>> I DIDN'T CHOOSE DANCE, CHANCE
CHOSE ME. SMELL THAT, SNELS LIKE DANCE. JUST BECAUSE I'M HOSTING A
TELEVISION SHOW WHEN EVERYONE IS ASLEEP, DOESN'T MEAN I'M NOT
DANCING. HI, NICE TO MEET YOU,
CHOREOGRAPHOR, JAMES CORDEN. >> WHY DON'T YOU DANCE ANY MORE. AND I SAY YOU CONDITION SEE MY
FEET BEHIND THE DESK. BECAUSE THEY ARE. YOU KNOW. GUYS, JUST TO SAY JAMES CORDEN
IS ON SET AND I DON'T WANT ANY ATTENTION DRAWN TO THAT, SO JUST
KEEP A LOW PROFILE, THANK YOU. NO SOCIAL MEDIA LEAKS ABOUT MY
BEING HERE, IS THAT OKAY? I WOULD LIKE TO KEEP A REAL LOW
PROFILE, I'M THE SAME AS ALL YOU GUYS, OKAY? MY STYLE OF DANCE IS WHATEVER
YOU WANT IT TO BE. AND I AM WHOEVER IT THINKS YOU
ARE. YOU KNOW? IT'S SUBTLE, IT'S IN YOUR FACE,
IT'S HUMBLE, IT'S ARROGANT. SLOPPY, SLOPPY. GUYS, GUYS? GUYS? WOW, NOTHING. EMBARRASSING. THERE THEY ARE. OH, HEY. HOW ARE YOU. NICE TO SEE YOU. HELLO, HOW ARE YOU DOING? >> M-WAHMWAH. SO GOOD TO SEE YOU. JUST-- COMING IN TO
CHOREOGRAPHING THE SHOW. IN MY TRAILER. >> NO, NO, NO TRAILER. >> I MEAN I'M HAPPY TO SEE YOU. BUT REALLY, THERE'S NOTHING FOR
YOU. >> James: ARE YOU SAYING YOU I
DON'T HAVE A TRAILER. >> YOU DON'T HAVE A TRAILER. >> James: IF I DON'T HAVE A
TRAILER, THEN WHO ARE THESE. >> KELLY ANN, BRUNO AND WARDROBE
AT THE END, NO TRAILER. >> James: FORGET IT, I'LL USE
THIS ONE. >> THIS WILL BE ME, THIS WILL BE
ME! >> THAT'S TYPICAL. GONE TO HIS HEAD. >> James: GET RID OF THESE, I
DON'T NEED THOSE. I DON'T NEED ANYTHING CLUTTERING
ME UP, OKAY. >> HE CAN'T DANCE, HE CAN'T
CHOREOGRAPH. IT'S A JOKE. >> James: HELLO, SIR. HOW ARE YOU. HOW NICE TO SEE YOU. >> YES. >> IT FEELS GOOD. I'VE BEEN MOVING IT. >> James: THERE IT IS. FIVE, SIX, SEVEN, EIGHT. SEE YOU THERE. BYE BYE. ON MY WAY NOW TO MEET THE
COMPANY OF DANCERS. WELL, AM I ABOUT TO MEET THE
CAST OR ARE THE CAST ABOUT TO MEET ME. HELLO. I'M JAMES. >> HI, JAMES, I'M MANDY. >> James: JAMES CORDEN,
CHOREOGRAPHOR, THANK YOU. WHERE IS EVERYONE? >> THIS IS IT. SO YOU'VE GOT THREE FOR THE
BUMPERS THAT YOU ARE DOING. >> James: SORRY, WHAT DID YOU
JUST SAY? >> THE BUMPERS. YOU KNOW WHAT A BUMPER IS. IT'S JUST WHEN WE COME IN AND
OUT OF COMMERCIAL BREAK. >> James: I THINK THERE HAS
BEEN A MISTAKE. I WAS TOLD I AM HERE TO
CHOREOGRAPH THE BIGGEST NUMBER IN THE SHOW. SO. >> JUST THESE THREE RIGHT NOW,
FOR THE BUMPER. BECAUSE WE CAN'T GET EVERYBODY. >> James: YOU KEEP SAYING THE
WORD "BUMPER" CAN YOU GET AN EXACT PRODUCER TO THE FLOOR,
PLEASE? IS IT ON? IS IT ON? WE ARE GOING TO NEED AN EXEC
PRODUCER. WHO ARE YOU SNR. >> EXECUTIVE PRODUCER. >> James: YOU CAN'T BE THE
EXECUTIVE PRODUCER, ARE YOU ABOUT 12. I CAN'T DO WHAT I DO IN 20
SECONDS, ALL RIGHT. I MEAN 20 SECRETARIES,-- WHAT IS
THAT? WHAT ARE YOU DOING, WHAT IS 20
