Rig Rundown: Jared James Nichols [2023]

the coding durability test puts excess through a cycle of 10 000 strums through the lens of a microscope it is clear that excess retains its composition better than other coated strings testing complete [Music] [Music] foreign [Applause] [Music] Bulger with Premier guitar with my friend Jared James Nichols at the basement East in Nashville Jared good to see you man I'm so glad to be back man good yeah well you're never gone yeah never gone you're everywhere yes and congrats on this new signature let's hear all about it okay this is the Premier Guitar Premiere exclusive I'm saying it right now this is my brand new signature with Epiphone God the third iteration of my single pickup Les Paul Custom right and this is in Pelham Blue it's like a matte Pelon blue it's awesome I don't know if it captures on the camera I can't take a good picture of it yet but like it could be like kind of silver or it could be like super blue yeah all blue oh love it it's loaded with a signature Seymour Duncan yeah okay now you went with a dog ear yeah that's a cool Choice yeah man I got one guy Leslie West so for me like I love the Simplicity of a dog ear yeah because when you roll up the volume [Music] oh yeah it's just like it's like a microphone and I feel like it's kind of archaic in a way that like you know pickups can filter out you know like like a great humbucker it's like oh yeah it really captures my tone this captures everything yeah right the good and the bad yeah yeah and I just always love the attack of a P90 I feel like it can be super snarly can I play a little bit oh God that's what I was hoping for man so if I have my volume down [Music] bring the volume up [Music] I use my fingers too so I can get that uh yeah and then all the way up [Music] it's just got all the shades I love man and that's what's what I love about your plane there's all this Nuance in it all this I mean you might only have one pickup but you get like every tone I feel like um a lot of people maybe when they'd see me play or hear me they go oh it's going to be loud it's gonna be super aggressive and there's a lot of shades of that yeah but I'm so obsessed with like the tone right the feel of it so like growing up listening to a jet back rest in peace like the super feel stuff to you is where it's at so even when I'm playing like hiking I'm always thinking about you know the the notes in between the bends and getting the you know the the feel just right right with my fingers too I feel like it gives it a different tone right yeah well yeah and that's all that kind of nuance and expression I I yeah I love that man that's yeah I'm a fan I'm a lefty so that's where it originated oh really yeah so I tried to use a pick and it never like I was really uncoordinated and then I started to just use my thumb and then I brought this finger in then I started to add basically thumb index middle sometimes even my ring finger it's like uh I can like pick chords differently I can play this a lot of the same riffs that someone could do with a pick but play them and they sound a lot different yeah it's kind of cool yeah it definitely gives you your own your own thing yeah yeah love that and I man I love that guitar so do you ever play Old Glory the old original I still have it it needs a fresh job oh God I bet yeah high miles high miles I remember being on tour with Zack Wilde and Zach uh this was years ago I had the original Old Glory and all of his necks were like sanded down so like I was like Zach can we stand my neck down he's like yeah so legit that's like two Viking Warrior after that tour was amazing he gave me a bunch of like guitars and a pedalboard and stuff and Old Glory came back like sacrified so it's got like a sanded down neck cool it's got like an Old Glory flag everything's awesome perfect I gotta bust it back out yeah yeah when I I remember seeing you back in the day of that guitar thinking he's gonna just that's gonna fall apart is just gonna disintegrate you no no restraint just beating it like it owes you money I I'm always attracted to the a little bit more of the wild side yeah um not necessarily I'm definitely not like a shred like a shredder but there's something about I don't know whenever I pick up a Guitar it's like probably like everyone watching this it's like it's my favorite thing in the world like you and there's something that the more I dig in like the more I get into it yeah so man I'll start playing man and I'll just [Music] thank you just I love it I love it I love to play I love it too that is so great okay man so congratulations on that I know you've got a few others we got to see yeah we got some fun stuff up next is a really really cool guitar It's Gonna Get Loud for a sec oh it's been loud for the record I've seen a lot of bands in this venue and I've played in this venue and I've never heard anything louder yes I win yeah yeah check this one out this is a really cool guitar this guitar belongs to my friend Charlie Daughtry who runs the um yeah great friend and I love this thing I so back to the P90 single thing right this is where the glory dream originated but what's cool about this one is it's from 1959 so that's a good year yeah but the cool part is you know and now everyone in the comments can tell like the real story but I believe in 58 they switched to the double cut so yeah I think