Learn EVERYTHING about Premiere Pro | TUTORIAL

what's going on people welcome back to another huge massive gigantic ginormous free course oh yeah the uh the free adobe premiere pro course we're back with an updated version 1.2 million views let me actually have a look i think it's 1.2 million views might be more let's have a look real quick blah blah blah most popular 1.2 million views on the last learn everything about adobe premiere pro it's coming up to three years now this video dropped in 2018 it's 20 2021 it's about time we release an updated version of the adobe premiere pro master class and that's exactly what we've done down below in the description you'll find time codes to each individual lesson i believe we've got about eight or nine hours worth of content here 100 for free use the time codes down below and also we have exercises where you can actually download files and uh and follow along with the exercises step by step with the exact clips i'm using in the tutorial without further ado let's get into learn everything about adobe premiere pro massive tutorial enjoy guys it's going to be a big one let's start with a mini lesson and get into it hey what's up everybody welcome to the adobe premiere pro master class course we are starting off the introduction section with a mini lesson this right here is going to introduce us to the program quick five minutes but if you don't have the program definitely go ahead and download it if uh you don't have it you can get it from adobe.com get the creative cloud you can get it for 52 bucks a month but if you're a student or a teacher you can get it for 19.99 a month so a nice discount a significant portion of you will be able to take advantage of if you're in school or university whatever the case may be if not go ahead and get your normal subscription and let's load it up now i have the program pinned to my taskbar because it's something i use a lot if you don't go ahead and search for it and load it up but i'm just going to go ahead and click the adobe premiere pro logo and it will begin to load itself up onto my screen and we can start our project and uh and start building stuff up piece by piece now when we load up this is what it would look like i have previous projects to pop up down here because of the fact that i've obviously been using the program before you might not unless you've used it on your own in which case uh you know stuff will start to stack up here throughout the you know progression that we do with this course but go ahead and tap new project right here and what's up let's go ahead and call this the uh the mini uh mini lesson uh mini lesson will do and i'm just gonna save that to my premiere pro masterclass folder i'm just gonna go ahead and uh and overwrite anything was there i think there there might have been a previous file or something like that anyways for you that won't be a problem just go ahead and uh and create that and uh then let's go ahead and download the mini lesson video of me talking to the camera which i'll give some instructions on what we're going to edit you can get that from the resources it will be uh clearly allocated that you could be able to download that you'll be able to see that clearly on the side and we can go ahead and download that file once you have that file simply go ahead and drag it into our our media section down here you'll be able to see that it's ready to be dragged over because i'm hovering over and it says copy go ahead and release it and it will copy itself down here now we can double click it and we can actually see that it is visible up here we can grab the track and drag it over and we can hear myself start to talk however before we listen to what i got to say um we can actually just go ahead and drag it into this button down here which will create a timeline so we can actually see it loaded up properly in our editor drag it to this button and it will create a brand new timeline out of this clip so let's go ahead and listen to it let's hear what i say so we know what we're going to do for the edit what's going on guys welcome to the adobe premiere pro master class course we're jumping in this is a mini lesson i just want to get you guys warmed up a little bit so real quick go ahead and put some text up here that says yes if you're ready for the course hopefully we don't have any jokers who put no put the yes there all right now go ahead and take it away what that just did is pretty much just warm you up a little bit we've done a little something now let's crack on with the adobe premiere pro masterclass course so i'm sorry i'm sure you get it it's just a fun little exercise for us to go ahead and edit some stuff there and also tidy this up a little bit so let's zoom in let's waste no time i can see at the start that i don't start talking for a couple seconds so let's let's scroll in here to about here and let's go ahead and press c and chop that down right there and let's go ahead and delete this section here and we can simply drag that over and uh and just like that we have actually edited down that a little bit now i also see that i introduced the course a little bit here so i want to have a fade in so what i can actually go ahead and do is i can come up here to effect controls and i can actually go ahead and turn the opacity to zero so you can't see me now then i can turn a keyframe on which means it tells the program that at the start we want the the opacity to be zero but say we uh we now scroll over to here after i've done that sort of opening you know speech or whatever and then we can actually bring this up to a hundred so what we do here is we've now created a fade in which we can go back to the beginning and go ahead and press spacebar to play and you'll be able to see the fade in in action what's going on guys welcome to the adobe premiere pro master class course and just like that our video now fades in so we can keep playing it until i talk about the text and i'll show you guys how we go ahead and edit that text onto the screen with the next sort of command or whatever that i give we're jumping in this is a mini lesson i just want to get you guys warmed up a little bit so real quick go ahead and put some text up here that says yes so right when that spike happens that's when i said yes because you can see i said yes with a lot of passion so let's go over here and you that this will be a a thing that continues throughout the course i say a lot of stuff with a lot of passion and let's go ahead and press t which is the uh the text tool and just like that you see that the cursor kind of changes and we can actually go ahead and click up here and actually write the words yes and just like that it writes it however it's not looking too pretty it's looking kind of ugly to be honest so let's go up here to the graphic tab which controls everything text and let's go over here to edit now let's go here and let's actually type in impact impact is a nice bold font but if you don't have impact for some reason just get another bold looking font and let's go ahead and make it the maximum uh you know scale that it can go now let's go ahead and come back to editing and you see how we're on our text tool down here let's actually go ahead and press v which jumps back to our normal selection tool and we can actually go ahead and reposition this text also drag out the uh the sort of edges right here to make it a little bit even bigger and actually just go ahead and put it right here where i sort of point to then we can actually play our video and wait for the command to remove the text or to extend it whatever with play yes if you're ready for the course hopefully we don't have any jokers who put no put the yes there all right now go ahead and take it away so you see how i extended it because i see so i needed to be extended a little bit so extend it if it's uh if it's a little too short and then let's go ahead and press c again and chop it away because i said to get rid of it so just when i wave my hand it'll get rid of it now go ahead and take it away what that just did is pretty much just warm you up a little bit we've done a little something now let's crack on with the adobe premiere pro masterclass course and just like that guys we can now come over here and go ahead and tap a keyframe again and then come to the very end and go ahead and uh and turn it to zero which means that it will fade out now at the end and then we could simply go ahead and press o which adds an out point go ahead and come to the start press control s save what we've done and now let's go ahead and just tap play and watch in full our brand new edit in our mini lesson what's going on guys welcome to the adobe premiere pro master class course we're jumping in this is a mini lesson i just want to get you guys warmed up a little bit so real quick go ahead and put some text up here that says yes if you're ready for the course hopefully we don't have any jokers who put no put the yes there all right now go ahead and take it away what that just did is pretty much just warm you up a little bit we've done a little something now let's crack on with the adobe premiere pro masterclass course and just like that guys we've made a nice clean little edit something kind of funny right i think that's kind of comical me telling you guys just put yes right there so something funny we've built it press control s save that we've built a little something now let's get cracking with the rest of the course let's do it what's up guys welcome back to the adobe premiere master class course we are jumping straight into the basic section and we're going to be kicking it off with how to create a project very simple in fact it's you know definitely not hidden they're not trying to hide it from us they give it to us straight in our face right here it says new project common sense will tell us to click new project we go ahead and click it when we click it this window is going to pop up i'm using a two screen setup so if anything doesn't pop up straight away it's unfortunately popped on my other window which means i just have to drag it over so bear with me a little bit there and more or less this is the window this is the new project creation window location is obviously set to projects right now that's just my own sort of uh generic projects folder that i've sort of built up because you know at a certain point you've got so many projects you do need a specific folder for them the name very self-explanatory we'll go ahead and start that we'll call this uh sample project or actually you know what new new project number one new project number one i guess organizations pretty crucial right from the start so we'll call this organization uh we'll call this new project number one rather and let's go ahead and browse i'm actually gonna take it out of my projects folder i'm gonna go ahead and bring it into my external hard drive because you can see that i'm starting to fill up my other hard drives and i'm just going to go ahead and put it in my specific folder i've created for this course so we can stay organized the whole course adobe premiere pro match to class i'm going to press select folder every project i now create for the rest of this course will go into my adobe premiere pro masterclass folder awesome new project number one um real quick let me just break some stuff down here general overall when i'm creating a new project i leave everything how it is okay we leave the mercury playback engine right here um we we leave the the time code displayed audio samples dv we leave all that stuff scratch disk wise as well we leave everything here more or less this is uh this is gonna just use the same as the project folder so all of your sort of various different files that aren't actually used as you'll see the project creates a whole bunch of sort of little info files and stuff stuff that you don't even need to tend to yourself but all that stuff will be created in a separate folder in the exact folder where we're putting our project in hope that makes sense then you got the ngs settings which are again untouched so more or less when you're creating a new project the rule of thumb is go to name put your name in select your specific location or put it in your generic projects folder like i normally do and then literally press ok and it's as simple as that you don't need to over complicate the process right now if your layout doesn't look like this straight away it's probably because mine by default has gone into graphics so i'm just going to go ahead and tap editing over there up here are your main tabs if you will but we're going to jump into that in the next section in depth first off i just want to explore the way to create a project when you're already in a project so premiere does have multiple project sort of abilities which means you can be editing one project down here and then you could also have another project which would just look like another tab right here loaded up and you could switch between projects you could even drag and drop stuff between projects and it would import everything to the other project perfectly absolutely awesome when i'm doing much bigger projects maybe i've got one sequence which is the introduction and another sequence which is the main video and you know this this gives some nice uh flexibility if you will so that's that but if we were to create a brand new project while we're opening a current project we'd simply go up here to file go to new and go to project alternatively control alt n and we can go ahead and tap that and again i'm using the two monitor so it popped up on my other my other monitor we'll leave it right here and we'd literally just go ahead and call this for example a new project number two and we could literally just go ahead and press ok and just like that it will have created a new project too and if we had a whole bunch open a new project one we could be dragging and dropping stuff back and forth but overall that right there is how to create a project in adobe premiere pro we're gonna come back with a full breakdown of the layout and uh overall how to navigate throughout adobe premiere and then we're gonna start getting into the more advanced stuff coming up next let's keep it pushing alright guys welcome back to the adobe premiere pro master class course we are jumping into a full breakdown of the layout so we got swiftly into making a new project not only did we explore the sort of brand spanking new version of creating a new project when you don't have anything open with that window that was in the middle but also we experienced and explored making a new project when you've already got a current project open and we've stacked up two projects down here of course they're looking pretty empty in fact they're looking 100 empty being the fact that they are empty and uh before we actually start filling them up which is literally in the next episode importing and organizing media coming up right now we want to do introduction some of you guys if this is your first time using this and you know i'm gonna assume a lot of you guys are actually experiencing this for your first time it might be a little bit intimidating now as you get through this first section it won't be intimidating at all as soon as you understand where stuff is at where you can find stuff and overall don't feel lost you're going to be having a blast so down here is our media this is where all of our clips will stack up you can see that it organizes it sort of self-explanatory by the name the frame rate when the media starts etc overall the main stuff you look for here is the name and you sort of just you know would scroll down say we had 10 clips it would be you know a stack of media right here also this is where all of your media pops up so not just your clips you're talking you know your your graphics it could be you know yours your your sequences it could be your pre-nested clips now if some of those words don't make sense to you they will in a second i assure you next up once you've actually created a sequence which is you know your your timeline and everything and you've got basically everything imported you will see your edit sequence down here so you'll have you know your clips you'll be able to position stuff you could put your you know your audio layers uh below above you know basically this is where all of your different pieces get put together this is where you build your project in the timeline you might create a title layer you put that above your your you know main main shot then maybe you put some b-roll over whatever it's basically looking like a little uh you know a little stack-up you're just stacking clips on top of each other building stuff and up here is where everything will be visible this is where your preview will be generated you'll be able to play through it skip frame by frame even take screenshots etc and all of basically all of the finished results will be displayed here and you'll sort of piece it together down here in the timeline also if you are clicking onto clips you'll have this whole area up here the main sort of use for this section up here first off the source you'll be able to find a clip down here double click it um oops double click it it'll open up here in the source and you'll be able to sort of just tweak it a little bit more maybe start it from a certain point whatever the case may be also effect controls once you're clicking on a clip an active clip in the timeline there will be extensive effect controls again we're going to be getting to that very very in-depth coming up and of course you've got your audio mixers your metadata these two are not messed with much by me at all but we'll explore them later on as well and of course you have your tabs so learning tab is something you do not need because you've got me okay if you need the learning tab i have completely failed my job and it's game over for me as a course instructor i need to retire all right so bear with me and ideally don't go to learning for now um assembly is sort of just a more um enlarged media window which means you can say you have 100 things you could see all your things opposed to if it was in editing you could only see maybe four of them or actually more like 10 or 20 right but assembly you could see loads of your your media and you could drag it into your timeline as you see fit editing is the general window that you're going to be in because it is laid out the best for just your general composition you could drag your clips over with ease you could play the timeline see what's happening you could jump to your effect controls and tweak the clips so overall this editing sort of tab is the overall most most uh optimized for your general editing tasks and that's why you know they call it the editing tab the color tab self-explanatory again we are not actually going to be privy to any color grading stuff or color correction stuff yet because you do have to be selecting a clip it says no clip selected but this will be a massive color tab here the lumetri color tab super powerful one of the biggest pluses to using adobe premiere pro absolutely phenomenal color grading the effects tab self-explanatory again the effects tab we can come up here pick from various different effects and uh you know there's various different categories there's presets there's loads of stuff we're going to be covering everything alternatively as well when you're in the edit tab so when i'm in the editing you can also move over here and find the effects tab right here and this is oftentimes a sort of easier use of the effects tab because you could be in your project say you drag over a clip then you want an effect clicking up here is i mean it's just it's not that far but it's a little bit more so you can click effects right here and this is your full effects tab um just sort of in a more convenient location so i personally use the effects tab down here and the reason i tell you that is because i mean i've been using the program for a very long time if it was a simpler way to go up here i'd probably be doing it so overall i'd say go ahead and uh you know and utilize the effects tab down here it's a little bit quicker you've got the audio tab something i mostly stay clear of you got a bunch of adobe stock audio et cetera again i'm usually using my own audio i'm not gonna lie the graphics tab which is super powerful essential graphics not only do you have a massive library of templates you also have the ability to import premium templates uh you know the other people have made etc and uh enhance your stuff even more the motion graphics side of adobe premiere pro is huge as you can see here adobe even give you presets for you know sporting stuff all sorts of awesome stuff that you can really set the tone of a video uh by using you've got these news anchor stuff and adobe news these are all presets built by adobe so it's really phenomenal the amount of stuff they give you for free pre-loaded and that's one of the massive pluses to adobe as well you've got the libraries over here basically an ignorable section something i'm not too worried about if i had to tell you where you're going to spend most of your time in it's going to be editing it's going to be color and it's going to be graphics again effects is obviously a place you spend a bunch of time into but we use it down here and that right there is a brief introduction to the layout overall let me quickly cover these up here file right your standard file edit buttons up here very very simple ideally you know you could have come up here to save however i mean we're going to get to the shortcuts in a second which are much better and overall you're importing and exporting stuff here it's more just a drag and drop situation i'm going to show you how that's the the most efficient way to do it edit tab up here we're going to get to it next we really need to have a strong demonstration to use it clip sequence clip not to be worried about we can mess with most of that stuff in effect controls sequence is something that's going to be important sequence settings specifically markers graphics view window help stuff we don't need to worry about for now window especially the workspace and the reset saved layout is crucial and uh if you guys do ever sort of accidentally move something around because everything is customizable right you you could get something move it here you could get that you can move it down here you can move stuff wherever you want but adobe's laid it out in a way that it is in the best place so if you do move stuff around like that and you completely mess up your layout go up to window go to workspace go to reset to save layout and just like that it'll pop back into the normal fresh crisp layout that we're all comfortable using see you guys in the next episode let's import some clips all right what's going on guys welcome back to the adobe premiere pro masterclass course we are going to be doing importing and organizing media this one right here is very simple in fact i'm going to show you guys the drag and drop technique which is self-explanatory so here is our adobe premiere master class folder there's one thing i want to review real quick which is that that folder that saves stuff there's an auto save folder this is an absolutely genius tactic that was at some point brought to the adobe table where now they're their programs adobe premiere pro actually does an auto save thing where you know often times i'm going to encourage you guys uh to be saving your projects every 10 seconds literally i mean that's sort of a meme in the uh the editor community that you know you're you're sort of constantly spamming control s which is the you know the shortcut for save but adobe premiere actually sort you out where the one day that you do forget to save or you know you it didn't go through or whatever the case may be there is an auto save folder however obviously it um it is not super up to date i think maybe it happens every 20 minutes or so right so you've got a so a lot can happen in 20 minutes all right but anyways organizing and importing media we've got three clips from a recent shoot that i was doing with a filmmaker in my area called luke and uh pretty much you know we just went to these gardens and uh you know shot some some content which i'm probably going to use for an editing contest and i want to go ahead and give it to you guys to import and organize now there is a couple different ways of importing but i'm going to show you the quickest this is the quickest highlight the clips you want to import drag them over drop them wait for a second obviously there's a slight delay and then just like that they import to the timeline no way who saw it coming you could then double click the clips and load them up in the source window that i famously told you guys about in the last section and uh you know you know you can begin to to scroll through them sort of see what's happening see that there is uh some movement in them whatever the case maybe play them as you see right here you know playing it through and basically these are just some clips of me and another filmmaker out in some gardens so they actually organize themselves and the way that they organize themselves is by name if you click name um if it's got the arrow pointing up it means the clips are coming down in a descending order based on their title so this is perfect when you're working with clips that were all shot on the same sd card because they usually go up in numbers which means that if you want them to start at the first clip or the earliest clip you simply have the arrow going up or if you want it to be going you know top down you could switch it around and just like that you're able to double click the top clip and we could start from the top clip i actually think this is a really cool one i think we go through the uh the grass right here and um there we go yep there we go straight through the grass come to to see him right there and overall that right there is a very cool um it's a very cool clip right there but these clips are they're all part of the same sort of situation the same sequence so the way i'd organize these clips and this is what i want to get you guys into the uh the habit of doing is i would actually create a folder that corresponds to these clips so i would call these um garden garden clips and i would create a folder called garden clips and then i would just click and hold shift and tap the top one so that it selects everything or click and press control and tap each one and drag them into garden clips because then we have a specifically organized folder now called garden clips which hold our you know our garden clips and also we could take that down so they start from the lowest number and they they build their way up and just like that we've got these three garden clips sort of nicely organized in garden clips folder and then also the amazing part of making folders is that once we've got say 100 folders and we don't want to use garden clips anymore we can simply tick the drop down menu and that will condense all of those three files into one easy folder just like that and that right there is how to import and organize media in adobe premiere pro it is very simple i mean i'll show you the other tactic of importing but it's not something i'd necessarily recommend because it takes longer the the theme of this course as much as me showing you guys how to do everything i'm also going to tell you guys what i as kind of a veteran adobe premiere pro user at this point you know is my go-to because i think that's pretty valuable to you guys there's no point you should be doing stuff the the long way right but overall this is the long way of importing we would actually select our project down here or our media bin if you will we go up here to file and we go to the boring old import or import recent file we can go ahead and tap just import and it will load us up our adobe premiere masterclass folder we could then you know just scroll in a little bit we'd see our clips we'd highlight them and we'd press open and it would just import them just like that but let's go ahead and click and drag them down to the bin which is how we delete some stuff delete those duplicates because that's all they are duplicates and take pride in knowing that we correctly imported and organized these clips in the most time efficient way possible and that's the way i'd suggest you guys to do it is a drag and drop method you literally you drag you drop simple as that what's going on guys welcome back to the adobe premiere master class course we are entering creating a sequence now this one right here is very crucial based on the fact that so far all we have is a couple clips in our media bin we have no actual edit going on right here as it says drop media here to create sequence and that's exactly what we're gonna do so creating a sequence extremely self-explanatory there's a weird way to do it where you could actually go up here to new and then go sequence which i mean it's not totally weird let me explore that that's just filling in all the stuff manually however this is not the way that i would recommend you to create a sequence and the reason for that is because you have to manually input the settings which could be a little bit annoying especially if you're maybe not even using footage that you personally recorded maybe it's stock footage maybe it's it's client footage whatever the case may be i mean literally designing your your sequence is just a way it's it's not worth it all right it's not something you should be doing right off the bat definitely not so instead the way you do it is you drop media here to create sequence and the beautiful thing about this is that this will create a sequence that matches 100 of the settings of the clip so if we take our clip oh press ctrl z we actually brought it out of the folder and we literally just drag and drop it into right here we see it's perfectly created a sequence the sequence not only um has been created but it matches all of the settings of this clip and being that all these clips are shot on the same camera in the same settings it makes sense we should make a sequence that matches these settings and it literally just replicates everything without us even having to do a thing ourselves and definitely not not have to fill in all those sort of crazy settings and stuff we literally just drag and drop and it replicates all the settings of this particular clip and then we could actually go ahead and just sort of click on the actual name and go ahead and title this as a as a garden sequence so now we have the garden clips folder we have the garden sequence sequence and we have three clips that are shot in the garden it looks like we are prepared to do some to do some pretty cool stuff but quickly this is our timeline right right down here very very cool overall self-explanatory you've got different layers each of these is a different layer this stands for view one view two view three this stands for audio one audio two audio three you can drag and drop your your audio layers down you can drag and drop your video layers up as you see fit but overall when you import a new clip you pretty much just leave it here and then you build upon it so say we have some b-roll whatever we'd bring that over to the second layer and we put that over the top of it um and also the audio potentially you'd mute the audio of a clip that uh you know doesn't necessarily it's not audio centric right so this clip right here it's not audio centric at all being the fact that it's literally just uh you know it's sort of just a b-roll type of clip as you see right here and uh overall we would have just cut that down and we'd probably go ahead and trim that clip right we probably go ahead and trim that clip probably uh around here right we chop that clip down and we would um go ahead and start it from there so you know when we press play space bar it starts right where we want it and it would sort of come up for that that that four seconds right there or so something like that right now this is a 1080p clip there is also some some cool stuff we could do with the uh the frame rate and stuff like that um but just real quick if we did want to change our sequence settings right it is very simple it is up here in sequence we just go to sequence and then tap sequence settings and again that's popped up on the other window my bad that's the two screen setup situation hitting us again screwing us over it's all good we uh we persevere regardless and um basically this is where we customize our project settings so on the off chance perhaps maybe we were um creating some content that maybe one of the clips was was 720p and we didn't want to scale it up instead to retain the quality we wanted to scale all the other clips down so that it matched the 720p we could go to frame size and we could change this to 1280 by 720 then we could come over here press ok and then again press ok and what this would do is it would change our actual sequence to a 720p sequence and being the fact that this clip is 1080p we would now have a bunch more room to work with so as you see we now be able to drag the scale down and for this clip to actually fill the screen it would only need to be 67 instead of the normal 100 scale that it would need for 1080p which means that um you have a whole bunch of extra work room that you could potentially use in clips if you were scaling down the resolution editing the sequence in a resolution that was less than the clips were shot in now 720p is usually not the the utilization for this it's usually something you do with 4k clips clips that you could take and edit in a 1080p sequence but they were shot in 4k which means you have loads of extra workroom for the time being i'm going to press ctrl z and i'm literally just gonna undo whatever i've just done there which is gonna return it to a 1080p sequence and we are gonna have our clip right here which was cut at the correct position and overall i'm gonna press ctrl s and save our project and with us briefly exploring the cut tool right right here by it by slicing that in the middle which was c right uh we're gonna jump into the important tools which are these ones here in the next episode coming up let's do it hey what's going on guys welcome back to the adobe premiere pro masterclass course we are continuing on the basics section this is going to be important tools now your important tools are some of these ones right here i'm going to say some because some of them in my experience and i've been using premiere for years i still haven't found a use for i'm not going to lie some of them i don't understand why they've put them on on here they seem to be wasting space at the end of the day it does seem like they had some space to fill and they threw them on there anyways it really feels like like that with some of these tools here so let me tell you guys what's important what you're actually going to be using on a consistent basis this one this is your selection tool you are 100 gonna be using this on a consistent basis say you had three clips in here right let's just import all the clips that we've got right boom we got three clips in here and you wanted to do something to the middle one it would be with your all selection tool your selection tool if you will that you'd select that this is how you you zone in you sort of single out a specific clip so you can usually go up to the effect controls and maybe play with the uh you know the scale maybe drag it over maybe rotate it or all of the other cool things we're going to get to later with an extensive effect controls breakdown which is of course coming up you guys know we're not leaving anything out so let's go ahead and uh and break down the list but overall selection tool literally as self-explanatory as it gets you use it to select stuff i mean yeah use it to select stuff if you hover over it it'll tell you selection tool and we'll be getting to the important shortcuts coming up next um but overall that that's the selection tool right there done it dusted this one right here is the track select forward or track select backward tool basically this will select everything in front of where you click so say we click here it will just select there or say we click way back here it'll select everything in front to the right of these arrows everything in the direction of the arrows it will select for example if we click here it'll select nothing because there's nothing no clips in front of the arrows right so this is basically a tool you use when you've got hundreds of clips 30 clips whatever in a sequence also if you click and hold you can get the track select backward tool so that i mean does the exact same thing it just the arrows are pointing the opposite direction and when you click it selects stuff that is beyond the arrows or in the direction of those arrows so when we click there only one clip is in the direction of the arrows when we click there two clips when we click here all the clips are on the left of the arrows which means it selects everything this rolling edit tool is one of the ones that i don't necessarily use on a consistent basis at all in fact ripple edit tool yes it's used a bit but mainly we we we sort of use the ripple edit tool where ripple delete is something that you can do where say there's there's a little space in between two clips and we wanted to join them up instead of dragging them over what you can do is you can oh you can actually click that space in the middle and press delete and it will just bring everything over so that's a quick way for me to do it you can use the rolling edit tool which basically means um you click um or actually you know what rolling out a tool we we more or less just leave alone i'm not gonna live rolling at a tool we don't even mess with um cut tool cut tool razor tool if you will this is how you chop stuff out the uh the shortcut is c so you could jump through you can shop stuff you can basically put cuts i'm going to press ctrl z to undo all that but i mean i'd say the selection tool and the actual razor tool are the two tools you'll be using the most most likely because you'll you'll have to cut stuff out et cetera and overall the razer tool very very practical tool for example um you notice there's a you know the camera goes down before it comes up we would chop out that first bit we delete it then we just select the the area and we go ahead and just delete it again and just like that we have the clip come in at the exact position that we'd actually want it to come in awesome that's with the cut tool this one is the slip tool basically you can bring the uh the video further along in basically change the selection of the clip so if we click here and drag for example over it will actually change the position of the clip and we can actually sort of change what area of the clip appears in here honestly if it sounds confusing it's because it is i don't use it personally i don't use it i actually think it's extremely valuable for me to not only tell you guys what you know is good to use but tell you what really just doesn't seem like a whole lot of anything to me right slip tool i'm sure there's people usually utilizing it in projects tell me down below if you personally know what to do with it i don't mess with it i really don't pen tool simple it's something that you'll use for masking masking is how you actually select an area of a clip for example if you go to opacity and uh and you know you we wanted to just select luke for example we could try and try and draw uh an absolute very fail of an outline around him again i'm doing this for pure demonstration purposes of what the uh oh i'm rotating stuff of what the the the pen tool was like but basically you can you can mask people out i'm just gonna delete that mask also you can uh you know you can draw some some shapes and stuff like that but overall the pen tool is mainly used for masking the hand tool is how we can just move around the workspace so for example say we're zoomed in 100 we can use this uh this hand tool to drag up to actually position where we're at luke's looking tired that's for sure that's i think this was at the end of our shoot so he's definitely looking looking pretty damn tired right there and um we've also got the uh the type tool right also just so you know the hand tool doesn't change the position of the clip it just change changes the view of you while you're looking over the clip perfect so go back to fit get the text tool text tool very very simple i think it's called the title tool type tool there you guys missed both times basically you click anywhere and you can write a title and you know just like that it'll create a corresponding title graphic and then you could actually go over to the graphics tab go to edit and uh and you know i actually begin to uh to position this around but i mean we've got a whole titles and text section coming up so i'll save that for a little bit and overall that right there is the important tools let's come back in a second with arguably an equally as important section if not more is important important shortcuts hi guys welcome back to the adobe premiere pro masterclass course we are going to be doing important shortcuts shortcuts are how you save time i mean that's kind of self-explanatory i know but it is emphasized so much when you get into big projects how much these little shortcuts that you learn from the start are gonna help you first off there's something that can happen in premiere which is stuff stops locking now what lock means is that when i drag this clip over here you see it it latches on it locks very very useful and the only reason that happens is because the snap in timeline is turned on if at any point accidentally this is not turned on you would have to manually position your clips which is ridiculous i'm going to press ctrl z i'm going to undo that and um overall make sure if stuff's being weird snap the timeline all right make sure stuff snap into timeline um control s that's safe that's one you're going to be using all the time control s right um 100 and control z is undo so for example say we deleted that clip and we press control z it will bring it back it will undo whatever the previous action was also you have your copies your pastes so that's pretty standard i assume most of you will know that say we wanted to copy this clip we could press ctrl c and we come over here we press ctrl v it would paste it however i also want to introduce you to the which layer is active you see it says toggle the track targeting for this track if v1 blue is turned on it means that it will copy paste our layer to the first layer or copy paste our clip to the first layer because the v1 is turned on however if we turn off v1 right and if we go to v3 and if we also turn off a1 when we copy this clip which has audio and video layer and press control c then control v it will now bring it to the layers that we've turned on and made active so this is really really powerful thing to utilize when you're in the midst of a project and you want to bring something to a you know a b-roll position above whatever the case may be or if you're for example we could copy-paste this clip bring it over here press ctrl c then ctrl v and it's copied it up here it doesn't remove the clip below it doesn't mess it up or anything it is all good and we've actually just assigned the layer to toggle to essentially so again ctrl s also if we wanted to duplicate a layer we could actually click hold alt click the clip and drag up and just like that it will duplicate the specific clip but also we could drag it over so if we click and hold the clip hold alt and drag to the side it will duplicate the clip to the side as well any direction you click you hold alt and click and drag the clip it will indeed duplicate it so that's duplicate again control s i'm always pressing ctrl s you have the basics right so those right here are sort of my main go-to's we'll maybe add a couple more as we go through right for example shift you hold shift you can click a clip hold shift hold shift select a couple clips whatever the case may be but your actual selection's up here one that i'm always using is c now have a look over here when i press c c it jumps to the razor tool now c is the sort of uh the shortcut for the razer tool which means that if i'm actually in the middle of a project right and i want to cut maybe i'm i'm halfway through here i just quickly press c i do it sharp then i press v which jumps me back to my all selection tool and i click and delete the clip for example but i'm just going to press ctrl z undo that um press c again so you could see it jump here to the razor tool a good way to recommend uh to rem remember this because this is crucial one is cut the word cut begins with c even though it's the razor tool it you know what it lets you do is cut so i just remember it c is cut v isn't selection tool so i don't know why that's v but overall v and c your stuff you're going to be jumping back and forward between all the time luckily they're next to each other so i mean on the keyboard c and v they're literally next to each other so you shouldn't waste too much time pressing those two next up say we are again super zoomed in and we want to uh move around we can press h h if you will and uh we can actually get the hand tool h bring up here look around and um you know we we can basically have that hand tool move around again also very self-explanatory one t the uh you know the text tool we click we can write you know title number one whatever the case may be again let's go down here let's just delete that also let's go to fit so we want to fit the screen we don't want to be zoomed in too much again control s and uh you know finally one that is used occasionally is p that is the uh the pen tool right however honestly we're not using too much of the pencil also as you see right there what happens if you're not selecting a clip and you use the pencil you actually start creating a solid right so if at any time you do want to create a shape or whatever the case may be do not select your clip and you can use the pen tool and start creating but overall if we actually play through our couple clips that are loaded up in the timeline we've done it we've completed the basic section of the adobe premiere pro master class course wild my filming is not looking incredible right there looked like it went off to the to the side a little bit and uh overall this right here is just the start we've gone over the tools we've gone over the shortcuts we familiarized you with the program let's go ahead and just watch this little through the glass clip through the grass clip real quick and then we're gonna get started with the next section and this next section is gonna get real with the graphics and editing coming up next what's going on guys welcome back to the adobe premiere pro master class course we are entering section two now the editing section this is gonna be editing workflow tips on the screen is where we left off more or less we've got our three clips here and i pretty much just wanna well i think we were just briefly playing through stuff but i just wanna go just just show you a little insight into my workflow my workflow means what i'm doing where i'm going what i'm basically doing and uh we wanna process these clips so these are just three full length clips which is definitely not how we'd uh you know um showcase them in an actual edit so what i want to do is i want to format them by that i mean i want to start them at the point that they should start at and end them with the point they should end at for example we notice the camera does go off to the right hand side right there i mean common sense tells us it's very obvious that that definitely wouldn't make the final cut so what i want to do is i want to go ahead and get this at a point where it ends on you know a still nice frame so what i want to do is probably just before that movement happens there is we get this sort of pan up so we get the feet up it goes to the head and as soon as we get any sort of side movement as you see right there i'm just gonna press backspace on uh on on my keyboard or not backspace i'm just sort of going over frame by frame using the arrow keys right and then i'm just gonna press c i'm going to go ahead and get my razor tool i'm just going to chop it right there and then i'm going to delete the clip which is over to the right and i'm going to click this empty space and we're going to do a ripple delete which once i delete that that's going to bring everything else over to the side and it's going to lock everything in right remember keep in mind you got to have snap to timeline snap in timeline turned on at all times and everything will snap over and just like that we're going to be able to press the space bar and play this and it ends at an appropriate time and then comes in at an appropriate section because it looks like we re we already formatted that beginning part we brought it in at a time that you know actually makes sense to bring it in right there that seems like incomplete so i'm basically just trying to have one smooth motion so it looks like that right there could be it as soon as he uh he takes the camera down right there again i'm just gonna literally go frame by frame back a little bit maybe as soon as he actually starts to take the hand away we again press c we get our eraser tool we chop it we delete that with the you know delete and then we simply click the space and again press delete or backspace and just like that it'll chop over and then we go to the next clip again as we see it's obviously starting in a you know a setup position this is a you know where you're getting stuff set up and then you can press c chop that delete that highlight that space delete the empty space and we're gonna have this clip that starts at the right time it goes through everything goes through the the grass and comes straight over to luke and it just looks like i can go back and once that that motion is actually complete which it looks like around there the motion is complete we've got luke fully in frame holding the camera and we can press c go ahead and delete that and now we've got a 15 second sequence which when we go to the beginning and press space bar to play it's actually formatted in a way that you know makes a little bit more sense now it obviously follows him through the woods it chops to this and then it goes through the grass three pan up shots that are real nice we're doing this on the gimbal and overall that right there is our little sequence formatted and that's our workflow so when we're actually formatting stuff we're pretty much just using the razer tool aka the cut tool with c we're chopping stuff down we're bringing stuff over and overall we're tightening up the sequence and uh you know just just making a little bit more uh continuity that a little bit more continuity in there naked stuff actually flow and putting things in an order that would be accurate in an actual project so that right there's some basic workflow tips let's actually have a little uh have a little exercise coming up i want to um oh that's that's a little bit too many clips for you guys let me give you guys uh let me give you guys a few clips let's import these and format them together in the coming up section next what's going on people welcome back to the adobe premiere pro masterclass course we are continuing on the editing section this one right here is going to be an exercise we're going to import and adjust some video now i just did this on my own right here to show you guys sort of my basic workflow what it looks like what i'm doing familiarize yourself with the process now you're familiarized with the process you've got it locked into your brain let's actually go ahead and import some some clips some clips from one of my trips to the netherlands and you guys can actually go ahead and download those no problem oh wrong folder again let's go ahead and get this one and we have five clips so these are five clips of some really cool houses actually so i want to do the drag and drop method right we're going through everything together let's drag and drop these clips and give it a second sometimes it might it might lag out for a second because you're dragging over a bunch of media especially the bigger the clip the longer it might take to import we see it's importing down here just let it do its thing um and i want to keep up with the organization we've done good with the garden clips folder so far so let's drag again highlight let's click the bottom clip hold shift click the top clip which highlights everything in between then we drag them into the folder icon which instantly makes a folder we don't you know we we could also tap the folder and make it manually but that's no fun we go to bin we click it and we're going to call this uh netherlands or yeah netherlands clips netherlands clips oh that's a little bit of a funky spelling right there i'm going to press ctrl s save that we've obviously brought these in and i'm going to drag and drop one of the clips because they're all the same settings into this particular icon here which is going to make a brand new sequence and it's going to match the sequence based around the actual settings of the clip which is perfect for us as we know because all of these clips shot on the same camera shot in the same settings so overall if we make a sequence that matches the settings of one of the clips it's gonna be formatted and sort of ready to go for all the others we're gonna go ahead and rename this uh crazy houses crazy houses why not crazy houses and we can actually go ahead and start playing through our first clip now these right here are shot in 120 frames per second slow motion this is in camera slow motion so we're gonna have this buttery smooth slow-mo right here however if we did want to uh you know speed this up all it would be is a right click and a speed duration and if this is 120 frames a second if we made it if we sped it up by two so we made it 200 speed instead of 100 speed it's still at 60 frames a second so we still have some slo-mo just maybe not quite as buttery smooth but it's still slow motion however i'm going to press ctrl z i'm going to go ahead and undo that and what i want to do is i literally just want to go ahead and scroll over in this clip and just find this position so if we see right here the movement we are trying to capture a full movement so the movement starts going down here it begins the pan we can actually press c chop that chop out the uh the top of the clip remember click the area and again delete that that's going to ripple delete the area right there amazing and then we can simply play that and we want to end it as soon as the actual motion completes so as soon as it sort of brings this tree or this sort of little greenery bit over here fully into frame we can maybe even go back a couple frames and i'm looking at my timer there so that we chop it at exactly five seconds and we can go ahead and again press c chop that delete it and just like that we have captured five seconds of a pan to reveal pan down sort of situation with these amazing crazy cube houses that were going on in rotor damn netherlands very cool spot now let's go here to number 27. i've double clicked it i've loaded it up into our source window i now want to demonstrate the sort of more foolproof way of formatting your clips now obviously i wanted to walk you guys through the basics to this right so we chop stuff in the timeline but using in and out points there is actually an even sort of more foolproof way to go ahead and format your clips and that is by actually scrolling along in your source window over here until you see the movement that you want now for example this is going to be a sort of a a pan to reveal left movement almost and we can actually go ahead and press i which means in i is an in point that's a super easy one to remember i think as soon as i learned that one i never forgot it and then we can just press spacebar play it we're getting this nice sort of pan out just like that and when we're ready to end our clip we can go ahead and press o and that is out so we have created an endpoint and an out point honestly oh press control z i i moved it around i think these might be probably the easiest shortcuts to remember in the entire program in and out i and oh very simple now because there is no audio attached because these are shot in slow motion which means they didn't capture audio because they're high frame rate mode we can actually go ahead and hover over these two buttons now this is the one we want if we hover over it you see it says drag video only if we hover over that it says drag audio only now you know it will be pointless to drag the audio only based on what i've just discussed being that there there's no audio so we could go ahead and get the video drag video only and bring it over and because our locking is on it's just going to go ahead and lock right there and that is going to be looking pretty nice now that's a little bit of a longer clip right so i think even if we wanted to uh to speed things up we could maybe go a couple seconds in go ahead and press c chop that down bring that over and even right click just to keep up with continuity right click our clip that does have the audio layer which is our other version and go to unlink and this will unlink the two layers then we go to the audio which is pretty much just taken up space and delete it and now we have this sort of panned down 120 frames a second buttery smooth slow-mo and then it comes over to the actual plant itself we get a little bit more of a of a rotating feel here and we still got three more clips to throw in there to continue the sequence in fact we go into one of these houses in a second so let's use this new method now let's format the clips with the in and out points in the actual source view window and i'm literally just going to go ahead and scroll along for a little bit faster situation right and i actually think i just want to get a little bit of a different of a different motion so maybe we were just going left maybe we get this motion which is going sort of right so i'm going to go over here to about about there and again i press i and i sort of go to the motion seems to complete a bit i press o then i just drag the video only button and just like that we've created another nice pan through the through the cool houses and there's a little bit of depth going on because we've got this right here i think when you've got something in the foreground something in the background it gives that feeling of a little bit more movement and overall it uh it could be a nice effect now this is us actually going into one of the houses so i'm not too sure how well we can blend this right here but let's go ahead and press an in point right here and maybe we have this pan out sort of situation so it pans over there i like it um it doesn't fully make sense from a story point of view how we got into the house so in an actual composition just to keep you guys you know tuned into what would actually be going down i probably would want to have a few more shots in between the sort of tell the story of how we got there now this shot is is a pretty cool shot because this is from the actual bedroom of the crazy houses and this reveals you know the the the little sort of i guess uh you know courtyard area that they've got right here um but it's looking pretty cool go ahead and out point that right there and just like that we're gonna have a pretty cool little sequence that we can come to the beginning we can press space bar to play and we've just formatted this you know piece right here obviously we've got some clips that are a little bit longer than others some that are shorter but overall everything shot by these crazy cube houses in the netherlands and uh and overall it's looking very cool indeed couple clips couple clicks synced up and in fact there's something we can do coming up which can make this even more interesting and uh and sort of suck you in even more but for the time being that right there was that done and dusted quick little exercise underneath our belts let's keep cracking it's about to get interesting hey what's going on guys welcome back to the adobe premiere pro master class course we are continuing on the editing section this right here is going to be motion breakdown now i told you at the end of the last episode that we were going to be able to make this little sequence right here which we just formatted together way more interesting the way we're going to be able to make it way more interesting is by adding or fabricating shall i say a little bit more movement now luckily we have something on our side which there is organic movement in these clips which means with a little bit of artificial movement we can bring even more out of them we can make the viewer sort of feel a little bit more immersed and the way we're going to do that is scale keyframes scale keyframes or scale animation right even slight zoom animation and some might call it um is a way to bring the viewer in even a zoom in to zoom out strategy clip on clip which will make sense in a second if it doesn't is a perfect way to bring the viewer even more into a clip make the clip more interesting the way i'm gonna do this or the way you would do this is you click a clip and you go to the effect controls effect controls will get more extensively into because i mean as you actually add effects that can be a lot here you have to scroll down and there's a lot of properties going on a lot of stuff to tweak a lot of uh variables like this right but as you see right there you've got the scale um and you can actually go ahead and scale in scale out obviously it's a hundred percent scale which means that we can't really go out because there's nowhere to go but we can go in and we can actually animate in to out so an awesome thing right here is as we see there's a motion down what if we actually created a keyframe at the start which was let's say a hundred and ten which means it's ten percent zoomed in and we create a keyframe but then we come over here and we actually bring it back to a hundred it actually has a 10 zoom out while it also does this motion and as you see right there it creates a little bit more of a i don't even know necessarily know how to articulate it but just a little bit more of a immersive feel to it and you can feel it even more when you perhaps do a you know a 120 and you know you're bringing it out something maybe a little bit more as you see it's even got that that bigger sort of reveal situation where you've got real motion and artificial motion together creating a pretty immersive feel and then what you can also do or i mean you could also try switching them around so even a zoom in so it starts at 100 and it actually zooms in and in fact if i look at that right there i think that that actually might look nicer the zoom in as we see because it really starts with that that you know establishing shot of the buildings and it comes down into the plant itself and it really does look like an immersive zoom in now that's looking great to me we could even now have the zoom out on this particular plant i can actually go ahead and and and actually do something that's a little bit quicker instead of you know making the first keyframe 120 and then making the last 100 we can make a keyframe for 100 click the keyframe drag it to the end so we've told the program that it's going to end at 100 zoom and we could start it at a 120. so now we've got this zoom out zoom out to reveal it makes it even more apparent that we're sort of zooming out of that to reveal and then again we can come straight back in with the 100 with the 100 scale and just move over in the timeline a little bit put it on the 120 and pop that right there at the end or even even have this as just the 110 and the reason i'm gonna do that is because we noticed that the 120 is across a bigger clip so it makes sense the 120 on a clip half the size might look even quicker and overall we still want to have continuity so we want everything to look kind of balanced we don't want one to look more zoomed than the other one or look quicker or anything like that we're trying to make everything continuous continuity it matters in video and just like that we've got a very cool zoom in situation and right here we're going to be able to again do a zoom out strategy by simply going here with the scale going here and again doing a um let's say a 110 right a 110 again because it's a little bit quicker and it kind of gives that zoom out feel and here is the kicker where we've ended with a zoom in so we can now bring this clip come to the end with a zoom in and it zooms straight into that window and that just worked out perfectly where even we could get a little bit more with this last one we could even try a 150 this i might regret this but let's have a look we have a 150 so it really has this sort of pen to reveal feel of the courtyard right there and that's a that's a that's a great way to end it so that right there is motion broken down i mean we have this uh you know these zoom in animations as we see here then we have the zoom out animation right here which uh you know which nicely nicely nicely immerses us in the clip i mean it feels like a little bit more blockbustery i don't know if you guys are seeing what i'm seeing i hope you are and uh overall this right here is how we can actually improve a sequence with you know keyframe animations and uh you know overall we've improved this sequence massively the 150 didn't even look like too much right there as you see it's a perfect zoom straight into the actual windows right there and the reality is you are losing quality here you are because you are increasing it not by two times but that 150 right there you know on a big screen you might notice a little bit of quality decrease overall as a rule of thumb you're you're generally okay to scale stuff in about 20 10 and more or less it's unnoticeable especially in a mobile-centric world where you know a lot of people might be watching your your finished project on a mobile device it's a smaller screen you know quality losses aren't necessarily the craziest i think you do want to be very careful scaling stuff in 10 or 20 when you're making feature films for the big screen but overall a little 10 percent here 20 there in my experience it will not destroy your project i assure you so that right there is motion explained i think let's do a little bit more on improving sequences because honestly we haven't even messed with the position and the position of the scale together combined can make a dangerous combo let's keep it going hey what's going on guys welcome back to the adobe premiere pro master class course i want to prove to you with this exercise i want to basically take some still images and actually make a sequence that's interesting using the same method that we just demonstrated and deployed in this particular episode the previous episode the zoom in zoom out pan to reveal type of technique now i believe that this adds a nice bit of immersiveness to your normal videos right just to a video a video that without this effect would still be still be pretty nice you know we built something okay even without the zooms it's not although the zooms are the make all but you know make it break it type of situation the zooms just add a little something right however i want to show you how much they add and i want to demonstrate this through an exercise where you guys can actually download some screenshots now i mean well these are actually pictures so these are pictures aka screenshots from a shoot i did a hilltop shoot about a year and a half ago something like that i don't know me and my boy know we're testing out some new equipment a drone stuff like that more or less it's uh it's some clips all from the same kind of shoot whatever the case may be and um and basically i want to show you guys how we can piece these together using keyframe animations and actually make a still image sequence of five still images actually something that's kind of uh you know bearable to watch and also definitely much better than just them being still so let's go ahead and highlight them and drag them into the actual timeline over here or the actual media bin rather and let's actually go ahead and just select them all i press ctrl i click them select them drag them into a folder call this um uh call this still still still image sequence call this still image sequence awesome oh renamed one of the clips accidentally and what i want to do is i want to literally just drag and drop it make it a brand new sequence out of the dimensions everything's the same and pretty much what i want to do is i want to actually go ahead and uh and order our clips first right so i want to actually go ahead and order our clips which means that maybe this this one this one right here is probably going to be first so i drag and drop that there drag this over right because it looks like this is me walking to the to the hilltop right then it looks like maybe um yep this clip comes next right because that's me looking up then maybe we've actually got the uh you know the drone drone coming up next and then maybe we got the um the uh me looking over smiling maybe and then me taking the pic perhaps this could be could be the case or even or even not and it's looking like the uh the drone and this one are looking like they are wrong dimensions so let's actually go ahead and click the sequence settings ah some of these are 4k so that's where we've gone wrong let's even drop this to 1920 by 1080 and that's a great example of utilizing these sequence settings that's the exact scenario that i broke down to you guys in section one i believe where i said listen oftentimes you might have you know 4k you might have to bring it down to 1080p now to make everything match we just highlight everything right click go to set to frame size and that's going to make everything the same exact size now we now need to add some keyframe animations and also we need to chop this stuff down there's nowhere we're going to leave them all on for the full five seconds right it's it's too much and uh that's definitely a recipe for disaster so first off let's chop everything in half i press c i'm literally just guessing where the middle of these clips are um and i'm literally just slicing them all in half right i'm slicing them all in half so we can delete the second half of all of the clips and then just go ahead and again just sort of ripple delete that space so now we've got clips the last two and a half seconds a piece on average right and we can actually go ahead and create a scale and create a position keyframe come over into it a little bit and i want to literally just go for this one uh 55 or actually you know what 60 because that's actually going to be 20 increase based on the fact that we are zoomed out right so we can go over here oh we can actually bring it here and we can see that now this is zooming in awesome zooming in is it going fast enough is it doing enough maybe not maybe we need to go to uh 70 and then we maybe need to zoom up a little bit here and then maybe need to pull it over to the right so you see how i'm i'm using these adjustments right here and even i could even turn on a rotation animation again drag that to the start so that it starts on zero and even rotate it a little bit right here just so we are really getting this this very cool image or even even have it coming out of the rotation right so we've got this rotate in type of situation where maybe i'm going to swap these keyframes around right just so we've got more of like a pulling out sort of situation and then we can actually go ahead and do a zoom in on on this clip here so again we turn our our animations on we zoom over and maybe this one right here rotates a little bit here and zooms in a little bit here and maybe pulls over a little bit to maybe like right there so we now have this sort of zoom out pull out animation then boom zooming in on me and then coming out on the drone drone looks wildly less color graded i'm not gonna lie it looks like this clip here was was tweaked down a little bit more color wise um and again we can literally just go for a you know maybe a five rotation maybe we pull it in a nice little bit and if i click position it pops up here and i can click and drag and just sort of highlight everything make sure it's not going off too much so then we have sort of a rotate out there and then maybe a um again a rotate back in over here again i'm just putting the keyframes at the very start and then i'm literally just going to go maybe to a maybe a 60 or something like that maybe rotate that right there and pull it over a little bit to the other side this time maybe just so we're having a little bit of balance in each direction oh go ahead and make sure nothing's getting cut off when you're messing with rotation especially you have to make sure also make sure all your keyframes are at the end of the clip go to our final clip and we can actually go ahead and make all of these uh position rotation and scale keyframes thrown at the end and basically have this nicely zoomed in maybe even we uh we got a little bit of rotation on it even extra zoomed in pull it up here and looks like the rotation we might have to be a little bit more uh liberal with based on the fact that this i'm right on the edge over here but just like that now we've got this where actually that's avoiding the rotation the rotation is crucial the rotation adds so much but just like that boom we've got this particular setup and just like that um this is going to be something we could build upon but with a few keyframe animations you see we've made a still image actually you know seem kind of bearable right it's still sequence seem semi-bearable now some of them are a little bit faster than others some of them are a little bit slower however i can absolutely assure you that if we were to actually add some and uh some some transitions and stuff here we're dealing with something that could really be a pretty dope you know piece right here and even even not bringing it out so much maybe actually ending it right there by adding a keyframe deleting the previous