH. THAT'S WHY I THINK -- HANG ON,
BETWEEN YOU AND ME? A WOMAN SHOULD BE
RUNNING THIS COUNTRY. -[ LAUGHS ] WHAT? -REALLY, 'CAUSE A MAN --
HE CAN'T BE TRUSTED BECAUSE EVERYTHING
IS ABOUT HIS PRICK. EXCUSE ME, HIS PENIS.
-[ LAUGHS ] -AND OUR LAST PRESIDENT'S
PROOF OF THAT. THINK ABOUT IT. WHENEVER THERE'S A NEW DRUG,
OKAY? HAIR FORMULA,
SOME NEW HEADACHE MEDICINE, WHAT'S THE SIDE EFFECT?
SOFT DICK. -[ LAUGHS ] -EVERYTHING IN A MAN'S LIFE
IS TIED INTO HIS JOHNSON. -IT'S AN INTERESTING THEORY. [ CELLPHONE RINGING ] -I MADE YOU LAUGH. -[ CHUCKLES ] -OKAY. -YOU KNOW, IT'S BAD LUCK
NOT TO DRINK AFTER A TOAST. -YOU DON'T STRIKE ME
AS THE SUPERSTITIOUS TYPE. -ALL THIEVES ARE SUPERSTITIOUS. AT LEAST THE GOOD ONES, ANYWAY. -SO WHY DO YOU DO IT? HANG ON. WAIT. LET ME GUESS. IS THIS YOUR LAST JOB? THIS IS YOUR LAST JOB, RIGHT?
THEN YOU'RE GONNA HANG IT UP, BECAUSE THIS IS MY THIRD
LAST JOB THIS YEAR. -YOU EVER FIND YOURSELF
IN A POSITION AND WONDER EXACTLY
HOW IT IS YOU GOT THERE? -ALL THE TIME. -THIS LIFE, I MEAN, SOMETIMES
I THINK I DIDN'T CHOOSE IT, THAT IT CHOSE ME. -YEAH.
-YEAH. I REMEMBER THIS STORY
ABOUT THIS GUY, REALLY FAMOUS GUY. YOU KNOW, CAN'T GO ANYWHERE
WITHOUT ATTRACTING A CROWD. HE WAS AT A RESTAURANT
AND STARTS TALKING TO THIS GUY, AND HE'S DRUNK,
SO HIS GUARD IS DOWN. AND HE STARTS CONFESSING TO HIM, YOU KNOW, TELLING HIM ABOUT
THE ENTRAPMENTS OF FAME, HOW HE'S SO
SICK AND TIRED OF IT, THEN HE FINALLY MENTIONS
THAT HE WOULD RATHER BE DEAD THAN LIVE ANOTHER DAY
IN THE SPOTLIGHT. -REALLY? -SO THE GUY ASKS HIM
IF HE'S SERIOUS ABOUT THIS BECAUSE HE SAYS,
"YOU KNOW, I KNOW SOMEBODY, "A PROFESSIONAL WHO COULD
TAKE CARE OF THIS FOR YOU. "YOU NEVER HAVE TO KNOW
WHERE OR WHEN. JUST ONE DAY..." -[ CLICKS TONGUE ] -SO THE GUY WAKES UP
THE NEXT MORNING INCREDIBLY HUNGOVER,
AND HE CAN'T REMEMBER IF HE HIRED
THE PROFESSIONAL KILLER OR NOT. I MEAN, IMAGINE THE PARANOIA,
YOU KNOW. WONDERING IF SOMEONE'S
OUT THERE BIDING THEIR TIME. THAT'S WHAT THIS LIFE
FEELS LIKE TO ME, YOU KNOW. YOU CAN'T TRUST ANYONE,
AND YOU CAN'T LIVE FOREVER. -THAT WAS VERY UPLIFTING. SO, WHEN DO I GET
TO MEET THE BIG BOSS? -HMM. EXCUSE ME A SECOND. -OKAY. -HOW DO YOU KNOW
YOU HAVEN'T ALREADY? -[ CHUCKLES ] AH. EXCUSE ME.
-YES? -[ CLEARS THROAT ]
LET ME GET ONE MORE OF THESE. -OKAY, RIGHT AWAY. -GET OVER THERE!
ALL OF YOU, GET OVER THERE! MOVE IT! LET'S GO!
[ SCREAMING ] LET'S GO. COME ON, MOVE IT! MOVE IT!
-DON'T TURN AROUND! -ON THE FLOOR, FLOOR,
FLOOR, FLOOR, FLOOR! KEYS! WHAT'S WRONG WITH YOU? -WHAT ARE YOU TALKING ABOUT?
-WHAT'S WRONG WITH YOU? -I THINK YOU BETTER
GET OUT OF MY FACE. -YEAH? NO ONE WAS SUPPOSED TO DIE,
YOU TRIGGER-HAPPY SHIT-HEAD. -HEY, WHAT'S THE DIFFERENCE? -WHAT'S THE DIFFERENCE? 20 YEARS TO LIFE,
YOU DUMB MOTHER FUCKER. -[ LAUGHS ] YOU KNOW WHAT?
-WHAT? -BEFORE THIS IS OVER,
ME AND YOU ARE GONNA GO. -REALLY? WHERE?
TO THE MOVIES? YOU PROMISE? -WANT ME TO DECIDE
WHO'S GOT THE BIGGEST DICK? IS THAT WHAT IT IS?
-NO, NOT REALLY. -IT'S ME. HAPPY?
-YOU GOT A DATE. -NOW CUT THE SHIT AND BE A PROFESSIONAL,
FOR FUCK'S SAKE. -WHAT? I SAVED BOTH YOUR ASSES. THAT GUY WAS DRAWING HIS GUN. -YOU CLEAN THAT SHIT UP. -YES, SIR! RIGHT AWAY, SIR! -Lukas, tell me
what's happening up there. What's going on?
-NOTHING. EVERYTHING'S SECURE. THE COPS ARE ON THEIR WAY. EVERYTHING'S ON SCHEDULE. -GLAD TO HEAR IT. [ SIRENS WAIL ] -COVER THAT CORNER!
GET OVER AND GIVE HIM A HAND! -MOVE, MOVE! [ TIRES SCREECH ] [ SIREN WAILS ] -OKAY, LET'S GO NOW! [ SIREN WAILS] -SON OF A BITCH. ANOTHER DAY
IN THE GODDAMN ZOO, HUH? -YES, SIR.
-EVERYTHING LOCKED UP TIGHT? -YES, SIR.
WE'RE SET UP AROUND THE CORNER. -LISTEN, I WANT THOSE
FUCKING REPORTERS OUT OF HERE. -YES, SIR.
-TAKE CARE OF MY CAR, TOO. -SETH... I NEED YOU TO GET THE MANAGER
DOWN HERE RIGHT AWAY. He and I need to chat. I'm in the main vault room
downstairs. -IT'S OKAY. LET'S GO. -RICHIE!
WHERE THE HELL AM I GOING HERE? -ASPEN ROOM, SIR. LEFT.
-GOOD, GOOD. WHAT'S MY STATUS? -THE BLOCK IS LOCKED DOWN.
THEY'RE NOT GOING ANYWHERE. -ALL RIGHT. PLANS --
ARCHITECTURAL, STRUCTURAL. -THEY'RE ON THE WAY.
-ALL RIGHT. WELL, WHY THE HELL
DO YOU LOOK SO WORRIED? -WELL, THERE'S A COUPLE
OF NEWS CREWS HERE ALREADY. THEY WANT TO KNOW
WHAT'S GOING ON. -TOOK CARE OF IT, RICHIE.
EVERYTHING IS TAKEN CARE
OF. NOT TO WORRY. OH, THERE IS ONE MORE THING.
