- So in an effort to be
slightly more efficient in all of the costume reviews
that you seem to want me to do we're going to do a
little 2020 year wrap-up of all the period dramas that
have been released this year. And just to make things a
little bit more exciting I have decided that we
are going to be ranking these period dramas on a
scale of historical accuracy. I have made up a chart. I have tons of notes, and we're about to rank
these films and TV shows on a scale of "they tried
:/" to *chef's kiss*. So I guess I should kind
of clarify my tiers here. *Chef's kiss* is obviously
like near perfection. There's a combination of silhouette that obviously looks
convincing to the period. The materials that they use
are appropriate as well as presence of tiny details, such
as seams or stitching details or embroidery things that you can just tell that the designer did their research in order to find out those little things. Pretty good is the silhouette
is probably convincing enough. There may or may not be a couple of seams that look a little bit obviously modern but we can let those pass because generally the costumes themselves don't pull us out of the realm of the historical context of the story. It was a Design Choice(tm). This category is sort of reserved for the element of fantasy. So I'm not about to allow any
of these historical dramas to sort of cop out on "but
this was a directorial vision". Yes, that's fair, if this is fantasy and it's
not actually dealing with actual historical events,
actual historical figures, or is meant to have been set
in an actual period of history. If they're going to a fantasy realm, it's some alternate universe thing, OK, fair. It was a Design Choice. There is a separate category
for blasphemous hair and makeup because the actual bane of my existence there are several instances
in which the costumes are actually pretty good but the entire
convincing-ness of the world of the historical film or
show is just shattered. You cannot fully immerse yourself into the realm of the historical period because you are constantly
being pulled out by the fact that her lip
shade is like not quite right. And also why is she wearing bronzer? And then they tried is obviously like an attempt at history was made, but like not very successfully. We're basically just
going to be judging the objective criteria of "is
this historically accurate". So without further ado, we are
going in order of US release. First on our list is "Little Women", which if you watched
my compilation video on the worst costumes of all time,
this film was on that list. We've discussed the UGGs, we have discussed the beach waves. This gets a solid... they tried? but were they even
trying... remains to be seen but that's gonna live there. Second on our list is "Emma", which once again also made it onto not my worst costume compilation but my best costume compilation. we have already discussed the 10 out of 10 near perfection of "Emma",
everyone basically looked like they were out of a fashion plate. It was beautifully designed. This gets a chef's kiss. I put Mulan on this list because I think it
technically is a period drama. It does take place in
fifth or sixth century, Northern China. It's based off of the
original ballad of Mulan. So there is historical text to it. There is also a lot of fantasy. So this one is a little bit tricky because my particular realm of studies centers around English and
American pre-World war one historical dress. So I can't say that I am very
well-educated in the realm of six century Chinese dress,
Northern Chinese dress. So I put this one on
my list and I was like, I'll do some research. So three hours later, I
had only just got up to the general overview of the Tang dynasty. And I was like, oh wow now I understand why historians choose one
very specific little pinpoint of history and study that
for their entire lives. So personally I am not qualified to deem this historically accurate or not. According to the background
research that I did do, I am first and foremost,
a little bit disappointed that they didn't hire an
actual Chinese designer. And I know, I was watching some criticism from people who actually are more familiar with the cultural details. And one of the main criticisms of this was the fact that they
were hiring white designers to do research into Chinese dress and not actually hiring Chinese designers who already have that background knowledge and who can then focus on building a world within the context of those
historical foundations. To my untrained eye just based off of the
artwork that I was looking at within this time period there
does seem to be a lot of bright colorful dress happening,
which is so superficial but they certainly did
that within this film. The fabrics and materials that they use do seem to be convincing
enough in terms of quality. Obviously, I haven't done
the depth of research to get to the point where I understand what dyes were available and therefore what colors
would have been available and what colors can be
worn in what circumstances and with what, but just based off of the
research that I did do the silhouettes look pretty okay, the colors look at least having
existed within the period. There is definitely an
element of fantasy involved. I mean, we are dealing
with the realm of witches and people running up vertical walls, which is not... you know... reality. This is also a Disney film. And I know one of the main criticisms of trying to make Disney
films historically accurate is that they are Disney
films and they are fairytales and they are not historically accurate. Anyway, that is a very
long-winded way of saying that. I do think the costume design was-- to my very unspecialized eye-- the costumes did look pretty okay to me, I'm going to put this in
it was a Design Choice. (sigh) I think that is the best that I can do. So next on our list, we have
Belgravia, it's a TV series. The beginning is set in 1815, and it sort of goes up through the 1840s. Initially from looking at
the promo images of this, I was like, "oh my God".