keyframes and bringing those to the end so that it actually ends right there and just like that that's an 11 second sequence which you know isn't synced to a beat isn't uh you know there's no necessary movement in other than the artificial movement we've added and overall it's it's you know it's definitely better than if it was a still sequence and that's right there how you can actually add a little bit of more you know interestingness i guess if you will i mean that's definitely not a uh the best way to articulate it right you can add a little bit of um uh motion you could make it seem a little bit more intriguing and bring the viewer in a little bit more through the use of animation using keyframes very simple you've seen how i've done it i've literally just done the sort of animations of the position the scale the rotation you can literally see it all changing properties there because when we add a keyframe it tracks the sort of first information we tell it that it should be 50 and then at the end we tell it it should be 60 and it creates all the movement in between it's not as though we have to individually frame by frame animate it it obviously you know we tell it where it starts we tell it where it finishes and it does all the other work for us it figures everything out now that right there is just a brief demonstration on how you know the method of adding a little bit of artificial movement to your shots can even with a completely boring still sequence like this which obviously would not have been a sequence without the animation um with the animation turns into something that is you know actually usable something we could potentially put to work at the very least it's a b-roll piece so that's that done and dusted let's crack on what's going on guys welcome back to the adobe premiere pro masterclass course this is going to be an effect controls breakdown effect controls i don't want you to be feeling like you're left behind so we've done effect controls we've tried our best to make a boring sequence with still images interesting using one aspect of effect controls being the motion you know what i mean we've added artificial motion using keyframes awesome that's really just one use for the effect controls under the motion tab you notice that it's actually split into three different tabs by default and the effect controls obviously this is where you know your actual legitimate effects will start to pop up and you'll be able to tweak stuff which we're going to get to extensively in a minute it's also where you're able to get more out of overlays using your blending modes etc but i just want to go top down real quick make sure you understand the basics so motion i feel as though you're pretty caught up essentially this is the position motion if we uh you know we we drag this axis it's going to drag us to the left it's going to drag us to the right if we get this one we go up we go down more or less this is the position also if we click it we can then click and drag and move stuff around and remember control z to go ahead and undo that scale we can change these numbers and scale stuff in scale stuff out we can also click the drop down menu here and we can actually have a bit of a slider if we wanted to as well that's totally something that's uh you know easily usable just depending on what you want also with the scale you have the ability to turn off the uniform scale which means it doesn't lock the axis which means you can change the sort of y axis and the x-axis i believe basically vertical and horizontal you could tweak those with ease whereas that's not necessarily something you could do if you had the uniform scale on being that it locks the dimensions whereas here say we wanted to you know have it you know coming in much thinner or maybe make an effect where it popped out or something for example like a tv show effect that's something we could do with a uniform scale something we definitely couldn't do with uh with the locked scale rotation wise more or less self-explanatory it's you know you tweak it one way it rotates one way you tweak it the other way it reach rotates the other way very simple you do have a sort of a little dial right here i don't think it's very accurate i mean look at it it's tiny right i mean i'm getting motion sickness just playing with it so i'm going to go ahead and hit the good old control z and then ctrl s go ahead and save that rotation nice and simple anchor point anchor point is the central point which any of this motion can happen around so you notice that the anchor point is currently in the exact center of our project so for example when we scale stuff in it's going to scale in from the center but look what happens if we get this anchor point here and we drag and we put it for example over here on the left instead of the middle now when we scale stuff in you notice that it scales around that left hand point because all the motion happens around the anchor point also if we want to move stuff up and down it's moving up and down over there so we could press ctrl z bring that back to the middle the anchor point more or less you always want it to be in the middle because when you actually start doing these sort of animations if your anchor point is way off there to the top left you know you start doing the scale all of a sudden it's not a nice easy in and out transition like we've got right here or a nice movement all of a sudden it's a it's it's a crazy off you know off to the left-hand side doing its own type of thing situation so anchor point rule of thumb keep it in the middle if at any point it's gonna wondering you can click the reset parameters button on the right hand side of any of these things and it will reset it to the default that it's saved at anti-flicker doesn't work a whole lot a load for me i've tried a bunch of clips with the anti-flicker filter and uh you know it really doesn't doesn't do a whole lot of great stuff for me by all means mess with that on your own it can remove some of that flicker from tvs yeah i'm sure it does work but it can really soften out your image as well which overall not the greatest situation that's a very niche piece right there i don't know if you'll be using that on a day-to-day basis opacity opacity is how much your image is visible so 100 is 100 visible we drop the opacity to 50 all of a sudden it's half way see-through we could see halfway through it now luckily for us there's nothing below it so it's just a black background right we could press ctrl z blending modes these are how we're going to use overlays right um but also just going back to opacity this is how you could potentially do a you know a fade in animation you know you could make a keyframe of 100 percent maybe make one of zero and then you've got this sort of fade in effect right there which is done through an animation and there are presets down here video transitions where you got some dissolves and stuff by the way we're gonna get extensively into that in a minute but overall um the actual you know the actual uh just straight up keyframe animation can be really nice as well look at that that's that's nice we'll go ahead and leave that just as a demonstration um also if we wanted to do some some crazy uh well if we wanted to create a mask for example if we wanted to zone in on a specific aspect of our clip we could create a you know preset shape mask like by doing this tweak some stuff up by the way we've got a full masking section coming up or masking episodes also we could create a square um i mean it's not looking like the most 10 out of 10 square or we get the free draw tool and we could actually you know create an outline or around our head whatever the case may be right you know we've done these before um and again i'm just drawing the absolute most basic outline you've ever seen in your life that's terrible go ahead and delete the mask again just to really just show you that um blending modes we're gonna get to blending modes in a minute i've got a very cool idea about we can we can import a couple of um presets uh preset overlays and uh we can use those blending modes to to blend these clips here even better and um overall that right there is a basic effects control breakdown we got the time remapping which is not actually usable currently until we start making some stuff um or until we really start tweaking the uh the speed of our clips something we're gonna get to next so that's an effect controls breakdown let's utilize the the opacity area with these blending modes right here looks like there's a lot going on i want to show you guys how we can really get the most out of these blending modes coming up next hey what's going on guys welcome back to the adobe premiere pro master class course we're doing an exercise again this is going to be importing overlays and improving the still sequence so we've got this still sequence it is a hard cut which means well i mean you can kind of see what it means it cuts pretty hardly there's no smooth transition in between it's just a hard cut in between shots it firmly changes from one shot or in this case one still image quickly to the other as we could see down here there's no transition in between there's nothing that eases us from one into this you know the second right so a general strategy we can use to actually sync stuff up is overlays now there's different types of overlays for different types of stuff the reason i'll say that is because not every single overlay ever ever created is created equal there are glitch overlays there are light leaks there are uh you know full-blown inbuilt you know crazy transitions essentially what i want to do is i want to take an appropriate use or an appropriate collection of overlays being light leaks now light leaks what light leaks are is essentially uh little bits of light that are computer generated so i can actually go ahead and play this for you as you see here and it might you know like flicker or whatever the case may be and a lot of the time what we could do is we can use the sort of the peak of this light right the absolute brightest position and we can blend that into shots like this which are obviously shot on a sunny day and it can have the appearance of the sun flickering into the next shot which actually creates more of a distraction over this hard cut because basically the science behind it we're trying to distract the viewer from this hard cut and a little overlay in between stacked on top of it maybe where some light comes up or whatever and maybe looks like the sun's doing that can ease us into that next shot so let's go ahead and do it let's shut down our still image sequence here and let's go ahead and bring our overlays in we've got a fair few of them all right i wanted to bring a fair few just in case also these are yours you know what i mean so you can utilize these in you know future projects whatever the case may be and um you know these are premium stuff right here so i'm not entirely sure where um you know i've collected them from over the years all i know is they're in my editing pack they came from somewhere overall we're gonna go ahead and add them to a folder and call them overlays overlays nice and easy and um then we can actually just start opening them up in our source window here and we can see some stuff that looks pretty nice so as you see right here the peak of that actual um the peak of that sort of light is is probably around there right so maybe maybe there something like that so ideally what we can actually do is just drag these in and just drag over in the timeline until we see the sort of the the position that looks pretty good it looks like there's a nice position to transition now what i want to do is i want to go to the effect controls i want to go to blending modes and i want to turn this to screen what this is going to do is going to take out the black around it so this is a you know it's a black background basically screen will take out that black so we're just having this as a transparent piece now then we want to get the razor tool c go ahead and cut right down the middle highlight everything drag and drop and pull them over and just like this when we go to the beginning we're now gonna have this transition which hits some light right there and uh it creates a little bit more of a distraction in between and even what we could do is come over here even chop out a little bit more drag that over there and play this so more or less we have just a nice quick transition in between even control z i was trying to take a little bit of that off to make it a little bit quicker but overall it's looking pretty good to me i mean you you know you're welcome to speed them up whatever the case may be press control s we'll go ahead and save that right there and we are now going to go over here and start bringing in some other ones as well we can load them up in our source window go ahead and press space to play through and start looking the reason i've given you guys some variety is because there is uh you know a specific look we want here some of them are one color some of them are another color ideally what i want to do is i want to find the ones that sort of have the most lens flurry feel to them because this is a sunny sequence right here which means that if we actually line them up lens flare wise the user can easily go ahead and think that it's just a lens flare from the sun and it's actually organically captured opposed to something that's digitally uh you know imposed afterwards but we can literally go ahead and grab that video only go ahead and pull that over again and just find the absolute peak of the lens flare and we can actually go ahead and select the clip go to effect controls and put it on screen again go ahead and chop it using the uh the razor tool highlight everything and drag it over so that that sort of middle point actually hits at the brightest position now we're getting a little bit of overlapping here but that's absolutely fine because we're really creating a sequence that has a lot of light going in as you see here that really worked real nice where they're stacking on top of each other there is a heavy feel of it being you know a pretty light shoot right now based on these nice overlays and i mean you could even have this as a full-blown overlay so instead of actually using it as a transition i've brought one of these that look kind of just like a lens flare and just sort of left it in there over the top so it's got a little bit as you see that's a little bit too much maybe we add a maybe we chop it right there but as we see that's pretty nice right there that sort of little little flare going off to the side adds a little bit of a something going on and overall overlays are not only utilized as transitions this is just one way um that we're utilizing them today but they're easily put together as just full-blown overlays to you know add a little something that right there is looking like a perfect overlay as well maybe we drag that right here we put the opacity on screen i mean we put the other blending mode on screen whatever the case may be um and also maybe we go ahead and uh hold alt and go ahead and duplicate that first transition so now we're gonna actually go ahead and have a and even you know what duplicate the second transition so we've got two that we like we've got some overlays in between it transitions between again transitions here with the lens boom transitions there and finally transitions to our final shot and what we can even have right here is have the uh the other one gone right so that overlay was looking like a little bit too much but what we could have is that and just like that we could even end it off with a keyframe animation of the opacity we could even end it off in the exact same way that we brought it in with that simple keyframe animation of the position um or keyframe animation of the opacity out and we could even go ahead and uh and make the opacity here on the actual overlaid clip as well drag that to the end so that has a slight runoff time a little bit towards the end and overall we've created a seamless you know seamless sequence using these light leak transitions light leak overlays we've added something to this 100 and we have actually got a whole bunch more out of this now 100 at the end of the day it is still a still sequence there's no chance this is going to compete with a you know sequence shot on a gimbal something that's that's pretty dope but there is definitely room to improve stuff for example the crazy houses crazy houses right here is something that again with the use of some light leaks could have a little bit more to it where for example maybe we don't even use them as transitions maybe here we literally just use this as an overlay and we perhaps drag it over so that once it maybe hits this this second clip maybe we start getting some light leaks or something again we have to oh we have to press screen not multiply looks like that's kind of messed up right but those sort of little bits of light i like that they're pretty nice even that that piece right there could be a good transition piece where it transitions at the end so you see we're just trying to make the uh the light look not too forced and sort of ease us into the next clip as you see right there that's kind of a nice execution i might have this second bit maybe right clip and right click and make it happen a little bit quicker so that it quickly fades us in um but just a couple ideas overall i think we'll uh i think we'll leave these two sequences to be messed with in a minute with some more stuff i know the garden could be great use of the light leaks however a little bit more hand chosen these ones i chose them kind of at random and we put something nice together with them again we're really you're looking for any sort of angle you can take to spice up a boring sequence the light leaks plus the actual animation with the keyframes spiced up this little sequence right here you know a whole bunch so without you know with that's with that said let's keep pushing all right guys welcome back to the adobe premiere pro masterclass course continuing on the editing section this right here we're going to add and adjust effects to a clip now we haven't taken that much of a deep dive into the effects tab yet because we have a full breakdown extensively with every single section every single effect in the advanced effects coming up because we can cover it much more extensively there but briefly we have to go through it and i think a perfect way to go through it is to use it so let's actually go ahead and type in light i want to type in light because we were just messing with some light leaks i want to show you how to actually do in app sort of light leaks in app light transitions we're going to use the convolution kernel light emboss quite a name pretty powerful name if you ask me and i'm just going to drag and drop that to the uh to the main clip that i'm worried about right here and i'm going to drag and drop it right here it's going to add a slight lightness to it but overall we can leave the dimensions how they are we pretty much just want to come over here to the end and just make a keyframe i'm just going to use m11 up here and i'm going to demonstrate to you how if we make a keyframe here and then move over a couple keys right and then actually turn this all the way up to 30 we get this extreme light situation where if done over the last few frames and i think we're probably gonna have to do that a little bit quicker right maybe right here if it happens pretty quick right as you see right here if it happens kind of quick um or i think i might make this a little bit a little bit slower right so it kind of builds up um or even even right there right so boom and then we actually go ahead and actually just go ahead and click the effect in clip one go to clip two and press ctrl v after control c and copying it from the first clip we've now pasted it into the second clip we can get the final keyframe drag it over here get the first keyframe drag it over here and now more or less we're gonna have this effect where as you see here not only does it sort of fade in but it fades out right away now it looks a little bit messed up because the uh the effect is for some reason taken place but we can literally go up here to sequence go to render into out and that will uh that will start rendering stuff um and this will just do a pre-render basically this just renders everything so that we can watch it smoothly with no mess it around so let's let that just go through it's really not taking that long 9 seconds 10 seconds remaining and we can watch this manual light effect that we've just animated right here there's a whole bunch of other light effects but i chose the the convolution kernel light just for the fun of it and we can give this a play right here we can see luke walking and all of a sudden the light hits and just like that it smoothly transitions and we could literally go ahead and do a copy paste of the um do a ctrl c control v of these keyframes right so that we actually go ahead and repeat the exact same animation on to the clip number three as well so that it actually fades in fades out and just like that it hits and then hits again and just like that we have actually perfectly animated this really nicely um and it looks like right there at the end the actual light hits as well and it builds up and just like that done and dusted we can actually go ahead and press o which creates the out point let's go back up to sequence render into out i gotta drag over my box again i'm using two two monitors for some reason it loves to put everything on the right hand monitor despite that not being my main monitor i don't know it's one of those situations listen i'm not gonna cry about it there's definitely bigger problems going on in the world we got 10 seconds remaining on the clock let's let it do its thing eight seconds remaining and we'll be able to watch this start to finish and more or less we could see that it has you know pretty nicely merged these three clips using a light animation at the start and a light animation at the end of a clip and there's something pretty specific that i want to do next where you can see there's a fair bit of shake in these clips obviously they're relatively zoomed in i'm also doing a fair bit of movement so you know what i want to do i want to come back in a second i want to demonstrate another effect in the actual effects tab right here oh i double clicked it be careful if you double click stuff you might make it big if you if you do that just double click it again in fact throughout the course of this uh of me teaching what i realize teaches the most is when i mess up because i'm able to backtrack and say oh there you go guys if that happens to you just do this and that's one of those scenarios right there so nicely animated we built our own little light leaks i think you can imagine that if we stacked on top the the artificial light leaks with these sort of a manual light keyframes we could create something awesome and that's exactly what we want to do coming up after we've stabilized our shots which i'm going to break down extremely easy in the next section it's it's going to blow your mind let's have a look hi guys welcome back to the adobe premiere pro master class course we are continuing the editing section we're gonna mess around with a couple more effects this is an exercise right here let's walk through it okay so we just briefly did this together obviously we're using the garden clip still you've got the garden clips if we have a look at this what we did was we just added a manual light animation to it to the start and the end of the eclipse just add a little bit of something to it now i want to show you guys how much smoother we can make these clips because i've sort of just been letting you watch this we've been going through it together a little bit but i'm sure if your eyes are as tuned into the shake as me we've got a fair bit of shake this uh the gimbal didn't look like it was doing its job 100 today so i want to fix it and the fix is i mean this might be one of our shortest episodes i can't lie all you have to do is type in warp stabilizer this is technically a distort but what it does is it perfectly grabs or analyzes all of the motion in your clip look if we drag and drop it to our clip it's going to start going through and analyzing percent by percent frame by frame and it actually forces everything to slow down and actually takes control of the motion of the clip and it does its best to create a smooth playback of the original clip which had a bunch of shake to it now it can work perfectly most of the time it could also not work at all so let let that just be said from the start but overall it is i'd say it's usually an 80 accuracy situation where most of the time 80 of the time you're going to be able to just drag and drop this warp stabilizer effect to your clip it could take a second especially if your gpu and you know processor isn't the best to actually analyze stuff it could be a relatively time consuming process so it could be something to do at the end of your project maybe not right away right so you might look at the project at the end and say you know what this needs to be a bit stabler as we've just done right here we didn't rush straight into it obviously partly to you know ease you into the program not overwhelm you but overall i'm usually not adding warp stabilize right at the start it's usually a fi a finishing touch but that's 83 percent on one clip we're also going to have to warp stabilize the other two clips so it's a it's going to be a couple minute process here just getting everything nice and smooth but i'll be able to in literally a second to show you what the actual smooth version of this clip right here is going to look like once the word stabilizing is gone from the screen we can go ahead and press the space bar or we can go over here actually just go ahead and render into out so that we got this in full quality no messing around and we'll be able to see how much smoother this shot just got it's my assumption that we've pretty much entirely erased any shake from this clip so let's go ahead and play it just like that the warp stabilize has taken effect and we are dealing with a stable clip now this one right here is looking even shakier so we can again just drag and drop that's literally all it is this is one of the easiest effects to utilize in the adobe suite this is available in after effects is available obviously here in premiere it's potentially one of the most overpowered uh you know pieces that you can actually incorporate into your projects on a consistent basis warp stabilize it's been going i i mean it's been assisting me in projects since you know let's let's literally say maybe i was 15 something like that right i'm 21 right now at least five years warp stabilized has been my trusty ally and um confidant and uh it basically go ahead and hides all my shaky clips from the client oftentimes this is uh definitely something you need um especially with me i'm pretty gorilla with my with my videography i'm not at all the uh you know the most precise person in the room with the with the camera right it's very it's more of a ghetto approach when you see me film so i'm definitely relying on something like warp stabilize and um you know i really appreciate adobe for throwing this thing in and i want to showcase it to you guys so you can see how powerful it is 87 through on this clip this clip will really be able to see uh you know orb stabilized taking effect and and powering through because this clip starts off pretty damn shaky we're gonna let it stabilize here and i'm literally just gonna go ahead and run it through the uh you know the pre-render one more time so we're watching everything a hundred percent smooth we hit the render into render out and remember that's gonna render the end point to the out point render i to o go ahead and process that and we're going to be able to watch this from the start first clip looking nice and smooth fully stabilized and that right there is a demonstration of how smooth they can really make stuff you know that that clip was just shaky right there it looked more like this right but look how smoothly that comes up right there based on warp stabilizers doing it's doing its thing working its magic and we can actually drag and drop it to the final clip which is looking kind of messed up in comparison to the other two we've got two perfectly smooth you know beautifully crafted canoes cruising through a lake and then you got this right here this absolute crazy broken dinghy just smashing up a bit of a weird metaphor at the end of the day guys it uh it's not even 12. i haven't fully woken up yet but at the end of the day we're dealing with a much smoother sequence than we were a second ago and um i mean it's it's ridiculous how easy it is it's a drag and drop situation adobe they've kind of dummy proofed the stabilization process um in a way that i haven't really seen done in many other programs it's something that's been emulated now going forward though by a bunch of the lower tier editors you know if you have some free editors and stuff they've all tried to incorporate a stabilization feature i mean stabilization crucial built into you know the newest iphones whatever the case may be those things basically have a little gimbal inside of them and um overall this sort of stabilization technology hopefully will only get more and more advanced as we go at the moment by the way we're only on 50 smoothness i usually as a rule of thumb leave it on 50 percent hundred percent often times it you know just literally isn't even needed but overall what we're going to go ahead and do is wait for this to finish and then we're gonna be able to play everything start to finish and uh and it should be all good now just so you know there is a couple different sort of stuff you could do smooth motion um and uh you know no motion whatever the case may be there's a few different stuff you can tweak there but as a general rule of thumb personally i leave everything how it is i click analyze or i mean i don't even have to click analyze i just drag and drop my clip and the program does everything for me maybe if it's not looking smooth i'll bump the smoothness up to you know 75 something like that but it's very rare that the 50 smoothness doesn't more or less completely iron out any unsavory unwanted pieces that are that are lingering right but overall let's render this start to finish and let's have a look at what it's looking like as a full three-piece sequence done rendering it out there we go nice and smooth you could see where the shakes kind of were and it's done it's best to counteract that there you go so that that that's looking a little bit warpy there it's looking like it's potentially we might have figured it out that it's more more like a two-thirds of the time it works really nicely that one right there is looking like it's going to need um oh 100 smoothness let's go ahead and throw 100 smoothness on there and go ahead and analyze that one more time and basically just see what that's looking like and i think we should be okay but let's go ahead and just run that through one more time just for the demonstrational purposes i'll come back in a second when it has fully processed 100 smoothness and just like that it has processed 100 we're gonna go ahead and literally just render into out go ahead and process this fully so we can watch it back the 100 we'll see what's happened here it wasn't quite smooth enough to really rock with the uh with the 50 we'll see what the 100 does unfortunately it will zoom in a fair bit so we'll see whether it has completed it or maybe pushed it over the edge and made it something that we have to sort of backtrack on but we'll have a look right now everything else looking nice and smooth overall that is looking messed up so it's looking like the smoothness of that it's it was literally just too shaky as you see here too much of a glitch too much of a warp let's literally literally just go ahead and take off warp stabilizer and it's uh it's honestly looking best because it's shot in the gimbal without warp stabilizer so there will be a couple shots that have too much motion you more or less just have to uh pick your battles if you will and uh and we just have so that is warp stabilizer done and dusted let's keep cracking all right guys welcome back to the adobe premiere pro master class course we are going to be doing creating solids and adjustments creating solids and adjustments are different types of layers now they are sort of inbuilt assets that they're they're not stuff you have to import their stuff that's ready to rock basically in the program and we're going to show you how to utilize them now right here you notice how when we were adding this effect we added it to the end of a clip and the beginning of a clip to create the illusion that it sort of faded up to the maximum and then faded down now there's actually a better way of doing this and it would be using an adjustment layer now an adjustment layer is a blank layer that goes over the top which actually has nothing in it right so it's fully transparent but you can use it as sort of a um as a uh overarching sort of piece that can hang above two clips and you can do stuff to it and it affects everything below it so instead of actually putting this effect directly onto the clips themself individually and having to do two sets of keyframes we just put a key a adjustment layer over the top and do the actual effects on that and it would apply to everything below so let's go ahead and make sure we are in our media bin right down here we go up to file new and this right here is where where we have all our sort of in program assets right so we've got color mats which are solids we're going to jump to those in a second but actually what we want to do is we want to hit adjustment layer i want to go ahead and hit adjustment layer it's going to create it based around whatever sequence you're currently working in and we can literally just drag and drop it now it's pretty much the size of a full clip so what i want to go ahead and do is i want to actually you know demonstrate how we can actually single a bit of this out and then actually um you know use it to influence what's below so it's actually chop out a bit of it so that it literally just goes over the beginning and the end of a clip and i'm going to demonstrate this with something that's very obvious so i'm going to type in distort and we'll get a distort that's extremely obvious so actually we'll delete that go to video effects and just open distort and we'll get an effect that's super obvious so we could see it really happening over uh these two clips was drag and drop swirl on there for example and as we see right here swirl is dragged to the uh you know adjustment layer above but when we start tweaking it everything below starts getting messed with as well because of the fact that this right here is an adjustment layer it's actually going to affect everything below so swirl as you see it swirled but also if anything i drag this adjustment layer over it's going to have the swirl effect on top of it as well so i want to press ctrl z undo that actually delete the twirl effect my bad and what i want to go ahead and do is let's just literally go through and see what we can actually find that is going to be something we can create quite a sort of a smooth transition with right and the way i want to do that is i want to actually use it to hover over two things and let's just start animating something and then bring it back now we want to find the right want to find the right clip right it could be it could be this with the curvature so for example say we make a keyframe of the curvature at the start then we go over to the middle and we actually add it to -100 then we go over here to the end of the keyframe and we bring it back down to zero so more or less we've got this sort of effect of zooming in just like that and you know for a one-take wonder right there we literally just tried that on the spot it's looking really nice and if you you know you actually have this sort of distort which stacks up the lens lens distortion right stacks up on top of the uh the convolution kernel light effects and that's that actually creates a real nice transition right here now what we could do is we could put a chop right down the middle so we've got something that's actually lockable hold alt and drag it over here to lock into this other clip right here and we've just created a pretty nice transition now that one's looking a little bit more uh look a little bit more forced right ideally with transitions you are trying to create a fully seamless sort of situation and overall i think to actually make this even more seamless we could drag out the adjustment layer a little bit and just have it uh sort of fade out over less over time um and just like that that's how you actually add an effect to multiple clips at the same time using adjustment layers just like that we're able to conveniently add this sort of cool transition in between and also adjustment layers is how we're going to do extensive color grading later on in the course because obviously doing this you know doing extensive color grades to each individual clip is a little bit intense but when you put a overarching adjustment layer over the top of let's say 50 clips or an entire project and just add color grade to just the adjustment layer it's going to color grade everything below and it's a perfect tactic for actually it's a perfect tactic for color grading or to mass add effects to clips as well so let's now mess around a little bit with solids let's press ctrl s go ahead and save that all right guys so now we're going to mess around with creating solids aka color mattes very simple i showed you how to do it we simply go up here go to new and go to color matte now we're going to be able to showcase this a little bit more extensively in the next section the title section because it's a great way to add a background to a title i think that's literally what we've done at the beginning of every single one of these episodes is we've used a color matte to add a white background to the title start but simply by creating a color matte you are able to pick whatever color you want for example maybe we uh maybe we choose a light green for this or whatever the case may be we can actually create that color matte and basically if we drag this over this is a green solid also they retain customizability so at any time you can double click your color matte and you know you can actually change the color to a different color i'm going to press ctrl z i'm going to undo that and basically these are pretty useful based on the fact that you can not only create them and you know utilize them as a as for example um full blown solids and then maybe right over them for example you know title example one and you can actually have a nice sort of background for this title right here especially if you know you were to bring that into the middle or whatever the case may be you know scale it up a little bit and then maybe even have a you know a scale animation or something like that um you know zooming it in and out or whatever you can create a pretty nice little title sequence in a couple seconds um however again i told you we're going to extensively get to that in a minute so let me showcase some other uses for the color matte and you know basically something that it's been used for before is a subtitles sort of section where maybe you're you're doing something and you want to you know for example a uh a black bar down here whatever the case may be maybe you've you've created a section for subtitles to come through also oftentimes right and i'm literally just trying to show you guys the different uses for this so you're not freaked out sometimes people will take the uniform scale and they'll blend it down to something like this where maybe you could even have a title in the middle or something like that or even you know potentially drop the opacity a little bit and again have a you know uh cooler title c right cool the title sequence whatever the case may be maybe you want it in the in the middle or something like that you can kind of get creative with this stuff definitely as you see right there this that's definitely a cooler title sequence right or often times this could even be a a pop tag for a name where you know maybe you're doing a you know you're editing an interview or something like that and a character comes on board and maybe you want to have their you know their name bottom left right now and stuff like that but overall as you see the main uses that i'm giving you guys for these solids right here so far are mainly tidal based so i think you know what my main utilization of solids are you know some kind of around titles text you know branding my my projects whatever the case may be so that's what i'll go ahead and do it i'll leave that to the next section so that right there is adjustment layers and solids aka color mats covered briefly we're gonna get to stuff and uh you know put them to work in actual you know real life examples i think that's the best way to demonstrate how they work you know i showcased pretty nicely the uh the adjustment layers i'm definitely gonna showcase much more extensively the color mats coming up in a bit what's going on guys welcome back to the adobe premiere pro masterclass course we are jumping into the final two episodes of the editing section we got something real special and that special situation is gonna be in the form of an ultimate exercise now this episode here let me just break down the actual wave form how to read it how we can spot the beats and in the next section or i mean the next episode the final exercise of this section we're gonna be editing a actual mini edit together and we're gonna be syncing everything to the beat we're gonna make something that actually syncs to the beat this is a whole bunch of uh footage from scotland i was in scotland a year ago with uh with my brother my dad and uh overall we have some pretty cool footage for us in the woods of scotland the uh the um you know the highlands right so let's actually go ahead and import everything drag and drop it down here obviously it's going to take a second to import and once it doesn't port we'll let everything load up here however also we can drag and drop it into a folder and we'll call this scotland scotland scotland perfect also we can get these adjustment layers and color mats and we can actually go ahead and make a new folder called assets right again we're trying to stay as organized as possible because i mean you know we're we're two sections in and we already got what six folders you can see that if we do not start organizing stuff early on we're gonna we're gonna have a mess on our hands so what i wanna do is i wanna create a timeline right i wanna create a sequence i wanna drag and drop one of these clips into the sequence so that it actually creates a brand new sequence i'm going to call this a scotland edit right awesome now i want to then delete that clip the reason for that is because i want to drag and drop the actual track in the audio and i want to go ahead and actually play this together and show you how to read wave forms right now what i want to literally go ahead and do is just come over here and actually just go ahead and zoom in a bunch basically we are going to be syncing stuff to the beat essentially each one of these spikes right here is a potential cut that's a potential change in clip which we can actually go ahead and do and that will actually you know we can basically use these to change the clip so it will essentially be um be something that you know when actually played just like that we can add those beat changes or we could use those beat changes to change clip and pretty much the way we'd actually you know use a waveform is literally just looking for the spikes the spikes are where we'd actually change as you can see right here and you just kind of have to listen out and as we can see you know that sounded like a beat drop right there it also sounds like maybe that that one right there is the main beat drop whatever the case may be and we can put our clips in between but let's press ctrl z let's undo those coupled cuts let's actually press ctrl s save and this is our clip right here obviously you guys can download this stuff from the resources section and we're gonna come back and actually put all these clips in sync with the track let's do it what's going on guys welcome back to the adobe premiere pro master class course this is an exercise what we want to do is sync audio and video to the beat we're going to put together a little sequence together here using some clips from when i went to scotland and using the song that is uh copyright copyright free and it's royalty-free music basically we're gonna take this track we're gonna start it probably on the drop actually fade in and we're gonna use the beats to sync everything up so let's just go ahead and play this it sounded pretty nice sounded pretty hard what we could do is we can actually have a uh a one clip sort of fading in right so maybe um maybe we have this clip sort of starting it off maybe something like that and then we chop it right there on the beat we go to the next clip and i'm probably gonna go ahead over a little bit and um and just have a look at what we're doing here so we see there's actually pretty nice waterfall right there even what we could do is we could actually reverse this clip so we could actually have that's my brother right there maybe we press o which means it ends on that part this is going to be an interesting thing i'm gonna bring this over i'm gonna right click it i'm gonna go to speed and duration i'm gonna click reverse that means it's actually gonna start it from right here so basically we're gonna have this sort of effect where it comes over and i don't i don't think that's that that's that's fast enough probably start it right here where it sort of starts to reveal the waterfall right so we've got this and it looks like the the next chop is maybe on the melody for example or maybe there probably just there so we have a little bit longer one of the waterfall chop that on the next beat go ahead and move over a little bit find some more clips it's looking like these clips are a little bit intertangled and it looks like that's another nice piece where my brother's walking across this bridge we could just again i'm just scrolling through just to see the nicest bit it's honestly looking like the nicest bit might be this sort of turn right here just because it's looking pretty cool nice little movement there's stuff going on i'm just gonna drag in just the video and it's looking like that's gonna be a much quicker cut so we can go ahead and chop that one right there and uh and and load this up right here and this is again a little bit further in so look at that we can then maybe have josh walking through and now it actually go ahead and uh and cuts down to the sign right here let's go ahead and drag and drop that over ah that's not really tickling my fancy too much i'm not gonna lie so you know what i'm gonna do i'm actually gonna oh go along and it looks like that is literally the perfect sort of piece right here it's looking like there is a nice pan up that we can take advantage of right there drag and drop that right here and it's my bro walking and actually that might better suit here because it's a little bit longer and we can actually chop that out in fact you know what i might do i might actually take this clip right here i might even bring it along i might cut it here i might right click it and i might actually go ahead and make it 200 speed and uh and pop it right there so it actually has the slow-mo walk nice speeds up a little bit nice and everything so far perfectly synced to the beat now we could even have this sort of panned down right here as we see looking like a real nice waterfall pan down it's looking like that could be the place to do it again i'm literally just pressing i to add the end point then we go over here to the actual video only because these are 120 frames a second we don't want the audio layer nice and just like that we have trimmed it down nicely we go over to the next clip load it up this is my brother and my my two brothers miles and josh walking up the track let's actually go here it's looking like this is probably a nice a nice section we we move over we move over we see where the nicest part is in fact you know what this is looking pretty cool looks like we press i and o at the same time right there so let's actually just go ahead and uh and come over a little bit and find that little motion right there awesome i'm just literally rapidly scrolling through these clips and i just try and find any motion i really can and just like that we can actually chop it out on the next clip and i think our final clip will be this one right here i think there you go nice nice so we can actually have the point to the cam end it out right here and as soon as this beat hits what's actually right click it let's make it speed up and we can actually have it fade out right there so as soon as it goes behind the tree it starts to fade out as soon as it goes behind that tree we're gonna start to get a keyframe animation of the opacity and we can actually bring that out to 100 and maybe even bring it over a little bit so and just like that it fades out and we can actually go ahead and hit the music go ahead and make a keyframe animation here and fade it out so by the time the beat runs out here it's gone and just just faded out a whole bunch and just like that that'll gradually fade itself out alright let's go to the start guys let's play it nice nice smooth 120 frames slow-mo buttery smooth slow motion nice nice nice nice nice fade out very nice little piece of content right there we've put that together entirely through the use of uh you know the sinking to the beat waveform reading method where you could see right here everything changes nicely to the beat boom that that that spike hits then we know that that spikes a big one changes it up nice boom so it's hitting right before that beat right on that beat it hits as you see right there that's a real predominant one and that's how you sink to the beat some you know some songs are easier some songs the waveform isn't quite as obvious but overall every single time you're you're overall able to make a pretty nice sinking to the beat using the waveform uh down here uh and you know you could just read the read the spikes basically but overall that right there is our project done at dusted we've synced some stuff to the beat pretty nicely some of these clips are a little bit lag right but that's just that's just playback lag no problem and with that being said done and dusted guys we're gonna come back in the next section the titles and graphics section we got a big one coming up next i can't wait to jump into it and we're gonna do it coming up next this one right here was the editing section done and dusted we put together a nice little piece synced it to the beat and we're prepared to move on to some more advanced stuff i'll see you guys in the next section what's up people welcome back to the adobe premiere pro masterclass course we are jumping into a new section now this is going to be the graphics section now we're going to kick it off with an introduction to essential graphics graphics is an entire tab up here we covered it briefly in you know the absolute basics if we go up here to graphics we're going to get greeted with the tab now the tab isn't fully active right now because it's just showcasing us templates right this is the browse template section you've also got the edit existing uh title section now because there's no existing title there's nothing to edit so for us to actually fully explain the essential graphics tab which is right here says essential graphics we got to press t use that good old-fashioned shortcut that we covered and with just uh let's just call this title number one and the reason we're doing that is literally just for something to mess with and you see the second we make it and the second we click on it we have all these properties right here that we can begin to tweak for example we could put it into the middle these two right here basically center it vertically and horizontally now when you click vertically it'll pop it right there and when you click horizontally um or i think i did that the other way yeah horizontally and vertically it's going to put it directly in the middle so at any time if for example um you know your title's down here whatever the case may be you want to quickly get it to the middle you can actually go ahead and click align vertically um or actually that's if it's in the middle you can basically just tap these two right here but once it's in the middle at any time you could a line at the top or a line at the bottom aligned to the side etc but overall if you want to get stuff just directly into the middle you tap both of these and um and basically it will jump itself back to the absolute middle now that's very uh very brief right there alternatively if we wanted to increase the actual size there's a couple different ways of doing that for example you notice that when we hover on the actual sides of this there is these sort of points these expand points and we could freely just click one of those expand points and hold and drag it up now we have covered anchor points already anchor point to the actual point it rotates around so you notice that or the actual point that sort of any movement stems from and you notice that it's actually down here now you could manually click that and uh and bring it to the center or control z undo that and simply just center the text down here so that's a center align and then again we could tap these to actually bring it directly into the middle and just like that we now have some text that will build around this sort of point right here however alternatively even further we could drag it right there into the middle if we wanted to and then again just go ahead and align and now our our text would essentially move around this this central point so so far we've covered how to align everything uh we've covered how to obviously change the uh the the size the uh alignment et cetera obviously the font itself is very self-explanatory we could go here click a different font for example i got a nice one in the back pocket that i like a lot you know you got gotham i like gotham a fair bit shout out to my batman fans and you can more or less change stuff now if the font has an extensive family for example uh right here there's some italic version of this gotham font or a regular version you could as well just simply go through and change stuff out now i'm going to press ctrl z a couple times get it back to that nice title right there and continue breaking down the essential graphics and again i'm more or less covering the things that i'm actually using on an everyday consistent basis i could break down some more stuff to you guys the opacity et cetera stuff like that right all of these tweak with your you know tweak on your own time basically they're not the most sort of uh heavily used things in the entire world obviously opacity you have multiple different options opacity oftentimes i'll do under the actual opacity control the actual dedicated opacity control and usually leave opacity stuff alone in the essential graphics but appearance wise appearance very cool cover it obviously we have the fill fill will literally be the color that obviously fills it for example we've changed it to red it's going to be red we've changed it to blue it's going to be blue and you know that's pretty self-explanatory the stroke you might have a little bit of experience using strokes if you are maybe a premiere pro user i mean a photoshop user obviously we're trying to make you a premiere pro user if you're a photoshop user you do a little bit of graphic design whatever the case may be you might know about strokes strokes are an outline basically so for example if we actually tick the stroke and make the stroke let's say green to match the forest around you see there's that light green around it in fact if we even move in 100 you could see there's a light line around it however obviously the the the bigger we turn this number up to the more of an obvious stroke we're going to be greeted with and just like that we are actually able to generate a stroke great way to generate an outline a phenomenal combination is a black stroke with a white text this combination could more or less be sort of recognized against any different background any different color basically this is a phenomenal setup for subtitles a lot of the time because they're always able to be spotted this sort of uh white text with a black stroke is notoriously used all throughout um you know media is basically just a great way to uh stand out the text from the background however it does have sort of a more amateur connotation in some spaces as well but of course that's just one setup alternatively as well you have some shadow some background background is basically just to create sort of like a um you know more of like a solid behind it if you will right so for example say we do a black background all of a sudden this text now has a bar behind it and it's more of a you know a graphic if you will right and you know you could you could increase that you could decrease it whatever the case may be backgrounds it's not necessarily always something i'm using but it is a great way to make a title stand out especially if you are dealing with a uh you know a background that you need to contrast it against etc shadow self-explanatory throws a shadow on there personally i go for a nice black shadow no gray shadow a gray shadow i don't even know if i've ever seen a gray shadow i mean the fact that they give us a great shadow i'm i'm not happy you've got also you know your various different colors you could uh obviously make a standout i mean maybe we get a dark green right i got a feeling that a dark green might be all right here honestly that red kind of stood out even more but overall appearance wise that stuff again kind of self-explanatory and um overall you know tweak that stuff as you will basically um also what you do is for example um say we write something out uh you know jackko right i've just wrote that in lower cases however if we were to actually go ahead and um and turn on the all capitals font right there as you see we could take a uh a normal um you know title that was written in or a normal font rather that you know maybe has lower case and uppercase support and we could literally just turn that on and now everything we write in this font regardless of having the space bar uh you know the caps lock turned on or whatever it will put it in uh caps and uh you know that's a little trick from good old-fashioned photoshop as well but for the time being let's call this title number one and let's actually go ahead and simply delete title number one because we've walked through essential graphics and let's go ahead and move on with the next episode of the graphics section let's do it people what's up people welcome back to the adobe premiere pro masterclass course we are continuing the graphics section creating and customizing basic titles so we pretty much covered this in depth in the introduction to essential graphics when we created that if you followed through with me we more or less demonstrated it with our sort of sample graphic but let's go ahead and break down the you know the basics of a title right so these are titles that have no other elements to it this is literally just plain text stuff that you know maybe we'll build upon as we go to create more of an advanced title so first off selection you know placement if you will where do we want this this first clip right here is um is not ideal it's more of an establishing shot brings us into the actual um more of an introduction shot if you will i think this next shot here in terms of placement placement matters obviously it needs to be readable it needs to be on the screen for a lengthy enough period of time that the you know the message is conveyed um and i think this is a nice shot because it hosts it well it uh you know it doesn't have anything that was sort of covering over for example if we were to place our title here it's sort of covering over these guys my brothers here you're definitely able to see the full establishing shot of the um of the waterfall it's panning down and also we could have a title over it so press t press anywhere in the middle it'll create this title graphic first off zoom down let's just hold the end drag it over and let it lock to actually change the exact size of the um you know clip that we want it to be over then let's actually go up here to essential graphic click the um the t if you will and let's go here let's actually go ahead and write um scotland adventure right scotland adventure awesome we've wrote it now it is positioned to be on the left-hand side right the the line is left align which means that it's going to write everything from left over wood so what i want is i want it just to be more central aligned so i'm going to press that which means it's going to bring it right there into the center now of course it's right in the center so we can actually tap these two it'll bring it to the actual perfect center point so not only is the actual text aligned from the middle so that when we actually write stuff maybe we write scotland adventure uh 2019 it will actually perfectly position everything in the middle so the overall sort of ideal uh middle alignment is that center alignment text down here with the uh the align and transform vertical center right there and honestly that right there is a basic title we could even take away the the 2019 that right there is a basic title it's a title with no other sort of elements to it and overall it's standalone there's stuff that we could do to this that would make it an advanced title that i don't quite want to do next i guess the only thing that would keep it a basic title would be maybe some um some actual sort of formatting right so maybe you do scotland adventure like that or whatever the case may be or maybe you would um for example make get adventure get a venture nice and big then maybe we we highlight scotland and we get scotland to be pretty much the same dimensions at it as it but bigger or maybe just smaller whatever i'm going to press control z control z control z i'm just going to leave that right there in the middle and overall that right there is going to go down in history as our basic title of course we could go here maybe we could get a font that's a little bit more interesting maybe a gotham ultra or something like that um and you know of course if we maybe wanted to uh to bring the opacity down or whatever which personally i probably wouldn't do i'd literally just go ahead and leave that maybe on full or maybe on like 75 percent so there's a little bit of of see-throughness maybe my blended in a little bit but overall that right there is a very basic title we are actually gonna go ahead and jump into a more interesting section now because i mean the basic titles i had to cover that just for you know we got to cover it but overall this template side the adobe templates library and actually jumping into importing customizing and uh utilizing built-in and premium templates is something that in terms of the uh the the titles creation side that's something i'm you utilizing a lot more than just creating a basic title so it's actually good press ctrl s save the basic title leave it on there and let's come back with a full adobe templates library breakdown i'm sure you know you're already freaking out you don't even know what's over here don't worry let's jump on let's break it down all right what's going on guys welcome back to the adobe premiere pro master class course we're jumping into the adobe templates library so over here on the right hand side is the templates library now if certain stuff appears here that might not appear for you do not worry obviously my templates library is going to look a little bit more seasoned than yours based on the fact that i've been using the program for longer this is an accurate representation of after you've you know edited hundreds and hundreds of projects you've got various different premium templates in here etc stuff that you sourced from the internet stuff that uh you know they gave you most of the stuff in here by the way is built-in it's amazing how much adobe really give you right away and they have tried to take that sort of um free assets free resources kind of route based on the fact that everybody likes to save themselves time and instead of animating a title from scratch it's a lot of the time easier to just drag and drop it from the templates library and that's exactly what we're gonna do so we're gonna demonstrate this let me roll down and um find a template that's sort of perfect for us to demonstrate they all come in different shapes and sizes as you can see literally different shapes and sizes all different sort of animations different presets one of the ones that i love the most is the angled title angle title great title you've also got lower thirds etc but let's just drag and drop the angle title in for example we could even drag and drop this angle title in and delete our basic title remember we spent the four minutes five minutes whatever making that basic title now we've dragged and dropped this uh this preset right it was from the template library it is a template it's called angled title nothing appears here that's because it's pre-animated the beauty of these templates is most of them are pre-animated so when we press the play button just like that your title animates straight into the middle of the screen and it also will animate off the screen which you know you notice that we have a much more advanced title right there by literally just a drag and drop situation where as we spent four minutes tweaking up and tweaking down and reformatting a basic title which you know looked much worse than this and of course this retains full customizability so you can highlight it you go down here you pick the font you want let's say we're going with that gotham black right there gotham black was a nice font obviously it's angled and everything it's got a little bit of a shadow on it a little bit of a glow to it almost so it's got these kind of um these other properties to it and also again we could just keep playing it right so again i play in we haven't even customized it so what were we calling we were calling this a scotland uh scotland adventure right we're calling this scotland adventure and now we can actually come to the very beginning and it comes over and boom scotland adventure pops up and that's actually looking like a legitimately solid title right it animates itself on it animates itself off fully customizable pretty cool the way it's angled or whatever the case may be you can see that all we have to do is drag and drop it and it has an alphaglow preset effect that's pre-animated we didn't have to do any of these keyframes ourself this is what happens when you look underneath the hood you got the basic 3d which enables it to be kind of angled like that right so that would be a whole set of tweaking and stuff like that that we'd have to do with that effect we got the mosaic which i'm pretty sure is giving it that kind of yeah that sort of you know that lightness to it or whatever the case may be right and sort of has that nice uh transition in transition out kind of effect as you saw right there and just like that that is a phenomenal way to demonstrate the adobe templates library templates my favorite one of the great you know sort of uh nice things about using maybe the adobe suites is they really do try and cater to the pre-made stuff the uh you know the stuff that's gonna save you time the stuff that uh you know they can pre-load that you could just utilize in your projects within a matter of seconds and just like that that's exactly what the adobe preset library aka adobe template library is let's jump into an exercise next let's grab one of these bad boys together let's customize it further all right what's going on guys welcome back to the adobe premiere pro masterclass course we are continuing the titles section the graphics section if you will this is an exercise important customize a template amazing important customizer template let's go ahead and do it now we just did that with a certain basic title right we did it with a basic title um we did it with this sort of angled title and it's looking very cool now let's see if we can take something that is even cooler than this or i mean let's see if we can get something and replicate a cooler effect so it's actually just not even delete that just drag that over a little bit so that we can utilize that later and let's open up our browse section and literally just start scrolling down and what i want to actually go ahead and look for is something that is actually going to be as impactful if not more impactful than what we were just looking at right there and i want to actually find something that is nicely animated at the same time so let's maybe have a look at this bold live overlay and let's actually go ahead and play it spacebar gives us that so that's going to be a live caption up there now i kind of like these two um i kind of like this section right here however it's looking like um these ones are sort of down here it's looking like this is the the bold presents so that's kind of nice and centered we could drag and drop that right here and again just reformat it or you know drag it over so it fits the actual desired time we want it to be in and just like that that is a pre-animated presents title now there's a few things i want to change about this actually i want to take the presents and i want to customize it want to double click it and i want to actually go ahead and and say um scotland scotland adventure now i like this it's a little bit smaller it's sort of more more minimalist if you will but i'm actually just going to go ahead and scale it up a little bit maybe to about there and i also want to just now demonstrate and this is the perfect sort of uh preset to demonstrate this on that all aspects are customizable so i want you to look up here we have the scotland adventure but we also have two shapes these shapes retain full customizability color wise and um and everything mainly color wise based on the fact that we can click these we can go to the fill and what would stand out nicely let's say maybe a gold right kind of like a goldish might stand out pretty nicely against um against the sort of green right so let's go ahead and get that kind of goldish and i want the same color for the top bar and the bottom bar and we know that there are two different shapes so let's actually go ahead and make sure to copy our color code right because that's the exact code of the yellow or the gold if you will and just like that the top bar is now gold we can now go to this sort of bottom bar if we click it we see fill gold we go to shape again we hit fill and we press ctrl v that's going to go ahead and paste that gold bar right there as well and now just like that us of course it doesn't change the animation or anything we can press spacebar we play it scotland adventure now pops up i was we're dealing with a tiny little bit of lag here let's go up here let's go to render into out again with drago so let's drag that over from my other monitor and uh let's just let that render into out real quick um and just process what's actually there but overall that right there is full customization right there it retains full customizability right and it's pre-animated and overall those are just the basics both of those obviously are pre-loaded in adobe premiere pro when you get them if you didn't know they're there you can grab them obviously i've just demonstrated it here so you're aware where they are you're aware how to get them and it's going to get even funner when you guys actually start to explore premium templates because if you start to see what is available that's free your mind can really start to think what might be out there that's uh that's charged for as well um or that's a premium template but overall the scotland adventure text in my opinion is a nicer it's a nicer sort of um effect for what we're going for scotland adventure personally i like it i think that might even be a nicer place to put it as well i can't even lie because it really does seem like we're going on an adventure with my brother josh walking down with the with the walking stick you know we're walking some crazy terrains when the walking stick comes out you got to be careful you don't slip over but overall guys that that that is the exercise important customizer template we've just done it we've done two of them we did this uh this scotland adventure one right here which in retrospect might actually not really suit the scene i'm starting to think that this scotland adventure one coming up over here the angled title really suits the scene i'm personally i love that angle title very very cool indeed so we're gonna come back next with some premium templates let's keep cracking with the section hey what's going on guys welcome back to the adobe premiere master class course we are continuing the graphics section this right here is going to be how to import premium templates now in the lesson right after this i've got a premium template in fact i've got a whole pack of them for you guys to download um that are completely royalty free available for you guys to download now if you want to jump to that section by all means do however watch this one as well it'll give you a little bit of context right because what i'm going to do is i'm going to grab a premium template that is actually something i can't throw to you guys right now based on the fact that i actually paid for this at a certain point right so the pack i'm going to give to you guys in a second is made by my