-SIR? -COFFEE.
HOT, BLACK, AND PLENTY OF IT. -I'M ON IT.
-GOOD MAN, RICHIE. HOLY SHIT! GET THEM THE FUCK OUT OF HERE! -COME ON GUYS, LET'S GO.
LADIES AND GENTLEMEN, NYPD. I'M SORRY,
BUT WE'RE GONNA NEED THIS ROOM. -JUST PERFECT.
-DON'T PANIC. JUST STAND UP AND EXIT
IN AN ORDERLY FASHION. -HELLO, MICHAEL. -MISS JONES, WHAT'S GOING ON? -WHAT ARE YOU DOING? SOPHIE?
-JUST RELAX. COME ON.
-WHAT'S GOING ON? -I HAVE A LITTLE PROBLEM. I THOUGHT YOU MIGHT BE ABLE
TO HELP ME OUT. SEE, I NEED
TO GET INTO THIS VAULT. -SOPHIE, THAT'S MY GUN. -CARE TO HELP ME WITH THE CODE
FOR THE OVERRIDE? -SOPHIE!
-WHY ARE YOU DOING THIS? -ISN'T IT OBVIOUS? MICHAEL,
I HAVE PRECIOUS LITTLE TIME TO ANSWER YOUR SILLY QUESTIONS. -I CAN'T. THE VAULT'S ON A TIME LOCK
FOR THE LONG WEEKEND. THERE'S NOTHING I CAN DO
ABOUT THAT. -WELL, THAT MAY BE THE CASE, BUT THERE IS ONE INSTANCE
WHEN THE CODE CAN BE OVERRIDDEN. SEE, I HAVE DONE MY HOMEWORK,
AND I KNOW YOU HAVE THE CODE BECAUSE THE BANK
DOESN'T WANT ANY CASES, SAY, WHERE SOMEONE THREATENS
SOMEONE'S LIFE... -SOPHIE! WHAT THE FUCK
ARE YOU DOING? -...TO OPEN THE DOOR. IT'S
CHEAPER TO BE ROBBED THAN SUED. STRANGE TIME WE LIVE IN. -THIS WASN'T PART OF THE PLAN. -I CAN OPEN THE VAULT, MICHAEL. THAT MEANS I DON'T NEED YOU. -I DON'T KNOW ANYTHING
ABOUT ANY CODE. -I DON'T BELIEVE YOU. BUT THE REAL QUESTION HERE,
HOWEVER, IS WHETHER OR NOT
YOU BELIEVE ME. DO YOU BELIEVE
I WILL KILL YOU, MICHAEL? -PLEASE, GOD, DON'T DO THIS. -SOPHIE, WHAT THE FUCK--
-SHUT UP! THIS DOES NOT CONCERN YOU.
-DON'T SHOOT HIM. -IT APPEARS MY COLLEAGUE HERE
BELIEVES I'LL DO IT. BUT DO YOU?
-DON'T SHOOT HIM. -MICHAEL?
-SOPHIE, PUT THE GUN DOWN. -ALL RIGHT, I'LL OPEN IT. -YOU DIDN'T ANSWER THE QUESTION. -YES! YES, I BELIEVE
YOU'D KILL ME, ALL RIGHT? I BELIEVE YOU'RE FUCKING CRAZY. ARE YOU HAPPY? YOU WIN. -MICHAEL, WE WIN EITHER WAY. I WANT YOU TO REMEMBER
SOMETHING, OKAY? EVERY BREATH YOU TAKE
FROM THIS MOMENT ON WILL BE A GIFT FROM ME. ALL THAT YOU BECOME IN YOUR LIFE WILL BE IN THANKS
THAT I DID NOT KILL YOU. DO YOU UNDERSTAND? -YES. -GOOD. [ SIRENS WAIL ] [ POLICE RADIO CHATTER ] [ HELICOPTER WHIRRING ] - LADIES AND GENTLEMEN,
OUR MAIN BOUT FOR TONIGHT. LIVE FROM CAESARS PALACE
IN LAS VEGAS, NEVADA. IN THE BLACK TRUNKS,
WEIGHING IN AT 210... -FUCK! -WHAT IS IT? -MAGIX DROPPED TWO POINTS. -CHRIST, YOU SCARED
THE LIVING HELL OUT OF ME. -I'M LOSING MY SHIRT
ON THIS TECH SHIT. [ HISS ] [ WHIRRING ] [ ELECTRICITY HUMS ] [ TELEPHONE RINGING ] [ RINGING CONTINUES ] -LET'S GO. COME ON. [ RINGING CONTINUES ] [ RINGING CONTINUES ] -YEAH, THIS IS
LIEUTENANT CRAIG, NYPD -WHAT DO YOU WANT, LIEUTENANT? -[ CHUCKLES ] WHAT DO I WANT? WASN'T THAT SUPPOSED TO BE
MY NEXT QUESTION? ALL RIGHT. LOOK, FRIEND, WHY DON'T WE START
FROM THE BEGINNING HERE? HOW MANY PEOPLE
YOU GOT IN THERE? -THAT'S NOT
HOW YOU PLAY THE GAME. DON'T YOU WANT A NAME,
SOMETHING YOU CAN CALL ME? -Game? THIS IS NO GAME, FRIEND. Why don't you smarten up? GIVE IT UP. THIS WAY NOBODY GETS HURT,
ESPECIALLY ME. The way I see it,
you got no options. -I DON'T THINK I LIKE YOUR
ATTITUDE THERE, LIEUTENANT. LET'S GET A COUPLE
THINGS STRAIGHT. I'M THE ONLY ONE WITH OPTIONS.
YOU ARE NOT IN CHARGE HERE. AND SECONDLY, IT'S REAL
IMPORTANT THAT YOU KEEP ME HAPPY 'CAUSE I'M FEELING A BIT TOUCHY, AND WHEN I GET TOUCHY,
I CAN GO OFF, you know what I mean? That makes you responsible
for my state of mind AND THUS
FOR THE PEOPLE'S LIVES IN HERE. LONG AND SHORT OF IT? YOU PISS ME OFF,
AND WE START THROWING BODIES OUT THE FRONT DOOR. -THE BIG BAD WOLF SAID
TO THE THREE LITTLE PIGGIES, "I WILL HUFF AND PUFF
AND BLOW YOUR HOUSE DOWN." -NOW, DO YOU WANT TO PLAY NICE? -Yeah, yeah, yeah. Look, let's play nice,
all right? -NOW THAT WASN'T
SO DIFFICULT, WAS IT? -NOW, GIVE ME A NAME.
WHAT DO I CALL YOU? -YOU CAN CALL ME LUKAS. NOW, IF YOU'LL EXCUSE ME,
LIEUTENANT... -HOLD IT, HOLD IT, HOLD IT! LOOK, DON'T HANG UP YET,
ALL RIGHT? -IT'S BEEN NICE
CHATTING WITH YOU, LIEUTENANT. NOW, HOW DO I KNOW YOU GOT
PEOPLE IN THERE? I MEAN, GIVE ME SOMETHING.
LET ME KNOW THEY'RE OKAY. -[ SIGHS ] SINCE YOU AND I ARE GONNA
BE DOING A LOT OF BUSINESS, YOU'RE JUST GONNA
HAVE TO TRUST ME. -I BET YOU'RE A REAL TOMCAT,
AREN'T YOU? YOU GOT THAT
WHOLE BANK TELLER -- -HEY! WHAT ARE YOU DOING? -I'LL TALK TO YOU LATER. -LEAVE HER ALONE.