I was actually so excited for the show because obviously the book came
out several years ago and I was like, oh yay Julian
Fellowes wrote the book. I was like, oh, it's Downton Abbey. So it will maybe be good, but then I saw some promo
pics and I was like, wow, this looks extremely modern. I guess the costumes are going to be a Little Bit Questionable, but the costumes were pretty good (sigh). I realized the thing
that was throwing me off in the promo images that unfortunately, because sometimes the promo
images are done up and shot before the actual thing is shot or they're done separately offset, not within the context of the
actual shooting environment. So the promo images don't always reflect the actual costumes.
Unfortunately, these kinds of did. The Appallingly modern hair and makeup did carry over into the actual series to the point where like, I can
tell that you are definitely from the 21st century and you're putting on a
bonnet and a soap frog. So unfortunately this one
has to be classified in blasphemous hair and makeup. Next we have the English Game, which is a new Netflix TV series. This one is set in 1879 I
believe is when the show begins. Once again, I have not
studied the realm of sporting uniforms, so I cannot
speak to the accuracy of the football uniforms. So here's the thing within
period dramas, there tends to be this overarching phenomenon
where the men's wear tends to be pretty much ok. It doesn't change a whole lot from mmh kind of from the beginning
of the regency period up to the modern times. The women are overly made up
again, the hair and makeup is just... frustrating. But then again, the women in
the show are used as props and on flowers anyway. So does it really matter? Probably not! One thing that I did
enjoy on this show is that because a lot of the
story is spent in uniform on the football field, everyone
is kind of dressed the same. They did capitalize on
that late Victorian trend of EPIC men's facial hair and sort of extreme and
varied men's facial hair, which was extremely clever
because I was a bit worried just watching the show that I would not be able to
distinguish one white man from the other white man, but they do "Oh yeah, okay, this is
the guy with a large beard. This is the guy with a small beard. This is the guy with the little mustache." So I thought that was clever. I have nothing like serious again to complain about these clothes. I'm gonna put this in pretty good. So next we have another Netflix series. This one is called Self-Made. I have to go a little bit hard on this one because this is actually about
a real historical figure, Madame CJ Walker, who if you don't know who
she is, go Google her. She's like one of my
favorite historical figures. She's the first self-made
female millionaire in the United States. The show itself is entertaining, it's good. Unfortunately, the clothes are not good. It's supposed to be 1908 but
you kind of can't really tell. They're using all sorts of materials, all sorts of laces and weird trimmings. They did not really look period at all. And I have to be a little bit more rigid with the historical
accuracy judgment on this because it is not only dealing
with actual specific years within history, but also
about a specific person. Like the research is out there. I think it may have been deliberate because the way that the editing
is done, it is very modern. When I was watching it, I
was like, you know what? The only way that I can sort
of describe this editing style is TikTok. It feels like TikToK
or like YouTube editing not in a bad way because obviously we all find
that entertaining, right? But it was definitely different
to see that in a TV show. I will say the background characters, a couple of the background characters were actually really good. I presume this is because they made all of the principal characters
and those were ~Designed~ but the background folk were
rented or pulled from stock or something. And therefore there were existing costumes that are a bit closer to history. I will say though, that
this show is unique in that though the
clothes were not the best, the hair was really good,
which obviously it should be because the show is about
hair and hair styling. So good job on the hair, but in terms of clothes, I
gotta put this in they tried. So next we have Miss Scarlet and the Duke. The costumes were ok...? I did like that spend
pretty much the entirety of long periods of time
in the same clothes that is very contextually
accurate in that, yeah people don't change their clothes. Well, they changed their
under things everyday but you have sort of a set
number of outfits that are yours. And because clothing is expensive you don't wear a new outfit
every day necessarily unless you're supremely wealthy. I was a bit disappointed by
the silhouettes of the clothes. They at least seem to be
wearing corsets, properly under structured. But I don't know what year specifically this is supposed to be I'm getting like 1891 from it just based on the sleeve
shapes, but a little undefined. They haven't got quite the
right like padding situation to just... like that
Victorian, late Victorian/ early Edwardian turn of
the century silhouette like you can just tell when it's right and you can just tell when it's not right. That's all to do with the padding. And I don't think that
they did that in this show. The unforgivable thing within
this show is once again the hair and makeup, which was appalling. So this one gets classified into blasphemous here and makeup. Next we have The Great. So I had heard not the best
things about the clothes going into this, that it was
not historically accurate but I was actually