I'm I don't know I'm pretty sure I don't know I'm pretty sure like the red double Cuts started in 58. some nerd in there will say just tell us just tell us he'd be like hey dummy I think it was yeah may I think it was 57th of 59. yeah yeah yeah 30 will know the date right I have rarely seen like 59 single cuts and something about this guitar is just really cool it has a really articulate tone and the reason I brought it today it's been grovered so it's got Grover's on the Grovers so Grovers do something to guitars I know it might sound crazy like but whenever they play them I feel like it has a different sound so I I was playing a 56 for a while that I borrowed from Charlie and this one had a different sound so let me play it you can kind of get about it all right here we go [Music] [Laughter] [Music] [Applause] it's got a nice tone God great and uh you know moving along with this thing like I just like it because although it has a lot of the same configuration you'll notice how much darker this guitar sounds than the new one of course um but I just thought it was so cool it's like a 59 and when I get into my my crazy mode this thing just starts screaming like in a [Music] thank you [Music] [Laughter] [Music] shot in a trio it's rocking dude oh yeah yeah it's like the thicker and grosser the better yeah I just thought this was a really cool guitar to show oh yeah fantastic I love it so far we're two for two two for two we got up next one of my favorite guitars in the world oh I remember this one yeah you remember this one from the boat yeah yeah exactly yeah I think are your last rig run down on the uh Bonamassa Cruise yes I think you have this one with you I did so this is bringing up Charlie again oh volumes um I got this from Charlie a few years ago he had a bunch of Les Paul sitting there and this one spoke to me simply put man this is one of those ones that just inspires me to play right you know and it's a 1953 um it it obviously started its life as a gold top right you can still see maybe you can show in the details but it's gold underneath this painted red oh that's great so they just shot right over yeah they'd like rattle canned it they rattle can that thing God they did yeah man that is rattle can right the best part about all these guitars like this is I can play them and not worry about it you know what I mean so someone was like oh man you should take it back or you know we store it to the gold I was like no I'll get back to the goal by wearing on it yeah yeah you're getting there right now totally so this kind of guitar um this style last Paul it has a nice wide neck to it and it has a thin ear you guys can see I like like wraparounds it's like the earliest ones have really thin wow that kind of cool right right I've never noticed that before that is really thin it's really thin try and find another one of those I looked for one it was like two grand because this one's got a crack in it so I was doing a string change and I was like oh no oh no no but um yet again man I just play them I love them and uh this one's no doubt you want to hear it oh yes let's play it [Music] all right it's got a really nice neck pickup too man check this out [Music] and then of course rolling it back [Music] thank you foreign [Music] and it's not there's not that much of like a of a 60 Cycle thing going on I mean it yeah I mean because you ladder them damn it but it's not like it's not it's not horrible yeah no it's it's actually it's just part of it man it doesn't bother me at all I uh I learned really quick when I started to tour with like P90 guitars that it's like you got to be able to hide it right you got to be able to know where to fill in the space yeah and I remember a guitar player friend I was on tour with like one of my first like big tours was with the bass player Glenn Hughes from Deep Purple sure yeah and we did like 60 shows across Europe and Doug Aldrich was on guitar oh wow and he was like Doug's amazing yeah he goes playing those P90s and like he's down by the stage I was like yeah and I had a gnarly 60 Cycle going he's like you got to be like a gunslinger man yeah and he's like he's like yeah and then I thought about it and I was like he's kind of right so when I do play like let's say I'm playing something like you can hear the buzz yeah but what I'll do is it's almost like I make it one motion [Music] and I'm always riding and like I do it without intentionally doing it but I'm always riding the volume the tone yeah muting when I need to right I think that whole that no pick thing really really helps without you I think that's for your whole kind of nuance expression comes from yeah and even like someone will probably say in the comments back this guy just plays dirty but like even when you're playing like clean stuff you know like uh um like when I use my fingers like a [Music] going to this pickup [Music] I just I love to massage the guitar yeah beautiful man yeah so that's all red okay level red okay now we're gonna bring out a guitar that A friend brought to the show tonight for me to Specialty play and I thought that this would be really cool to show everyone if they haven't seen it they're gonna dig it oh they've all seen it oh they've seen it oh they've seen it everybody in the world has seen this guitar this guitar belongs to my friend uh Chris Chris Blakey and he goes online as fried okra