friend he's blessed us he's given it to us however these ones are bought from a website i want to show you how a premium template might actually be customized so let's actually literally go over here let's have a look these right here are part of a pack called the um simplistic titles pack or something like that or minimalistic titles something like that and basically you guys can source yourself packs throughout the internet one of the beautiful things about premiere is not only in the effects section do they have the ability to import presets but they also have the ability to down here import install motion graphic templates which are just preset motion graphics essentially so let's drag and drop one of them over let me just demonstrate to you guys what a premium template customization process might be like so you import it it is a sort of built-in block right here and just like that you have this sort of pre-animated design right here now what's different about the motion templates a little bit than the actual adobe presets right what's different to the advanced ones as we see right here the premium ones is they usually don't have a whole lot of stuff customizable right here if we open up those adobe ones we can still tweak how long the animation takes etc whereas these sort of pre-made um pre-premium ones if you will right they're set you're not going to be able to change how fast stuff happens in fact the only way you'd be able to really do that is by right click go to speed duration and actually for example double how quickly the title happens and just like that that would be how we do we change the the speed etc you do have customizability over the size and of course obviously the colors and what is actually in the design so for example customizing it would literally be as simple as just writing scotland uh adventure and just like that we now have this and we could even go to the rectangle we could even go for that gold approach that we were trying to go for before and just like that we could press the space bar and just like that we have the uh the scotland adventure pops up but we're obviously on a four percent uh a quarter quality so let's go ahead and bump that up to full and um and have a look at what that looks like and just like that scott would adventure it's looking pretty cool i like it not too shabby at all and that right there is a premium template like i said guys these are certain stuff that you would actually purchase or or maybe you get them from an editing pack whatever the case may be overall that right there is a demonstration of a live premium template what i also have for you guys is in the resources section you could go there you could download the free youtube templates and we have five five different motion graphics that we're about to import in the next section into the essential graphics tab and we're gonna start tweaking them down we're gonna have some fun with them so without further ado let's jump to some premium uh templates i can give you guys and let's start messing with them let's have some fun but real quick let's have a look at what we got so far we got this one very basic in fact if i press ctrl z we'll get our bad boy over here back that's a basic title not loving it the most we've got our scotland adventure loving that that's looking great personally that's i actually think that's one of the best premium or non-premium templates you're gonna get just because it's such a nice execution of that text that angled text is looking lovely and then just like that we have the premium template scotland adventure looking lovely three different types of titles three different speeds three different designs let's go ahead and jump into a uh a more in-depth premium template section we're gonna come back with the free youtube templates and how to customize them hey what's going on guys welcome back to the adobe premiere pro masterclass course continuing the graphics titles section we're doing how to customize premium templates and if you watched the last episode i kind of teased you a little bit with these five preset motion graphics these right here are built by my friend good friend he put this pack together um we promoted it a little bit on my youtube channel because uh we like to give away free assets and i think it's a perfect premium pack because it is a premium pack that we can actually go ahead and customize together so download it in the resources let me break it down once you got it let me break down how to import it all we got to do is we got to go down here to the bottom right of install motion graphics template we click it it's going to pop up pop us up here we go to our desktop whatever we're in navigation mode personally i know where it is it is in my external hard drive so i'm just going to go ahead and navigate to it i'm going to find them now you can only import them one by one you can't actually uh mass highlight everything right so we're just gonna start with end screen number one and you might have already guessed if you're into youtube that these are premium templates for youtube they are for youtubers to actually uh you know save them a little bit of time with end screens with uh with subscribes whatever so let's press open and we're going to want to wait for for a split second in fact we can go back over here we can just go ahead and press open on that one as well open on this one as well they will start appearing but we can realistically just search for them in a second and we've imported them all now nothing appears yet we can scroll to the bottom see if they've popped up down here and it looks like they have started the pop-up down here so ideally stuff will happen in sort of a chronological order where the newest stuff gets uploaded at the bottom but sometimes believe me technology will always run astray if you let it but sometimes they'll just be hidden in the middle of the of the section so overall let's start top down right first off what i want to do is i want to go ahead and get past this scotland edit right so i want to actually just go ahead and ironically enough get it get a scotland clip and just drag it into a new sequence make a brand new sequence and go ahead and just drag the sequence out of the scotland folder right and then we'll rename the sequence in a second and delete the clip just so we have a brand new um piece how how can i drag this out come on come on come on come on come on come on out you go out you go oh is it out it's not all right whatever doesn't matter um motion graphics temp sweet we'll worry about the placement of it next let's go ahead and delete it let's drag and drop the actual end screen drag drop just like that we're gonna go ahead and uh and change sequence settings just to match the actual the actual title itself let's actually go ahead and press play i press the space bar and just like that this is the um preset it is if you've ever seen an end screen for a youtube channel basically this is a preset that can pop up right there at the end of your video and basically give you a little bit of a of placement if you will to actually be able to um or a little bit of structure if you will for your placement so you know you'd actually go ahead and put your your next video bang right in the center of there you'd go ahead and put your uh your logo right there um and you'd basically be good to go but the beauty of youtube is that youtube's in um in website end screen if you will that would put that stuff there for you so basically this is just a template to basically throw here and then in the actual youtube end screen sort of um editor or whatever you'd actually be able to uh to put your your logo would sort of put itself there actually and uh your video would put itself there as well and then obviously you could change these to your brain colors so for example my youtube channel is mainly kind of taken on some yellows so we might again push that in sort of a more brand color sort of a sort of direction if you will and we might actually do a little bit of branding like that me i'm never the biggest branding guy in the world i'm not gonna lie i'm a little bit more of a guerrilla marketing guy than a heavy on the branding side um and overall that right there is a full-blown preset that you could utilize in your youtube videos and it actually remains customizable where we could go um you know the new video right so you're able to fully customize everything i don't know why you'd want to change the new video personally that's seems seems pretty on the money right new video but you could change the size of it whatever the case may be i assume you can also change the position whatever the case may be so um this is actually solid it's something that when i look at it now i think to myself how do i not utilize this more i have a youtube channel i upload weekly content this looks pretty good to me but overall there you go that is one of them we can also drag and drop the next one drag and drop it over this one is more of a like preset right so i think it's uh i think it's to be assumed that that is a transparent background based on the fact that if we get another clip right let's go ahead and get a clip for example this clip right here we can actually uh go ahead and press play that is full alpha channel also if we drag this over let's have a look at the uh the end screen the end screen full alpha channel as well so it looks like you are fully able to put something on this for example or put something behind for example a real nice effect is what's going to my presets quick i i don't i don't want to freak you guys out or anything but i'm going to grab one of my presets called b-dog b-dog is blur right it's just a funny name for blair don't worry we're going to get to the blur in a second but this is a real nice um way to kind of blend a shot that maybe wouldn't make a whole lot of sense and still utilize it as the background as we see we literally put 150 blurriness of the gaussian blur my presets b dog obviously i'm just messing press ctrl s to save that and just like that we have this uh pretty nice end screen right here where i'm just gonna go ahead and let you guys in on a on another family secret right now right let's go ahead and grab a shadow right so i'm gonna highlight them both i'm gonna drag shadow to it and a little bit of shadow is going to make it stand out perfectly a little bit of shadow those are my presets we're going to bring those in next i just want to show you guys an accurate representation of how i'd really handle this end screen right here this is how i'd handle it i i actually might even bring it down a little bit so that it's sort of perfectly centered right there but just you see you sort of start with a premium template and you build on top of it you add your own sort of um you know customization as you go obviously this one right here would just be a a preset like button which this one's awesome in my opinion actually in fact you know let's delete the first one slagging too much all right let's go ahead and press spacebar that's a like button that you could throw down there in the bottom right of your of your screen or whatever a mouse comes on likes likes it i mean that's great you know that's solid you could scale it up it's actually uh currently looking like the scale is not working quite interesting um that's sort of the only slider there so you'd think it should be but overall that would be a great thing to pop in the top right of your videos whatever the case may be um or or even oh even the bottom the bottom of your videos right it's all about finding the right position where does it work the best where's it gonna get the most attention drop the like amazing that's just another piece of this uh of this template right here you've also got the subscribe it's looking like the subscribe well look at like the subscribes kind of crazy look at that boom subscribe wonderful amazing 10 out of 10 looking lovely and um then you've got the final one over here which is uh and these are yours to keep by the way guys friend of mine made this they're all yours we released them on the channel boom click subscribe bell notification perfect these are looking very cool i'm loving them go ahead and press ctrl s and save that and that right there guys is how to customize premium templates those are yours to keep all right i'm not going to ask for them back they're all yours so thank you guys for tuning in that right there is the customizing premium templates we're going to kick it off in the next section with a huge one it's going to be creating advanced titles and advanced graphics then we got some crazier stuff when the animation starts to get into the picture as well all coming up in the next episode see you guys there what's going on guys welcome back to the adobe premiere master class course we are continuing the graphics section and we're jumping into advanced titles now how are we going to compete with these templates i'm talking about advanced titles that we make ourself i think it's arguable that the most advanced titles are the templates right so let's go ahead and just concede one to the templates the templates they beat us they it's hard to compete all right it is hard to compete they're all animated it's it's tough but the advanced titles are stuff that we start off with as a base basic title and build upon it with various different elements i'm talking about you know some drop shadows maybe even we we take a bit of 3dness in there whatever the case may be um we basically take a basic title which you know we experienced we'll go back here to scotland edit um these one right actually actually these are advanced compared to the basic one we explored first which was literally just we press t we make a title we you know we we write it out and we put it in the center that's a very basic title right now basic titles often times are all you need maybe you're editing for a more minimalist client or maybe it's more of a classy kind of feel or whatever the case may be i look at everything for a freelance perspective right because obviously i'll be out in the field making a video for a fashion brand or a you know restaurant or a club a fashion brand a lot of the time they don't want the craziest title in the world they want a very simplistic sort of minimalist title like this it's really about the font i mean those fashion people will sit and go back and forth for 13 years about the right font right but overall um to actually make an advanced title it starts off as a basic one we're just going to go ahead and um and get you know that font that i really like that gotham black let's go ahead and tune it up a little bit and um then we can actually just go ahead and start building upon it now part personally the main way to uh to set your title apart from the background is a shadow now you could actually go for the basic shadow which i usually don't this is where i start showing you guys my way of doing stuff all right shadow down here i usually don't go for the reason for that is because it's really not the nicest execution i'll show you how to uh how you know you can you can make a nice title uh uh you know it's looking all right don't get me wrong it's looking okay and um maybe even you combine it with a bit of a black stroke at the same time and maybe you you get even nicer of an effect right so you can put together a nice a nice piece like that right 100 don't get me wrong it's um it's looking pretty good but over time what i usually you know well actually what i've done over time 100 of what you might do over time as well is you have sort of narrowed down the main things that you use and you actually make them into presets for example um if you are using shadow a lot of the time right you might actually go ahead and one day save it as a preset just like i have and at a certain point you have a bunch of presets built up down here on the bottom left and it might be a case of you literally just making a new title getting a couple shadows and drag and dropping them right and a lot of the time that's a quicker situation where you might just drag and drop and you might just go over here and um and tweak stuff uh to to your liking if you will right and that right there creates a little bit more of a um of a lighter shadow it's something that i'm more used to myself in retrospect right when i look if we look at the two together we're not gonna see the biggest difference in the world in fact there's really not a difference it's just sort of um what do you call force of habit right and that's sort of something i want to talk to you guys a fair bit about i've i've tried to make that a point from the start of the course is telling you guys what you could do but also what i personally gravitate towards doing after using premiere pro for you know years and years and years i have used it enough that i've sort of figured out the quicker ways to do stuff a lot of the time having presets down here with the main effects you use definitely a drop shadow being one of the main effects i use um it's been a theme in all the courses just heavy use of the drop shadow and um you know basically i'll keep those as presets down here and uh and we'll be able to to add stuff on now there's very cool stuff you can do with the shadow actually where for example if we aren't using a preset right and i'm trying to make an advanced text layer i might type in shadow right my tap bit type in shadow and just to explore to explore it from the absolute starting point let's drag a drop shadow onto here right a drop shadow first off starts at 50 opacity so if we want it to be nice and visible we're gonna have to um you know turn it up and there's kind of a cool look that i've seen a lot of different creators do it's something that actually is a pretty nice execution and it's creating kind of like a rgb look to your to your text where you actually have one color going off one way that might be a red and bear with me that might look strange for a second right you've got a red maybe going off one way and then you actually you get your shadow you press ctrl c and then ctrl v so you've duplicated the shadow and you actually go ahead and change the direction in which that shadow is aiming in and you push it in the other direction and then you get that color and for example you turn it blue or for example you turn it uh green right whatever the case may be the blue might even be looking a little bit better right there right so i'm maybe i push the blue up right there and just like that what we've done is we have created sort of like a rgb kind of text and that's definitely an advanced text layer we could even go ahead and uh you know it retains full customizability so we call this uh the you know the adobe premiere the adobe premiere title adobe premiere title and just like that what we've done is we've taken a very basic layer and you know using an effect like a drop shadow and kind of using it in a different way this is not a uh you know uh or you know a basic way of um of using the shadow oftentimes it might be used literally just to produce a shadow but this is a cool way to create kind of like a rgb style effect to it which if you've been editing for a minute you've watched a couple different projects this sort of different rgb split type of situation it's heavily used in the you know industry if you will we could even press ctrl c ctrl v mess around with a whole nother a whole nother um color however at that point it it might be starting to get overboard or whatever but not even right we've got this kind of rainbow stroke it almost looks kind of like a cool glitch type of situation we could even you know put put the text on top of each other whatever the case may be adobe premiere pro right amazing in fact we could even go go through we could tweak the colors to be kind of all all sort of purples or whatever right so that that could actually be kind of cool right if we're for getting these we um you know we bring them over we we make a purple here we make a purple there we make a pink right there oh maybe even like a like a dark kind of blue or something there you go so look like that we've got we've got this adobe premiere pro sort of sort of text that's going on right here and you know that's that's looking pretty pretty cool we can go ahead and align that and we've built that we've built this advanced text layer if you will by just combining a couple different a couple different uh you know effects in this case actually just one effect but just duplicating it three times and having this drop shadow and if we actually go ahead and 100 zoom in this is looking pretty cool it's got kind of like an alternative stroke it's kind of got like a purpley shadow with a pinky with a pinky stroke behind it overall it looks pretty cool and you see what i mean this was literally just right did not plan that it was just a little bit of a freestyle let's throw some stuff on there let's see if we can make some stuff look good and with a little bit of messing around you can definitely make some stuff look good now that right there is how to create an advanced title layer of course we could build upon it if we wanted to we could do whatever but for the time being i think that's looking good and we can go ahead and leave it there so we're going to jump back in a second with more titles and graphics in fact i want to show you guys some title transitions coming up next hey what's going on guys welcome back to the adobe premiere master class course we're doing title transitions yes continuing the graphics section this one's going to be pretty cool i want to show you guys first off the basic video transitions library we haven't even opened it up and it's a whole dedicated section so i mean let's let's let's open it up let's have a look right video transitions greets you with about eight different sections you got 3d motion dissolve immersive video iris page peel slide wipe and zoom we're gonna start with 3d motion the reason for that is because it's the most forced in my opinion and sometimes transitions or actually a lot of the time transitions are not nice forced now i want to show you guys how to um not only uh import a transition onto your text but how to make it your default right so first off very simple how to import all we do is we drag and we drop it to the start right and in fact if i press ctrl z i can i can drag these over right but if we drag and drop that to the start and zoom in it has actually pre-animated that now as you see right there that is the forced-ness i'm talking about that definitely doesn't look like a smooth motion at all we can actually go ahead and delete it drag on the flip over as well to the front and again just like that we're definitely not looking like the smoothest effect in the world these are sort of transitions that would not definitely not be put into a you know professional piece based on the fact that they're too obvious they're way too in your face they don't look smooth enough they're not good so 3d motion for all intensive purposes unless you're uh you know doing a specific situation which might call for them overall in every day-to-day edits the 3d motion something i'm not going to touch dissolve dissolve this something i'm gonna touch based on the fact that it can easily and kind of gently transition your clip in for example let's drag and drop an additional dissolve onto the front of our clip go ahead and play it and just like that it sort of fades it in a little bit but it does feel a little bit forced cross dissolve is the same however it's a little bit less forced so if we play this this is a little bit a little bit more gradual again it sort of happens um as well over a longer period of time so when we actually drag that out and if you click on the uh click on it you can open it up in the uh in the effects control and drag it out a little bit and that might create a little bit smoother of an approach so the longer you have your transition obviously the smoother it's going to be now the dip to black dip to white very very simple obviously that can be nice at the end where you might want to actually you know have a have a dip to white and then maybe your next clip comes in with a dip to uh a dip to white and it fades in right awesome very very simple nice straightforward dissolves are self-explanatory immersive video i love this little section right here because it's great some of them don't really hit home amazing but some of them really do for example let me drag and drop vr chrome leaks obviously it gets rid of it fades it in vr chrome leaks is looking like it's not really coming through but watch vr light leaks right we go ahead and play it vr light leaks boom it kind of uh pulses onto the screen and it does its thing you get vr light rays right and again boom just like that it sort of pulses onto the screen a little bit different this time goes through the middle kind of highlights whatever that central point is now that that's what a piece could be it could be nicer maybe if the text was smaller or whatever the case may be but overall as you see the transition process is a drag and drop see if it looks good move on to the next one situation in fact the mobius zoom's looking kind of cool but again it falls into that category of a little bit forced right and overall it really depends on your your title setup but some of these can look very cool that that one personally so far i think that pretty much takes the cake for me looks pretty cool maybe with a um a more simplistic title it might be even nicer and um just like that these are the uh you know the actual transitions now if you guys really liked one right say let all right let's go down here let's get the uh let's get the slide right say you really like the the slide one right let's drag and drop it let's have a look a slide even looks like cool slides looking good i actually like slides slide looks good if we wanted to make these the default this is a cool shortcut i'm gonna show you you'd literally right click it and you go to set selected as default transition and now anytime you wanted to add them you could for example come to your title and say you wanted your title to be uh you know to appear over from one second to yeah to eight seconds and you wanted it to transition in and transition out but you didn't want to just drag and drop it you could click your layer and press ctrl d and what that will do is it will add the default transition which we've clearly just told the program is slide and it will add that to the beginning and the end all right now make sure that your title wasn't pressed against anything because i believe for example if it's pressed against something i it's looking like it worked right there maybe we go over here we try yeah there you go so if it's pressed against a clip and you press ctrl d it will only do the side that's not pressed against the clip but if we press if we uh we undo that we press ctrl d on it just like that we can press ctrl s spacebar save it and we have this adobe premiere pro title that animates itself on screen with the use of the transitions down here in the bottom right so i would advise you guys to mess around with those transitions as you see fit but very cool section very cool um there's just advanced transitions that i want to show you a tiny bit which more or less comes into the animation section but of course you could put a keyframe for example let's say you put a keyframe or for example your your clip starts at the beginning you put a uh let's go like half a second in or whatever something like that i think it should be 15. and let's make a let's put let's make a keyframe which tells the program that it half a second the text is on the screen then we go to the start and we drag the text down here off the screen and obviously it instantly creates that keyframe so that when we start it takes half a second to get into the middle of the screen and of course you could even do a rotation where you may make a rotation uh keyframe zero at half a second maybe you started off um at 180 and just like that you've got that kind of rotation in but those right there i'd say are advanced transitions you can even combine sort of motion uh transitions where you're actually animating the motion in and out and then also add that with some maybe some motion blur stuff like that you can get creative very creative with the transitions but just to cover stuff briefly those are the video transitions down there and these are the uh you know the key frame transitions you can get a little bit more advanced when you start messing with that kind of stuff but that is transitions done and dusted let's keep it pushing hey what's going on guys welcome back to the adobe premiere pro master class course we're continuing the graphics section i want to go ahead and explore how to create an animated title sequence um with these transitions right so we demonstrated the transitions let's go ahead and actually do something kind of crazy delete that title that we were building together let's press t let's make a title let's call this um let's actually just write right i'm gonna write my name all right and the reason is i'm gonna create a title sequence where it goes um maybe jack cole uh presents the premiere pro masterclass right so i'm gonna write jack cole um i'm actually just going to go ahead and format this down a little bit right so i'm actually i want to uh i want to want to bring it in a little bit i want to align it to the center perfect i'm going to right jack call i'm going to hold alt and i'm going to drag this over and i'm going to let it go so this creates a whole nother title right there now what this will do is this will actually create the ability to customize that as a separate title however there's also something we can do which is uh what i'll often do is when i'm creating title sequences where all of the text is the same it doesn't have to it doesn't have to change right what i'll do is i'll do this i'll actually drag out the title to fill the entire period and i'll literally just play it until i think it should transition so let's say each title lasts for 3.3 seconds right so what i do is i press c i get my cut tool i get my razor tool and i chop that right there and this now becomes a totally different graphic if we edit this that will not be changed so then we can take this and we can actually go ahead and write presents and just like that now we've got a jackhole present so then we play this for another 3.3 seconds it gets to uh 6.6 right i don't know why we did the 0.3 just just for the fun of it and we go ahead and tap it and then we uh we actually go ahead and write um adobe premiere pro and then we play in front of the three seconds we get to 9.9 right 9.9 amazing there we are we chop it and we go ahead and write master class now what's obviously going to happen is it's just going to be a whole bunch of hard cuts right um and then maybe we play this for another uh three seconds we get to 12 point 12.12 and then wonderful we chop it and we're out awesome so now when we actually play this we've got jack cole presents right adobe premiere pro and then we've got master class now very simply we're going to go and open up our you guessed it our video transitions library and i'm just going to shut everything shut everything down and i'm going to actually just zone in on dissolve and i'm literally just going to drag and drop a cross dissolve into the middle of all these clips and that's exactly how you transition one title into another one clip from from from one to another is we literally just go ahead and add a cross dissolve into the middle and when you actually drag that into the middle it's going to now add a transition from piece to piece now as we see right there it's really not looking like the smoothest of transitions there's one thing we could do is we could increase the length at which it transitions by but that's also not looking 10 out of 10. so there's actually a sort of another method i want to show you guys which is the top down method so what i do here is we drag this over and we press ctrl d which is going to add the you know the um or actually let's press ctrl z let's right click cross dissolve what's set as default so that now we press ctrl d it creates these then i want to drag this over so that the end of the transition right as you see right here the end of the transition actually starts just as the next one begins and then we press ctrl d so this one fades out as this one sort of fades in just like there and it is overall creating an effect that's uh it's a little bit better but overall i think it still could be maybe we get a film dissolve maybe we try out a film dissolve a little bit better and um just like that it's looking like it might be over the course of a little bit too much so then we tweak it down a little bit and it's pretty much just a game of trial and error more or less where we tweak stuff down one way we tweak stuff another way but overall let's actually go ahead and um and maybe try a dip to white again it's literally just use stuff keep messing with it until it actually looks good the dip to white looking okay however it's pretty empowering obviously um i mean literally entirely overpowering but we could actually go ahead and throw those into the middle see what they do um and the dip to white is definitely an effective combination i'm just going to press control z on all those because i want to return this to it's uh it's prior glory and we can actually go ahead and uh and have this right have it right here we drag some stuff to the middle let's even try try some immersive video right maybe uh maybe we get some some gradient wipe we see what this looks like and it's just tweak it until we find a piece that's looking nice so that's actually looking real nice right there maybe we tried the iris wipe as well oh just i'm liking the iris wipe so perfect we've we've messed around for a minute we saw some stuff that didn't really look that nice and we messed around with some stuff that did look nice maybe even we have two sets we have a uh a cross dissolve to fade that in cross dissolve to fade that one out and then we got the vr iris wipe to actually transition in the middle because just like that that looks that looks perfect boom it goes we start at the beginning jackco and then boom presents amazing and then we go ahead and do adobe premiere pro and then of course master class and they go ahead and fades out and then you know i mean even if we wanted to really get fancy here we could make a keyframe for the for the gaussian blur that's on the background and just as that fades out so does the uh so does the blur and um you know just like that basically goes from absolutely full blur all the way down to nothing and it fades us in real nicely like that just like that looking very cool so we got the jack cole boom presents boom the adobe premiere pro and then of course the master class pops up right after that and it fades out and reveals our waterfall and just like that guys that right there is b how to build a smooth sequence with transitions using titles and of course there's uh there's one final thing i'll probably go ahead and do to that just to just to make it realistic which is drag and drop my good old shadow to it or in fact drag and drop both of them because they kind of work nicely together and just like that we can uh go ahead and fold that if i wanted to boom and uh we've got a nice little presents title sequence going down and uh you know i mean we could mess with this even further we could go ahead and uh and add some effects we could do whatever we want to this we could we could animate it and i think we should mess with some of those sort of even more next level touches we could do to bring more out of this sequence make it even better let's keep cracking i want to mess with some effects coming up next we've done a little bit with the shadow let's see what more we can do damn that looks nice right there hey what's going on guys welcome back to the adobe premiere pro masterclass course we are going to be jumping into animating titles i want to quickly cover this then we've got a phenomenal exercise to end out this whole section coming up next so animating titles it's arguable that these are animated titles based on the fact that you know there's stuff going on they're not just stagnant still titles it is a transition animation that's animating these on and off the screen great awesome i love it however what happens if we completely remove these and actually go ahead and make a new title i'm going to call this one um animated title and again we're just going to go ahead and align that to the center and i want to actually explore how to make a a a sort of fade in zoom animation if you will slight zoom animation fade in fade out real nice execution super simple to do and it all it actually has one of the smoothest you know sort of looks ever it's it's very nice kind of cinematic style if you will let me break it down first off all you do is you actually go ahead and you bring the opacity in and out so let's actually go ahead and and you know play the clip for a couple seconds until we want the the actual uh text to be on the screen fully and make a opacity keyframe then we go over here to the beginning and we turn it to zero so we've now animated on that section now what i might even do is i might even highlight this end bit right click and go to ease in so instead of just uh instead of going so i might even ease that in as well so instead of going so or press ctrl z instead of going so uh you know harsh it's gonna ease in a little bit slower right and maybe drag that over a little bit more right so we've got this animated title easing in and then what i want to do is i want to highlight both of these i want to press ctrl c ctrl v and bring them to the end but then obviously we need to switch them around right we need to have that there and that there because we obviously duplicated these and it would just fade itself straight back out unless we obviously swap them around because they were the wrong way based on we want to reverse that animation so now we've keyframe animated it in and keyframe animated it out awesome and there's one final little little adjustment which is actually to do with motion up here which when you add a scale keyframe it looks amazing so let's go ahead and add a scale keyframe right there at 100 drag that to the beginning which means we've told the program at the start it's a hundred now let's actually go ahead and put 110. let's right-click it let's go to ease in let's drag it to the very end so now we've got this effect where the text fades in and is getting bigger as you see right here and then fades out right before any um any completion of that animation could be done so we really just get the the the nice sort of cinematic fade towards us kind of effect and this is a very very very replicatable um style of titles obviously it's very um used very used in indeed because it's a nice way to bring stuff in overall what we're going to do now is i want to explore in the next section building an intro animated title sequence using this sort of format right here so let's press ctrl s let's save that let's come back in the exercise with put this whole thing together from scratch hey what's going on guys welcome back to the adobe premiere pro masterclass course we are doing an exercise we just covered how to create animated titles this is what we built it says animated title it's animated awesome this is a very cool animated title and it's a very nice strategy because it's a fade in fade out uh zoom strategy right cool it's a nice way to actually lay out the titles now let's actually just go ahead and delete the uh the background for this one it doesn't need to be here that we can see the animation doing its thing a little bit more when it's not there and what i want to go ahead and do is actually just delete it because i want to recreate this together right so let's delete it let's press t let's get our actual text to let's click in the middle and um and let's call this one um title title or animated title animated or actually let's think of a sequence of titles so um we could again go for the uh the jack co presents the adobe premiere pro master class again i'm just thinking of an actual straight up title sequence that we potentially be using then we play the sequence a couple frames in or if you want to do precisely you see there's these breakdowns up here with these sort of um bars for spacing you can maybe go three bars in create an opacity 100 go to the start create that opacity zero percent perfect it's fading itself in even right click go to ease in now what's up let's go over here maybe three bars before it closes create a 100 opacity go over here to the end create a zero maybe start stop a couple frames before because it sometimes goes off track and uh and then just just drag it over all right so now perfect we've got the actual fade in fade out animation done and dusted and the reason we want to do this just to one piece of text first is because we're going to pre-animate one title duplicate it a bunch of times and you know change the text nice and simple we don't have to reanimate every single piece now let's create that actual scale keyframe let's make sure hundreds of the beginning and 110 is not only at the end but also eased in at the end right the slight ease in so now we've created the overall all animation that we need the zoom in zoom out it's created as well as the fade we got the zoom in zoom out and we have the fade amazing now oh where did that come from now what we could do is we can actually go ahead and start duplicating stuff so i'm talking about that hold alt drag up and drag over and just like this we're going to have this effect now when as soon as the jack coltex completes the next text comes in and this text right here is going to be presents so i think what we're going to do is we're going to have to put the presents and in fact i've just realized where the jack cole let's so let's just highlight that and press the t um let's press the all caps button and then realign it um and also i want to literally just try dragging the presents over so it sort of starts coming up right aft just a couple seconds before um the actual jacco is fully off the screen in fact maybe we do it over right so essentially we've got this jack cole comes in it's zooming in fades out the presents hits you see right there that presents hits and then maybe a couple frames before what's with uh select both of them hold alt drag that over and now let's go ahead and have the premiere pro again align that because we are not doing the center align and then come over here and write master class amazing and now what we can actually do is um go to the beginning play it and we've got this jack cole zooming in fading out presents hits zooms in fades out premiere pro hits zooms in fades out and then the master class hits and you know if we start to let's say we even go ahead and get this master class we you know we make it that slight purpley or whatever that slight pinky or whatever the case may be maybe um [Music] maybe let's let's copy paste the actual color code go over to premiere pro paste it and maybe i got this idea that it's just getting uh darker and darker as it goes so what i'm doing is i'm pasting in the color code and then i'm just bringing it closer to white so we're going to have this effect where jack cole is in perfect white and then it actually as it gets closer to that premiere pro you see it starts to take on a little bit more coloring a little bit more graded and there you go it's getting into that pinkish it's actually replicating those brand colors of the premiere pro and then boom the master class hits its full pink it's full premiere pro branded colors and um just like that we have built a pretty cool animated introduction title sequence using the keyframe animations and i'm sure you see how nicer how much nicer the fade is the actual you know manually animated fade opposed to the actual cross dissolves or anything way smoother way nicer experience overall if you guys have followed through start to finish with me you've built the exact same thing i'm happy with it hopefully you're happy with it this is really just we're just you know barely scratching the surface we've covered a couple cool things past couple um you know sections the next stuff we're about to get to guys is the juicy meat of the course the heart of the course the main course so without further ado let's crack on thank you guys for tuning into the graphics section we got so much more to come coming up next premiere pro masterclass is in session hey what's going on guys welcome back to the adobe premiere pro master class course we're jumping into the color section right now and pretty much this is going to be an overall introduction to luma tree color now if you're confused by the word luma tree basically it's the color tab up here all right so don't worry luma tree is pretty much just lumetri color lumetri is their sort of a color software such well i mean the program is the software this is their color tool basically lumetri color just call it the color tab right that's what i call it you basically you come on over here and you've got it split into different sections right so don't worry everything might look a little intimidating it's really not and i mean nothing here is very complicated at all don't worry you got your basic correction correction means color correction basically um correction color correction and color grading are slightly different where correction for example treat correction literally like you're fixing something so let's say you've got this shot and you know it's too exposed right correction might be coming in here and bringing that exposure down so it looks like a normal image right and then you've got color grading color grading is more actually sort of getting more out of the image the color correction i mean when you start laying it out like that it's more or less self-explanatory color correction you correct it color grading you grade it awesome sweet basic explanation of grading the correction awesome now let's have a look over here we got the basic correction tab which is more or less the first thing you'll go to if you're doing a manual color grade all right so for example here i'm looking at the image i'm thinking you know what it's a little bit flat maybe you know we do maybe we bump up the uh you know the contrast a little bit you know what i'm looking at it um you know maybe we're thinking we could get a little bit more out of the the highlights or something like that right we want the grass to pop a bit more we want the leaves to pop a bit more whatever the case may be um you know for example um oh yeah also anytime you do anything here it's going to create an effect more or less over here it's going to appear just like an effect so if you were to go here to effects and say drag something onto the clip right like a blur it's going to pop up in the exact same way the luma tree color you know effect more or less pops up here in your effect controls and at that point once you are let's say an editing you could treat it just like a normal effect and you could go over here and then you are going to be greeted by the exact same properties as you would be in the actual color tab simply just sort of congested or you know condensed down into sort of like a little portable version if you will that you can sort of utilize while you're in different tabs as well overall the main place you're going to be sort of using is really going to be color correction and creative now the rest of them definitely utilized a fair bit for sure curves is you know i'm going to teach you guys the s strategy amazing strategy for dealing with a flat log footage but overall personally what i'm spending most of my time in and that's that's been my my theme throughout this is not just telling you guys what to use but telling you what i as you know a long time primary pro user tend to use often right so you guys don't waste your time on the stuffed it personally i'm not even utilizing any you know if it was important i would be so mains main place i'm spending my time creative and color correction right however what we're going to get to next a lot of the time what i'm doing is i'm usually using presets right and adobe have a massive preset library something we have an extensive breakdown on coming up but also what they give you the option to do is browse and import custom presets aka custom luts now what that's going to do is that's going to be basically the work of somebody who's more talented than you or i just just to be totally honest and and they understand the color tab much better than us and they're able to essentially create some 10 out of 10 presets more or less that we can utilize and essentially download and then import right very very simple very straightforward we're going to be getting to that next overall if i'm very honest that is the majority of how people um in terms of a more sort of beginner level more basic level are utilizing the color tab um the color color grading you know being a colorist is a whole job in itself at the end of the day so i'm very respectful of the color tab and i'm willing to concede that i might not be a full-blown colorist myself and i i feel as though you guys might be in that same sort of category so we're gonna explore the luts we're gonna explore sort of the more simpler side of stuff and i look forward to it so basic breakdown of lumetri color it's up here it's the color tab you start tweaking stuff stuff's gonna start changing right it's gonna go up it's gonna go down and uh overall at any time you have the right to delete the lumetri color from your layer and reset back to normal without further ado guys let's jump into a color correction breakdown coming up next hi what's going on guys welcome back to the adobe premiere pro master class course we are jumping into some color correction all right so before we jump into an exercise where i give you a clip that is in desperate need of color correction i want to just firm everything in your brain one final time and i also want to go ahead and fix this basic sequence down here so you remember this we built this together right as we see this is our sort of sync to the beat sequence now there's a couple things i don't like that just for the sake of formatting this and actually using this is something we can really build on and be proud of i want to delete a couple things right first off i want to go ahead and mute this audio layer because while we're color correcting i don't need to keep hearing little snippets of the audio and i also want to delete this scotland adventure doesn't fit the scene at all i'm not you know we're not using that anymore basically in the graphics tab that was cool because it was demonstrating different variety of titles now i don't want that there so i want to drag over this bad boy right here you remember it this is the scotland adventure text with the slanted text and just like that that is in my opinion a more fitting title to have here and i think it comes in at a great time so i'm going to delete that i'm also going to keep on playing this right here and i'm actually going to get ready to delete that as well so then we basically just have a sequence that is ready to be color graded and um color corrected as well so let's actually go ahead and delete that awesome now we literally just have a cool 32 second sequence whatever the case may be now i want to actually color correct this stuff so for example this one right here is a great clip to start with because of the simple fact that it is looking pretty flat and it's looking like we can get a lot more out of it now i don't know about you but that looks kind of uh flat to me it doesn't doesn't quite look like it's uh bringing us in enough it's definitely not cinematic enough right and something we can do which is very simple and it really just requires toning up a dial really but has a nice effect is bumping up that contrast a fair bit now i'm going to press ctrl z undo that press ctrl shift z to redo it right and basically you can now see as i turn that on and off the difference that we get by literally just bumping up that contrast maybe even you bump it up to a hundred right now the thing about that is it's gonna start bringing those whites it's gonna make those whites even more intense so be careful bumping up the contrast all the way because as much as it you know bring brings those blacks out it also overexposes those whites and it can semi ruin some stuff for 100 usually not fully the move unless you are actively tone it down maybe the whites are slightly bit as well um you know but don't tone them down too much or else you kind of just sort of like reverse the effect basically it uh it doesn't end up too good but overall i think a solid you know solid 75 contrast right there um and you can literally just tick on and off that um that luma tree color by pressing the fx button on the side you can see how much nicer that right there becomes right however you've now got this situation of basically you know have a one one clip that's that's that's basically color graded or color corrected the other one isn't right so in this strategy here it would be more or less a an individual color correction of each clip where you'd maybe you know individually tone up maybe a bit of the exposure a bit of the contrast for each just to sort of get that that image looking real nice for example that's looking a little bit too overexposed maybe we bring that down a little bit you know what i mean however that right that right there is more of a slower strategy there's really something i'm going to talk to you guys about which is going to be adjustment layers which we're going to introduce maybe a section or two from now right overall color correction we are correcting the image again just one final demonstration if we delete that we are finding an image for example this one that looks like we could get a little bit more out of it right um or it basically needs needs correcting right um and this actually might fall a little bit more under the the category of grading right here actually to be fair with these clips this one more or less you can get away with a little bit of color correction based on the fact that that doesn't necessarily look how how we want it right little bit of contrast whatever but overall we are just trying to get the colors how we like them and um and more or less do what we want and create the mood that we are feeling there's all sort of different styles you know you might have some people that go heavy on the you know heavy on the colors whatever the case may be maybe that they're trying to create some sort of dystopian sort of sci-fi movie whatever colors they are totally responsible for communicating the feeling of the mood uh you know well the feeling that you want conveyed through the scene and we're gonna explore that as we go so basic color correction use it to correct an image bring it more in the direction you want let's jump into an exercise where we fix an overexposed image coming up next hey what's going on guys my name is jack welcome back to the adobe premiere pro masterclass course we are doing an exercise this is gonna be the fix the color correction exercise color correction exercise basically i have a clip for you all right it's called jack over exposed now i'm jack so you might guess that it's me sat at my desk the very desk i'm sat at right now recording this and this is basically the start of a youtube video so i was starting a youtube video and there's a bunch of light coming through my window right i can start this i can just go ahead and mute that see how much light's coming through my window this is an overexposed shot right here now i recorded a 10 plus minute youtube video while it being overexposed that's not the ideal quality we want on a youtube video that's going to be seen by you know thousands of people so here's what we're going to do we're going to actually go ahead and drag and drop that and import it right you guys can download this from resources drag and drop and import it and let's actually go ahead and drag it into the new project thing so we've got the jack over exposed new project and we can actually go ahead and stay along with the organization sort of um trend that we uh you know we were doing drag and drop that to the folder call this color folder right so all color related stuff we're going to do in the color folder and the jack overexposed clip definitely belongs in the color folder so let's go ahead and simply play this and three two one it's basically me literally at the very start of a youtube video what's going on guys i've cut it down so you don't have a 20 minute video video or whatever 10 plus minute video and we can more or less just focus on this now we're going to go over here of course to our basic correction tab and there's a few things we want to do which i'm going to basically guide you through first off what we want to do is we want to bring this stuff down a fair bit we want to bring that sort of craziness down and now there's going to be a little bit of trial and error and overall that's sort of the process i want to get you guys used to which is toning some dials up and toning some dials down until we see something that's good there's no one size fits all with this color grading stuff and it's more or less a tone one thing down tone another thing up that is basically how this game goes and as you can see right there with a little bit of tweaking up and down we now turn that on turn it off turn it on turn it off turn it on turn it off with a little bit of tweaking just right there i literally i pulled the contrast up a little bit i pulled the highlights down a little bit i pulled the whites down a little bit i pulled the blacks down a little bit right awesome so i've made those blacks a little bit more more black and i've made those whites a little bit less right now that way would be more so obviously we're super overexposing it but all the way and you're dealing with this darkened image so you kind of have to meet somewhere in the middle and sort of around there is looking like a kind of a nice sweet spot in my opinion now at any time again you could toggle the effect on or off and you see the dramatic difference that we have right there where we simply turn it on and off now if i literally just delete the color right we're starting from scratch square one follow with me again we'll redo it let's pull the highlights down a little bit right highlights are how intensely you know shot out it is right i mean it's it's in the word highlights right so we bring that bring the highlights down let's say minus 30. let's say we bring the contrast up maybe 20 right and then let's say we bring the whites down maybe minus 30 as well and we bring the blacks down minus 30 as well maybe the blacks we get a little bit more maybe the whites we get a little bit more as well and we're left with this picture right here which has overall removed most of the overexposure right overexposure just in case you do need me to spell it out it's when the light is overwhelmingly over exposing the scene right exposure right here ready you know over exposure that that literally didn't even load because it probably hit the system too hard or something like that nothing's even popping up all right there you go it's back on boom that's what overexposure on the maximum level looks like right so we're dealing with a small percentage of that right the layer turned off right that's overexposed that's sort of getting a little bit back to normal and then what we can also do is maybe bring the uh the contrast up a bit so that we have more of a a realistic less flat looking what's going on image right here and let me go ahead and mute that so we're not dealing with two different jack voices overlaying i know my my voice alone could be kind of annoying let alone this guy's voice as well two of me and there we go we're seeing a uh you know a color corrected image i'm sure you guys are understanding now i think this was a good demonstration to uh to break down color correction we're gonna have color grading coming up next and more or less it is building upon an image building upon an image in a way that is uh well i mean getting more out of it but also you can do some color correction um using um the the s curve strategy right and i think what i might actually do with the s curve strategy is explore a little bit about how to actually take a image that is flat log picture profile and actually get it to be normal now we'll get that coming up next that might not even mean a whole lot to you i'm planning lessons for you as i go through i'm trying to think of more creative stuff we could do together overall looking pretty good we took an image that was again we'll turn the effect off it was overexposed as we see right here we did a little bit of color correction and just like that we have an image that is completely usable uploadable to youtube and acceptable when before it just really wasn't what's going on people welcome back to the adobe premiere pro master class course we're doing it big not doing it small this is going to be the grading alright so we did color correction we took a clip in here it was way overexposed we corrected it now i want to jump into the curves tool show you guys the fs curve strategy right it's going to be it's going to be very simple just just to preface all right this is how you grade footage now you guys might have messed with some flat log picture profiles before maybe not as well flat log picture profile basically is um footage that essentially oh let me go ahead and turn that down records everything at a really flat sort of you know picture profile now this right here was for a left from a legendary time in my hometown when it snowed now it's only ever snowed one time in my hometown this was the time it it never snowed for like a decade and then all of a sudden literally the most snow you've ever seen in your life right so this was a pretty special moment i tried to get an artist at the time this artist to come with me and um well i just hit him up i said yo let's shoot a music video let's take advantage of the snow and we did we took advantage of it and i shot the whole music video in flat log picture profile now you might notice that stuff really doesn't look like it's really popping out very much it's very flat everything's um i mean it looks like it is extremely extremely um just not fulfilled not filled there's no real richness to the colors everything's very dull and bland and that's actually by design actually it's shot in s log format which is sony's picture a flat log picture profile which actually gives you more information and sort of more stuff going on in this image that once we actually start grading it and bringing those colors out a little bit we get much more from them okay so i want to go ahead and explore grading let's go ahead and get the grade clip go ahead and uh actually um you guys can download that right now we're going to do this right here where i'm going to drag and drop this over here and more or less i'm going to drag and drop that into a new project just like that again we're going to highlight both of those bring those into the color folder because we know that we're still in tune with the colors now this has audio in it as you see now i'm not gonna i'm not gonna you know mess up your ears at the end of the day i'm also not gonna pretend like this guy was the absolute best rapper in the world right maybe not maybe not all right um and we really needed a video to shoot but overall here we are okay and basically what i want to do is i want to load up the s curve right the curve strategy um and pretty much we're going to do the s curve the s curve is literally self-explanatory you drag one point up you do sort of the top of an s as you see we've more or less overexposed it there and you drag the other part down now that might be a little bit too up that might be not enough down and more or less just like that you've created this sort of s right you've created this s you've done the s curve strategy we can bring that down a little bit right here and this one right here is really nice because if we uh sort of just adjust this right just so we get a bit a bit of a bigger image and drag this over here we've now pulled out a whole bunch of that sort of flatness to it so you see if we turn it off look how you didn't even realize right it looks so much richer now based on the simple fact that we've actually been able to bring some of those colors out now i want to go up here to see because i want to go to sequence settings i want to bring your attention to the 3840 by 2160. this clip is shot in 4k guys it's shot in 4k so we can actually get even closer in on the image without losing a single bit of quality without even scaling anything in the way we could do that is we literally dropped this to a 1920 by 1080p sequence and just like that we now notice that this is on 100 scale but it's on a smaller it's on a smaller sequence size right which means that we can instantly get a whole bunch more zoomed in on our character right there on our uh focus point if you will just like that we're right in on the money we can even zoom out maybe a little bit have a little bit of this uh sort of foliage stuff up here this sort of foreground stuff and just like that we've been able to color grade a bit more of an image now by all means there's still further things we could do for example one of those main things is also bump out some of the contrast right so we can start bumping up a little bit of the contrast also maybe perform a little bit of that sort of anti-exposure strategy where we're bumping down the whites a little bit and we're bumping up the blacks right and just like that um or it's looking like i i sort of turned down the exposure a little bit right there so let's actually just go ahead and pop that back to zero pop that back to zero for sure um just go ahead and play that a little bit maybe bump those whites down a little bit bump those blacks down a little bit as well and just like that what we can also do is i notice that there is some yellows here now there's something i like to do when i see sort of an obvious color right is i actually maybe try to pull a little bit of that out and the way i actually go go ahead pulling a little about a bit of that out by the way um and actually what i'm going to do is i'm going to turn down the um the highlights right there turn up the whites what i like to do is i want to put a little bit of a saturation on there right a little bit of saturation maybe we even go on a 120 of the saturation jump over to the creative turn up a little bit of that vibrance as well now as you notice here what we're starting to do is we're starting to get a little bit of a purpley kind of tinge to him if you will right and that's because we're bumping up the the color now there's a couple things we could do first off we could try and just pull it a tiny bit the other direction right a tiny bit you don't want to go too much where too much might screw us over where you see it's a little bit purple this way but if we maybe do like a minus three we bring we give a slight green edge to it which kind of plays into our green sort of foliage behind here our wood right here but kind of takes that that tinge off of him as you see he's looking pretty good right here what we can do is we can actually untick our image and you see how far we've come this is a grading process right here where you see that without the lumetri color on there we're dealing with this flat picture look at this i mean we can play this one more time right look at this guy i mean you can't even tell the guy from the background from the snow i mean well you can obviously i'm being a little bit of a you know exaggerating for a dramatic effect but overall very flat we come over here to our lumetri color we simply turn it on just like that it's popping out a whole lot more now i notice an instant flaw in what we're doing here he's a little bit too dark compared to the background now this is something that happens when you are shooting with a sort of overexposed background in an ideal world right we would have had a nice light on his face coming from the direction of the camera right here and he would be perfectly lit up now this was a time when i was shooting stuff a little bit more ghetto right maybe now i'd bring a light but back then it was snowy as well so you kind of have to give me a bit of a pass right but overall i definitely did not bring a light and we are essentially gonna have to mess around with that now one thing we could do is uh we could turn up some exposure that would bring him up but it's going to massacre the background right so i think what we're probably best off to do is maybe make a little bit of a um well i mean there's one potential thing we could do which is literally do a um a mask right however that's something that's a little bit a little bit uh a little bit too much for now shall i say so i think what we're gonna go ahead and do is literally just go ahead and pop that on full just keep playing that through see how much it is and i think this guy might actually have to uh have to just remain a little bit a little bit darkened in comparison as you see here it could be a little bit of a sort of silhouette type of scene right here but overall as you get closer you see a little bit more of him maybe even if you're uh you know if you're zoomed out it could it could be a good play as well and um overall that right there's a grade though guys you see how much that you know we will pause it right there that's a pretty cool scene if we turn it off turn it back on turn it off turn it on just like that we have uh you know we've essentially graded that a fair bit and again what we would probably want to do is is very potentially um bring some of that up where as you see right here it could be a situation of sort of having to settle a little bit somewhere in the middle right that's sometimes what happens when ideally what you guys want to do is you want to shoot your shots uh you know as as sort of perfect as you can camera settings wise right ideally it's going to save you a fair bit of color correction looks like he's dying by his face i think he was i think he was freezing he's throwing up his hands bro it was very very cold out there i can't lie but overall ideally get your camera settings right or it's going to be a little bit of tweaking back and forth but there's literally no shred of a doubt that the color grade when you start off with an s log right here i will you start off with a um an s curve right you start off with that s curve maybe even bringing it down a little bit as you see that s s curves over exposing that background a fair bit right but just like that a little bit of trial and error guys a little bit of up a little bit of down and you're grading your clip real nicely you're bringing it out you're getting it popping you're making it well i mean definitely it's literally undeniable that that version is better than that version and that uh that's with a little bit of grading so color grading done and dusted let's keep on pushing with the color section of the adobe premiere pro master class course look at his face look at his face he's dying he's laughing he had to get those hands in before he caught some hypothermia by the looks of it let's keep pushing guys hey what's going on guys welcome back to the adobe premiere pro master class course we are jumping back into or we're jumping into an exercise this is going to be the grading clip exercise so i want to do one final grade with you guys just to demonstrate this s-curve it's going to be another snow clip grade v2 let's go ahead and drag and drop it into our project import it and drag it down here to a brand new sequence just like that we've created a brand new sequence and we can highlight them both we can drag them both to color where's color which color right there it is color folder press ctrl s let's save that oh stuff's ringing off let's go ahead and mute this layer as well right here and just like that this might be an even flatter image based on the fact that this is as snowy as it gets i think i was just wiping the lens because the snow i mean my camera nearly died this day i'd be lying right i'm just going to chop it down a little bit to the point where it looks like he starts jumping into it all right and i'm gonna go up here to sequence sequence settings it's 1080p this one okay so let's actually go ahead and um just pop a basic s-curve i'm going to start with the darks right start with those blacks pull them down pull that white up a little bit as well right now it's looking like i probably want to bring that down there oh that's looking a little bit too dark so let's bring that over there and let's go over here to our actual basic correction bring the contrast up a fair bit bring the blacks down um and you know what what i want to do is i i want to restart that i want to restart i want to go back to curves i want to pull this in it's literally looking like this is going to this is going to need an absolute very very intense one you see right there that's what i needed to do and it's looking like actually this might not need so much of an s today right maybe a bit of one but it's looking like that's bringing it more in the direction that we don't necessarily want it so i think what we're gonna do is we're just gonna pull it all down right so we're gonna take it from this middle line we're going to take it all the way down right there i think something like that don't don't let it hit the ground too much like that still have a bit of a curvature to it okay so i'm just going to bring that over there we got a curvature to it it is uh overall we've we've lightened up the background loads we've brought so much out look at that so that that's it on that's it right that's it off that's it on right amazing now what we could do is we could start building upon that so what i want to do is i want to maybe turn my contrast up a little bit i want to maybe get my uh my blacks going up a little bit maybe get my whites coming down