Modular Synth (not a spaceship, this is an instrument)

[Music] we've been talking about this video for three four years i know and we were going we had plans to film it right before where do i where do i look um i think it's the main camera this one's the main camera yeah we're gonna do it and then culvert happened yeah so this is this is exciting modular synthesizers yes this is a spaceship from like a sci-fi movie look at this look at this thing it feels super fun this is your instrument yeah what's a stamp i think a synth broadly is any electronic music or just sound making device if you're electronically producing a sound that's a synth and then this is like the modular synth final boss a modular synth just means that you have modules that make it up that means that you can customize it so not just the usual synth parameters like pitch and uh you know tone but you also want to be able to have it randomized notes or you know there's so many options it's basically like what would you want an electronic instrument to be able to do you can probably find the right module for it and pair it with the other modules of the other options that you want to have in your sim no yeah tiny ones you can you know it could be a three module synth it could be a i don't know how many i have here yeah about 100 um like here's one one module you can buy all these different modules that do all these different things and then patch them together how could you possibly make sense of this so the patch cable is a big thing so for instance the traditional synthesizer is an oscillator that makes a sound yeah like just a tone and then you would patch another module let's say that's uh controlling the pitch so you patch up the pitch to the oscillator in a regular like like this thing yeah that has something controlling the pitch of the oscillator but it's all but it's nice yeah you don't get to change that connection because that's all underneath the the faceplate yeah being a guitar player this kinda reminds me of like a guitar pedal board you plug in your guitar this is where you're getting your main signal and then you go to distortion reverb and then it goes out and then this is your distortion reverb and your tar pedals but you can change the order of them yeah so if you've been on the guitar pedalboard you can change the order of what your pedals turn in and that changes the sound of the effects with modular not only are you doing it with audio but you have what's called cv or control yeah okay that's something that's way different here control voltage is just a signal that's either low or high or anywhere in between and it can be moving at any rate the best way to think of it is like invisible hands this is what much you have like let's say you're should we start doing something like yeah show people so one thing about pulling out chords when you're dealing with a huge synth is just trying to get the same color and that just keeps them organized and i imagine you color code them as your cables are color coded by length so that's awesome okay you know where you want to patch something you yeah yes the length of cord you want unlike if you're building out a sound in a audio program we're undoing your work here and you can't get oh yeah now this hatch is gone i i recorded it out and that's the only version of it that will ever exist that seems to be something really cool about modular synth is that it is you know fully synthetic but there's a realness to it for lack of a better word yeah and that like it's a one-off thing that you created and there's no getting it back i think that changes your mindset and your approach to it i like how these two have these are called stack cables if you want to like double up send the same signal somewhere else you can just plug it into that same cable rather than finding like a splitter module these can be used for an audio signal and cv yeah audio is just a wave uh-huh and cv is just a slow wave well cv could be any speed of wave but when you're hearing a sound it's just like the air vibrating super fast when you're converting a real sound into a recording all it's doing is changing that air vibration into a pattern of electricity yeah it's just the same thing it's just voltage going up and down on these yeah exactly i think i was gonna say about the invisible hands is like let's say you have a synth and you're making it go like wow wow wow wow and you want that wow wow to happen instead of you having to turn the filter knob wow wow you can just get a wave that goes up and down at that speed and then plug that into the filter and then it's wowing on its own [Music] i want to be able to make a patch you would call it something that sounds musical and hopefully pretty from this and my goal just above that is to also understand it like maybe if we build something from scratch yeah then we can understand what it's doing and just start with the absolute basics there are some great ways to do this stuff without even buying the modules there's free yeah so if you want to give it a try without like spending a ton of money how much is a module some of them would be like a hundred dollars some of them would be like 500 some will be over a thousand i'm super lucky i do a lot of videos about these that so you get viewed by a lot of people yes that's probably about half this system i did not pay for uh this is a new car oh yeah this this actually is more expensive than the car i drive i should point out is this is an insane synth and this is a big passion of mine and you know of course i'm very fortunate to have this but you can do a lot with us much smaller setup okay so absolute basics plug in an oscillator an oscillator is just the thing that makes tones this is just a really nice quality analog vco which stands for voltage controlled oscillator because it's analog there's a physical thing that's vibrating in there yeah i don't actually know exactly how