-RELAX, BROTHER. -YEAH, LEAVE HER ALONE, OKAY? -ALL RIGHT GIRLS,
WE GOT WORK TO DO. REMEMBER THE CLOCK. -GO ON, SIT DOWN. SIT DOWN! -[ WHIMPERS ] - IN A STUNNING DEVELOPMENT
TODAY, SEVERAL ARMED ROBBERS STORMED A DOWNTOWN BRANCH
OF THE CENTRAL CITY TRUST JUST BEFORE CLOSING. THEY'VE LOCKED THEMSELVES INSIDE AND ARE NOW HOLDING
AN UNKNOWN NUMBER OF EMPLOYEES AND CUSTOMERS HOSTAGE. AS YOU CAN SEE BEHIND ME, POLICE HAVE COMPLETELY
SURROUNDED... -GENTLEMEN, MEET THE NEWEST
AND MAYBE MOST EFFECTIVE WEAPON IN THE BANK ROBBER'S ARSENAL. - AFTER WHAT HAPPENED
IN DALLAS LAST WEEK... -TELEVISION.
-IT'S LIKE SADDAM WATCHING CNN. [ SIREN WAILS] -PLEASE, PEOPLE,
YOU'D BE DOING ALL US A FAVOR IF YOU JUST STAND BACK. -EXCUSE ME,
DO YOU KNOW HOW MANY PEOPLE ARE INSIDE THE BUILDING
AT THIS TIME? -WELL, I JUST ARRIVED
ON THE SCENE. WHY DON'T YOU TELL ME? -SIR, JUST LAST WEEK, IN REACTION TO WHAT HAPPENED
IN DALLAS, THE POLICE COMMISSIONER TALKED
TOUGH AT A PRESS CONFERENCE ABOUT HOW THIS CITY
WOULD NOT BE HELD HOSTAGE. DOES THIS MEAN THAT
INTERVENTION HERE IS IMMINENT? - WELL, LET ME JUST STATE
THE OBVIOUS HERE. THIS IS NOT DALLAS.
WE HAVE AN EXPERIENCED TEAM. AND WE'RE GOING TO DO EVERYTHING
IN OUR POWER TO BRING ABOUT A
QUICK AND PEACEFUL RESOLUTION. INTERVENTION
IS ONLY A LAST RESORT, AND EVERY CASE IS DIFFERENT. OKAY, NOW, ONE LAST TIME,
AND YOU CAN QUOTE ME ON IT. INTERVENTION
IS PURELY A LAST RESORT. -UNLESS, OF COURSE,
YOU'RE LOOKING FOR A PROMOTION. - NOW, WE WILL DO OUR BEST TO TRY AND KEEP YOU
UP TO DATE AS THINGS PROGRESS, AND I THINK THAT'S ALL
I'M GOING TO SAY FOR RIGHT NOW. THANK YOU VERY MUCH. -CAN YOU TELL US ANYTHING
ABOUT THE SUSPECTS? ANYONE WHO MIGHT BE RESPONSIBLE
FOR THIS? ARE THERE ANY
FATALITIES AT THIS POINT? [ POLICE RADIO CHATTER ] [BEEPING] [ BUZZING ] [ BEEPING ] -HEY, LET'S GO GET PAID, MAN. -SETH, YOU GO. TAKE THE MANAGER. -OKAY. YOU, GET UP. COME ON. LET'S GO. LET'S GO. -WHAT'S GOING ON HERE? -WELL, NOTHING WE CAN'T HANDLE,
BUT THANKS FOR YOUR CONCERN. I'LL LET YOU KNOW
IF ANYTHING CROPS UP. -FUNNY, I DIDN'T EXPECT
TO SEE YOU HERE, JACK. -WELL, LIFE IS FULL
OF SURPRISES, ISN'T IT, DAN? LISTEN,
I'D LOVE TO HAVE A REUNION, BUT AS YOU CAN SEE, I GOT A HELL OF A LOT
TO TAKE CARE OF HERE. -YOU KNOW I'VE GOT
JURISDICTION HERE. -OH, YES.
JURISDICTION, JURISDICTION. LET ME SEE IF I CAN
FIGURE THIS OUT, DAN. UH, YOU WANT TO GO IN THERE
RIGHT NOW WITH GUNS BLAZING, IS THAT IT? -THAT'D BE A BIT DRAMATIC,
DON'T YOU THINK? -THIS ONE IS MINE. END OF THE STORY. I GOT MY REASONS. BESIDES,
I'VE ALREADY MADE CONTACT, AND YOU AND I KNOW
WHAT PROTOCOL IS, DON'T WE? -DON'T THROW THE BOOK
AT ME, JACK. YOU KNOW WHAT YOU SHOULD DO?
YOU SHOULD CALM DOWN. WE'RE ALL ON THE SAME TEAM HERE.
AREN'T WE? -OH, YES, DAN. THE SAME TEAM. -SIR, HERE'S THE SITUATION. AN UNKNOWN NUMBER OF PERPS HAVE TAKEN FOUR BANK EMPLOYEES
HOSTAGE. SO FAR,
THEY'VE NOT MADE ANY DEMANDS. I THINK THEY WERE
TAKEN BY SURPRISE -- -WHAT'S YOUR NAME? -OFFICER RICHARD O'MALLEY, SIR. -OFFICER O'MALLEY,
WHAT'S THAT IN YOUR HAND? -SIR? -WHAT IS THAT
THAT YOU HAVE IN YOUR HAND? - A COFFEE. -IS IT YOURS? -NO, SIR. I WAS GETTING IT
FOR THE LIEUTENANT. -WELL, OFFICER O'MALLEY, IF NOBODY HERE
HAS ENOUGH RESPECT FOR YOU, OTHER THAN TO HAVE YOU
FETCH COFFEE FOR THEM, WHAT GIVES YOU THE IDEA
THAT I WOULD GIVE A SHIT WHAT YOU THINK
ABOUT THE SITUATION? TELL TINNETTI
TO ORDER THE RECON. I NEED TO SEE
WHAT'S GOING ON IN THERE. -THANKS, RICHIE. [ BEEPING ] -HURRY UP. COME ON, HURRY UP! FILL IT UP! HEY, LOOK. YOU'RE GONNA MAKE IT
OUT OF HERE, OKAY? OKAY? I PROMISE. -FORGIVE ME IF I DON'T SHARE
YOUR CONFIDENCE, ALL RIGHT. LAST TIME I CHECKED, MONEY
WAS A PRETTY GOOD REASON
FOR GETTING KILLED. -WELL, I HAPPEN TO BE
IN A PRETTY GOOD POSITION TO KEEP MY PROMISE, OKAY? BESIDES...IT'S NUMBER TWO. -SORRY?
-MONEY. IT'S THE NUMBER-TWO REASON
PEOPLE KILL EACH OTHER. CRIMES OF PASSION -- NUMBER ONE. SO, UH, HEY, YOU GOT THAT
GOING FOR YOU. -SO WHY YOU DOING THIS, HUH? -WHAT?
-WHY? -LOOK AT IT! [ CHUCKLES ] COME ON, YOU BUILD A DOOR THAT
STRONG, SOONER OR LATER, SOMEBODY'S GOING TO WONDER
WHAT'S BEHIND IT, AND IT'S JUST A MATTER OF TIME
BEFORE SOMEONE LIKE ME COMES ALONG TO KNOCK IT DOWN. -IT'S WORTH THE RISKS, THEN? -WHAT? YOU'VE NEVER
THOUGHT ABOUT IT? HUH? YOU'RE A BANK MANAGER.
WHAT DO YOU MAKE? 50K, 60K A YEAR, MAX? RIGHT?