a little bit let's bring my shadows out a little bit maybe bring a little bit more uh more darkness to it and just like that as you see we're getting a real nice grade right now where we're getting he's popping out a bunch from the background we can turn that on turn that off rather and again it's literally hilarious we turn it on and just like that it's looking nice maybe even we take a little bit of that maybe we do a 110 on the saturation um you know turn that up too much it's going to be a little bit too purple again that's how my uh my camera operates maybe we do it on a 15 something like that 15 maybe a 20 right and um and just like that we go to the beginning and i mean it's looking like first off by the way looking like we might need a little bit of warp stabilize on there because uh i guess the snow was was was sending my camera everywhere um but just like that we've definitely definitely graded that together and um overall it's looking like a real real real nice grade based on the fact that we've gotten more out this is a snowy woods right here it was very cool we were clearly the only ones around i don't think there was even another soul out and about in town this day because it was just such a blizzard but looking very very cool indeed and i don't think i have to remind you but that's what it looked like looked like before we turn it on we turn it off we turn it on the comparison is literally hilarious right now what's he picking up over here some stuff's getting messed up i don't even know all i know is at the end of the day this is definitely um looking like a pretty good grade he's looking like a snowman right there boom he's actually looking like a real human being once we turn that grade on so great example version two done and dusted there you guys go grade exercise version two we got it done and dusted such a fun clip to grade because i mean the transformation is hilarious right that's why i like s log because you really get this and then you get get it to this right amazing thank you guys for tuning in that right there is our grade exercise version two we've got some stuff coming up next with the luts and the looks so much stuff and it's definitely saving you some time this stuff it's a little bit more time consuming because you got to do it all manually let's show you guys how to do this stuff uh automatically now and save yourself a bunch of the time with the presets and the luts coming up next hey what's going on guys my name is jack welcome back to the adobe premiere pro masterclass course we're jumping into the adobe preset lutz library the the adobe lutz presets right looks and luts now this is going to be very cool because this is the section where basically you get a whole nice effect with a very little work now i mean overall in the grand scheme of things i'm a pretty hard worker but i love exploiting little lazy hacks like this that give us a phenomenal result with very minimal work and i'm sure you guys are going to appreciate this so adobe come pre-loaded with looks literally loads of them look at all this stuff right here don't be worried yet i know this a lot don't be overwhelmed i'll break it all down these are custom looks to color custom presets for color for example we see how this guy's looking right here look how he's looking let's get this let's turn on for example sl big instantly we see how we've got that greenish tint to it now that's actually looking like a cool look for the forest based on the fact that he's in a forest maybe we go to sl uh big minus blue didn't really do a whole lot sl blue intense blue ice now that blue intense is looking almost perfect for a scene like this look at that now remember how earlier i told you guys that color grading is literally how we set the tone we set the mood tell me this doesn't look like we just teleported to soviet russia right you know this this looks like we're somewhere now looks like i'm shooting a a video for an international rapper now right this isn't even in england now this is for for some you know czechoslovakian place or something like that i'm just starting just naming stuff off the top of my head right but overall look at how cool it uh that some of these are and again we literally keep going through they've all got sort of different different tones to them sl gold right gold tobacco we got the gold western that's like a western now right we're dealing with uh this stuff right here that's looking like a real nice grade to it basically these are looks these are looks that are preset they're pre-built obviously some of them tone red some of them tone green they are preset looks stuff that i would literally advise you to just click through and see what actually can take your image to the next level see what can actually do something nice to it that one right there called neutral starts looking pretty cool and all that did was really just sort of tone everything out a little bit even stuff out you got the fuji's over here a whole bunch of stuff but each one of them is sort of nice for a specific type of look right and they're definitely not all applicable to the same thing a thousand percent not so what i advise you to do for the looks is literally just scroll through when you've got an image and basically you know throw some stuff on there see what looks good see what doesn't look good for example maybe we go over to the scotland edit we go back we get this clip right here which we kind of agreed needed a little something right where we were turning up the the contrast and we go here we go to look we go to fuji oh it didn't look too great again we literally we go to the next one boom fuji that one we got a pretty nice look right here we go to full and um i think you know we go somewhere in the middle turn it off look at a little bit more plan plain little bland right we turn it on looking a little bit more graded a hundred percent there's no denying that it's looking nicer right maybe we go to sl blue just like before we turn it off we turn it on it's looking like what that did right there was a little bit of real popness to that color now personally that's looking like a great execution i'm actually just gonna leave that it's looking real nice sl big rather i called it blue sl big my bad is um is looking awesome maybe we do sl big hdr sl big ldr looking like those didn't really change a whole lot so we'll go back to sl big and more or less you're getting the the moral of the story right it is preset looks that you can add to your clips with literally the click of a button or two couple different varieties though you've got the looks and you've got the luts luts they take a little bit of a bigger effect for example let's go to lumetri let's turn that off let's go here and let's go to the alexa v3 boom these are again they're part of the color correction tab so they really do bring our stuff in a whole different direction remember you've got the creatives which a creative is more or less a sort of subtle addition to our grade essentially right we throw the look on there it's a subtle addition not necessarily the craziest thing in the entire world this stuff right here is really designed to um to take this stuff to another universe so i'm not even going to lie and again i totally advise you guys to mess with stuff but this is also where we'd actually go ahead and bring in our um our luts right our custom luts which are premium right premium luts huge market for them i mean you know there's literally people make a lot of money off selling luts and stuff like that based on the fact that people don't want to do all this stuff themselves they'd rather download a preset which uh which throws them in the right in the right direction basically but awesome sounding great what i want to briefly do is show you guys a uh a quick tactic um on actually how to um use one of these basically to uh to dramatically improve an image and uh we're actually gonna use one of these preset luts coming up in the next episode awesome guys go ahead and play this have a look oh it's freezing up that could be a a good sign to uh to quickly move into the next episode let's let me go over here to creative let's go ahead and throw that sl big on there oh damn that's looking nice throw that sl big on here so it's looking like sl big is the grade for scotland you can really see how much nicer that sl big clip looks boom compared to the one without the grade on press ctrl s let's save it up go back here to the beginning have a look looking nice let's come back in a second guys let's actually go ahead and demonstrate the uh the looks even further hey what's going on guys welcome back to the adobe premiere master class course we're doing a exercise another exercise basically i've got a clip from the club for you guys all right so i'm a live event videographer um and this is me actually in a club in manchester england just before the pandemic hit right so months ago at this point right last club i filmed probably the last club i'll be in for quite a fair bit longer and more or less you have a low light environment now it's a low light environment that potentially we want to get more out of so in terms of a dark clip this isn't the worst but i feel as though we could get more out of it and there's actually something that i just briefly showed you that might not have clocked that i think we could actually go back to and utilize so let's get the club clip let's drag it over here let's drag it down there let's let it do its thing in the importing sort of process right bring it in awesome club clip let's drag it down here make a brand new sort of a composition brand new um brand new sequence highlight them both drag them into color folder awesome organization done press ctrl s now this is going to blow your mind because it's so simple we're using an in-house adobe light but basically we go up here we go to fandom and more or less what this is going to do is it's going to essentially make this extremely extremely lit now it's then our job on top of that to more or less grade it down a little bit more in the direction that we want to go maybe we then bring the contrast up a little bit et cetera right awesome looking great now this sort of situation we're noticing a little bit of grain as well based on the actual um settings that i was recording this in camera right so essentially we have brought a bunch more out of this however there is a little bit of grain grain going on now that's all right because actually in a legitimate project what we do is we actually use this strategy as you can see how much massively it's improved it and lit up the situation but we use this strategy on the individual clip that needed actually brightening right and then what we do is we'd have an adjustment layer going over the entire sequence which we're going to get to extensively in a second it's basically how we tie stuff in all together opposed to you know individually grading each clip but basically we would have sort of a basic grade or a basic correction if you will as this is right here and then we'd actually have an adjustment layer going over our entire project which more or less would sort of reinforce the color but overall if you turn it off right there you see how much nicer um of an image we've got how much more popped it is how much more uh you know we can clearly see is going on we turn it off we turn it back on and basically that right there super simple using input lut phantom rec 709 that's literally built into adobe premiere so at any point if you're dealing with some dark footage you go over here you turn it on maybe yeah you do need to sort of bring that contrast up a little bit whatever the case may be if it's you know not 100 dark but overall we see that when we turn it off we turn it back on a very simple in-house lut like the phantom rec 709 underscore gamma phenomenal name by the way um is bringing us closer in the desired direction that we want to be going in so just like that done and dusted that right there is another exercise underneath our belt we have plenty more coming up in the color section and um i think what i want to mess around with you guys um with some premium luts we showed you the free ones let's mess with the premium ones i'm talking the ones that aren't just readily available in adobe premiere i've got some downloads for you let's keep it pushing what's going on guys my name is jack welcome back to the adobe premiere master class course we are doing another color grade section this one's going to be premium luts now we just explored the freebie preset luts that they're pre-loaded we use this phantom wreck with a little bit of contrast just to get this uh this image a little bit more in the direction of where we want to be pushing it in right awesome great loving it now there is sort of more advanced stuff now the more advanced stuff you'd guess is not the stuff that adobe just gave you right um it's stuff that you kind of have to source on your own and i've actually got a great pack for you guys which we're going to go through you can keep this you can utilize it and whatever you want to utilize it in going forward was passed on to me my good friend of mine and basically this is the lut pack it's got 10 different premium luts that a color um you know a colorist actually whipped up and basically we're going to utilize them we're going to showcase how uh basically we could take these presets down by a professional throw them onto our image make our image even better with very little amount of work i mean you guys have seen the process it's a drag-and-drop situation basically but more or less i want to just showcase these okay so let's go to an image that i really want to uh i really want to use it on now we could mess around with this just as an example and then um and then come back but basically all right perfect so let's let's go to our scotland edit for example right now if we play through we know that sort of this this clip that pops up here boom it's looking nice we can actually delete the color grade off it so far because we know that it is uh built in right it's built in it's looking kind of cool however what i want to do is i want to go up here to lut i want to go to browse and then i actually just want to go ahead and actually navigate our lut folder your lut pack will be wherever it is right wherever you actually download it and put it at so find it and basically we go in and one by one you can actually import them so for example captain crunch we can press open and instantly we can see that take effect on our clip we can turn it off turn it on and we can sort of see what that captain crunch lut is gonna look like it's looking like a very nice effect it's looking like a nice color grade it's actually looking like a cinema feel to be fair however i don't know if i'm fully down with it yet so you know what i'm gonna do is i'm just gonna press browse i'm gonna come here i'm gonna press teenage dream i'm gonna press the next one down so i can see what that color looks like as well i don't know which one's going to be perfect for my scene so i pretty much just want to do a little bit of trial and error where i literally want to put one on put the next one on i'm looking that that's looking like the nicest so far in my opinion maybe i go to children of men okay that's looking okay maybe not quite as good as the last one we go to cherry and lime well that's looking a little bit too different maybe i preferred the first ones electric slide okay it's not looking different enough looks like exactly like the last one midnight it's looking like it's setting the scene over dark woods where maybe i want the scene to be light you know you know what i mean remember i said that the color grade directly influences the mood that the viewer is going to feel here what do you think that viewer's feeling what do we think we're actually sort of pushing them in in the direction of feeling i think we're pushing them in in the direction of feeling some sort of you know spooky mystery is is going down maybe like you know instead of instead of saying scotland adventure it says spooky woods adventure i don't know something's going down in the woods right so we might agree that midnight might be a little bit too much in the other direction monovia stereo sort of just a black and white situation and rainbow road might be a little bit too colorful for us so we might go back to and we'll get that children amen or maybe maybe we go ahead and we get that uh we get that electric slide or we come back to captain crunch first personally i think i think captain crunch or teenage dream were the nicest two maybe teenage dream now that's absolutely awesome and just like that we have been able to do it simply using um you know the ability of just selecting it and a little bit of trial and error so if you guys did that we have more or less applied this and it's looking very very cool now that is sort of just half of the battle i mean like we wouldn't actually individually put a lot onto a clip if they were all together right here we simply wouldn't and what we'd actually go ahead and do is we'd explore adjustment layers which more or less are going to enable us to do this to massive amounts of clips not just one clip i'm talking about all the clips together at the same time no messing around and uh more or less that is what we're going to be getting to next but first off let's just go ahead and come back in a second and actually work on a a couple more luts in fact you know what let's actually just go ahead and uh and delete that off of that clip right there go over and delete all the color off of uh off of these clips right make sure that we don't have any color on them um and what i want to do is i want to actually go ahead and um throw this light onto some some other stuff right so let's go to gray clip let's go to this bad boy right here we noticed that we actually graded this down by actually doing the um you know the s curve strategy with this one right here and also with this one here we simply just took out the uh the nonsense in the background and we've also got a look at play here but let's turn off the uh the creative look and let's actually go over here and actually explore adding for example we want that kind of coldness maybe the ice ice baby might work pretty nice we put that lot right there just like that we've got that kind of icy look to it now that's not looking too too too much different than our one before maybe we just keep trying stuff we get the midnight look maybe midnight's bringing it again a little bit more dark and we get the old town look that's looking way too much right there we get the captain crunch looking like a little bit too much teenage dream looking like a little bit too much and then we think to myself you know what maybe that wow that rainbow somehow actually is looking pretty good now it's making his face quite rosy so what we might do here is we might actually go ahead and bring that back down right we might go ahead and bring those uh bring that vibranceness and stuff a little bit back down right but overall if we turn that off turn it back on it's looking pretty nice we have we now have a we now have three different additions to this right so this is really stacking up color wise i'll go to a decent frame right we know we've got the actual curve strategy which is completely taken out that that sort of flat log then we know we've got a couple cool things to play where we've got a little bit of um you know vibrance going on whatever the case may be also here we've got sort of a further and again we can turn that off turn it back on we've got a further secondary correction basically right which basically brings more out of it and then we got three different layers then we got this rainbow road we turned that off and just like that you see that's giving a little pop to it for sure but maybe not so maybe that's not the perfect one for it it's really a case of trial and error overall you know these these different things you know they're basically you put them on you take them off you see what works you see what doesn't that's basically my advice to you guys but overall that right there's looking kind of cool maybe we come over here mess with them a little bit see if we can uh get anything looking a little bit more in the direction we wanted to and it's looking like that rainbow road in my opinion is looking pretty good because what it enables us to do is jump in on him and get a little bit more color out of it when you know we know for a fact that there was no color to be found in a million miles right and then right here we bring a fair bit of it out and it ends up being pretty nice but overall guys guys that right there is premium lutz i've given you guys a pack it's all yours download that utilize it i've used that in a bunch of different projects going forward um i mean you know we can come to our club one right here um come to our club clip we know we have the phantom light that's already in right there so what i might real quickly do for you guys is literally just go ahead and explore something very quickly right click go to new item go to adjustment layer and we're gonna explore this again in a second but quickly let's put the adjustment layer over the top of the clip and basically this gives us another layer that we can do changes to which affect everything below it so we can get this adjustment layer put it above the clip that already has a lut on it which means we can't put another one and then actually start building on top of it maybe even that teenage dream right there um is something that overall maybe if we brought the opacity down a little bit of could be pretty nice maybe we get that on a 50 and all of a sudden we've got this kind of golden tinge to it and again if we untick it you notice that a fair bit just does get removed right there especially if it's on 100 right but overall that right there is sort of that final look to your shot again i'm literally just turning on that color grade turning it on turning it off and more or less that is the final look on top of everything but let's go ahead and delete that adjustment layer and uh come back with a full adjustment layer breakdown coming up next let's do it hey what's going on guys welcome back to the adobe premiere master class course we are continuing the color section we're going to be finalizing it up with an explanation of adjustment layers i let you guys in a little bit with a sneak peek with that last clip right here we you know we created the adjustment layer i showed you what's going down basically adjustment layers are how we take advantage of a clip that maybe we can't even put a lot on or we want to grade multiple clips at once so i'm literally just going to delete it and we'll explore the process of creating it again so let's say scotland we want to we want to you know grade everything together but we don't want to individually grade stuff we would create an adjustment layer two ways you can do it the way i showed you before which is right clicking the empty space down here going to new item and adjustment layer or going up here to new and then adjustment layer awesome let's go ahead and create it and it will create it with the exact video settings of whatever the current sequence open is right awesome works with me we create it we drag it above everything right it could be one line above could be right there next everything right and more or less what this has done is it's created a a transparent layer which is not visible but anything we add to the layer will affect everything below so funny enough this doesn't just work with color correction where for example if we color if you know say we turn the exposure way up we over expose it now every clip below is going to be overexposed as well because this sole layer here basically reflects everything below it so make sure you use this as a you use it responsibly right now just to demonstrate the full power of it this also works with effects right so for example say we really went deep we went to the video effects we went into distorts we went into mirror right mirror we drag and drop it on all of a sudden we mirror the bottom now what this is gonna do is when we play it through this is not just gonna do it to one clip this is gonna mirror every single clip it's gonna apply to everything below it just like that we've got this crazy situation where we're looking at it and we're thinking oh did i pop you know a couple too many vitamins this morning how am i tripping this hard right now right um and overall this right here is achieved through the fact that we're using adjustment layer adjustment layer think of it as mass edit layer something that basically you can use as a tool that saves you time with doing sort of little tweaks to everything espec especially it works if you want the same sort of look on everything so with that breakdown being done let's go ahead and delete our adjustment layer let's go over here deleted as well and let's come back with an exercise and explore finally doing a final grade over every single one of our different sequences coming up next we got adjustment layers in full all right what's going on guys welcome back to the adobe premiere master class course wrapping up the color section with an exa exercise a full example full breakdown of the adjustment layers i feel as though we we got a good little explanation so let's right click let's go to new item let's go to adjustment layer let's press ok and let's start with this scotland edit let's do exactly what i showed you guys to do let's drag the adjustment layer let's drag it over everything all right and let's simply go to go to sort of a frame that we're happy grading go here go to browse and let's actually go ahead and bring on one of our luts i think captain crunch might be looking the nicest let's go ahead and literally just turn it on or turn it off turn it on captain crunch we can probably agree is looking pretty damn nice we drag it over here to the beginning and what i want to do is i want to simply render into out i'm gonna press that and i'm literally just gonna sit back for a split second i'm gonna let it sort of uh figure out what's there let it do its thing shouldn't take more than you know matter of seconds 10 seconds 15 seconds something like that and basically we are able to uh watch everything back in nice hd that's just a little tactic i just want to you know if we're dealing with colors i don't want any lag or anything i just want to watch this bag full high quality together seven seconds six seconds five seconds it definitely ain't taking too long and just like that we're now watching in full hd the scotland adventure nicely graded down all at the same time using the lut and just like that they're my bro there's my bro swagging swagging through uh scotland the uh the highlands and um that one right there is looking a little bit overexposed and we can then think to ourself why is that and it literally might just be a case of the fact that this particular clip is actually just shot and it's kind of overexposed so you know we can do we can actually color correct individually the clip so what i'm going to do is i'm literally just going to drag those whites down then i'm going to trace it back and it's looking like it's still looking like it's uh it's got a fair bit out of it so we could bring those darks up whatever the case may be and just like that now that is looking a little bit more in the direction of where we wanted it to go oh contrast contrast maybe turn it up a little bit and the highlight pull the highlights down a little bit pull the whites up a little bit whatever the case may be it's looking like the sky definitely plays in a little bit there but you see overall we've got a basic grade and then we might need to jump into a little bit of correction to the individual scenes and you know that's exactly what we've done so just like that we've got the grade again we could turn it we turn it off we turn it on we turn it off we turn it on you see how much nicer it brings us more into the cinema feel and just like that it fades out of our first sequence and we have color graded our first sequence using the captain crunch lut and we color graded it and then we just had to color correct one single scene out of them based on the fact that we want a matching feel to everything we want it all to feel like it's continuity we don't want one thing to be you know we don't want one of them to be hit with the with the sl blue or whatever right and the other ones are all you know nice and and cinematic and green so we're not gonna but overall this not only applies to you know uh clips that are video we could put this on anything so we've got this whole scene right here which we did which was pretty interesting now these clips have been um i've been pretty extensively messed with right but let's actually drag the adjustment layer was put it above our still sequence just to sort of do a bit of a flashback right now let's actually explore putting a for example maybe we put a teenage dream on there or something like that come back over have a look boom it's definitely brought us in a different direction in my opinion it's looking pretty damn cool um and it actually plays in real nicely with those light leaks right there just like that in fact that one's looking maybe it's arguable that that one's looking a little bit too overexposed a little bit too contrasty so we could pull the contrast in the other direction as you see and i'm literally just you know trying to flatten it out a little bit actually right so sort of the exact opposite of what we did to the previous clips i might even try and flatten that there and just like that we've got this uh pretty nicely graded sequence where turn it off turn it on it's definitely brought us in a cool direction more of like a sort of a filmy cinema cinema quality vhs type feel if you will it actually works real well with these um with these uh light leaks but overall control s i'm gonna save that one we got the jack exposed coming up next can we now get our adjustment layer bring that over everything and again just literally go ahead and explore one of these uh one of these luts go ahead and browse bring it over what do we think an electric slide electric sliding really looking too great rainbow roads looking a little bit too much i'm looking like um you know i've gone a little bit crazy right there midnight it's looking kind of cool but it is kind of looking a little bit ghostly right so you see what i mean these these all have a very different feel to them we get the electric slide electric slide look a little bit too much the cherry lime cherry lime's looking kind of cool in my opinion and um overall what we could do is we go over here we notice what we had before what we have now i think if i actually play this right here cherry lime is looking more in the direction of stuff of what of what i'm liking and overall it's looking pretty cool so we can turn off our adjustment layer turn it back on turn it off turn it on it's looking cool gives a little bit of color to it i'll leave it for now just for the sake of it we get the grade clip right here we've got this bad boy again drag our adjustment layer over pop it over and um go here i'm maybe trying the ice ice baby yeah it's looking like ice size baby could give us a nice look right here and uh it definitely plays in you see the snow falling real nice he's he's pretty um he's pretty silhouetted but what we could do is we could actually go ahead and uh and zoom that out a bit and maybe even get rid of the get rid of them so much of the s if you know what i mean so maybe we pull that down a bit um or maybe maybe we actually pull that up a little bit right there there's there you see so we've got a little bit more visibility to them right there and it's looking like we came in on that bit where his hands are getting cold but just like that we could see that with it it does add a nice little bit adds a nice little bit of a blue to it and then we can go over here to our to this guy right here we already know that we're actually using one of these already the rainbow road so we don't even need to use the lot on this guy because he's already uh he's already being used it but we got this club clip finally we could uh drag and drop the adjustment layer over the club clip give it a play go here browse um ice ice baby mess around with the ice size baby it's really just a case of turning it on turning it off and seeing what's happening just like that it's looking like that actually if we take off our if we take off the contrast the ice ice baby axe has a nice bit of contrast so essentially what you've got is you've got that i-sized baby tone and stuff back in after you've got the phantom rec 709 underscore gamma tone and stuff sort of up in the in the brightness direction and then you've got this adjustment layer ice ice baby bringing stuff back down i think that's a real nice real nice um complement and they basically go together really well so with that being said guys that right there is the color section of the adobe premiere pro masterclass course absolute blast thank you guys for tuning in i appreciate it i hope you guys picked up a few things right here as i'm sure you did and um you know i'm glad i was able to throw you guys a couple cool luts that you could use to uh begin your journey as a colorist overall i'm not the craziest most you know advanced color person in the entire world as you probably realized but i know my way around and uh you know i i definitely have uh the ability to get the image looking better than it was before thank you guys for watching have a nice day we're coming back with the section coming up next which is going to be audio production crucial part of the editing process i'll see you guys there hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course entering a brand new section right now gearing up for the audio production section this is going to be a breakdown of your audio effect controls now what i'm going to do now is just transition a little bit we've been looking at the entire visual aspect of layers right so you might know when we pull a video layer in here the video section right that's only half of it right video 1 aka vu1 right and then you've got audio one aka you know audio track one basically everything below this line right here and you can adjust it right is audio audio is crucial you know there's a lot of designers and stuff actually get a little bit intimidated by audio because it's a whole nother element that you have to control it's a whole another element you have to understand how to use and there is even an audio tab up here right so we're going to be getting to that extensively but before we get to that let me break down where to look i've tried to keep you guys in the loop of stuff that you know i'm paying attention to when handling uh or when editing in premiere right and at the end of the day this is one of those situations where i just want to break it down stuff that i'm looking at so most of the time when i'm actually handling audio i am working with two main things okay those two main things are controlling and managing the audio tracks down here so for example um you know maybe you import a clip where you just want b-roll and you might actually right-click the clip unlink it and delete the audio layer or a lot of the time what you might do is you might actually right so say we have say we're looking at this in inside our our actual source window what you might do is when you're working with audio is you might actually go ahead and import video only of a clip to purposely not bring the audio in based on the fact that again maybe it's a clip maybe you're syncing it to the beat whatever the case may be or you might be working with a clip that you just want to isolate the audio and you might even drag audio only and that will obviously import just one of the two different sort of halves of the layer the layer think of all layers two halves well not all but actual straight live audio or live video tracks right where you know it's recorded with the audio embedded it's gonna come sort of as a two-for-one deal type of situation where you got your video up top you got your audio down below awesome when i'm managing audio tracks pretty much i'm just muting the audio tracks that i don't want by pressing m and leaving up the ones that i do inevitably there's usually audio track that i use is like my mute track where like maybe i'm editing and then all right cool a certain section i might you know press c chop a bit out bring that down to the mute track so that maybe you know i want audio here one audio here but i don't want audio there i might just have a mute track just to be kind of lazy so i can chop it out and just drag it down there and i know that anything on that kind of layer that's just going to be muted right and usually when i'm using using you know audio or actually paying attention right i'm going to have three main channels i'm going to have my main audio might have you know might have an actual track or and then might have a little bit of sound design might have some um you know some sound effects and then maybe we have a mute layer as well um and also you can create more layers by simply dragging down and it will uh i mean you can go on forever i don't actually think there's a limit to um to how many layers you're able to create but we'll bring that actually up here we'll remove the the mute layer in general and we'll actually pay attention to the effect controls this is sort of the other place where you will you will be managing audio and the way you'll be managing is levels levels another way to completely remove audio would be to turn it down minus 281 decibels db stands for decibels that is definitely not hearable you might want to just you know turn it down a little bit you might just hit them with a minus 10. you know what i mean something like that where for example if i actually go ahead and just undo that right and i take this section make this minus 10 and we just go ahead and play it you can hear what a minus 10 dbs is gonna do start recording three two one nice so you see it takes off a little bit of that edge but overall it's still more or less you know well it's still 100 audible it's still something you can hear and um overall that is all done through the volume control right here and it is something that uh you know is is is definitely something you could pay some attention to the next bit is audio mixer right you've got your audio mixer here and your actual audio track mixer right audio clip mixer audio track mixer now those effects you might have just seen i sort of just disappeared it a little bit right but you can sort of on this audio track mixer you actually have this drop down menu right here show slash hide effects go ahead and load stuff up delays and echoes stuff like that the noise reduction we're getting to right now coming up in the next section we've got a couple cool examples for you guys a couple cool exercises and um overall there's a whole bunch of uh of audio effects that are accessible through this little drop down menu up here it's a place that you know unless you're uh you know heavily messing around with audio you might not even realize you could i mean i actually didn't realize that i was there for years of using premiere based on the fact that my audio needs weren't actually that deep and um you know it's sort of progressed as i've uh increased my my skill set and increased my knowledge of the program but overall guys that right there is a breakdown of audio effect controls overall you're mainly just going to be worried about your uh you know your volume stuff like that down here maybe even just keyframing it too you know increase it have a nice fade in whatever the case may be blend and merge tracks together fade one out for the next one and whatever overall we got a lot of interesting stuff to get to so let's waste no time let's get to it hey what's going on guys welcome back to the adobe premiere pro masterclass course we are jumping into the audio production section kicking off with how to improve a audio layer how to make the the vocals better basically we're going to revisit the sample piece that we that we pieced together let's play it real quick oh i'm pretty sure my my the the wrong headphones are plugged in two seconds there we go okay sorry about that guys that there's bound to be some technical problems we just had one let's play three two one nice what's going on guys my name is jack welcome back to another video awesome so this one right here is just the absolute default vocals that have been recorded through the microphone as you can see right there it's you know attached to my nipple it's clipped on that is the clip-on mic it's a lapel mic um overall they are good microphones for getting good quality because you get nice and close to your subject right now were we using a shotgun microphone this audio would be even more uh you know echoey because it would have to obviously travel further to go into the microphone and it would be um overall just less condensed now condenser that i'm holding there is the absolute holy grail but we didn't use that so how do we make these vocals better it's literally gonna blow your mind it's gonna be so simple that you're gonna do this method on every single piece of audio of somebody talking every time you open premiere going forward i know that's a big statement but when you see how quick we're gonna do this you are trust me go to audio up here press dialog right so assign a tag to the selected uh selection to enable editing options based on the dialogue music sound effects and ambience so we're gonna we're gonna tell the program what type of layer is this what type of audio layer is this you know because it's gonna process it in different ways you know you might have music which is dealing with you know a lot of bass or something like that you might have sound effects that are really high pitched that they might want to try level out if it was you know what i mean so i'm just exploring the different types of audio now dialog is the type of audio we click dialog we assign the type of audio and then it's all about the preset you might guess we click preset and we are gifted literally gifted with a whole bunch of really nice presets to basically fit different situations we're talking about maybe we want to set that radio type of style right that sort of you know muffled feeling maybe we want the large room right maybe we want to uh you know make it a little bit more echo-y whatever but today we don't today we want the balanced male voice balance male voice look at right i'm just going to press ctrl z to undo that and then ctrl shift z to redo it so you can see the change in the audio wave that's normal that's when we add the balanced male vocal voice and literally guys that's the trick that is the video done and dusted episode number one i wanted to kick it off with a nice simple easy one and um you know audio production could be boring but that is a great way to make it as least boring as we possibly can by making it simple so let's play this we'll see what it sounded like then let's play it back and see what it sounded like before start recording three two one nice what's going on guys my name is jack welcome back to another video here on perfect sounded pretty good it gets cut off a little bit short don't get me wrong according three two one nice but sounding good what's going on guys my name is jack welcome back to another video here on perfect so we did cut it short right there it's in this situation that we wish we'd had more but you know what we'll do guys we'll jump back in here in a second and i'll actually go ahead and give you guys another piece you can download in the next section let's try this on a slightly longer clip because i can already hear it taking effect let's hear it take effect times two all right what's going on guys welcome back to the adobe premiere pro masterclass course continuing on audio production this right here is gonna be an exercise just to absolutely affirm this in your brain quickly repeat the exact same thing we did get it locked in there if you guys go to the actual downloads the resources you can download office talking clip this is back when i have my office in the countryside before i'd moved up to london and um basically what we're going to do is we're going to take this talking clip and it's recorded off the iphone so it's not an especially you know amazing microphone or anything i mean quite the opposite literally a default microphone everybody's got this i mean most people have a you know at least you know some sort of phone in their pocket and it's got a microphone so we're using the default phone mic we can have that office talking clip we drag it to here make it a brand new composition a brand new sequence if you will let's go ahead and play this just start listening to the general gist of what i'm saying what's up everybody today we're going to shoot a music video potentially if this video actually reached you it means it was interesting cool cool cool cool sounding good not too shabby at all we guys you know we know the drill we're going over here to audio we're actually defining what type of audio layer this is because we know we have different layers now they give you three or four different options the ambient sound effects music and dialogue simple we're going to define dialogue we're going to press the drop down presets menu and we're going to go to balanced mail voice and just like that we scroll back to the beginning and there it is if this video actually reached you it means it was interesting enough and i was actually able to get enough compelling footage to make something worth uploading that's that's definitely the style that i do i've tried to start so many vlogs in the past that just haven't actually seen the light of day that you know any project i'm going to i sort of do a general intro as if maybe we're going to get a vlog and then if a vlog actually does transpire at least i have actually introduced the video properly and i don't have to go back and and take care of that at a later date but overall guys that right there is just a quick exercise we press control z we're gonna get the normal audio right you know it's not the craziest difference in the world but definitely it's a more polished feel when we turn on that that balance right we're going to shoot a music video potentially if you can feel the polish this definitely a little bit it takes the edge off slightly and overall this uh this overall dialogue balance male voice and the main you know essential sound sort of tweaks and little maneuvers we can use are gonna really come into play when there's actually a significant um problem with the audio which is why i can't wait to explore the next two chapters um which are going to be coming up and they are going to be uh removing background noise and as well reducing echo so overall we got some great sections coming up next those are where we're really going to see these sort of effects come into play and we're going to be utilizing the presets again but also digging deep into the effects right here that a lot of you might not even know about coming up next guys let's get into it all right hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course we are jumping back into or continuing the audio production section and this is going to be a sort of test that's a little bit more noticeable now the reason i say that is because um in retrospect this audio wasn't really you know filmed on a microphone which was absolutely terrible at the end of the day you know iphone try and at least you know have a certain standard of quality and it ain't that bad right so i think our before and after really wasn't as powerful when comparing this audio compared to the uh you know improved audio with the mal a balanced male voice based on the fact that there wasn't much of a before to show and after right the greatest before and after picks are the ones where the guy is you know the guy the girl is 500 pounds in the first picture you know totally overweight and then boom the second picture a year later 18 months later they're ripped they're shredded and you could see a massive difference right that's the the point now you can't really see that big of a difference between this balanced male voice however i've actually prepared something for you guys where oh that's the wrong folder that's the right one there you go co three one nine this one here actually i'm gonna rename this live and we'll call this a bad audio sample so you guys can download it it'll be called bad audio sample and basically this is it lives up to the name ready hey guys what's up my name is um oh what's going on people my name is jack welcome back to another um not only did i try and mess up at the beginning that was on purpose don't worry all right um but also i left the windows open so you can basically hear a whole bunch of background noise right and what i want to explore is how do we get rid of that and this is not a good microphone this is the in-camera microphone which is not designed to really be that usable of audio and overall it's a poor audio setup all in all can we get this which i'm telling you now bad audio really bad audio you know i'd be pretty depressed if i was if i went to edit my youtube video or whatever and i'd forgotten to plug in the mic and this was the audio i'll be greeted with it will be kind of annoying but let's go ahead and actually just import that to our uh you know our project settings and even if we're in the audio tab we do still have a nicely formatted project sort of media window down here if you will and it's looking like i where did that just take itself off to bad audio sample awesome so let's come back over here to editing so that we can drag it down here to the uh the new item aka new sequence right and let's literally drag and drop it into that new sequence it's going to go ahead and whip up a brand new sequence hey guys what's up my name is um what's going on people my name is jack welcome back to another um so let's just be messing up now it looks like i start recording there so that would be or i start talking properly right there so first off let's press c get our get our scissor tool right razor tool chop it where we actually want to start it go ahead and delete all of that nonsense excess talking at the beginning where i was sort of just figuring out my points whatever the case may be so now we can play it here and although we are now into the actual sort of meat of it if you will also we're still gonna have bad quality audio that we need to fix so let's play it with c really the level of the problem we're dealing with and then we can fix it hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro masterclass course and you can hear that squeak that's going on you can hear it especially in these sort of little under bits right so we want to completely isolate the actual you know the sound of the voice alone right we want to completely isolate that and essentially get to the point where um we just have the voice we don't have all that nonsense going on in the background it's essentially that's actually going to be done through some audio effects so what i want to first do is just do the absolute box standard which is go to audio select that we are defining it as dialog and then actually just turn it to a male balanced voice now that's just an absolute under layer basically that you can add on to anything that will not do anything bad for you it's not as though that's going to do anything that's going to make the next situation harder to improve the audio overall the balanced male voice can do nothing but good for your for your vocal track in fact let's play and see how just the balanced male vocal preset balance male voice rather preset does to it alone hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production so not loads if anything it just made it a little bit more amplified cool not a problem what i want to do is i want to go over here to the actual audio track um bad audio sample this one right here the second one along and i want you guys to find this little arrow i want you to click the arrow now if we bring it back and just hover over it it says show slash hide effects and sends effects are the single bit that we want to zone in on so if you click that it's going to give the drop down menu and then you come over here and you can actually use slot number one obviously there's different slots for however many you're using we'll just go with slot number one and i want to go down here to noise reduction and restoration and we can actually use the d noise denoise is going to attach itself to everything in the background it's actually going to be so simple with a simple slider it's going to enable us to drop the audio levels right oop i'm not too sure where that came from that's we got ghosts watching us right now but go ahead and press denoise and go ahead and click a mount or actually what you can go ahead and do is you can actually go ahead and have this little slider here aka dial i think right and um basically the more we push this in one direction the less background noise we're gonna be able to uh to hear and the more isolated our audio is gonna be so it's actually just go ahead and for the fun of that just turn it up to 100 and see what we're looking at hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production so what we notice right here is 100 seems to have actually gotten it to the point where yes we can't hear any of that background noise but we're muffling our actual audio at this point and at this point we now want to reverse it so what we want to do is we want to find a balance in between right we want to basically what was it was it maybe 50 before something like that maybe we try and do 70. welcome to the adobe premiere pro master class course continuing and that right there has more or less isolated the vocals and has removed the background noise however it's still not sound and perfect what's going on what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro master class course so i'm literally just doing it a little bit sort of in life what's up guys my name is jack i'm a freelance video editor videographer and youtuber and what we can do right there is we can actually have just let the denoise take take take effect then more or less that has taken out a lot of it now if we want to see what it was before we could take it off and you can literally just tick that and we come back and we play it and there might be one more effect which is that other noise reduction right maybe that d reverb that we might mess around with a bit to isolate it further now let's have a look at just playing through without and then we turn it back on we see what this d noise has really done hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production real rough real messy let's turn it back on let's play it again let's see what we've done hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production well so it is completely taken out of that that little whinge that's going on in the background i'll play a a piece right here where there's no talking where you can really see it of course gone you can hear a tiny little bit of this little something's there but overall i think if we had a uh a little bit of disguise and what i mean by that is maybe a little bit of music playing in the background or something like that we would have been able to entirely salvage that audio now let's go here noise reduction let's go d reverb let's get the reverb up a little bit let's have a look we get the d reverb and we'll see if we can isolate this even further this is pretty much just going to tap in on the the vocals isolate them even further let's play it hey what's up guys my name is jack i'm a freelance video editor videographer and now first off what i'll probably do is bring it all the way to 100 so we can see the maximum effect hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber so we see again that muffles it it's a if it's a muscle situation so you know what we do we bring that we maybe want to put that on maybe 60 percent we see what 60 percent saying let's play this one all the way through let's see what it sounded like hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro master class course wow now when that little section right there plays which normally was just purely horrible you know sounds like there's a ghost you know multiple ghosts even a ghost party they're all having a you know a disco rave outside your house or something and and right here it's gone right nothing i mean there's a little something right maybe they've moved the party to the the block up the road or something but over it's definitely not outside your house anymore overall the fact that we've just taken that from extremely dirty audio and what i'm going to do is i'm going to turn the d reverb off i'm going to turn the denoise off i'm going to come here and play it from the beginning just familiarize yourself with what we were dealing with before hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro master class course continuing with the sections i mean that is night and day we turn on the effect for the d noise we turn on the effect for the d reverb and we've entirely transformed that clip i think it's undeniably agreeable we've taken this clip to another level that's what i was talking about guys about the before and after we literally i was the the fattest most 650 pound person ever in that first you know in that first no effects clip and i'm now shredded ripped with a 10 pack in this new turn on the effects clip hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro master class course continuing with the sections that is literally night and day 10 out of 10 total transformation total before and after pick i'll be getting all of the likes right now if i'd have just dropped that before and after pick i would be the most popular person on instagram that right there is how you do it people entirely remove the noise yes the audio quality was a little bit poorer now the reason for that is because the microphone isn't a good microphone this type of effect right here is going to give you an even more desired and even better result when you guys are using good microphones specifically to create an example that was you know a really useful example right here that we've just explored i used a crappy microphone the default microphone on my camera to create this scenario and overall that right there contributed to the fact that we maybe have to do a little bit more with your microphone i'll give you the benefit the doubt i say you know you probably have a better mic than the inbuilt camera mic on your phone i i mean on your actual camera the phone we concluded wasn't too bad the phone wasn't even that bad uh but the actual camera yeah it's it's suffering a little bit however the little bit of d noise little bit of d reverb and our best friend balanced male voice came in very handy and we were able to fix this audio thank you guys for tuning in that right there was the good old-fashioned how to remove background noise entirely in program there's a lot of different presets and stuff people try sell you and overall you clearly don't need them i showcased a totally free way to remove background noise keep cracking with the audio production more coming up next guys hey what's going on guys welcome back to the adobe premiere master class course continuing on the audio production section i've got a final exercise or i mean not a final exercise a um we got a couple more exercises to go don't don't don't don't think that's the final one i've got another sample for you guys this one i want to just do the same thing we did but with a female voice and with a slightly different situation so basically um this right here uh this right here is a clip from a car promo video that i put together for a car dealership good year ago year and a half ago something louisa was the uh the overall sort of presenter of the video so we've got her in this uh you know environment here where you got birds twerping you've got a whole bunch of sort of you know environmental sound let me play it let me show you guys what we're dealing with go again okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it be the 345 brake horsepower so you get the point you hear loads of other stuff going on in the background let's try do the same thing let's import it let's get it sounding better all right so the reason for this is because i just want a uh you know another example another situation different scenario basically so basically we've got the bad audio sample v2 drag and drop it into the new item uh button if you will right and let's jump back over to the audio tab now first off we know what we're going to do we're going to click dialog we're also going to go to preset and we're instead of going to balanced mail voice you guys know what we're doing we're doing a balanced female voice okay click it and let's start playing and see what just the balanced female voice vocal preset is going to do to our audio right here in fact we know that we hear me laughing pretty obnoxiously in the beginning so what we could do is we could press c go ahead and get this bad boy chop it there go here delete it and uh and bring it over to the point where she starts talking and i'm not cackling in the background of whatever was happening let's play it okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it be the 345 brake horsepower ford focus rs now that right there you can definitely hear the bird chirping that's going to be tough i think that might remain in there the whole time um you can definitely hear the sort of the rustling in the background and stuff like that and the we the the leaves sort of blowing however she does sound crisper i think um you know you guys can be the ultimate decision i'm just going to press ctrl s save everything we've done so far but overall she's sounding more um definitely you know crisper for sure so i'm going to jump over here to that audio track mixer i'm going to click this bad boy right here and it's sounding like we don't have as sort of gross audio as we did before i mean it's undeniable that that that previous bad audio sample one right was terrible audio compared however this one it's better it's 100 better so we're not going to have to do as much is what i'm trying to tell you but we're still going to do the same process the same sort of situation applies we click the effects we go to noise reduction and we get that denoise and you know what we put it all the way up to 100 and the reason for that is because i always like to see what the most intense version of the effect is and sort of start working backwards because if i know what the absolute most the effect can do i know sort of you know the least we it could do as well because we've just heard it which means i can meet somewhere in the middle okay guys thank you for joining me on this short video as well so that's you know it sounded real muffled real condensed we could hear that bird going on let's maybe bring her over to maybe bring her up to about 60 all right we're gonna we're gonna go in about 60 percent maybe go in yeah yeah around 60. all right always the information is above which one are you going to choose will it be the 345 brake horsepower ford focus rs or the 306 brake horsepower bmw x6 with 5 000 pounds in cash that now first off i forgot how good the deal was i mean this was a prize to give away cars right but overall she is entirely you know we're zoned in on her voice right there that is honestly such a massive comparison i'm just gonna turn it off and play it for three seconds okay guys thank you for joining me on this short video as always the information as you see it's like there's all sorts of other stuff intertwined in what she's saying you hear that bird sort of caulking in the background squawking away and you hear the leaves rustling and the wind blowing however we turn that just to the sixty percent and we turn the d noise up sixty percent and we give it a play and it zones in and isolates that that vocal tract perfectly okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it be now you can slightly hear it faintly in the background and of course that that bird is a little bit too loud to fully remove however it's honestly massively massively better and you know we could even mess around with a little bit of um of the reverb as well and and you know maybe 40 something like that might be good let's play okay guys thank you for joining me on maybe we put it all the way up just to see what it what it's like what video is always the information is above which one and then work back a little bit 300 amazing press control s come back to the beginning and we could just smoothly play that through one time together okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it be the 345 brake horsepower ford focus rs it almost doesn't even seem real based on the fact that just our you know mind is going to tell us that surely some other audio should be involved but it's not or the 306 brake horsepower bmw x6 with 5000 pounds in cash that isolates that audio layer perfectly and that right there is the power of literally a couple different presets you got the the priest well one preset the balanced female voice right i wanted to explore you know another another clip basically same scenario another clip different situation as you see this is outside right so you know there's there's just more going on race there's more elements at play we threw the d noise on there and we threw that up to about 60 percent we threw the uh the d reverb on there we put that up to about 51 and just like that guys we have completely uh you know isolated that audio track and you know although we can't 100 fix it and i'm gonna fully isolate this down right i'm gonna start at the exact point she starts talking so we can play one final sample before we leave but overall it doesn't fully remove that for example that bird that that you know um squawking in the background as you can see right hey guys thank you for joining me you hear that wow right that was a bad impression on my part but overall those sort of intense peaks those you're basically stuck with i mean entirely it's something you gotta be aware of when you're shooting ideally you don't have any extreme peaks or any stuff that you know i mean if she's talking at the same time that that bird you know quacked squawked if you will it's gonna be very tough for us to chop that out without taking out a piece of what she says as well so at that point you basically have to muffle it and zone it on their voice however overall when you're shooting you do want the cleanest audio track you can get because it's going to save you time what we've done is in the in the past couple episodes so far we've spent the whole audio production section looking at audio that you know basically isn't good audio and that we've needed to improve it and the reason for that is because you know that's the audio that you do need to improve the audio that's good when i'm editing a normal youtube video i just throw my my my stuff in there boom i don't even necessarily click it and even put a a balanced mail voice on there i literally just throw it in you know what i mean um or maybe i'll put a premium vocal preset on there or something but overall i'm usually just throwing it in based on the fact that you know it's i've tried to prioritize shooting it in a you know environment that's not going to be echoey i've also prioritized you know shutting the windows so we don't have any crazy background noise and um you know not shot in a car park where you've got birds sat above you know roasting having a nice sunbathe or whatever but overall let's play this one more time guys so you could see the absolute zoned in that we've done and uh then we're going to jump into how to actually remove that echo in echoey rooms because that is the next best sort of common situation that people are needing to uh to deal with let's play this let's come back okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it be the 345 brake horsepower ford focus rs or the 306 brake horsepower bmw x6 with 5 000 pounds in cash that's perfect absolutely amazing that right there is how to remove background noise from a female voice and remove background noise from a male voice inside and outside completely tackled completely covered we got plenty to get to next see you guys in the next episode what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course we are continuing the audio production section we just did two bad audio samples back to back we did me sat right here crazy aquainos we we managed to channel it in pretty nicely we did this one right here where we explored female voice at the same time uh with the same method and a different environment based on the fact that we're dealing with outside and uh you know you got birds chirping you got a whole bunch of different stuff that might not be so controllable right and um today well i mean in this episode right here we've got another clip this is me standing up in my apartment however what i'm doing is i put the camera way across the room to simulate some echo based on the fact that my voice is gonna have to travel across the room it's gonna have to bounce off the walls right i'm not using a microphone i'm using the in-camera mic so it's more or less the bad audio sample but increased so let's call this bad bad bad audio sample all right um bad bad bad audio sample triple bad bad boy for life let's go ahead and drag and drop that over here and you know what we're doing is we're being a little bit hypocritical is uh we're not being very organized so i want to go ahead and highlight everything that i'm sort of thinking is is coming into this uh this audio section let's go ahead and drag that into the folder let's call that audio prod audio prod standing for audio production just like that we are nice and sorted and then we gotta go find our clip again bad bad bad audio sample let's drag and drop it into the um the good old-fashioned uh new sequence area and um let's go ahead and also chop it down uh we we could see by the waveforms right there right that clearly um the audio doesn't start till there which means the talking is not gonna start till there which means we may as well press c get our little tool up go ahead and chop that one down click the space delete it so that it ripple deletes over and just like that we press ctrl s we save what we've done also i can see right here at the end that i clearly walk away so why not let's just go ahead and just chop that down make sure everything's nice now we've uh we've narrowed it down to about 40 seconds right awesome let's play this through let's see what it sounded like let's see what actually we're gonna have to do to it and uh we basically gotta hear it first to figure out what we gotta do let's go what's up people my name is jack welcome back to the adobe premiere pro masterclass course we are doing an echo test big room at the end of the day i'm talking quite far away from the microphone so it's going to create some echo because the uh you know the vocals right coming out of my mouth they have to travel a good meter or something like that at the very least and they can bounce off all the walls perfect so i'm giving a little breakdown of what's going down i feel as though we know what to do okay we've we've more or less explored it let's go over to audio let's go first off define what type this is we know that it's dialogue and we know that adding the balanced male voice isn't gonna hurt all right so we throw the balance mail voice on and what i want you to do is i want you to look at this waveform right here i'm gonna press ctrl z to undo it you see it gets bigger we press ctrl shift z ctrl shift z to undo or to redo rather i'll once undo one's redo and it shrinks it down so what it's done is it's balanced it out 100 we could see that simply by the actual the way the waveform looks it looks more peaceful in the balanced clip right it does just it just naturally does then what we want to go ahead and do is of course um go ahead and load up our good old-fashioned audio track mixer go ahead and show hide effects and this time we're going to go ahead and get the news noise reduction and we're actually just gonna go ahead and completely skip the denoise let's go to the d reverb uh-huh that's what i'm talking about straight to the d reverb and what we're gonna go ahead and do is more or less turn that all the way up figure out what it sounds like on full and then we'll start toning it back so let's play this through what's up people my name is welcome back to the adobe premiere pro masterclass course we are doing an echo test big room at the end of the day i'm talking quite far away from the microphone so it's going to create some echo because the uh so you see what i've done what i've tried to do is i've just tried to basically get this turn it down and then i'm also thinking you know what we could actually go ahead and do this in a slightly different way i'm going to go ahead and press none and just backtrack on what i did a little bit and i'm actually going to go over to editing i'm actually going to go down to effects and i'm actually just going to get the d reverb reverb so i'm going to type in d reverb to effects and i'm actually going to drag and drop that onto the clip directly and the slight change that that's going to do right is going to be it's going to pop up with a d reverb down here and we're going to be able to press edit and we're actually going to have a slider right here which is more or less the exact same thing however it gives a couple of different options that could be worth messing with it might do nothing right it might make it worse however on the off chance it's actually going to make it better what's messed with them so let's play this through what's up people my name is chad welcome back again the slider works the exact same way this is the adobe premiere pro master class course we are doing an echo let's pop it on 35 or 75 rather and let's go ahead and put focus on lower frequencies and then play it again what's up people