that works yeah yeah i i don't really know how often it is and there's something electronic that's vibrating there that's just your output so that's just yeah yeah yeah yeah yeah yes mixer that goes to the speaker in our audio recorder everything feeds into that yeah this is the oscillator right and we've got a choice between a few different types of waveforms some of them turn the pitch up oh i guess you could just play this hey i'm getting a song oh all right it's like a theremin if you can get really good at turning knobs yeah you can play just this one so far i understand this this is making a tone you can change this pitch is there like a mute button we think of instruments as like you press a button and a sound happens or you just pluck a string and a sound happens with electronic music you sort of have that idea as well because you think of a synthesizer with a keyboard attached and you're like when i press a note you get a sound but actually what's happening is the oscillators are constantly going yeah and the keys let the sound through the same way instead of plugging this directly to our speaker i would plug it first into what's called a voltage controlled amplifier or a vca and then i'm going to take the output of the vca to the speaker now the voltage control amplifier has a volume control for that tone we were sending it but there's also control voltage control over that volume control so what i'm going to do is say one of these slow waves to control the volume right basically this is another oscillator you're controlling invisible hands yeah that are like on that knob going like this now so right now it's like you can picture like a saw wave turning to the max volume and then drifting down but we can make it more like wavy where it like fades in and out and that's the cv yeah that's the cv controlling the volume of that tone and just as a fun example if i took this same signal to control the pitch at the same time and then i control the amount of that pitch change right dialing in the size of that control voltage wave and if i zero it out then we don't hear that effect at all okay so right now this guy is set up to just do this yeah and cv yeah and now basically those invisible hands are being applied through these two patches that are split to both the pitch of the oscillator as well as the volume of the oscillator really like you're building music from the ground up yeah yeah like from just a sound you have to you sculpt into it [Music] so if i unplug this yeah then we get nothing yeah because it's controlling the volume and the pitch changing the knobs this is our invisible hands this module looks really crazy but it's simple it just makes a pitch modular ends up looking complicated because it gives you access to almost every possible parameter where maybe a lot of times there's something you're never going to use or very rarely going to use and like most patches i make i'm not using every single module definitely not using every single input on every single module but one thing we could do that would just immediately sound much nicer if i just like hit play on this sequence what is a sequencer the easiest way to explain a sequencer is just that it makes events happen in time this is a 16-step sequencer this is a module and this is a separate module but the interface this one the speed of it is controlling both of them you can tell by the lights always being in sync what i'm going to do is plug one of these sequencer outputs to what's called the volt per octave input and that just means that it tracks according to musical scales that we tend to use oh okay it changes it exactly by an octave and from that you can determine like a 12th of an octave is a semitone that kind of oh okay oh is this the sequence right here in the in the yeah so this is going across here and each of these outputs is playing a different sequence which you can control by these knobs this will give us a sequence that roughly should be going up let's turn up the volume [Music] oh look at that what do these do then so i understand this is the sequence and it's going through them so on each step like let's say i just hold one step i can choose what note i want coming out of this eighth output whoa so let's figure out what scale we're in this sounds like it's a pretty much major major yeah that's i think is our tonic so let's say we start on our tonic second note uh fifth next one is octave up we could do something like that again and then i'm just gonna quickly fill in like random other scale now when i let go it plays [Music] it's super like video gaming yeah cause this is just controlling a change to this pitch yeah so if i go back to the original pitch i can move all of it like yeah you're transposing the whole thing oh [Music] here's something fun about this sequencer so let's just take one of these outfits we'll take the very first one we just have something that's constantly playing right every time the sequencer moves to the next pitch which is at an even tempo it's changing and it's just constantly going and so to be more musical rather than just being like there's always i'm gonna go back to this maths module and this one is the invisible hands yeah so this is a cb signal yeah but what i'm gonna do is trigger those um cv signals to happen only on certain beats so i'm gonna slide all these to zero okay explain to me this right yeah so each of these sliders sets the probability that on that step of the sequence it will actually we're getting really complicated so if they're all to the left nothing happens so now we're using like random sequences yeah okay so this sequence is the sequence synced with that yeah yeah it is okay so what i'm gonna do is slide one all the way to the right and that's sliding the probability to that be a hundred percent you're gonna get a note that time so let's do maybe just like every quarter note this would be okay every four so i'm gonna