-YEAH. -EVERY NIGHT YOU CLOSE THE DOOR
ON 100 TIMES THAT. ONE OF THESE STACKS, JUST ONE, COULD CHANGE YOUR WHOLE LIFE,
RIGHT? -YEAH, WELL YOU KNOW,
I GOT A FEW THINGS IN THE WORKS. I DON'T BELIEVE
IN TAKING SHORTCUTS. BESIDES, YOU KNOW,
THERE'S PROCEDURES AND SECURITY. -YOU'VE THOUGHT ABOUT IT. COME ON, I CAN TELL. I CAN TELL.
-WELL, YEAH. I'M HUMAN, YOU KNOW.
I GOT DREAMS LIKE ANYBODY ELSE. - HEY, BARNES. OKAY, WHAT WOULD YOU DO
WITH THE CASH? I MEAN, WHAT WOULD YOU DO
WITH IT, MAN? -WHAT WOULD I DO?
-YEAH. -I'D TRAVEL. I'D, UH, YOU KNOW,
I'D SEE THE WORLD. I'D, YOU KNOW, SIP WINE
ON THE RIVIERA, DIP MY TOE IN THE NILE. -YEAH, WITH A REALLY
FINE-LOOKING PIECE OF ASS, HUH? -THAT'D BE NICE. -OKAY, SO WHY DON'T YOU DO IT? -I CAN'T.
I CAN'T GO ANYWHERE NOW. MY -- MY MOM IS, UH, SICK. I CAN'T LEAVE HER RIGHT NOW. -HEY, COME ON.
COME ON, TAKE ONE. -NO, NO.
-COME ON, IT'S ON ME. -I CAN'T. I CAN'T. -IT'S ON ME. I WON'T TELL. I PROMISE. ALL RIGHT.
YOU TAKE YOUR TRIP. -[ LAUGHS ] -AT THIS TIME, WE CANNOT TELL WHETHER OR NOT THE THIEVES
HAVE ACTUALLY MADE ANY DEMANDS. WE HAVE NO INDICATIONS... -LOOKS LIKE SOMETHING'S UP.
-WHY DO YOU SAY THAT? -LOOK BEHIND THE REPORTER HERE. THAT GUY IS THE
TACTICAL OFFICER IN COMMAND. THERE USED TO BE A BUNCH OF GUYS
AROUND HIM. WHERE ARE THEY NOW? -WHERE ARE YOU GOING?
-DOWN. THEY'RE GONNA TRY
TO ACCESS THIS AREA FROM THE BUILDING NEXT DOOR --
THE BASEMENT. -HOW DO YOU KNOW THAT? -'CAUSE IT'S WHAT I DO. - POLICE CANNOT CONFIRM YET
WHO THE SUSPECTS MIGHT BE, BUT WE WILL HAVE DETAILS FOR
YOU AS THEY BECOME AVAILABLE THROUGH THE NIGHT. LORI GRAHAM REPORTING LIVE
FOR CHANNEL 12 NEWS. NOW BACK TO THE STUDIO. -OH, THAT SOUNDS
LIKE A GREAT IDEA. -STANDARD PROCEDURE. WHAT WE GOT TO DO
IS RUN A VIDEO FEED DOWN THROUGH A VENT OR UP THROUGH A
FUCKING FLOORBOARD OR WHATEVER. WE GOT TO GET EYES IN THERE. SHIT, WE DON'T EVEN KNOW FOR
SURE HOW MANY PEOPLE THEY GOT! YOU DIDN'T THINK
TO ASK THEM, DID YOU? -FUCK YOU. [ SIRENS WAIL ] [ WATER DRIPPING ] [ DOOR OPENS ] [ RUSTLING ] -AH! OH! AH! [ Machine-gun fire ]
-WHAT'S GOING ON? [ Machine-gun fire continues ] -SIR! SHOTS FIRED! -WHAT'S HAPPENING?
-COME ON, LET'S GO! LET'S MOVE! MOVE!
GO, GOD DAMN IT, GO! -AH! OH! -[ GROANS ] -GOD DAMN IT! GET THIS FUCKING
THING WORKING NOW! -VOODOO! VOODOO!
WHAT IS YOUR STATUS? WHAT IS THE STATUS
OF YOUR TEAM, VOODOO? COME IN VOODOO!
WHAT THE HELL IS GOING ON HERE? DOES ANYBODY HAVE CONTACT
WITH THE TEAM? -WE GOT PICTURE! -[ GROANING ] -LOOKS LIKE YOU GOT SOME...
OFFICERS DOWN. -CAN ANYBODY TELL ME ANYTHING?
HUH? -ARCHER...
-ANYONE? -ARCHER!
-YOU. THIS IS THE FIRST TIME YOU'VE
BEEN SPEECHLESS ALL FUCKING DAY. -ARCHER! FOR CHRIST'S SAKE, MAN,
GIVE IT A BREAK. NOW LISTEN, I GOT A MAN
ON THE INSIDE. -WHAT? -DON'T "WHAT" ME.
I GOT A MAN INSIDE. I'M JUST NOT SURE.
-YOU'RE JUST NOT SURE "WHAT?" WHETHER HE'S ON THE INSIDE
OR WHETHER HE'S ON THE JOB? -OH, FOR --
-SO THIS IS WHAT IT'S ALL ABOUT! TELL ME HOW THIS COULD HAPPEN.
DID I MISS A MEMO? -FUCK YOU AND YOUR MEMOS! -ARE UNDERCOVER OFFICERS
NOW SUPPOSED TO BE PARTICIPATING
IN FUCKING ROBBERIES!? -YOU SANCTIMONIOUS SON OF A -- -YOU HELD OUT ON ME! THIS IS ALL ON YOUR HEAD! -IT'S ALL RIGHT, RICHIE. FUCK. -SIR,
HAD YOU LET ME FINISH BEFORE, I WOULD HAVE TOLD YOU THAT
UNDERCOVER OFFICER SETH GEORGE MIGHT BE ON THE INSIDE...
WORKING AGAINST DIRECT ORDERS. -BEAUTIFUL. JUST BEAUTIFUL. NOW WE HAVE ROGUE COP
LOOSE ON THE INSIDE. -AH, I SEE YOU DECIDED
TO GRACE US WITH YOUR PRESENCE. -I THOUGHT I'D CHECK IT OUT.
[ CLEARS THROAT ] -THIS IS JUNIOR.
-HEY. -HE'S FROM VEGAS, TOO. -OH, YOU FROM VEGAS? -YOU KNOW,
I DID SOME WORK THERE. -OH, WHOSE CREW? -SETH DID SOME WORK THERE
WITH SLIM TONY. -OH, NO SHIT?
I DID SOME WORK WITH SLIM. YEAH, A LOT OF WORK WITH SLIM,
ALL THOSE BOYS. I AIN'T NEVER SEEN YOU BEFORE,
THOUGH. I NEVER FORGET A FACE.
WHEN WERE YOU THERE? YOU KNOW FRANKY, RIGHT?
HOW ABOUT JIMMY? YOU KNOW HIM? HE'S GOT THIS BIG MOLE
RIGHT HERE. -HEY! YOU WANT TO FUCK ME? -I GOT KABOOM. I GOT LENNY.
EXCUSE ME? -DO YOU WANT TO FUCK ME? I MEAN, WHAT'S WITH
ALL THE FOREPLAY HERE? I'VE WORKED WITH SLIM TONY
AND A LOT OF OTHER GUYS, AND NO ONE, NOT ONE OF THEM, HAS EVER ASKED ME
THIS MANY FUCKING QUESTIONS. LOOK,
LET'S GET SOMETHING STRAIGHT. I DON'T WANT TO BE YOUR FRIEND. I DON'T WANT TO
BE YOUR CONFIDANTE, AND I SURE AS SHIT DO NOT
WANT TO BE YOUR BITCH. SO I'M GONNA ASK YOU
ONE MORE TIME... DO YOU WANT TO FUCK ME?
