Hello everyone, I am Yobanka and I welcome you to my Yobanka Art Paint channel, in this tutorial we are going to make a blue basket full of daisies, roses, small white flowers , some Magnolia, it will be a spectacular job and full of life, the first thing I do is make a very soft background starting at the top using a white, a sky blue and an ultramarine blue, and I'm going to blend them perfectly so that they are very soft and the transition between one color and another is super soft, when I have finished with the ultramarine blue I put a little white again and after the white, again a little blue to get that blur that goes from the top very clear through the central part a little darker and then again clear When the blue colors are completely blurred, at the bottom I will use this color which is an oyster beige, a very soft color and I will make a perfectly defined dividing line , for this I will I use masking tape and over the oyster beige color I put a little blue again when the paint below is still wet so that it integrates perfectly, once I have the finished background at the bottom of the painting I will do something different I am going to make a wood, a wood with perspective and a somewhat modern wood , it is not a dark wood but with a beautiful and super fun light wood this is an interesting trick to make wood in a very simple way, first I have marked the slats by making this perspective and then with the same color that I am using a bluish gray, I am going to make the shape of some very small veins, within those small veins I use a little white to distinguish them from the background, and this is a super cool trick It is super interesting to use a translucent white to really achieve the "wood effect", we are going to load a brush with very little translucent white paint which is almost transparent and I am going to Give it a layer on all the woods, and as you can see I am getting a real wood effect, it is a very simple way to achieve this interesting result. Now that I have the finished background I am going to start drawing the basket first, it is a slightly different blue basket and the first thing I do is mark the shape of the basket and fill it with gray, once I have it marked the shape I am going to do A few lines to be able to clarify so as not to make a mess when drawing the basket, it is simply a matter of making some lines and once I have made the lines I am going to do the following: I am going to start marking the frame of the basket, in At the beginning I am going to mark some marks that is with the brush loaded with white paint although later the basket will be blue, I am using these colors so that it is easy for me to make the drawing and thus be able to explain how to do it in a very easy way, with the brush loaded with white paint the first thing I do is make the marks in an inclined way from bottom to top and to the right, once I have marked the shapes with a fine brush I round all these shapes so that they are not completely straight otherwise it would not convey the feeling of a basket to us, once I have managed to sort this whole plot I give it a touch in blue and start shading it making it so that where one of the strips meets the other, it is a little darker and in the The central part is a little lighter I use a very fine brush to put ultramarine blue right at the joints and then in the central part I lighten it a little by mixing white with blue, an easy way to do it is to fill the right part and the left part of the a piece of the pattern that we are making and then with a thicker brush, blur loaded with a little white, if necessary we clean the brush so as not to have excess paint and then with ultramarine blue mixed with black, I have just marked the pattern of the basket and I give it a dot with white to help me distinguish one piece from another, I'm going to start doing everything that is the center of the basket the flowers, the green and the first thing I do is mark a vo compact lumen stuck to the bottom of the basket, and around that volume rising upwards I begin to mark leaves all around the basket. These first stains that I am doing will simply serve to guide me in the final drawing, I always like to work in this way, first I mark where each one will be, the silhouettes, the leaves, the flowers and then I define and perfect each one of them. . I'm going to start working from back to front because this basket is a basket that is going to be full of flowers and one is going to be on top of another and on that last one there will perhaps be another little leaf or another little flower so I start working from behind to Go ahead and these first sheets that I have marked I begin to work them in a definitive way. I am using acrylic paints from American Decoart I like to use acrylic paints because if we work at home or in a small or closed space we are not going to have the inconvenience of oil, that the whole house smells of turpentine or white spirit, and it is much faster. the work since it dries very quickly and we can advance a lot, to paint all the foliage and the leaves I am using two greens: green foliage and pine plantation, and I am mixing them one with the other to get darker areas and lighter areas, now I am going to use this color called real fuchsia to mark, the only thing I am going to do now is mark where the flowers are going to be, that is, in the position of the flowers, I want one daisy to be here and the other there and simply I am marking its position, in the central part I will use a chocolate a chocolate color to mark the center of the flower and I will also use a light coral color to make other flowers of another tone since I want this painting to have a lot of life. I am also going to mark small flowers mixing the light coral color