Dressing up a Florentine Lady 1480-90s

dressing up a Florentine lady 40 1990 by prior time today we are looking at the lace worn by Flo and time on class the commedia Gomorrah in jermeir loosely translated asked the shipped cattle and an older gal [Music] without starting with the kamichan the shipped or asha means it was usually made in soft linen a fabric that breathes well and can be worked frequently it sported a new very generous cut unlike more fitted shimmies is seen at that time in the north of the continent it was a fashion that would pick up and be seen in variety of Renison stars across europe the neckline and sleeves are gathered into our balance the cuffs close to the hook and bar or buttons Gomora the curtain the cut was not that different from the mainstream fashions but already indicated retinal variations the waist was slowly creeping up a trend we see fully developed especially in the four to nineteen stars in Florence and Venice Kimura could be flame in light wool or for a more affluent comms woman and fancy silks Bodhi sets were usually light of linen whereas the skirt could be learned to unlike depending on personal preferences and season this one is in a very light silk woven WA square patan de borders is lined with plain linen but development of skirts gathered to the bodice or unlined miss leaves are like him playing the silk easier to slide them over the linen she means allegedly that is dissidents who usually fast them for points if you had helped with dressing up miss leaves could be put on separately much easier me I need to make do my own sub sleeves are tied in already a bit tricky especially with the huge seats of the commedia but I think we've just about done it what hey success well almost the chemises pulled out through the openings in the sleeves and between the sleeves and the bodice it was a very clever design allowing for more ventilation in hot climate but a very pretty one too that cut off into northern Europe in 16th century the bodice is interlinked with step buckram to give me some support and control over to bosom I'm also sporting some breast binding onto the shanise perhaps see a closer a was scary peak at the end of the video to that effect just an additional precaution not necessary if you didn't need it obviously the bodice laces in front with one long time here all ties points were made anew all on the loose it with brass egglets bodice with lace at the sides and back to but front was probably the most common are used brass rings set into Gomorrah but worked eyelets were used just us frequently [Music] the lacing is from the bottom up helping to keep the assets up and who are supported the looser that coat has a bit of stretch in it this helps were both lacing and comfort [Music] [Music] what are their and at least it's faster than buttons [Music] a bit more [Music] let us tighten it up a bit although it seems like a long time when you watch it actually takes to us a few minutes especially if I'm doing it at full speed with nobody watching final adjustments pulling out the shaman's nicely [Music] and all dumb Hey right she's next they are leather with gold braid decoration that matches the camera stockings of house as shown we're already place of business [Music] let's buckle them up [Music] the shoes clothes for the buckets buckled strap I'm trying to put them in a manner that would not involve too much leaning in not obscure tonight events [Music] next [Music] about next not all it's necessary but handy for hanging stuff from stuff like eating implements versus keys etc [Music] a little purse for some coins and a happy oh not a bad-size for a mama bird neither bling horses on the beach Oh Jake and peppermint the Oracle hath spoken husband seven green bring it is we're very fiddly fast earning Just My Luck I'm watching ring [Music] not done a bit of a close up for you [Music] camera is enough to endorse or maybe for an informal out into the market or lounge Amanda patio of friends but further but we're more formal occasion and calm is required a few types were in fashion the Pentagon status and occasion a job got the or a Jonah Jonah was a voluminous loose garment falling in holds from the shoulders it could have been cinch to the belt all around or just halfway as shown a perfect example of for one over down have a slight unsuitable so warmer climate [Music] thirdly this example is made out of silver and pocket and lined with light with soap it is decorated with imagine great and very very light my versions showed an often almost circular were also popular a fortunate version of some predictable perhaps [Music] obviously for men not women don't many women in painting sport translucent veils on their heads they may look great in the paintings but myself my head is a grill pain to keep on hence needed ask for hasta la franja is short and curled the backcourt in a band I'm secured with an actor one of those men a few periods when head Nicolas is what actually bow okay [Music] let's curl the ends of it the ends of the veil were often seen twisted nicely maybe will work better on linen that silk has a will of its own but hey let's see if it stays fair close-up it's space space hello [Music] that's it for me today hope you enjoyed it [Music] Oh almost forgot the promise breast bunting dose of delicate Constitution leave now [Music] [Music]

Channel: priorattire

Views: 214,878

Keywords: renaissance, italian, historical fashion, historical, reenactment, fashion history, priorattire

Id: 3n2H-npjAi0

Length: 10min 57sec (657 seconds)

Published: Sat Apr 04 2020

Reddit Comments

[u/pvoberstein]

• Florentine Upper Class - the shift, kirtle, and an overgown (camicia, gamurra, giornea).