and this is one of Paul Casa from the band free 1959. yeah that's the one all right now this is it yeah should we play that right are you gonna sound like it yeah yeah yeah it's funny because I've spent a lot of time with this guitar now at first I was scared of it like oh God yeah but this thing is a beast man let's see what it sounds like hold on [Music] God I'll take it you don't even need that much game foreign [Music] you know it's it's funny because it's not it seems like it's it's cleaner than your than your P90s or dog ears yeah those dog ears man they get pretty muddy and in the dirt but like in the best way yeah yeah in the best way yeah all right they're down there on the bottom man they're just like you know yeah that is [Music] [Music] foreign [Music] it's a really expressive like what I guess what I look for in guitars are like you know you always try as a guitar player to be expressive but ones that push you just a little further right kind of go for things maybe you wouldn't always go for but even this one it's just like [Music] see what the neck pickup does man foreign [Music] foreign [Laughter] all the time the ones that vibrate against your body right and then like while you're playing it feels like it's alive you know I've never seen you on anything other than that yeah I used to flirt with like flying these SGS and stuff yeah but I always kept coming back to Les Paul's yeah you know funny fact I was actually born in Waukesha where Les Paul's from oh that is that is meant to be so I remember when I was a little kid like seeing a Les Paul and being like Oh yeah that's cool yeah and then like when I started to play I was like of course I'm gonna play yeah yeah yeah actually I did see you playing one of Van Halen's guitars oh yeah oh that was the only time I've seen you not on on a last fall that's all and I love Eddie of course oh yeah and like I'm a big fan of all guitar like so much but when I played that they brought it out and I was like yeah I'm probably not the right guy hey God you said it great you said yes they're amazing and he still sounded like you but it was like an homage to Eddie totally totally and that was that was really special I've been really lucky to to play so many like legendary guitars sure and especially in like the Gibson world yeah I've made all these friends and people that have guitars like this where you just yeah of course 58 that's all they're flying B whatever you know it's cool well Jared you're kind of a big deal man yeah hey I know you have one more uh one more in the hopper yeah I got one more let's let's see that one here it comes so this guitar people might know about too it's uh thanks Kev this guitar came into my life let's think probably about a year and a half ago um it's never leaving yeah this guitar from the moment I plugged it in turned into like legit like my favorite Les Paul ever I can't even believe I have it and the way I got it so weird so I'll play it and then I'll talk about it okay is that cool yeah please let's make sure it works see we got going here all right check it out [Music] [Laughter] foreign [Applause] [Music] foreign cool huh fabulous so this is one of the first Les Paul's ever really it's an early 1952 wow so this guitar was in a tornado check out the back guy hits me up on Instagram right sends me a DM and it's got that thing where it says like are you sure you want to view this picture yeah see like the outline it was like a gold top yeah so I'm like yeah I'll click it yeah he goes hey man my name's TJ I live like near Chicago uh there's a tornado in my hometown in 2013 and this landed in my yard swear to God yeah and he goes he goes and it had dirt and mud and like glass and you could see like it been through the ringer was it in one piece no the neck was snapped off oh so he goes man I'm thinking about getting it restored I don't know what I want to do with it um and so I hit him back right away and I was like dude that's sick it did not have this tailpiece right it didn't have any of this but all of this was there everything but hiccups knobs yes switch and it looked like man I went through the war right so I saw these two screws on it and me being you know a big internet uh armchair detective no I saw the screws and I went that's a really early last Paul because the only ones I've seen like that are super early right so I I hit him back and I was like dude I had to shoot my shot I was like you're looking to get rid of it and he's like no I think I want to get it restored and I was like okay cool I said well if you need any help finding someone to do the work for you I know some really great guys and I said here's my number and I said and also if you ever do just decide to get rid of it I would love to get that thing up and running it was snapped at the heel I'll show you here in a minute and the next day he calls and I was like dude's calling me so I answer he's like hey man so I'm just going to give you the guitar I'm like what he goes yeah I didn't buy it I can't really I don't feel right selling it so I think you know you should just take it and get it fixed and play it and I'm like Chicago and um I meet up with him and I was like does it work and he's like what do you mean I was like get a screwdriver so we tap the he plugs into an amp we tap it's like I was like oh yeah it works so I sent this guitar the next day to