my name is jack welcome back to the adobe premiere pro masterclass course we are go ahead and focus on mid frequencies what's up people my name is jack welcome back to the adobe premiere pro master class course we are doing an echo test and just like that it's really up to you which one you think it's good overall usually focus on all frequencies the one you're going for but on the off chance uh you know on the off chance something's gonna work out usually i'll mess it with stuff in this game i'll tell you guys when in doubt mess with stuff your way out i don't know if that was the the most 10 out of 10 line in the world but my point is there when in doubt literally just mess with stuff it's it's a golden rule for me it's definitely not the most uh you know professional of tactics but in editing a lot of this stuff is trial and error and trial and error you basically don't know what you can do until you basically mess around with some stuff until until you do something but don't mess with those let's go ahead and just put that on about 80 and play this through and see that we've definitely isolated the um the voice from the echo what's up people my name is jack and welcome back to the adobe premiere pro masterclass course we are doing an echo test big room at the end of the day i'm talking quite far away from the microphone so it's going to create some echo because the uh you know the vocals right coming out of my mouth they have to travel a good meter or something like that at the very least and they can bounce off all the walls and overall creates echo so and just like that that right there has reduced the echo massively what we can actually go ahead and do is turn off the effect just to fully hear what's basically happened and uh and we should be able to hear a bunch more echo what's up people my name is jack and welcome back to the adobe premiere pro masterclass course we are doing an echo test massive big room at the end of the day i'm talking perfect let's go ahead and turn it on replay it so you got it fresh in your ma in your brain what's up people my name is chad welcome back to the adobe premiere pro masterclass course we are doing an echo test so you see how the audio just dies out there like it's supposed to it doesn't necessarily have a life of its own it doesn't go on we messed around with it a little bit overall general rule of thumb you know you could pretty much tweak stuff down to the point that you find something that actually works out and that's pretty much it you know that's that's my advice to you guys literally you know there's no there's no set way to do this stuff don't get don't get worked up thinking you know you don't know the exact way to do it have some fun with this stuff it's editing it's meant to be fun to have some fun with it mess with stuff you'll find a you know a fix to your problem or you'll find a nice way to do something most of the time by literally just trial and error and that is the name of the game so thank you guys for tuning in for this particular part bad bad bad audio sample done dusted reduce the echo of press control s to save the project it would come back with some more audio production tricks in premiere pro hey what's going on guys my name is jack welcome back to the adobe premiere pro masterclass course continuing on the audio production section let's check out some transitions now down here they got a whole section honestly it feels like it might not even need a full section because there's only one subcategory in the full section but despite the fact that they don't have much in there there is still an audio transition section and they got the one little subcategory called the crossfade now what i want to do is i want to get two of our bad audio samples this bad boy go ahead and chop it right there right and then i want to go ahead and get this one press ctrl c copy paste it go ahead get to the end press ctrl v paste it in it basically i want to go ahead and um and blend them together now clearly it's looking like uh that one's 1080p and this one's 4k so there's a little bit of a disconnect let's go ahead and right click or go up to sequence settings right and just drop that down to 1920x1080 a little bit of practice then let's right clip click our clip go to set to frame size that one's now 1080 that one was 1080 already so they are the exact same awesome so first off let's listen to how this uh ends one clip transitions into the next premiere pro master class course okay guys thank you for joining me on this short video cool so it is very uh abrupt if you will now i just want to go ahead and try out these different ones and show you guys what basically happens so what we can do is we can go ahead and drag that into the middle of both clips now if you put it too far to the left it'll just latch on to the end and it'll just fade out the end of this bad sample one but it won't fade in bad sample two which means it'll probably sound even worse than it does now but if we drag it right there in the middle right it'll actually go ahead and do a nice smooth blend between both so it'll basically transition out the end try its best to bring smoothly in the next part so then we can go ahead and play this and see what it's sounding like premiere pro master class course okay guys thank you for joining me on this short video and what that basically does you can sort of hear it is it starts that audio starts fading in a little bit before this clip even ends which sort of gives that little illusion that you know it just eases us in i'll play it again with a little bit further back so you can maybe uh prepare yourself to get it producing weekly content based around video production welcome to the adobe premiere pro master class course okay guys thank you for joining me on this short video perfect so it is very smooth right there it's nice and nice and you know it's not abrupt basically let's go ahead and delete it let's try the constant power again we literally just drag it into the middle and then we go and we replay it welcome to the adobe premiere pro master class course okay guys thank you for joining me and it's not really too crazy that you notice much of a difference but overall the exponential fade the constant power and the constant gain have a slightly different way of handling this i just want to throw them all on and see if we can really notice a significant difference between them welcome to the adobe premiere pro master class course okay guys that one was the uh the most noticeable difference where it actually doesn't seem like it kind of started until the clip started whereas these other ones right the constant power constant gain is looking like that sort of is a more desirable effect for me at least um based on the fact that it starts bringing it in a little bit quicker and it's a little bit smoother but overall that right there is literally just the absolute defaults right you do have manual audio transitions manual audio transitions um the advanced ones that you really want to be taking advantage of are incorporating third-party sound effects and actually you know doing some sound design however very very basic strategy for um transitioning one out transitioning the next in might easily be the good old-fashioned what i'm gonna do here is literally just bring audio one up bring audio one down zoom in and actually just go ahead and bring this over a little bit so you see this little end bit here where this audio hasn't finished yet what i want to do is i want to come here and i literally just want to go ahead and actually fade this one in which means i want to actually go here make a keyframe on zero dbs which means it's full volume right there go to the beginning of it turn it down which means it's gonna go ahead and fade in and um and prepare to start and just like that it'll finish premiere pro master class course okay guys thank you for joining me on this short video and basically that one there doesn't start right away but actually goes and fades in to the point that it actually hits and what you could even do is bring it over a little bit um and actually just bring these over so that it actually fades in okay and then sort of she starts talking pretty much right away we can go back and have a look at that welcome to the adobe premiere pro master class course okay guys thank you for joining me on this short video as always and just like that that is a nice smooth transition so that right there is the absolute manual one using some keyframes fading one in fading one out works perfect with two audio tracks right two music layers for example where you want to fade one song out the next song in also honestly transitions are best performed when they have a you know an audio element as well being the fact that you've got some sound design going down but let's leave these right here leave them do that thing press ctrl s save this section and we're going to come back with some more advanced transitions perfectly executed with a little bit of sound design hey what's going on everybody my name is jack welcome back to the adobe premiere master class course we are continuing the audio production section getting to the interesting stuff i got a couple sound effects for you guys to download all right these are three different sound effects basically um or realistically two different sound effects um i pretty sure i had another one there we go okay so there is four one of them is trying to escape this is clearly a big deal right now we're going to have to control our sound effects and uh more or less what i want to do is i want to go ahead and just delete the the audio bad of the girl right there and what i want to go ahead and do is i want to make this better i want this to build intrigue to the point that we want to watch more by the time this ends we know this is a trash piece of audio right i mean we were able to fix it we're able to make it better but i want this to build up to the point that we've created so much suspense through sound design that it's actually interesting it's captivated our attention huge right pretty big if we could do that to a clip like this imagine what we could do with a clip that's actually interesting right the possibilities are endless let's go ahead and download these sound effects go ahead and drag and drop them into audio prod amazing import them you guys already have this clip the bad audio sample so i'm not going to stress about that awesome we got these different clips and basically one of them is a song i'll play it right big intense song right this is going to be building up to the drop then we've got some sound design three different sound effects which i'm going to compile on the drop to create suspense that will make us want to keep watching so first off let's actually go ahead and get this song in there the song alone is pretty pretty pumped up right let's go ahead and chop it at the very start of it and also keep playing it until we can find the drop so it's looking like it it's looking like it might actually line up perfectly [Music] that's that's the drop boom so we want that to be i'm gonna go ahead and press c chop it to be right there at the end which is perfect it gives us a little bit of a little bit of um a little bit of time to build up basically so essentially what i want to do first is i want to get this track and i want to go ahead and make a keyframe and drag it to the end which means at the very end it's gonna be zero it's gonna be at pretty much built up to the absolute maximum position in fact i might even honestly do minus five so you could still hear me a little bit then here at the beginning i want to go ahead and have it on absolutely zero so you can't hear a ding okay everything let's go ahead and play this through let's see what it looks like let's see what it sounds like to start off with hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe it's it's it's happening too quick we realized so i think even by here should be maybe still minus 40. premiere pro master class course master class course we also want to pull that over a little bit make sure there's no dead time chop that end bit off and now we should have a pretty nice build up hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro masterclass course as soon as i say welcome it should be at max capacity so it should be building up should say welcome max capacity so it's a little bit of tweaking around with the um with the obviously the uh the key frames right getting everything level wise sounded right sounded pretty epic sounding like the right building hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the i actually think you know what by around there it should probably be like 40. but like there it should still be like minus 20 by like there and then it builds up nice and nice and quick so you know it's just a little bit of balancing let's play it again hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber so we can hear weekly content based around videos building up welcome to the adobe premiere pro master class course boom that right there is building up to the drop right the drop is about to kick in of course [Music] that's the drop right there boom that's the drop boom amazing so we're actually about to kill it on the drop now the reason for that is because our sound effects are going to completely take this out of the game and first off i want to go ahead and load this one up which is a reverse play it that sounds like it's building up to something let's drag that in and essentially what this is now creating the illusion in the background of is that we are building up somewhere it's actually building us up somewhere overall just subconsciously we're thinking something's about to smash in it's about to sort of get crazy it's about to kick off all right just subconsciously we're thinking that and i want to go back here i want to play it so i can really hear this come into effect welcome to the adobe premiere pro masterclass course boom you hear you feel that it's coming and then basically what i want to go ahead and do is actually get this gun shot that is is a gunshot which we can have right on the beat now what i want to go ahead and do is i want to chop this down so that it starts perfectly right there and if we go ahead and play this or probably gonna have to go back a little bit what we want to basically do is we want that gunshot to wipe out whatever build up we were doing and basically smash us almost like an anti-climax situation that we're paying attention and we want more welcome to the adobe premiere pro masterclass course sounding good however it's sounding off a little bit there's a there's no way that it's not sounding a little bit off right and we can actually just go ahead and just sort of manually scooch that over a little bit maybe the tiniest bit over boom perfect now there's actually one more sound effect that i want to go ahead and um and get for you guys looking at this now it's looking like i didn't bring it over i think i brought the wrong one over perfect so let me just do a little bit of digging all right and this will be there for you guys to download as well don't get me wrong all right um but there's one effect which i forgot to bring over which is the uh the cinematic bass boost right there it is dragon dropping into our audio prod for you guys you would have already downloaded it bass boost get the cinematic bass boost and let's go ahead and go ahead and move this bass boost over all right move the bass boost over get it nicely in line perfect go ahead and get this effect right here moved over a little bit more a little bit more oh a little bit more it's not looking like it's loving to cruise around too much and it's looking like because we're dropping it in the middle of the keyframe so it's looking like that's probably as over it's going to get unless we want it there so i think probably there's all right awesome now we can actually go ahead and play this and it should be sounding good very possibly we'll have to swap out the gun sound effects it's not powerful enough preview pro boom and just like that that right there has built the suspense smashed in and i think that was pretty much good enough maybe we do a little bit of bass boost to the gun no problem let's play this from the start guys and what we've done is we've tried to create the illusion that we're building suspense we're going somewhere play it with that that's the way he's jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro masterclass course boom and just like that guys that right there is how to use sound design to use a transition essentially like this right here this is a great strategy to now transition into whatever we want to transition into next and also what i want to go ahead and do is see if i can move this over a little bit this the the gun if i'm being honest might need a little bit of tweaking but overall i think we've done pretty good basically what you can do now is use this to transition into any other scene because we've built suspense smashed out this is a good time to now transition into whatever the next scene of our video is going to be but overall guys that right there is how to compile a few different sound effects together that aren't even related you got the bass boost the gun you know you got the power reverse situation and we created an amazing effect play it one more time we're gonna keep cracking with audio production hey what's up guys my name is jack i'm a freelance video editor videographer and youtuber producing weekly content based around video production welcome to the adobe premiere pro masterclass course and just like that guys that right there is our sound design strategy in play real nice ctrl s to save what we've done stop recording and we're cracking on with the next part hey what's up guys welcome back to the adobe premiere pro masterclass course continuing on the audio production section quickly here's what we wrapped up with we wrapped up with these sort of advanced level transitions right we were trying to build up suspense make it kind of uh you know more interesting basically take a clip there really just wasn't anything special make it intriguing make the viewer want to watch more this is overall how we tied it in at the end just welcome to familiarize you preview pro boom just like that very dramatic outro if you will and that's sort of a perfect strategy to uh create some suspense to them bring your next scene in maybe with an establishing shot or something like that but real quickly we uh we covered presets right we covered presets how to take audio make it a little bit better those were actually in program presets so in-house presets if you will you go up here to audio you go to edit you get your preset you actually select from the list of adobe presets now there are more advanced level preset stuff that you know developers have actually gone on and built themself outside of adobe now the reason these are more advanced is because these people have to make a product that is you know actually buyable right so 10 out of 10 usually they are more advanced based on the fact that they have to sort of solve a problem that adobe without a pro plugin doesn't necessarily do so i want to show you guys how we're going to go ahead and actually import a preset now this one funny enough is actually a free version of a premium preset however it's going to follow the exact same rules that a premium preset would do and these are going to give you some audio enhancements okay so in the next section right or the next on the next section the next episode i'm going to give you this to download you can download it there real quick let me break down the process of how you'd actually install it and then we'll come back redo this together but real quick you go to presets and you right click it i mean it's it's quite easy and they're not trying to hide it from you they're trying to make it obvious if anything overall adobe aren't trying to make things harder than they are uh you know if you're getting stuck try the simplest thing oftentimes it usually is it so let's right click presets let's click import preset and then i just want to literally navigate to my adobe premiere master class click the free pro audio preset press open now what that's going to do it's going to actually go ahead and pop down here and it's going to have actually loaded up the free version of this right and it is eos hd audio primers eos audio breaks now what these are is essentially presets right we can actually go ahead and and use these right and they give us a whole bunch of different stuff less bass less boom less harsh louder even natural air control loud sources they gave us a couple cool things now the natural air is the one we're going to be using and what i might try to do that is try add it to a clip which has pretty bouncy audio and it will tie stuff in it'll give it more of that radio feel however just for the purposes of this course i'm just literally gonna delete this you're saying why jack why because i want to come back in the next section the next episode if you will and i got it for you to download we'll re-import it together and then we'll have a crack of putting it on some you know less desirable audio potentially like this one and see what we can get out of it see if we can push it to that next level welcome back to the adobe premiere pro masterclass course continuing on the audio production section this right here is going to be an exercise we are going to use a premium audio preset we're going to use it import it together we're going to use it to improve some crappy audio some less than desirable audio first off let's repeat exactly what i showed you guys in the last section actually first off is download this from the resources free pro audio presets going to be linked then we go over to preset and we right click very simple very straightforward nothing hard nothing nothing crazy to see here we click import preset and literally just locate it it won't be in the same place as mine because obviously this is my computer wherever you downloaded it and put it at could be in your downloads could be on your desktop it could be in the premiere pro folder you've created ideally that'll be the most organized way to do it and we're going gonna just go ahead and open it and you'll see these folders pop up down here eos hd which stands for um uh what are these guys the white rabbit white rabbit crew i i'm not entirely sure what the eos hd stands for audio something like that right so basically what we got here is we got the control out sources and natural air you've also got all these down here feel free to just enjoy these however you will but i just want to play through our audio layers and basically even take away the uh the preset and add that natural layer see if we can improve it start recording three two one nice what's going on guys my name is jack welcome back to another video here so we've got bounciness pretty bouncy there's there's no effects on this one literally just drag natural air onto it and start playing it nice what's going on guys my name is jack welcome back to another video here so it's definitely enhanced it more let's press ctrl z to undo that and replay it and see if we can hear a difference nice what's going on guys my name is jack welcome back to another video here so natural air has made it a little bit louder now what i think we could do here is we could try and do some less harsh right drag some less harsh to it maybe make it warmer as well i think it could be a little bit warmer warmer is just going to kind of level stuff out now let's play it through nice what's going on guys my name is jack welcome back to another video here on sounding interesting for sure now this is poor audio we obviously use this to uh to correct it together from the uh from the very beginning right let's keep going through let's see just how much or how little um a little bit of this you know kind of addition is going to help it now first off what i want to do for a clip that we've already tried to improve is actually click it and open up effect controls and literally just click and could press ctrl while you select all the different audio effects and me just delete them i just want to delete everything make this pretty much a blank layer right totally blank bring it back to normal in fact we can even click audio up here get the balance mail female voice get it back to default sweet i don't want anything to be changed and i want to literally just focus in on these presets right here and see what just these presets do so let's play it let's familiarize yourselves then we'll start stacking stuff on top see if we can make it sound better okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it i'm starting to think that we might have still had some um some effects on there we do yeah okay cool there you go none and none you see when you've been doing this for a minute you start hearing it all right okay guys thank you for joining me on this short video yeah that's sounding crazy right now compared so drag some natural layer on there um or you know what i might even do i might even drag the control loud sources and we actually go ahead and have a look at if that actually is able to remove the uh the bird or maybe soften it okay guys thank you for joining me on this short video as always it 100 made it less apparent and less harsh so let's bring the natural air on let's also maybe get the uh the less harsh and the warmer awesome so we stacked a whole bunch of stuff on top now if we go to effect controls we can see all these they stack up warmer less harsh now let's play it let's see what we're looking at well let's see what we're listening to okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it be the 345 brake horsepower ford focus rs or the 306 brake horsepower bmw x6 with 5 000 pounds in cash that so it's undeniable that her voice sounds clearer also what we're dealing with here is because we're dealing with a microphone on the camera not a clip-on microphone on her shirt for example we're dealing with the fact that we cannot perfectly zone in her in on her voice when we're just using these enhancers here it looks like we will actually have to jump back and start using some of these effects right these noise reduction uh you know d verb denoise to actually zone in on just her voice so it looks like it's a combination for a clip like this based on the audio setup so when you guys are recording audio if you want just your you know whatever you're trying to focus in on ideally get the microphone as close in or you know embedded into your actual subject as you can for example in retrospect i think i just turned up with a shotgun mic which is just you know clips onto the top of the camera so it picks up all the audio around as well where a clip-on mic would have been perfect here might have just gotten her voice so what we might do here is we might actually get the denoise and we might go ahead and turn that up a little bit and we also might go ahead and get that good old-fashioned d reverb and go ahead and turn that up a little bit as well so we kind of zone in on her voice at the same time as making it clearer let's play okay guys thank you for joining me on this short video as always the information is above which one are you going to choose will it be the 345 see how i just adjusted that a little bit came in i wasn't afraid i said you know what looks like i did it too much i pulled it back a little bit and then we keep playing eight horsepower ford focus rs or the 306 brake horsepower bmw x6 with 5 000 pounds in cash that's it from me good luck guys all right perfect boom and then yeah there's exactly what i was hearing you hear me say at the end all right perfect wonderful i actually think that was really nice it looks like a combination so overall how do you actually go ahead and bring in premium audio presets super simple the the importing is literally a right click import preset situation right definitely not something that's tough something that i assume you sort of figured out right away and it is applicable to all other presets so it doesn't matter if you're bringing in audio don't matter if you're bringing in transitions whatever the case may be and believe me i've got more for you guys to download later in the course when i press control s we would simply do that same thing right click presets click import preset and locate the preset so that right there is the premium presets premium audio presets done and dusted let's keep cracking we got sound design more complex sound design coming up next and i got some more sound effects for you guys what's up guys welcome back to the adobe premiere pro masterclass course continuing on the or finalizing actually the audio production section we're going to be jumping straight into it basically we're revisiting the scotland edit should i play it to you guys with the music and what's what's remember what it sounded like let's remember what it looked like basically real quick though we are gonna play this see what it looked like before and then add some actual sound design to it i got a whole bunch of sound effects of different forest sounds footsteps waterfalls basically we're gonna sound design this edit which previously just had music let's play it [Music] perfect perfect perfect so we're dealing with we're dealing with right now a perfectly perfectly perfectly nicely synced together piece right here that is basically the foundation for us to add some sound effects and take it to that next level go ahead and download these sound effects in the exercise and or the exercise this is the exercise in the resources my bad here we go let's jump into it all right so first off what i want to do is i want to actually go ahead and identify the forest sound effects so you know let's go ahead and do let's actually jump over here what's uh let's go to our um our audio prod folder uh click the drop down menu make another folder in here called um sound design all right sound design wonderful boom boom boom now i'm gonna go here i'm gonna highlight everything and i'm gonna drag and drop it over here to sound design amazing it'll all import boom perfect so forest one let's load it up or forest four let's play it see what it sounded like sounded interesting i'd sound a little bit too deep in the forest what's this one sound like all right that's starting to sound a little bit better so what i'm going to do is i'm going to drag that drop drag and drop that here now i think i might chop it down a bit all right and let's play it let's see what it sounds like [Music] so i think that's what i want to do i want to bring that over here boom pretty much leave it extended a little bit chop it there load up the large waterfall sounds alright let's see what that small waterfall sounded like though i think large waterfall large waterfalls sounded sounded less intense than the small one i'm not even gonna lie but basically you see what we're doing we're just syncing up the sounds to basically where they they should belong so we got the forest sounds up front then we got the the waterfall sounds and we're just gonna roughly throw stuff there we can worry about fading stuff in fading stuff out basically as as we progress [Music] perfect perfect perfect so what i'm going to do is just let that go a little bit over here get the footsteps perfect now they say sand footsteps but it sounded good i think [Music] in fact i think i might even have those right here and i think there was some other footsteps let's have a look yeah that's looking pretty good based on the fact that we can kind of sync that out so what i'm gonna do is i'm gonna drag that here i'm just gonna hold down and i'm literally just going along until i see the next step i'm literally just scrolling over and just putting it down there you go maybe maybe right around there you see i i pretty much just roughly put stuff sort of in the place that they should be and you'll see at the end i basically go through i play everything i tone stuff up turn stuff down switch stuff around position wise but basically we go for just a rough draft throw stuff where they should be you know sort of logically [Music] so chopping that here perfect now we're gonna get that that small waterfall perfect bring that here and what i'm gonna do at the end actually is is fade stuff in [Music] perfect now we're gonna get that gone and go ahead and get forest five perfect and the footsteps perfect and you'll see we'll have to level stuff out in a second 100. [Music] and you'll see here they start moving a little bit faster so you know what i might do i might even turn that up [Music] a little bit too loud maybe more like five something like that and then basically what we're going to go ahead and do is i'm going to come to the beginning i'm going to go ahead and get these i'm going to actually go ahead and fade that one out basically what i do is i make a keyframe where where the new clip starts keyframe it all the way out right so you see i let it roll over a little bit and also i'm going to go ahead and just slightly fade in the the waterfall itself [Music] it's looking like these sound effects aren't really tying in very nicely i'm not gonna lie i might just bring that over here make it a little bit louder [Music] interesting see how see how quickly that that came in a little bit too quick i just basically faded in a little bit all right [Music] and that maybe even shouldn't hit till maybe there [Music] there you go and that it went away too quick you see there's a couple things you got to manage maybe even start fading it out right right there and then have it fully faded out by right there [Music] perfect there you go there you go there you go and what you could then have is have the actual audio itself maybe starting out right there fading out maybe like there perfect so you have the uh the actual sounds of the jungle if you will go on for a little bit longer that's the way i see it that's the way i see it the sounds of the jungle real deal sounds they go on a little bit longer and just like that we then bring that there to the end probably that's the end right there and go ahead and revisit the beginning by simply adding a few sound effects we've added a realistic version uh or a audio element to the visual brings it home a little bit further obviously you know sound design is something you spend a little bit of time with we've we've pushed through this relatively quickly just for example sake for exercise sake but those sound effects are all yours utilize them in whatever way you see fit let's play this let's see what we've built [Music] perfect just like that done and dusted there's one thing that i don't think was phenomenal which i think these footsteps here aren't really maybe those ones there but these ones definitely are a little bit out but overall that right there is our quick sound design together done and dusted the adobe premiere pro masterclass course audio production section done and dusted we've finalized all the basic stuff the semi-basic stuff the a little bit not basic but still kind of basic stuff now it's time for the advanced stuff and i mean we're jumping straight in i'll see you guys in the next section coming up next hey what's up people my name is jack welcome back to the adobe premiere pro master class course continuing or actually my bad entering the effects advanced effects section now i want to kick this off by giving a full breakdown emphasis on the word full of the effects tab down here first off let me just give a little bit of um insight into the different ways you can access the effects tab now when i'm just working on one sequence right one sequence right here now we've got loads of them but say we just got one open and i want to add some effects usually the the the way this plays out right is i have my actual project open right here boom i'm dragging dropping stuff in i'm managing my media down here and then i'll literally just hit this arrow here which pops up the other windows over here or click over and get the the sort of the midi condensed effects tab right here perfect for my basic stuff that's all i need oftentimes and you guys will have this too if you see the presets presets is stuff that you've basically saved so for example bdog stands for blur i mean b dogs just basically my stupid way of nicknaming my my blur stuff or i got the you know the blue 20 preset that's a little color grid preset i got the blur 100 in case i want an extra blur you know i got some shadow presets down here that are set i got some cool text presets you know some glitch tr basically i've got a whole bunch of stuff that might have taken me time in the past and i've actually just saved it so that'll be something we'll do throughout this is anytime you make a really really nice effect you can actually go ahead and right click it and save preset right so if you you know do a real nice color grade you do real nice effect whatever it is and you want to save that you don't want to have to redo it you can actually literally right click it say preset same thing with motion for example if you you know are editing a project where everything's the same dimensions right that's the sort of the factor is that everything does have to be the same dimensions for the motion to work but say you are editing a project everything is the same resolution and you want everything to be you know scaled in by you know 150 and you want it to be in in the top right right say that you want that you're totally able to just go ahead and create that dimension uh create that adjustment right click click save preset and let's say we'll call this top left right then we go over to this clip here right or i mean for the sake of the argument's sake right we would maybe highlight all the clips and then we'd literally just drag that top left over and that would uh go ahead and pop that right there in the uh in the top left we could press ctrl z it's going to undo that ctrl shift z to redo it you see basically we have essentially just saved the preset now press ctrl z undo that boom boom let's get out of there we don't even need that preset basically pointless but just for argument's sake all right so you're able to do presets awesome and that's something that will fill up for you guys as you basically progress hell i might have even contributed to your presets so far i've definitely given you guys some packs and stuff like that all right so first off presets next up what you're gonna have is the various different uh inbuilt presets if you will so you've got your your bevels whatever the case may be your blurs fast blur in stuff like that these are adobe presets right cool stuff we will uh we'll mess with that later on but you know just to give you an example of the categories basically these are them a whole bunch of different you know presets essentially right cool good stuff we'll mess with that later down the line luma tree presets this stuff right here is your color grades right so another cool thing is um if you are actually in the actual effects tab up here right if we go over here to effects tab we're going to notice that this is sort of your all-inclusive effects so not only do you have your actual effects like you have down here but you also have essential graphics essential sound and lumetri color all sort of built-in easily accessible here and it might be quicker than actually open up opening up the individual tab which you know is three different tabs the effects tab here all encompassing gives you everything so it's nice you get your actual you know your you basically everything's right here your effects right at the top you're looking real good but back to editing again usually most of my time is going to be spent in video effects video effects are the primary sort of place that i'm going to be using um when i'm actually using effects now oftentimes funny enough what i actually will do for the real advanced stuff and that's what we're going to get to at the end of this is i open a dynamic link now dynamic link is when we connect adobe after effects to premiere pro and we can actually take our sequence over there do a couple advanced stuff and then jump back over here and essentially oh i'm just gonna get that back to normal essentially whatever we did in after effects will apply to premiere pro now that's advanced advanced two advances well we'll tack that on the end first off let me just do a basic breakdown now adjusts very simple stuff stuff that we might not even necessarily need to get to yet blurs very straightforward as well it blurs for example we'll drag a standard gaussian and then literally just you turn up the uh the amount something like this it's got the repeat edges which means if we click that it won't have that sort of um uh you know vignette type of feel around the sides right so blur is self-explanatory you got a whole bunch of different um slightly different variations of blur right so you got ones that happen in different ways if you're trying to create a different look whatever the case may be channels these are stuff that again we'll tack on a little bit later color correction basic level stuff stuff that overall we're not going to go through based on the fact that lumetri far more powerful overall these are just extensions of stuff you can do in lumetri anyways distorts self-explanatory basically um you know we could start off with the mirror something everybody knows about right all we do is we uh we tweak uh we tweak that if we put that on 90 right that'll that'll perfectly duplicate it down the middle or if we uh we start moving these things around right we can uh we can move stuff around basically mirror you've also got your uh spherize going to turn into a sphere obviously right boom just like that give that kind of fish-eye crazy look all these can be utilized in different ways oftentimes these are um you know you have to have a very scene specific thing to do a crazy effect like this realistically um and you know maybe you're trying to create the illusion that you're going down the toilet or something i don't know right i don't know what sort of projects you're you're working on on a consistent basis but overall the distorts can definitely help you and there's one main one warp stabilizer which if you don't know about you're definitely going to know about generate self-explanatory they generate some stuff maybe we want a lens flare coming up there from the uh from the top left or whatever again these are pretty nice because you do get full control ability right say we we pop that coming over the trees right there and i mean just as a still image that's looking pretty realistic i hate to say it right i mean it's looking pretty nice right i'm just gonna leave that there for the minute just because that massively complements the image press control s wonderful so that worked out generate simple image control we'll leave it for now immersive video is some more uh immersive video does does pretty good at explaining it basically this is just a little bit more um in-depth kind of effects if we jump here let me uh let me go ahead and throw vr glow on there something like that you know you've you've got some nice effects basically um bring that threshold down like right there something like that bring it over a little bit essentially you've got some kind of glowiness we can we can tweak that as we see fit oh that's looking a little bit crazy i use 10 interesting so mess with those as you see fit 100 keying this is all about green screens in a section we're getting to noise and grain mess with it a little bit obsolete rgb curves luma curves some color based stuff stuff that's uh again stuff that we can actually perform in different kind of ways however it's definitely stuff that you know is very useful for key effects right so this type of stuff it's very um specific for certain things perspective basic 3d stuff we can mess with that as we go overall the 3d in premiere is something that you know you can utilize maybe a little bit if you have a specific look you're going for overall though let me just break it down that i do most of my 3d stuff over there in after effects based on the just more you can get out of it stylize strobes lights stuff like that pretty cool stuff for example you know we get the alpha glow whatever the case may be right um let me go ahead and tweak that down oh turn the glow up turn the brightness up and it's looking like we have no alpha glow interesting messing with stuff dragging stuff on seeing what's working see what's not overall that's the main stuff i'm gonna zone in on let me see if i if i've missed anything no overall everything else we'll cover later on overall that right there is the effects breakdown it's looking pretty good we are well we got a lot going down we got a lot to get to so ctrl s save what we've done so far have a look at this right here and um let's come back later with some more effects controls hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course continuing on the advanced effects section this was looking too good to not be our exercise basically what i want to do right now is i want to add that i want to re-add this to the same clip together obviously we both have this exact same sequence we built it together we did this in an exercise let's improve it with effects so we added this lens flare and we moved it up here and it's looking so good now i want to see what it looks like if we actually animate this in place so i want to redo this together delete the lens flare if you haven't already put it if you have i mean just delete it we'll redo it go here type lens flare it'll pop up the generator so if you know the effect you're looking for you can simply search for it lovely i'm going to drag and drop that lens flare to this particular clip right here boom it's going to throw it in the middle default position i guess that's the position that it just knows to put it in default now this is the first frame so i'm actually going to drag it up here right above the trees so that it's coming down right over that waterfall right now you can kind of see the flare hitting that tree right there but overall it's uh it's not too obvious based on the fact that it's in the sky you know what i mean wonderful now you can mess around with the actual type of lens flare it is for example that's a one type right there the hundred meters looking all right i'm just gonna go for the 50. i think it's looking nice looking cool you can also blend it with the original right so 100 that's gone 50 percent is maybe you know half there whatever the case may be we're going to just go for zero percent blended 100 there now by the looks of it you can also tweak the brightness that's coming out of it right so maybe even you uh you animate that maybe we started off at a 150 or you know what's looking like a fair bit maybe we started off at a 120 and we as it as it progresses it gets weaker something like that now we're basically we're trying to animate it animate it right there and make it go weaker wonderful cool so we got two things to animate the position and the brightness which means obviously we have to turn on keyframes keyframes are crucial because that is obviously how we're going to track the motion then what we could do is we can attempt to go all the way over to the end which means we've assigned where it is at the first frame now we assign where it is at the last frame simply do a couple repositions drag that up there into the sky again and then go ahead and obviously put the the lens brightness on 100 so it's actually come down a bit and then we can simply drag those right there at the end and if we actually come over and you know what i'm actually going to go ahead and do for example sake i'm literally just going to go ahead and mute these so i can just focus on the video and when i play that we now have a lens flare which is coming down over the waterfall and as you see it's animated right there so essentially you have this real cool lens flare coming through and it's still animatable so what's still changeable so we could change the type of lens for it is maybe maybe that's a better one right maybe we play that that's looking a little bit too forced in my opinion right it's looking a little bit too crazy maybe we try the the middle one middle one i'm not too sure i think the 50 is looking nicest but maybe what we do is um is we go ahead and actually go ahead and turn this up maybe like we put that on a 150 who who who saw that coming right and then we go ahead and bring it down to maybe like a 110 something like that oh jesus popped it up to a 300 how did that happen who knows now we got a little bit more of an intense effect coming over right and it's looking real nice now what we could also do is uh is couple that with some light leaks right as we did earlier in fact this is really where the layering comes in isn't it and it's like you know if we had a light leak right there where you know what i might do i might actually go ahead and open up that garden clip double click it right have a look and we have a look we have a look that we got these these uh these light leaks right here these are these layers right here that are basically or what this was my bad was a um an effect wasn't it we could actually go ahead and copy paste that see what happens i press ctrl c we go over here and we did this kind of effect where i'm literally just copy and pasting that effect oh and it's looking like our snap timeline came off somehow and i've copy and pasted that effect if we play this now right it's looking pretty nice and it's looking pretty nice and that's just combining a couple different effects so that one right there even if i delete that even if i delete that and we literally just have this open it up and then boom just like that it's uh it's coming over right i think i was trying to find those light leaks where were those light leaks color folder if i press it's the overlays wasn't it i think it was the overlays there you go okay wonderful so we got a couple light leaks here because there's light here i literally just want to try and drag and drop one of these um i don't know if that's the right one all right you guys have these because i gave it to you to download all right um and basically what i could do is i'm just trying to find one that's similar kind of color scheme to what's going on here now we could color grade it don't get me wrong we color corrected change the color if we wanted to um that's looking kind of cool because it's light maybe something like that potentially or something a little bit more all-encompassing right not too shabby let's see what the final one is yeah why not we'll drag and drop that one so you see i'm just trying to find a little bit of detail a little bit of detail something something maybe maybe like right there um and i'm just going to chop it to the point that i want it to change on and go ahead and drag that over and now what we guys we got this effect of my bro walking down the path some light starts to hit and then boom it cuts over here and you know what i'm actually thinking that's a little bit too much to be honest so we're just gonna leave it without the light leak but you see what i mean my process is still remains the same mess with stuff maybe it doesn't look perfect the first time but it definitely does the second time and that that is looking real epic right there over that waterfall boom real epic right in your face honestly we turn off the color greatest looking half we turn on the color greatest looking crazy so boom just like that guys we have successfully animated a lens flare over the top of a waterfall blended it in pretty nicely done it nice and effectively and also it's looking like you know what would be realistic would be the fact that the blend with original would most likely over the course of that movement have gone away so let's go ahead back here and now you see i've actually made it so that all i did was i made another keyframe at the start zero percent blended keyframe at the end 55 blended which means the lens flare now goes away because i don't think the lens flare would last there 100 of the time right now i'm trying to make the most realistic replication of this effect and just like that we've just done it nicely so ctrl s to save that and we're going to come back with more advanced effects coming up next overall i just want to play that one more time save the project one more time looking real real nice very realistic and it's all about the scene if we had done that in you know an indoor shot it wouldn't have been realistic because there wouldn't have been an actual legitimate um possibility for a lens flare to have even been created but just like that we've animated it let's crack on with the course hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course continuing on the advanced effects section this right here is going to be creating that cinematic look cinematic look obviously extremely oversaturated look in the filmmakers you know kind of space if you will especially the more amateur video production space right however still a very nice look and there's a reason it's so overused is because obviously it's a very nice execution now we are going to basically in the next episode give you guys something to download but i want to quickly just demonstrate what we're going to be doing and how we are going to be doing it but um more or less we're going to be kicking this off with an exercise now we're going to be taking this scotland sequence right here and pretty much just taking it to uh another or taking it in a different direction if you will right now it's more kind of lit up more kind of summertime feely more adventure in the woods less like you know uh mysterious sort of movie type situation definitely not very cinematic right and we know that color correction color grading really tells the story so if we turn that off right it gets even planar right so it's something but if we actually go ahead and actually open up our adjustment layer effects and literally just delete the lumetri color let's reset that adjustment layer to absolute zero and what i want to do is i want to actually just go ahead and bring this in a little bit more of like a serious direction more of like a cinematic type direction and the way we're going to do that is a combination of two things letter boxing technique aka black bars and contrast and overall just color grading the image to be more uh intriguing to be more mysterious basically we're going to be jumping into that essentially here's going to be the plan we're going to load up our sample clip one of them right i'll just use this one as our as our main reference image we're going to turn the contrast all the way up we're going to start turning those blacks down we're going to bring that fade to film up a little bit basically i want to start bringing this in a more cinematic direction and already you see that that has a different type of look to it different type of feel if i turn that off you see that's what it was before turn it on that's what it is now it's got this little kind of tinge to it it's removing the sort of uh i guess the harshness of these sort of shadows right here it's basically giving it this sort of this this nice um cinematic feel to it already and we've just sort of started to tweak a couple things now when we start bringing the shadows down a little bit and when maybe we bring the highlights down a little bit as well instantly we're getting a pretty nice cinematic image and just like that we are sort of building this up as we go and there's one little thing which is the letterboxing aka the black bars technique which just that alone adds so much and i'm literally just trying to uh to play this as we go through and just see what it's looking like but overall the cinematicness is definitely turning up i think even bring those darks down a little bit a little bit more that that scene in particular is looking pretty crazy i'm not gonna lie we we uh we obviously edited in the um the lens flare together which is looking real nice and bada bing bada boom this is looking pretty cool right here so overall that that's looking like a more cinematic look but there's one key thing that i want to do which is going to take this to the next level so actually i'm going to delete the adjustment layer press ctrl s save our project and we're going to come back in the next episode and we're going to do a full exercise i got something for you to download and we're going to re-run through this method i'll see you guys in a minute all right what's going on guys welcome back to the adobe premiere pro masterclass course continuing on the advanced effects section with how to create a cinematic look we've got our plane bland sequence right here on the screen we're going to go through the process oh that's lagging i'm not entirely sure why oh probably because it's all full um and basically we're gonna go through our sequence and we are going to color grade this again by adding the adjustment layer over the top and go ahead and give you guys something to download so if you actually go to the uh the downloads you can download the black bars png this is called the black bars aka letter boxing technique and this right here is giving that cinema fill feel to it that film look to it so it's dragging our adjustment layer let's drag it over everything right just so it covers the whole sequence come back to one of these let's use this as our as our reference image awesome and i want to first off by start by bringing the the contrast all the way up way up there bring it up awesome now i jump over here i'll bring the fade to film up as well probably throw that around 50 as well because i think it's looking nice bring the highlights down a little bit i'm not entirely sure how much but maybe around there we want to give it more of this kind of plain image bring the shadows shadow's probably down a little bit as well and the darks down as well so we've got maybe only about halfway so we got this real nice picture right here we turn it off we could see what it was before turn it on look at the darks right pay attention to the shadows when i turn this on boom levels everything out mellows everything out gives it this sort of bland sort of flat feel to it almost which i mean sometimes isn't desirable however right here it is uh it's proven to be nice especially the sort of the forest setting sets it up nicely so i'm just literally messing around with this to give it sort of more flat feel to it and then i'm gonna come over here i'm gonna drag and drop my uh my black bars in i'm gonna let it import itself and i'm gonna drag it on the top boom and just like that we could even if we wanted it to be less we could scale it out a little bit maybe you just want a little bit in maybe you want it like there for the sake of just example's sake i'm just going to go ahead and have it on on um on 100 go ahead and press ctrl s save that and i'm going to press space bar play and we have created a pretty nice cinematic look two seconds let's let this scotland adventure sort itself out there we go okay cool so scotland adventure looking nice oh i just have to keep stopping and replaying just because uh a little bit of lag and just like that we've created a pretty nice cinematic look with the letterboxing technique and i mean that shot is looking spectacular right that's looking some some stuff out of some feature film right but overall you could see pretty nice they're walking in the woods now letter boxing technique a lot of the time will block off the top right very standard situation so there's something i like to do which is resizing so what i do once i put the letterboxing in blackbox black bars technique is i go through frame by frame and i see does everything fit is stuff being cut off because when stuff's cut off you basically just want to go ahead and resize it right and and just basically do that by changing the position because obviously you have all this space up here so you could drag the image down and it would still be blocked because of the black bar awesome so you can use that to your advantage now the first two scenes is looking it's looking fine it's not looking like we need to do that but this one here it's looking like potentially it could be worth doing however maybe not i'm gonna see it is it worth it yeah why not so what i've done right there is i've literally just brought this down right i brought this down just to the edge of the black bar and i'm actually just gonna go ahead and copy paste copy that last one and i know that this one i have to bring it over right so basically i've copied the position here pasted it here because it's two different clips two different segments same clip and just like that awesome looking cool looking cool that's looking like a good shot right there that's looking like a real nice shot right there the setup is good for it that's looking nice right there however it's these two shots at the end that just needed a little bit of resizing as you can see right there now what i'm going to do is i'm literally going to click the position so we can see the actual outline um so we can size stuff up but just bring it to the edge of that black bar and just like that my older brother miles is pointing at the camera and of course it cuts back to where it was because we have to click here copy the position go to this one and go ahead and paste it and the way i copied it was i clicked this one i pressed ctrl c i came here i clicked i pressed ctrl v copy pasted and just like that if we press ctrl s now to save what i'm going to do is i'm going to go up here to sequence i'm going to press render into out and i'm going to let it just pre-render itself this basically gives us just a sample clean play through as you see down here again just to familiarize you it'll start building the green over the entire sequence and that means once it's green all the way it has 100 loaded the entire sequence and you can go ahead and play it through lag free without any little stutters or anything like that or playback lag and overall you can you can watch your things start to finish and basically see what you created in full quality that's that's the emphasis on full quality and um very quick easy peasy 32 second sequence just like that playing through it scotland adventure looking nice we got my younger brother walking through looking cinematic boom not too shabby at all not too shabby indeed that shot honestly real good work real good work seriously good work this whole little sequence right here is shaped up nicely and keep in mind we've got the sound effects and the music turned off for the minute but i just want to focus on the look and just like that we have created that cinematic look that cinematic feel bada bing bada boom we did it big we did not do it small so that right there is the cinematic look example cinematic look exercise done and dusted thank you guys for jumping in on this right here we got a bunch coming up next with the advanced effects section overall if you downloaded the the black bars letterboxing we have created together a nice cinematic look and i mean if you guys followed through 100 and and built this scene with me as well we're overall building up a pretty nice sequence right here and we're not even close to finished let's keep cracking with the course hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course continuing on the advanced effects section masking is what we're covering right now if you don't know about masking it is the mysterious little shapes i guess that come up underneath opacity now what this is is it enables us to sort of focus in on a specific image now the example i'm going to give you guys right and this episode here i'm going to break everything down we're going to jump back in the exercise next and we're going to do everything together now what i want to do is i want to do a transition where my older brother he's walking in front of this tree but you see how there's this blank space here right you see all this space it sort of begins there and then as you progress it gets bigger and bigger i want to create a mask where essentially this side here brings on whatever our next scene is right and the way we do that is i want to mask it so that everything here is visible but everything past this tree is not and if that doesn't make sense yet it's because you don't have a full idea of masking and that's my fault for not articulating it correctly it's early but i'm going to demonstrate it correctly and it's going to make a lot of sense all right so before we get into the next section let me quickly turn off the opacity here so it does not fade out and go ahead and demonstrate to you guys what i mean what i mean is this i'm going to come over to to a fair bit of a progression and just draw something for you i'm going to get this right here which is the draw bezier right the draw tool and i'm literally just going to go ahead and draw the outline around that tree then i'm going to go up here and i'm going to connect it and what this does is it singles out just that bit right there however that's the opposite of the desired effect that we want we know that we want to single out the bit here and that bit there is not visible so we click inverted and simply what that does is it creates a mask where everything that is here is visible and everything that basically is selected underneath that mask is not now you notice that there's a pretty rough line right there so i think what we can actually go ahead and do is bump up that feather a little bit now not too much because you don't want to see too much of what's outside but then you can just bring it over a little bit and compromise so just like that basically we're going to create that but then we are going to animate it so that the entire way basically is going to start where there's a little bit not visible and as it goes through basically this mask gets further and further over more and more essentially becomes taken over by the mask which means that everything below it we can put stuff below so you see that this mask essentially creates everything here we can put stuff below everything here is visible for example if we create some text and say you know example if we put the text below this right and for example scale it up right it's going to be visible where the mask is because the mask is basically cutting through the image and showing us everything below but everything here is not going to be visible right so it's going to create for this awesome effect where essentially we're going to have the look of the tree sort of carries on a new scene basically and i've done this before with this very clip so i'm familiar with it and i'm going to delete the mask i'm actually going to delete that text as well i'm going to press ctrl s and you and me are going to do this together in the next section exercise coming up next let's get to it let's make it happen all right what's going on guys welcome back to the adobe premiere pro masterclass course we got the masking section the masking exercise from the advanced effects section let's do it i'm excited for this it's going to be a little bit of a lengthy process let's say at least 10-15 minutes so first off what i want to do is literally go ahead and get my tool and go to the first frame that we want this effect on so literally the start of this clip right here awesome and what i want to go ahead and do is actually delete that because i didn't draw quick enough get the bet get the tool and basically just draw a outline around the side of the tree and connect it awesome that's all you got to do and press in inverted awesome wonderful oh i skipped over a little bit too much sweet now get the mask feather up a little bit i'm talking like 20 something like that right 20 pull over your mask a little bit if you have to oh maybe maybe back over a bit awesome now one key thing you have to turn on the mask path basically that's gonna track the movement of this so when we go over a couple frames and we change the whole path you know the mask around it'll actually know to follow those those those motions and you see it's created a keyframe and what i want to do is i just want to press arrow keys over two so it goes over two frames and you know what i might even do i might even go ahead and pop this one on a hundred press h h if you will and uh and go ahead and navigate our our way up here right and um then basically click on the mask and just pull it down a little bit right pull it down a little bit essentially get it to uh get to be in position and i'm using the uh the arrow keys again just to go two over wonderful and then i'm pulling this in i'm pulling this in wonderful boom and i'm basically i might even pull it over just to see where i'm at wonderful again two over wonderful pulling it in pull it out see uh see where it's at see what needs to be done pull it out wonderful bring it back bring it back in amazing um and you can see that you can still see a bit underneath so we want to make sure that you can't really see a whole lot going on underneath there we go pretty much like that and more or less this is now the repetitive part of it right and it this bit 100 can be very repetitive is now we pretty much just have to keep adjusting it as we go okay so we keep skipping over a couple frames keep dragging it out keep having a look at what we're doing essentially and you literally just keep on adjusting it adjusting it adjusting it and that's more or less it you keep doing it this one right here is getting into the advanced effects right now so one thing that's uh that's a common theme in advanced effects oh i'm skipping over too many if you get lost just zoom in go to where your last keyframe was and um and start and start doing some basically start uh start fiddling around with it start it's very trial and error this type of stuff it's literally just you move stuff around you look at it is it looking like it it's nice is it looking realistic is it looking forced yes okay cool adjust this stuff is very tweaky i don't i'm struggling to even find the right you know the right words to even articulate it right but as you see it's letting a little bit too much in right there so you know what we got to do we got to pull that through make sure that it's not shining too much through pull that all the way in if i scroll down here it's looking like that's coming out now you see what i mean it's very fiddly if you will and that's that's probably not the greatest articulation i could find i'm not gonna lie but it's the one i've chosen and it's the one i'm rolling with and i'm gonna drag that down there drag that over and remember don't be afraid to pull it out a little bit just to see where you're at perspective is crucial and you need it so i'm literally just dragging this in amazing dragging that over there amazing amazing perfect nah perfect press control z undo that awesome it's showing a little bit a little bit through though i'm not gonna lie again two frames over two frames is a pretty good amount that that's the reason i do two two now there's no there's no set amount that you should be doing or anything like that but overall i think two is enough to uh to not go too far and still be able to get an accurate mask because ideally you know the more accurate you you make it the more you kind of correctly follow the shape the better it's going to look when it goes quickly because this is this is going to go very quick so you don't have to do it a thousand percent perfect but overall the the the closest you guys can get it to it being an accurate outline of whatever you are trying to mask the cleaner it's going to look when it sweeps on the next shot and you guys are going to see because what we're going to do is together we're going to put a shot below this right um so it's looking like it's coming out a fair bit so let's switch to 75 percent out out now this is getting a little bit much and you know what i'm going to do i'm just going to start dragging this over boom drag that there drag that there drag that in oh yep remember do not be afraid to drag out to uh to see where things are at to get some perspective on the situation boom and i'm creating more points now because uh stuff is looking right now as if this thing's taking a whole different turn amazing bring that there boom oh control z i'm gonna click off it see if it's shining through a little bit too much it is a little bit too much boom and now now stuff's moving quicker you could see so i'm going to start creating more points what in the world is going on here there we go lovely lovely lovely lovely game is a repetitive game people there's no two ways around it something like masking and the effects we're about to get into now guys are stuff that you can't necessarily rush based on the fact that it's not gonna look good and believe me trust me i'm like i'm i'm not the most patient guy in the entire world all right you might have maybe gathered that and dissected that from my absolute energy right however um i know that you do have to prioritize this type of stuff and even though i'm not patient i hate having to go redo stuff when i've you know i've already put the work in and done it once and masking will be one of those things where you end up having to redo it um and polish everything up if you haven't just taken that time from the sort of jump if you will and actually you know done an accurate mask essentially and um you know you learn that type of thing over time believe me i've rushed a lot of masks in my day and i had to go back and repair a lot of masks in my day and um believe me overall it does seem like the best way is just to uh is just to prioritize making it accurate as accurate as you can if you will you know what i mean because as you can see here it ain't 100 accurate you know what i mean but what would we say 80 80 something like that and a lot of the time when the effect goes really quick 80 is really all you need all right so it don't have to be a thousand percent accurate don't don't be uh don't be stressing yourself out as you can see here we're not really fans of stress we're trying to we're trying to take it easy trying to whip up something something cool that takes a bit of time but doesn't take all day at the end of the day some stuff can definitely take