trigger this invisible hands so every time in that sequence this is going to trigger this which is going to you're hearing some notes sneak in after the triggers right the envelope doesn't close fast enough so the next note is sneaking through while it's still turning down the volume if i make it short enough we just get this sequence right every quarter note we get whatever note happens to be coming out there okay so this is the sequencer and you have it set to where every quarter note in this sequence you go to here yeah that gives you an envelope which is then going towards the volume and this sequencer is changing the notes to be in a musical way but it's only getting through because every quarter note this is this triggering volume yeah i understand that yeah so a fun thing to do is introduce a little probability where let's say i turn some of these down to half uh-huh you always hear that one that's a hundred and every once in a while some of the other ones come through yeah and if we just like i love to do this just randomly slide a few of the others to be lower now you get a sequence that's like there's noticeable parts to it that are going to be similar but i guess as long as you have that maybe if we have every fourth then we at least have a constant because we know there's a 100 probability of the quarter notes yeah wow i see how this can get like okay so if i wanted to do every eighth note i would bring the probability of all these one yeah and then make sure that one's fully 100 yeah okay that makes sense to me yeah and then if i bring this up yeah that's the decay of the envelope so how long it takes to turn the volume back down and then i can move the key of everything that is satisfying the butterfly effect starts here okay i understand this yeah can we put some reverb on it yes we can yeah how would we do that though since it goes will we bring it to a reverb and then to the mixer i would take it like i put the river right at the end because you have a card the sound and you want the reverb to not be like coming in and out i could see if you had it closer in the chain you could do some crazy stuff with reverb oh yeah you want to send it to the spring reverb yeah let's send it to the spring reverb okay okay so we're going to send the whole thing to everything from the spring and then going from the spring now to our mixer there we go so that's with the reverb fully wet this is the physical oh yeah you're muting all the vibrations right spring reverb works where you send the audio into the spring and then the spring reverberates and then there's another pickup on it that then takes it and you hear the reverberations that's how spring reverbs work yeah and so if i actually press it it stops or you can play it yeah you can hear the noise of the springs yeah so heavy literal metal yeah literally all the way dry yeah that's the original that's the original signal this isn't doing anything and then dry and wet is the more of the spring we hear yep oh cool add the feedback let's do it like real real wet reverb [Music] okay i understand this i understand what's going on i could definitely see how this is kind of like a a relaxing like a very meditative you could spend just hours and you're creating a patch yeah well i think for me like anything that i can like perform would you want to connect something so that you can change the pitch of everything but have it all stay in key you can add these these invisible hands to what notes you're playing too and you could also make it random to where it could be random notes yeah yeah put this through another vca yeah you're hearing just the springs going and it's just going to be like clicks i think if i go fully dry yeah because oh yeah i pulled the pitch out oh yeah okay go to the quarter notes yeah okay yeah but yeah so if i'm i'm gonna take this pitch sequence through this voltage controlled amplifier and then take that signal into what is uh called a quantizer and i'll just set this to a major scale what is a quantizer so quantizer takes any voltage and kind of rounds it to the nearest pitch of whatever you set so whatever comes into here i'm forcing it to go to a major scale it basically gives you like a step ladder almost no matter what you're always going to be eating it okay okay so now when i plug this back into the pitch we have our same sequence going through the vca right yeah so it's got the same shape to it but everything stays in key but if you turn it higher you get a melody with a bigger range oh okay okay and if we go all the way up oh now the range is great wow just this knob is controlling the range of notes yeah [Music] so you can see the notes that this is rounding everything to right here right oh yeah i see here this is the major scale yeah it's a keyboard and you could choose like to add that note into it or can we get a little bit of reverb yeah you know what okay yeah i see i say where you like this that's pretty yeah and if i change this again that's still the beginning of it yeah it changes the whole key of everything oh could you give me a major seventh seven chord yeah major seven five seven that's that's pretty okay and then if i turn all these off this is our sequencer and now we now we're gonna get nothing yeah well except for that feedback from the spring let's get a sequence in that sounds as pretty as possible just a wash of pretty sounds so we can just that's the speed turn the tempo right down let's bring it all the way up put it down all the way up and just turn on all these [Music] i mean it's really it's so much easier to just make noise yeah oh yeah yeah this is kind of the classic modular like bleep and bloop thing that tends to happen because uh it's the easiest thing to do i'm gonna take some more invisible hands here this is just like creating a really slow wave just like it's up and down all this right here is just i'm gonna apply that to oh the one i was using