Joel at JW restoration I told him the story about it and I was like dude it was in a tornado I was like this thing is so cool and we like bonded right away and he's like yeah man I'll fix it for you and I was like okay cool so what we did is you can see on the back here I can show you but right here at the heel right Joel is like a magician he took the old heel what was existing of it out and he built the neck and grafted onto the old heel and put it back up wow and it's rockstar I said is that going to be solid enough man because I'm going to rock this thing yeah yeah he's like dude don't worry about it it's gonna be great and it's been great so this guitar like early 52 the characteristics the pots and the the guitar we because I said you got to look at the pots and the pots are from I believe he said April of 1952. so it's pretty early right and the other thing is it had a kind of a tan line like this uh where this tail piece would be and I would see those pictures of like Mary Ford oh yes and there was a few less Pauls that had kind of this this style you know tail piece on them so I was looking on reverb one night and I found this tail piece it was I think it was 25. it was like late 40s L5 tailpiece or whatever yeah and I texted it to Joe I was like could we use this on a guitar he just text back buy it so we bought that we fitted it with this um I didn't know if it was going to last we did do a wrap tail on it but I like it the way it is yeah it's great um the early characteristics though is this has a center seam plain Maple top wow like a burst yeah um the body's wider it's a little bit wider which is kind of cool right thicker body um the other thing obviously this weirdo pickup it's got no binding on the neck right it's got these weird like hex kind of oh yeah cutting those and those knobs are huge huge man but I like that oh I love it like as a player yeah sometimes you're playing you know like those 70s witch hat knobs yeah you're like oh I'm trying to get up right these man I feel like rest in peace [Music] but it feels really good and uh it's just such a fantastic guitar man it's really inspiring yeah that's great that that guitar found you yeah I knew when I got it too like I remember Joel sent it to me we were playing at the theater in Pennsylvania he's like I haven't looked at the pickups yet or anything so I got the guitar and it was done I could still smell the glue and I was like man what if it doesn't work you know what I mean so I remember I plug it into my rig and I just go like this it's working and like my guys were like staring they're like and also and I just kind of did like a I remember going [Music] it works this thing's got a little extra on the end foreign [Music] I love it that is great man and then someone goes oh you shouldn't play that guitar it's been through enough and I'm like dude if this thing can withstand your tornado snap neck and all yeah I think it's ready for the road man so I take it everywhere yeah the last time I saw you was at that um that I've never heard our story wild right dude and everyone I hand this thing to even Bonamassa was like we did a session together and he's like dude I'm gonna bring a bunch of guitars for you to play he had some crazy gear he brought yeah and I plugged this in and I he's like play the guitar and I just went like [Music] BS look like that or whatever and he was like yeah we'll start there yeah good for the guitar played the guitar the whole session then we were at dinner I was like Joe what do you think of that gold top how it sounds and he's just like [Laughter] yeah he knows God that's great okay so amazing guitars let's talk about the rest of your room yeah it's super simple why don't we start with okay so you've got your uh your signature amp what do you run in today so today I have this one right here I thought this was kind of fun to bring too because yeah man this came out in 2019 it's the JJ and 20 black star 20 watt right head in this kind of 212 cabinet yeah this is the first one they ever sent me and I'm still using it great man in 2019 I went to like 22 countries I was on the road for like 308 days right this was right after we'd met right or before right before we met yeah but this head was with me in my last spring around now yeah and um I would put this thing in a suitcase I mean I beat the crap out right yeah no real ways just checking it it still works man so I've been using this and this thing sounds awesome so with the JJ N20 I run this on the clean Channel with the dirt all the way up it's a lot more articulate than this big one so um let me just pull this tube screamer off going here is that right nope that's right here we go yeah [Music] what's so cool about that too is it's got a lot of Reverb kind of yeah but when you mix it with that super dry one is right it's got a nice little yeah kind of gives it a little Shimmer yeah it almost sounds it almost sounds like like some of those Corners where you have a room mic that's off of it doesn't sound as much like it almost sounds like when you have a combined it almost sounds like a room mic combined with a close mic totally it's killer it's really nice and it helps me um because at the end of the day I have a hard time if an amp is it doesn't give me enough Dynamics even when I'm playing like heavy you know if I don't have enough Dynamics I start to feel uninspired