pleasantly surprised by it. I thought the silhouettes were good. They were wearing proper undergarments, so everyone was sort
of positioned correctly apart from the first episode, which had some major fit
issues with the gowns, the clothes fit well,
looked decent enough. I was about to classify this
into stupid hair and makeup because after watching the first episode, I was like "why does everyone
have their hair down? And like pulled up into that half ponytail that everyone thinks is a
historical thing for some reason, but is not!" But after the first episode,
they got their act together with the hair and they
actually started putting it up and doing 18th century rolls and stuff and it was fine. So I think there was just
a little bit of a shift in the design process between the first episode
and the rest of the episodes. Some of the materials are questionable. Some of the trimmings are
not quite 18th century. Some of the outfits are
literally unidentifiable as something from the 18th century and are just completely modern. I'll put this in pretty good because it doesn't have
the fantasy element to classify it as a design choice, but it's not as bad as they tried. Ok, it'll live in pretty good. Next we have the Alienist,
which takes place in 1897, not that you would know it. The clothes are kind of meh they're like Neo Victorian. It's like someone went to a high street and just pulled a bunch of blouses that had that Victorian flare and said "let's put this in a
very serious crime drama set in the Victorian--" It's not Victorian, this is in America! In the late 19th century hair and makeup. This is becoming a theme friends. And I think this is a general
theme within the entire world of period dramas the hair
and makeup is a hot mess. So a lot of period films do this set in, especially in the late Victorian, late 19th century period they do use modern blouses
and you can get away with it to an extent, but when you
combine those modern blouses with very blatantly modern hair and makeup that just tips the balance from historical to not
historically believable. There was actually one
point I had to laugh. You know how like modern blouses are very like poly chiffon
and very see-through where you can kind of see through the back of one of her blouses and she's wearing completely
modern undergarments in that scenario. So this is going into once again blasphemous hair and makeup. So next on our list, we have Radioactive, which once again I'm going to be a little
bit hard on this one because it is about a very
specific person, Marie Curie Ihis film actually takes place over a span of time, at the
beginning starts early 1890s. And then there were some
cutaways to like 20th century but I'm not going to comment on that because that is again,
beyond my area of knowledge. So the one main thing
that I noticed about this is that the sleeve shapes
in the beginning are like, yeah early 1890s, 1891 ish but they kind of stay that
way throughout the entire film despite the fact that
it goes all the way up into like the twenties. The 1890s is a very
particularly exciting decade because the shape of the
sleeves changed so dramatically, and very specifically from
year to year within the decade, I always love watching period
things set in the 1890s because you can always tell
when the designer knows and is getting those
sleeve shapes just right. So like in the 1890, 1891, the sleeves are very
sort of quaint Victorian, like what we think of. By 1893, 1895, 1896 the sleeves just get really, really big. And then they start to go down again like 1898 round to the
turn of the century. In theory, there should
have been a little sub story happening with the sleeve
shapes in this film. There was not, I will
give that a pass because yes not everyone changes
their entire wardrobe from year to year or even maybe like every three years or every five years, like, ok, I can let that pass. The hair and makeup was good. It did not take me out of the film. This did also suffer from a little bit of
modern blouse syndrome. However, it didn't feel like
a bother to me because again the hair and makeup kept
us very realistically within this 1890s realm. So I will classify this
within pretty good. So next we have a Personal
History of David Copperfield which admittedly came out
elsewhere in the world like ages ago, but the US got it in 2020. So I'm counting this on his list. The clothes in this were really good. It's sort of 1840s Dickensian. So I don't think they
actually specify a year but the clothes did say 1840s to me. And they were actually really good. It does feel very designed. It's very bright. It's very colorful, lots of
unusual patterns and textures being used together which wouldn't likely
have happened in history. However, I give that a pass
because the whole context of the story is that it is
deliberately a whimsical tale within the Victorian period, as told by the Victorian character himself in a deliberately whimsical way. I accept that because it's almost as if they've taken Victorian
patterns, textures, colors and designed a costume within the realm of the Victorian period. I thought it was really clever. The silhouettes were good. Again, the materials were all believable as having existed in the Victorian period, they all looked natural fiber. The patterns and textures were
all believable to the period. There were also lovely little details. There's at one point
where the woman bends over and you can see that her dress
is closing with dress hooks which always brings me joy. Oh, oh, the men's
waistcoats were fantastic. The fabrics used for the
waistcoats were just *chef's kiss*. This one goes into *chef's kiss*. The next film that I put