with the real fuchsia color and giving it an intention so that the flowers and bouquets fall down and have a little grace, on the top I mark some rosebuds and also I am going to make some small branches, mixing the pine plantation color with the green foliage, in some areas I make it darker and in some areas I make it a little lighter, the leaves we are not going to do, we are only going to paint the leaf of a single color first we mark the sheet with that color and then we are going to mix the light and dark to give it a certain volume I am going to start working some in the details of everything that I have been marking so far these little flowers that have this fall so beautiful and that in principle I have painted with real fuchsia, what I do is mix a little white and give it volume in the part of the tip, in which I have painted with light Coral I do the same I put light coral then I put a bit of titanium white and also some touches with real fuchsia to give it a little more grace, we are going to work each of them always with wet paint because acrylic dries very quickly and we have I have to do it with the acrylic that is wet so that one color mixes perfectly with the other, now I am going to start superimposing some flowers on others, on the flowers or leaves that I have made on the back I am going to start marking some small ones little flowers in white. These little white flowers I have been distributing them throughout the picture and I have been putting them in strategic places so that the central part of the flower is very beautiful I put a little pine plantation and right in the center a light green a green foliage and when I have them made and I mark the branches that are joining one with another on the dark green I use the lighter green so that those small twigs are perfectly distinguished. In these little flowers that I had made in fuchsia and in light color, I will first join them by making some leaves on the back of the flower bud, and I will mix them twice as I have been doing until now when I have the leaves made. What I do is join them one, that is, join the flowers one with another so that it makes sense, we are going to focus on this specific point of the painting for what day is the amount of detail and visual richness that this painting has, we are going to take care of each one of the details so that it has a vividness and a spectacular joy this video lasts more or less about 30 minutes, sometimes you ask me how long it took me to paint a painting, this painting I have exactly 8 and a half hours of recording, it really took about 12 hours In painting it, it takes work but the results are wonderful that are really worth it. We are going to fill in the general picture with small details, distributing small leaves and flowers throughout the canvas, we are going to continue to focus on this piece that is the right junction between the basket and the bottom, where the flowers and the leaves, I am going to start doing much more precise details for example this leaf, I have loaded the brush on one side with the light green, the green foliage and on the other side I have put the pine plantation, with a single brushstroke or just With a stroke I have marked what the silhouette of the leaf is, I wait a little for it to dry because there are times that we are interested in the paint being wet and there are times that we are interested in it being completely dry, in this case I want it to be dry In order to later make shadows, lights and some form of it, I am also going to put some little flowers of those white ones that I have made at the bottom and on the basket because if we make small details on the basket, the painting gains a lot in depth. I already have the leaves that I have dried and now what I do is with white, give a line in the center which is the vein of the leaf and begin to mix the green foliage, the light with the white, and thus get volume areas of more light and areas of more shadow on the right side of the sheet I am going to make a fold so that it has a little more grace To achieve this effect it is important that we make an important difference between the darker tones and the lighter tones and As you can see, we have managed to make that sheet over there on the right look super pretty. I'm going to work the rest of the sheets and focus on the small details, so that you can see how to finish this piece of the painting and so you know how to do the rest of the painting. working on those little flowers and when I have them finished what I am going to do is first make and mark the central part and then mark the stems that connect the flowers together. I have filled with leaves of little flowers and small details all this section below the basket and I already consider that I have finished it, so now I am going to start finishing and perfecting the large flowers that I have painted I am going to start with the colored ones coral and I am going to mix several colors within the same hue, light coral, reddened coral, a bright orange color and also a scarlet color , the first thing I do is use a little white to finish perfecting the shape of the flower, I will to mark with a finite brush each one of the petals. In this range of coral colors I have also added a milk chocolate color, it is a dark brown and what I do is mark the separation of one petal with another by mixing an orange or a reddened coral with a little chocolate brown and that is how I will get a intensity that will differentiate one petal from another, also in the central part exactly where the central part of the flower meets the petals, we are also going to give it more darkness and much more clarity at the tip of the petals. I am still in the process of construction so I have seen that here I am