all day and we're not really down for that but sometimes it's necessary as you can see here i'm as accurate as i can trying to just hug the tree right now bring it over frame by frame pulling it over pulling it over wonderful be careful that mask that uh be careful with the feather rather that it's not letting too much through on the other side right you don't ideally you want it to just be a perfect line down the tree right you do not necessarily want a little bit of the other side peeking through like there you see right there you do not want that you don't want a little bit peeking through of what was on the other side because it kind of blows it it blows it and it makes it seem less seamless seems more like a like an effect right and ideally in editing funny enough it kind of sounds counter-intuitive but you actually don't really want the viewer to really necessarily feel as though an effect happened like if they feel it's forced it takes away from it it actually takes away from the credibility of what you've done the real credibility is when you put something together that's just kind of mind-blowing where the viewer doesn't even necessarily know how it happened but whatever's happened look good that's realistically what you're aiming for whenever you guys can create a more seamless look opposed to a forced look that's something you should prioritize now you know at the end of the day some things there's no seamlessness around it you know what i mean like it's by nature an over-the-top type of situation right however there's still a little bit of of style to it you know there's still a little bit of uh classiness to it get make your edits classy that's what i'm trying to say as classy as they can at the end of the day you know we're only as classy as uh as we'll let ourselves be but try make it seamless don't force it too much the more force the more over the top a lot of the time the more rough the more uh you know the less you get the desired effect which is that it looks good a lot of the time the simpler the better and that that little piece of advice right there translates into many areas of life the simpler you're doing it the better it is let's go ahead and pull that over right there pull that right there and you can see you can start to see there they're coming through the other side and i'm i'm shortening the amount of uh points that we've got now because it seems like stuff's going a little bit quicker but you can only shorten it for so long at the end of the day we still have to we still have to follow the the outline of the tree but stuff's moving quicker now as you can see i'm pulling stuff over nicely the two frame movement now right is um it's moving more basically you see when we go over two frames now more is happening a thousand percent and my brother's coming through on the other side bring it over bring it over amazing oh you i'm gonna go to the top top down top down people top down like a leadership structure top down bringing everything over it's looking like we're at risk of it going a little bit crazy here actually we're at risk of it going a little bit crazy and the reason for that is i think i'm being a little bit too rough with these uh with these edges don't be afraid to go back a little bit and readjust do not be afraid to go back and readjust people sometimes going back readjusting a little bit is crucial two frames over we know the drill continue the game continue building this thing hugging the side of the tree tree huggers big time tree huggers all the way pull that around that side amazing amazing amazing amazing oh remember we we know about this top down top down top down perfect perfect and i told you guys i told you it's uh it's a time-consuming process it really is masking one of the most time-consuming sort of things you can really be doing in uh in editing um well realistically most time consuming can probably be some rotoscoping stuff like that all the frame by frame stuff that's what we're starting to get into now see there's a lot of very basic basic level stuff and then you got the frame by frame stuff if you're going frame by frame there's really no cheat sheet to it it's you've just got to do the frame by frame motions like your keyframes i mean well this is keyframes right here in it but you know the frame by frame stuff guys there's not a whole lot of cheating i'm not gonna lie and believe me i'm out here trying to trying to save as much time as possible don't get me wrong but keep keyframe stuff frame by frame stuff ain't a whole lot you can do about it it's gonna it's gonna take a minute that's just the game and just like that we can now pull that completely over make sure that this is fully off the screen fully on the screen and basically what we've done right there is we can come to the beginning press spacebar to play it fully masks oh so if we go over there was one that there you go one of them was glitchy you see what i mean so overall i think we did a pretty good execution if only one of our if only one of our shots was a little bit too too much we could just literally pull that in a little bit and it should be fine and then if i go here to the beginning and press spacebar to play just like that oh you see there's a couple a couple bits there you go so up there it's looking like okay cool there we go we missed one over a couple more right i think there was another one what yep there you go look at that i don't know how that happened there you go wow that's a complete mess up i don't know if that was a control z or what happened there all right so as you see there's a couple we need to fix but overall looking very very nice now if we play that from the beginning what that is right there is playing moving over and that whole area is blacked out and you know what we can now go ahead and do right there is we can actually put a shot underneath it now just just for example sake i'm actually going to go ahead and get this i'm going to press alt hold it bring this bad boy over and i'm going to go here and go ahead and just have that underneath it so it comes back to the waterfall and you guys are going to see what happens here is just like that boom are you telling me that doesn't look 10 out of 10 if you're telling me it doesn't look 10 out of 10 you've just lied to me and yourself my friend because that looks 10 out of 10. space bar to play just like that that right there is the power of masking we have essentially used the mask tool to completely bring on another shot the shot looks 10 out of 10 oh my god personally i mean i'm you could hear in my voice i'm genuinely excited by that exercise right there because it's a perfect execution just like that go ahead and press spacebar again to play it and we have actually created it now there's one final thing that i want to i want to just show a little attention to right which is the fact that you see here pay attention pay attention it switches ready boom exactly because hard cut so what i want to go ahead and do just to get rid of that is literally bring everything up one go ahead and just duplicate this take the mask off of the top layer and literally just go ahead and um boom 100 opacity a few frames over zero opacity so now you just have a fade a fade out of that as you see right there and just like that it's looking perfect now also what you could go ahead and do is fade it out over a longer period of time as you see right there however that's not really looking phenomenal maybe faded out a little bit slower just like that there you go and just like that that's looking pretty nice so we've just added a simple keyframe of the opacity onto the clip without a mask so that it kind of looks like it fades on a little bit more seamless but just like that i'm gonna i'm gonna stop it there in fact i'm not i'm gonna go to the top i'm gonna go ahead and render into out i'm just gonna get a hundred percent high quality version of this right here and then we are going to play it 100 all the way through and um we created something awesome 100 you guys saw you heard it in my voice you heard it in my voice i'm genuinely excited by this boom we're playing it it's looking cinematic scotland adventure 10 out of 10. and my bro is walking through the through scotland through the woods looking good looking great the cinematic looks popping out and just like that that that clip's looking 10 out of 10 we got the full lens flare and then we got the repeat at the end with our best shot just like that they're walking through the forest pay attention to the tree just like that it's gonna bring on our next shot wow wow wow wow wow and done and dusted what we could go ahead and use just do to end that is go ahead and make a a light keyframe out and just like that we've created a masterpiece thank you guys for tuning in to the masking example we're gonna come back more with more advanced effects keeping it pushing what's going on guys welcome back to the adobe premiere pro masterclass course continuing on the advanced effects section oh boy did we end that section uh that episode nicely let's replay it familiarize ourselves honestly i'm so proud we absolutely smashed that real seamless seamless masking transition honestly that's advanced right there that's that's nice stuff basically if you guys did that with me right there you're on the ball you're killing the game the way i see it all right so smashing the game smashing it out the park looking real real nice let's go ahead and crack on with uh with some more advanced effects now there's something you could do when you really want to take it to another level of advanced effects all right and that's actually open up after effects now this is the adobe premiere pro course however a crucial key part of adobe premiere pro is dynamic link dynamic link is taking your project in premiere pro exporting it to after effects so to speak and uh tweaking it in after effects doing a couple more advanced stuff now because this isn't the adobe after effects course and we have a whole massive 11 14 hour i don't even know how many hours very long course right on after effects i'll let you guys go find that out on your own however i'll definitely showcase how to do a dynamic link and it's real very very very simple basically you right click your clip you're ready and you press replace with after effects composition now because i don't want to actually replace this one i'm literally just going to go ahead and press ctrl c move over here my sequence and press ctrl v just so i have a the same clip duplicated over here that i can mess around with and it doesn't affect our actual 10 out of 10 sequence that we know is looking amazing i'm going to right click it i'm going to press replace with after effects composition and just like that essentially after effects is going to load up it's going to take a split second as you see the blue the blue circles popped up and the actual the after effects logos popped up on my other screen my bad there we go boom so for some reason the logo popped up on my other screen to say it was loading and then it opened on this one weird i don't know weird weirdly weird basically then it's going to open up a folder and essentially what you want to do is you want to just focus in on your actual project folder and literally just call this dynamic link number one and basically it will create a a project that links the two clips or the links to two things and basically it will load up your clip in adobe after effects just like that and everything will be condensed under one clip and actually if you click on it it's got all the same effects everything like that it retains all the same properties it is just the after effects version and then you can actually go ahead and proceed to use some advanced effects now those advanced effects range from all sorts of stuff now they have a whole bunch of different distorts that you can't even get access to in premiere for example we're talking about stuff like you know the cc lens you get that boom type of effect right blow everything out boom get the hourglass kind of effect you know mirror mirror on the wall boom i don't even know what i'm saying but basically you can do advanced effects and when you do those advanced effects i'll just do one i'll throw the cc lens i'll i'll bring it out a little bit just so we have kind of like a warped fish eye i'll press ctrl s i'll save it jump back to premiere and you see that this is no longer a normal clip if we zoom in this is new project one linked comp dynamic link it is now a dynamic link version of that particular clip and it replaces it with a dynamic link composition as you see right here and just like that that effect has taken place and if we for example didn't want the effect anymore we come back to after effects delete the effect press control s to save everything come back here just like that everything we do in after effects that we save applies to what we do in premiere that we save press control z control s redo it boom just like that the cc lens effect has been redone but for the nature of this being the adobe premiere pro course i'm not going to get too far into the uh after effects side i literally just want to go ahead and play this one more time go ahead and have a look at it basically just take it in and keep cracking with the course the adobe premiere pro course but by all means check out the after effects boy did we have some fun with that one let's keep cracking what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course continuing on the advanced effects section it's about time we do green screens it's about time we take a look at him i've got something for you guys to download all right it is the green screen doctor computer 4k essentially stock footage right stock footage royalty free whatever the case may be let's go ahead and actually close after effects because we're done with dynamic link for the minute now funny enough i'm actually going to give you guys some dynamic link task next but it's to do with green screens so let's start off in premiere pro let's uh drag and drop our our green screen in it looks like i accidentally imported it into the assets folder my bad go ahead and drag it out of there basically go ahead and download that from the uh the resources guys and let's literally just import it and then drag it down here and create a brand new sequence now this is a doctor on their computer a little got some pills they got the little the the i don't even know what they even call that thing read the heartbeat that shows my lack of knowledge and basically what i want to do is i want to take away the green i want to be able to replace it with uh with something else in the you know the next section piece stuff together all right so essentially we can actually go ahead and um and go over here to effects and go ahead and just type key now when you're typing key you're going to get all the keying effects king there's a whole bunch of different stuff and they all have different um i guess different processes sort of they'll take a different approach i'm just going to take ultra key because it's nice and easy get key color get the little the little color dropper eyedropper and simply click green and just like that you've basically gotten rid of the uh of the screen now what you can actually go ahead and do is for example let's go ahead and get our scotland scotland edit let's drag this green screen up a layer let's drag scotland edit below it and let's go ahead and click it let's drag this right here and let's basically just resize it to be fully fitting over the screen and maybe even we have to rotate it the tiniest bit like that way whatever it is and just like that now we can actually play and just like that our scotland edit is on the screen that we've just green screened out and popped in now it's looking like it's a little bit too over to one side whatever the case may be maybe we want to boom bring that over there a little bit but basically just like that guys we have just green screened out um the screen is just like that he's typing away while we are uh while we're doing our thing and this is a real nice green screen right here i mean you've got a little reflection right there everything overall we've superimposed if you will and look at that obviously the green screen ends right there um so what we could do is we could press contr alt drag this over and uh right click it and literally just reverse so that it basically just completes it but overall guys that right there is a basic version of the green screen now the thing i want to get to next is actually how to handle a green screen that's not easy and that's really where the uh the kind of complexity comes in and that's where we might have to outsource our struggles if you will to good old-fashioned adobe after effects based on the simple fact that they have a better um sort of keying effect in there but realistically they have better advanced spill suppression which basically means when the green screen doesn't quite go in your favor you can recover it you can bring it back and you can you can save it essentially but just like that guys that is the green screen breakdown right there very very simple you got a whole bunch of different variations of the same thing the ultra key is a very simple one because you said drag and drop solution and you literally just define the color that you want removed and just like that it does its very best to remove that color and um there you go that right there is our green screen exercise done dusted and concussed i do not know what that means but i do know we're going to press control s i'm going to come back with the advanced version of the green screen when you're dealing with a less desirable effect less desirable image quality less desirable video and less desirable green screen altogether you'll see what i mean coming up next what's going on guys welcome back to the adobe premiere pro masterclass course continuing or finalizing the advanced effects section we just briefly went over green screens a very simple green screen that went in our favor and a lot of them will when it when it's a digital green screen right right here or it's uh it's not necessarily um you know like a like a proper shoot shoot this one right here is uh is clearly like a more produced clip overall it's going to be a very very easily easily removed effect easily done execution if you will and overall very very simple to do especially with still scenes but we've got a green screen which is um actually shot on my personal camera that one right there is more of a digital one and it's actually me in it as well so this right here is me literally testing the camera before i shot a music video and i'm just sort of looking around and basically the thing about this is we are dealing with a green screen that is messed up look at it it's very crinkled the end of the day i had a bit of a ghetto method for storing this green screen and the the crinkles and the creases definitely show so that's not going to be so formatted essentially we're gonna have to put a little bit more work into it and that's where we might have to open up after effects but let's go ahead and drag and drop this import it there's one final thing was one quick thing i want to do which is actually start organizing stuff all right and i want to make a new folder called advanced effects and i want to literally just go ahead and um and drag and drop all all of our stuff so far into it so i want to get the adjustment layer green screen doctor put that in advanced effects the new project dynamic link drag that over to advanced effects as well just like that i told you guys from the start i wanted to stay as organized as we could and that's what i want to do so this one right here is our clip awesome it's of me sitting down doing a whole bunch of random stuff coughing i don't even know look at my face right there i'm like oh my god damn it but drag and drop that into our uh our thing make a brand new sequence and go ahead and uh mute it and basically what i want to do is i want to literally just try the exact thing that we did to showcase to you guys how it doesn't always work equally so let's drag ultra key to it right and let's literally just go ahead and identify the background boom click now it looks like it removed it 100 however it only looks like it removed it until we put something else there but already you can see that there's a coloration problem where you can start seeing creases up there overall it does look like it removed it but you can start seeing creases now there's one thing i want to do is funny enough i want to get our scotland at it as just a backing piece right and just go ahead and throw it underneath and now if we start to play this right you could see how realistically it did not do a phenomenal job of getting rid of that background and unfortunately we have some sort of nonsense that's sitting right there so there is some stuff that we are going to have to do now first off what i want to do is i want to try and see if we can actually go ahead and do this within just premiere pro so we want to start tweaking stuff down here spill suppression and mat cleanup are what we want to mess with first let's get to mac cleanup and let's turn up the choke right turn up the choke a little bit we can see that starts getting it down but it's not looking perfect basically i want to mess with this stuff as we can get the contrast up looks like the contrast right there is what sorted it out for us sort of that's definitely looking like it's still there however it looks like when i sit down some stuff goes away yes however it's looking like it's just scene dependent so i want to keep on tweaking that down again maybe at the midpoint down looking nice looking nice and it's actually looking like we've been able to more or less remove what we wanted to remove and again i'm just pressing ctrl s save what we're doing here and it's actually looking like we've done a good execution of this effect within premiere pro and just like that it's worked out so by simply tweaking the matte cleanup stuff like that we've been able to uh to make this nicer we've been able to uh fully green screen this effect i mean i'm making all sorts of random movements right there and coughing might have been sick this day no no corona no corona come on guys don't play with me like that overall right there we have actually taken a green screen and we've got to play with it a little bit more but luckily enough we did not have to outsource to after effects sometimes guys the effects are um sometimes you basically have to bring it over to after effects and use something they have called the advanced spill suppression sometimes stuff spilling out overall there's some better effects over there in after effects but today it's looking like we got lucky and we did not have to utilize them so that right there is the exercise for how to actually format a less desirable green screen it's super easy to to fix a green uh to use a green screen when it you know when it works the first time but ain't so easy when it ain't working out now there's one quick thing i want to zoom in on me and see a little bit of a green tint to myself so maybe there we go maybe maybe turn that up a little bit maybe i'm having a look though again this is really just some some mess with it stuff there we go ah you know what i'm not too worried about that i personally think nice execution of it and we didn't even have to leave adobe premiere pro didn't have to use dynamic link and we solidified the green screen method what in the world am i up to who knows hopefully i survived this i think we all know today that i did because i'm here and this was recorded a year ago thank you guys for tuning in to the adobe after oh whoa whoa whoa whoa you see the dynamic nearly got me spitting something that's not true thank you guys for tuning in to the adobe premiere pro advanced effects section messed around with green screens right here and we got a whole bunch of fun stuff coming up next with transitions i can't wait to get into it hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course we're continuing with the course and we're entering a brand new section this right here transitions we briefly messed with custom transitions which was actually more the advanced side of transitions um briefly in the sort of masking uh exercise if you will when we basically went over here and we more or less created this mask right this masking transition brings on our next shot and i mean you guys remember i was getting pretty excited about that overall that is a really really really nice execution if you guys followed exactly what i did we now have this cinematic sequence right here which uh don't worry about that there's always going to be a little bit of playback playback like that right there good example glad it finally popped up there you go it's gone away boom real smooth like 10 out of 10 really just amazing honestly i'm so happy with how that sequence played out right there it couldn't have gone better control s saved the project now we're going to be exploring transitions now this whole section is going to be transitions because transitions are crucial they're a huge part of blending stuff together they're a huge part of making an overall just really enjoyable edit if you know think about it if scene to scene you could make an edit where every scene perfectly transitioned like that you would have the greatest edit of all time and it would be looking amazing so the more seamless the the smoother stuff looks the better now this this is pretty funny we literally just put the green screen over the top of that edit right but what i want to go ahead and do is actually explore this whole uh sequence here and mess around with some transitions video transitions to start off with and i want to break down the default transitions because we explored the most advanced section of of transitions obviously it was in advanced effects it's the least i could do is bless you guys with some advanced exercises but now i want to go back a little bit do some basic transitions just to familiarize yourself and show you what's here because these right here aren't necessarily what you want to lean on all the time but they're definitely useful for certain things smoother effects right so what i want to do here is i want to actually go ahead and we can leave the scotland edit just for something behind it as a reference but i want to go ahead here to where i sort of actually appear on the screen press c and just go ahead and chop that down right there and basically what we're going to go ahead and do is we're going to actually add some transitions to transition myself on if you will right so let's bring that over make it end at the same time the scotland ends and i want to familiarize you with control d control d i think i broke that down earlier maybe in the basics or the editing section but that is the default transition now you see how that defaults to to shoot onto the screen boom just like that it defaults to shoot onto the screen amazing it's looking great now we explored these a little bit but overall i want to actually break them down a little bit more in depth because they are pretty much crucial to uh to basically doing some stuff quickly so ctrl d that's how you quickly add it onto the screen and if we scroll in we can see the name of the transition so my default transition control d is going to add the default transition to the start and the end of your clip and it will add it at the default length that you have set so for example if you want to drag it out a little bit you could have that transition happen over a longer period of time right and look at that i kind of look around as if i've just teleported in it actually kind of syncs up and works out pretty nicely now whatever transition we set as the default will pop up when we press control d for example if we come over here for additional dissolve right click it and set as default when we press ctrl d it's going to add that additional dissolve to it because that's the one that's our default very basic very basic indeed awesome so keep set to default whatever one you're using the most maybe it's cross dissolve maybe it's additional whatever the case may be whatever your absolute sort of most used one is have that set to default gonna utilize the shortcut whenever you want awesome there's some of these transitions that look more forced than others let me just break that down for example 3d motion maybe we set that as our default and press ctrl d and we play this 3d 3d motion cube spin that one right there i would tell you right now is not looking like the most professional effect in the world likewise with for example the flip over now you can literally once you've got the transition there you could literally just drag it drag the new one to the end and it will replace it let's go ahead and have a look for example we've got flip flip just looks completely ridiculous overall definitely not something you want to mess with so just to give you guys a little bit of context the main ones that i'm actually using in terms of defaults is dissolves to fade stuff in immersive video because they have some cool stuff i'll show you in a second and the occasional zoom usually just dissolves in immersive video and a lot of the time the dissolves i'll actually just do manually by doing a opacity keyframe which we already explored earlier um in the editing section i believe but immersive video is basically the one i'm using most of the time the reason for that is because they are the most uh for lack of a better word cool right we'll break them all down so vr chrome leaks let's go ahead and set that to default press ctrl d and vr chrome leaks more of a basic fade in i'm not gonna lie but if you see right here it sort of fades it in kind of rapidly it's definitely different execution than this than a um cross dissolve which is kind of slow not really ideal that one right there so to get straight to the point boom vr gradient wipe go ahead and have a look that one sort of curls in a little bit i know this could be pretty nice for text or stuff that's central in the middle because it kind of splits it down a little bit breaks it down um iris wipe go ahead and control do that again boom sort of creates it from the middle as you see right here boom which is pretty cool what that really could be good for is maybe you're doing some motion graphics maybe you've got like a circular intro or something that you want to bring in vr light leaks cool uh depending on sort of what your look is essentially this could look bad for some more professional stuff right if it just flashes on but for some other stuff depending on the type of look you're going for it could look cool vr light rays again pretty nice as well sort of like a fade on but with like a pulse sort of effect the mobius zoom mobius zoom could be a little bit weird it's it as you see right there it sort of like zooms in from the middle but um with this it kind of looks pretty funny um also what we could do is we could uh we could go ahead and actually just go ahead and um drag that mobia zoom on the front of the scotland and you can see it it sort of zooms in from the center and pushes it out a little bit it can look a little bit weird sometimes vr blocks this is sort of going to build itself up it looks a little bit more on the amateur side i'm not going to lie and of course you have spherical blur spherical blur boom just like that sort of three circles in the middle almost kind of like the mobius zoom almost like a little bit but obviously the blur version overall those are the uh the main transitions that i'm gonna be messing with in terms of the basics is hanging out in that hanging out in that immersive video section right there so immersive video main area i'm personally messing with however i really have no clue what particular projects you guys are working on i would encourage you guys to uh to really dive deep into that video transition section however the main transitions i personally stick to are the sound design transitions when i'm talking about audio masking transitions and overlay transitions when i'm talking about video so those are the ones we're going to mess with going forward those are the ones i want to familiarize yourself with and those are the ones that really hit the project home and are more on the on the on the professional side if you will so without further ado let's keep cracking hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course continuing on the transition section this is going to be audio transitions now we did break down the sort of strategy that i'm going to talk to you guys about today in a previous section in the audio production section we combined three different sound effects to perfectly um end our clip on a high level of suspense let's play it welcome to the adobe premiere pro masterclass course perfectly executed transition out now what that does is it ends the video at the highest point of intensity sort of keeps the the interest people want to see more right imagine the movie ends at the you know the highest the middle point right the point that they've been building up to you don't know how it ends you want to see the rest right perfect so we built intrigue through that a little bit of sound design right there three sound effects now i'm gonna show you guys how we can do that same sort of thing with just one sound effect and how sound effect transitions are literally a perfect way to get you out of a clip out of a scene into a new one i've been doing it forever i'm going to continue doing it basically what showcase how to do it essentially what we're going to do is we're literally going to go ahead and get one sound effect i'm going to give it to you guys in the next section after i break this down and we're going to put this together on a couple of these different scenes and basically showcase which one works best which one uh just basically showcase how it works so sudden impact two this sound effect right here is more or less a similar one to this reverse sound effect right here so let me just go ahead and zoom in on this reverse right click and go to reveal in project that will showcase the file in the project so listen to reverse awesome it's sort of like this build up to this epic moment now sudden impact 2 has the build up and it has the boom so it's got both of them attached to one and basically what we can do with the sound effect like this is we can chop it in half and we can have one half on one clip the build up and then the other half on the drop for example or even cutting to black again and basically use that as a suspense builder to transition us into another particular scene and then also we could bring on another scene um with a another sound effect if we wanted to and essentially we can uh just do what you'd call sound design and that's exactly what we're gonna do so actually i got another sound effect for you a ray switch on sound effect of like a light being turned on so we're gonna combine the sudden impact too with the race switching on sound effect and basically see what happens so audio transitions exercise coming up next jump into that next section next episode rather and let's break it down hey what's going on guys welcome back to the adobe premiere pro masterclass course we are jumping into audio transitions full exercise we're gonna be doing this with sound design now we're gonna be taking this clip of me talking to the camera not an exceptionally uh interesting clip at all and we're gonna build some more suspense through the use of sound design i've got literally two particular sound effects for you guys oh that's the the wrong folder there we go uh a a sudden impact sound effect which is very similar to the three sound effects that we used in that previous sound design and then also a ray switch on effect of basically a light a light switch switching on pretty much and uh we're gonna combine these two not only exit this scene right here but bring on another scene in a very cool fashion so first off let's listen to what i'm saying here and then let's uh let's see where we want to actually cut it because we definitely don't want to have it going on for how long is this we definitely don't want to have it going over one minute 14 seconds i'm thinking that we probably cut it right there but let's play let's listen to what i'm saying and let's cut it where the appropriate place to cut it is so we can start sound designing what's up everybody today we're going to shoot a music video potentially if this video actually reached you it means it was interesting enough and i was actually able to get enough compelling footage to make it something worth uploading perfect i was able to get enough enough compelling footage to make it something or loading worth uploading perfect so let's literally press c and let's chop it there and delete everything to the right press ctrl s after that to save it perfect now it's going to be very very simple how we're going to go ahead and build this suspense right here the way we're going to do it is i want to go ahead and bring my sudden impact sound effect in you guys can download that in the resources section i'm gonna drag it over here and more or less if we zoom in and if we actually get these uh these adjustments here to actually make the waves bigger we can see that there is a build up to this point to that point right there that's basically the highest point so let's press c and let's chop it at the absolute most intense point so we can basically now select both of these and bring them over and lock it right there so basically one clip is has the build up right it's building itself up and the other clip boom blows up and this the the clip's no longer on the screen two things we could do with this as well is transition to black which i think is what we're gonna go for or transition another clip on with the use of this sound effect which i think we can mess with as well so now that that's there let's go ahead and play this and see what it sounds like without any adjustments keep in mind most likely the sound effect has not worked perfectly and what we'll have to do is click it and mess a little bit with the levels in effect controls maybe even add some keyframes but we don't know that yet we have to play this and see what it sounds like and i was actually able to get enough compelling footage to make it something worth uploading perfect so very nicely done it transitions out real nicely and in fact if we actually you know on first glance it doesn't necessarily seem like it actually needs that much messing around with i think what we can go ahead and do now is actually go ahead and get our scotland edit which is the the main one that i want to mess with and drag and drop that over here now when i double click it it's going to bring me here let's actually come over here and just make sure the audio is attached perfect oh the audio is attached however we could see that this is 720p and this is 1080p so it's more zoomed in so we actually have space to zoom out however what we could do instead of doing the calculations ourself is press set to frame size and it will bring this 1080p sequence and match it to the 720p sequence and it'll be full screen perfect and very simple how i want to bring this on i want to use the on light switch effect so i want to bring this rey light switch and we can just drag it straight to our our timeline zoom in cut it at as close as we can to the point where it turns on and drag our edit over so that it goes and it basically sounds like it is turning on and oh looks like i'm jumping around a little bit too much office talking clip now what we're gonna basically have is an effect where it goes it builds up smashes out and then a little sound effect like a light switch on effect brings on the scotland edit with all of its glory so let's go ahead go to the beginning play this from the start see what it's sounding like in its entirety what's up everybody today we're going to shoot a music video potentially if this video actually reached you it means it was interesting enough and i was actually able to get enough compelling footage to make it something worth uploading [Music] perfect and that right there sounding awesome in my opinion that right there sounded 10 out of 10 based on the fact that there is corresponding sound effects there is one just like that right there that builds up smashes the scene off and then that very simplistic sound effect brings on the edit which uh is basically the the cool footage that was gathered based on what i was saying here or saying if the video actually made it to you it's probably pretty good and then boom it works the scotland edit comes back on and um overall looking very very cool so that right there is some basic sound design those are a couple sound effects for you guys at this point this course has basically been free resources left right and center giving you guys plenty overlays plenty sound effects and honestly i don't even know if we're halfway through so let's keep cracking with the transition section and let's keep cracking with the overall adobe premiere pro master class course let's keep going hey guys welcome back to the adobe premiere pro masterclass course continuing on the transition section this one right here is going to be overlay transitions overlay transitions are potentially one of the easiest executions of transitions ever and one of the i think the the niceness to easiness ratio if that makes sense is is great because it really looks nice and it really doesn't take much time um and basically it's using overlays so i got seven overlays for you guys is this one oh one two three four five six seven eight eight oh my bad okay eight and they all have built-in sound effects so they all have embedded attached sound effects this is the holy grail right here not only do we have a visual transition we have an audio transition attached this is perfect wonderful so basically what we're going to do is we're going to take this scotland edit in the exercise i give i give all these transitions to you guys for download to download we're going to put them in here um below the adjustment layer which basically means they're also going to have you know the cinematic look to them so everything's paired together nothing looks separate and we're going to add a overlay transition in between all of these clips so whenever it changes boom we got an overlay transition and pretty much we're going to try tie this stuff together in as nice of a way as possible so let me showcase one of them for you download these in the next section i'm just going to showcase one how we're pretty much going to do this drag and drop it i imported it and now i'm looking around there it is boom wonderful oh i got some some other random stuff here for some when i was trying out to see what i was going to give you guys and basically we've got one of them now what i'm going to literally do is drag this to um above to start off with right and i'm literally just going to scroll over find the sort of the absolute peak point go ahead and turn that to screen and add a chop in the middle get them bring them down here and drag them right about there and then i'm going to go ahead and give this a play and showcase what this is looking like right away [Music] crazy absolutely crazy it literally works perfectly with the uh with the scotland adventure text coming in and the the transition right there now i'm sure there will be some of these clips right here where the transition doesn't look doesn't look as good as that but oh my that was a great first example press ctrl s let's save that and i want to come back in the exercise coming up right next guys where we're going to put transitions overlay transitions over every single part of this particular sequence and try and take this particular sequence to the next level this scotland edit right here i think this is taking us all the way to the top let's come back next was give you guys those things to download and let's improve this sequence even further so welcome back guys to the adobe premiere pro masterclass course continuing on the transition section with the exercise of overlay transitions overlay transitions you got eight of them go ahead and download them and import them i'm literally just going to import the the final seven because we know that i imported imported the first one already and we've already got our first one right here doing its thing we saw it do its thing we saw i was absolutely smashing it and um basically that is more or less what i want to do going forward oh not too sure why this noise is coming out but basically that's what i want to do going forward is i want to actually add those throughout the entire thing so basically this thing looks look at that amazing amazing amazing amazing perfect it works too good it literally works too good and essentially i mean i want to keep it going alright so first off let's actually come to the next scene and let's double click our next sound effect and um just like that it's looking like more of a blue one so let's go to the uh let's drag it in drag it in maybe like right there again be careful that we're not cutting off anything below it drag it in and let's just go over it find the absolute biggest peak go ahead and go ahead and turn it to screen press c chop it right in the middle oh careful control z undo that and drag it over and just lock it right there in the middle so that boom it hits right there now that one does not look as good as the first one based on the colors being a little bit off now that's stuff we're going to mess with in a minute so all i want to do is i want to just have an overlay transition over every single time the clip changes now basically the different way you have cuts is a transition or that's actually not a change so this one right here will be the next one these are all hard cuts right now which means they just cut without any sort of nice transition or anything basically we're trying to take that hard cut and make it more of a soft easy transition through from one clip to another and just like that we're able to use that transition that one's looking a little bit on the nicer side i think the blue ones might not really be the style but what i want to do is i don't want to write anything off yet i just want to take a different one of these and put it over every single part of the hard cuts and basically disguise every single one of these hard cuts and you see what i'm doing i'm literally just importing the transition i go straight to the middle of it i find the the the peak of it where like it's really bright and we essentially use that that middle bit to transition over and um i'm bringing these in bit by bit some of them you have to start them a little bit higher based on the fact that they are um they have audio layers as well so you don't want them to start cutting into the other audio layers but just like that i'm just importing them i'm dragging them over boom i'm putting them right there i'm opening the next one i'm coming to the next thing i'm i'm i'm taking it and remember we don't need to add one for the final the final um thing so actually that blue one's not looking 10 out of 10. i might come over here and try find one that's a little bit more there we go that's something a little bit more to my liking drag that right there go ahead and delete the other one and go ahead over find sort of the uh the peak that's a nice peak right there perfect go ahead and uh screen that press c chop it in the middle bring it down one bring it over one control s save that and now we can do guys we can literally play this from the beginning we can see which ones worked which one looked perfect which one didn't work and which ones do we need to change that one's nice there's no two ways that one's real nice that one not so much we'll see this one looking kind of cool a little bit slower though a little bit on the slow side that one not too sure about that one as well the blue ones don't really fit our color scheme kind of cool kind of cool said a little bit of both and that one i'm kind of liking as well overall boom we don't even need to add a transition to the end oh wow it's literally froze because it's too good it looks like the ends being being kind of weird right there i'm not entirely sure what uh what all that's about but at the end of the day we have these particular clips right here looking looking solid and uh looking like we're gonna have to i don't know render that at that end bit again in a second but overall that right there is the transitions added i think what i want to do is i want to go ahead and take away the um the blue one take away the blue one maybe um maybe get yeah maybe take away take away that one as well and maybe just repeat a couple of these so maybe bring that one over here something like that right i'm literally just moving stuff around a little bit nice that's looking pretty good maybe we bring that one over here as well perfect looking pretty cool looking pretty cool but you know what i think that'll be probably pretty nice right there or you know what we might i might even just press alt hold alt and drag over the first transition right there so that point is sort of out of out of out of mind and just like that we've got it looking good and i might even just save off on that transition right there no transition in the middle hard cut because the beat kind of kind of suits it and just like that for some reason the end the end is glitching out let's go ahead and literally just go ahead and delete rendered files fully deleted all the render files um so basically it has to pre-render itself again press control save that right there go ahead and render into out and um let's just do our render into out it's gotta render a thousand frames it's saying it's gonna take about 18 seconds no sweat 18 seconds 20 seconds in what world does the estimated time go up i think we're we're dealing with a significant project when the estimated time starts going through the roof right there we got 52 seconds i think this will be quicker than 30 seconds to be honest it's going down very quickly but basically we're going to be able to watch this in full detail hopefully that end isn't glitching out standard if it is i i actually welcome things going wrong because things will go wrong for you guys i assure you editing take it from me i'm a bit of a veteran in this 10 years plus stuff's gonna go wrong every time computer related stuff trust me stuff's going wrong for you and you just got it you better just expect it to go wrong eventually and uh there's gonna be a fair bit of troubleshooting throughout your editing career i assure you that it's the name of the game there's really no no two ways around it boom looking real nice exceptional oh yeah that one especially with the slow motion yep nice nice nice cinematic boom perfect perfect perfect boom the slow-mo through the forest let's see if it glitches we'll see if it glitches nice no glitch no glitch perfect i hate to i hate to nerd out right now but that's looking as good as it gets right there amazing amazing control s to save that guys that right there is overlay transitions combined with custom transitions combined with audio transitions it's transition ception how do you even spell transition i don't even know but i damn sure know how to make them thank you guys for tuning into this particular episode hope you guys enjoy have a blast with these particular uh these transitions right here these overlay transitions use them in whatever projects you need them and make sure to press ctrl s so we don't lose any of the progress that we've just made and let's keep track of with the course what's up guys welcome back to the adobe premiere pro masterclass course continuing on the transition section i'm going to show you guys some actual preset transition stuff that basically is kind of crazy advanced transition presets right this one file right here is going to give us 10 different amazing effects that we can use as transitions now it might not make sense to you because you might not have messed with uh presets fully yet but it's going to work in the same way that we did the free audio preset basically but this one's visuals this one's actual video stuff so i'm actually going to go ahead and showcase importing that in the next step in the exercise where i give it to you to download but for the time being i've already got it in here loaded up pixel experts pack number one this is by my good friend pixel expert somebody i actually hire to create editing resources for my community hub creator dashboard and basically this is one of the packs he produced and we're gonna be breaking it down for you guys so i want to go ahead and demonstrate how with using this pack we can simulate some amazing effects with very little work and i want to actually go ahead and get the garden sequence because the garden sequence isn't as pimped out um and as you know upgraded and and edited to a to a crazy level as it could be right now those look kind of cool right there all right it is what it is right it's it's got it's got something however i want to go ahead and do the same thing where we do use an adjustment layer which is exactly what we've done here however or actually i don't even know if we have to use an adjustment layer what we could do is delete those adjustment layers and literally just go ahead and add this effect to the end of a clip and the beginning of one so it's literally just chop out a tiny bit of at the end of one of the clips and a tiny bit of the start of another one highlight them both and actually right click and press nest now this is going to turn them both into one sort of joined together piece that when we actually drag something on for example let's drag the hard shake onto that right and then we go a little bit before and press spacebar to play boom just like that it applies this hard shake right there to the middle of that of those two scenes and just like that boom it transitions in guys and that right there is just one of the ten effects there's ten one two three four five six seven eight nine ten boom we've all passed maths we all know how to count to ten amazing ten of them they're there so uh pretty much we can now use these in any way we we see fit and just one of the ways that i personally think is really cool is the fact that these are um you know perfect for transitions now what i want to do is i want to delete the light bit because there's actually some light effect on it which actually makes this seem a little bit crazier than it is so let's see what this hard shake looks like without the light effect boom there you go actually looks better i'm not gonna lie it actually looks better because the light doesn't distract you hard shake looking great um if we want to actually go ahead and uh and delete this what we could literally do is we're gonna have to go ahead and press control hold it down and just literally highlight all of these oh make sure you don't miss one of them or else it's gonna unhighlight and you're gonna have to redo and just delete those um and basically we've now removed it so what we could do then is get the waves and flashes drag it on there boom just like that amazing that's another whole effect right there ctrl z undo it let's go ahead and maybe get the soft shake see what the soft shake saying but i'm pretty much just trying to familiarize you guys with the uh with the various different um sort of effects that you can use here and they all have a slightly different um execution if you will that's like the bevel right there you got the bevel cool looking cool maybe we get the flare the flares looking i'm just trying to showcase them to you guys all right so we're going to come back in a second awesome flare control z control z control z control z i'm undoing everything turning it back to the exact position it was before oh the warp stabilized looks like it's got to redo his thing oh because i guess i removed the war state warp stabilized my bad warp stabilize definitely needs to stay 100 analyze go ahead and analyze that throw the warp stabilize back on that clip right there and um we should be blessed to come back and give you guys those particular transitions to actually download and that's exactly what we're gonna do next so jump to the next episode i've got the pack for you guys to download it's literally one file the pixel experts effects pack pretty much download it and we are going to jump into the full breakdown of adding these to this sequence and maybe a couple other sequences as we go let's keep cracking hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course continuing and finishing up actually the transition section we are jumping into the transitions part where we're going to give you guys that that file to download and we're going to basically do the uh the presets preset exercise let's go ahead and do it so just for the sake of doing everything from scratch i'm going to delete the pack that i have in there and we're just going to import it again together remember you can download the pixel experts effects pack number one over there in good old fashioned resources and we could go to presets right click import preset now we're going to literally just locate our folder so locate wherever it is click our folder click our preset file and press open and it will create a corresponding folder with all of the presets that have been saved and basically we have just imported them we got 10 different stuff that we can use and basically help us out to improve our sequence so i want to literally just delete those actual resource i mean those adjustment layers over the top and we're going to be using these bad boys right here from the resources to make a better transition effect okay and basically what i want to do is i want to go ahead and remove the attributes remove that convection thing from from the side of it awesome get it gone we don't really need it i'm not too interested over here pretty sure it's there as well so we've got the light the lights gone there's no little light effect at the end or anything like that it's basically these are raw these are raw right now pretty cool clips of me and my homie luke out there in somewhere called uh dartington estate big old estate getting some clips pretty fun day overall this right here is some nice stuff and we want to mess with it all right so what i want to do is i want to go ahead and have an effect transitioning and also a pretty cool effect at this point right here in the middle so what i want to do is i literally want to come over here and i want to just hover over to the to the left hand side make a chop bring it over make it shop on the right as well and i want to go ahead and do the same pattern over here as well and i'm literally just edging over until it locks into the first position and i can actually go ahead and make a chop and then you guys know what to do we literally right click and we make it a nest amazing right click these bad boys right here highlight them first and make them a nest and go ahead and press ok and i just want to start messing with some stuff so let's throw the let's throw uh mosaic and zoom onto this right here and let's see what it's looking like so we've popped that on it zooms a bit in mosaics i'm gonna press control z i'm not really loving the look of that maybe zoom glitch for example and it's literally guys a case of just put it on see if it fits the mood see if it looks right if not no problem press ctrl z undo what you've just done and just throw another one on there see if that one looked good so that one looking kind of cool in my opinion alright i think we might might be able to get away with that one for the time being because it just zooms in and glitches kind of cool i'm gonna press ctrl z though undo it one last time just because i want to go ahead and maybe put an offset and glitch on there see what that looks like that's like it look a little bit too much maybe with this one we get the invert flashes have a look at that the invert flashes actually i think could be good to be in the middle maybe like right about there so chop that there play it on for a second turn it off go ahead and right click go to oh press control z go ahead and nest it awesome let's bring the invert flashes on there that's where i think the invert flashes look good as you can see right there yep looking pretty cool nice now the transitions i literally think that these hard shakes are the nicest for the transitions because it just shakes it around a little bit now you press ctrl z let me maybe just try the soft shake soft shakes a little bit more subtle that's kind of like a nice effect for on the beat but i think hard hard shake for the time being for that particular one is is pretty nice and if i go ahead and literally just play this right now by pressing spacebar it is following luke from behind it hits the uh the hard shake awesome the invert flashes so it's got effects and transitions you guys could use these as effects or transitions a very cool uh sort of execution could be maybe to add some hard shake on the drop of a beat to uh to make it really look like a boom sort of effect if you will that could have a phenomenal effect in fact if we're throwing those over a music video or something like that when the beat drops could be cool invert flash is real nice and um with this one right here i think what i might actually go ahead and do is mess with the um mess with the soft shake see what the soft shake feels like right there looking pretty cool overall not really my desired effect maybe we tried bevel oh that's looking pretty nice right there so bevel 2 looking pretty cool i like it what i might actually go ahead and do is bring it over a little bit so i might even go ahead and delete that delete that um drag that over here a little bit and literally just go ahead and um go ahead and chop that down right click nest and throw that bevel 2 on there so it happens a little bit quicker go ahead and play that amazing just like that that right there is looking pretty cool in my opinion and you know what we got to do we got to go go down here i don't think this bad boy actually has warp stabilize on it for some reason so what happened to this one right here just going to drag and drop it let the warp do its thing we got guys we know that warp stabilize is crucial especially for these effects right here for this clip right here because it is a sort of low down um angle right so i was probably creating a little bit of shake and a little bit of a you know joltiness when i was kind of trying to get that low down pan through the grass through the long grass to come up to luke and then luke's obviously shooting at me so we want that nice buttery smooth drag that uh that warp stabilize over warp stabilize a key effect in your arsenal as an editor we've uh we've covered it a couple times obviously we showcased it early on because it's so crucial and um basically throw warp stabilize on there there's certain clips with more motion that kind of get messed up a little bit by warp stabilize but it is fewer than it is many so take from that what you will basically warp stabilize most of the time it works perfectly most of the time emphasis on most of the time but of course there's a couple times it doesn't now 79 80 percent nearly done and dusted and we're gonna be able to render this into out and actually play through our entire sequence and bump the quality up to full and we'll pre-render this so we got a couple more percentages waiting right one percent whatever awesome stabilizing let's wait for it to be fully stabilized and we'll save this control s go ahead and turn it to full quality come up here render into out and this will literally just quickly briefly render everything in full quality so that we can watch everything smoothly without any delay watch you see how quickly it rendered that first section and then it got to the the transition and it's taken a little bit longer that's because those transitions are high quality they're real 10 out of 10 pieces overall pixel expert um is an absolute beast he's somebody who uh you know at this point i employ because he just makes such amazing stuff and um you know this is one of his things gave it to you guys for free all yours have an absolute blast this is high level advanced effects right here let's go ahead and just play this as soon as it's rendered which it has amazing and it starts playing just like that we got the pan up to luke the hard glitch boom looking real nice real nice real nice awesome the invert suite oh look at that right there amazing with the warp stabilize and the uh the bevel honestly that's looking really good i got to go ahead and play it again for you guys we've created that together overall we built this sequence earlier right so if you followed through with that we've got it if not you got the clips amazing look at that right there perfect real nice effects and you see it really didn't take us that long if this exercise is even 10 minutes long i'm surprised done and dusted right there guys thank you for tuning in to the transition section potentially we got a couple more exercises coming up next for you guys let's solidify this stuff let's take it home we're really in the thick of this right now one more time one more play we built this together very simple we use the pixel expert effects pack three different effects one different sequence very nice execution with very little work i told you guys these presets are way to get a real nice effect without even putting much work in we did it right there showcased it let's keep cracking what's going on guys welcome back to the adobe premiere pro masterclass course continuing and finalizing the transition section this right here is going to be custom transitions now i showcased how to do custom transitions using masking so we're going to do the same thing however just using the mask tool but not actually masking around a shape actually creating our own custom shape this is what i'm going to show you guys how to do right here basically create this sort of a quick preview type of effect thing where it basically quickly shows us one clip cuts to another clip overall looks pretty cool and if we had a sequence of recurring effects like this right where it brought on the next clip like that the next clip on like that the next clip like that we'd have a pretty nice um sequence right here that would have a lot of continuity so ctrl s save that go ahead and delete that stuff right there and you know what i'm actually not going to delete it i'm actually just going to go ahead and delete just the mask so basically this is the one clip and it's over the entire thing no transition at all but we want to basically have this little illusion where we use another clip a third clip to transition in between these two clips so we got that clip there and then it cuts to this clip here however imagine if we could have a cool little transition using a whole nother clip over the top of it which is exactly what i want to do so how we're going to do that very very simple we're going to create a mask first off so i want to actually zoom out a bit maybe like maybe even like 10 percent and i just want to go ahead and get this bad boy right here the free draw bezier tool and what i want to literally do is i want to create a shape i want to draw right down here oh maybe like right there hugging the end of the uh hugging the edge of the clip then i want to go across and i want to go up and again hug the edge of the clip and maybe even seal it off right there oh maybe maybe not ctrl z undo the entire thing just literally do a little bit more basically right so maybe like there awesome maybe more like there perfect bring it over awesome up over perfect sweet so we got this kind of this piece right here we can use this piece as you see to slide on our next clip and um it's going to be very very simple it's essentially going to be slide stuff on nice and simple and we're actually going to be able to just simply keyframe it over so the way we're going to do this is we are going to go ahead and start the the um the effect or actually finish the effect right so the middle of the effect right the bit that we want over these two clips to disguise where it changes is we want the path to be right there covering the entire thing so if we come here we could see that the mask is entirely covering the clip it's it's filled over it and it's not inverted which means anything that the mask encompasses will be the actual thing that we're seeing awesome so we can mask path right there and then we can actually go over a couple of uh a couple of frames and actually just go ahead and click the mask maybe even zoom back out to 10 click it hold shift so it locks the the the the kind of place and literally just drag it over to the left so that it drags it over to the side so now you've got this scene which actually is happening way too quick so we're going to come over here come over here a little bit right maybe like right there bring it over and now we've got this this pretty cool slide down effect where boom our next clip simply slides down so space bar to play we can see looks kind of cool now a couple different variations if you guys want to mess with maybe a little bit of feather something like that you can make it slide down even quicker um or i mean slide down a little bit smoother right that's up to you that's obviously the default that's kind of like the most extreme version of it right or i mean well actually it's actually not the most extreme version the most extreme version is uh is crazy it's not even on the screen and what more looks like a fade but i think um control z undo that have a little bit of a little bit of feather to it basically just makes the edges a little bit softer all right now i now just want to simply go over the other clip a few frames over as well and again go back to 10 click on our mask click hold shift which locks the the position and literally just drag it over here and basically what we're going to have is when we come back over and actually go to the beginning of this uh of the sequence press ctrl s to save it's going to zoom over and zoom past and what we could even do is make that even faster and it would look pretty quick and pretty nice but if we come to the beginning press spacebar to play basically let me let me fit to the screen come back over here space bar to play comes through the grass over to luke facing him boom and comes back down easily transitions nicely into our next scene right here and what we could also do is potentially go ahead and save this now so we've we've built something we could actually go ahead and um right click it right or actually right click opacity save preset and just just save this as um tester right i call tester just because we don't necessarily know if it 100 works yet and what we can actually do is we can go ahead and get this clip here drag it up and over and actually drag that clip away see if we can now with the clip the same length drag drag tester to it and will it actually do the exact same thing will it it will perfect so it looks like now sometimes this stuff doesn't work but if your clip is the exact same length and you've saved the preset we've now created a preset where we can drag that to the same clip and it will basically transition on and then transition away however there's one thing that i want to do to this top clip is i want to add some actual uh sort of like lightness to it and that's going to make sense in a second because it'll make it stand out even more now the one i want to get is that corn corn out cornell which one was it cornell something like that let's go over here to uh video effects go to distorts and i wanted to scroll through and have a look at a couple of these right here um and basically pick one that i think maybe even maybe even some stuff over there on generate let's have a look at generate maybe uh lens flare maybe not a lens flare um i'm literally just deciding on what sort of nice light almost effect i'd like i'm just going to type the word light and go ahead and have a look generate some lightning not necessarily what i'm after strobe light also not necessarily what i'm after the convolution kernel light emboss is what i'm after drag and drop that to the top and let's actually just go ahead and um turn that on a little bit right here and um basically mess with it a little bit right for example maybe we want to mess with that right there or i'll tell you what we could actually do as well is maybe maybe even try and um sectioning off this bit right here right so section it off um section it off as soon as it's done and actually maybe we actually try right click go nest it and actually go ahead and try and just add one of those uh for example maybe we throw some hard uh some some hardship or some invert flashes on there that could be very very cool indeed and you know what we could have done we could have just made that even cooler so i'm going to the start pressing spacebar playing that through and just like that we should get this little flash and it should then go off the screen it does amazing it's looking like it lagged a little bit because we're playing it on full so go up here to sequence go to render into out this one right here is about to look real real nice oh the render screen's on my other screen the render window is on my other screen rendering it to out and we're going to play this together right here this one right here is a combination of a custom transition and a preset transition to create that bad boy right there and just like that it is looking pretty cool almost maybe quicker that's what i'm thinking if we double click and we go in we can see that we've got it and i think you know what i might do i might even just make it might even just make it a little bit quicker so that it happens so fast that it's sort of the naked eye can't necessarily 100 figure out what was happening there remember what i said i said those are the effects that are real nice is the ones that you can't necessarily figure out how they happened they just happened and just like that that one right there is looking pretty cool but you know what i might do i might even just control z that entire thing boom throw