-WELL, NO. -WHY NOT? I'M KIND OF CUTE. NO?
GOOD. GO ON. -YOU WILL BE PAID $50,000
PLUS WHATEVER YOU CAN CARRY TO ROB A BANK. -I GOT A QUESTION.
[ CLEARS THROAT ] WHO ROBS BANKS? WHO ROBS FUCKING BANKS
THESE DAYS? DYE PACKS, MARKED BILLS,
VIDEO CAMERAS. I MEAN,
THE ONLY PEOPLE ROBBING BANKS ARE DUMB FUCK STICK-UP MEN
WHO GET NABBED BECAUSE, YOU KNOW, THE CAR DOESN'T START,
THEY LOST THEIR KEYS. AND THERE'S THE LITTLE PROBLEM
OF IT BEING A FEDERAL OFFENSE. DON'T GET ME WRONG, I MEAN,
BUT MY LIQUOR STORE DAYS? THEY'RE BEHIND ME. -I'M AFRAID
YOU GOT IT ALL BACKWARDS. YOU GOT TO READ
BETWEEN THE LINES. BANKS ARE TOLD TO HAND IT OVER,
PLAIN AND SIMPLE. DON'T GET CUTE. TOO MANY OF THOSE
BAD MOTHER FUCKERS STICKING GUNS IN PEOPLE'S FACES
ON THOSE REALITY TV SHOWS. GAS STATIONS,
CONVENIENCE STORES. YOU CAN WALK INTO A BANK WITH YOUR FINGER
STUCK IN YOUR POCKET AND THE TELLERS
WILL SHIT THEMSELVES. -[ CHUCKLES ]
THIS GENTLEMAN IS LUKAS. -HI, LUKAS. HOW ARE YOU? -LET'S JUST SAY HE'S
THE CONSULTANT ON THIS ONE. REST ASSURED HE'S FORGOTTEN
MORE ABOUT ROBBING BANKS THAN WE WILL EVER KNOW. HE'LL ALSO BE SUPPLYING US
WITH ANY AND ALL THE NECESSARY EQUIPMENT. YOU GOT ANY SPECIAL REQUESTS,
YOU NEED TO TAKE IT UP WITH HIM. -WHAT DID YOU MEAN WHEN YOU SAID WE GET TO KEEP
WHATEVER WE CARRY OUT? -WHAT DO YOU THINK THAT MEANS? -OKAY, SO WHY YOU GOING IN? -YOU'RE BEING PAID ENOUGH NOT
TO ASK THOSE QUESTIONS, OKAY? NOW LET'S GET DOWN TO IT. GENTLEMEN, THIS IS THE TARGET. IT'S AN OLD HISTORICAL SITE,
WHICH MEANS THAT THE BUILDING HAS NOT BEEN
SIGNIFICANTLY ALTERED SINCE CHRIST WAS A COWBOY. -WHERE IS IT? -YOU WILL FIND THAT OUT
WHEN YOU WALK THROUGH THE DOORS AND NOT A MOMENT SOONER. NOW IF YOU'LL NOTICE, THERE'S NOTHING SIGNIFICANT
ABOUT THESE PLANS. HERE WE HAVE
THE CITY SUBWAY PLANS. ONCE AGAIN, YOU'LL NOTICE
NOTHING SIGNIFICANT HERE. EXCEPT THAT WHEN I COMBINE
THE TWO SETS OF PLANS, THERE'S A VERY
INTERESTING DEVELOPMENT. YOU'LL SEE THAT THERE'S
AN OLD MAINTENANCE SHAFT DIRECTLY UNDER THE BUILDING. NOW, IT'S NOT MARKED
ON THE BANK'S PLANS. THE BANK IS NOT MARKED
ON THE SUBWAY PLANS, YET WHEN COMBINED... THE SIMPLEST SOLUTION
IS THE OFT MOST OVERLOOKED. -WELL, LET ME
GET THIS STRAIGHT -- YOU WANT ME TO WALK INTO A BANK
WITH A FUCKING SHOTGUN HOPING THAT THERE IS
SOME DOOR THERE? -NO. YOU'RE BEING PAID
TO WALK INTO A BANK AND COUNT ON SOME DOOR
BEING THERE. I AM GIVING YOU ENOUGH MONEY THAT IF I TELL YOU ELVIS HIMSELF
IS IN THE VAULT, YOU'LL BELIEVE ME. CAN WE CONTINUE? -CONTINUE.
-GREAT. SO, WHEN WE GO IN,
THERE WILL BE TWO GUARDS, THREE TELLERS, ONE BANK MANAGER. -HOW DO I KNOW THAT?
HOW DO I KNOW THAT -- -WELL I SUPPOSE YOU'LL JUST
HAVE TO TRUST ME ON THIS, OKAY? -WELL THIS ISN'T EXACTLY
A TRUST KIND OF BUSINESS, IS IT? -WHEN WE TAKE THE HOSTAGES --
-HOSTAGES?! -WE'RE GONNA --
-I'M SORRY. JESUS! I MEAN,
HOSTAGES ARE PART OF THE PLAN? NO, NO, NO. WHERE I COME FROM,
HOSTAGES ARE PLAN "B." YOU KNOW, IMPROVISE
WHEN THE SHIT HITS THE FAN. WHAT THE FUCK ARE YOU GUYS INTO? I MEAN, WHATEVER HAPPENED
TO THE OLD IN/OUT? SHIT MAN, I DON'T KNOW. I DIDN'T SIGN ON
TO DOING ANY KILLING. -I'M TALKING ABOUT LEVERAGE. WHAT ARE YOU TALKING ABOUT? -I'M...I'M...UH...
NO, THIS IS TOO MUCH. THIS IS TOO MUCH.
I MEAN, WHAT THE FUCK! -SHIT MAN,
WHAT TOOK YOU SO LONG? THAT LITTLE FUCKING PRICK
WAS GETTING ON MY NERVES. -ALL GOES WELL,
THERE'LL BE NO KILLING. WELL, NO MORE KILLING, ANYWAY. -I LIKED HIM. [ FOOTSTEPS ] [ CLEARS THROAT ] TAKING A CHANCE
MEETING ME DOWNTOWN. WHAT'S WITH ALL THE DRAMATICS?
A CHURCH? -IT'S OVER. -I'M REALLY FLATTERED
YOU CAME ALL THE WAY DOWN HERE TO BREAK UP WITH ME
AND ALL, BUT, UM, YOU KNOW, YOU COULD'VE JUST
DONE IT ON THE TELEPHONE OR MY ANSWERING MACHINE
LIKE ALL THOSE OTHER BROADS. -THE JOB, THE FUCKING OP,
IT'S OVER. JUST GOT WORD THE LT
IS PULLING YOU OUT. HE IS SHUTTING IT DOWN. -YOU'RE SHITTING ME, RIGHT? -HE DOESN'T EVEN KNOW I'M HERE. -WHEN? -AS FAR AS I KNOW,
IT'S ALREADY OVER. -WHAT ARE YOU NOT TELLING ME? HEY CURTIS,
WHAT ARE YOU NOT TELLING ME? -NOTHING.
-COME ON, CURTIS, IT'S ME. IT'S ME, COME ON.
-[ SIGHS ] INTERNAL AFFAIRS. -OKAY, WHAT ABOUT THEM? -THEY'VE BEEN COMING
AROUND THE OFFICE LATELY ASKING QUESTIONS, YOU KNOW. -WHAT KIND OF QUESTIONS? -QUESTIONS ABOUT YOU. YOU KNOW, WHAT KIND OF PERSON
YOU ARE, GENERAL BULLSHIT STUFF. THEY WANT ME TO COME IN
FOR AN INTERVIEW TOMORROW. THEY WANT TO KNOW
IF YOU'RE ON THE TAKE. I TOLD THEM NO. I TOLD THEM TO GO TO HELL,
I WANT TO SEE A FUCKING LAWYER. I'M JUST SCARED WHAT I'M TELLING
THEM BY SAYING NOTHING. YOU KNOW WHAT I MEAN? -CURTIS, CURTIS.