• Camicia - shift/chemise. Usually made in soft linen - breathes well and can be washed frequently. Cut was quite generous for the time. Neckline and sleeves gathered into narrow bands, cuffs close with hook and bar.

• Gamorra - Waist creeping up. Could be plain in light wool, or in fancy silks. Bodices were usually lined with lined, skirt could be lined or unlined. Example here has light silk with square pattern. Sleeves are lined with plain silk, making them easier to slide on over the chemise. Sleeves usually fastened with points (helps to have help).

• The chemise is pulled out through the openings in the sleeves, and between the selves and the bodice. Basically allowing for ventilation. Bodice is interlined with stiff buckram. Some breast-binding under the chemise. Bodice laces in front with one long tie, could also be done along the sides or back. Lacing is from the bottom up (for support). Lucetted cord stretches a little. Takes about a few minutes.

• Shoes were leather, with gold braid decoration. Closed with a buckled strap.

• Belts common but not obligatory, used to hang stuff from.

• For formal occasions a gown is required. Voluminous, loose. Cinched. Light enough for the warm climate. Example here made out of silk/linen brocade, lined with lightweight silk.

• Translucent veils often worn. Pins needed to keep in place. Ends of the veil often twisted.

[u/pvoberstein]

• Florentine Upper Class - the shift, kirtle, and an overgown (camicia, gamurra, giornea).

• Camicia - shift/chemise. Usually made in soft linen - breathes well and can be washed frequently. Cut was quite generous for the time. Neckline and sleeves gathered into narrow bands, cuffs close with hook and bar.

• Gamorra - Waist creeping up. Could be plain in light wool, or in fancy silks. Bodices were usually lined with lined, skirt could be lined or unlined. Example here has light silk with square pattern. Sleeves are lined with plain silk, making them easier to slide on over the chemise. Sleeves usually fastened with points (helps to have help).

• The chemise is pulled out through the openings in the sleeves, and between the selves and the bodice. Basically allowing for ventilation. Bodice is interlined with stiff buckram. Some breast-binding under the chemise. Bodice laces in front with one long tie, could also be done along the sides or back. Lacing is from the bottom up (for support). Lucetted cord stretches a little. Takes about a few minutes.

• Shoes were leather, with gold braid decoration. Closed with a buckled strap.

• Belts common but not obligatory, used to hang stuff from.

• For formal occasions a gown is required. Voluminous, loose. Cinched. Light enough for the warm climate. Example here made out of silk/linen brocade, lined with lightweight silk.

• Translucent veils often worn. Pins needed to keep in place. Ends of the veil often twisted.

[u/pvoberstein]

• Florentine Upper Class - the shift, kirtle, and an overgown (camicia, gamurra, giornea).

• Camicia - shift/chemise. Usually made in soft linen - breathes well and can be washed frequently. Cut was quite generous for the time. Neckline and sleeves gathered into narrow bands, cuffs close with hook and bar.

• Gamorra - Waist creeping up. Could be plain in light wool, or in fancy silks. Bodices were usually lined with lined, skirt could be lined or unlined. Example here has light silk with square pattern. Sleeves are lined with plain silk, making them easier to slide on over the chemise. Sleeves usually fastened with points (helps to have help).

• The chemise is pulled out through the openings in the sleeves, and between the selves and the bodice. Basically allowing for ventilation. Bodice is interlined with stiff buckram. Some breast-binding under the chemise. Bodice laces in front with one long tie, could also be done along the sides or back. Lacing is from the bottom up (for support). Lucetted cord stretches a little. Takes about a few minutes.

• Shoes were leather, with gold braid decoration. Closed with a buckled strap.

• Belts common but not obligatory, used to hang stuff from.

• For formal occasions a gown is required. Voluminous, loose. Cinched. Light enough for the warm climate. Example here made out of silk/linen brocade, lined with lightweight silk.

• Translucent veils often worn. Pins needed to keep in place. Ends of the veil often twisted.

[u/pvoberstein]

Well reddit's 500 errors really added up.