it away and literally just go ahead and play back our our first ever uh variation very cool awesome stuff overall guys that right there is custom transitions done and dusted by all means mess around with the stuff um the opacity section aka the masking tool really has no bounds just what you can do and have the stomach to sort of make keyframes for right but overall guys that right there is done and dusted thank you guys for tuning into the transition section boy do we have some good stuff coming up next in the following sections plenty more to come i can't wait see you guys there hey what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course entering a brand new section right now we're going to be kicking it off with exporting exporting is going to be a very interesting section based on the fact that the only way you guys are ever going to be able to get your projects out of premiere pro and not stuck in here in the timeline is through exporting and there's a lot there's lots of different variations of exporting there's different file types there's different uh you know types of files for example maybe you want a screenshot maybe you want a you know full feature video maybe you want it the best possible quality you can get and the highest bit rate there's a bunch of different technicalities when you are essentially exporting but right now what i want to do is i want to showcase how to export some screenshots basically we're going to export screenshots in a couple different ways overall we've got this pretty cool um project that we've got here now oftentimes what i do is i'm not really much of a picture taker i'm more of a video person um my you know i wouldn't even call myself a photographer i call myself a videographer right so oftentimes when i want a a nice picture i'm usually just taking a screenshot from my video clips anyways which by all means is not the you know 100 best way to do it in the world ideally you've got someone taking pictures and you got someone taking videos sometimes i got to do both and screenshots are how i manage it so let me showcase you guys the absolute easiest way to take a picture right for example say we want this image right here you know what say we want maybe like that that image right there where you can kind of see me reflected in in the camera lens or whatever you can see my face and then obviously luke is filming um maybe even more like right there perfect let's say we want that as a as an image this camera button right here export frame is potentially the easiest possible way for you guys to go ahead and get a screenshot because all you got to do is you got to click it and it pops up with this window right here and basically i mean i'm sure you guys already see what to do you pick the format you want let's go png png is going to be the best quality if you guys want you know a little bit smaller file size jpeg is also nice but we'll go png just for the best quality and you can literally title with something so let's go ahead and call this one um uh garden garden shot garden shot and we go browse and we literally just go ahead and locate our adobe premiere pro masterclass folder and what i'm going to do is i'm going to go ahead and make a brand new folder i'm going to call this exports and i'm going to go ahead and tap that right there and we press select folder and now everything will go to the adobe premiere pro masterclass exports folder amazing we call this one garden shot may you know we call this one garden shot let's even call this one garden shot um garden shot one based on the fact that i'll export one is png perfect we tap that and just like that that is going to have appeared obviously i'm gonna go ahead and simply navigate to here we've got our exports and just like that who would have known you've got your png image exported amazing looking nice quality we could then go in there we could uh throw it into lightroom whatever the case maybe start getting those colors even nicer whatever the case may be perfect awesome super straightforward now the second way of actually sporting a screenshot is through the actual export manager right and i'm going to give you guys a shortcut right now where i'm actually going to go ahead and zoom in on on luke right here and i think this that clip maybe like there pretty nice clip to be honest you got luke looking at the camera camera's shooting off somewhere it looks like an action shot right so we could go ahead and tap that and by all means that would be nice and easy or we could press ctrl m and what that's going to do in a second is going to load up the export settings and we could go to format and then we could actually come down here and for example this one instead of png let's press jpeg we press jpeg and we could export it however when you're doing that you have to make sure that you press i and o which presses it which makes an in point and an out point around one frame and then press ctrl m because if you don't it will export every single frame in the entire sequence as an image and you'll basically have a folder full of literally a thousand two thousand different images all of each different frames so basically you go here you go to jpeg what for the sake of this we'll go png as well and then you simply locate where you want to put it for example let's pop this in some other different place we go here oh boring sequence that was earlier then we go to exports and we go garden sequence two or garden shots two and then we simply press export and boom just like that it's done and dusted we come over here garden shot 2 or garden shot 20 by the looks of it what is called a selfie garden shot one amazing we could simply go ahead and right click and go over here and go to uh just delete that oh just that's just me being a little bit technical uh but overall garden shot one garden shot number two and um bada bing bada boom we've exported both of these things very very easily using the export of screenshots overall i'd advise you guys simply just to go over to the export frame it does seem pretty much like the least friction the the frictionless the most frictionless way to do it based on the simple fact that that button is always there and you have to press the in and the out point when you're doing a screenshot the other way which i mean isn't ideally desirable but overall that right there is how we isolate a still image screenshot if you will from a moving sequence the overall technicality is just make sure your stuff's in focus i mean obviously when you're taking one key frame out of a you know a moving sequence oftentimes stuff could not be in focus based on the fact that um you know it was shot very quick or maybe there could be some motion blur or something so ideally you got to find a bit that is the most stable but ctrl s go ahead and save that and we're going to come back with more export settings progressing down the line of the export section what's up guys welcome back to the adobe premiere pro masterclass course continuing on the export settings this right here is going to be how to impor export a selection just the selection so we briefly demonstrated the in and out points right where those are obviously how we tell the program what we want in what we want out very cool very cool indeed now hypothetically speaking say that we just wanted an actual section of a video for example this is this walking bit let's just hypothesize let's say this walking bit right here it doesn't really doesn't really do us justice anymore we don't really like it we want the uh the video to start right from this point or even go to the the point where the effect starts right like uh i'm just going over bit by bit and go right there and we want it to start from right there or you know that looks a little bit crazy but right after the effect starts right there we want it to start from there zoom up that effect comes in and then it has the transition to the next effect to the next clip and we just want that we want to completely cut out this beginning bit right here all right um and you know say that we don't necessarily know whether that might come in handy later so we don't want to fully remove it yet but we definitely don't want to export it with it what we do is we simply set an endpoint and an out point including and covering over the section that we wanted to export basically so if i go right here to where i want to start and press i you notice that that right there just jumped over so the sequence now starts from there now we still have all this to the left that we can still use and you know say later in the project maybe we want to bring it back in or whatever the case may be it's still over there it's untouched and overall it's not going to give us a problem if we need to recreate stuff later it's not going to waste any time but we've been able to start from the position that we want to start at and we are able to now export it just like that with an in and out point very very very straightforward very very simple literally once we've done that in and out we just press that good old control m shortcut again and we would simply go ahead and export it the one i'm going to give you guys is literally just h.264 that's just mp4 and then we'd simply uh navigate to where we want to have it exports folder when we go ahead and call this uh garden selection video garden selection video we press export and then just like that it would go ahead and just briefly figure out what's there by encoding and then it would give us an estimated time and bada bing bada boom done just like that press ctrl s we've saved it then we can open back our exports folder and just like that we've got the garden selection and it starts at the exact point that we want it to start at and it ends the exact point we wanted to start at and we didn't even have to delete anything overall we've retained the exact timeline which means that now say later on we're like you know what actually i like the beginning but i don't like the end like say we changed our mind or something like that right we could simply go here add the end point from the start add the out point right there and then literally go ahead and um oh i press ctrl n instead of ctrl m m for matthew and then i literally call this a garden selection video two and i would then export it and uh basically we would have now exported from the different selection and basically that's how you do it so i and oh two pretty cool shortcuts to keep in mind in and out i'm not too sure what's taking it longer here it's putting a little bit of lag behind it but i'll tell you probably because of the effects one of the effects let's say probably the hard shake is giving the program a little bit more of a hard time than probably it asks for and just like that it's done it dusted amazing we can come over here see garden selection video number two and it starts at the right point and it transitions nicely and then uh ends at the right point in a minute as well so just like that we've been able to do it done and dusted guys that right there is exporting specific selections of your projects we gotta we got an exercise coming up next to uh to run this stuff straight home for you guys really uh really embed it in your memory let's keep cracking what's going on guys welcome back to the adobe premiere pro masterclass course continuing on the export setting right now we're going to be doing an exercise export two types of media from one specific video you guys probably know which one i'm going for i'm going for the scotland edit let's go it's loaded up right i get excited about the scotland at any time i uh anytime i have a look right this one's got some audio elements to it as well it's got these uh these beautiful these beautiful overlay transitions that we used and um overall i want to take a couple things from it so let's go ahead and have a look now i think i know exactly the screenshot that i want i want the uh the lens flare right now we've built this together so ideally you guys should have this sequence put together as well and we'll be able to take stuff from it so let's play it through let's see what we might want to take looking very nice [Music] looking very nice indeed very nice indeed i'm thinking the waterfall scene is gonna be the waterfall scene that's where we're getting the screenshot from [Music] [Music] oh yeah oh yeah uh-huh it's looking like i think we forgot to to put this uh this outro right here so let's go ahead and just fade it out right there the end boom boom boom nice and faded perfect so i know first off a hundred percent we're going to go ahead and get that that is the screenshot right let's even scroll over a little bit perfect just like that and um the black bars are obviously on there at the top if we turn them off do we want to turn off the black bars for the screenshot for the screenshot i might turn off the black bars right so we could literally just turn that off right there boom done and dusted however uh you know what i think we keep them on i think we keep them on i think what i'm going to do is i'm going to press that right i press the uh the take a picture thing it pops up with this window right here and then we literally simply go ahead and define exports folder which it'll be saved and we call this run right here cinematic waterfall cinematic waterfall shot perfect go ahead and press okay and just like that what is going to have happened is we're going to have cinematic waterfall shot right here looking beautiful looking like some lord of the rings fresh out of the the the jungle i don't even know what's going down all i know is it looks good all right 10 out of 10 undeniably good quality phenomenal great now which selection do we want i'm going to tell you guys right now we have already defined this election that's right i know i know i know we're not going to select an individual bit but what we're going to do is we're going to go ahead and we've already done the selection right press o right there right so i know it's right there at the end not that much but i just want everything i want to export everything so i want to just section this off o at the end i at the beginning make sure everything starts at the right place ends of the right place ctrl s and what we have done guys is we have selected this right over all this stuff going off to the right we're not gonna we're not gonna complete that we have just told the program we want to render everything in between our endpoint right here at the beginning which we can drag and our out point right here at the beginning and make sure that you guys have the uh the magnet snap in timeline on and that will literally just snap to exactly where we want to be and then it's very very simple all we do is we press control m i'm gonna go ahead and have h.264 because what that is right there is that is mp4 i'm gonna click the output name and i'm gonna call this uh scotland sequence scotland sequence amazing and i'm gonna go ahead and press export and this is literally just gonna go ahead and export exactly what we've put together we've put i mean the whole course has essentially been building upon this um this edit right here and just like that you're obviously going to see how long the render is going to take for you guys it might take less it might take more based on the simple fact that we all have a different spec computers now at the end of the day my computer is relatively good so the render is going pretty fast it depends what your situation is overall processor is the main contributor to to speed pretty much um so if you got a good processor you should be okay and um just like that it's gonna have finished scotland edit encoding the scotland edit it'll take a second just to uh to fully wrap everything up just like that exits the screen quick control s just to be safe jump over here and we see the scotland sequence looking lovely looking lovely perfect can drag that up right there amazing real nice that slow-mo is real nice real nice real nice [Music] [Applause] [Music] perfect perfect and just like that guys that right there is our x sport section looking lovely and our cinematic waterfall shot right there so these are all the these are all the things we've been able to create so far looking pretty looking pretty good our export folders building up overall guys the funny thing about that is i've tried to go piece by piece for you guys but there's actually some better render settings stuff that we could use to actually get more out of this that we haven't actually been uh been showcasing yet based on the simple fact that i've wanted to do it step by step so without further a do we're going to be jumping into the best export settings in the next episode coming up let's do it very similar to what we've done so far i haven't led you astray but there's one crucial addition that gets so much more quality out of the image and the video because it increases the bit rate let's check it out hey what's going on guys welcome back to the adobe premiere pro masterclass course continuing on and finalizing the best export settings basically we are going to re-export this right here we're going to re-export it for one small technicality there is one tiny or actually three tiny little details literally just buttons we could have ticked that will take this image image quality to a whole other level this small trick is so impactful and the main place you guys will see it being impact impacted basically and actually improving the quality is when you guys put these videos somewhere else so oftentimes when you're looking at it on a big screen on your computer it's hard to tell the difference between the quality but it's very easy to tell the difference between the quality when it's on a phone for example and you've uploaded it to social media it is such a classic recurring problem for people that want to put their content on the internet that websites have to decrease the quality and compress it down because they're dealing with so much video right if you're instagram and you're getting literally millions of videos uploaded a day right and you're youtube literally getting probably billions of videos uploaded a day right loads of videos right loads of content constantly going up you can't necessarily keep everything in the absolute most pristine quality or else i mean you know it's just not very feasible so naturally they decrease the quality they compress it down a little bit so that it can be handled by their website right this is what we're going to try and counteract and get that clean image even after youtube or or instagram or whatever decompress i mean compress and that's by rendering at the absolute max possible settings so if we press ctrl m open this up i want to show you guys the max possible settings the h.264 still remains but it's this preset where we start we take it from match source high bit rate to high quality 1080p hd now instantly that is going to give more quality to this because it's upping the bit rate that we're exporting it i believe that that is the uh the sort of technicality behind it and the funny thing is there's two more things which are just super obvious which help which is rendered maximum depth who knew click that make sure that's clicked and render um and use maximum render quality oftentimes it will not use everything that's there and there's more that you could be getting out of your image and overall guys right there we're going to now export this as we're going to put this sport that says scotland um scotland sequence better and what i want to do is after we export this right boom press export let's let it do its thing i want to go ahead and just look at the file sizes between this and the other image that i mean the other video that we exported right so we've got scotland sequence one and then scotland sequence better and scotland sequence better ideally because we've exported it at such a higher quality level should be at least double the file size of the uh other file that we exported which is the exact same video the exact same selection you guys know we haven't selected more we haven't you know doubled the length or anything anything so the only contributor for double the uh the file size would be better quality and a better export preset basically and that's exactly what we've used exactly what we've utilized and pretty much all we have to do is now just wait for this uh this encode to finish and just like that we'll be able to load up our uh our project our exports folder if you will and basically we can compare those two file sizes now the end code's taken a second for a second uh it's a second for a second let's take it a second and um it appears to be uh having to figure out maybe more than the previous one was maybe because it's arguable better quality right it's better quality it's taken longer to to process itself basically and um we should see something starting to build itself here as you see right there that's what the files look like before they've actually fully finished processing but we can actually load stuff up here so the second it does pop in we're going to be waiting for it and just like that it's loaded up and if we actually simply click these right and i want you guys to look down here right so let's make this full quality look at that right there item selected 83 member bytes we select that one 42.7 double double so we go properties right click this one properties let's pull up these two properties next to each other how do i how do i double property it up there we go so scotland's sequence properties and scotland's sequence better properties right this one's the better one that one's the previous one previous one if we go to uh to general it's 42.7 megabytes but this scotland better is 84.3 double double right and that's because it's better quality overall that right there is the best export settings you guys can pretty much use in adobe premiere pro that one right there is 10 out of 10. obviously if we press ctrl m we see that you know there was obviously the uh the high quality 2160 that's 4k right so if you're if your project's 4k you use that one if your project's 720p use that one overall guys that right there is done and dusted the best possible export settings you can get in adobe premiere pro for mp4 based on i mean evidenced by the fact that the first one is 42.7 megabytes and the second one 84.3 try upload that one to instagram guarantee it looks better than the person who uploaded the video below your post i guarantee it because i didn't use these export settings thank you guys for tuning in let's keep cracking with the export settings of adobe premiere pro ctrl s go ahead and save that and keep cracking with the section let's eat it up what's going on guys welcome back to the adobe premiere pro masterclass course let's just solidify this let's bring it home let's take it all the way i want to go ahead and export a couple more things at maximum quality guys so we can actually just go ahead and affirm everything is stuck in your brain and that we're all good alright so this one right here is the one i want to export oh very very simple it's the scotland edit hidden inside the computer remember how we did this we threw it in there we superimposed it on i'm superimposed ain't really the right word to be honest but pretty much this is this is a uh let me just mute this while i play this this is the scotland edit in a computer right should be more or less the exact same uh way to export this however we remember that if we go to export settings this is 4k so we're going to be using slightly different presets so what i want to do is i want to i want to create the selection first right so let's go to the end let's press o which finishes it right caps it out it's also unmuted so we can play the audio and we've now selected our sequence perfect awesome we've uh we've made our selection now let's press ctrl m to pop up the export settings right here just like we have amazing and we notice down here it's 3840 by 2160. now the actual export setting goes off of the height so if we go here to preset we see it says 2160 high quality and i just want to go ahead and show you guys look at the estimated file size right 44 megabytes when we actually go to match source high bitrate and we actually go to high quality 1080p it instantly goes to 86. now 88 would be double technically but 86 is 2 megabytes below it basically just doubled in front of our eyes because the high quality 1080p and we haven't even selected high quality 21 2160p so that just went to 340. 340 3 megabytes from 40 megabytes amazing 10 out of 10 literally massive increase then we take render at maximum depth and use maximum render quality just like that we then go here to output name we select where it goes to green screen doctor computer that's just the default file name we're going to go ahead and call this uh uh computer watching scotland edit very nice and literal title and then we go ahead and press export and just like that that's going to do its thing in export now it might take a second for sure it could take a second based on the fact that this is 4k you know it could be a little bit more and um yeah it'll take a second to export but it is what it is of course it's going to take a second to export 4k we let it do its thing and uh and just like that we have essentially um exported in 4k and um we're basically smashing it so that right there is the exercise done and dusted we're gonna have to watch this in a second see what the quality is looking like and um and basically see what we've done so let's keep cracking let's let it do its thing it's taking a little bit of time definitely it's 100 taking a little bit of time and we're patient it doesn't matter it might take a little bit of time for somebody this impatient it could be a problem for us we're patient we sit here we keep pushing a huge part of the editing process guys is waiting for your projects to finish rendering believe me i've been editing projects 3d stuff even since i was a kid very young like 10 years old 11 years old 12 years old and i really was not using good equipment back then i had a little acer laptop it was uh very slow definitely not built for uh for for cinema 4d which is what i was using back then and um you know i used to literally sit through three day long renders and if you think i'm exaggerating believe me i love exaggerating that ain't an exaggeration right there i would set my laptop up for three days and it would do the export and it was literally hell now you can see right there 45 seconds really don't seem like much when you uh when you know that someone sat through a three-day export and uh believe me i'm that person so let's let it do his thing 44 seconds perfect time to take a sip of water to uh walk the dog take a stretch you've been sat down for a little while putting that work in we appreciate you go ahead and do a little bit of stretches no one's gonna no one's gonna you know no one's gonna hate you for it do a couple stretches touch your toes 38 seconds remaining on the render i'm taking a sip of water and more or less that right there is evidence of the 4k export time 4k is definitely gonna take longer and also um this is an animation right at the end of the day so also it's it's got to figure out the effect of the green screen right there's an active effect going on even though we don't see anything it's not some crazy explosions or anything like that there's act an active effect going on right there with the uh the ultra key that remember we added two at the end of the advanced section where we uh we put the ultra key on very very simple to get rid of that green screen right there was i mean very very easy indeed um so by far the easiest green screen i had to give you guys a more complex example after that based on the fact that it was literally too easy um but overall very very simple and we've been able to put a real video onto what is looking like a combination of uh of fake ones so it's looking like this green screen here has a green screen over the uh the laptop but then it's looking like this is a green screen for the guy as well who made the green screen so this is a normal table with a bunch of stuff but then a green screen behind it and he's put this kind of weird sciency doctory skeleton thing going down right so i don't even necessarily know why i chose this is the uh as the piece to give you guys but overall it was chosen it was given to you guys and we got five seconds on the render four three two one done and dusted let it do its encode thing for a couple seconds and you've just sat through a live 4k render green screen doctor computer 4k perfect we've used the export settings the absolute maximum quality we've rendered what is pretty much a 30 second sequence and it is 343 megabytes 10 out of 10 quality looking real good looking real pristine and um basically that's it we just got to wait for it to to finish the export and we already know the drill it'll pop up down here it's already starting to write itself we can kind of rest assured that the 4k will probably take a second right there it is it's sitting there 343 but it hasn't fully created itself because there's another file here so i'm not going to click it yet just like that it's figured itself out press ctrl s save it and we can actually go ahead and open up the export and boom just like that we have actually exported 4k i'm gonna go ahead and just drop drop that audio down a fair bit right 4k it's on the computer he's typing away it's looking like a high quality it's got the the reflection everything overall looking really good remember we put this together very very simply simply using the ultra key to key out the computer we've put the scotland edit in thrown it on there lined it up as best we could and just like that we've created the illusion that this guy is watching our scotland edit with a beautiful masking transition right there and overall that guys guys is done and dusted the 4k render x sport settings done and dusted phenomenal exercise let's keep on cracking we're about to finish export settings up and then we got a crazy bonus section coming up hours of real live projects that's going to be very interesting for you guys and i'll see you there what's going on guys welcome back to the adobe premiere pro master class course we're going to wrap this bad boy up with a special example special exercise overall i want to get that green screen um we had a green screen floating around i don't necessarily know where it went to the green screen of me right scotland edit i forget how we were putting that whole thing together there it is there there i am wonderful now imagine if i just wanted me i did not want anything below me i literally just wanted me with a transparent background say we bring this over and we just want me with the transparent background doing my thing looking around let's go ahead and go past here look around amazing and pretty much say i just wanted me kind of looking at the screen being goofy and pretty much i wanted to isolate myself with a transparent background so that we could export this and then bring it in onto other sequences very simple i'm going to break it down to you guys so first off we would line everything up right so what i want to do is i just want to increase the size of me a little bit and just bring myself over there into the middle a little bit so that it i'm full screen i'm looking around i have no clue what the hell i'm doing um i'm literally coughing hopefully i didn't have any disease at this time but i'm pretty sure i was just testing to make sure the green screen was looking good looking around making sure everything's good so say i want 20 seconds of this right perfect wonderful come over here let's press o end it at the 22nd timeline and we just want me very simple but there's a couple technicalities and it's actually a different file format that we're going to use so first off let's go ahead and press ctrl m which is going to pop up our export settings and i want to showcase format i want to bring you guys from from h.264 i want to bring you actually uh down to quicktime once you click quicktime this is basically a format that can be a little bit more moldable right then what i want you to do is i want you to come down here to video codec click it will be by default beyond apple prores 422 hq and i want you to just select animation amount animation is the preset that enables you to then scroll down here further and click 8 bpc plus alpha alpha is what you want to look for alpha channel the alpha channel basically means that this right here the the black it goes away the darkness goes away and basically we just have the character who we want to focus in on and uh as well we could literally do those same things where we render at maximum depth and use maximum render quality the preset doesn't necessarily matter so much up here and then we make sure 8bpc alpha click here and we go ahead and title this one transparent jack just like that and we press export and this will take a second because it's transparent this it's a little bit more complex than a normal layer it's got to figure out a little bit more right so expect it to take a second for a 30 second sequence this is actually going kind of quick for from what i expected but pretty much now that we've done this we are actually going to get a file that is 100 with a transparent background which means when we do a test in a minute and we export when we import rather our transparent background jack and we import it into a project put a totally different background behind it and start playing the video you'll notice that there will be no background attacks attached to me and it will basically just be me on the screen superimposed over whatever background we decide that we want and um it literally couldn't be as simple as just getting something off of google images i mean like literally i'm actually just gonna live while it's exporting right there i'm just gonna get get an image off of google just let's let's go ahead and call it a mountain top right mountain top background by the way this is a good shot of how to get just random stock images that's finished wonderful and we get the mountaintop background i'm going to right click it i'm going to go save image as and i'm going to save it and i'm actually just going to go ahead and drag that over here to my exports folder drag it here right wonderful and then i'm actually going to go into it gets finished press ctrl s save wonderful i'm going to go over here to my folder i'm going to drag in the uh background the mountain background and i'm gonna drag the mountain background down here to make a brand new sequence out of it wonderful i'm gonna go to sequence sequence settings it's on 26 by 1080. all right whatever i'll leave that then i'm going to go here to exports i'm going to get transparent jack which because it is a transparent background you're not going to be able to just play it right here right because uh it's month all right now look at the file size animations by nature have massive file sizes so just be worried about be wary about that but when we drag and drop it in you notice that there is no limit to it there's no background jack this the transparent track just gets superimposed over this background and now we can press spacebar to play and just like that there i am no background we did not have to green screen anything you just exported with a transparent background based on the fact that we green screen myself out i'm coughing i'm dying i'm sticking my tongue out this was a weird day i'm not too sure it was yep this was a weird day right here but at the end of the day we are back to it and um we've pretty much just just done this very nicely and you know what i could do it's looking like i'm a little bit over to the right so i could bring myself over a little bit and then we know what to do we control m go ahead and pop up our render settings go to h.264 wonderful sweet looking great what we can go here is we can actually uh go down here to actually pay attention to the to the to the width because that'll make it 1080p right so 2650 by 1080 wonderful go here put hd 1080p however that'll lock it to that so 2650 is that what he said 2650 or 21215215 oh i've literally just forgotten what what the hell the uh the sequence is 2560 wonderful press control m go ahead and uh and turn that to high quality 1080 boom the invalid frame size for this level please lower the video bounds blah blah blah blah all right you know what whatever no no 10 out of 10 high quality just press ctrl m skip the preset step because this is a weird size um now if we wanted to fix that we could literally go here and just just make it 1920. all right you know what just just for the sake of it 1920 wonderful beautiful control m load that up right there go here go to high quality 1080p scroll down render it maximum depth and render maximum quality easy peasy go here and uh and call this one uh jack on a mountain top wonderful very very very nice name go ahead and press export and just like that guys we have exported well what we've done is we've exported something with a transparent background we found a better background that we wanted to superimpose we've put the exported transparent background me over the false artificial background that we wanted to superimpose and now we're exporting both of those entities as one video file that is done dusted and basically concocted through the use of various different exports and also just various different techniques available to you in adobe premiere pro very versatile program you can pretty much do anything you put your mind to if you can figure out how to do it it's doable we go over here we go to export and we're gonna find the good old-fashioned jack on a mountain top clip and just like that guys i've been superimposed into a mountaintop i'm looking around the mountain's moving amazing and we've been able to do this very simply as you've just watched me do and you've probably just done along with me and done yourself so without further ado we're done and dusted with the export settings very cool we exported a fair few different things combined stuff exported green screens both artificial and real created new scenes exported in high quality exported screenshots overall done and dusted with the export settings guys we're going to keep cracking with the adobe premiere pro masterclass course based on the massive bonus section we have coming up next that right there by the way i've taught you all the basics i've taught you all the stuff now i'm going to show you guys how i personally utilize all of these skills uh air quotes in the field when i'm out there putting projects together i'll see you guys over in the bonus section we're getting right into it right now let's go what's going on everybody my name is jack welcome back to the adobe premiere pro masterclass course conte congratulations you've done and dusted the meat of the of the thing this one right here is going to be more hands-on more raw basically let me walk you through what i'm going to do we're going to do a whole bunch of full length projects we're going to build stuff from scratch together i haven't necessarily assembled all the resources in one place but we will so everything we use in this video will be downloadable as per usual however i'm doing it all from scratch guys so i haven't planned everything out which means i've got three main pieces from you of for you a voice over some music and a sound effect however we're going to be jumping throughout my computer and gathering footage from different folders and stuff because you know i've got my stuff all over the place but everything i use i will overall curate for you guys and put in the downloads so bonus section video intro video intro is basically a short introduction to who you are i'm a freelancer uh having a quick little introduction to send to clients has been very useful for me over the years and it's something that's helped with conversions so let's break down how we would summarize ourself in probably like a 20-second video intro and all i've given you guys is a voiceover so basically we're going to take this voiceover of me summarizing who i am what i can offer to the client and we're going to find visuals that represent what i'm saying visual representation if you will and uh basically we're gonna edit that whole thing up so first off i'm noticing that down here stuff's a little bit all over the place let me just make a folder here called uh overlays boom i just wanna organize everything here uh bring those into there was a um there was a folder called assets maybe i guess it was yeah whatever assets audio prod i'll put that in sudden impact 2. that's actually about to be used by us so i'm gonna go ahead and call this one right here video intro bonus amazing video intro bonus you know what i'm gonna drag sudden impact into it you guys already have a certain impact but get sun impact monologue and the jack cole voice over let's drag that into our our video intro bonus section wonderful all right now what i want to go ahead and do is i want to take the jacco voice over drag it down here so we make a brand new composition brand new sequence and it instantly creates it out of my voice over wonderful now let's play this voice and just listen roughly to what i say so we can start gathering visuals to go over the top what's up people my name is jack we're doing a big night doing is small i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera or in the club shooting up an after movie but whatever i'm doing i'm making some content and i'm bringing you guys with me let's get to it wonderful so basic voice over first thing i can see that we can do right here is just trim it right there at the end so what do i say i say let's get to it boom trim that right there maybe even a little bit before just so it's uh it's nice and concise we don't need that end a bit on the end and then let's go ahead and press ctrl s everything we do we save it let's go to the beginning let's see if it needs a just shortening what's up people looks like it could maybe do with um yeah you know we'll leave it there i think it's all right now let's get our song let's line our song up es monologue right it's looking like the drops there but the voice starts here so first off let's literally just make an incision and let's bring the drop over here so that roughly it starts at the point that we want it let's go over one frame see if that's right yes wonderful drag that here and now if we play this this should start at the exact time wonderful obviously it's way too loud so let's let's drop it to 20 let's see what 20 sounds like all right what's up people my name is jack there you go that sounded pretty small i am a freelance video editor videographer and youtuber producing weekly content based around pretty good pretty good indeed now on top of that what we could probably do is maybe even go up here remember to audio and let's literally just go ahead here to uh to edit go ahead and select that as dialog and let's literally just get this and and get our our our balanced male voice on there boom what's up people my name is jack we're doing not doing a small i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera or in the club shooting up an after movie but perfect so i'm thinking that sounded pretty that sounded pretty good around let's just say a around like six dynamics clarity six all right so we've tweaked the audio section a little bit so we've got overall our audio sounded pretty good now if we click this and select it on music go for a preset and balanced background music could be something let's try it let's see what it's sounding like what's up people my name is jack we're doing a big not doing this and i think what we're gonna have to go ahead and do is jump back to editing and just try and set that to normal and see what it sounds like with the balanced background voice without us decreasing it what's up people my name is jack we're doing a big not doing a small i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera or in the club shooting up an after movie but whatever i'm doing i'm making some content and i'm bringing you guys with me let's get to it [Music] amazing so that's that sounded pretty good right there i think that's the foundation of what we can start building upon so let's listen to what i say let's think about what visuals do we start to need or in fact you know what we could do we could just complete the sound design quick bring our sudden impact here and just you know what i'm gonna do exactly standard tactic of just ending that on the absolute drop bring that over here drag those over and chop it right there and see what it's sounding like let's get to it perfect so we've built the sound design perfectly we can press o to end our selection right there in at the start oh at the end very very simple and uh pretty much we've done the audio section so all of our our you know layers down here our audio layers are more or less done and dusted right now maybe we do some more sound design maybe we don't now what i want to do is i want to play this i want to think about what visuals i need what's up people my name is jack we're doing a big not doing a small eye so i think i need some footage of me wonderful so now comes the uh the hunt if you will guys everything that i give you i'm gonna load up two folders the one on the right hand side will be the actual folder that all of our resources in right so right now you guys already have those and the folder on the right is going to be let's have a look it's looking like i'm just going to have to go ahead and load up the same folder and then navigate to our footage drive now i have a footage drive for for situations like this we got two folders on the screen that's ours this is gonna be the one that we find stuff in it's cool i'm gonna go over here to my record drive and i'm gonna go to footage drive we got a bunch of stuff now i offload stuff every now and then into the cloud however today we're just going to be digging through the folder seeing what we can go ahead and find so i'm talking about myself right away right so what i want is i want some footage of myself i know that this one right here is like a photo shoot maybe we could use something like this [Music] so what i might do is i might go ahead and bring this in um or what i'm gonna go ahead and do is i'm gonna give it to you guys actually first let me drag it over here everything i put here it is gonna be downloadable for you guys all right and now i'm gonna i'm gonna import this i'm gonna right click it and i'm gonna go to unlink i'm gonna take it off now this is only gonna be square right so we're actually gonna do have to do something here for a split sec we're just gonna have to chop it where i actually start setting stuff up and then just scale it in a little bit right now i know the scale in we've lost some quality however for the sake of this being quite quick i think it might be uh it might be doable so let's hear what i'm saying what's up people my name's jack we're doing a big night doing a small i am a freelance video interesting so this is all right the bit that i like is the the hands small there we go so maybe something like that what's up people my name is jack we're doing a big not doing his small i interesting so a little bit too quick too fast there we go small i am small i am so let's go ahead and play this we might actually have to just do a zoom out as well so i'm going to keyframe it here keyframe drag those to the absolute end and just pop that on 192 and scale it up and over a little bit right what's up people my name is jack we're doing a big not doing a small i am a freelancer there we go what's up people my name is jack we're doing a big not doing it small perfect remember what we could do is we've chopped that out nice we've selected a nice little bit of that and we've done a loose keyframe animation coming out now we're going to be able to blend all these together with some overlays over the top all right and some color correction color grade everything perfect so we've got one we got the photo shoot we've dragged it over amazing i'm a freelance video editor is what i was saying so ideally we need to find some content of me at the desk with the laptop something like that now that right there is footage that is not quite i i don't have loads and loads and loads of it but i guarantee i got some of it connecting camera to computer these this is why you build up a healthy catalog realistically guys of stock footage essentially that i've shot over the sort of years if you will and i'm just looking through here which one's probably going to be the best i've got this pc right here right let's have a look at what footage are we looking at what's looking good so that's just connecting that wonderful this is computer stuff probably not not what i'm after i think what i'm gonna go ahead and do is maybe connecting the camera to the computer this could be uh got the razor blade right there something where you could see me there we go there we go that's what i'm looking for so i'm gonna drag that over here give that to you guys and we're just going to go ahead and import that and drag it up here so the the audio layer doesn't screw anything over right click it unlink delete and drag this one over right here now here we're going to scroll along right about there when it looks like i'm using the computer we're going to press c chop this down delete that push it over oh drag it manually because it was bringing over the sound effects awesome now we are going to go ahead and have a slight keyframe animation in so let's go ahead and tap the scale let's tap the position and let's play this until we want to have it off the screen which is where we'll do the second keyframe animation small i am a freelance video editor perfect right about there so i'm actually going gonna probably do like a one a 110 and maybe bring it over a little bit right there and maybe like there awesome so we just got colors going on then i got c chop that down easy peasy come to the beginning press ctrl s with playthrough we got so far what's up people my name is jack we're doing a big night doing is small i am a freelance video editor videographer and youtuber producer perfect looking pretty cool not looking too bad at all now what i might go ahead and try and do is maybe have that go on for a little bit longer let's have a look at what it looks like if it goes to that that um [Music] that speedy what's up people my name is jack we're doing a big night doing is small i am a freelance video editor video 3m a freelance video freelance video editor video editor videographer interesting so it's playing what's up people my name is jack we're doing a big not doing a small i am a freelance video editor videographer and you video editor videographer amazing so i think i am going to go ahead and have it go on for a little bit longer chop it there i'm saying videographer next so i'm pretty sure i know some good stuff that we can do we got plenty of filming stuff that's for absolutely sure so it's just a matter of uh of getting the best stuff let's come back here to footage drive let's scroll through i'm trying to think which one shall i give you guys you know what i might go ahead and do is i might go ahead and get some stuff from rotterdam again but we've already done some rhododam stuff haven't we so you know what maybe we go ahead and get the the edit the river path some river path footage you see guys i got pretty much footage for every different scenario if you got a scenario i got footage for it we got let's have a look let's double click this clip see what it's looking like there we go freelance videographer perfect perfect perfect click that bring it over here paste it into our uh our folder here so you guys got it too now amazing let's drag that over here to premiere drag it up a couple so the audio doesn't kill it and this one right here i believe is 120 frames yes 120 frames so what we can do is we can actually right click this or you know what we should do we should load it up here let's find the the starting point that we want probably this point right here when when the actual um when it starts coming out right you see how it comes out like that that's looking pretty cool i like that however what we could do is we can actually go ahead and drag that in right click go to speed and duration and drop that to 25. videographer and youtuber producer that's going to do right there is enable us to have slow motion so we've now got a slo-mo shot coming out videographer and youtuber and youtuber videographer and youtube and youtube right cool so maybe i want just 50 right just 50 i think videographer and youtube youtuber so i'm saying videographer and youtuber i think for the youtuber for when i say youtuber i think what i'm gonna do is i'm just gonna have some more footage of me rolling around with the camera i think so you know what i might go ahead and do is i might go b-roll and i might actually have a look at the cheap stabilizer shot some real good footage of this cheap stabilizer ages ago ages ago but the footage turned out great the stabilizer wasn't so so 10 out of 10 but the actual footage itself turned out pretty good i'll have i'll show you right so nice and close up here you go this one right here i think that that right there could be some pretty nice footage right there wonderful ideal wonderful so again what i'm going to do is i'm going to load up the folder for you guys i'm giving you guys plenty of resources right now i'm going to drag it over let's get a copy and we're simply going to import that into our adobe premiere pro somehow it threw itself into advanced happens you know what i mean video intro there we go double click it load it up i'm gonna skip over to probably right around here press i for the uh the end point and we're just gonna go ahead and drag the video only and also i think this is 4k so let's right click it and let's press set to frame wonderful now let's come back here and first off also we're looking like i could see a situation which is going to happen which is we are going to have to get a whole bunch of color correction going on to blend stuff but that's no problem let's keep playing what's up people my name is jack we're doing a big not doing a small i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera i say you can catch me around town with the camera okay okay okay now let's come back i'll tell you guys i i you know one professional videographer he keeps one footage drive but me i'm a whole another level i keep two so we come over here we go i'm gonna consult footage drive number two now for you guys all right i'm gonna get some cars some car clips having a look having a look having a look i'm pretty sure these are just my side don't believe i've downloaded the other ones not a problem not a problem so you know what i'm going to do i'm actually probably just going to go ahead and leave these alone for a minute right here based on the fact that i don't have any third person footage of me but what i'm going to go ahead and do is i'm going to just consult more editing contest footage the editing contest footage is me so i'm looking through i'm looking through i know we got some good stuff i'm just trying to think what i actually want to give you guys right catch me rolling around town with the camera is what i uh is what i was saying so let's have a look if we can find something decent that's luke right there there we go let's have a look at the bts right here so what we've got is a music video behind the scenes and we can actually take something nice from this so let's have a look let's have a look let's have a look um i'll tell you what we want to do maybe this one right here holy front pose instead of you there we go wonderful drag that over some forest eclipse so forrest eclipse sounds pretty good drag that over into premiere again drag that into video intro bonus load this one up scroll over perfect probably around there that looks kind of sick when you're crouched there we go drag that in amazing and keep playing you can catch me around town with the camera or in the in the club amazing press c chop that down easy peasy the club super easy footage jump back over here footage let's go ahead and jump back to our footage drive number one record drive if you will footage drive and what we can go ahead and do is uh have a scroll through see which footage is uh is probably gonna gonna be best for us but you know what i'm thinking i'm thinking i think we might have to two seconds i think what i might have to do is i might have to bring through some footage from my dropbox guys see sometimes i i've got a lot of footage all right i've got a lot of footage there's no two ways around it there's a lot of footage float around so i'm having to jump over to dropbox remember i'm giving it to you guys anyways these are the raw projects right here this is what a project would look like for you guys i'm going to go over to nightlife probably going to go ahead and select new year's 2020 2018 was good year new year's 2018 partying it up big time and i'm scrolling through let's find some uh some first person footage uh some third person if you will third person first person same thing scroll on through i think what i gotta do actually is i gotta find some behind the scenes let's have a look let's have a look let's have a look behind the scenes uh casa new year's eve there we go and i want to go ahead and find a nice third person clip boom something like that let's go ahead and download that clip right there amazing it's going to download real quick quick and you guys know exactly what i'm going to do as soon as it's downloaded i'm going to drag it into uh the folder drag it here drag it here and you guys know that because you would have already downloaded it from the resources and then i'm simply going to go ahead and drag it into good old fashion the uh the windows up here and we can actually that's me right there obviously filming oh there we go boom perfect so probably right around there there you go that's looking good that's looking good indeed then we could simply grab the uh the video bring it in play it club shooting up an after movie but whatever i'm doing i'm i'm making some content out of it i think that's what i'm about to say next so we chop that there press ctrl s go ahead and save that down and then what i want to do is literally just find some video of me walking with the camera and i'm talking to the camera exactly and you know what i'm going to do i'm going to go along this this sounds pretty killer location um having a look let's face along with another led yeah so i'm just trying to find a good establishing shot of me talking to the camera basically there you go wonderful so again i'm just going to drag that over perfect drag that down into video intro bonus double click it load it up probably go to probably right around here where there's motion because it's just interesting press i in point go here we're gonna have to right click press set to frame this looks like that's 720p somehow i'm making some content and i'm bringing you guys with me let there we go what am i doing here boom chop that down bring that over here i'm making some content and i'm bringing you guys [Music] before my hand goes down maybe like there drag that over drag that there just just position it time wise movie but whatever i'm doing i'm making some content and i'm bringing you guys with me there you go you guys with me we could shop to something else now go ahead and boom get the first person let's have a look at what that is that's just a picture i think some more content from this one just because that was pretty short drag that over and drag that into video intro bts nice probably the the shot moving over amazing boom drag that there chop that down easy peasy press control s go ahead and save that and we can go back to the beginning have a look at what we've built this is the skeleton what i like to call here we still need to color grade and we still need to tie everything together with some overlays and some transitions let's play it let's see our loose cut our rough cut if you will what's up people my name is jack we're doing a big not doing a small i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera or in the club shooting up an after movie but whatever i'm doing sorry about making some content and i'm bringing you guys with me let's get to it perfect just like that we did it big now what i want to go ahead and do is i want to go ahead and get our premium glitches um where where are those uh those 10 out of 10's i'm not gonna lie go ahead and bring that advanced effects down get these these clips right here drag those into video intro bonus amazing and we can go ahead and hit up the overlays mlt one three whatever these overlays those overlays are cool right there let me have a look i think these are the these are the ones that i want right here uh no no no no no i think the other ones are actually nicer going back and forth standard you know how it is there we go so let's go ahead and uh and actually bring that on the um on the most overexposed bit that right there start it right there and drag it in and basically the reason i'm doing that is because i want this to start off with kind of like a glitchiness and oh every time we bring it in we have to click it go to go to blend mode go to screen what's up people mine and just like that we've got pretty cool effect going on and then we can simply drag this one over here drag it above remember we go to find the point of biggest brightness because that's the point where we could safely transition we turn it to screen we chop it in the middle and we bring it over to lock it right there then we go ahead and get the next one we drag it in we literally scroll over in it until it's at a point which is kind of peaking essentially and then again we just chop it down we drag it over bada bing bada boom bob's your uncle nothing uh nothing hard about it at all we get the next one we bring it over we chop it down or i think probably that's maybe where it is something like that again we bring it over we go to screen we chop it we bring that there and then we go ahead and play and we see what everything's looking like just just before we start continuing right what's up people my name is jack we're doing a big not doing it small i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera or in the club shooting up an afternoon amazing amazing amazing amazing amazing so i'm gonna double click the next one go ahead and play that over perfect start it right there drag it over oh see that's why you've got to be careful that you're not importing it too high because it'll go ahead and shut down your other audio and that's that's the point that we want right there perfect screen bring that over get the next one bring it in most of these are are uh they're all very similar right so you can kind of just chop and change but you just want stuff to be basically happening on the screen so fast or in the club shooting up you can't necessarily tell what's going down now some of these are faster than others some of these are slower than others but overall you can't really go wrong with uh with throwing them over the top of these sort of hard cut changes because the hard doing i'm making some content and i'm bringing hardcut changes are stuff that ideally we want to disguise right it's not it's not 100 deal breaker a thousand percent but overall the hard cuts if we can make uh if we can basically distract people and not let them realize that there was such a hard cut right there it's gonna be it's gonna increase the the experience of the video 100 so that right there is everything sound designed up to to a milli everything's looking good let me have a look let's get to it get to it perfect looking good looking good looking good and now we can come back to the beginning you know what we can actually go ahead and do is just bring this stuff down a layer because it does it doesn't actually need to be up the only reason it was up there was because we were trying to make sure we didn't overlay the audios however oh bring everything down bring everything down just like that and you know we can go ahead and do is we can actually go here and we can type in adjustment layer and we can get our adjustment layer and adjustment layer can be reused a bunch and you know what's up people we can actually go up here to color and we can actually go up here to creative and we could try a couple of these um presets right just to have an overarching feel to it if you will right just for the sake of having one of these presets maybe we just use a uh a fuji i'm not really feeling any of these fuji so far that's for sure mess with it mess with it a little bit see we can do the monochrome definitely isn't the uh definitely isn't the look um maybe maybe we lay off of it and maybe we do our own but we definitely have to color correct some stuff because obviously something like this right here is in dire need of for example some contrast and also it needs the highlights leveled out a little bit right however that is not what's needed for the next section right so basically it's going to be a little bit of color grading now let's go ahead and give it a try what's up people my name is jack we're doing a big not doing it small i am a freelance video editor so that one there that's needing some some maybe i'm not gonna lie some contrast or you know what maybe even some fade to film because that that's uh so this is going to be kind of tricky this is going to be kind of tricky there's no two ways around it what i'm probably going to go ahead and do is literally just get everything get a look and add a look to everything right away just so we have a nice clean base level to everything right that's too much 100 what i'm gonna go ahead and do is probably go ahead and browse and actually just get one of our um one of our luts right so if i come over here we get the lut pack right we got all these ones right here let's just try different stuff we got the captain crunch not looking phenomenal teenage dream not looking phenomenal old town road not looking phenomenal but also what i'm thinking we might have to do is probably jump over here and i sized baby looking okay however what's up people my name is about making all of our scenes look more or less similar so if i size baby looks good on one but looks really bad on the others then we've got a problem essentially and all of these are very different scenes isis baby really promotes the blacks a lot so what i think what we want to do is we want to bring out the uh the lights isn't it you know i mean you see how here we have the the blacks turned all the way up and it kind of overpowers the image because sucks sucks us in a little bit much midnight what's up what's up people my name is jack we're doing this scene right here is going to be a big problem for us i think what we're going to have to go ahead and do is probably just manually try get this to where we want to be a big not doing is small i am a freelance video editor videographer and youtuber producer yeah i'm not too sure about midnight for sure you see the the color grade is something that's crucial guys because this really this paints it all doesn't it this paints the whole story i think what's up people money rainbow could be something that's usable let's have a look on the xero jack that's looking like we've gotten more if we turn off rainbow we turn it on more has come out of this i'm thinking what we need from here is some more saturation when i look at it or maybe even yeah more saturation a little bit more vibrance let's bring some more colors out of this one basically there's not any small i am a freelance video editor perfect now although although that was very relevant for the last scene i don't think it's super relevant for this scene right here i think what we got to do now or it's looking like i did i did those adjustments on the actual um thing itself by the looks of it we got rainbow road what we could do here videographer and youtuber producing and the videographer sort of section what i want to do is i want to go ahead and turn that up on one at least for any youtuber and right here this is looking cool maybe we turn the uh the contrast up here now as well so what i'm doing now is we have our adjustment layer over the top with the um with the rainbow road right and i'm doing a in a individual color correction to each of these clips as we go through them so when we now start playing this what's up people my name is jack we have this scene right here which is we're doing a big night nicely doing a small i am a freelance video editor videographer you know what i might even do for this scene is i might even bring that uh you see i might even bring that saturation down a little bit because i was like videographer and youtuber producer this is looking nice right here maybe nope no weekly content based around video production you know what that actually might need to be a tiny bit up 10 based around video production you can catch me around amazing that's looking like the saturation needs to be down a little bit there's there's no town with the camera or and maybe the the contrast up a little bit and you know what vibrance down a little bit in the club shooting there you go vibrant style and after movie but whatever i'm doing i'm making some content that's got to be vibrance wise turn down a fair bit and i'm bringing you guys perfect again vibrance down a fair bit the card colors look a little bit larger let's get to it perfect and i'll tell you what we got to do we got to repeat this bad boy right here oh i pre held alt and i dragged this one all the way over now we can go here we can drag that out to about there scroll into it see where the brightest point is it's already on screen chop it bring these down one and bring that here to the end and right now guys what we've done is we have created a 10 out of 10 piece right here there's no two ways around it what i also might do is a couple of zoom ins and zoom outs right so for example videographer i got it right there i think you know what we do we go up here to sequence we go to render into out and basically we just have a look if this right here is looking overall up to standard basically and if it is then maybe we could do a couple finishing touches and then we're pretty much done and dusted overall guys bonus section kicking it off with a bang i've given you guys everything that i used to build this we constructed it we figured out where stuff what's up people my name is jack you're doing a big night i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera or that that right there we need a little bit more vibrance there you go in the club shooting up an after movie but whatever i'm doing i'm making some content and i'm bringing you guys with me let's get to it and just like that guys that right there is how you put together a convincing video intro if i sent that to a client you guys think hey i'm getting the job b they're not hiring me i think a pro i mean like i'm a little bit biased at the end of the day i'm willing to concede that i am slightly biased towards myself however i want to watch that again because it was looking good we're going to render into out we're going to watch it one more time together and what's up people my name is jack we're doing a big not doing a small i am a freelance video editor videographer and youtuber producing weekly content based around video production you can catch me around town with the camera or in the club shooting up an after movie but whatever i'm doing i'm making some content and i'm bringing you guys with me let's get to it [Music] and just like that guys that right there is our first exercise done and dusted in the bonus section you know what guys we honestly have so much crazy stuff to get to this bonus section is where we really hit everything home i give you guys a whole bunch of live projects you saw it was a little bit more ghetto on you know on the ghetto side i didn't have everything figured out beforehand because realistically to plan every aspect of this you guys saw i'm making some of it up as i go along that's editing right you figure stuff out so i realistically can't just plan everything 100 for you guys before but i can give you guys all of the resources as we go along just like i've done so bonus section episode number one video intro done and dusted we got plenty to come it's gonna be a big section see you guys in the next episode what's going on guys welcome back to another episode of the adobe premiere pro class course we are jumping into the bonus section episode number two how to edit a youtube video from scratch i'm a youtuber i'm a full-time youtuber so i've got content here for you guys to download and as per usual i'm gonna figure out all the other resources and give them to you as well right so download this for resources let's edit a youtube video together i've already imported it drag and drop it in and let's drag it into the good old fashion brand new sequence button amazing and let's go ahead and just play this and see what we're even looking at what's up people my name is jack welcome back to another video what's up so it's looking like i i'm still i'm just getting a little bit comfortable i'm looking around it looks like i probably don't even start till around there the reason i'm able to figure that out is because i'm looking at the waveform i'm looking at everything and i can just basically just through experience i know that that's probably where i start so i delete everything here first and chop everything over right and then i just play it one more time just to finalize if everything is actually where i want it to start what's up people my name is jack welcome back perfect it is amazing and now what i'm going to go ahead and do is i'm going to start putting in my signature overlay stuff i'm going to press ctrl s just to save it i'm going to jump over here to resources and i'm actually going to go ahead and get the updated social media glitcher which is an actual piece um that i actually go ahead and incorporate and i'm first off i'm going to copy that over to the folder of resources you guys will have already downloaded it so go ahead and get updated social media glitcher and