YOU HAVEN'T DONE ANYTHING WRONG. -I DON'T KNOW
IF THEY'LL SEE IT THAT WAY. YOU KNOW -- YOU KNOW
MONEY'S BEEN TIGHT LATELY. BETH'S BEEN THREATENING
TO GET A JOB. I CAN'T EVEN TAKE CARE
OF MY OWN FAMILY. I GET SUSPENDED HERE,
I'M FUCKED! YOU KNOW?
-HEY, HEY. STOP IT. COME ON. LISTEN TO ME.
THIS IS FOR YOU, NOT FOR ME. YOU LOOK OUT FOR YOURSELF.
YOU LOOK OUT FOR NUMBER ONE. OKAY? 'CAUSE THAT'S WHAT I'D DO. ALL RIGHT? MOVE OVER. IT'S GONNA BE OKAY.
IT'S GONNA BE OKAY. MEET WITH THEM. TELL THEM, YOU KNOW, WHATEVER
THE FUCK THEY WANT TO KNOW. YOU KNOW, TELL THEM THE TRUTH
'CAUSE YOU'RE A SHITTY LIAR. -[ CHUCKLES ] SO WHAT ARE YOU GOING TO DO? -I DON'T KNOW. -[ SIGHS ] SETH? -WHAT? NO. COME ON, NO LECTURES,
NOT NOW, OKAY? COME ON, CURTIS. LOOK, MAN,
I KNOW WHAT I'M DOING. I AM RAZOR-FUCKING-SHARP! I AM ON TOP OF IT, MAN!
I AM ON TOP OF IT. -I WAS GOING TO ASK YOU
FOR A CIGARETTE. -[ LAUGHS ]
-HEY, FUCK OFF, ALL RIGHT. YOU BE CAREFUL.
-YEAH. -AND I THOUGHT
I HAD THE DAY OFF. SOMEBODY DIE? -NOT YET. -[ CHUCKLES ] [ THUNDER RUMBLES ] -[ CHUCKLES ]
I ALMOST SHOT YOU, SOPHIE. WHERE'S CISCO? AIN'T HE SUPPOSED TO JUMP ON ME
RIGHT ABOUT NOW? -NO, NOT THIS TIME.
-YEAH? ANYTHING GOOD
IN MY MEDICINE CABINET? WHAT IS IT? WHAT'S GOING ON? -WHY HAVE YOU NOT ASKED ME
WHAT IT IS I'M AFTER? -WHAT DO YOU MEAN? -IT SEEMS LIKE A NATURAL
QUESTION TO ME. I MEAN, I WOULD WANT TO KNOW. -WELL, QUESTIONS CAN BE VERY
DANGEROUS IN THIS LINE OF WORK. -YOU'RE THE FIRST CRIMINAL
I'VE EVER MET THAT DOESN'T CARE
ABOUT THE FRUITS OF HIS LABOR, THAT DOESN'T WANT
TO INCREASE HIS SHARE. -YEAH? WELL, I'M NOT GREEDY. -I DON'T THINK I'VE EVER MET
ANY CRIMINAL LIKE YOU. -THE ONLY THING MORE DANGEROUS
THAN YOUR QUESTIONS ARE MY ANSWERS, AND I HAVEN'T ASKED YOU
WHAT WE'RE GOING AFTER BECAUSE I DON'T WANT TO KNOW. I MEAN IT. I DON'T WANT TO KNOW. YOU KNOW, FOR ME...IT'S NEVER
BEEN ABOUT THIS JOB. [ THUNDER RUMBLES ] [ DOG BARKING ] [ THUNDER RUMBLES ] -YOU GET FIRED? -[ SIGHS ] YEP. HERE YOU GO. I'LL GET IT. [ GUNSHOT, THUD ]
-CURTIS? [ BABY CRYING ]
CURTIS! CURTIS! [ CRYING ] [ BABY CRYING ] -I GOT TO GO. -WHY DON'T WE BOTH GO? GET THE FUCK OUT OF DODGE? CUT LOOSE ALL THIS SHIT? WHAT DO YOU SAY? -WHERE WOULD WE GO? -I DON'T KNOW. UM...UM...DEFINITELY...
SOMEWHERE HOT SO YOU WOULDN'T
HAVE TO WEAR ANY CLOTHES. -[ CHUCKLES ] -INDONESIA.
- TOO UNSTABLE. -HEY...THE RIVIERA. -MM. FRENCH OR ITALIAN? -THERE'S TWO?
-[ CHUCKLES ] -[ LAUGHS ] FLIP A COIN. -IT'S TOO EXPENSIVE. -YOU KNOW,
THERE'S ALWAYS GOING TO BE SOME REASON NOT TO GO, SOPHIE. YOU KNOW, THE BIG GIG, YOU KNOW,
THE EASY JOB, THE BIG SCORE. -THE PLAN'S BEEN SET
INTO MOTION, SETH. -STOP IT, THEN. AREN'T YOU TIRED
OF ALL THIS BULLSHIT? I AM. SOPHIE... SOPHIE... COME ON. I KNOW YOU'RE TIRED OF IT.
I SEE IT IN YOUR EYES. -CAN YOU? -YEAH. -YOU THINK YOU KNOW ME? -I DIDN'T SAY THAT. -YOU DON'T KNOW WHO I AM. YOU DON'T KNOW WHAT I'VE DONE. -I DON'T CARE. WE ALL HAVE PASTS. -YEAH, WELL, BUT NOT ALL OF US
HAVE FUTURES. IN THIS LINE OF WORK,
YOU DO WHATEVER IT TAKES. YOU TELL YOURSELF IT'S BUSINESS. BUT IT'S PERSONAL,
AND YOU CAN NEVER GO BACK. [ SIGHS ] DON'T SHOW UP THIS AFTERNOON,
OKAY? PROMISE ME THAT. -SO IT'S THIS AFTERNOON? THIS AFTERNOON? WHERE? [ TELEPHONE RINGS ] -DON'T ANSWER THE PHONE. JUST PROMISE ME
YOU WON'T SHOW UP. -THAT'S THE CALL? OKAY. -PLEASE, JUST DO NOT
SHOW UP THIS AFTERNOON! -HEY, YOU'RE ACTING WEIRD.
COME ON. HELLO.
-The Cavern. One hour. Come in the back.
-OKAY. HEY, LUKAS... PICK ME UP
SOME CIGARETTES, OKAY? -WHERE'S THE
FAST-TALKING GANGSTER? -WE WON'T WAIT FOR HIM. [ DOOR OPENS ] [ DOOR CLOSES ] -HEY!
-IT'S ABOUT FUCKING TIME. SOPHIE, YOUR GEAR'S BY THE DOOR. LET'S GET A MOVE ON. -GIVE ME MY GEAR. -HEY! SWEETHEART. ARE YOU FUCKING COMING OR WHAT? -LET'S DO IT.
[ GUNS COCK ] -WHAT THE FUCK ARE YOU DOING? -COME ON. GET DOWN RIGHT THERE. -WHY IS HIS BLINDFOLD OFF?
-HUH? -I SAID, WHY IS HIS
BLINDFOLD OFF? -NOT NOW, MAN. NOT NOW.
GIVE ME YOUR HANDS. -WHY THE FUCK
IS THIS ASSHOLE'S BLINDFOLD OFF? HEY, SWEETHEART,
THAT'S A WITNESS. -DON'T FUCK WITH ME, OKAY?