so yeah like one level with this thing it's got a really nice because I can I can back it off [Music] [Laughter] so it's got enough on the volume right yeah and then I'll show you guys this big dog now this is a 100 watt artisan and this thing is like cut your head off loud yeah you don't even have it up that loud what I'm basically using this for is a lot of the low end the thing I feel like I love uh when we were making my last record using this it just gave so much bottom and it has more bark right and that's one of the things I kind of like that sometimes you can't get out of the like a 20 watt this is 100 watt in the 20 watt right so it's very dry [Music] and fairly clean fairly clean right and then when I add uh some you know dirt to it [Music] God that's great so it's it's really simple um and I always find if I if I over complicate the rig yeah man I just like simplicity so it's like I'm already complicated enough well the last time I saw you we were doing that um guitars for vets show yeah and you walked in all you had was that guitar and I don't know if you use the backline app or that uh yeah so you just walked into it that guitar no pedals backline amp yeah that was it sometimes I feel like remember sometimes you get inspired by different gears so like when you're playing an uncomfortable situation I try to embrace it I'm like okay cool what am I going to do with this yeah how am I gonna make this work and your sound check you just walked over like okay I love it yeah that was it was the quickest setup ever yeah usually it's like a few notes and then I'll leave the rest to uh for excitement you know what I mean yeah and then yeah that's it yeah well okay let's talk about your um your modest pedal board yeah so the pedal board's super simple I have like like tonight what I'm doing is I'm running both amps always on at the same time which is like kind of like I guess like a hobo wet dry right yeah right does that make sense it's like a football is wet dry yeah like I don't know what I'm doing but it sounds good yeah so what I have is um I meant um I did this camp with Paul Gilbert in last summer and it was awesome it was like me Paul Gilbert Greg Andy Timmins and I'm standing up there with these guys I'm like what am I doing so there was a friend uh one of my friends his name's Tyler he works for Ibanez he hooked me up with a ton of tube screamers oh great and here's a good story I was traveling with a Quan well last summer I was on tour with Zach Wilde and we were playing in West Virginia somebody tried to steal that clone so yeah I got to the point with this pedal this clone pedal I'm sure someone's heard of it out there no yeah but people would see it and they would be like it was almost like a dog to like a bone yeah right so we'd be playing these venues and you know when you're traveling like that you know I'd set up my board and then I'd leave it until we play the show so maybe it'd be an hour two hours three hours and I'd walk in the back get some food or you know yeah we'd go to the gym or whatever we do and and the Quan would be on the board and then sure enough we were at this this Festival in West Virginia and I walk up there and my whole board's gone cables are still there but the board's gone ended up in someone's trailer I have a Tracker oh do you really yeah like on air tag Get Air tags for your cases oh that's a great idea yes so do that because that'll save your life especially when you're traveling put an air tag in your guitar case if even if you gate check it like I'll have to gay check this and they'll be like yeah we don't know where your guitar is and I'm like I know it is it's it's literally in the planes yeah you know what I mean so anyway great idea air tags man dude they're cheap yeah um but anyways I got these tube screams because I really like the way they sound and um so you got your your claw yeah almost oh yeah this one this guitar was about to become like yeah you know it was getting pretty serious but I got it back everything was good but I said you know what right now it's not worth the risk of having this and we're using it for something stupid so I got these tube screamers and I'm loving the way they sound oh they sound killer yeah yeah so the first one I have it's like this dual Tube Screamer um basically I use the the first side of it I run it all the way and then when I have that with these amps it pushes just enough so it gives me that Dynamic control I want yeah so if I have this on I usually have this on all the time and I have [Music] simple oh yeah sounds great yeah sounds great it's got a lot of bottom end and what I noticed too is it's super troubly so I have the tone all the way yeah I think that's a secret because because a lot of times tube screamers have that they have something on that upper register that just sounds not yeah like what I want isn't it funny how like I don't know about you but I remember when I was like 15 I picked up a Guitar I had a tube screamer and I was like yeah this is awesome it's like I still use them yeah yeah it's great yeah um so I use that and that usually stays on all the time and then moving on from that I have this really cool pedal it's made by a company called sabatius in Argentina it's this funky Vibe and boy is it funky so by the way a quick disclaimer about these pedals the only reason that I'm really using some of