earlier yeah so we get this repeated rhythm we know we're always in the key but this is making us go like a smaller melody range larger melody range yeah kind of like changing that up for us but i might change maybe the attack of the nose yeah [Music] like that kind of sounds like a flute so yeah so it's less bloopy because it builds up into the note yeah okay so and again this is controlling the sequencer i think it sounds nice if we modulate that where it's like some shorter notes some longer notes yeah i would take this invisible hand up and down this one through a vca mm-hmm to be able to control the amount that it's controlling attack so we're going to plug the output of that to the rise and that's again just like something moving this so now if i move that it's already being moved it's already being moved but yeah you're sort of setting like the central point and yeah back and forth from there [Music] you know what i think would be really nice yeah rhythmic guy so that we don't have just one note at a time but some of them are going to harmonize with each other so you have like delay modules yeah i'm going to use this dual looping delay i'm going to put the whole thing through the reverb after the delay so now we've taken out the very last signal to this speaker this will go to the delay first and this is the delay mode and then we will go to the reverb again so now what i'm gonna do is take another cable we'll set channel eight to be at a hundred percent of everything so this is another channel on the sequencer where the sequencer can have eight different sequences going at once yeah this one i've set to a different speed even so you can have like it going a quarter of the speed of the main sequence or whatever so now yeah i'm changing it back so it's changing on every single note that's something that's kind of confusing about these what you see here is one of these exactly and you can set him so it's like these are in different spots for everyone and that's you reset this is me getting one sequence so that it's always firing at a hundred actually and you can tell even clearer because of these special yeah light up so what i'm doing that's cool is i'm setting this to ping the delay what that basically means is it's going to be in the same tempo as our sequence after i have wet on the delay we can change from different speeds of delays uh so they're always gonna be in time [Music] that sounds like it's a 16th note delay you can modulate the amount of feedback on the delay if you wanted have it really layer up and then come back down to not much [Music] that's nice is there a way we could get like a cord underneath that see that's the other thing with modular is you probably would want a specific chord generating module without a chord generating module the amount of notes you want in your chord that's how many oscillators you need and then you have to tune them all if i wanted to do a chord i would just bust out a regular yeah of course yeah the interesting thing too about modular is like the only thing you really need to wrap your head around is the waves each module does something different to those waves maybe it makes waves maybe it turns down and up waves maybe it makes really fast waves really slow waves that's all of music is just a wave hitting our ears yeah there's tons and tons to learn about individual modules but at the end of the day it's also like this sequencer that's just generating a wave that's like on off on off on yeah the pitch sequence is just like a wave that's like here for this note here for this note here for the really high note this one has probability there's no other instrument i think that i have that has like a probability i guess when you're playing like if you go for a fast hello there's a probability you're not gonna hit the ic or whatever well let's keep going with this and just try to make the prettiest possible patch we can it's already like the reverb adds a lot it really does maybe we want to get like a bass note under it to just like drone and anchor it how would we do that first pull out an oscillator to give us a low note what is wtf ocelot it has two different waves which are in the red and blue but the white is the wave that's actually getting through and that is like a window between the waves ooh i would just tune it to the drone note you want oh that's nice we got like a minor thing going on that's pretty yeah tuning by dials is definitely new for me you know we could be modulating these yeah total parameters while it's going oh that's interesting how it so i'm going to filter it so that we can kind of mellow it out if we want to oh oh geez i also like this one whatever this does oh that's another sequencer how can we turn this down in the mix on the mixer plugged into this part of the mixer so oh geez yeah this one's like a pretty harsh opportunity this one if we could get it to oscillate between like this note and like a fifth and then so how would we do that we would just set up a much slower sequence and i could see like if we had like a mix oscillation where like one thing comes in like the higher part comes in the bass comes in right yeah that makes sense so it's not as static like it's moving than it would be this drone also go to the reverb and delay maybe a different reverb oh okay reverb smart can you turn off this so we could just hear the bass and hear what we're doing with that let's go to this reverb i mean we won't hear too much of what the reverb is doing until we change course and it's just one note if we get a slow wave yeah yeah so let's bring one of these invisible hands let's make it really slow i think this is about the slowest it can go that's that's pretty yeah i'm gonna set up a sequence here the length is only gonna be two because we're only gonna switch between two notes i need another sequencer that's gonna choose those two notes where was the pitch going two-step sequence yeah