on my list is Antebellum. And then I watched it and I realized it's technically not a period drama. It takes place in this like
alternate reality "modern times" in which Southern plantations still exist. And people still dress
and behave like it is the pre-war 1850s. I kept it on this list
because the 1850s clothes were really good. But in theory, it's not technically period but they did definitely pay
attention to their seams the shoulder seams on the
men's shirts were just-- like they did the seams right. I was genuinely really impressed with the way that these clothes were done. Obviously there were
some deviations taken. I don't think any of
the women were wearing under structures. Even the sort of like silk
gown, ladies of the house didn't look like they were
wearing corsets some of the time, which is not period. But again, like I also believe that if this were a 21st century situation in reality like they wouldn't be... This one is a bit confusing. But again, I felt like
it was worth keeping in just to acknowledge the effort
towards historical detail that was made because it was good. So this one is going into
it was a design choice because obviously this is within a sort of supernatural fantasy context but there was attention paid
to the historical dress. Ok, you've been asking me
incessantly to review this- film? Yeah it was a film- for the
entirety of since September. It is Enola Holmes. I wasn't going to do a
separate review of this because I just didn't have
anything really nice to say. And I don't like being mean but Karolina Zebrowska has
already done a video on this and you should watch it because
it is supremely accurate. Her review is supremely spot on. Not that the clothes are accurate (sighs). What period was this movie supposed to be taking place in? Because they do reference
one very specific, I think it's the reform act or something I don't specifically remember,
but that does pinpoint the story within a very specific date which I think is 1881 or
1888, some 1880s situation. There are women in crinolines. There are women in bustles. There are women in very
specifically Edwardian post turn of the century lace
tea gowns at the very end. And even this- this frickin red dress that she spends the
majority of the first half of the film in is more of an 18th century polonaise than it is anything from the 19th century. It's like this gown
almost literally just came out of Harlots. We won't talk about why an
18th century harlot gown is being worn by an 1880s teenager anyway, I wanted to like this movie a lot but between the clothes that
just couldn't pick one decade even, let alone like a century, combined with the hair and makeup, which again was just a disgrace. I am afraid I have to
put this in they tried. So the next item on my list
is the Spanish princess which to be honest, I went into this, expecting it to be like
Reign/the Tudor-level like ghastliness, but maybe
it's because I went into that with that attitude that I was
actually pleasantly surprised by some of the clothes? The silhouettes were kind of ok at least some of the shapes of the gowns. Some were definitively
more Victorian than Tudor but alas. This does, however,
unfortunately suffer from, again, the inevitable modern
romance drama issue of blasphemous hair and makeup. The next film is Ammonite,
which takes place in I don't think they actually
specify but it's 1840s, probably late 1840s. This film is just... yes,
with the clothes, basically. I buy pretty much everything. The silhouettes were great, the fabrics were great, there was one greenish gown that she wears to the beach, silk gown. But the silk, the weave
of the silk is like, this is straight out of
the early 19th century. Like I buy this, this is great. The way that the clothes
were constructed though you could tell by the way
that the sleeves were set and where the seams were that they were looking
at historical patterns. The fabrics that they chose were great. Even the context of the
clothes, how they were worn in that the sort of posher
woman changes her gown, not every scene, she does re-wear gowns but she changes her
gown sort of frequently. And she's wearing nice silks, whereas the geologist, she's
always in this sort of homespun tartan check cotton dress that she wears pretty much
for the entire film (sighs). The context was very satisfying. And just in the difference of
how they wear their clothes. I don't think Kate Winslet's
character was wearing a corset. I don't think at all within the show but her silhouette was not off for some unpinpointable reason I don't understand why she
wouldn't be wearing a corset because especially when the 1840s like they hadn't got restrictive yet as they did sort of by the 1850s and 1860s when fashionable waistlines
were the smallest that they were in history. It worked with her character. You can buy it. She is on the beach all the time. The other woman is definitely corseted. She has definitely got
that silhouette going on which is 10 out of 10. I'm gonna put this in chef's kiss. It was pretty good. The next film that we have is Come Away which again is a little bit tricky because a lot of it takes place in
this sort of fantasy world. I'm only going to be
judging it based on the scenes that took place in
supposedly a historical context. The clothes are ok. That's kind of all I can say,
like the clothes were ok. To be fair there are degrees
of terrible hair and makeup like, ok she's wearing
an unnatural lip shade, or she's wearing a bit of eyeliner, but she's wearing eyeliner and lip gloss and like iron curling the
front little wispy bits of her hair. Like no, this one goes in
blasphemous hair and makeup. Fortunately the majority
