- This is like super
(upbeat music) in my neighborhood. I drive the street almost every day. Right now, we're headed, I
had to leave church early. I'm headed to, a soundcheck,
for the gig tomorrow. It's a pretty big venue. It's my first time playing it. I'm excited, to play it. It holds like probably, I
think it holds, 8000 people. (upbeat music) (buzzing) (tapping) Double diddy, double stack diddy. (exclaiming) The name LA came from,
well my name is Arthur. My dad is Big Art, Big Arthur. So that makes me Little Art, LA. (upbeat music) There was a point where,
I had to make the decision to choose, either choose
music intentionally. I figured, okay, since I can't play drums, that's not gonna be a lucrative living, I can just be, I have a decent voice, I wanted to get into sports journalism. That's what I wanna do. (soft music) I was registering for classes, and nothing, sounded interesting. I was sitting on the bus stop
and the bus had pulled off. There's like a steam,
in the back of the bus, that exhaust and I promise
you, when that exhaust hit me, (whooshing) I either heard or thought
in my head, I said, " Music, "it has to be." And at that moment I thought,
I said, "Okay, you know what? "Life is way too short. "Even if it don't work
I'm about to try it." (stepping) This is my basement. It's unfinished, it's a
rough kinda the shed area. I rehearse down here, I make it happen. So it's a beginner, level
home studio rehearsal space. The tissue, is for earplugs. Boom. How you like that? (drumming) I wanna be a drummer,
what do I have to do? You gotta be cool.
(soft music) Not be cool, not like this cool, you gotta be like this cool. Like talk to strangers. What's up?
(clapping) Hang out. Keep shinning, do your things man. Be nice and I think,
you knowing your stuff, it works in your favor. If you're cool and you play like that, you make yourself an asset. (drumming) Toughest part about making
a living as a musician, is the feast and famine. When is good, oh is sweet. When it sucks, it sucks. Another wack part, only
thing, the only bad thing about being a drummer specifically. This is it, the only bad thing, is lugging all the gear around. It's a pretty big gig, so
I'm gonna play a big kit. Everybody who's, who I look up
to they always got huge kits. They always playing because
all my friends out of town, They always play in massive drum kits so, I could do that too, let me do it. It's a lot of work though. A lot of them, they got drum
techs, they got endorsements and all that good stuff,
that's on the way. It's on the way for your boy. (drumming) How do I make a living? My favorite way to make
money is playing drums in the studio, recording
an album for somebody. (drumming) I teach in schools, I do private
lessons, I play at church. (upbeat music) In bigger cities with
way more gospel culture, people feed families off of just church. (drumming) Church is lit, okay. (mumbling) - [Man] I feel that shout right there. - Now there's gigs and there's shows. A gig is where like, "Hey we
need a small jazz combo to play "in the corner and
nobody's gonna be paying "attention to you." You play, "Okay, cool." That's a gig. (laughing) Nobody knows you at the gig, okay. Gigs are kinda hard sometimes. Shows are, what you want your friends and family to come see. For example with Dem
Atlas, I play Sound Set with him last summer. (upbeat music) Sound Set is a show. How else, Sound Field. (exclaiming) (laughing) Let's get it. (drumming) I'm a student who's trying to steal from every single drummer I see. If you're a kid, Caleb
my student coming today, I'm gonna take all of his stuff and re-invent it to be mine. And it's gonna be cold. So like, there's nobody
you can't learn from. (drumming) (exclaiming) Caleb is 12 years old. And Caleb was my favorite type of student because, Caleb is exactly the way I was. (drumming)
(exclaiming) What? (upbeat music) Close, it's close, it's super close. There's something that
you do, I don't know what it is yet but I'm gonna
take it, I'm stealing it. What's this? (drumming) What do you do foot in there too? (drumming) - So, with the foot it's gonna be like. (drumming) - I'm messing it up, do it- (drumming) - So at the beginning it's
like, one two three four, and then, so it's like. (drumming) (exclaiming) (drumming) - That's killing. It got... (drumming) There's a reason why I mentor,
because I had fire mentors, when I was growing up. That's one thing that church gave me. That's one thing that, being
in the black community gave me. Then I realized that,
that's one of my jobs. That's why I even teach, cause
I gotta tell all the secrets, to the youth. I gotta tell them, the stuff
that I'm learning right now, that's what I have to share, with Caleb. (drumming) (mumbling) One two, to do that with me (mumbling). (drumming) (playing piano) (drumming) Things I learned from Sound
Feild, they come in retrospect. Experiences, meeting
people or conversations that Sound Field has provided,
or talking to Nare, okay. Just, after we shoot in
DC we're having lunch, and just having, just
nerdy musical conversation. (upbeat music) One of my favorite tracks that
we did was the parody track. (upbeat music) This was like, the overkill. Like just doing so much and then cut it. That was one of my
favorite tracks to work on, I like that one. (upbeat music) (laughing) Trap, that was the goal cause like, that was our first initial
try add in and Nare sent the whole folder of
sounds and we had to pull from that folder and that was a dope one, that came together. I was just like, that gave me hope. I was like, "Okay yeah,
this is about the work. "This is gonna be tight." Psych, I can't play. (laughing) But I got one note. (blowing trumpet) One note. (blowing trumpet) (laughing) (upbeat music) That's a wrap from before.