that's a fifth okay so now i can clock this at a totally different rate would it be possible to get to roll between the two or no the very specific note sequencing is not something i do a lot of because my whole attraction to modular is like making things where i just kind of set the guidelines if i wanted to play a very specific bass line you would just like play them because that's not this is not the fastest way to do it so i'm not really looking at this i'm just so used to well and if you wanted to approach it the way that you're talking about you'd probably have a slightly different selection of modules and you could yeah you'd probably just have if i wanted a bass line then you would just have one of these attached to it and we can still get like part of the way there we had the two notes that we wanted they're going through that reverb if we once again have this like fading thing that's just a different way of thinking of an instrument it's like you just set the rules and then just let it go i feel like it's giving us more notes than i asked it yeah we just want two okay so i had to delete all the extra steps in that sequence so now it is just okay back and forth and can we make that really slow slow that down let's go back to probability we can set all of these at like 50 let's say so that there's a 50 chance on every 16th note that it'll trigger the note change maybe that even is too fast we can find out can we bring bring in the higher part too now trying to look at this like a regular instrument right yeah is just it's such a different approach to any other kind of totally that's that's the interesting thing about it is this like trying to play it and play chords and stuff is just not what this is about unless you really want it to be but it's probably not the most effective approach it's like really excels at sound design and at this kind of generative stuff where you're like here are the parameters that i want the invisible hands to play within making beats where fills are generated automatically yeah that kind of stuff is really fun i should probably send you like different clips of other patches i've done just so you can get a wide variety of different kinds of sounds you'd want to get out of this [Music] what would you do at this point actually i think this is a nice vibe maybe like we could just get like a drum underneath it okay i don't really like the bass line not being in tune [Laughter] yeah we'll find out soon yeah oh i like that okay oh all right yeah i like this this is really nice yeah it seems like we have the notes there maybe add more modulation maybe like we don't have to be constantly going we can have it be like intermittent we get a dry version of the audio go into another channel and then we'll turn the delay fully wet and so that we're going to draw in the wet signal but i'm also going to put the split signal that's going to the delay through another vca so that we can have another invisible hand like sending it to the delay and then taking it away looking at it all at once it seems really confusing but it is kind of all the same concept right yeah yeah there's so much randomness here yeah i think that's one of the big things with modular is like you have all these control possibilities but the fun is letting the machine make some of the decisions for you now i need to just pick some other semi-random thing that will decide how often we send a note to the reverb wait let's just hear the reverb ooh cool so there's like different parameters where you could dial in for this river and it's fully wet because it's going to be mixed with the original signal oh i kind of like that yeah it's very ghostly so now yeah i'm gonna turn down the volume of that because we're gonna get something else to decide how often a note goes out there some other random signal maybe the final invisible hand from this yeah and instead of making it super regular we could have another random signal control the speed of that wave [Music] i love when reverb has a like it's like called sway maybe like the reverb gets lower in pitch as it goes away oh yeah yeah that's really cool and i'm hearing that in there i'm gonna turn everything else back on and we'll hear that reverb occasionally coming in [Music] i can really see how you could just spend hours and hours doing this of course yeah it's the enjoyment of exploring and discovering um more so than just like i want to finish a track [Music] will this change the tempo of this sequence yeah yeah [Applause] can i use this to play different noises yeah but what what type of noise is because it's just like a drum give me a snare turn off everything except for what you're working on though that one oh [Music] how do we make a snare drum with this you want to make a snare drum from scratch if you think about a snare it's like pretty noisy right uh-huh so let's listen to some white noise so this just generates noise different flavors of noise uh this one at the bottom is really crackly but yeah we just get white noise and then put an envelope on it exactly and then we can get like so again gotta put it through a vca [Music] here volume control for the white noise we could use these maybe i should be able to just yeah oh all right use that button as a trigger and then again i've got the envelope decay might want to layer something more tonal like a pitch that drops yeah if you think about hitting a drum boom so we would have this also trigger something else that's a tone that goes new yeah we could just trigger a specifically built drum module oh okay yeah yeah there's your k sound change the pitch of it make it really short and snappy yeah and if we mix it in with the white noise white noise yeah kind of sounds like a drum fine tune that oh in a synthesizer that had a drum machine like an old school one it essentially had this behind it yeah yeah and then this just allows you to take every single part of it apart