of the film is focused on the children and the children are fine. And within the realm of
fantasy like anything goes, but I just (sighs) the
level of rage that I have towards whoever is responsible
for the hair and makeup in period films, maybe it's not the
costumes that we need to be raging after with pitchforks, but maybe it's just
like the hair and makeup that we need to be like,
Guys. Get Your Act Together. Am I just being like
full of rage right now? Probably. The next thing that I have
on my list is Bridgerton which has not been released yet, as of my filming this video
on the 12th of December it's not supposed to be
released till the 25th. So I am judging this
based off of the trailer. So all of this with a grain of salt. I can say immediately, it's
not historically accurate. It's very Designed. The menswear actually
looks pretty decent,. the silhouettes of the
men's coats look fine. The silhouettes in general
pretty much look ok, it's Regency. So it's dandies and
empire gowns and all that, except for the random
like mid-18th century gown on one of the women at
least in the trailer, I don't know what that's all about but it's accessorized completely modern the colors and the textures and the materials are
all completely modern. It does look deliberate. Like this was a choice it's
not historically accurate. Where am I gonna put this? Where am I gonna put this? 'Cause it's not fantasy but it kind of is I'm
going to make an exception. I'm going to put this in
it was a Design Choice. Not to do with actual historical events, so like there is a bit of leeway, I think we'll put that in
it was a design choice. Honorable mention goes to Jingle Jangle because you can tell that this
is supposed to be historical. So the period of this film is Victorian. And by Victorian, we mean
literally, Victorian, as in the costumes take place in all seven decades of it. the young girl was very
sort of early 1890s but there were also
definitely like 1840s and 50s crinoline gowns. Like it was all over the place. It was whimsical, it was not
period, but it's also again this one's a fantasy. This one gets an honorable
mention, it's going in it was a design choice. So those are my thoughts
on the historical accuracy and the ranking thereof,
of the historical films and TV shows that were released in 2020. I'm sure that I missed some,
do let me know if I missed any feel free to put those
in the comments below. Feel free to let me know if I missed any within this time period, feel free to discuss any that were not within this time period. I know there were lots of
great stuff that happened more 20th century set but again, my area of study is pre-World war one. So I don't know enough about 20th century post-World war one to
accurately rank stuff. This was definitely fun. It gave me a lot of new
period dramas to watch and I recommend all the films. I thought, I mean, I didn't
not enjoy any of them but also I'm trash for
anything set in history. And now I feel like I need to start like actively keeping up with all
the period dramas that come out because I think I have a lot
of things to collect for 2021. I wonder what 2021 will bring us in terms of the historical
accuracy of period dramas. Is this an entirely pointless endeavor? Yes, because again, I say
this in every single thing that I ever do in terms of reviews there is no such thing
as historical accuracy. So in a way we're kind just
doing this for the funsies and just to learn more about history but does it ultimately
fundamentally matter if something is historically
accurate or not? No. Do I find it more interesting? Yes. Do I enjoy learning from
historical films? Yes. and I do think at least making an attempt for historical authenticity
is a little bit important because we do get to see historical dress. We get to see it in museums. We get to see it in photographs, in fashion plates and portraiture, but it's all very two-dimensional and it's all very flat and still, we don't often have the
opportunity to see historical dress in the wild on a body moving, engaging in actual contextual situations. And I think there is such an
important learning opportunity in getting to see clothes
interact on a human body as they were meant to be worn because we do have this
understanding for whatever, well I know for exactly what reason, but we have this understanding that clothes historically were very stiff and rigid and uncomfortable. And I think that comes from the fact that we are constantly looking at
them in these two dimensional stationary contexts. We're not used to seeing
them authentic, properly worn within proper context on a
human body clothes moving. I think we're always
a little bit surprised when we get to put on an
element of period dress or when we see someone
wearing period dress and they're able to do
all these "modern things". And they look like such modern people. We don't understand that these people were more like us than we think they were. So that's why I think there
is a degree of importance to be able to give the public
more of an understanding of how these clothes were
worn on actual humans. That's all I have for you. My battery's gonna die. I'm gonna go not watch period dramas because I've done that for
the last three days straight. And I hope you have a good day. And I guess I'll see you again in 2021 with the year review of
next year or something. Who am I kidding? I am definitely watching
more period dramas because there are just so many good ones waiting to be watched from
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and I can't get up. I'm trapped.
She keeps saying she doesn’t want to be the “woman who trashes everything that other people make” but her videos tell otherwise...