drag it in if it doesn't make sense right away what it is simply drag it to the line above and play for a second what's up people money is amazing it is basically just my twitter my instagram my facebook all that type of stuff so scroll over till the animation is completed and what we can go ahead and do is just put that down there in the corner um and also what we can go ahead and do is go over to effects and go ahead and type in drop shadow get the drop shadow drag and drop that right there and what i want you to do is i want to put the opacity on 100 and get the distance down a tiny little bit and then press it and press ctrl c ctrl v that's going to go ahead and duplicate it go to the second one and just bump the softness up a little bit right so those two right there now because we did that we're gonna get this effect what's up people my name is jack welcome there we go so my name's jack we should probably have it come in on the my name's jack also we can go ahead and delete these two uh introduction transitions i'm not too sure how they even got on there what's up people my name is jack welcome back today we're talking about amazing now there's one final thing that i also might do which is go ahead and i might honestly just you know what no no no i i think we're good i think we're good i'm gonna leave everything how it is perfect and i'm just gonna keep playing and i'm gonna listen to what else i'm saying in fact i might even move that over a little bit just so it starts a bit quicker let's give it a play let's see what i'm saying what's up people my name is jack welcome back today we're talking about why working for yourself is better or worse amazing why working so right here what we want to go ahead and do is we want to go ahead and bring on something else so what i actually might do is i might just bring that over all the way just so it starts there and what i might want to do now is go over here to my graphics my graphics tab right here amazing and i'm going to do a very very simple um animation following actually something something we've used before all right so we used this angled title before together and i think just for the sake of doing something that we've done before just repeating it get it in your brain i'm going to go ahead and use it again so i'm going to click on it your title here and i'm actually just going to go ahead and write um i'm going to listen to what i said and write write the title out why working for yourself is better or worse why working for yourself is better or worse amazing so i've said the title all i have to click here is should you work for yourself question mark so i'm actually just gonna go ahead and should you should you work for yourself perfect should you work for yourself amazing now i'm gonna go here i'm actually just gonna type in uh impact impact nice font we've all got it nice and bold and overall it stands out pretty nicely also i'm going to go ahead and put a chop right here and a chop right here which means i've sectioned off this bit here and then what i'm going to go ahead and do is i'm going to type in gaussian and i'm going to get the gaussian blur drag that there and put that up to 25 uh repeat edges as well in effect i might even put it up to 35 or 45. you know what i mean just so it nicely perfectly blurs everything out honestly maybe even maybe even more like 101 just for the fun all right 101 that's just for the fun then what i'm gonna go ahead and do guys is i'm actually gonna go ahead and get our uh project library up and i'm actually gonna go ahead and get assets right uh or it's not assets is it it's a overlays there we go perfect click these overlays and i'm actually just going to go ahead and find as part of the second overlay pack i'm just going to find one of these ones right here and i'm actually just going to go ahead and make sure that starts at the very beginning drag it over and yep you guess right i'm going to use one of these overlays to transition in between so i'm going to turn it to screen i'm going to chop it right there in the middle oh amazing press control save that be careful when we're working on these bigger projects i'm going to drag that over there i'm going to highlight it hold alt and drag it all the way to the right which means it's gonna duplicate it and then we're gonna get an effect that looks a little bit something like this what's up people my name is jack welcome back today we're talking about why working for yourself is amazing but it glitched out and we got to drag that over again we've we've clearly encountered a little bit of lag let us let it do itself we got to make sure that this is not underneath it drag that over here and what i also want to go ahead and do is quickly this is this is going to majorly set the tone is i want to just go ahead and get some um some actual sound right some some actual audio right so i'm actually going to go ahead and i'm just searching on my other window real quick just trying to find find a track real quick and i have indeed so i got this track for you guys bring it back right i'm going to go over here to tutorial drag it there looking good we're going to import it we can drag it straight down here to the timeline all right and i literally just want to go ahead and actually you know what let's let's open it in our window here and scroll over and find the drop because i wanted to come in on the drop oh yeah sounded good perfect that is the drop right there press i drag it down here put it down there and just like that our song now is going to come in on the drop perfectly so now what i want i don't want it to come in right away i'm gonna know that probably i want it to come in around minus 20 wonderful and probably around here maybe it's minus 35 all right so it sort of slowly slowly fades in from a little bit of a background track all the way to the top let's play what's up people my name is jack welcome back and you know what we actually might be able to just quickly try and try right go up here to audio select these bad boys go up here to edit select dialogue get them balanced male voice click this select his music balanced background music and let's just give it a play see what these presets do if they work definitely not which means that we can have that balanced background music but at the same time do a minus 20 um and go ahead and animate that out ourselves because at the end of the day it's definitely looking like uh that was a little bit too loud so we've done our own animation let's play this what's up people my name is jack welcome back today oh it's looking like the uh the balance background is messing with it so go to default play it should be all good what's up people my name is jack welcome back what i want to say today we're talking about why working for yourself obviously we're playing this all full so we're bound to get some lag two seconds guys two seconds two seconds let this figure itself out if stuff freezes just stop everything you're doing don't overload it because now that we're on a fourth quality we should be able to play this nicely also what i think i might have to do here is go ahead and turn this up five because i think my uh my microphone wasn't on the absolute loudest potential setting right so i'm literally just copy pasting the number five putting it in the level so we're five decibels up let's play what's up people my name is jack welcome back sounds good today we're talking about why working for yourself is better or worse and that's looking a little bit boring right there i'm not going to lie so what i might do is i might have a slight animation in so it flies in then animates in right so just something to make it a little bit more interesting we're talking about why working for yourself is better or worse and i'm pretty much gonna be ticking off a whole bunch of different points in either direction amazing now there's also one crucial thing the audio actually got lost on these somehow so i'm literally just gonna bring in just the audio because it helps to have a little audio element it's gonna be ticking off a whole bunch of different guns in either direction and it's basically up to you to take a couple notes and decipher and decide you know what i'm also gonna do i'm also gonna have a animation in on me so it's animating in by 10 and then animating out by what's up people my name is jack welcome back today we're talking about why working for yourself is better or worse and i'm pretty much going to be taking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better overall i'm jack 21 euro perfect boom bring that over bring that in and have this on maybe 120 right so it starts 120 a bunch of different positions basically a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better overall i'm jack perfect i start doing my little video intro right amazing about me i'm going to drag and drop this in actually i'm going to copy paste it this is my little video intro right it's kind of similar to what we just made in the previous section i'm going to drag this up here to the top wonderful bring it in bring it in and we can drag and drop it in and start piecing it up i'm jack 21 year old freelancer interesting so i say a little bit of a different situation but you know what i'm gonna do i'm gonna have to go ahead and do this like this drag and drop these over hold alt drag them over amazing holding obviously drags everything over and duplicates it and let's see if this makes sense this is a video intro but it sounds like i said something a little bit different so let's play let's see what it sounded like better overall i'm jack 21 year old freelancer and entrepreneur overall freelancer is the main sort of stuff entrepreneur working on a couple things on the side and essentially i've worked for myself more or less my entire life there's three days that are amazing so i'm saying how i'm an entrepreneur etc stuff like that that's great but my video intro does not necessarily it's not it's not necessarily the uh the thing that i need and in fact this is gonna be very interesting right now where i think guys i'm actually just gonna go back one and i'm actually gonna open this up and i'm actually just gonna go ahead and i'm gonna try and find what we uh what we did the video intro bonus right and i'm actually just going to load up that that video intro bonus right here that jack co voiceover is what the is what the thing is titled as but if i actually go over here to my this edit here and if i if i open this and actually just double click it and if i actually just open this if i drag and drop this right right about here maybe right click it unlink it from the audio i think i can use this that we've just built together as my piece for here so i'm being creative with the other thing we just made let's go ahead and play this see what it looks like working for somebody else is better overall i'm jack 21 year old freelancer and entrepreneur overall freelancer is the main sort of stuff entrepreneur working on a couple things on the side and essentially i've worked for myself more or less my entire life there's three days that i worked in a coffee shop um the cree the curator i have to remember remembering the name that's hilarious so let's go ahead and uh and come back here as soon as i'm done yep probably right there amazing drag this over and we're gonna be able to easily exit the scene just like that so boom chop that out and now what i want to do guys is i want to watch this coherent piece together from the start so it's start at the beginning let's watch up until 33 seconds and see what it's looking like it should be shaping up nicely and you can feel what's happening what's up people my name is jack welcome back today we're talking about why working for yourself is better or worse and i'm pretty much going to be taking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better overall i'm jack 21 year old freelancer and entrepreneur overall freelancer is the main sort of stuff entrepreneur working on a couple things on the side and essentially i've worked for myself more or less my entire life there's three days that i worked in a coffee shop um the cree the curator it was the coffee shop and it was a good three days overall they could tell it wasn't really for me they stopped inviting me and they never even formally fired me they just took me off the register worse than being four they just took me off the register worse than being formally fired probably because they based there's like this kid we're not even gonna tell him that he's that he's not even coming in anymore we're just so then basically i start talking a whole bunch of stuff spouting off some points and basically at that point it more or less gets into the video right and i think probably after a couple more minutes we keep listening to what i'm saying and we see if there's any more visual representation i can add over the top worse than being formally fired probably because they based there's like this kid we're not even gonna tell him that he's that he's not even coming in anymore we're just gonna leave him in the limbo and that that's my working experience so i'm going to compare whether working for yourself which is something i've done my entire life is better or worse than working for somebody else and i'm going to compare it based on the fact that i'm going to talk i'm going to compare whether working for yourself which is something this is a repeat right here so i think just for the sake of a youtube video guys we always want to get into the meat of it as quick as possible so i think i'm deleting what i'm saying here and cutting down my entire life is better or worse than working for somebody else and i'm going to compare it based on the fact that i'm going to talk about this stuff i've enjoyed the benefits of working for yourself and then compare those against what you know i probably wouldn't have enjoyed if i had to wear with uh you know doing somebody else's sort of schedule overall you know fulfilling what they wanted me to do but working for yourself on the screen was tick amazing so that that's way into it look at that we chopped from 56 to 117. that right there is a solid you know 30 seconds or something like that of content that we were able to clip out and that's going to get stuff getting to the point way quicker right so what we can do is we can bring that here and we can go ahead and uh again actually just select both of those and go ahead in fact yeah go ahead hold shift select both hold alt bring them over wonderful easy peasy play see what it's looking like oh and that that's my working experience so but working for yourself on the screen let's tick off a couple things is it better or worse but work amazing so i can come here to where i say working for yourself chop it down and go ahead and play bow and that that's my working experience so working for yourself on the screen let's tick off a couple things is it better or worse right let's break down working for yourself first because that's the one that i know first off you create your own schedule it's nine in the morning right now um and i wake up just out of pure habit of waking up early i could easily wake up at nine p.m and be recording this video as well so now here's what i'm gonna do i can sense now that there's not gonna be a whole lot more editing to be done basically so what i'm gonna do is i'm literally just going to bring this over here and i'm just gonna start repeating the background music that's correct repeating the background music at a certain point what i do is i just literally come to where the track ends and i put the track again coming in however we're going to go ahead and delete this and it's just going to start at 35. so everything for the rest of the thing is going to be -35 and now it's literally a case of just duplicate a whole bunch of these tracks so we just select the track hold alt and we bring it to the end just like that then we select the track we hold up we bring it to the end select the track we hold out we bring it to the end select two tracks hold up we bring them to the end we selected both we put them there and this is a 17 minute video guys so at the end of the day throughout it it's pretty much just you know me talking about stuff as you see i'll scroll through right and it's just me going back and forth between this document right here and essentially just saying is it you know better to work a job or to not work a job basically and this is on my youtube channel just type in jack cole to youtube if you want to find this and if you want to find out whether working a job is good for you or not and um at the end of the day at the end right here we pretty much finalize stuff up and then what i'm going to do is i'm just going to have an outro via the last thumbnail for my channel no sweat i will expect your resignation on monday i don't even know what i'm talking about anyways i lose my mind enough to talk for too long so i'm out thank you guys for watching amazing now at the end what i'm gonna do is i'm literally just gonna go ahead and and get the uh the social media glitcher press contr ctrl c come here to the end press control v oh make sure that v2 the layer above is selected press ctrl v that's going to copy paste it out thank you guys for watching have a nice day peace out that was a lazy lazy peace see you later amazing and chop chop chop then what i want to go ahead and do is simply get the first one the one that was actually very loud hold alt drag it to the end turn off the adjustment get that back to normal and what i want to do is i want to simply get a thumbnail from the last project that i did so i'm going to go over here i'm going to go to record drive and i'm going to go up to graphic design and i'm going to go through my thumbnails i'm just going to scroll it i'm going to see which was the last video that i put up i think it was this one who won the the film competition so i'm literally just going to go ahead and drag and drop that over here drag that to the end right and what i'm going to go ahead and do is i'm going to have a look at the time 16507 and i'm gonna go to 17 1007 because that would have been exactly 20 seconds and the the outro the outro screen on youtube is 20 seconds so i'm i put a graphic at the end for 20 seconds i select 20 seconds of the song at full blast which sounds like this and i go ahead and i go back to my effects and i actually get gaussian blur again and i put a 25 gaussian blur and what i do is i put the actual i put a link to this exact video on youtube so you have the in focus thumbnail linking to the actual video at the end on youtube embedded and then you've got the same thumbnail blurred out in the background overall it makes for a nice effect and then i literally just press ctrl s i usually come to the beginning and you know just brief stuff maybe something like that see what more i could i could actually add and stuff like that so i think i'll go ahead and do that real quick see if there's any more visual representation we could throw on at the beginning basically that first minute you want to make it lots happening to keep their attention so let's see if we can do more what's up people my name is jack welcome back today we're talking about why working for yourself is better i see something we could do right away we could make this text should you work for yourself let's go here let's let's get the dropper and get that blue get that blue copy paste it should you work for yourself amazing amazing amazing click it is it absolutely centered it's not see it wasn't even centered we play it or worse and also let's go ahead and turn this bad boy up a little bit more should you work for yourself amazing also i see something i could do this is gonna be kind of interesting right here i'm gonna do it anyways just for the fun um go to footage drive let's go ahead and uh and get my um my cirque manchester i think the parallax effect i've got a little effect for you guys just for the fun of it 4k particles go ahead and give you guys these all right go over here to uh to our resources download these obviously you probably would have already got to get these 4k particles drag and drop them in i'm just going to throw a little bit of a random detail on a completely random detail this is literally just to make a little bit more fun if you will right if there's a little bit more going on maybe maybe it's looking cooler and i'm going to get these 4k particles i'm going to drag them oh i'm actually going to select a smaller selection i'm going to drag them here i'm going to make them fit the screen fully and then i'm also going to go here and i'm going to turn them to screen and you know what i might even do i might even go ahead and uh er you know what yeah looking good and then what i'm going to do is i'm going to get them i'm going to drag them all the way down so that just the top left hand corner is showing and then i might even drop it down to 50 opacity so now we should have a little bit more of a dynamic title sequence what's up people my name is jack welcome back today we're talking about why working for yourself is better or worse cool kind of cool however there's one quick thing i want to do i want to get them i want to go to color and i just want to go ahead and bump that blue all the way up make sure that there's uh no messing around get the curves let me get the blue all the way up red can we take the red out there we go exactly oh no get the blue encourage the blue hey you know what encourage the green as well i don't even mind there you go and i'm pretty much gonna be ticking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better overall i'm jack 21 year old freelancer and entrepreneur overall freelancer is the main sort of stuff entrepreneur working on a couple things on the side and essentially i've worked for myself more or less my entire life there's three days that i worked in a coffee shop um the cree the curator it was the coffee shop and it was a good three days overall they could tell it wasn't really for me and you know what i'm gonna have to do here i'm gonna have to do that that zoom in again it's 135 let's see how zoomed in that is all right at the end of it maybe they stopped uh nah more like 1 30 there you go biting me and they never even formally fired me see just the reason i do that little bit of small intro just because something more is happening basically if it's zooming in at least something more is happening the mind is content off the register worse than being formally fired probably because they based there's like this kid we're not even gonna tell him that he's that he's not even coming in anymore we're just gonna leave him in the limbo and that that's my working experience so working for yourself on the screen let's tick off a couple things amazing perfect done and dusted that right there guys is how to edit it all of a sudden i'm literally just going to go ahead and press ctrl m going to pop up these bad boy export settings click this one go ahead and get high quality 1080p and go to go here to render at max depth boom boom boom and i'm gonna simply select my uh my folder which is actually gonna be my official folder the oh my bad my bad my bad 2020 and youtube videos i'm gonna go ahead and call this should you work for yourself or somebody else what was the official title of this i'm not too sure i think i had an official title for this right here i think it was um is working for yourself better or worse is working for yourself better or worse amazing go ahead and press export and with that being said guys there's a lot of different channels so it's going to figure stuff out and it's going to go ahead and process and render so thank you guys for tuning in to another bonus episode we got more fun stuff coming up next exploring different live projects and how to create them from scratch see you guys in the next episode let's do it what's going on everybody welcome back to the adobe premiere pro masterclass course continuing on the bonus section right now what i want to do is i want to do a social media teaser now that is a standard practice when you're trying to bring more traffic to a link a youtube video on this uh in this case and basically we often times as influencers me being an influencer speaker from that perspective we want micro content to promote our sort of our our big main release right so when i drop a big youtube video what i want to do also is i want to accompany that with micro content on social media that sort of backs it up and drives more traffic from the other social channels to that particular link and uh basically gets more views right so we want a cool little concise piece of content that sums it up nicely and uh and basically we're gonna be able to put that together through um through premiere pro with a square piece of content and make some micro content so is working for yourself better or worse go ahead and download the actual rendered fully rendered clip and uh well you might have just rendered it yourself so either use your exported version or download my exported version if you didn't export it after um our previous exercise together and pretty much i'm just gonna let that fully import itself so that we're not dealing with any uh you know glitches or anything like that oftentimes if you sort of drag your uh your video into a new sequence before it's actually loaded up down here it will not import without with audio channel because it basically didn't figure out everything about it and it basically has to write and generate the peak file as it says right there the peaks are obviously all these little waveforms and stuff like that so just your best overall to best practice to let that go all the way through then drag and drop it down here and there's one simple thing i want to do which is going to sort of change the dynamic of the type of video we're creating which is go to sequence go to sequence settings and go ahead and turn this frame size tonight to 1080. 1080 by 1080 which is going to be a perfect square let's press ok and just like that it has turned into a perfect square then what i want to go ahead and do is i want to right click and i want to press set to frame size which is going to put it right here in the middle and uh that might look a little bit strange to you guys but it will make sense when we uh when we create what we're about to create now what i want to quickly do is actually go ahead and just uh corner off some stuff real quick let's go ahead and get all these uh all these other stuff and just drag that here and uh and call that bonus youtube vid right because we want to organize stuff leave that there i'm not trying to get these ones into a new folder called bonus micro content sweet i told you guys from the start to be organized overall i do forget about being organized sometimes but it always comes back to me in the end now what i want to do guys is i want to create some solids i want to create some actual color mattes stuff that i want to change the background of white basically black it looks a little bit too crazy i want some white so it's real standing out when it pops up in your timeline and also kind of blends into the the whiteness of instagram and twitter and all that overall white for square videos is usually a pretty good color so i go up here to new for file new and then i click color matte and we're going to create two color mattes but one to start it off with a white color matte simple press okay drag and drop that to the layer below our video and just like that now we've got our video in the middle with the white background behind it now what i want to do is i want to build a progress bar down the bottom you guys have potentially seen these all throughout social media they're a very common strategy basically we have a progress bar working its way across the bottom here and it basically just keeps the viewers attention it shows them that you know that they're making way through the video whatever the case may be but before we do that i want to decide the actual selection of the video we're going to be using so i say about 15 to 30 seconds let's play probably just the first 15 to 30 seconds of the video let's play what's up people my name is jack welcome back today we're talking about why working for yourself is better or worse and i'm pretty much going to be taking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better [Applause] i could easily wake up at nine what's up people my name is jack welcome back today we're talking about why working for yourself is better so i think what i'm going to go ahead and do is you see i'm literally just playing through a little bit and i'm just trying to hear sort of like where are we building the the hype and overall i think the best the best place is probably right after i introduce myself so people my name is jack welcome and welcome back that today so let's go ahead and shop it down there where i start the next thing i'm starting to say today chop that down go ahead and play that see if it's sounding concise and then i think we cut it off uh right before it starts getting into anything crazy go ahead and play it today we're talking about why working for yourself perfect perfect or worse and i'm pretty much going to be taking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better overall i'm jack perfect is better overall so we're gonna end it when i say work for yourself is better it's better overall right before overall boom boom boom go ahead and delete all those absolutely amazing and that basically is our selection right there okay now what we're gonna do at the end is a little bit of sound design just to to bring that out right the same sound design strategy we've been using before and we're gonna do replicate it again right um real quick we could go ahead and do that so what i'm gonna go ahead and do is i'm gonna jump back here i'm gonna get our sudden impact 2 sound effect that we love so much i'm going to drag it into my bonus micro content and go ahead and drag that over right there amazing amazing amazing amazing amazing and go here chop it at the at the highest peak point bring it over here delete the side drag that over so it's all one continuous piece and go ahead and play it just to hear what it's sounding like for somebody else it's better i think it needs to be moved over a little bit more somebody else is better perfect perfect perfect and that's just going to build some suspense at the end where we can have some text that says go check it out whatever the case may be now let's go ahead and build that progress bar go ahead and hover over our bonus micro content folder so the the next color mat gets created in that folder and we don't have to do any extra organization go up here to file go to new go to color matte and then go ahead and press ok but this time let's make it red or what we could do is we could make it match the color of our particular um color theme that's going on which is blue so that's sort of a stylistic choice now just for the sake of making stuff match i think i'm gonna go ahead and do that so i'm gonna get this blue i'm gonna make it i'm gonna drag and drop it over our video now what's going to happen is it's going to take control because it's the highest layer and it's obviously cover everything but all we want to do is go to position and get this 540 over here the uh the right hand axis and just drag that down until it's about the size that you want it maybe around there something like that right something like that it's looking pretty good it ain't looking too shabby at all amazing and then what we can do is we can go ahead and press the uh the toggle animation keyframe button and drag that to the very end which means we've told the program that at the very end of this the progress bar is full then here which is the very beginning we simply get this left hand access and we drag it all the way until it's just off the screen like that so that it starts off the screen and it ends on this on the screen which means that when we play this it's going to work its way gradually across and we've built an animated progress bar which keeps the viewers attention today we're talking about why working for yourself is better or worse and i'm pretty much going to be taking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better and just like that guys that right there is how we build the progress bar now what i want to go ahead and do is right here at the end just write some simple text that says out now link in bio very very simple standard we're trying to just literally build something that's a template um piece and we can go here click it uh go ahead and center it also tap those to the center and go ahead and get this bad boy let's go ahead and get impact impact nice solid font perfect go ahead and throw those in the middle um out now link in bio what we can do is we can get the uh the color matte go ahead and double click it get the color code right here copy paste it ctrl c and then get oh control z undo that and then get the other link in bio text and go ahead and make it blue so that we've got the uh the same blue as was down here at the link of bio so a couple of those are literally just stylistic choices make stuff feel as though it's uh more concise whatever the case may be also maybe even make the uh should we make it smaller no no no it's all good it's all good right there and then we start overlaying some text so what i'm going to actually go ahead and do is i'm going to go ahead and press t our text tool come up here to the top and go ahead and write working for yourself vs somebody else and even though it's writing it off the screen i know that it's writing because it's up there i'm going to go ahead and center it and i'm going to go ahead and get the working for your selfie or somebody else bit bring that to the layer below remember i'm aware what i'm doing i'm going to go ahead and align it center it right here dr bring it in a little bit scale it and go ahead and click it make it black and then go ahead and just get the uh the movements bring it up here pop it right there and then you know what we're gonna do we are going to highlight yourself go to fill and copy paste that code in again that blue and go ahead and get somebody else and ctrl v get that code in there right there so work it for yourself via somebody else amazing amazing amazing amazing amazing now what this has done right here is has highlighted the key bits made a nice title and also what we could even do is make that working for a little bit bigger as well drag that down so we've got that working for yourself via somebody else ctrl s save that drag that across the entire top and also drag that over here hold alt and drag up and drag it down here make it smaller oh actually click the uh click the text itself make it uh make it smaller perfect just like that and go ahead and uh um watch now on youtube watch now watch now on youtube and we can get the on youtube and go ahead and make that red and just like that we now have the red that stands out the title that stands out go ahead and center that amazing bring it bring it down a little bit go ahead and make that sort of semi-big so it's is visible and again it's already dragged all the way to the end and just like that guys we have now created a very very very cool graphic which i'm actually thinking you know what i could do as well is uh just drag it in a little bit and press ctrl d so that it actually talked about what fades on as well um and then we can actually just go ahead and press control s save that and play it through and we have actually succeeded in creating a piece of micro content for social media that will act as a promo graphic for when we drop that youtube video that we already put together in the bonus section before this let's play it let's see what it's looking like today we're talking about why working for yourself is better or worse and i'm pretty much going to be taking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better and just like that guys that right there is the the uh the exercise done and dusted couple final things we could throw some you know stylistically we could throw a couple particles in the background whatever i'll leave that stuff up to you if you want to get a little bit more fancy with it but overall guys that right there is our piece of micro content done adjusted and just let me walk through the export settings let's press ctrl m go ahead and save this and the export settings if you want the full quality stuff same exact thing go up here go to high quality 1080 however just make sure to go ahead and customize that back to 1080 or else it will be stuck and then just go ahead and get the render at maximum render it uh maximum render quality as well and then we go over here we find our our bonus section we right-click we make a new folder and we go ahead and call this micro content done and dusted um micro content teaser save tap on export this is going to go ahead and export our file and basically we have put together a pretty nice little uh little graphic um or a little little promo piece of content actually where this can act as a uh sort of little teaser increase intrigue in the video we can now go over here to a bonus bonus bonus bonus micro content and go ahead and uh and play this file right here oh it's uh it's muted yourself is better it knows it was going to be good let's go ahead and play it today we're talking about why working for yourself is better or worse and i'm pretty much going to be taking off a whole bunch of different points in either direction and it's basically up to you to take a couple notes and decipher and decide actually for yourself whether working for yourself is better or working for somebody else is better and just like that guys that right there is our bonus episode done and dusted how to create a piece of micro content from scratch we literally explored every part we explo like literally everything in here is built by us nothing is preset nothing's pre-made we animated the the bar we animated the uh you know the i mean we built this whole video together in the last section then we animated the bar we added the background we added the titles we uh we we threw the sound design here at the end to build some intrigue we put the title at the end getting the link in bio we built every part of this 100 organic and a great great exercise thank you guys for joining me we got more coming up in the bonus section believe me it ain't done yet what's going on everybody my name is jack welcome back to another episode of the adobe premiere pro masterclass course bonus section this right here is going to be how to edit a promo video from scratch and in true adobe premiere pro masterclass fashion we're going to put together a promo video for the adobe premiere pro masterclass that you guys have actually uh just completed and funny enough this exact promo video is in the introduction section of this course so not only are we at the end editing together this this intro but very very possible that you guys would have watched it at the very start of this course because uh you know i've thrown it there we're gonna make this together here which means we may as well put it at the beginning of the course which you guys will have ever already watched the timeline's a little bit all over the all over the place but let's go ahead and um and get into it we obviously have this timeline here which is the previous um bonus section which we did which was the piece of micro content overall turned out really nice we had the you know the the color theme matching all that type of stuff so let's go ahead and build another promo video this one i'm going to be following a little bit different uh strategy where i've only given you guys a backing track and a voiceover so the same backing track i like this backing track we've been using it a fair bit first off let's be or nice and organized let's go here let's type bonus promo video simple bonus promo video so all of our assets we can drag and drop we could throw those down there to the bro bonus promo video section and then let's drag adobe premiere pro into the new composition new sequence button and just like that we have a 32 second voiceover which we can go ahead and listen to and see what i'm saying and we're gonna basically start putting some uh some visuals over the top but let's hear what i'm even saying so we know what to put over welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner into a well-rounded and seasoned editor in true master class fashion we plan on taking you through the absolute basics all the way to the most advanced skills and features available to you inside the program we plan on taking you guys all the way from beginner to advanced skipping no steps along the way buckle yourselves in for hands down the most comprehensive and all-inclusive adobe premiere pro course on the entire internet let's get to it now what's on the only thing crazier than all the madness i was talking about in that voiceover is that i actually believe it this uh this this premiere pro course hands down the exercises i give you guys alone are in my experience better than anything anybody else on the internet is teaching in terms of premiere pro this stuff's really good guys this stuff's really good people aren't doing exercises like this they're just simply not so let's start building this thing now what's the first thing i say welcome everybody to the adobe premiere pro master class course this what i'm going to go ahead and do guys is again i'm going to go a little bit off grid here where i haven't prepared everything for you guys i'm going to start taking stuff off the internet i'm going to i'm going to take stuff off all my hard drives but i'm going to put it all in this promo video folder for you guys so we make sure to stay organized all right so i'm gonna come up i'm gonna come over here actually i'm actually gonna go ahead and um and oh let me go ahead and get a new uh new window up and i'm actually gonna go ahead and type in premiere oh premiere pro logo png this this is my strategy for getting images with no background so i'm gonna get the logo the adobe premiere pro logo i'll have a look i'll see if there's one that's looking nicer that one's looking pretty good to me i like that i'm gonna save that by the way you guys know i'm giving you guys everything so i drag it here i'm gonna drag that over here and import it and just like that i've noticed one key thing let me jump back over to editing funny enough i've noticed that the sequence settings are uh they've matched what our previous one was so this one we want to make it normal so let's go 1920 by 1080 which uh when we press okay it's gonna make that widescreen and i think what i want to go ahead and do is i want to actually go ahead up here and i want to go ahead and type in um premiere pro background premiere pro background and exactly i want to get something cool like this some some sort of cool background that we can essentially utilize and the reason i knew something like that would come up is because graphic designers use different they use different uh patterns and stuff like that and keep in mind i'm literally just showing you guys the process of how i go about sourcing images when i'm editing a program and editing a project but i'm giving you guys everything so don't worry you guys don't have to go do this you guys can simply go to resources and download all this stuff and just basically follow through what i'm doing but let me go ahead and have that on full and i'm actually going to go ahead and have premiere pro uh animated in so i'm going to have that on 100 and i'm going to come back over here uh you know what i might even go 110 so let's actually flip those around it starts on 100 goes out to 110. let's play this see what it looks like welcome everybody to the adobe premiere pro master class course this course would so this course is where it starts kicking off so i'm actually gonna adjust that so the animation happens sooner also i'm actually gonna animate this background where it starts this probably starts bigger um and ends welcome everybody small adobe premiere class course right there you've now got some animation happening now when we have for example uh we use some of our overlays to you know to bring it in with some cool glitches or whatever it's gonna start looking real cool so let's come over here um we're gonna go ahead and get these bad boys drag them over here to our uh our bonus promo video folder and i'm gonna get the monologue standard song that we've been using a bunch i'm gonna trim that down i'm gonna drag it over here and i'm gonna have it come in at probably minus 25 right probably throughout the entire thing minus 25 let's play it see if the levels are okay if they are we'll continue with this welcome everybody to the adobe premiere pro master class course this course amazing so it sounded really good and about to say this course this course will transform even a complete beginner and you know what i'm also gonna do i'm actually gonna go ahead and get my voice over pop it up five decibels i think it sounded a little bit quiet right welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner you know what i actually might also go over to audio just to flex what we've used so far and i'm actually might assign it as dialogue and tell it to be a balanced male voice and bring it over and start playing it again welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner and i'm saying now that this course will transform even a complete beginner so now what i'm actually going to go ahead and do guys is i'm actually going to go ahead and open up the finished videos that i've actually completed so this course obviously this is what the edits look like you guys have watched every episode these are what the edits so these are the live episodes that you guys have actually watched and i'm actually going to use these as b-roll so i'm going to actually give you guys some of these and we're gonna take pieces from these episodes and actually use them as b-roll and then animate them in and out to basically merge them together make them seem a little bit you know less like they're taken from something basically but you see how i say we're gonna take a complete beginner so listen to what i say and basically right here i say we're gonna take a complete beginner hear that and you can start to see what we're gonna put over welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner into into a well-rounded and seasoned editor so that's a two-part piece right there in my mind i'm now thinking we need one clip showing the beginner edits and then we need a clip right here showing some real advanced looking stuff so very very simple what i want to go ahead and do is i'm going to load up my promo video folder here the one that you guys are having anything in this folder you guys can download and everything over here is the stuff that i'm still figuring out so i'm going to go ahead and get editing and i'm actually just going to go ahead and get some motion breakdown i'm going to press ctrl c i'm going to come over here press ctrl v which means i've copy pasted that over i'm going to go ahead and let that do its thing go ahead and copy and paste it over just for the simple fact of everything that i bring to this folder here guys is downloadable from you everything over here is stuff i'm figuring out that i that i want to use right simple nice and straightforward awesome we got motion breakdown go ahead and uh and drag that over to premiere pro we could drag that into our bonus promo folder wonderful and basically double click it load it up and i'm actually just going to go ahead and scroll over and i'm going to find out i'm just going to i'm looking and i'm just seeing some some sort of edits or movements that would go ahead and paint the picture that we're doing some basic level stuff right because what i've just said is i'm going to take an absolute complete basic person and bring them to advanced so what i might do is i might just have this this zoom out animation here you see because it looks like something's happening so what i'm going to do is i'm going to zoom in and i'm going to scroll over until i can see the zoom out animation start to happen and we'll press i which is an in point then i'm going to actually just go ahead and just drag a drop into our timeline because there's no specific time when i have to remove it then i'm just going to play it and wait until i say something about advanced because when it says advanced we can cut this clip we can get it out of here and we could bring in a clip from for example uh you know the the advanced effects section that actually represents the advanced effects that we would have been teaching so let's play this what's here when we want to cut it this course will transform even a complete beginner into a well-rounded well-rounded right there so i'm going to chop it soon as i say well-rounded i'm going to go ahead and press ctrl s go ahead and save that then i'm going to come over here i'm going to get our advanced effects and i'm actually going to i'm going gonna think about what represents some advanced level stuff i'm thinking that you know what what represents some advanced level stuff is some green screen work 100 green screens just sort of scream advanced so i'm going to copy and paste that over for you guys to download obviously green screen work will have been downloadable in the uh resources for you guys and i'm gonna go over here and i'm gonna drag it to bonus promo video i'm gonna double click it and i want you guys to scroll over with me right now and just literally just go ahead and look for exactly some scenes that look advanced so for example i'm scrolling over ideally if we can get a zoom in at the same time then we are laughing it's looking like not much of a zoom in maybe like right about here some stuff's happening right movements happen i'm press i just play that and uh right click it and literally just amazing and i'm going to go ahead and drag just the video in just so we have no commentary no voice over and go ahead and play this and see where we want to cut it well-rounded and seasoned editor in true masterclass fashion we plan on taking you through the absolute base to the absolute basics so shop it right there when i start saying in true masterclass fashion we're taking you through the absolute basics and we got a little bit of animation to do we want to come over here to this clip right here go ahead and toggle scale toggle position and then come later in the clip and go ahead and just have it on maybe like a 120 and then bring it up until the absolute top right so it's zooming into this screen right here go ahead and drag that over here and play it oh control s the play lagged for a sec play it again space bar a little bit of a little bit of a delay it's looking like it's glitching out a little bit uh you know what we might have to do we might have to just go ahead and open up that motion breakdown and uh and bring some more advanced level stuff in so i'm literally just gonna scroll on over go ahead and have a look have a look have a look have a look maybe even right here this zoom in this zoom in right here um could be a good point so i'm gonna come to the zoom in press i remember that's on motion breakdown drag and drop just the video in come to the beginning press ctrl s save this and let's play it even though it's looking like a small playback glitch has happened right here very very simple i want you guys to simply close down the program reopen it all right this is actually very accurate this stuff will happen my bad guys the uh the program just crashed real quick there and uh and it stopped recording for a second standard technical difficulties i actually kind of like it funny enough when technical problems happen live on these tutorials because honestly and you probably will have figured this out already you'll be having technical problems throughout the course of your editing journey i literally guarantee it it's just the nature of computer stuff i mean especially high level computer stuff like editing so let's play through let's see what our our composition our sequence is looking like so far welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner into a well-rounded and seasoned editor in true master class fashion we plan on taking you through the absolute basics all the way to the most advanced skills and perfect so it's looking nice we need to just keep piecing stuff together so just to explain what i'm going to do now and i'm going to speed through it i'm basically going to keep going through and just chopping it at the point where like a new piece of information is being talked about so right here i say we're going to take you from the absolute basics to the most advanced stuff in the program right absolute basics all the way to the most advanced ski it's the most advanced skill so i'm going to chop it on most advanced and it makes sense that now we're going to go back to our good old-fashioned um completed section and we're just going to keep bringing in more advanced level stuff so what i'm actually going to go ahead and do is i'm going to go ahead and bring that uh that masking premiere pro one in but real quick let me just go ahead and uh and bring up our good old-fashioned masterclass folder so i can uh make sure to bless you guys with the exact resources as we obviously create them gonna go to promo video go ahead and uh copy paste this bad boy over let that transfer itself over then we're gonna import it into the program and again just keep taking out um advanced looking stuff because obviously we've got the live tutorial of our advanced lessons which means that all we have to do is just go ahead and have a look at this stuff that i'm doing right here which kind of looks advanced i'm going to go to i probably around here when i start when i start bringing on that mask right because i'm just trying to look for a selection that when zoomed in on right so i'm going to go ahead and zoom it zoom in play to see the selection i think probably to around there most advanced skills and features available to you inside the program amazing so what we can go ahead and do now is literally just go ahead and pop that on 125 maybe and again just position it in the top corner of the program just like that so it's going to be zooming in and then we can go ahead and chop that right there most advanced skills and features available to you inside the program we plan on taking you guys all the way from beginner to advanced amazing we plan on taking you all the way from beginner to advanced so i'm just going to keep on overlaying more advanced level stuff and the way i want to do that is by continuing just to bring in stuff that looks like a lot's going on right like that's that's the main that's the main thing i just want to bring stuff in that looks like a lot is going on nice right there so for example let me go ahead and turn that off right there and it looks like a lot's going on so i'm just going to go ahead and copy this one over as well bring that over to right about there amazing go ahead and import that and we're just bringing on stuff that we're using as b-roll and we're just trying to import this uh into the thing and i'll tell you what i'm gonna do in a second is i'm gonna switch stuff up in a second i'm gonna go back to google and we're gonna get some live images just a very complicated looking timelines and we're gonna put that in here and again animate it so it looks like a bunch is going on but right here in it right there probably around where i'm messing with the colors right and play it we plan on taking you guys all the way from beginner to advanced and you know what i'm going to do is i'm actually going to speed this one up one up i'm going to go to 400 so a lot's happening quickly we plan on taking you guys all the way from beginner to advanced skipping no steps along the way skipping no steps along the way perfect so what i'm going to go ahead and do is set those keyframes right there and chop it out go to the absolute beginning of this clip and go ahead and pop it on a 125. zoom it in over here to the right zoom it in on that we plan on taking you guys all the way from beginner to advanced skipping no steps along the way buckle yourselves in for buckle yourselves in for hands down the most comprehensive course you've ever seen in your life is more or less the direction that i'm going in but let's jump over here back again to the green screen one have a look and um again i'm just i'm just trying to look for stuff that is um looking pretty advanced so stuff like that right there so stuff's going on right i'm gonna drag that right here buckle yourselves and again i'm gonna just turn it up to five hundred percent speed for hands down the most comprehensive and there we go and all encompassing see i'm i'm remembering the voiceover right now and i remember again i'm just doing this this keyframe in animation so i'm literally just zooming it in and also positioning it down there in the bottom right the bottom left rather so that it's down the most comprehensive and all-inclusive and all-inclusive adobe course ever amazing so i'm literally just taking stuff from from these right here and you know what i'm actually going to go ahead and do is in a second what i think i might do is i might go ahead and um i might get some images as i sold you guys but i'm going to exercise four drag and drop that right here because it's all inclusive there's already motion going on isn't there yeah so that's comprehensive now we can have it zooming out of the screen and all inclusive adobe premiere pro course on the entire internet on the entire internet amazing so probably right there at the on the entire internet and also i want to go ahead and have this um is this zooming in yeah that's zooming in so right here we want it zooming out of the screen right here boom keep that semi in the middle and all inclusive zooming out adobe premiere pro course on the entire internet and all-inclusive adobe adobe premiere pro course on the entire internet that's what i'm saying so we might want to mess around with that ending a little bit i think to be honest and maybe even repeat it so copy paste that end bit come over here ctrl v and go ahead and type inclusive adobe adobe premiere pro what i think i'm going to do is i might actually start moving some stuff over a little bit so this this bad boy comes up adobe premiere pro course on the entire internet let's get to it boom let's get to it now that sounds like music wise it it actually adds up perfect so what we could do is actually just keyframe the levels right here so that it actually builds up to this drop and hits full volume let's get to it amazing so we can keep this extending and go ahead and make sure to pull this out and pull that out right there adobe premiere pro course on the entire internet let's get to it amazing [Music] and just like that it can smash in so that just literally that's one of the perks of editing and sometimes stuff just just works out perfectly so now what i want to do now that we know we have this extra bit here we can we can make this a little bit shorter here most advanced skills and features available to you in let's play inside the program we plan on taking you guys all the way from beginner to advanced skipping no steps along the way buckle yourselves in for hands down the most comprehensive and all-inclusive adobe premiere pro course on the entire internet let's get to it okay i think maybe the let's get to it we want it to be faded in already let's get to [Music] it amazing amazing amazing so this one right here is looking pretty good let's go ahead and watch this entire thing together from start to finish and then we know what we want to start blending together and basically doing more of let's go ahead and press spacebar play this one through welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner into a well-rounded and seasoned editor in true master class fashion we plan on taking you through the absolute basics all the way to the most advanced skills and features available to you inside the program we plan on taking you guys all the way from beginner to advanced skipping no steps along the way buckle yourselves in for hands down the most comprehensive and all-inclusive adobe premiere pro course on the entire internet let's get to it amazing amazing and just like that guys we have put together the foundation of what's a nice promo video however what i want to go ahead and do right now guys is actually go ahead and give you guys some more stuff i think i want to actually go over here to my editing folder and i want to go to premium glitches premium glitches i believe i've blessed you guys a little bit with let's jump back here see if i have the glitch overlays i don't think i've fully given you guys a bunch of 10 out of 10 10 out of 10 ones these ones right here really good stuff i want to go ahead and incorporate some of them so i'm going to go ahead and bring over i'm going to start loading a couple up and just seeing what they're looking like i want these uh these more glowy ones like that so i want those ones these four i think could be good i'm gonna copy to paste them over obviously you guys will have already downloaded them and i'm gonna drag all four of them into promo video bonus folder that we've obviously been building up and i'm gonna double click number six load that one up first and i'm actually just going to go ahead and import that over here and scroll along until it's fully on the screen like that and again you guys know the drill go to screen chop it down the middle so we create like a point that it could lock on and we put it right there and we play it and we see what it's looking like also actually i'm gonna hold alt on this and drag this to the end welcome everybody to the adobe premiere pro master class course this course will transform even perfect perfect perfect and now that i know one of them is looking good now that i now i know that i'm gonna come over and i'm literally just gonna go ahead and insert all these ones into here and i'm just gonna go ahead and have one two three four and then repeat one two three four so we got one two and now we got the third one coming in remember i go to the point where the the effect is fully all encompassing the entire screen where you can't see anything uh behind so it's basically a perfect transition point and then we drag in this next one right here and we go ahead and again put it at the point where it is at absolute maximum blur or maximum glow maximum whatever you'd call this just it's full basically you can't see what's going on in the background so this point right here we can transition between it's wonderful uh these are it's all trickery it's all trickery of the of the eye basically right it's just something's going on that distracts you from the previous thing and i'm actually just gonna bring everything back up and i'm gonna highlight everything hold alt and just drag everything over again and then of course reposition the ones that need repositioning and actually just like that that worked out absolutely perfectly it literally just needed that amount of transitions and now with this transition overlay let's go ahead and have a look at what stuff's looking like welcome everybody i'll tell you what we could even do is potentially add that black bar at that black bar the reason i'm gonna add the black bar is because to the untrained eye you just naturally assume that basically a whole bunch is going on right so what we can actually go ahead and do is uh is jump over to our master class you guys already have this but i'll give it to you guys again just in case right so let's go ahead and import our black bars go ahead and drag that into our good old fashioned folder and go ahead and pop that on the top layer and uh and then we can go ahead and play and see what it's looking like welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner into a well-rounded and seasoned editor in true master class fashion we plan on taking you through the absolute basis so i i i want to make this a little bit bigger maybe maybe like that maybe there six all the way uh you know what i'm deleting the black bars have most advanced skills and features available to you inside the program we plan on taking you guys all the way from beginner to advanced skipping no steps along the way buckle yourselves in for hands down the most comprehensive and all-inclusive adobe premiere pro course on the entire internet let's get to it and then what i'm going to go ahead and do is i'm actually just going to go ahead and repeat one of these i'm going to go ahead and repeat this one so [Music] and i'm just gonna have the word welcome welcome welcome welcome and i'm just going to go ahead and pop that in the middle and i'm going to go ahead and make it impact and i'll tell you what i'm going to go ahead and do next or to to finish it off so i'm just going to drag out this logo underneath so that it's there just so i can actually uh copy the um the colors and i'm just gonna go to fill i'm gonna get my tool boom i'm gonna make it pink and then i'm gonna drag this back over and boom just like that welcome pops up so right below this glitch when it ends when the when the beat hits it says welcome let's get to it amazing amazing amazing and you guys know what i'm going to finish this off with right here i'm going to jump back into that last piece that i gave you guys was it the video intro no it was the tutorial that i gave you the 4k particles and that you guys will already have that so i'm just going to come into uh into my good old-fashioned project and i'm just going to type in 4k get those particles right here and i'm literally just going to go ahead and import them into the uh the layer below and drag them out a little bit oh line everything up wonderful go ahead and uh and get that on screen obviously it's a black background and i'm actually just going to go ahead and reposition it so that it is in the top right which means that the least is coming through and you know what i might even try to do i might try and go ahead and uh and bring it over to uh to that sort of pinkish a little bit bring it over there tiny bits mmm sort of more feeling a bit red uh yeah yeah yeah yeah looking all right and now we can go ahead and just play this see what it's looking like you know what i'm thinking i'm thinking this is a it's definitely too much so i'm gonna get the luma tree and i'm going to go ahead and get the screen bring that down a little bit just so it's maybe like 20 something like that i told you guys a lot of this game is literally just testing stuff let's get to it perfect perfect you perfect what i'm actually not even liking the look of those particles so i'm going to bless you guys with some different particles at the end of the day we made it this far into it we might as well complete it in a fashion that is 100 enjoyable and the way i'm going to do that guys is by actually opening up my overlay effects particles situation and i'm just going to go ahead and get these bad boys particles number three copy paste them over oop wrong wrong folder let me go to the promo video folder paste them there drag them in but a bing bada boom put them on the absolute bottom layer and right click and make sure you have uh set to frame size go ahead and play [Music] and we can go ahead and have this um this text zooming in to maybe a 110 something like that and you know what we can have is we can have the uh the particles zooming out so they're coming here but they're bigger right so basically you see right here you got these particles they're coming up but they're also going in [Music] and just like that we can end the text right there [Music] perfect amazing and now we can simply do an animation of these bad boys out wonderful and an animation of the uh the song out as well to that exact point wonderful and just like that guys we can press o which is the out point and we've got a 43 second promo video that's looking pretty nice now there's one quick thing that i want to do the uh glitch overlay things transitions right these right here transitions are kind of reddish now the screen is looking not so red so what i want to do is i want to just have a crack at getting an adjustment layer up and potentially sinking some stuff up now the way i'm going to do this is i'm going to mess around with one of our luts and see if i can use that as a base to build a pond so i'm actually going to load this up i'm going to get that lut pack and i'm just going to load some stuff up captain crunch looking all right through the absolute basics all the way to the most advanced skill that's again making stuff look a little welcome everybody to the adobe premiere pro and also i could tell something i want to do i want to bring everything up one and i want to go ahead and hold alt onto the particles drag it up so it duplicates right click unlink it from the audio layer and drag this over here and go ahead and make it normal and not fade out or actually it's got to be right click got to be at least in the middle right there and i want to just go ahead and make that screen so that basically we're going to have some particles all throughout welcome everybody to the adobe premiere pro master class course this course which again we can hold alt drag that to the end go ahead and have that right there all throughout the end as well so now we've got some particles going throughout now if we go ahead and press spacebar and play this we're looking at a pretty nice piece right now that's coming together very very quickly welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner into a well-rounded and seasoned editor in true master class fashion we plan on taking you through the absolute basics all the way to the most advanced skills and features available to you inside the program we plan on taking you guys all the way from beginner to advanced skipping no steps along the way buckle yourselves in for hands down the most comprehensive and all-inclusive adobe premiere pro course on the entire internet let's get to it oh yeah i'm just gonna go ahead and duplicate that so so when the text goes away amazing amazing amazing that's looking perfect literally just one quick thing i want to do just to make this look a little bit less gloomy i just want to go ahead and um amp up the exposure to two on the um on the background of the premiere pro uh screen and just like that guys i'm gonna go ahead and press ctrl m load up the uh the export settings as soon as they do decide to pop up control m there they are in good fashion i'm gonna go ahead and bring that to high quality 1080p i'm going to go ahead and put render at maximum depth and render at maximum quality and i'm going to go ahead and find the promo video and i'm going to call this the adobe yep premiere pro mc promo video adobe premiere pro mc standing for master class promo video go ahead and press the export button looks like we're using a fair few different audio channels so it's got to figure some stuff out boom didn't really take too long to figure out and now it's going to speed through the render 14 seconds to go nice and easy and we could go ahead and watch this back together guys in full quality the exported version and you and me have succeeded in building a promo video for this very course funny thing you guys might have literally watched this promo video at the start of the course then we get to the end of the course i show you exactly how i built it maybe you were wondering oh how did you do that you know boom there you go you can see every process every step of the process rather you can see how it was done so 98 obviously it's going to get stuck for a minute because that's just what premiere pro does standard the name of the game uh i do not think i've ever used premier pro for more than a couple days without you know dealing with some some crashes or whatever the case may be so it's one of them things you just got to sort of appease the program a little bit and this is not a crash right here this is just a little bit of a delay a little bit of a render lag while it sort of encodes the video and creates the final file i've i've been sitting on this window before for a good 20 minutes based on the simple fact that i was rendering or processing like a massive video you know gigabytes gigabytes gigabytes whereas it might even get stuck for a second even just on 110 megabyte but it speeds through it real quick and just like that we can actually go ahead and open up the bad boy right here and we can have a look at the adobe premiere pro master class promo video done and dusted go ahead and turn that off mute bring that up here make this nice and big fill the screen with it or you know what nearly boom just like that go ahead and press play welcome everybody to the adobe premiere pro master class course this course will transform even a complete beginner into a well-rounded and seasoned editor in true masterclass fashion we plan on taking you through the absolute basics all the way to the most advanced skills and features available to you inside the program we plan on taking you guys all the way from beginner to advanced skipping no steps along the way buckle yourselves in for hands down the most comprehensive and all-inclusive adobe premiere pro course on the entire internet let's get to it [Music] and just like that guys we have built a amazing 10 out of 10 promo video together guys that is the end of this bonus episode thank you for joining me we created an absolute banger which you watched at the beginning of the course and i taught you at the end how we put it all together let's keep cracking

Channel: Jack Cole

Views: 99,278

Keywords: LEARN PREMIERE PRO IN 20 MINUTES ! - Tutorial For Beginners, Learn EVERYTHING about Premiere Pro | TUTORIAL, Premiere Pro Tutorial for Beginners 2021 - Everything You NEED to KNOW!, Free Adobe Premiere Pro Essentials Tutorial Course - Video Editing Basics, Learn Premiere Pro in 30 Minutes, Adobe Premiere Pro Tutorial: How To Start For Beginners, Premiere Pro FOR BEGINNERS!, Learn Premiere Pro 2021 In 15 Minutes | ALL YOU NEED TO KNOW! Video editing basics, premiere pro tutorial

Id: 1-sNJs-MFYo

Length: 571min 57sec (34317 seconds)

Published: Thu Sep 09 2021