and put it back together again so you can really craft exactly what you would want and it's not for everybody some people rather just download a scenario let's get the same patch but here and just change the parameters can we do that to get a kick drum that would be complicated to make the same thing into a kick drum but we could just have different modules a different module i have a kick module number two kick module so try triggering that kick drum all right [Music] oh i love installing [Music] that's awesome now let's bring the sequencer into here and get a kick snare pattern this is not what i would use for that i would just move these to the sequencer we already have this going so if we oh and because of the randomness you can add like variation i'm gonna zero out the snare yeah so the snare you could do like snare on two and four to start yeah and now we're on the kick i just selected the kick channel yeah so i can move these and they're not gonna affect the snare any of these are gonna justify kick let's just get on the one and i want this to come in half the time yeah [Music] this is always a fun thing like you work on something and you like mess a bunch of things up and then you bring back the other like our melody and base yeah you're doing before and you're like how's this gonna go yeah who knows yep oh wait and this tempo is everything in the sequencer yeah yeah yeah oh it's cool yeah like chiller yeah ooh okay so the reverb that i had on earlier we get another oscillator turning that on and off you like [Applause] yeah okay cool um but there's got to be i mean you can always just go on off on yeah let's do that all right so i'm just connecting that to the two [Music] oh there you go that's so cool i guess i keep double tapping it doesn't do anything yeah cause you're doing one on one off [Music] yes laughs it's too bad we have two different oscillators going because i would love to change the key by just going there but if i touch that knob yeah then the base is off and it's going to be like impossible to get it back and it's cool because this signal path that i'm turning on is so much stuff yeah [Applause] what if i start messing with the waves oh yeah whoa oh you don't be fine why am i doing this let's get some invisible hands to do it you can like change with one of these sequences jumping yeah oh that's cool turn the bass up maybe lose the high notes for now let's just open the bass and that's just this module being messed around with other stuff yeah that's awesome oh that's cool all right this slider yeah you move around controls controls that modulation and it's also recording everything you do into the sequence so as soon as you stop touching it it'll keep pooping oh really sixteen and sixteenth notes oh yeah and i can just mess around with this that's fine oh that's awesome you know what we're only playing two notes on here do we want to change this so that it's playing like a ton of different notes whoa yeah i just got it playing a random sequence here [Music] that's dirty [Music] that's disgusting [Music] can i get the reverb on this back just the reverb yeah yeah what channel are we going to do i'm going to change this pitch yes yeah [Applause] can we turn these notes into just craziness like totally random notes yeah yeah yeah maybe each one could have a pitch envelope too yeah on every 16. yeah and dial it in get a different note sequence going just in here [Music] i think this is exactly what people think [Music] [Music] yeah cool actually this one's kind of fun [Music] yeah and you can use the mixer to turn things off and on [Music] [Music] i love that i'm just turning stuff on bringing the reaver back on that yeah just making the bass sound kind of weird oh this is what we were using to control the tempo before oh yeah we don't want to do that i can close [Music] it is all sonic everything we're playing is sonic that joke [Music] yeah yeah yeah at faster speeds oh you know what i should throw a hi-hat on here yeah yeah [Music] the mixer is the most powerful thing is what i'm learning [Music] oh what if this was just like an extra layer of snare [Music] this yeah so we could like build up a song [Music] is that you whoa yeah okay [Music] yeah how long we've been at this three days playing this feels completely different than playing an instrument i think getting into it too like to start i was trying to play it like a keyboard like okay how do we get things to where i can perform them but that's not what this is about deciding how you want to approach modular is a big part of it having like an end goal in mind whether it's like i want to be able to just like generate beats randomly or i want to create beautiful ambient music where i just like set the scale like it's all a possibility let's just start turning knobs and see what happens oh let's do it [Music] oh that's cool whatever that is [Music] oh [Music] yes [Music] ah we got the last of it well if you uh are at all interested in modular synths or music or content you should subscribe to android where i'm yeah yeah you can subscribe to my channel if you would like i'm sure this isn't the last interesting instrument we look at on this channel thanks so much for being here subscribe to andrew and we'll see you next week or sometime soon

Channel: Rob Scallon

Views: 809,124

Keywords: Rob, Scallon, music, musician, guitar, guitarist, Andrew Huang, gear, song, synth, challenge, producing, review, Rob scallon, production, first time, drums, tutorial, lesson, making a beat from scratch, beat making, beats, audio, equipment, techniques, making music, switching gear, modular synth, techno, ambient, waveform, oscillator, patch demonstration, module, modular, basics, electronic music, how to make

Id: ZVPL78D7zF4

Length: 45min 42sec (2742 seconds)

Published: Sat Nov 13 2021

Reddit Comments

[u/abcdthc]

https://youtu.be/ZVPL78D7zF4?t=2307 This is a reenactment of addicus adding parts.