-DON'T FUCK WITH YOU? -WHERE'S LUKAS?
-THAT'S A FUCKING WITNESS! -WHERE'S LUKAS?!
-DOWNSTAIRS. -OKAY, I'M GOING DOWNSTAIRS. DON'T DO ANYTHING.
I'M COMING BACK. -I'LL BE WAITING. [ BEEPING ] [ POLICE RADIO CHATTER ] -YOU'RE GOING IN, AREN'T YOU? -POLICE OFFICERS
ARE DEAD, JACK. I GOT A RENEGADE COP INSIDE, AND NOBODY, INCLUDING YOU,
CAN TELL ME WHAT HE'S THINKING. -I KNOW WHAT HE'S THINKING, DAN.
HE'S A COP. FOR CRYING OUT LOUD,
HE'S A COP LIKE YOU AND ME. -HE'S NOTHING LIKE ME. -ALL RIGHT, ALL RIGHT,
ALL RIGHT. LOOK, DAN, I KNOW I'M ASKING YOU TO CHOKE DOWN
A SHIT SANDWICH HERE. FOR CRYING OUT LOUD,
I HELPED BUTTER THE BREAD. BUT TRUST ME,
MY MAN IS ON THE JOB. I STAKE MY REPUTATION ON IT. -YOU'RE NOT STAKING
YOUR REPUTATION, JACK. YOU'RE STAKING MINE. TINNETTI, YOU READY TO GO? -I'm standing by, sir.
-WAIT FOR MY SIGNAL. -I'm standing in position. -YOUR BOY'S GOT
FIVE MINUTES, JACK. AND NOT A SECOND MORE. -WELL, HAVEN'T YOU DONE ENOUGH? WHY DON'T YOU JUST LET US GO?
YOU GOT WHAT YOU CAME FOR. -THIS IS ALMOST OVER, JUDY.
PLEASE. -JUDY, SHUT UP. -I'M NOT JUST HERE
FOR THE MONEY, SWEETHEART. -OH, YEAH, YOU'RE REALLY TOUGH. -LOOK, JUDY!
JUST STAY CALM, ALL RIGHT? LOOK, WE'RE GONNA BE ALL RIGHT.
I PROMISE. -YEAH, LISTEN TO BANKER BOY. -THREE WOMEN BLINDFOLDED...
AMATEUR! -I'M TRYING TO COUNT,
ALL RIGHT? WHY DON'T YOU
SHUT YOUR FUCKING MOUTH? -YOU'RE PATHETIC! -JUDY, PLEASE!
-NO, HE'S AN AMATEUR! HE DOESN'T KNOW WHAT HE'S DOING!
WE'VE BEEN HERE FOREVER! -DON'T -- DON'T ANTAGONIZE HIM,
ALL RIGHT? -YOU'RE REALLY TOUGH.
-JUST STAY CALM, ALL RIGHT? -OH YEAH, YOU'RE A BIG MAN. YOU'RE JUST A JOKE.
JUST TAKE THE MONEY AND GO! -SHUT YOUR FUCKING MOUTH!
-LEAVE HER ALONE, ALL RIGHT!? DON'T TOUCH HER! -OOH! -JUDY! IT'S OKAY. JUST RUN, JUDY, RUN!
-STOP PLAYING HARD TO GET. -AH! OH! -WHERE YOU GOING?
-LEAVE ME ALONE! -I THINK YOU SHOULD
KISS IT BETTER. [ LAUGHS ] -SO WAS IT WORTH IT? HUH? WAS ALL THIS SHIT WORTH IT? -AND THEN SOME. IT'S THE EURO, THE DESIGNS
FOR THE HARD CURRENCY. -WHAT? COUNTERFEITING?
-MM-HMM. -YOU'RE BULLSHITTING ME, RIGHT? YOU'RE BULLSHITTING ME.
WITH THE TECHNOLOGY NOWADAYS, YOU CAN'T PHOTOCOPY
THIS KIND OF SHIT. COME ON. -THAT'S TRUE, BUT, SEE, FRANCE
HASN'T DEDICATED ANY MONEY TO UPGRADING THEIR
PRINTING PROCESSES. THAT MEANS THAT ALL
THE MEMBER COUNTRIES MUST ADHERE TO THE
OLDER TECHNOLOGIES -- EASILY FORGEABLE TECHNOLOGIES. -YOU'LL NEVER GET AWAY WITH IT. -[ Laughing ] WE ALREADY HAVE. HOW WILL THEY KNOW
WHAT TO LOOK FOR WHEN THEY DON'T EVEN KNOW
IT'S BEEN STOLEN? -BECAUSE I'M GONNA TELL THEM BECAUSE I CAN'T LET YOU
GET AWAY WITH IT. -[ CHUCKLES ] DON'T YOU THINK IT'S
A LITTLE LATE TO BECOME A COP? -NO. NO.
THERE IS NO DOOR, IS THERE? THERE IS NO WAY OUT. -I WOULDN'T KNOW. -FIRST POSITIONS. -OH, GOD! OH, MY GOD! AAH, NO! -RELAX. COME HERE, BABY. -AAH! AAH! OH, MY GOD. -Shh, shh, shh.
-OH MY GOD! -NO!
-Shh...Shh... -OH, GOD! -DON'T DO THAT. RULE NUMBER ONE
IN A DIFFICULT SITUATION -- DON'T PANIC. KEEP YOUR HEAD... EVEN WHEN ALL THOSE
AROUND YOU ARE LOSING THEIRS. OKAY? RELAX, RELAX, RELAX. -NO! NO! -Shh. Shh. LOOK AT ME. LOOK AT ME! RELAX. IT'S OKAY.
I'LL BE GENTLE WITH YOU. YOU ARE SO BEAUTIFUL. -NO! NO!
-OKAY. I SAID RELAX. I'LL DO IT ROUGH. I DON'T GIVE A FUCK, BABY.
IT'S UP TO YOU. RELAX. IT'S YOUR CHOICE. WHAT DO YOU WANT? YOU WANT TO GET HURT? YOU KNOW THEY SAY THAT IN TIME, HOSTAGES START TO SYMPATHIZE
WITH THEIR CAPTORS. -OH, YEAH? -YEAH.
-YOU'RE FUCKING CRAZY. -SOMETIMES,
THEY EVEN FALL IN LOVE. IT'S CALLED
A PATTY HEARST SYNDROME. -NO, IT'S CALLED
THE STOCKHOLM SYNDROME, YOU SICK FUCKING ANIMAL! YOU OKAY, JUDY? -SO, ALL OF US --
LUKAS, CISCO, ME, WE'RE JUST THE
FUCKING PATSIES, RIGHT? WE'RE MEANT
TO TAKE THE FALL FOR THIS. THE MORE THINGS GO WRONG
UP THERE, THE BETTER. JUST A BUNCH OF DEAD BODIES
TO TAKE THE RAP. RIGHT?! I MEAN, NO ONE WAS SUPPOSED
TO MAKE IT OUT OF HERE. RIGHT? EXCEPT MAYBE YOU.
LET ME GUESS. YOU WERE GONNA PRETEND
YOU WERE A HOSTAGE JUST HIDING DOWN HERE
SCARED THE WHOLE FUCKING TIME! -WHAT DO YOU WANT FROM ME?
WHAT DO YOU WANT ME TO SAY? YOU WANT ME TO SAY I'M SORRY? YES, SETH, I USED YOU
JUST LIKE YOU USED ME, BUT I GAVE YOU A CHOICE. YOU MADE
YOUR OWN DECISIONS, SETH. YOU'RE A BIG FUCKING BOY!