these pedals is because this new record there's certain tones on it that and riffs yeah that like when we were in the studio I was like all right I'm gonna throw a univive on it and I want to be able to recreate it live so this is the same stuff I used on the record yeah so here's that funky Vibe of course I'm gonna play it [Music] thank you [Music] I love it love it there's some stuff I do sometimes when I want to be like the um the d-list Tom Morello you know but I'll mess around down here and get your shoes cranking yeah it has a vibrato too but that just makes me seasick [Music] I just use it for the chorus yeah and I run it the speed pretty slow but there's something about that throb man [Music] oh my God and I'll run it to you where it's where it's more quiet and I'll do Parts like it's more of a kind of a texture oh yeah yeah it's great well and you're usually are in a three piece anyway and you're covering a lot of Sonic ground that too is I know I'm talking a lot but that's like the P90 thing too it was like listen to Leslie West and early Clapton and stuff it's like how am I going to cover the ground right because I love Stevie Ray and I love the strap blue like I grew up loving that but every time I played it I feel like I was trying to sound like someone else so I picked up like a Les Paul and this P90 thing it was like okay now I gotta like cover it up in a different one yeah so it's cool yeah oh yeah that's great moving on I just got this pedal like two weeks ago it is um this uh guy in England BG Harding right it's a Zonk pillow you ever heard of it no it's disgusting it's gross so check this thing out okay well first off there's that [Music] so it's all right let me talk about it quick it's super Dynamic but when it gets to the top it's just disgusting that's the the tone tip [Music] [Music] [Music] foreign [Music] [Applause] [Music] [Applause] [Music] it's gross it's kind of cool though it's so cool sometimes it is so cool that one could get you in trouble you can only play it in like a trio like your own thing yeah but it's kind of cool too because I mean it's got an early [Applause] I first heard Doyle Bramhall the second playing one and I thought it sounded so cool because he would be like [Music] kind of Octavius yeah it's gross John is good it's gross I love it so then usually and then I just have another Tube Screamer because I'm I Love Stevie and like he would have one on and then click on one for a solo right yeah so here's the the uh one on [Applause] simple yeah love it and then Octavia this petal I got when I was like 16 or 17. oh really that that one oh it's right and I hated it because when I turned it on I tried to play a chord it was like well hold on that's not actually cool I didn't know how to use it but what's really cool about it I leave the Boost kind of down volume up it's got the craziest tones man so like a foreign [Music] [Music] foreign but I'll tell you what there's no better feeling than laying into that thing going [Music] cool right oh yeah it's like when you can't get any bigger it gets bigger yeah yes what is it what it can get bigger yeah and with that thing it's kind of cool too if you were to be on nuancy with it too like this here [Music] [Music] something different yeah you know if if I was just listening and not looking I'd have no idea how right you do that and then if you roll the neck all the way back yeah foreign foreign [Music] [Music] [Applause] yeah I think you knocked a filling out of my tooth all that on that one just shook it Loose there it is and then I have one last pedal it's a Wawa yeah it's I really like this it's the RMC walk um the thing I like about it is it's really articulate so like when I click it on it reminds me of those clapton-ass tones that I like from like the cream stuff like uh uh even though um all that like [Music] [Music] you saw Hendrick said yeah I like it yeah it's like a real conversation like like I I like when you you seems like you use it very judiciously you know because you don't spend a lot of time watching no but when you come in it really says something yeah it says something and it's also uh you know we're talking about like the one more Factor yeah sometimes you just need that extra travel hit to the eardrum so when you're playing you're just you know you guys are everyone foreign [Applause] that's like the end of the night sound man takes a two by four just turns everything up every fader up yes yeah oh God that's great yeah man well Jared hey man great scene a great hearing you play dude you're taking over the world congratulations I'm doing my thing and I'm happy to be doing my thing and uh I love everything I love your third thanks man hey y'all up till next time foreign [Music] [Music] [Music] foreign

Channel: Premier Guitar

Views: 84,806

Keywords: guitar, guitars, guitarist, demo, guitar player, tone, electric guitar, fender, fender guitar, gibson, gibson guitar, gibson les paul, rig, guitar gear, pedalboard, pedals, guitar effects, guitar pedals, premier guitar, rig rundown, rig rundowns, jared james nichols, jared james nichols rig, jare james nichols gear, john bohlinger, nashville, paul kossoff, vintage guitars, vintage guitar, vintage gibson les paul, les paul burst, blackstar, jjn20, blues power, epiphone, epiphone les paul

Id: Ljku_0yBGwM

Length: 46min 16sec (2776 seconds)

Published: Wed Feb 15 2023