SECONDS. >> IT IS INTENDED TO BE
SOMETHING THAT WAS QUICK AND FUN AND WE THOUGHT THAT IT WOULD BE
IN YOUR WHEELHOUSE. >> James: I AM A LOT OF
THINGS, OKAY, BUT I'M NOT QUICK AND I'M NOT FUN, NOT WHEN IT
COMES TO DANCE, OR SEX FOR THAT MATTER. 20 ,ECONDS IS AULIFFE'S GOT THEN
20 SECONDS IS AULIFFE'S GOT. THEN I AM GOING TO MICK THIS THE
GREATEST BREAK BUMPER THEY HAVE EVER SEEN IN THEIR LIVES. I'LL SHOW THEM WHAT THEY ARE
BLOODY MISSING. LET'S DO IT. OKAY, BACK UP, BITCHES. LET ME SHOW YOU WHAT I AM
THINKING IT SHOULD BE, ALL RIGHT? BECAUSE I WANT TO SEE DEPTH, I
WANT TO SEE FEAR, I WANT TO SEE AVERAGE. I WANT TO SAY RAGE, I WANT TO
SEE JOY, I WANT TO SEE HAPPINESS. WHAT DO I WANT TO SEE? >> RAGE, HAPPINESS, SADNESS. >> James: I DIDN'T SAY
SADNESS. >> OKAY. >> JOY, ANGER. >> James: YOU'RE PRETTY,S THAT
ALL I'M SAYING. I WANT YOU TO BE A TIGER, GO,
GO, BE A TIGER. >>. AND THEN I AM NOW-- I'M RIDING
THE TILINGER, OKAY. SO YOU GO THROUGH. THAT'S IT. AND NOW TAKE IT UP. TAKE A LEFT. OKAY. AND NOW YOU TWO GIRLS, YOU'RE
TWO MAKAWS, YOU SOUND LIKE MAKAWS. >> NO, A MACA-W. >> WHAT'S THAT? >> GOOD WINGS. FIEFER, SIX, SEVEN, AIRT, ONE,
TWO, THREE, FOUR. FIVE, SIX, SEVEN-- AND THEN JUST
THERE, OKAY? ONE, TWO, THREE, YOU ARE-- IT IS
EMBARRASSING! IT'S EMBARRASSING! I FEEL LIKE I'M WATCHING A GROUP
OF-- DON'T PICK IT UP. YOU PICK IT UP. YOU PICK IT UP. I FEEL LIKE I'M WATCHING A GROUP
OF CHILDREN WHO HAVE BEEN STUCK IN A BASEMENT FOR THE LAST-- YOU
CAN PUT IT ON MY HEAD PLIES. I FEEL LIKE I'M WATCHING A GROUP
OF CHILDREN WHO HAVE JUST COME OUT OF A COMA. IT'S BACK ON. ALL RIGHT, HERE WE GO. TOM. >> HI, JAMES, HOW ARE YOU. NICE TO SEE YOU. >> James: I GUESS YOU HAVE
COME DOWN TO SEE THE ROUTINE. >> EVERYBODY IS TALKING ABOUT,
FROM THE OTHER SIDE OF THE BUILDING. >> James: JUST DRINK IT IN,
BUDDY, JUST DRINK IT IN. >> ALL RIGHT, THANK YOU. >> James: OKAY. FIVE, SIX, SEVEN, EIGHT. >> James: YOU'RE WELCOME. YOU ARE WELCOME, ALL RIGHT. SO THAT WILL GO OUT TONIGHT. PREPARE FOR YOUR TWITTER FEED TO
BLOW UP. ALL RIGHT. YOU SHOULD SEE HIS FACE. THAT IS WHAT WE DO IT FOR, ISN'T
IT? WHOOO! >> WELCOME TO DANCING WITH THE
STARS, I'M TOM BERGERON. >> WE'RE IN FOR AN EXCITING --
>> James: OH MY GOD. >> WE'RE GOING TO GET THE
SCORES. TO THE BREAK. ♪ ♪ ♪ ♪. >> OH JAY OH YEAH, AN HOMAGE TO
DRUNKEN WEDDING DANCES CHOREOGRAPHS BY OUR FRIEND JAMES
KOSHEDEN. >> James: THAT WAS FUN! PEOPLE WERE GOING NUTS FOR IT
YOU WERE INCREDIBLE. YOU WERE AMAZING. DID I COME DOWN TO THEIR LEVEL? A LITTLE BIT. DID THEY REACH UP TO MINE,
ALMOST. THEY'RE THE STAR OF THE DAY, I
WAS UP HERE, AND THEY WERE DOWRCH HERE, AND NOW THEY'RE
HERE AND I'M HERE. AND THAT'S THAT IS PROGRESS. AND THAT'S DANCE.