NOW LIVE WITH THE CONSEQUENCES. -JUST BACK THE FUCK UP. -YOU SURE YOU'RE
CUT OUT FOR THIS? -YEAH. -YOU DON'T EVEN KNOW
HOW TO USE THAT THING. -UH-HUH? -I BET YOU DIDN'T EVEN
CHECK TO SEE IF THE SAFETY WAS OFF. -RICHIE! -YOU UNDERESTIMATE ME.
I'M A COP. [ POLICE RADIO CHATTER ] [ HELICOPTER WHIRRING ] -AHH! -BANKER BOY! WATCH THIS.
-OH, NO! -NO! NO, NO. LISTEN TO ME.
DON'T KILL HER. -YOU GOT A THING FOR THE TELLER,
DON'T YOU? -OH, GOD! -WELL, I'M GONNA KILL SOMEBODY,
SO WHO'S IT GONNA BE? -OH, NO!
-PICK ONE, MOTHER FUCKER! WHO'S IT GONNA BE?
-[ Crying ] OH, MY GOD! -TRY ME. -OH WELL, WELL, WELL.
LOOK WHO GREW A PAIR. -OH, GOD!
-LET HER GO, CISCO. -AHH! -YOU'RE UNDER ARREST, CISCO. YOU ARE...UNDER ARREST. -YOU'RE A COP? FUCK! I CAN'T BELIEVE IT! -OH, GOD! I USUALLY GOT, LIKE, A SPIDEY
SENSE ABOUT FUCKING PIGS, ALTHOUGH TO MY CREDIT, I NEVER DID LIKE YOU
FROM THE GET-GO. BACK THE FUCK UP! -MICHAEL! LOOK AT ME. WHEN HE DROPS THE GIRL, YOU GRAB HER
AND YOU TAKE HER OUT OF HERE. -HEY, WHAT THE FUCK, MAN!
-AHH! -YOU TALKING LIKE
YOU HOLD THE CARDS. YOU GOT NOTHING, BROTHER.
-MICHAEL! YOU GRAB HER
AND YOU TAKE HER OUT OF HERE. -OH, NO! -JUDY, IT'S GONNA BE OKAY. -NUH-UH.
-IT'S GONNA BE OKAY. -IT'S GONNA BE OKAY, JUDY.
-LET HER GO. -I DON'T TAKE ORDERS TOO WELL,
LEAST OF ALL FROM FUCKING PIGS! -TRUST HIM. IT'S GONNA BE OKAY. -HEY,
YOU KNOW WHAT THEY SAY, OFFICER? YOU KNOW WHAT THEY SAY? THE ONLY GOOD COP'S A DEAD COP?
HUH? YOU KNOW THAT? YOU EVER HEARD THAT?
-OH! -LIKE THAT ONE LAST NIGHT,
BROTHER. I POPPED THAT MOTHER FUCKER
FROM THE HALLWAY! WHAT WAS THE ADDRESS? WHAT WAS THE ADDRESS, SWEETIE?
-AAH! 2236 CHANCERY LANE. HEY! MAYBE YOU KNEW HIM, HUH? NAH. WHAT ARE THE CHANCES? -AAH!
- GO! GO! GO! GO, GO, GO, GO, GO! -[ SCREAMS ] FUCKING PIG! -AAH!
-AAH! -AAH! -HEY! -CLEAR! -[ COUGHS ] IT'S OVER. I KILLED CISCO,
AND IT'S OVER. -IT'S NOT TOO LATE. -OH YES IT IS, SOPHIE.
IT'S TOO LATE. -NO, IT'S NOT. COME ON,
WE CAN PUT IT ALL BEHIND US. WE WERE RIGHT.
YOU WERE RIGHT. COME ON. -NO.
-YEAH! -AW, GEEZ...SOPHIE,
YOU WERE RIGHT. YOU PLAYED ME LIKE A CHUMP. -I CAN'T LET YOU DO THIS. -I KNOW. HEY, GO AHEAD. GO AHEAD AND KILL ME. GO ON. GO ON. TAKE YOUR EURO SHIT. GO ON. YOU WANT TO GO,
YOU HAVE TO KILL ME. DO IT. DO IT! DO IT. IT'S NOT EASY.
-JUST SHUT UP! -IT'S NOT AS EASY
AS YOU THINK, IS IT? COME ON, DO IT.
-SHUT UP! -DROP YOUR WEAPON NOW! -HEY, I'M A COP!
I'M A COP. HERE... TAKE MY GUN. I'M THE COP.
I'M THE COP! I'M THE COP! I'M THE COP! I'M A COP. I'M A COP! -SETH...SETH...I'M GETTING
TOO OLD FOR THIS SHIT. COME ON. YOU KNEW IT WAS GOING
TO END LIKE THIS, RIGHT? -I THOUGHT I COULD DO SOMETHING. -YEAH. COME ON, LET'S GO.
COME ON. - I SPENT SO MUCH TIME TRYING TO FIGURE OUT
WHO TO TRUST. IN THE END, THE ONLY PERSON
I COULDN'T TRUST WAS -- -EXCUSE ME, OFFICER,
THAT'S MY BRIEFCASE. THANK YOU. -LADIES AND GENTLEMEN,
WE ARE NOW TALKING LIVE TO THE MAN RESPONSIBLE
FOR BREAKING UP THIS HEIST AND RESCUING
ALL THE HOSTAGES SAFELY, DETECTIVE SETH GEORGE. EXCUSE ME, DETECTIVE. DETECTIVE, ARE YOU AWARE
THAT THE ENTIRE CITY IS HAILING YOU AS A HERO AFTER
THE DRAMATIC EVENTS OF TONIGHT? -WHAT? NO, NO. WHAT'D YOU SAY? -THE BANK'S MANAGER CREDITS YOU WITH SAVING THE LIVES
OF EVERYONE INSIDE. HE SAYS, AND I QUOTE,
"WITHOUT THE DECISIVE ACTIONS "OF UNDERCOVER OFFICER
SETH GEORGE, "I WOULD NOT BE ALIVE
TO RELAY THIS STORY. "I OWE EVERYTHING FROM THIS POINT ON
TO THAT MAN." THAT'S QUITE HIGH PRAISE,
WOULDN'T YOU AGREE, DETECTIVE? -YEAH.
-HEY, OFFICER! I'LL SEND YOU A POSTCARD. -DETECTIVE... -SO WHERE DO YOU WANT TO GO? -UH, LET'S START
ANYWHERE IN EUROPE. DID YOU KNOW THE ROMAN COLISEUM
WAS BUILT IN 72 A.D.? MM-HMM. USED TO SAY, "WHILE STANDS THE COLISEUM,
ROME STANDS; "WHEN FALLS THE COLISEUM,
ROME FALLS; WHEN ROME FALLS, THE WORLD." I'D LIKE TO SEE IT ALL. -ANY COMMENTS
FOR OUR VIEWERS, DETECTIVE? -THE GREATEST THING
ABOUT THE STREET? IT'S HOW SIMPLE THINGS ARE. [ LAUGHS ] NO BULL. OH, WOW! SIMPLE. [ LAUGHS ]
I'LL BE A SON OF A BITCH. YOU WANT SOMETHING,
YOU TAKE IT. WOW! OUT THERE, THERE'S GOOD GUYS
AND BAD GUYS. END OF STORY. ♪ ♪ [ MUSIC FADES ]
$windle (2002)
a.k.a. Swindle (2003)
Action, Crime, Drama, Thriller [USA:R, 1 h 33 min]
Tom Sizemore, Sherilyn Fenn, Dave Foley, Conrad Pla
Director: K.C. Bascombe
IMDb rating: ★★★★★★☆☆☆☆ 5.5/10 (774 votes)
More info at IMDb.
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