MagPark70'sPt2

Ferdie enormous I mean what you're saying really is is that's a difference between being stage-struck and a practical professional is yes I mean Brown who is an actual fact you know one is not stage-struck myself the audience is staged yes yes I've always thought that the most difficult thing to be must be a variety artists to select what I think absolutely terrified yes I mean I really do stand up on your own with nothing to rely on and do a turn I would just faint dead away really yes I mean I I need desperately the text and other actors I just couldn't bear to stand there on my own what about you Sir John could you stand up do it turn the producer is between one you are salvation now the producer is another salvation but to come in after theatre say mother well coming on in the afternoon with an aboard and in different people connected with the front of the house there must be terrified and then unless you work initial I'm told because I've known lots of variety people there unless you can get yourself across in the first minute you've had it that's right yes start throwing things at you yeah when you were doing can i one please ask a question please just kind of program I'm just stopped so there's a perfectly okay when you were doing this acting in Oxford did you have to you had you were near variety then weren't you know when I was acting in Oxford is putting it very elaborately I was an ASM The Playhouse in Oxford which involve making endless counts of Jim playing maids so it was just actually I auditioned for em Lynne Williams once and and she said what have you played and I said nothing I played maids maids I haven't done anything and he said well there are some good ones there's the maid of Orleans that's what I haven't played I remember Shatner telling a story once about Olivia doing a lovely walk and he couldn't get his hair right and he spent days and days and eventually he got the hair right the look and then he had the character which is quite extraordinary no I do is the the person in all the daytime that you've worked in in the theatre I mean you work with Olivia but it was it would have been the man or the men who most influenced you do you think influenced me I think I think directors in a way influenced you were when you you have a great deal of repose and Ingmar Bergman's certainly influenced me greatly and another director who I trust implicitly is William gasps what about what about our next guest was coming on in a moment he has indeed influence mr. mr. Williams really Williams yeah their show Bremen if you were going to read we were not flattering we are a better team and we're gonna do this one you're gonna read this together please so now title the yesterday the title is is called death in Limington and it's one of the earliest first player who ever wrote suppose I got published first published yes she died in the upstairs bedroom by the light of the evening star that through the plate-glass window from over lemming to install beside her the lonely crusher there patiently and unstirred but the fingers that would have worked it what Dave does the spoken word and nurse came in with the tea-things breast high mid the stands and chairs but nurse was alone with her own little soul and the things were alone with theirs she bolted the big grand window she left the blinds and roll she said a match to the mental she covered the fire with coal and tea she said in a tiny voice wake up it's nearly 5:00 Oh drinks each in C chair eNOS half dead and half alive do you know that the stucco is peeling do you know that the heart will stop from those yellow Italianate arches do you hear the plaster drop nurse looked of the silent beds dead of the grey decaying face as the calm of a lemming Tunisian drifted into the place she moved the table of bottles away from the bed to the wall and tiptoeing gently over the stairs turned down the gas in the hall you enjoyed that well the

Channel: margaretmirren1

Views: 14,458

Rating: 5 out of 5

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Id: 5Ca1lyiqaBg

Length: 5min 57sec (357 seconds)

Published: Thu Feb 04 2010