missing a flower and in a quick and simple way I mark the position of where the flower will be, I mark some dark and light areas, and then I will refine it but I have given that the upper part of the painting has too much presence and I want it to move away I do not want it to be so close to me, so I am going to use the translucent white again to give it a layer with the brush very lightly loaded with paint that is going to make the tone lighten and that area of the painting will fade away, this is a technique that is used a lot when we paint with oil because in oil we have very opaque colors, semitransparent colors and much more transparent colors and the Decoart Americana house has this painting, it has some paintings that have these semi-transparency and that goes very well to achieve these effects of distance, transparency and also for shading, but then I'll show you how to shade. Now we are going to focus on finishing painting the flowers that are coral in color. As I was saying, I have used the mixture of several tones within the same color range, and we are going to try to make the tip of the petal lighter, the central part has more strength and more life, in the central part I am using coral. aged and in the part that is right next to the middle of the flower, I have mixed the coral colors with a chocolate brown and I also use the chocolate brown to differentiate one petal from another. When we have already painted the entire flower we are going to visually review it and if there is any area that needs more light so that one petal can be distinguished from another we are going to do it, in the central part I use a color a color with great force that is a scarlet color , and around I return to use the light coral to make these tiny petals that are typical of these flowers, now I am going to start working the flowers in fuchsia color and the first thing I do is with a very fine brush and with white paint, mark each one of the petals where I want it to be positioned. Now I have each of the petals drawn and I am going to use these two colors, a light pink mixed with real fuchsia, the process is going to be the same as before but this time I am only going to use two colors that I am going to mix between Yes, the outer part of the petal is in light pink and the deepest part or closest to the center I will put the fuchsia color, I will always work with wet paint and I will mix the color to make a very nice gradient , I make these two petals in slow motion and I am going to put you in fast motion as I build the two flowers, only using two colors and differentiating between one petal and the other using a lighter color a darker color which on this occasion is only Two colors. Look at how beautiful that pretty flower has turned out and just as I have told you, I first used white to mark the shape of the petal and then the two colors mixed with each other, at the end those white lines there are some areas where I want them to be seen a little but they do not have to be marked, we are going to cover them with the light pink. When we have finished painting them we are going to do a second review, we are going to observe our flower and we are going to see where it needs to be marked a little more light, a little more clarity, or a little more darkness so that the flower every time it has more life and is much more beautiful. When I see that the flower is already at the point that I like, I will mark the central part of the flower with a dark green, a color that is a pine plantation but it is interesting that it is a dark color to give it depth. to the flower, then with a very fine- tipped brush with the lightest color with the lightest green I make some small brushstrokes that are not dots, they are like tiny petals, first green then white and this is the result now I'm going to use a color that is also semitransparent that is the light shade color to shade just the bottom of the basket, I have also painted some flowers on the table and it is important that these flowers and these little buds that have fallen on the table, have their shadow to make this color more realistic, tan shadow we can also use a light one I like better the tan shadow is also semi-transparent and loading the brush with very little paint in a very easy way , we will get to make this shade so interesting, I do it on the flowers and I also do it right under the basket. I am also going to use this color the light shadow with the brush very lightly loaded with paint to shade some of the areas of the flowers when a flower is in a position that covers the one below it generates a shadow, so I marked that shadow, also the central part of the petals I do a little shading and in some areas that I see that it needs it, just where the foliage falls on the basket, that is, we are going to observe our work to see where it asks us to use that shadow , and always remember that the brush has to be very lightly loaded with paint so as not to cover the work we have done on the bottom. As this is a basket because I am going to make a handle for it, I am going to paint it with the same colors that I used to paint the basket a dark blue, a light blue and a little white. I want to give you one last piece of advice almost when we have finished our painting, we are going to separate from it and observe it, where it asks for more light, where it asks for more darkness, we need some small detail and when we have done that process the painting will be definitely finished. , giving a little more light to the bottom of the basket and marking a shadow, I consider it to be completely finished a picture full of life, a wonderful explosion of color I hope you have learned a lot with this tutorial and as I always tell you a Very strong kiss and until next time.
